In the Kitchen
(in the Chicago Tribune):
“The peculiar order of human belngs
who do not enjoy music, or confess a

positive dislike for it, must be con-
sidered as a class unto themselves—
like the conscientious objectors to war
Some housewives say they would three hours. whose reactions to life are too ex
gladly use the cheaper cuts of meat,| Dressed Beef Flank—Remove the traordinary to be fathomed. Are we
but that they have been unsuccessfui [extra fat from between the layers of

in preparing these cuts in appetizing
ways. The following recipes from the
home economics workers at the Staie
College of
Hamburg
Agriculture may help:
Roll—Two pounds ham
burg, one tablespoon minced onion,
cne tablespoon minced parsley, two
tablespoons melted butter or drip- |
pings, one teaspoon salt, pepper, milk.
Mix all the
milk. Add
the meat so
on a
ingredients, except
moisten
flattened
a stuffiny
enough milk to
that it may be
with
made by using one pint bread crumbs
and
board. Spread it
two tablespoons tomato ketchup,
well
or minced celery, pepper, and add milk
Fold the meat
middle, pressing the
Place in a dripping pan. Arrange two
or three pork
top, or brush the top with melted fat.
Add one-half cup boiling water. Bake
30 to 45 minutes, basting frequently.
season it with onion, celery salt
to moisten. toward the
edges together,
1
slices of salt over the
Chuck Roast—Three pounds beef,
one-half cup tomato, one tablespoon
minced onion, bay leaf, salt, pepper,
parsley. Score the edges of the beef
slightly. Dredge with flour. drown |
the entire surface in a small amount
of fat. Add seasonings and boiling
water to cover the meat about one-
quarter. Cover the dish closely, and
cook slowly until the meat
which will be two and one-half to
the |
is tender, |
{the flank. Roll the flank of beef close
ly and fasten it with skewers or tie it
Ewith strine mt i i ‘ tottle v y
with ring Pu it into a ke tia, sound? But the recorded category of
cover with boiling water, add small | yon mortals consists of great men,
iece of bay af, a slice P i i : ri
jpiece of a) leaf, a slice of ORION, | poets, artists and intellectuals. Vie-
I salt, pepper and one tablespoon vine- tor Hugo, Gautier, Flaubert, Dumas
gar Cook slowly until very tender. Darwin, Carlyle, Burns and many
Chere should be only a little Hquor | 4parg have confessed their dislike for
i } > {et le 1 » he 2g ig 3 :
in the kettle when the meat is done. music, so that the most ardent spon
[it with a weight.
sliced thin.
Liver and
Two pounds liver,
1eavy
Roast Stuffing—Roast.
two thin slices zait
Stuffing: One
brumbs, one-fourth
table-
spoons minced onion, one tablespoon
pork, salt and pepper.
cup stale bread
cup cooked ham, minced, two
minced
strained
Make
wise of the liver. Add salt and pepper
and roll in flour. Mix the ingredients
for the stuffing and fill the cuts with
the stuffing.
pan or casserole, placing the slices of
pork on top of it.
parsley, one tablespoon
tomato or tomato ketchup.
two or
Place the liver in a deep
Add two cups of
boiling water or meat stock. Cover |Vindow pane. Among creatures of a
g we at s h r
closely. Bake slowly two hours, bast- simpler order the only one thos ia
ing frequently Remove the liver endowed with sympathy for man, the
|from the pan, strain the liquor andi [49% 18 distinguished for his dislike of
sic. The o's TVes reac ain-
add one tablespoon butter and two |™"S! The do § nerves reaci pain
tablespoons flour to make a sauce fully to plusie, so that he howls his
which may be poured around the |Protest or his sympathy—one knows
roast not which—at the pianist or the vocal-

Put the meat in pan, cover, and press
Serve cold,
three deep cuts length-
to regard as defectives or sensitives
these men of the rarest temperament,
quite immune to the seductionsg of
sor of the art claim it
to be the adjunct of a superior organ-
can scarcely
ism.
“‘Away! Away!’ cries Jean Paul to
music. “Thou speakest of things which
life I
found not, and shall not find.
“John Stuart Mill, another example
of the musical defective, predicted thot
the would when
creativeness would be extinguished in
the human race. And
casuist of emotions, despised the com-
the musical sense
declared that the
music congenial to him was that which
throughout my endless have
time come musical
Jaudelaire, a
monness of and
whimsically only
was made by his cat scratching at the
ist in their musical throes. It appears
to be a sort of sixth sense, this subtle

NEW FROCKS FOR LITTLE ONES
| aversion to the lures of rhythm, and
| to possess is a symptom of
some po-

Warm weather is bringing out sone
charming little wash frocks for the
wee summer wardrobe, These are
very different, too, from the wash
frocks which little girls have been
wearing under heavy winter
There are new ginghams, for instance,
with straight lines or long-waisted ef-
fects of green and white check, the
coats.
skirt made straight and the bodice
on the bias or vice versa. Green
geems to be the popular summer color
for gingham and chambray.
Organdie is, of course, more popular
than ever. It is made now in a bril-
liant red—“Palm Beach” it is called
—and relieved with white net footing,
or white rickrack braid. So dainty
are the little frocks, and so simple
that one forgets red is not usually a
popular summer color for children.
Pockets to Be Sure
There is a great deal of Rumanian
and Slavic embroidery on fine
white voile, batiste and linen frocks
for little girls.
designs in rich red and blue, red and
black, red and green or a combination
used
Usually the geometric
Dimity is a material being called
upon for the finer summer frocks. In
orchid it is
looking. In
Even
particularly dainty and
cool rosebud print it is
tiny who have
up for
enough hats, are wearing these
colored and dimities, with
inverted ruffles at the hems,
fagoting and sashes of
Often the little bonnet
the frock and is cut mush-
room with tam crown or in true bon-
net shape, with ruffles
under the chin.
An English Novelty
From England comes a fashion for
youngsters which ought to take weil
That is
the knit frock, one-piece and slipover,
buttoning on the shoulders and trim-
with bands.
The fashion of dressing children with
adorable. tots
not yet given bonnets sure-
daity
organdies
picot
yokes of or-
gandie.
matches
and strings
over here for seashore wear.
med contrasting wool
very short skirts and socks until they
are 11 years old is also gaining ground
in this country.
hair
forehead
Little girls are hav-
dressed straight back
and
straight
their
the
ing
hanging in
without a
from
natural curls or

of these colors, form the yoke and [ribbon bow. Sometimes the filet of
epulets reaching to the armhole. [ribbon is worn, but the huge hair bow
Pockets are added and sleeves are lseems for the time being to be lying
curtailed. unused in the ribbon box
. .
Seen in the Shops [Moonshine Increases
Som Through W. Virginia
T 3 Js | go bo
Now that the field flowers are ou! a
‘in all their glory, the house and porch
should never be without 1ts blossoms.
I have been keeping my
lately for a nice large
would hold the great
daisies, buttercups, and
goldenrod, and I think I have
the very thing. Incidentally, it
make a fine wedding gift. It is
of the new colored glass vases, opaque
in light blue, pink or yellow and is
cut very neatly in a latticed diamond
pattern. It stands on
wocden base and measures
inches high by 7 inches across.
priced only $3.75.
eyes open
which
big bouquets of
vase
later
found
will
one
iris,
a small black
about 1t
It is
Just for today some splendid little
dresses for the little have been
reduced in one shop to $3.65. I was
fortunate enough to get advance news
about this in time to tell you so you
could take advantage of it . There are
all kinds of sizes in the lot, chambray
gingham, lawn voiles and organdies,
some with little dashes of handwork
and the plainer frocks for morning
wear with bloomers. Some of those
practical little play dresses with th:
rubber in the hem are included. This
is a sale of which every mother will
like to know about, I'm sure.
girl
A shop that deals in men's wear is
closing out iis ladies’ stockings, a
well-known brand of good make, at
considerable reduction. These stock
ings have been selling regularly fou
$2.60, but until they are gone will sell
for $2.09, including the war tax. You
can get black, cordovan, tan and dark
gray in all sizes if you do not wait
too long.
Baked Muskmelon
When you cut a muskmelon ana
find that it is too green to eat, put into
each half, one-half tablespoonful of
butter and a sprinkling of salt anc
pepper. Bake as if it were a small
squash, and you will find that il
tastes somewhat like one. Or you
can cut the melon into thin slices, dip
hem in batter, and fry like egg plant

So that a motorist can see that the
light on his car is burning without
ing his seat, an Englishman has
Charlestown, W. Va.—Moonshining
in West Virginia is increasing, accord-
ing to figures and
at the
there
reports received
State prohibition department,
stills raided
last month than in any single month
the one
raid a still was found in the attic of a
church and the janitor is charged wirh
being An-
having been more
in the history of State. In
engaged in moonshining.
found in
ation in a residence 50 feet from the
State Capitol, the seat of government
in West Virginia.
other was successful opera
In a raid made by officers in Lincoln
county a still on the
premises of a rich farmer, showing
poor and rich alike are doing it. He
at least $20,
000 each and had a large tobacco crop
And the illiterate and educated alike
too are doing it . In Summers country
a still was captured in the home of a
man, who had been a school teacher
for 16 years. Another still was cap-
tured in the home of a man who has
been a school teacher for 15 years.
Many tea-kettle stills are being found
throughout the State. A number of
tiny stills de luxe of four and a half
pints capacity for home consumption
have also been seized.
was disclosed
owns two farms worth
Marian Cox Tells Why
Women Love Music
In a suggestive essay on “Cures and
Epicures of Music,” Marlan Cox, the
brilliant and provocative essayist,
makes an interesting comparison be-
tween men and women as musie lovers.
Music has failed to appeal to many
of the great masculine geniuses of the
world who were curiously unreceptive
to its lure. Women, on the other
hand, Mrs. Cox has discovered, are
curiously receptive to music. “The
troubling suggestiveness of music stirs
the soul with an ineffable perversity,
and one must be volute of life and a
volupte of death in order to extract
from music its purest essence.”
we to conclude then that women are
more sensual than men in giving
themselves over to the unrestrained

a series of suitably mountod
delights of music? Mrs. Cox answers
Are |
tential kind of geniu, not vet evolved
in human kind, a genius for sympathy
or doubt.”
It is not by chance that women fill
our concert halls and at
the concert by a popular virtuoso flock
down to the There must be
some hidden power in music to appeal
the
appeal to
the close or
stage.
so strongly to
Music's
feminine nature.
women
been dramatized, satirized and symbol-
ized. “The
is a notable instance, while the dramas
of Schnitzler illustrate the sexual sig-
nificance of Arnold Bennett's
“Sacred and Profane Love” is a
document.
has often
Herman Bahr's Concert”
music.
re-
cent Mrs. Cox writes sug-
gestively of this appeal:
“Music is, biologically, a function of
the male, in
most splendiferious gift to charm, sub
the game of sex, man’s
due and conquer an audience, a woman
or an enemy. The musician's tempera-
ment is martial or his gift
something
amorous,
aggressive in its need of
to affect and to act upon. Woman thug
becomes the natural object of music
and musicians, and her temperament
equips her to be the great music lover.
“A great musician is not necessar
ily a great music lover, a fact attested
by many great music makers of tha
masculine gender—for instance, the
surrounded
Ly silence like a world walking among
This master musician once
that before he lost his hearing
in his boyhood he had disliked music
that his father had to
him to the practice of the art.
Wagner hated a particular brand of
deaf Beethoven, who was
men. de-
clared
$0 much drive
Even
music described by him as the kind
that ‘follows the rules and has no
other reason for existence,” as he hated
also ‘that whole clinking, glistening
show, grand opera!’ Berlioz took
greater pride in the fact that his re-
quiem mass frightened one of the
listeners into a fit than in his master-
piece, and Paganini often said that he
would rather be praised for the grace
of his bows to his audience than fer
his musical performance.
“In nature's scheme of things it
to be woman's forte to
s audience, the eternal listener,
man's sono-
seems act as

music’
appreciator and pupil of
rites. For music the feminine nature
possesses a sublime incapacity and a
fatal receptivity, thus her epicurean-
ism which is solely that of the ear.
Upon what else does the concert, the
church, the opera and the musical
rest their modern might?
“Woman's temperament is like a
sounding board, tense, vibrant, but
made of the stuff of dreams. The
highest breeding has failed to make
the feminine being anything but an
addict to harmony, just justifying the
crabbed Tolstoi’s statement that music
is woman's most refined lust of the
Her immersion in tempera-
ment has qualified her for the musicai
life, while it has disqualified her in the
same degree for the truly spiritual
or intellectual life. In the thrall of
music a woman loses herself in 2
rapturous disintegration of all her arli-
ficial selves and reverts to her plasmic
womanhood again, swooning with ex-
cess of life in the bosom Infinite. Thus
the woman soul is embodied rhythm,
she herself a fated victim to the cos-
mic process of creation; and her body
man’s holy bridge unto the unknown
A truth implied by Wagner's cryptic
phrase: ‘Music is the bearing woman;
the poet, the begetter.””
senses.

The first presidents of the United
States ended their term of service
| each in the sixty-sixth year of his age.

The first japanese woman to edit a
‘woman's page in her country, Miyo
FAKING ON THE
MOVIE FILM
There have been things on the
screen that you knew were faked and
it is a reasonable curiosity to want to
Let it be
said that they were only incidental;
the vast majority of the scenes shown
on the genuine—obtained
at enormous expense and pains or, in
the performed at
varying degrees of peril to the life o-
limb of the actors.
In one
know how they were done.
screen are
case of “stunts,’
week recently in California
locations one thrill-actor was killed by
falling 700 feet from an airplane, an-
fatally injured in leaping
from a fast-moving train, and another
was badly injured trying to make an
automobile vault locomotive
other was

over a
something snapt at the critical mo-
ment.
So the fakes are exceptional. Jut
on their face somethings are tricked
up. For instance, however much con-
fidence in the legend
giants in those days,”
your childhood, you
now one-hundred-
giants in the California movie
studios. And yet you saw in Bryant
Washburn’'s “The Six Best
” a human monster walk down
the roadway and drink out of a demi-
john while people of normal size, but
by flanked him
on either curb.
“there were
you have carried
from know
there
over
that
foot
are no
comedy,
Cellars,
pigmies comparison,
The giant was a real man, “even as
So were the people over
though he could
in his vesi
Double
Wrong—
that
‘shot,
you ‘and 1.”
whom he
have put
pocket.
towered,
several of them
done?
How was it
exposure, your answer.
though it might have been done
way. It was all done with one
and it illustrates how far beyond dou-
ble exposure camera ingenuity has ad-
vanced.
The “giant” was the creation of W.
I. Hall, a genius in the service of the
Famouse Players-Lasky Company. Iie
built a wide in
the resembling a pavement
reaching from curb to curb, on which
he placed an
platform sixteen feet
street,
actor of ordinary size.
Back of this platform, which was sev-
enty-two feet the throngs
the skill consistd in
so placing the camera that the curb
lines on which the people stood far
back of the “giant” were caught by
the lens while the “giant” was kept in
perfect perspective.
He was a “close-up” and they were
a “long-shot”—all the scene.
Yet the seems to show the
throngs following the walking colossus
on an even line with him, when in fact
they hundred feet
It illustrates what a lens in the
the
mechanism and of optics and perspec
deep, were
of people. Now
same
screen
were nearly one
back.
hands of a master of camera's
tive can be made to do.
Fairbanks ‘really
and
high
athletic
Almost every-
Doug scales
buildings works other
marvels for the camera.
thing he is doing is
But he walk
downward as he is do in his
last play, “When the Clouds Roll By.’
That, of
genuine
head
shown
can’t on ceilings,
seen to
course, was a mechanical
interpolation
They built at his studio a set show
ing a room open at one side and re-
volving on an axis like a squirrel cage.
As Doug walked over to the side wall
and placed his foot on it for the first
step the camera, also set with special
equipment, so that it
turned,
walked up one side, over the ceiling,
and down the other
To the turned camera he appeared
always to be walking on the floor, hea-i
up, but
the film, always vertical, the star had
his head out horizontally or downward,
The pur-
would revolve,
likewise and so on as he
S¥(tes,
in the picture registered on
as the case happened to be.
suers rushing into the room were in-
troduced by double exposure.
Simple enough in the main elements,
but the art was to get the mechanism
of the room and the camera adjusted
to such a mathematical nicety that the
artifice would’t be given away at some
point in the revolution . A somewhat
similar method was used in filming
the earthquake scene in Bryant Wash
burn’s play, “Why Smith Left Home,”
with its heaving and rocking build:
ings.
In one of Fairbank's plays is a scene
showing a city being overwhelmed by
flood. This was done by sending a
sluice over a town of miniature build-
ings; and to overcome the jerky effect
which would appear on the screen, the
scene “shot” with a fast lens
making ten feet of film a second. Some
remarkable photographic stunts were
done in Griffith’s spectacular play, “In-
tolerance.” This was effected by Mr.
Hall, then with Griffith, but now of the
Lasky Company. We read:
In some of the long-shots showing
vast numbers of Babylonians in the
festive scenes in the palace, and others
showing fighting with invaders from
the towering walls, the soldiers were
manikus operated mechanically. They
carried shields and performed prodi-
gious feats of valor These toy figures,
of which there were no fewer than
3000 in one scene, went through their
“acting” wholly by means of a system
of little elevators underneath the se:
operated by a large corps of men under
Mr. Hall's direction.
One of these miniature mechanica’
marvels cost twenty-four thousand dol-
lars to build. There was no fake about
was

Kohashi has been studying journalism
at Columbia University in preparationhimself sick when he saw the thing
operated,” says Hall. BY so amazing-
for teaching journalism in Tokyo.
that! “Mr. Griffith almost laughed
ly perfect was the compicated device
that these manikins were shown spear-
ing each other, battling furiously wita
swords, falling in combat, and even
hurling balls of fire from the parapets
so realistically that no eye has ever
been skilled enough to get a suspicion
of fake. No wonder Griffith laughed.
The illusion was perfect by a host
of real, moving humans in the scenes
—and this was another achievement of
Hall plus Griffith—to make the false
dovetail so perfectly with the real
that an expert camera man could not
tell one from t'other.
Revealing this does not detract from
Griffith’s wonderful work in “Intol-
” In most of the big scenes he
marshaled and directed vast numbers
of people—so many that the salary list
of “Intolerance” has never been
approached by any other picture.
An amusing piece of faking
Gone under Hall's master-hand in a
fairy play. They asked him to eon-
ceive some way in which a dragon
could shown pursuing children.
Hall got a young denizen of one of the
Southern California alligator farms and
“dolled it up” with horns, claws, and
other accouterments of a husky dra-
gon. Then he had the children photo-
graphed running up steps to a refuge
in an enchanted tower.
Running the film back, he made a
second exposure showing the dragon
crossing the foreground in all his hor-
rific design crawling up the steps and
finding himself baffled by the enchant-
ed door-sill. Maybe we didn’t have =
time making that dragon act his role,”
said Hall. The skill of the thing con
sisted in the mathematical accuracy
with which the double exposure had
to be done. The illusion was perfect.
Another wizard of the camera—mas-
ter of them all, in fact, in the making
of fake thrill stuff as it is known in
the argot of the studio—is Fred Jack-
man head of the photographic staff for
Sennett. It is generally Sennett who
conceives the situations; it is Jackman
who puts them into eexecution.
the writer:
erence.
even
was
be

Jackman can show a man falling off
the top of the Washington Monument,
landing on his feet, and walking away
with an unruffled cigar in his mouth.
He's nice about refusing to give away
the tricks of his trade, explaining that
in his particular line it’s especially de-
sirable to keep the people guessing
which is real and which is fake.
“Make no mistake about this,” he
said; “most of the thrill stuff you see
nowadays in our films is genuine.
Audiences have grown wise and de-
mand the real thing. Too many of
them know when you are resorting ioc
tricks to try to pull the old simple stuft
on them. What we do now is the
rarity, and it’s got to be so good that
they can’t detect it.”
But Jackman admits that he does
put it. over them now and then. He's
so expert, in fact, that often other
producers borrow him from Sennet for
particularly difficult trick photography.
He told he made a
eat a bag of oats and grow fat before
eyes. He photographed a cad-
old Dobbin the feed
Then he faded the scene out with six
of the crank. Then he
a horse swollen up with
how bony horse
your
averous eating
turns substi-
tuted
colic.
Next
turns
wind
film back six
The optical ef-
turned the
and faded in.
fect is an animal gaining a hundred-
he
weight in a few seconds. In the same
way he made a frightened darky turn
But it’s not so simple as
it sounds. The dareky had to retire
to put on a white make-up, but before
doing so another camera was trained
location was
snow-white.
on him and his exact
sketched on the glass plate.
If, in. retaking the scene, the darky
had been a small part of an inch oat
of the position he left, the figure would
appear to jump on the screen and the
trick be spotted. When the
darky back he was located in
this precise spot and in the precise
attitude by the second camera's plate,
and the “lap-dissolve,” as it is termed,
was completed. This trick explains
how Mary Pickford, in a recent play,
that were
would
came
was shown shedding
imultaneously replaced by a princess’s
gown,
"Ags
In one Sennet comedy Jackman
showed a girl skating into a room maik-
ing a complete loop-the-loop circle,
and skating out. While the camera
showed her looping, she was actually
standing still in one spot. She skated
to that spot, the camera was revolved,
and as it reached “even keel” the
girl skated out of the scene. The re-
volving of the camera made it appear
that she had described a full circle.
Here's the way they make men in
2. comedy chase leap from roof to roof
across a street, say sixty feet. They
made a photograph of the real build-
ings. Then they take at the studio a

FASHION NOTES
Interesting Items for the Fair Sex

dolman and cape decree again.
The wraps of this year are
from those first ones
that there
different of last
spring, except are
a cape nor a coat.
summer wearing.
closely about one.
All Sorts of Materials
the these
| wavs
|
In less than three months 'as do duvetyn and velour.
dolman | very good for the summer wrap, and
lone
Fashions are as variable as
weather. Just about a year ago Dame | serge
Fashion announced dolmans for
spring. Of course, everyone bought
aolmans.
everyone was sorry. The
faded from the fashion picture. And
then at about the point where you

not se;
more the way of trimming.
| ~
nicest thing that could happen for |the finer models.
Many are sleeve-|sees accordion pleating for
others do not even have slits, nor |
fastenings, but are meant to be held collar treatment alone.

stylish new wraps. Navy blue a
and tricot are popular, and al-
look conservative, no matter
the cut. Bolivia cloth fashions many,
Silks are
sees knee-length
length
and tapering
ankle wraps of heavy satin,
: boon :
had yours ripped apart and made into crepe de chine and shorter ones cf
Cin treats
a sure enough coat, along comes the | taffeta.
Elaborate Trimmings
newest of the wraps are get.
ambitious as the frocks in
Elaborate em-
The
ting as
varieties of the wrap, which is neither broidery of metal and silk thread,
They are fascinat- dark fringe, silver
ing in their possibilities, and the very braid and tassels all help to in
iridescent beads,
Here and there one
at least
less, having slits for the hands, while [part of the crepe.
Much originality is evinced in tha
Medical ef
fects are used on some, and the very
full stand-away collar stiffened with

‘amera at a point directly over the
cake, and so nicely can the matching
be done that you can see the feet of
the imps touch the frosting of the
cake.
Well fans, that will be about enougl
of the forbidden fruit today. Run
along to the theatre, and if you see
some fine stunt on the streen don't
whisper to your seatmate that it's a
faked affair.
Nine and a half chances in ten you
The only rule for spot:
If a scene looks
will be wrong.
ting a fake is this:
very much as if it might
tricked it is probably genuine; and if
it seems so real that you couldn't en-
tertain a suspicion about it—why pos-
sibly the studio wizard has put one
have been
dver on you.
The Stable Fly
——
ion had been that te two iden
The acute pain produced by the in-
sertion of the proboscis of the stable
fly brings to any man a sudden reali-
were
edly different from the house fly or
typhoid fly, although hitherto his opin
piercing parts. ‘It
tical.
mouth breeds in
ly abundant and occasions heavs
stock. Year in and year out it is a»
source of great annoyance, especially
to horses and cattle, and is an all-

S-S-STAMMERING
and all defects in speech cured
Afternoon and evening classe
Call, Write, or Phone
Poplar 1332 for particulars
THE QUIGLEY INSTITUTE
For the cure of all defects in spe

zation that this biting insectis point- |
At times this fly becomes excessive- |

losses among nearly all classes of live |
All materials are being used for 'buckram is a new note.
but Americans have developed thejloocommon and persistent pest.
idea. It is carried out with mirrors The adult stable fly resembles the
At a certain angle and far enough ibouse fly, but is slightly broader and
At : angle ¢ g
away to make them appear tiny on the feeds principally on the blood of ani-
film, life-size imps dance before the mals, which is drawn with its long,
mirror. With the aid of another mir- [Plercing mouth parts. I tbreeds in
ror the reflection is caught by the [accumulations of various kinds of
vegetable matter and also in manure,
especially when the latter is mixed
with straw. When straw stacks p2-
wet soon after thrashing tLe
flies breed in the decaying straw, and
it is this set of conditions which pro-
come
duces the severe outbreaks.
Spraying animals with repellents is
not very satisfactory, but the numbeis
of stable flies can be kept down hy
caring properly for stable refuse and
by stacking or otherwise disposing
of straw as described in a free bulle-
tin issued by the Department of Agri-
culture.
The police force of Great Britain
is practically the only one in the
world that is not armed.
The passenger rate by airplane be-
tween London and Paris is $60, and a
charge of 50 cents a pound is made
for freight.

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THE VESTA CO.,
613 Market St.,
Department “J
Philadelphia, Pa.

“CARE OF
THE FEET”
range of size:
1 AAto

a
enables usto fit yoa perfectly, Val-

fo
carried by us running from 13to11

Ion 4

i BY LEON §, DALSINER, M.D able | 10n on the cause and curé of $
Most foot tr ubles come from poor fitting. and sty .
For forty Jars Dalsimer Shoes have been let also 2 P
recognized for their Comfortable Fit, Un- perfect fitting shoe 2 a
d Seen Gui hy On Cans EEL Bet fos or Wor, Hees asa g
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COMED wav aD aL ow SERWAAY

(re your teeth:
in danger
Four out of five adults have the dread disease
It causes liss ef testh and
R E leads to ills which may re-
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Pyorchea Is seldom noticed before It has a
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This treatment
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Neglected pyorrhea leads to certain ll
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FRECKLES
Now Isthe Time to Get Rid of
These Ugly Spots
There’s no longer the slightest need of
feeling ashamed of your freckles, as Othine
—double strength—is guaranteed to remove
these homely spots.
Simply get an ounce of Othine—double
strength—from your druggist, and apply a
little of it night and morning 4 you
should soon see that even the worst fdeckles
have begun to disappear, while the lighter
ones have vanished entirely. It is seldom
that more than one ounce is needed to com-
pletely clear the skin and gain a beautiful,
clear complexion.
Be sure toask for the double strength
Otbhine, as this is sold under guarantee of
money back if it failsto remove freckles.
—Adv.

moving picture of the actors jumping
from one spot to another, say ten feet
All around and behind them are hung
black velvet curtains so that nothinz
registers on the film but the flying
figures.
By superimposing that on the pic
ture of the buildings, after getting far
enough away with the camera to see
SAVE;
U
R
EYES
We have reading glasses for
Near and Far Sighted People
AS
LOW 1
AS
You will have more eye comfort by the
At last!

that the perspective of the leap fits ex-
actly on the cornices of the buildings,
they show you men doing the impossi-
ble. In justice to Fairbanks it should |
be said he doesn’t use these tricks
In Mary Pickford’s “Pollyanna” two |
little imps are seen to dance on a large
cake. This and kindred stunts (like
a fairy rising out of the bowl of a
man’s pipe) were first done by a

French cinematographer named Paul,
VESTA system. We examine eyes and
personally fit the glasses.
Registered optometrist in attendance
DIFFICULT CASES A STECIALTY
The VESTA CO.
Department *'G”
613 Market Street
PHILADELPHIA,

PA;
Accompany mail order with age, if unable to cally

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A HOUSEHOLD
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Will Cap Any
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«
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Crown caps 35c per gross
Parcels post 10c extra.
AGENTS WANTED
Good Money Maker

HUB MACHINE CO., Dept. “C”

450 North 12th St., Philadelphia, Pa
\ BED
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