nv pi , '.'-mrmegrtiLTiZr f'ii'wpw ryj j'i, - OTrew:" t ' . . .u iM ,i ' ;' , ;) -; iVt'- "".! V', "'; . " ", " 3- .' ,, . iff BEFORE THE CURTAIN GOES UP (i,cr5 and Adolescent Youths Have Been Important Factors I en Our Stage This Season Only One Nciv Play Next Week ny HENRY lirlTH the exit of the ZleRfeld "Frolic" from the Gnrrick tenlsht, "Welcome 7'TT Stranger" comes te taKO us piace i If eirnu -- ----- --- .- - .......v vu ,, inuu , ulu jirrt,. mt line-up of nttrnctlens In the legitimate heuBce. Twe former stags tnrs ,. Al.A a,ir1vlllA hensea -Trent Cnafln at TmUI... ...t -r-t.- ,... Tbemns at the Chestnut Street Opera . " i Xeit week will be the final one for Who Bat," wlJch will thus equal the Utt continuous' run record of nineteen I JriTk. for a dramatic performance. It t lll then he followed at the Adclphl by. ? tfrL Lew," with William Hedge, who mide the previous record with his "The jinn rrum .. , , .. , (Other shows remalnlnct are "Ladles' VUht" at the Lyric, "Orphans of the. Storm" at the Ferrest, "The Greenwich Village Follies" at the Shubcrt, "The ' Intimate Strangers" with Billle Burke tie Walnut. Along with the growing popularity of r what might be called the "middle- tied" romance, there seems a tendency i . among playwrights ( Youth Uaa Had te nchleve greater Pta Pert In ' dramatic contrast ' Vmits PlaUB by w'tlnB In very Years I lays rapertnnt pruts for TdJng girls of the flapper period and or, hovering about the age of adol adel ,Kence. There have been a number of rim this season in which reelly big Satis have been given te very young men and women and three or four et Them have made decided hits. Others haren't been se fertunatc.N f Offhand, it is easy te recall five plays in which youth had n deciding influ Jnce They are "Bill of Divorcement, .Seu" Mr. Fair," "Only 88.V "The Skin Game" and "Intlmntu Strangers." In "A Bill of Divorcement," Kntn . irlne Cernell gave n most convincingly 'true'te-llfe charactcrliatlen of tbe daughter of the shell-shocked veteran. Sbe played it In an easy, offhand style that totally concealed her art and that almost made her the outstanding fea ture of the caet. She is continuing (his geed work In the long New i? riumph of the play and is very highly ipeken of by the critics there If that mfsns anything. ,ii. nnr.A ifntiirlitfr In "The Famous Mrs. Fair," has n part se im portant that the inadequate work of Slarjerle Williams this season almost destroyed the geed Impression the play made last year when Margalo Gllmere did the role se cxceuentiy. ."Only 38" Is another case In point. Mary Kyan was starred, but her work was unquestionably overshadowed In Interest by Neil Martin, who played iVm nnrf nf inr son. Here was n really jietable portrayal of n young boy the young boy ns he bcllevably is In real life and net full of the exaggerations that are usually seen in sucn pans en the stage. The daughter In the same play was written with nil the oppor tunities that the part of the boy had, but B-uth Mcre failed te ceme up te Its possibilities arid Martin carried off all the scenes in which they appeared to gether. And Miss Mere come danger ously near te making the curtain of the second act go floeey with her amateur lh emotionalism when it should have been one of the strongest high lights of the show. "The Skin Game," new at the Wal nut, has a rich part for a xpung girl, and it Is handled exceptionally well by 'Andrer Cameren. By the way, it Is n pleasure te hear that the public is sup porting this excellent Galsworthy play e satisfactorily that the management las decided te keep It here for the two weeks that had been assigned te "The Man Who Came Back. That will slve "The Skin Game" two weeks mere beginning next Monday. Miss Cameren's own personality, ns touch as any acting ability, puts her part ever. She Is an unusual Individ uality, with n brusque, almost boyish way about her, n frankness and unaf fectcdness nnd straightforwardness that are Inherent and net learned In n drn matlc bchoel. Hers is a fresh and dif ferent viewpoint of llfe and she Inter ests you whether you altogether like her or net. "The Intlmnte Strangers," which Billte Burke It giving at the Bread, i another play with its lighter side em bellished by two youthful characters. And, as iu "Only 3S," the boy gives n remnrknble performance, while the girl Is woefully lnndcquntc. Glenn Hun ter, who handles the youth's role, is, of course, net new te triumph In such parts. Ills work in "Clarence" laBt year made such n hit that it gave him a geed chance in motion pictures, and he has done se well in them that a com pany lias been formed te star him, and he has finished the first of the six scheduled for this yenr. His role in "Intimate Strangers" would score even better if he had adequate support from the girl oppeolto him, but she is se much the high-school dramatic society type of amateur that Hunter is much ham pered in lines and situations that ought te get acrebs big. nVUEMUEIl hew Vnnnv Bricc tang "Second-Hand Hefe" in the feUlmt The movies, in their wild tcramblr or iievcltica, have grabbed it new. 77ici urc fmnini; it into film out in t'lifVrjifi City, Calif. Fact. NO ONR who gees te see "Ladies' Night" at the Lyric would imagine that uny of the farceurs in the car-t had ever been n serious-minded, heavy actor in the real dyed-in-tho-woel drawmah. But one of 'em has. Edward Douglas, the chap with the English accent, who Is one of the chief aughmakers In the show, started in te be very Bneth-nnd-Barretty. He was with Hlr Herbert Tree In Shakespearean repertoire for three years in England and in the Uarrle plays produced nt the Duke of Yerk Theatre. But he began te get a taste for comedy when he joined yril Maude and that taste grew se tnat he drifted iute bread farce. Next week's new-comer in the local weatrcB is unether comedy. It Is called Welcome Stranger" and it bucceeds wc "Frolic" at the Garrlck. It Is a try of smull town folk and of the Prejudices that are found in &e many of our little communities. iiie nctlen is laid in Valley Falls, t. r P," a Mterly cold New Year's ve, Isidore Solemon, of, Bosten, nr jwes thure wlth (he Intention of open ,,BUI' gyiernl store. But there ure "ajs prejudices In Valley Falls nnd he ik -:"' ."" " "i ii : '"i uuinwy tnat he 1b net wanted But Isidore Hn't.lTt,." 8" eul' n,,. r " tmlt .l,c "tl b(er get out. !SA JlOTSe I drennVL SIie."1 .)" l,,v,ntleiiH mid who I Ps "' Mertlnu an electric power plant. taitin-t rnH... . ,.. ni. . """ 1UVIIIO u niirlnprHlilii "'"' mm In ..!. -I ' ' "",.; "'"""" nf .."; , l'iw l II1P IMMIOl-IIIUll i Jicli y iey meWfA J becume Ui.t ? tlllH C(,tant clash of clauses and tni8 "I'l'ertunity for the comedy Th ,e dr?l"(; Hltuntleiiii In thu piny. fleortevn'8 'lolle one, Including 'n iuSX ra Mert,,, und rtb UanaferBjuUp fene In the for.). n't-,. ? - M. NKKLY nna makes the only chnnge lit the pre Heuse, but the ether shows remain "as Is." Shows That Arc Coming te Philadelphia Soen ,r Febrnerjr fl "The Whlte-Hcadcrt Bey." Dreail; "Deir Leve," with , William Hetlire, Lyric. February 18 "Alain Street," Wal nut Felirnirj- 20 "The Geld DlKfrera," Bread; "The O'Brien Girl," Oar rick. Cemlntr "The Squaw Man," with William Favernham, Lyric; Under the Bamboo Tree," with Bert Williams, Shubcrt, Greenwich Village Follies is nn excel lent Illustration of the progress that t . ii ''as been made In Transformation stugeemft. Here is Scene Made an interior trans- Here First formed Inte nntcx- tcrier garden scenb entirely by means of light nnd in full view of the nudlence. Oddly enough, the very first transformation scene at tempted en the stage was done right here in Philadelphia by a I'hlladclphlan, who still lives among us nnd it, tee, wns a change from nn Interior te n garden scene. It was n crude affair compared te the marvels of today, but It created a tremendous sensation. This scene was done with "The Lit teo Tycoon," the first of the bcrics of remarkably successful light operas, written by Wlllnrd Spenser, which in Jljidcd such fnverltcs us "Miss Beb White" and "Princess Bennie." AVhcn Tycoon" wns presented at the ' old Temple Ihcatre, en Chestnut street, between Seventh nnd Eighth, Spenser had the Interior built inside the garden scene. All the stage properties chairs, tables, rugs nnd what net were fastened by strings which went Inte the flies. When it came time for the quick change, the lightu suddenly went out, the interior scenery wns raised or pulled aHide, the properties were hauled Inte tlm n-in.ru n.i u, lights were again turned en, disclosing the garden scene. Such a quick chnnge of nn entire scenic setting had never been nttcmnted before, mill It pi-piik.,1 no end of enthusiasm. In these days, tee, It wns often nec essary te run wires from the theatre te the nearest newspaper office or big fitore which had nn electric plant. The theatres nnd all the houses were lighted by gesv-?0' for the transformation scene of 1880. the producer "borrowed" his electricity from n place several blocks away. And, by the way. "The Little Ty coon still holds nil local records for long runs of any kind of stage enter tainment. It played 500 performances a its original stand, when the Temple Theatre burned down, went te the Academy of Music for two weeks of crowded houses nnd then moved te the Standard Theatre, en Arch street, where it played mere than 300 per formances. MOVIE BEAUTY CONTEST WINNER JOINS "FROLIC" Madelalne Starhill, Who Toek Eve ning Public Ledger Prize, en Stage When the Zlcgfeld "Frolic" leave. this city tomorrow for Pittsburgh, it will have a new member of the cast, added here. She is Madelalne Starhill, winner of the Mevie Beauty Contest conducted recently by the Evn.NiNa Punue Ledoer. Miss Starhill, whose renl name, by the way, Is Madelalne Belle Sternberg, Is the daughter of Mr. and Mrs. Ferdinand Sternberg. .r800 Cedar avenue. Florenz Zlegfeld offered her mother n position with the com pany, but Mrs. Sternberg, though she will accompany her daughter, has net yet decided te go en the stnge. Miss Starhill Is nineteen years old, and is n Graduate of Ht. T.pnnnrri'n Convent Scheel. After winning the movie contest, bhe noted as an extra in two pictures for the lletzwoed Film Company, took n miner part in another aim was tne featured ingenue in it fourth. Mls8 Franklln'a Frem Missouri Irene Franklin, one of the stars in "The Greenwich Village Follies." new playing nn indefinite engagement nt the Shubcrt Theatre, wns horn in St. Leuis, I'Ut left there nt the tender nge of Plx months te play a baby rele nt the salary of $1 n day In .lames A. Heme's melodrama, "Hearts of Oak." Then, after retiring from the stage for n wl.ij te acquire an education, Miss Franklin ..ln.,,.,1 .cnrnl ...I.I. fP. T, I. comedy company. In "May Blessem" Vn(,, UuHslim nnd ltllan parts nnd she did n song and dance between nets. I 1U nU klls f ,,nys from Chribtmns That might be cnlled the beginning of . ,,ntomliiie te Shukespcare. her musical comedy experience. ' Mellle Williams at Casine "Twin Beds" at Metropolitan jrollie Williams will bring her popu pepu "Twin Beds," the successful fnree . lnr "Comedies of 1IVJ2" show te the by Margaret Maye nnd Salisbury Field. Cuslne next Mendn for a week's en will be the effcrine of Mne Desnunid ?neement. The hIiew, whlih is in two nnu ner associate pmyers nt the Metro politan Opera Heuse next week. "Twin Beds" is a comedy of mixed Identity and relates the tnngled mnrltnl adven tures of three couples. Miss Desmond plays the pnrt of Blanche Hawkins, "a friendly little soul who brings en nil the trouble." Frank Fielder nnd the ether favorites have cengcnlnl comedy parts. There will be no performance Wednesday evening. . . . . ." . I" Tarklngten as Playwright Beeth Tarklngten, author of "The Intlmnte Strangers," the comedy in which Billie Burke is starred nt the Breud Street Theatre, although best known as a novelist, hits quite a lii-t of ploys te his credit. They include adaptations of his own stories "Mon sieur Bennuenlre," "The Gentleman from Indiana" and "Seventeen." and, among ethers. "The Man from Heme," "Cnince Kirby." "Clarence," "Mister Antonie." "The Country Cousin," "Your Humble Servant," "The Wren," "Peldekin." Orpheum Players In Farce "The High Cost of Leving." by Frank Mundell, n farce that served as n Lew Fields vehicle a number of ycarH HRe. will be presented nt the Or nlipiini Then tre next week. It Ik all about n Spiiutsli danheiife nnd the imvee Bhe plays with the hen. tn of four young "WE' .a;. Bi??, i'J., 'i: ; nut I -vice , . c(1 )iv iwglit Meiul.;. Other favor ivnf t ,e i-teek cnniriiiny will be tun " - ..inllv n.iii Hedge Coming In "Dcg Leve" M'llllnni Ilnilce will come te the Adelphl Theatre Menda.v , I ebruary (I, In "Deg jtevc," a comedy which he wrete blmrclf. The plot ceucenw the ". ."" 1 ' .. t ..,.,, !, ,,l..in In'Vnr."hnBTn rv for' WH-hp'a h. wl.5 iienulres nonfwlen of ii deg fiirm. Ann DavlM, .Uditli Klieypc,' HeWiv U"Ube, Jehn W'bBter, MrB. Clmrlefk C'nilg. Geerge Darbler,, I'lshtea Htark nm) ethera compose tee ct ""' .' T ..'.' .. .. .!-. ..H. .sUdr"! --a , .t,tnaa ii 1 1 4VV4 VTSNING PUBLIC STARS 'OF THE iW TV)3BMVKr iH 'aj'. ' dMBKMwWr7$!-9 GREENWICH VILLAGt VHFi-DIES NIGHT VNflV''' ?.'$&" fl MmMMmmk nMmmi $MmT JHHlB Bk CalcsliUraia THE BAT VerLPVM Themas SHUBERT vaudeville l1' ' mUl SMSB. . L'u-cilli?- x.iAt;.-i--. ORPHANS OF.THE 5TORM" rORREST NEWMAN LECTURE PLEASES Academy of Music Last night 11. M. Xewmim in his trncltulk took hU nuillenee te Icelnud and the North Cape. The lecture Included unusual n...l I. ....... ..!.. ..I e .... . meuutalnH nnli M W&Z fnr from civilization. Celc.red w.-ni's ami moving pictures were Interspersed throughout the truveltnlk. The U-cture 1 will be repented this afternoon. She Divides Her Interest Irene f'nstle. opponent of ballroom diulclng, who Is one of the headlines en the bill nt B. P. Keith's iiet week, has returned te nudcvillc for u limited period only ami plnns te retire from the stage permanently nt the end of her en gagements. In the meantime .she is working In pictures right along. Her latest is "Fienrh Heels." and her next will lie "The Iti-cef Itoscee Piilne." Mrs. Castle, who is assisted lu her net nt Kellh'h by William Reardeti, de clares dint there lias been nothing really new in biillnmm diinciiig since she and the line Vernen Ciihtle offered the "Cas tle Wnlk." Her Life Has Been Busy Audrey Cnmeren, who plujs m de lightfully the rele of the aristocrat's dnughter in "The Skin Game," which opens Monday its third week ut the Wnlimt Street Theatre, is only seven teen jenrs old, but she's, had quite it career. This is the first renlly "grown up" part slie's plnyed, nnd she wns chosen fur it by Jehn Galsworthy, the iiuther.himself ; as the result of her work in "Foundation," another of ills plays. fl"" H "- ."" " K ':" J... nets and fourteen wenes, is elaborate -ri . ' t In Its stnglng, especmll) tne nnui Beetle, which is called "The 12nd of the World." Anether feature of the show is n ilmmntle nlnylct. "The Signal," In which Edward Kirby, Salvnterc 7-lte, Pliiny Rutlcdge nnd Mlsa Wil liams participate. ' Trocadero's New 8hew "The Speedway Girls" Is the attrac tion nt the Trocadero next week. A rnnxlnl fentlire will be MisS BilllO Wil- son, clnsslc dnnseuHO, who will give a ic'perteire of Russian, Greek nnd Ha- u-nllnn Ktens ami n novelty cnlU'd "The I Dnncc of All Nntlens." Anetlicr foil- ture of the program h'the Meledy Trie In heiiiss. .Tim -"st of "The Spoed- vnj tilrln" inoludes Hey Hamilton, Ilil'ly Shuler, Hnttle Uciill, Hurry He Vlll U11U Ullivi-i. Dumont's Jubilee Shew Nit wefk will lm t tin last of the .Inuiinry Jubilee at Ihiineut'b 'I'liealre, diirliiK wlileli proHent-day fnvorlteR lime roirei.onted old-time iiilnstreK On the pruRrnm me two ketclieH, "The Ce) and the Newsle," vvlih Jehn l.cinuelH, Ulllie Shelden ami Manter (trimly, nnd "The Hey Scouts in Ciimp," with lieunie Krnnkliu and itliern Iu '-.itirie ceiueih roles. The ',,,., .....i ,irM ,mrt ,,f ,i,(, lir0Eriiin are u ,lUell ,,al0 of ,, l;n;im.lt WeIcll Mr. Mm In Demand Te imvp nie iirnma et tiieir uaiieniii lilhterv told en the Hereen hy I). Vi' I (irlllllir In the desire of two great Seuth j merlciiu nnllens. When "OrphaiiH of lie Steini." hU latest feu ture, new I playing Ml the Feri eat Theatre, opened I Mi New Yuri, leproN'iilallves t)f tluixe 1 natlmiH met .Mr. t!i net Mr. tiiltlith and nrrnneeil nferenee In Wuhhliigten. The i of tliese uterlcH would be done i K I for ii eon M'enai'leN by .'einmlttee of the foremost native nutlierH. One of the conditions would lie that two vciMenH be niedv'i one for Helith Amerlfn and tjiietlier ,te get hy the N Amcrlcan ceunera, Mr.- Urlf WJ V UVVAS.V MO j uve w aaL(.t- LJEDaERPHiliDELPHlA, m SATfrRflAY, STAGE COMING HERE NEXT WEEK Lester Hcyvwiri ORPflEUM CASINO ORCHESTRA APPEARS IN AN ALL-RUSSIAN PROGRAM Techalkewsky, Boredlne and Mous Meus Mous sergsky the Composers Represented Yesterday's concert of the Philadel phia Orchestra wns made up entirely of compositions of the later Russians, for wlmce music Mr. Stokewski has a deep feeling nnd which lie therefore con ducts with perhaps greater sympathy than he does any of the ether pro nounced nationalistic bchoels. The concert begnn with the Fourth Symphony of 'IVchaikewsky, the first of the trilogy of symphonies 'of sorrow which have made the nnine of the great npestlc of inisnnthrepliy famous throughout the musical world. The work wns conducted throughout in this spirit, with the possible exception of the closing movement which wits tnken ut n furious tempo, se fast as at times te Interfere with the coherency of the instruments. Mr. Stokewski wns evi dently net in full sympathy jestcrdny -'th the apparent intent of thr re. W for i,e,h"s ,Blvcn la m,ay b(;tt r ..". i ,n",ufH" nltl Len ''"V; 1'0"- il" "''"T20 niI',1,! it!! "Junl '''' nnd was finely performed, the tre mendeusly difficult pizzacate passages et the strings being cleanly nlu.xed, despite the 'tempo, and n fine contrast being offered in the trio of the weed-winds. The symphonic poem of Moilssergsky is ns open te question ns a great work, as it wnH when first performed In Phil adelphia many years nge by Mr. Scheel. There In little In it which conforms te its program except the slew movement. Acceidlng te Mr. Gllmnn's program notes, the composition hns undergone a number of changes, according te the changing mood of the composer, and this impression is conveyed te the hearer, who is but imperfectly ac quainted with the history of the com position. It was finely performed, but failed te carry with it entire conviction, just ns It did when it was first per formed in Philadelphia. There ure many spots of great beauty, but as a whole the work does net curry the stamp of the genius of "Beris Goudu Geudu Goudu iieff." The Polevetski dances, from "Prince Ignr." of Beredino deneil the program. They are essentially Russian, wild nnd primitive in their character, and were performed in the spirit of their com position. The orchestrntlen Is that of Rimsky-KorKekoff, the modern suvlhr of many n Russian melody and rhythm. "Whlte-Headed Bey" Coming "The Whlte-Headcl Bey," n corn ed) by Lenex Robinson, will be pre sented nt the Bread Street Theatre Monday, February 0, by the Irish Players from the Abbey Theatre, Dub lin. The cast of this unusual attrac tion, which will remain only two weeks, Includes Mnureen Delnny. Sydney Morgan, Harry Hutchiann, Nnrali Desmond. Suzanne McKrnan, Mny Fitzgerald, Arthur Shields. J. A. O'Reurke, Arthur Sinclair, Maire O'Neill. ChrUtlne Heyden nnd Ger trude Murphy. Sidney In "Welcome Stranger" Geerge Sidney, who plays the rele of Isidore Solemon in "Welcome Stranger," which opens next Monday night at the Gnrrick Theatre, last played here in musical comedy. "Wel come Strnngcr" Is by Anren Heffman, author e and the I miiiiy vaudeville sketched. finit JtinTtuliiu TiikI.I tTl:-. Heward (Jeuld. Hen .InlniHnn l.'.li,-n,'..i Sunder, Clnirles Hclintleld, Svlvin Kleld Frances Uwten, Isadora Mnrtln and Vlvlmi HlrkcrNen. Tli. wpiip of the piny is n little New England town. jni i i lun im iu nut: . ui 1 1 nut i il:m mm ti 1 1 1 1 a.m tn nimiiiinnium urn :eji uj n -m m;i ;umiuii:i5 Fer Sunday's dinner Finest Standing II Rib Roast 1 At all r! OS '.S Jfetmky. 3 " I our Meat IMnrkcls 1 W C$5r&0- Jl O KEITH'S0 ACTORS' FUND BENEFIT TO BE HELD FRIDAY Annual Performance Will Be Given at Garrlck Theatre The nnnunl Actors' Fund Benefit performance will be held nt the Garrlck Theatre next Friday afternoon. As in the past), n program has been arranged which will lnclude four-eno act plays, with casts composed of stnire favorite.. appearing here and in New Yerk, many muslcnt novelties, and a pretentious i iceuire caiicu "inc sports nt Ihn erni, in which runndelphla society girls will participate. The playlets include: "The Other Mrs. Bellls." with H. Cooper Cllffe, .Tane Wlieatley, Theresa Maxwell and ethers; "The Sign of the Heur," with Wu,U?n ,.kncka,yc'. GeerBc Sidney. Charles Mllward, Jessie Ralph. Alfred nor, Mnrle Dore, Churles Abbe nnd ineent Serrano. Jtther stars who will appear in sketches and novelties nre Blllle Burke, Jane Grey, Irene Franklin. Ted Lewis, Jehn Charles Themas, Irene Castle, Frank Mclntyrc nnd the Three ICItnres. "Sports e the Werid, ' the society feature, wna arranged In the nature of n sequel te last year's popular "Ports of the World." In it, the debutantes nnd younger mntrens will nppenr In the ery Intest fnshlen creations. Among these tnklng pnrt will he the Misses Sarah and Marccrettn Harrison. Mm Jeseph Rollins. Mrs. Walten Clark, .Airs. Ulnyten Strnwbrlilge. Mrs. Hnr Hnr rlHen Caner nnd the Misses Catherine f'nssnrd, Jeanne de Retisse, Eleaner Dunning. Theodern K. Lille. Kntherlnn Ogden. Mary Ernestine Appleton and Mildred Longstreth. The staging will be under the direc tion of Fred Nixen-Nlrdlinger, Hurry T. Jerdan nnd Alexander Leftwlch. I'HOTOM.AYS APH1 I C 2D Jt THOMPSON HTS. frJL.LJ MATIMStf OAILY M Il.chard Uartheline-s .n "llxperlenee" T Itlc'iard narthelmess In "Kxnerlenie" W. Ail-Star Cast In "lW-lile the llennle Urler llunh" , . F J Helt and L. I e In "After the Shew" a -MH'i i.iayten in "i. me ' ' a r-i a T-vt a ciirarvi T nl 10TH ' M.KVM.lJl- "" , i mi. M i in a M 1 Tn,.Tr 1T,I, In "The Cell of the Nhrlli" T Jack Helt In "The nil f the North" W Jack Helt In "The nil of the North T -Jac' Helt !n "The ll of the North I' .lack Hei: In "11m -II of the North S Ja-li. Helt In "The full of the North" ACTnD FIIAXKLIX OIRAUD A L. A0 1vl MATIXBB DAILY M. Charles IUy In "Tlie Jllilnlght Hell". T Charles Ilay In "Thr Midnight Hell" ,. W. Caatleten. "The Child Theu t.-Mest -Me" T. Caetleten, "The Child Theu (invest Me" F. Caatleten. "The Child Theu avet Me" 8, Caatleten. "The Child Theu (invest Me" BALTIMORE 1&T H?nA,S." vaf' M. -W. Held anl Q 8ari n .n "Don't Tell L. .. ,tn T W Held and CI riwRnei i n "Ilen't Tell Kiervtlilnx" 1 'T Mirum ' sS,." I " BLUEE Miriam Cooper In "llir rrtiuiile" i cooper in "ine ereimiir Melirhan. "A I'rlnee There Whs" Melghan. "A Prlnee There Wm." T ' Cast lu "llrsltle the llennle llrlrr IHn.lt ' S Cast In "Hwlde the llennle llrier llu nr- CAPITOL Ve2, MA MOT ST A. M 10 11 15 P M M Pnla Negri In "endetta T - Pela Negri In "Vendetta" W Pela Negri In "Vendetta" 1 -Pela Negil In "Vendetta" F Pela Negri In "Vemlelt.i" H - Pela N'srl In "Vendetta" PHI OM1A1 G'n- & Maplevvoea Ave LULUIMrtL e.30 t n,i p p. m M. Hetty fompsen In "I.-dles Must I.lve' T Hetty C'-omrsen In "Ijiille. Mut Live' W lliiltv C'einnsnn in l,ni11e. Meat Live' T Caatleten, "The Child Theu (iavesl le" I r ('astlelen "The ( hlld Theu (,tivet Me" H - Caetleten "The (hlld Theu tmvet Me" FAIRMOUNT :6th & iliranl Am. MATIN'V.i: DAILY i. rnes ii ijnsn, " rniiei inerr vva M. Marlen Kvle. n in.,ni,.im.niii T, Itlsls Fergusen In The Heng of Hengs" i '"Jyy' 4;ompaen'j "T,, -" -Minister" T. mm CIayte id "Kxlt (he Vamp" F. fllerla. aJnskn in 'The Great Metuent" .-. .iitimttiL i.uuie, uienn uuntcr, Aliyn King and Lvelyn Gosnell; "Leevrs,'' a comedy, with Inn Clnlrc, Rebert Warwick, Macklyn Arbuckle and Kdraund Lewe nnd "The Trlnngle." with II. Tt Wr eeMSAMv r M eer a""-- )lrL i.. , -, ' uniii 11 ; " n' no -Tne conquering Iener"i' -'. J.ear iiersemnii of the Apma nse" I! H AMhW " IM.NCAHTEIl AVK. a iimu 1 .v nuHuurJiiftniiu tt.. m.,,.1, . ..a-i.1 i,.i. i-.;.. e It- Valentine, "The Cenauerlns Power" r. "Four HerM-men of the Aiwrnljiiie" - . ,,, , , ,,.,, 17 T An.X.,"'lThf Vri'.mr in", tvif." " -rhs Melirhan In "A Prinee There Was" i -1 --"Venr Horsemen flhe Xjmm alne" T M'lhan " lrjnee There Via'' ' "'-!!' t:onipsen..''l.nillra.MustlJie" riDirWT Woodland Ave. ., n.i a,' 11? Ml A DITT STIILET Tlli:ATHE W -T M.ri,,n ,'. '.r-"f' .I!"" ! H -$MJW$$i ,lt IWJj" . M -H.-VM -ast ;;Tl.e Ueart of Mar,..,,,."'" "R- X' ;;ri.. ren0,,erng V.'J ; r -".Si SK? J "T" AVOSXT nV.Je" a M.-M Hsrrls. "The Moman In III. Heiiw" P fieeelal Cast fiet-ftlrh-Uiilik Wallliirferd L X,V',n i"rl,um ,ln ,,J,eriur,. ',, ,,"' Mats I 30, a ,10 Kv USA te 11 T.-.M. Harris. "Thn Weman In III Heuse" H iw I Cam Get-lllrh-tlulrk AVI InrferJ M -.'"'am Kairum In "Prilun'l M Pauline StarKe In '"llent Veurs" il - t llarilx. "Th. Wnm.n In III. Ilnu.r" I ' '.i!iii!!g",ru . .. " . -- . T - Pauline SMrke In "Sllenl A-r.L: fast In "lle.lile the llennle llrier Hush" I n CDDDAni' 83D 1 HAVEn. iVf" 1H 4 mahivj-i 1-1 an vi 11 v --Haullne Starke in "M,. iV:j.t ?, Wllllum f Hart In "Mhlle Onk", - jiana j-revest in ", Parls'an Reandsl"1 -Wi.l Itegers In "life Gulls ur Wnmen" V petty compsen. "The Lllllr Minister" 7-,rl? l'reve.l In "A Parl.lan HcanihP'T Mary II ; Ulnehart'" It"i 11 (Ireat I lfe T lletty Compson; "The I.lltle Minister" W Marie Provest In "A Pari itan Heandn " , W tAiii Melsh'n "A Prlnre VRJre Was" r. All-Star Cast tn "Silent Irara" ! f' J"J' ') J""11" J' Kfnrcntli" T Thomai ' Mels7han,A Prliiee IhefJ w22" B -Mr.-Mrs. Dellaven. Married a Pser Girl J h""- ,'A Vleman Ahe Hrpreaeh" y, William B llirt u "While Oak." c7Tm QT HTlATaiTTloTevv Spr'ucV "T--1"' "A Me"'''" Hr-pwajjiM B "Heslde the ll'.inle' llrier liu.h" DD 1 H 31. "'.. V.. .,.'.lc....?ruce P.Mnn.1..... 0010 Oermantnwn Ave. rt a r- 1 iinnm'Vvn V 'V.. .. - JAftTUMf 28,. 1922 THE CRITIC rNB HUNDRED AND TWENTY- W FIVE YEARS AGO next Tuesday, that Is, en January 31, 1707, there wnn born In Vienna the most poetic nnd Inexhaustible musical genius the world has ever known Franz Schu bert. He was also the one great mu sical composer native te the city, which was the home of Gluck, of Mozart, of Beethoven, of Schubert himself nnd of Brnhms, among the giants, te say nothing of nn Innumerable host of sec ondary musical lights. In spontaneity, Schubert has had no rival In the history of music, with the exception of Mozart, who always looms up whenever the matter of superlative musical greatness Is considered, no matter In what connection. In the brief span 'of thirty-one years, during which this great luminary flnshcd across tbe musical heavens, he left a mass of compositions which 1b olmect unrivaled in quantity, ns well eh qual ity, even by composers who attained mere than double his years. Schubert's compositions which re main in the permanent repertoire begnn when he was thirteen years of age, and In the following eighteen years lie produced nearly 1000 compositions, many of which are among the most treasured nnd best, loved of musical works and nil thlr wns done practi cally without a real education In the art of composition. THE youthful precocity of the great comDeser is almost beyond belief. T&? wrfc tT &SBhr M ""Hrnmentef songs "The Erl-Klng," "T. U'n.i derer," the three songs of the harper In 1 1 "Wilhcim Melstcr." "The Wnnuerer s Night Seng" and a host of ether equally well known. At nn age when Beethoven had written one symphony, ftMilflierf hnii rrtmnnwl ten nlthnilvh In this connection it must be considered j that of the ten only two survive), be 1 sides a mass of ether works great and small. But at the nge of twenty-five he had 'produced the B miner ( unfinished) 'symphony, a work which wns unlike anything symphonic which had then been composed. Why this great work was never finished Is net known. Schubert lived six years after the com , nletlen of the two movements which we 1 have, and although the few measures j of the scherzo which arc in existence seem te indicate that a larger compo- s.tlen wns In mind, he never dm any thing mere with it. Fer a composer of bis facl'ity It would have been nn easy matter te have finished it In a short time had he desired te de se, which lends color te the theory ad vanced that he considered the work complete as it steed nnd never Intended te write the hcherze or the finale. But the symphony shows nn advance be tween it nnd the symphony in C (of 1818, net the great one of 1828 in the inmc key) that is quite as great ns wbb Beethoven's between his second and the "Erelcn." TIiIb symphonic power cul minated in the gigantic symphony in C. written in the yenr e 'hid 'car8 n(ter the Unfinished r or his aeatn, six SCHUBERT was decidedly the least learned of the great composers. Hut tliia does net mean that he lind no technical (Mil. Tn licnring his great werkH the listener is never im pressed with the clcvernexs of the com cem com nesitlon. but nlways with Its absolute beauty and the poetry with which It is filled. The technicnl means is noth neth ing: the musical end everything. The musical content Is se nbundant nnd be full of variety that it needs no en hancing by means of technical devices. He did nothing te extend the limits of form and rarely, if ever, departs from fKn Ilnvcln nattem. A canon, such ns the BClierze of the platin trle.ill H n .. ..-....,.1 no Ir. anme nf lm nnrl flnt, a round ns In some of the part engs, or simple imiiuiien, n hi me I) tint trio, is prettv nearly nil the science he hews. He was deficient in counterpoint, his vocal fugues nre undeniably weak and the symphonies nnd the quartets rarely show the piquant fugntes which nre se conspicu censpicu conspicu eus and charming in the works of Mo zart, Beethoven and Brnhms. But In the art of writing what he wanted te Pay. Schubert never had n superior, nnd his works, even in the largest forms, are endowed with n ro re mnncc and n beauty which seem te render nil technical artifices unneces sary, in his case at least. He never hesitated In writing down his ideas nnd lie rnrely revised nn - thing ence written. Ills speed in com- PHOTOrLATS Wecklu Photoplay Guide Week of Jan. 30 te Feb. 1. Subject te Change The following theatres obtain their pictures through the STANLEY Company of America, which it a guarantee) of early showing, of the fineat productions. Ask for the theatre in your locality obtain ing pictures through the Stanley Company of America. GREAT NORTHERN I,reT" Vpbm! ii. u Valentine, "The tenuuenn i-eer T It. Valentine. "The Conquering Power W H Valentine, 'Tlie Cenqu'-rlng l'ewtr' t May MaoAvey F May MacAvey I May MacAvey jMPrTRIAI MTU .... i. ?" .Mat 1 T Nerma Talmadie :V ";"rmi laimadie I W Nerma Talmndgu, The Wonderful Thing i -Aernin laimaape The wenueriiu ining I' Nerma Talmadge. The Wonderful Thing ,S - Mirmi TJlmadge llie enilerf ul Thing KARLTONea0.!"1' ,tr:en Y , . vwiiii)mi, x ne la ann iu? . uih T II Compion. Thr Lttw anil thr Weman T 13. CnniDsen. Thn Tw ami lhn Weman i ., vtniivPiMi, id KjtY aiui inp ii inuitn P. 13. C'ompsen, Th Taw uml the Weman H. P. Compwen . Thi Uw and I hf JVimuin Lehigh Palace iHZt M Kthel Claten In "IUH the Vamp" T -Kthel Clayten In "Kxlt the Vamo" W Whitman Bcnnett'a "Net Oulltj" Ti Whitman Dennett's "Net (inllt.' t U'llll.m If II... I (lll-.l.. .. . .V. .'.., P ?' '" mie 1K 3 William b Hart In "White OnU " I inCDTV DIIOAD Sc COI.VMU1A AV , .. T. . 4 MATIXKK I)II V M Viela IJana In "The Mateh nrekra T Iwl Btene In "Pilgrims of the Xlslif nuiiivn nnnvvurin in "iiund Hearts POnD AVE M - "Ilen't Tell Crerrthlng" T -"Don't Tell Kverrtliluc" I W c Iv Yeung- "hat Ve Man Knows" T C K Yeung- hat Ne Mer. kSe"I" P. Charles Ray In "Nineteen and PhylTls" I S- harlee Hay In "Nineteen and I'lir IU" In "Meral" r Alice Lake In "The Hele In the Wall" iJIU-lVlUlN 1 ."""" MAJIKHT n Morals" I K Alice Iike In "The Hele In the Wall" M v-.jf , , . ,? and 3 30. fl;30 te Jl In "MeraU" . S -Alice Lake In "The Hele In the Willi" T Zj'itL'' ,!Uy .'".. 'icru 1" - ... ' narit-s Hay In Arr fr..n. , The Moneernii inns . -sen in "IHm'l Neglect Your He" L f J i i,V '" T"" ky Pilet" The Wendrrfu I hllll T llurk Jnne. m "Tn ,. n.l.h" H-Diivid Peivel In "Th. t.ut i.iiXT.. , - Aw t lJ 1 W V- 1 .r . -m PAI ACF 1:U MAIIKET RTIIECT- C P A MT 0-" Olrard Ave Mat Dally ' Xt "0Kr"rH1 'M0 ln ",," Jlm" i. Jr . . 11 A M. te 11 30P. M. VjKAIN 1 violin and Organ Recital 1 ' -2PC a a,t " "Tangled Trails" I H -Ilert MtVu ,n "ThV IdJeni, 5 -, "JS'.V n.MnltT.eeV?' ? rtftf tf.'uStf AT OTHER THEATRES, MEMBERS OF M. P. T. O. A. I Ambassador IVTteSn,.,0,6,, ' IEFFERSON se ?!" " XfATiiMie.n rtirt.v M Mary Carr In "Thundsrelap" W. Mrr Carr in "Thunderrlan" . X'TdSJ'-le n ''The Last Card" f-,.U , in "fie Last Cirtl" . ; Vtr ln . nunaemnp" '&&Ml&, ,y TALKS TO MUSIC LOVERS position was approached only by Me , , nna w hj i none ei that sen. nu ing self-criticism which led Beethoven te rcwiitc mere than thirty times one part of "Fldellp" and then return te the first version. The result Is a dlffusencss nnd in some cones n repe tition in many of Schubert's works which Is their chief weakness. His friends urged him te revise nnd once placed the manuscript of n work of Beethoven's before him, showing the pains which that great master took in even the smallest details. But It was net Schubert's way te compose, nnd he declared that te him the way Ueetheven had first written the part was quite ns geed as the final version. j WHAT would have been the result I had Schubert received even a per tien of the musical education which Mexnrt had is a matter for interesting, though naturally futile, speculation. If It would have eiven him control ever the enormous spontaneity of his jgenitis, he would have risen te heights which no ether composer would prebnbly have reached, for It thue would have cor rected the only fault which Schu bert had as a composer. On the ether hnnd, It might have seriously inter fcred with this Tery spontaneity, which (the one in B flat) disputes with Bee is one of his irreatest charms. , theven'H in the same key the first pesl- Meznrt's melodies, wonderful as they are, nevertheless possess something of i four of the best qunrtcts ever com the mathematical clement when com- posed, besides the Immortal Resamunds nared te Schubert's. That Is. thev nre music and n vast nmeunt of ethor COtH meledicn which usually arc capable of positions which bid fair te remain for contrapuntal treatment, because Mozart I ever in the repertoire. spoke both naturally and by training in the language of counterpoint. Schu- bert had neither the learning nor the the contrapuntist nnd MUSIC The preTam for th PhlUdilphlii Orcliwt tra concerts en Frldy afwrnoen rt Smur (lay evenliur nzt will censtat of the third "Loner" overturn of Dmthevn. Hohu Hehu mann' Fourth Symphony nnd the "Dim-e of Saleme," by ntehard Straus. I'erenu Ycy U the soloist and will play the Sibelius concerto. The second concert designed by the I'hlla delphla Orchestra Association for the ac commodation of theee who cannot caln ad mittance te the regular performances will be given en Monday evenlnir at the Acnd emy. The Ilusslan preirram, rentalnln the Tichalkewsky Feurtnv Symphony, XtoUMionj XteUMionj XtoUMienj skys poem, "A Night en Uald Mountain ' and the Polevetski Dances from Ilenxlln's opera "I'rlnce Ier" will be given under Mr, Stokewikl's direction. Verdi's '-Den Carles" w II be given by the Metropolitan Opera Company en Tuesday evening;, February 7, at the Academy of Music, with the coat Including; Mnw Pon Pen sells, Gorden. Dalessy, Sundeltus and Savage and Messrs. Martlnelll I)e l.uen, Tjldur. Paltrlnlerl. Martlne and D'Angele. Miss Keslna Qalll and Mr llonnglle will dance Mr. I'apl will conduct At the second coneert by the Philadel phia Orchestra for children next TVedn-s- dsy afternoon, at 4 e clock, in the Acad- eii.. ... fi-uaiaiH mil contain boieb ' "I - .. . ... ..,. :.-... ". ?S-.,0. "VJIV11",-.?.0 .a"0' sitting of the movement from the wwnv..'.,.V. -.14 V....1-..t WiV ItUlt. , W I - Peer Oynt" suite, entitled "The Hall of th Mountain King'. Drahms "Hungarian Dance In T." and the Prelude te the third act of "Lohengrin." Mr. Tabuteau will plsy a "Dsnse" by fleparts for oboe and erchestra: Mr Itaho, the first movement of Beethoven's "Moonlight" Senata, arranged for oboe d'amore and orchestra Mr Men Icelman. "jn Cygre" of Saint.. "'sens, ar ranged fe- English horn and orchestra, and Edward Jtilie, "II Segno" of Uarlalrtte, arranged for hcckelphene and orchestra. Mr. Stolcewskl will preface each number with a, short explanation. . The pregrsm for the third cene-rt of the Beasen by the Philharmonic Society In the Academy en February "i consists of Weber's overture "Euryanthe," Wagner's evi-rture. "Tne Kiyin Dutchman." and two entr'actes from "Carmen." The two ycutnrui artists who wen the Philhar monic Seclet's annual contest will b the s'tlelsts. Max Seenefsky will nlxv Mesart's violin concerto In O miner and Marcus Illltz stsln will rial' Salnt-Saens' G miner piano concerto. "The Que-n s Lace Handkerchief," bv .Tfirann Straus, will hae a revival next irsday eveilng at the Acadms or Mulc 'The epra Is ind-r the direction of Wanellt , 'Ti and will be sung b a crefullv ee- I(A,tM cait of ,tp j.hl.depha ep-ratic f'cclctv and by a chorus of 1RO vole In the eaM are Dr. Jehn II IlecUer. Charles J. Shuttlewerlh. Cor F-ye. I.llllan Tnls. Kva A. nittir. Chris W Graham. D. I.. Mathews. Jr . Otte H. Ilesi. Charles D. Leng. Dr. Frank G. Hitter. Herbert B-ard and Kffle II. MncCaln e Matin- Musical Club M1 held Its concert In t'i" billrecm of the Pullevue. Stratford en I'ueslvv aficmoen. Th htm ensemble or nine na-rs. iu te be tne larg: Ir, any clua in t i eiuntr-1- nx.a tn clierut, of me than 100 members, tbe prlnuipal features. c'jb 1 be A perfer-ram-n of Victer Herbert s creretta '"i:en wil be given at the MotrepnlltH i Ope-a Heu" Weilnesdsy i nlng, February IS b the re libera rni 'any The '-v-t Incudes Mies Kmrva 7urn. Mies Djrethy O'lheiis. Mrs. Orac- Wart -Mcrciww. C'nil tethtnnn Chares Fex Wil- liam Iti-' v.Hh i i rerue or ninut lim a.mu.4 .jit- .,, .-... ...v r i . ....,,.-, rilOTOrLAS REGENT r&ns1 a,uu !' TH M Alice Lake tn "The Hele In the Wall" r -Alice Lake In "The Hele In the Wall" " Alice l-ikb in "The Hele In the Wall" W Mm N'asinieta Cnnillle' i - miw Xas.mnvu Ir r i;thrl c.nMen m S--Uustm I arnum m "fnmllle" Kll. the nnip" "The Primal Ijiw' SHERWOOD ",' Ttit 30 ' euinn i-inn "Tin n of HfcICT Tr enManrc Hinn MTlie (h" of II?cU.v T -"flet-Illh-Uulrk.Wallliifer.l" - iri-n iriiuiiirKii liiiinrrnrfi" r Pauline rjtt k "The I.nre of Jaile" S Pauline Fred k. "The I.ure of .lade" CTANJI CV MA11KET AT 1HTII w i? L,C' ' A M te 11 15 P M -Wallace neld In "Ilent e-" T-. W?1!140" nel.l .n "Itent J"ree" J Wallace Held In "Kent rree" T Wa'lace Held In "Itent Free" P Wallace He d in "Kent Free" a Wallste Iteti in "Keirt Tree" M CTAMTHM MAIIKET Alteve 10TII i.i 1 1 i-. P l .. . l.yl HA M M "Ieur Ilnrarmrn of the XiMwnljnue" "I our HeiM-nien of the Aitm-nunse" T- lw uur iiurHeincn lit ine ,VierniHe xirmRiA 51 Cennfillcut Vunkrr In Klnir Arthur' Ct. - 4 -riH 1 a r 1i .1 i(ii m Z'lAtnr iJ Cem Z "S "n ' ienn " feni W Cnnnerlirut Yankee In lllnr Arthur', r. 1 a iviinri 111 111 istnnr- sis aiiiia. nnniir m 1 ennrriiriit miiKee inyivuig Arthur's Ct nnneriUtit lanhre In Ulna: Arthur's Vt eriirui mnnti- in King Arthur's Ct WADIr V Mat. 2 15 !vn -lS In II !"", " nemsr. "rngrims.ef the NlgliC w k . ..-....- - - . -.."-1.:--. " w. Pela Negri, In "One Arahlan .Night" . iii,i i,wnLr in "iup nrrenan." ,,.,- riegri m "une Araiiinn jv ght" r.-pei Nearl in "Oxe Arablaji Mbr" ablaji Sight" eky - - a. -ii ryiiiiaina ill t.ucl am rr"l .. aucc lkb in "ine tieie in tne wan iji7r Kiwt. .or .n.. .. . II WALNUT HTS DA TO ORHJIAXTOWN AVEXIT 4." , nar,1l. y 'n "Scrui. Iren" .-?." '''". 7A " .rlOL-,1V- AT Tl I.PCHOCKKN ST i- t)'.l l.rw'. '" "The Hky Pilet" y UKK .-.., .,rf. n WALIIllH Dl for thin reason learning might hate J prevf vim Improved see tlin (I a detriment rather tlinn nn eif.y,,, ilnee te him. Ucctheven s melOtliM .,, by polishing; ns for etmpl.ai the first Irnfts of the Andante et V, nflh urmnhnnv. whllft Strhllheft K "ftg revisions, few as they nrc, de nbt ImW preve his work. f4 .i a. TDEETHOVEN and Mozart, like BMifc -' nnd Brahms, were absolute mattawj or meir musicni ineugiiis, vun ecun ,' bcrt the thought wns tee often the mat J " Ie U imposslble for him te write se successfully in wenntti ant! symphony nn the masters cited, but in the mere flexible nnd perhnps spen tnneeus form of the song, where hli supreme gift of melody, without the necessity for prolonged concentration or the possession of the certainly of self- mastery, wns the first requisite, no ' reigns without nn equal, even consider Ing the superb songs of Schumann Brnhms nnd Franz. Schubert's contribution te the litem lure of music Is enormous nnd of the highest value. In bong he ntnnds nt the very head of nil. He hns contributed two of the greatest symphonies, the finest of all string quintets (for two cellos), two piano tries, one of which . tian iu musical literature, and three or , Te de nil thM and still pnss away at the age of thirty-one shows him te be whnt he really was one of the melt monumental of nil musical geniuses. NOTES which will b given under the R,umMce af Neumann Ceune), Knights of Columbus. The Philadelphia Orchestra Ensemble wilt play for the Chamber Musle Association to morrow nfternoen In the ballroom of tha Iiollevue-Stratferd. The prxxrram a tnad ur cf e auln'-et by Drahmn, up. 11B quintet, np. S. Iv Albene Mjinnanl. and i work by Henry Elchhelm, entitled "Oriental Impressions." ' An exoptlenally Interesting program will be given by the Treble Clef Chorus at th concert In the ltellexue ballroom en tVM. nesday evening. Kefmann's cantata, "Sens of llie Nerns." will be the principal num ber, with the soprano iile by Miss Carolina W'ainer Oreen The spletsl will be V.'lllem Vl'llleke, the distinguished Dutch cellist, who will appear twice. Teoder Cliallapln, the great tuslau. will e heard In hi i only concert hers at the Aiademy net Wednesday evening. The pro pre nam numbers are net published, but. In ac- t cerdanre with a lenir-establlshed custom, Mr Challapln v.'lll nnnounce the number which he la te sing from the platform. pdltsn Opern Company isrence wniienui, paruene or the Metres Aiexamisr ""y .nurninn Aiusicaie ui January day Morning Musical? of enmu ler. vieunisi. win chmuller. violinist, will appear at the Men- January 30 In the , ha I room of the nellevue-Stratferd. mil. ?: enlnM wUl include the credo from "Visions Invernale"' of Zandensl and "Chant "OthMln." "I. Prn...lnn" nt TAnMi ae ieuraine or Maesent. "The Isle" of Rachmanineff "The De Is Sparkling." by P.ubensteln and ' Gypsy Jehn." ty Clay. Ptinataa by Senallle and Max Itegsr. the Saens, arransed for lelln by Vsaye; csprlcs Vl 1.-3 .11 KIO IUIIII U. A V-AllX, uy CSIIII of Pavanlnl Introduction and Tnrantelle of zepnyr" or ifunay, and Ui Sarasate complete Mr. Schmuller'a numbers. Jehn McCermack'a -cend concert this season Is announced f-r Tuesday evening. February H, et the Metropolitan Opera Heuse. The cene-rt of Lillian Olnnch In the foyer of the Academy of Music, baa bn deferred until April 23. . The next concert of the series sponsored by the Federated Music Clubs of. Venn nnvaniB, miu iane piace en Monday after noon. lbruan' fl. In the foyer or th Acad emy. The artists will In Mlrh.l Pmtoe cellist, and Elisabeth Heed Latta, one of i-nuaueipnia s most arnstic sopranos, N. Lindsay Nnrden has taken up kl duties as organist and chelrmaater or the Synagngiin Redeph Shalem, Jlrend and Mt. Vernen, where he will preside at the new four manual Austin ercrin, ene et the flr.est in the city Mnrtln Usi-n pianist will nnpear In r- rlial at the S-itlement Music Scheel en Sunday evening Februsrv 8 Admission te the concert will be by ticket only. At the special mualc.M run-Ice at the Church of .St LiI.e and the Kplphany to morrow nfternoen At n clock. fh nenwam will Include en evening rervlce hy T. Tertlua Neble, t-nur sole "O Ixive That Will Met Let Me Ge." Arthur l"Vta. and a new a . nnnrAlln. nn,hin ' V T .. Tn.-I.lhl. . K. j, Alexander Matthews. Thu eervice w'tlt preceded bv a r-.clt-.l of Instrumental mus'c With Violin, rel.il. ham nnrt nrran hfn. nlng at 3.30. and will be under the direction et II Alexander Matthena. The specIhI feature at the Second Tres. hyterlan Church. Twen'y-flret anil Walnut tre-t this HundKv evnlna et 7:30. will N Oeul "He'y fit The Instrumental trle. -lel'n han ind enan vllt be "Th. , ,sM-an Stebblns. "Veire Dame. Ilurum, - nr i rsiuuL r rancK nioTepiis BTtrUr7, vrAMsai . The NIXON-N1RDL1NGER OI THEATRES CEDAR 00TH AVCNUK COLISEUM, si!ii;,,S,t, ,teth k Tfll? Av-ten "Playing With Hr" 7, Clarien navies In "The lirinVe flit" STh-eWM JUMBO FltONT HT. A OmAIlD AVB, M Sne Pu. uimni June, en rrankferd "I 7..SW Cast In , In .-.- .. . ' "?? .'"'..?"""" or Kllsabth u-- in iT..;?-.-.'.."' .'."" -vnn lamrr" r sn ".".WS .:?.JVe"nn Knew." n "The Inslile of (he I'un" awley In "A Ki., n T,?.t 1rt'1Jt-.'2l!ing of the Lash" i- vvaniia II . Pauline K in - Tall ., afti, , wii- "".: " f Paullnft .Starke tn "Mlunt YiIrM u t buiiiiii rtinrKts in Kaiissna i-aia ' -- """,-. NIXON 3"U AVU J,AUKP 8T8. M -Frank Mam. ,n "lr. Jim"2 ,D' 7 " T Krank Maye in "Ir. .lit,,'. Kinney In "heum ui S' ;'.' P'nr." In "Keem and Heard" T Mar'en Davits In "The Hrlile's PI t' FW' Ide'a Vlii" lie's I'lajr" . . ......Uii weYir. ln "iiie una' H. Marlen Davlss In "the llHile'a & CKDAH k ti a s .. .... r vi.i,'' J ?"""" " Nmall Ten-n Mei niarinn navies in "The lliide's rlir,r?7 ' T llebart Iloswerlli In "Illlnd Ilearl" 1 . J ,,."!,,r.t ''"'worth in "Illlnd Hearts" 2.Ii?irIJ?ii:0J'il "' """'! HearU" tw. 69t'HST Thratre, Opp. "W Terraiwit' r C llnnrv In hecim mttA 11i.ait .' STRAND aa'2?7$&uae&vr, A K.-"!!U lha Hani. tSSLM J4 j. r 'r,v7gHnvti ., m I (, ' " . ' ' e ill I1' ,si m ii !1 r
Significant historical Pennsylvania newspapers