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Si
A SERVICE OF SONG.
Rev. Dr. Talmage's Sermon on
Music in Religion.
Thr nest Made Rrntrrrt rnder
Trouble Hod Mi-mil All to
lilit-Tlie I'ruprr Mualc
fur a Church.
Copyright, Louis Klopsch, 1S99.1
Vuhint;ion, Sept. i.
Dr. Tatanagc to-day discussod a
must attractive department of re
ligious worship the service of sonp.
Ilia Ideas will lie reoalved with interest
by ull who love to lift their voices in
praise in the Ixird'h houfe. The text
is Neheiniah T:CT: "And tbey had
two hundred forty and five singing men
uml srftgtng women."
The liest musio has liecu reinlercil un
der trouble. The tirst duet that 1 know
anything ot was given by Paul and
Silas when they san;,' praises to Qod
und the prisoners heard them. The
Scotch Covenanters, hounded by the
dogs of persecutionf sane; the psalms
of David vith more spirit than they
l.::vf rver since been rendered. The
captives in the text had music left in
them, and I declare that if tiny could
tlud, amid all their trials, two hundred
and forty and live singing men and
singing women then In this day of
Gospel sunlight and free from all per
SeOUtlon there ought to he u great
multitude of men and women willing
tu sing the praises of Uod, Ail our
churches need arousal on this subject.
Those "ho can sing must throw their
s.iuls Into the exercise, and those who
cannot sing must learn bow, and It
shall be heart to heart, voice to voice,
hymn to hymn, anthem to anthem,
und the music shall swell juliilaut with
thanksgiving and tremulous with par
don. Have you ever noticed the construc
tion of the tinman throat as indicative
of what God means us to do with It?
In only an ordinary throat and lungs
there arc 14 direct muscles and lit) in
direct muscles that can produce a very
great variety of Sounds, What dm s
that mean'.' It means that you should
tvingl Do you suppose that God, who
ives us Mish a musical lustrumen as
that, intends us to keep it shut (sup
pose some great tyrant should get pos-
easioa of the inn.sic.il Instruments of
the world and should lock up the or
gan of Westminster abbey, and the
dfgan of Lucerne, and the organ nt
Haarlem, and ths organ at Freiburg,
and all the other greut musiral instru
ments of the world. You would call
tuch a man as that a monster, and yet
you are more wicked if, with the human
voice, a musical instrument of more
woudcrfol adaptation than ull the mu
sical instruments that man ever cre
ates!, you shut it against the praise of
Uod.
Let those refuse to sing
Who never knew our Ood.
But children of the heavenly King
Should speak their Joys abroad.
Music seems to have lieeu horn in the
loul of the natural world. The omnipo
tent voice with which God command
id the world into being seems to linger
yet w.th its msjssty and sweetness, and
you hear it In the graintield, iu the
swoop of the wind amid the? mountain
fastnesses, in the canary's warble und
the thunder shock, in the brook's tin
kle and the ocean's paean. There are
soft cadences iu nature and loud notes,
some of w hich wo cannot hear at ull
and others that are so tcrrilic that we
cannot appreciate them.
The animalculae have their music,
and tiie spioula of hay ami the globule
of water are as certainly resonant with
the voice of tiovl 115 the highest heavens
In which the armies of the redeemed
celebrate thiir victories. When the
breath of the flower strikes the air, and
the wing of the firefly cleaves it, there
is souud and there is melody; and as
to those utterances of nature which
seem harsh and overwhelming, it is as
when you stand in the midst of a great
orchestra, and the sound almost rends
your ear because you are too near
to catch the lilendiug of the music,
ao, my friends, we stand too near the
desolutiiig storm and the frightful
whirlwind to catch the blending of the
music, but when that music rises to
where God is, and the invisible beings
who float above us, then I suppose the
harmony is as sweet as it is tremendous.
In the judgment day, that day of tumult
and terror, there will be no dissonance
to those who can appreciate the music.
It will be as when sometimes a great
organist. In executing some great piece,
break down the instrument upon
which he is pluying the music. So,
when the great murch of the judgment
day is played under the hand of earth
quake, and storm and conflagration,
the world hscli will break down with
the music that is played on it. The
fact is, we are all deaf, or we should
understand that the whole universe is
but one harmony the stars of the
night only the ivory keys of a great
Instrument on which God's ringers play
the music of the spheres.
Music seems dependent on the law of
sjousties and mathematics, and yet
Where these laws are not understood at
all the art ut practiced. There ure U-
day sou musical journals in China.
1 wo
thousand years before Christ the Egyp
tians practiced this art, Pythagoras
learned it. I.asus of Hermione wrote
essays on it. Plato and Aristotle intro
duced it into their schools, but I have
not much interest in that. My chief in
terest is in the music of the, bible.
Tbe bible, like a great harp with in
numerable strings, swept by the fingers
of inspiration, trembles with it. So far
bock as the fourth chapter of Genesis
you find the first organist and harper
jubal. So far back as the thirty-first
chapter of Genesis you find the first
shoir. All up and down the Bible you
find sacred music at weddings, at In
augurations, at the treading of the wine
press. Ths Hebrews understood how to
musical signs above tea musical
.When the Jews came trot their
distant homes to the great festivals at
Jerusalem, they brougbi harp and tim
brel and trumpet and poured along the
great Judean highways s rirer of har
mony until in and around the temple the
wealth of a nation's song and gladness
had accumulated. In our day we have
a division of labor In music, and we have
one man to make the hymn, another
man to make, the tune, another man to
play it on the piano and another man
to sing it. Not so in bible times.
Miriam, the sister of Moses, after the
passage of the Ked sea, composed a
doxology, set it to music, clapped it on
a cymbal and at the same time song it.
David, the psnlmist, was at the same
time poet, musical composer, harpist
and singer, nnd the majority of his
rhythm goes vibrating through all the
ages.
There were in bible timc stringed
Instruments a harp of three strings
playing by fret and Ikw, a harp of ten
strings resounding only to the fingers
of the performer. Then there was the
crooked trumpet, fashioned out of the
horn of the ox or the ram. Then there
were the sistrum and the cymbals,
clapped in the dance or beaten in the
march. There were 4,000 Levitea, inc
hest men of the country, whose only
business it was to look after the music
of the temple.
These 4,000 Lev! tea were divided Into
two classes und officiated on different
day. Can you Imagine the harmony
when these white robed I.cvitcs, before
the symbols of God's presence and by
the smoking altars and the candlesticks
that sprang upward und branched out
like trees of gold and under the wings
of the eherublm, chanted the One
Hundred and Thirty-sixth Psalm of
David'.' Do you know how it was done'.'
One part of ttiat greut choir stood up
and chanted : "Oh, give thanks unto the
Lord, lor He is good!" Then the other
part of the choir, standing in some
other pari of the temple, would come ill
with the response: "For His mercy en
dureth forever." Then the first part
would take up the song again and say:
"t'nto him who only doeth great won
ders." The other part of ihe choir
would come In with overwhelming re
sponse: "For His mercy endurcth for
ever," Until in the latter part of the
sung, the music floating backward nnd
forward, harmony grappling with har
mony, everj trumpet sounding, every
bosom heaving, one part of this greut
white robed choir would lift the an
them: "Oh, give thanks unto the God
of Heaven!" und the other part of the
J.evite choir would come in with the re
sponse: "For His mercy endurcth for
ever." But I am glad to know that all through
the ages there has been grent attention
paid to saered music. Ambrosias,
Augustine, Gregory the Great, Charle
magne, gave it their mighty influence,
and in our dny the best musical genius
is throwing itself on the altars oPGod.
Handel and Mozart and Bach and Du
rante nnd Wolf nnd scores of other
men und women have given the best
part of their genius to church music.
A truth in words is not half so mighty
as a truth in song. Luther's sermons
have been forgotten, but the "Judgment
Hymn" he composed is resounding yet
all through Christendom.
I congratulate the world and the
church on I he advancement made in this
urt the Edinburgh societies for the
improvement of music, the (twits' slng
iug societies, the Fxcter hall concerts,
the triennial musical convocation at
Dusseldorf, Germany, and Birmingham,
England, the controversies of music ut
Munich and Lcipsie, the Handel und
IIbmIii nnd Harmonic nnd Mozart so
cieties of this country, the academies of
music in .New York, lirooklyn, Itoston,
Charleston, New Orleans. Chicago and
every city which has any enterprise,
Now, friends, how are we to decide
what is appropriate, especially for
church music? There mny be a great
many differences of opinion. In some
of the churches they prefer a trained
choir; in others they prefer the melo
deon, the harp, the cornet, the organ;
in other places they think these things
ure the invention of the devil. Some
would have a musical instrument
played so loud you cannot stand it. and
others would have it played so soft you
cannot hear it. Some think a musical
instrument ought to be played only In
the interstices of worship, nnd then
with indescribable softness, while
others arc not satisfied unless there be
startling contrusts and staccato pas
sages that make the audience jump
with greut eyes and hnir on end, ns
from a vision of the witch of Lndor.
Hut, while there may be great varie
ties of opinion in regard to music, it
seems to me that the general spirit of
the word of God indicates what ought
to be the great characteristics of church
music.
And I remark, in the first place, o
prominent characteristic ought to be
adaptiveness to devotion. Music thai
may be appropriate for a concert hall,
or the opera house, or the drawing
room, may be inappropriate in church.
Glees, madrigals, ballads, may be us
innocent as psalms in their places. Hut
church music has only one design, and
that is devotion, nnd that which comet
w ith the toss, the swing and the display
of an opera house is a hindrance to the
worship. From such performances we
go away saying: "What splendid execu
tion! Did you ever hear such a soprano
Which of those solos did you like the
better?" When, if we had been rightly
wrought upon, we would have gont
.ay saying: "Oh, how ray soul was
lifted tip in the presence of God while
they were singing that first hymn!
never had such rapturous views ol
Jesus Christ as my Saviour as when they
were singing that last doxology."
My friend, there is an everlasting dis
tinction between music as an art and
music as a help to devotion. Though s
Schumann composed it, though a Mo
zart played it, though a Sontag sang it,
away with it if it does not make the
heart better and honor Christ. Why
should we rob the programmes ot
worldly geytty when we have se many
appropriate songs snd tunes composed
in our own day, aa well aa that mag
nificent inheritance of church psalm
ody which has come down fragrant
with the devotions of other genera
tions tunes no more worn out than
they were when our great-grandfathers
climbed up to them from ths
church pew to glory? Dear old souls,
how thy used to sing! When they
were cheerful, our grandfathers and
grandmothers used to sing "Colches
ter." When they were very medita
tive, then the boarded meeting house
rantr with "South Street" and St. Ed
mund's." Were they struck through
with great tenderness, they sang
"WoodSloek.M Were they wrapped in
visions of the glory of the church, they
sang "TAon." Were they overborne with
the love and glory of Christ, they sang
"Aric'.i." And in those days there were I
certain tunes married to certain hymns,
and they have lived in peace a great
while, these two old people, und we I
have no right to divorce them. "What j
God hath joined together let no mar
put asunder." born ns we have been,
amid this great wealth of church mu
sic, augmented by the compositions Of
urtists in our day, we ought not to b
tempted out of the sphere of Christian
harmony and try to seek nnconsecrated
sounds. It is absurd for a millionaire
to steal.
1 remark, also, that corcetness ought
to be a characteristic of church music. ,
While we all ought to take part iu this
service, with perhaps a few exceptions, j
we ought ut the same time to cultivate
ourselves in this sacerd art. God loves .
hnrinony, und we ought to love it.
There Is no devotion In a howl or u
yelp. In this day, when there are so j
many opportunities of high culture in i
this sacred art, I declare that those
parents arc guilty of neglect who let
their sons anil daughters grow up
knowing nothing about music. Iu
some of the European cnthedrals the
choir assembles every morning nnd
every afternoon Of every day the whole
year to perfect themselves in this art.
and shall we begrudge the half hour we
spend Friday nights in the rehearsal
of sacred song for the Sabbath?
Another characteristic must be spirit
nnd life. Music ought to rush from the
audience like the water from a rock
clear, bright, sparkling, if all the other
purt of the church sen Ice is dull, do not
have the music dull. With so ninny
thrilling things to sing about, away
with all draw ling and st upidity. There
is nothing that makes me so nervous
as to sit in a pulpit and look off on nu
nudiencc with their eyes three-fourths
closed, and their lips almost shut,
mumbling the praises of God. During
one of my journeys I preached to an
audience of 2,(1110 or 3.CII0 people, nnd
all the music they made together did
not equal one skylnrk! People do not
sleep at a coronation; do not let us
sleep when we come to a Saviour's
cmw ning.
In order to n proper discharge of this
duty, let ns stand up, save as npe or
weakness or fati;;ue excuses us. Seated
in an easy pew we cannot do this duty
half so well as when uprijrht we throw
our whole body into it. Let our song be
like nn acclamation of victory. You
have a right to sing do not surrender
your prerogative. If iu Ihe perform
ance of your duty, or the attempt at it.
you should lose your place in the mu
sical scale und be one (' below when you
ought, to be one C above, or you should
come in half a bar behind, we will ex
cuse you! Still, it is better to do I as Paul
says and sing "with the spirit nnd the
understanding al io."
Again 1 remark church music must
be congregational. This opportunity
must be brought down w it bin i he range
of the whole audience. A song that the
worshipers cannot sing is of no more
use to them than a sermon in Choctaw,
Whnt an easy kind of church it must be
where the minister does all the preach
ing nnd the elders ull the praying nnd
the choir all the singing! There nr
but very few churches where there arc
"245 singing men und singing women."
Tn some churches it Is almost consid
ered a disturbance if n man let out his
voice to full compass, and the people
get up on tiptoe and look over between
the spring hats and wonder what that
man is making all the noise about. In
Syracuse In a Presbyterian church
there was one member who came to me
when I was the pastor of another church
in that city and told me his trouble,
bow thnt ns he persisted in singing on
the Sabbath dny a committee, made up
of the session of the choir, had come to
ask him if he would noj Mist please to
keep still! You have a right to sing.
Jonathan Edwards used to set npnrt
whole days for singing. Let us wake up
to this duty. I.ct ns sing alone, sing in
our families, sing in our schools, sing
In our churches.
I want to rouse you to an unanimity
In Christian song thnt has never yet
been exhibited. Come, now; clenryour
throats nnd get ready for this duty. I
never shall forget henringa Frenchman
sing the "Marseillaise" on the Champs
Elyseee, Paris, just before the battle of
Sedan, In 1870. I never saw such en
thusiasm before or since. As he sang
that national nir. oh, how the French
men shouted! Hnve you ever In tin
English assemblage heard a band play
"Ood Save the Queen T' If you hnve,
you know something about the enthu
siasm of a national air.
Now. I tell you that these songs we
Sing Sabbath by Sabbath are the na
tional airs of the Kingdom of neaven,
and if you do not learn to sing them hcrn
how do you ever expect to sing the song
of Moses and tbe Lamb? I should not
be surprised at all if some of the best
anthems of Heaven were made up of
some of the best songs of earth. May
God increase our reverence for Chrls
tisn psalmody and keep us from dis
gracing it by our indifference and friv
olity. "Bramble Dobbs thinks he is a good
poker plsyer, doesn't he?
Thorn Yes, but It costs him a good
deal mt money to think so. N. T. Jour-
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College to any oa fa need vf coi-petcni and
thoroughly practical help.
Ycur; vcr:j 4.r:ihj. "
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"TruVsi'r1 " I have bee'n suffering for three (8) years with rheumatism. I tried every known
reliie.lv, internal Snd external. I.ul never bad any relief. I saw your advertisement of No
Idieuin, ti.ui." and I tbOugt 1 would (five it a fair trla , so I purchased one (I I Lottie, au.l after
ii" iii same, received (jrcat relief. 1 have u I VI bo ties ot your famous Australian remedy
r ... . . . .,i...i..l.... uihaa ami nalns. and I cheerfully recommend "No-Rheuma
tism" to all suffersn of rheumatism. Yours truly,
AftStrs few application of the Australian remedy. Xo.niieumati.m " I was entirely re
lieved of musralsr rheumatlsa and have not since bean troubled by ii:return. 1 take plsssme
in reconin.cndiiiK "N.s-Kheumatism " a a positive cure for muscular a,,d( bulammatory rbeaniSe
tism. '
wib! MS tffew"
?,a.'SaT'ourstc.,UUVi"e A. Wol'f.'uo N'hanm
'nbA?rrrm Australian remedy "Xo-Itheumatlsiu" a. S .,edy aud sure
cure 'fo inflammatory rheumatism a. I have "ot experienced . any r .cuius Mt - pains .nice the
St few application, of No-Hheuma.l.m." Vorth B St.
Brink- a suffers! of periodical attacks of muscular rheumatism I tried nearly every prcpara
ti.m k now,, ami had received no permanent relief. I luvi given in despair and resigne. mvsell
..,"ii..f .1 atUck-. At last I was persuaded to try tile Australian remedy. 'iNo-Rheuma-tism
" and alter very few applications, have not experienced any palm-since,
tism. ami urn r very iw jgg jggg i;. KCl.I', Cor. Dewart and Orange M., ShamOkln, Pa.
"MeTs?- . kiudlv sent me by mall came to hand, and although I
badlrgely recovered f on n rheumalisni w-l.cn I received It, still at fare I fell the need ,.r
methniK ,fit B"d "'.elved benefit from it. use and from
WhSVSol it U idcr it a very line thing. fSsVVt
PlJ&l".tiJSi you that your Australian remedy "N.sUheumatism, entirely
rnre'd "me SSkTStSii and I cheerfully mn'SSama,
'fZSSki IhS Misirallan Kenicly "No-Rheumatism' Item personal .
perience a. the .,K-edic.t and sure cure . MR Bln'owder.
For sale bv all Druggists throughout the State. Price 50 cents per
Ixittle. Manufactured by
4 mm . cim Hotol Liindliurst Slls..,
Ae HA 3 UK a siinmoLLln. Pa.
For sale in Middleburg bv the Middloburg Drug Co. and in Centrevllle
by lr. J. W. Sainpsell. Jv 20-3m
Til I". HKfsTOF ALL.
For over fifty years Mas. WUSS0WS HooTH
iso Stri p ha. been used by mothers for their
children while teething- Are you disturbed at
night and bioken of your rest by a sick child
iifTering and crying with palnof cutting teeth?
If so send at once and get a bottle of "Mrs. Win
alow' Soothing Syrup" for Children Teething.
Its value Is incalculable. It will relieve the poor
little euBerer immediately. Depend upon it,
mothers, .there i no mistake about It. It curea
dlarrhira, regulates the Stomach and Bowels,
cures Wind Colic, softens tbe Gum., reduce
Inflammation, aud gives tone and energy to the
whole system. "Mrs. Wlnslow's Soothing Py
rop" for children teething Is pleasant to tho
taste and is the prescription ol one of the old
est and best female physicians and nurses in the
rnited State, and Is for sale by all druggists
throughout the world. Price, twenty-live cents
a bottle. Be sure and get "Ma. Winslow's
SooTHisoSvai-p." V8-ly.
i
.' I KM
Recording:
Our
rauccesS
onuses or AonraigiM,
insan' rolief, but I
have manv tes
JOHN H. QABLB,
Cur. l.ii and Shamokiii Ms.
sW-;-W-H-H-M";"!"l"I"I"l-I"l"l-i-H-
I
MIFFLINBLRG
MARBLE WORKS.
- vO. -JO-
R. H . LANCE,
Denier In Warble and
Keoteb Uranlte . . .
MONUMENTS, HEAD
STONES k CEMETERY
LOT ENCLOSURES.
X Old Stones Cleaned and Repaired.
Prices as Low as the Lowest.
Satisfaction Guaranteed.
J. A. JENKINS, Agt,
Cro68rrovt, Fa.
i-l lim l nil llUllllliili
Rlpana Tabulea cure flatulence.