1 Se Be — THE HARVEST YE SOW, {There in the gardens they complain It is too late to sow again— The grief of laborings misplaced, Of barren hours and seedtime’s waste. 0 blind in age and rash in youth, Who have not ‘learnt this ecqmmon truth: In earth or spirit, that alone : Is* harvested which hath been sown. —Pall Mall Gazette. “Why is it that all clergymen get themselves up to look such frights?” The words were a defiant whisper, breathed into the ear of an elderly maiden lady, between one of the pauses in a ‘‘Faust’” fantasia, and then carried to the ears of a tall, thin clergyman, who immediately flushed and looked away. **Hilda!l’’* The tone was one of reproof. It came in a good second with the big drum! Miss Lely and her niece were spending a few early summer weeks at Bournemouth in pursuit of peace and pleasure. A curious looking parson had wandered in front of the band-stand in search of a vacant chair. He had a long, thin face, wore an Inverness coat of ancient date and carried a- small, black leather bag. Yet he was young, and should have taken some interest in his personal appearance. “He has evebrows like—Ilike the pause marks in music!” the girl mur- mured, in defense of her sweeping criticism. Somehow the younger felt she had a right to a grievance just at this time. Her family had lately been bent on coercing her into marriage with a clergyman who, ac- cording to all accounts, seemed to have the virtues of all the ages with- out any of the vices. Hilda had never seen him. It was some family ‘‘arrangement’’ which the family, exclusive of Hilda, hoped would ‘‘come off” some day. The Rev. Ronald Martyn’s father and old Mr. Lely had always been friends. The Martyns emigrated shortly after- ward to Australia, while the Lelys stayed in the old country. Ronald was due in England on a long visit to some distant relatives, and the meeting fraught with so much im- portance was to take place soon. “I shall not go out again,” Miss Lely said, when chey reached their lodgings. “If you want to go and hear more of the band this evening, Hilda, I will ask Mrs. Hunt to let her Mary take you.” Hilda’s eyes sparkled. “I am never tired of listening to that band!’ she said. ‘““And I'd love to go, aunty!” And she wert. Alas, yet another elergyman caugnt her eye. It was an old and decrepit one this time, who seemed to be enjoying the music s0 much that he went to sleep with a rapt expression on his face and not a thought about falling off the end of the seat. A tall, fair-haired man op- posite, with limbs like Hercules and the face of an Adonis, strode across the grass and propped him up just in time. A day or two later the scene was recalled to her. She and her aunt were crossing Old Christchurch road when a motor car whizzed round a corner without warning. The elder Miss Lely gasped; the younger pushed her with all her might out of the way of the advancing monster, and was in turn thrust out of danger by a mighty hand. There was a whizzing sensation in her ears; for one awful moment the street ran round, and the ground rose up be- fore her and refused to stop—then she found herself clutching a lamp- post, while some one muttered in her ear: “By shave!” “She looked up hastily. The hero of & few nights before was stdnding over her with an anxious expression on his €man-shaven face and in his deep blue eyes, “Aunt Ellen! Where is Aunt Ellen?” she asked, a little wildly. Her rescuer noMded in a sympa- thetic munner. ‘She is all right, if you mean the old lady in the black bonnet and spectacles,” he said. “I expect she is home by now. They took her in a cab.” “A cab! Was she hurt, tten?” The tall man laughed. ‘Not hurt at all,” he answered. “Only very much frightened. And I promised to bring you on immediately. But, of course, as you know, you fainted and I couldn’t. If you are sufficiently re- vived I will call a cab.” Hilda laid her hand on his gray tweed coat sleeve. .She had already decided in her own mind that the Rev. Ronald should wear dark gray tweed, when she suddenly remem- bered that he was a clergyman. “Don’t call a cab for me, please,” she said, imploringly. “I can walk quite well. It will do me much more good than driving.” ““All right. Then I will walk with You,” h® answered, cheerfully. “Didn’t I see you at the band con- cert.in the winter gardens the other evening?’ he asked. Hilda nodded and smiled. “You saved an old clergyman from . tumbling off his chair!” she «said, amusedly. “I saw you. Why is'it clergymen are such a stupid set of men all round?” Miss Lely Jove! That was a close i ‘sheep consumed are, imported. He gave a slight start. “So—er—stupid—clergymen?’’ he repeated dubiously, as if he had not heard aright. Hilda thought him quite dense. “Yes,” she explained, merrily. “I'm afraid I dislike clergymen. It’s very wrong of me, I know, because > She paused and a brilliant flush suffused her cheeks as she suddenly became interested in the sea. ‘“‘Because?’”’ he repeated, patiently awaiting her answer. ‘“‘Because—oh! I'm supposed to be going to—oh! I don’t quite know why,” she said, incoherently. ‘‘You see—well, I daresay you will laugh at me—Dbut I've always been brought up to expect that some day I must marry a clergyman! It is very stupid. Most probably if dad had wanted me to marry an actor I should have felt a distinctly rebellious desire for the ‘cloth.’ But as it is 5 “Human nature rebels, eh?” he suggested, with a laugh. “And the balance is in favor of the actor?” “I don’t know any actor, really,” she responded, naively. “So I am afraid there is no balance!” ‘“‘And it's all dead weight against the poor parson,” he murmured, tak- ing a side glance at her. Hilda shrugged her shoulders. “Poor!” she echoed. ‘‘Do you like clergymen?” “I never thought I didn’t,” he said, slowly. ‘In fact, I used to 2 “But you don’t?” she began, mer- rily. . ‘‘No—since I knew you,” he said, boldly, “I’ve altered my opinion!” “In such a short time ”’ began Hilda. It was fortunate that at that mo- ment Mrs. Hunt, who had been on the lookout for them, opened the door, for Hilda had an uncomfortable feel« ing that things were going too far. Miss Lely worshiped at St. Peter’s and duly carried Hilda off to that church the following Sunday. The tall figure of the hero slipped into a pew just opposite and fixed his blue eves nearly all the service through just below Hilda’s pretty chiffon hat. : The elder Miss Lely prayed for the speedy return of the prospective bridegroom, and Hilda decided that certain tall figures looked equally well in gray tweed or black. That Sunday was to live long in the memories of both ladies. The elder Miss Lely actually sat down and volunteered to wait for the young people if they cared to walk a little farther before returning to the house. Hilda glanced at her companion and met his gaze with rash courage. Soon he was speaking fast and passion- ately. “Don’t think me mad—and don’t say I am presumptuous. But are you really engaged to that clergyman you talked of the other day? Answer me truthfully, please, because it makes all the difference in the world to me.’ He turned his handsome face to- ward her, and his eyes were lit with an eager, passionate fire that Hilda found disconcerting, albeit delight- ful. #1 She stopped. They sat down, while she told him the whole story. He laughed as he heard it. ‘“And you intend to marry this man —this clergyman—whether you like him or no?” he asked at the finish. Hilda looked down toward the sea. She had completely forgotten the waiting Aunt Ellen on the esplanade. “I must see him first,” she said, simply. “But you have seen him!” She smiled softly. “Not since I can remember any- thing,”” she answered. ‘I couldn’t have the heart to tell dad I refuse before seeing him.” ‘““‘Suppbse he is ugly?” “If I loved him, it wouldn't matter how ugly he was!’ the girl said in her soft voice. The hero jumped up suddenly, and knelt on the gravel path, seizing both her hands. ‘“‘Hilda, darling,” he cried, tri- umphantly, “I am Ronald Martyn! Only you didn’t know it, of course. Don’t you think you could pass over the fact that I am a stupid clergy- man?” “You aren’t ugly,” whispered Hilda, as if that settled matters.— Modern Society. > ’9 Stuttering. Of the etiology of stuttering “we know nothing definite. Direct inher- itance in race, and possibly imitation is the chief factor when father and son are affected. There is usually a well-marked neurotic inheritance, others in the family having various forms of nervous complaints. But I have not been able to confirm Char- cot’'s statement that stuttering and ordinary facial paralysis frequently ur in the same family. Shocks, ost frequently : attributed Imitation is undoubtedly to start the habit ge of a stuttering end of mine who when put in ch nurse-maid. A f out of the obstinate was hardly to be ke stables acquired a mos stutter from the groom, vegetations are often are important as a predispesing ca since they tend to prevent the prope filling of the chest with air. When present they should be removed as a preliminary measure, although it must not be expected that their re- moval will lead to a prompt cessation of the stutter.—Lancet. In France land and grass are usu- ally too valuable to be given over to sheep grazing, hence most of the Al- pplies over a million a year. 5 By NATH'L In the world’s dictionary the farm- er is defined as a plain tiller of soil, and the agriculturist or planter as one who has lifted the farm on to the plane of business. The term ‘‘farmer,” however, cov- ers that vast company of workers, who, by the planting of the seed, raise any kind of a harvest, or who breed and raise cattle and other stock. The planter of the South and the agriculturist of the West are both farmers, but, by right of courtesy, are described by other titles, because they carry farming into business, or rather apply methods of business to planting and harvesting. The railroad may cease running, and things will continue to live. The stock-board may board up its doors, and the world will continue to move as it has been moving for centuries, subject only to transient financial cloudiness. Most businesses may go out of business, and the professional- ist may no longer continue to prac- tise, yet people will continue to live and propagate. But where there is no longer any farmer, there will be no longer any people, for the world will have starved to death: The farm, with what the farm stands for, is the essential factor of human maintenancé. The farm, then, is an indispensa- ble necessity, without which the na- tions would never have begun their existence. : The wealth of the world is dot in its business, is not even in its miner- al resources, but consists in the cul- tivation of the earth’s surface—in the farm. The farmer is the original pro- ducer of that which makes life pos- sible, and without which no life can be maintained. The fundamental corner-stone of all physical progress was originally placed upon the farm, and there it will remain so long as we have physi- cal natures and require material food. Farming is our industry, the in- dustry preservative of all industries. Notwithstanding the existence of hundreds of abandoned farms, and the constant exodus from the farm to the city, the farm, in its numerical and financial strength, is to-day the greatest power in the whole civilized world. The farmer is not recognized as he should be, because he seeks neith- er notoriety nor prominence, but quietly does his work, allowing others to play at society and to re- ceive its shallow reward. Here, however, has been made a grievous mistake. The farmer, like the lawyer, should be proud of his profession, sufficiently appreciative of it to contribute to it the full meas- ure of his self-respect. Because he does not do so, he has lost both the social and business prominence which really belongs to his calling. To be in love with our work does not fully suffice. It is necessary to have the love for the work so appear before men that they may honor us, and, by respecting us, be more will- ing to become of us or to help us. Some farms do not pay, partly be- cause some farms cannot be made to pay. The barren farm is a worthless piece of property. The sooner it is abandoned the better. Probably not more than one-half of our fertile farms pay as well as they would pay if the right effort was made to make them pay. It is but a common remark that a great majority of farms are unprofitable because of the indifference on the part of the owners. Altogether too many farmers, in- stead of working their farms, allow their farms to work them. The situ- ation, or rather the farm, is their master, instead of their being master of the situation. The principles of business, the laws of progressive economy, aré not applied to the farm as they are to other trades or businesses; conse- quently, the farmer is not always financially well-to-do; and usually, through no fault of the farm, but because he does not exact what he should from it. The tendency to-day is unmistak- ably away from the farm. The farm- er’'s boy, partly because he wants a change, but largely because the great unknown shines with a light appar- efitly brighter than all the lights he has ever seen, desires to leave the farm and to earn his living under entirely different conditions, away from Nature as he had experienced it, where he may lead a life dia- metrically different from that of his childhood. But the farmer’s boy is not alto- gether to blame for leaving - the farm. The fault, in more than half the cases, is due to the farmer him- self and to the way the farm {is con- ducted. The boy brought up upon the farm which is not properly cul- tivated, and where most of the work is drudgery, or is made to be drudg- lery, where intellectual growth is stunted, naturally, in the ignorance of his youth, assumes that all farms ure like the farm of his childhood, and wat the opportunities of life must b¥ elsewhere. Therefore, he eravitatds to the city, not so much because Re loves the city, but be- cause he ¥eels that that which he knows noth |'8 about, although he may think HW does, is better than that which he (YR 0W about from actual boyhood’ expe NgCHCe- ~The farmer, rather tN De arm, fs driving the boy to the £ity, and the bov is going to the cit simply THE AGRICULTURIST. FOWLER, JR. PRR AP AIC AIC ASIC AWS AIC AIC ICH SBC ADC SICALD LDC < BE