The daily collegian. (University Park, Pa.) 1940-current, September 18, 1985, Image 7

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    arts
Cullum to star in 'Cyrano'
By JENNIFER EDWARDS
Collegian Arts Writer
This Friday night the Artists Se
ries, Center for the Performing Arts
will begin another season of theater
and dance with a one-night only
performance of Cyrano D t e Berge
rac.
The play is produced by Columbia
Artists Theatricals Corporation in
association with Syracuse Stage.
Originally produced by Syracuse
Stage as part of its 11th anniversary
season, the show was a smash hit.
From there the production moved to
the Alliance Theatre Company in
Atlanta where it also received an
overwhelming response. The touring
company of Cyrano is just beginning
a ten-week run, bringing the play to
45 cities in the United States and
Canada.
This performance stars Tony
Award-winning actor John Cullum
as Cyrano De Bergerac, “a man
who has everything going for him
but his looks,” said Teresa Tillson,
audience development specialist for
the Artist Series, Cyrano is in love
with a beautiful girl named Rox
anne but knows he can never win
her because he is too ugly. His
friend Christian is also in love with
Roxanne, but he can never find the
right words to tell her so. Cyrano
Comics to focus on world hunger
By JERRY SCHWARTZ
Associated Press Writer
NEW YORK The funny papers
will take on a serious issue on
Thanksgiving Day, as more than 100
of the nation’s most popular cartoon
ists devote that day’s panels to world
hunger.
The idea was proposed by Garry
Trudeau, whose Doonesbury often
grapples with controversial issues.
But Trudeau has recruited as co
sponsors two cartoonists who deal in
less topical fare Charles Schulz,
creator of Peanuts, and Milton Can
iff, who draws “Steve Canyon.”
So far, 114 cartoonists have enlisted
in the project, including “all of the
biggest names,” and more are ex
pected, said David Stamford, who
edits Trudeau’s books for Holt Rine
hart & Winston.
“The response has been great. It
looks like pretty much the entire
comics page will be devoted to hun
ger,” said Stamford.
“It looks like it’s going to be a
blockbuster,” Caniff said.
Trudeau was not available for com
ment. But Stamford said Trudeau
who had donated proceeds from his
most recent book, a cartoon chronicle
of the USA for Africa recording ses
sions, to African famine relief
came up with the idea, and called
Schulz and Caniff.
The three sent out a letter to their
fellow syndicated cartoonists, telling
them they “could have their feature
Emmy awards to be aired on Sunday night
By The Associated Press
PASADENA, Calif. Here is a
complete list of nominees for Sunday
night’s 37th annual prime-time
Emmy Awards:
Best comedy series: Cheers, NBC;
The Cosby Show, NBC; Family Ties,
NBC; Kate&Allie, CBS; Night Court,
NBC.
Best drama series: Cagney & La
cey, CBS; Hill Street Blues, NBC;
Miami Vice, NBC; Murder, She
• Wrote, CBS; St. Elsewhere, NBC.
Best limited series: Barbara Tay
lor Bradford's A Woman of Sub
stance, Operation Prime Time; Ellis
Island, CBS; Masterpiece Theatre
The Jewel in the Crown, PBS; Robert
Kennedy and His Times, CBS; Space,
CBS.
Best variety, music or comedy pro
gram: The American Film Institute
Salute to Gene Kelly, CBS; Late
Night With David Letterman, NBC;
Great Performances Lena Horne:
The Lady and Her Music, PBS; Mo
town Returns to the Apollo, NBC; The
Tonight Show Starring Johnny Car
son, NBC.
Best drama or comedy special: The
Burning Bed, NBC; Do You Remem
ber Love, CBS; Fatal Vision, NBC;
An ABC Theater Presentation
Heartsounds, ABC; Wallenberg: A
Hero’s Story, NBC.
Best classical program in the per
forming arts: Live From the Met
Aida, PBS; Great Performances
Bernstein Conducts ‘West Side Story’,
PBS; Dance in America: Baryshni
kov by Tharp With American Ballet
Theatre, PBS; Live From the Met
Tosco, PBS; The Well-Tempered
Bach With Peter Ustinov, PBS.
Best informational special: Cous
teau Mississippi, syndicated;
agrees to write beautiful poetry for i ngton and Sins. She has also worked
Christian so that Christian might with the Colorado Shakespeare Fes
win Roxanne. What ensues is a tale tival and appeared in Genesius
of passion and heartbreak, adven- Theatre’s production of Romeo and
ture and romance, happiness and Juliet.
sorrow. Cullum, Smythe and Gallagher
To play the part of Cyrano, Cul- are starring in a new version of
lum must wear an artificial nose. Cyrano adapted by Emily Frankel
Nose designer Vicki Davis made from Edmond Rostand’s 17th-cen
four different noses from which Cul- tury original version. Frankel (Cul
lum chose one. Because of the hectic lum’s wife) wrote this version
schedule of the performing compa- expressly for her husband, whom
ny and the wear and tear of remov- she feels is the “grandest of grand
ing the nose after each classical actors.” In her play Fran
performance, Cullum travels with a kel has tried to eliminate material
dozen replicas of the bird-like beak, which does not pertain to the mod-
Cullum, who originated the role of era audience while retaining the old-
Cyrano at Syracuse Stage, has nu- fashioned story to make the play
merous other achievements. He has cleaner and clearer for her viewers,
won two Tony Awards for the best Directing the-show is Broadway
actor in Shenandoahand On the veteran Arthur Storch. Storch, who
Twentieth Century. One of his more has been the producing artistic di
memorable television perfor- rector at Syracuse Stage since 1973,
mances was as Jim Dahlberg, the is also known for his direction of
farmer in the controversial film The Broadway’s Tribute and Twice
Day After. Around the Park.
Also starring in Cyrano will be Cyrano began its ten-week tour on
Marcus Smythe as Christian and Sept. 13,1985. “When shows like this
Megan Gallagher as Roxanne, do tour, college campuses are a
Smythe, who originated the role of very popular place for them to go,”
Christian at Syracuse Stage, is best Tillson said. A college campus is one
known for his appearances on tele- of the very few places that has the
vision’s Guiding Light and Search facilities to accommodate a show of
for Tomorrow. Gallagher is a recent this size.
graduate of Juilliard whose credits This tour, however, is not limited
include television’s George Wash- to colleges alone. “Most of the
touch upon the subject of hunger,
without being heavy handed, in their
own way, without changing the char
acter of their strip,” Stamford said.
The idea, Stamford said, is “not to
turn the (comics) page into a polemic
or tract... . The real power of the
thing will be cumulative, yith each
artist dealing with the issue in his
own way with humor, as part of a
continuing story, or whatever.”
The aim was to increase public
awareness of the problem of hunger,
but Stamford said the cartoonists also
hope to have a more concrete effect.
Newspapers, will be. asked, to donate
space on their comics pages fo ads
soliciting donations for USA for Afri
ca.
And Stamford said every cartoonist
who had agreed to join the project
had also agreed to donate his or her
artwork, to be auctioned with pro
ceeds going to USA for Africa. Schulz
said his strips sell for as much as
$l,OOO.
Schulz said the response to the
project did not surprise him. “I don’t
see why anybody shouldn’t do it,” he
said.
Some cartoonists may not have had
enough time. While Trudeau works
less than two weeks ahead of publica
tion, Schulz was within, two weeks of
his Thanksgiving strip when Trudeau
first called him.
Some cartoonists whose stories are
unfolding may interrupt their serials
on Thanksgiving to talk about hun
ger. Others may somehow bring the
Cousteau Amazon: Snowstorm in cated; Tyne Daly and Sharon Gless,
the Jungle, syndicated; A Day in the Cagney & Lacey, CBS; Veronica
Country: Impressionism and. the Hamel, Hill Street Blues, NBC; An-
French Landscape, PBS; Great Per- gela Lansbury, Murder, She Wrote,
formances Judy Garland: The CBS.
Concert Years, PBS; Missing... Have Best lead actress in a limited series
You Seen This Person?, NBC. or special: Jane Alexander, Malice in
Best informational series: At the Wonderland, CBS; Peggy Ashcroft,
Movies With Ebert & Siskel, syndi- Masterpiece Theatre The Jewel in
cated; The Barbara Walters Spe- the Crown, PBS; Farrah Fawcett,
ciais, ABC; Entertainment Tonight- The Burning Bed, NBC; Mary Tyler
Entertainment This Week, syndi- Moore, An ABC Theater Presentation
cated; The Heart of the Dragon, Heartsounds, ABC; Joanne Wood-
PBS; The Living Planet: A Portrait ward, Do You Remember Love, CBS.
of the Earth, PBS. Best supporting actor in a comedy
Best lead actor in a comedy series: series: Nicholas Colasanto, John Rat-
Harry Anderson, Night Court, NBC; zenberger and George Wendt, Cheers
Ted Danson, Cheers, NBC; Robert NBC; Michael J. Fox, Family Ties,
Guillaume, Benson, ABC; Bob New- NBC; John Larroquette, Night Court,
hart, Newhart, CBS; Jack Warden, NBC.
Crazy Like a Fox, CBS. Best supporting actor in a drama
Best lead actor in a drama series: series: Ed Begley Jr., St. Elsewhere,
William Daniels, St. Elsewhere, NBC; John Hillerman, Magnum,
NBC; Ed Flanders, St. Elsewhere, P. 1., CBS; John Karlen, Cagney &
NBC; Don Johnson, Miami Vice, Lacey, CBS; Edward James Olmos,
NBC; Tom Selleck, Magnum, P. 1., Miami Vice, NBC; Bruce Weitz, Hill
CBS; Daniel J. Travanti, Hill Street Street Blues, NBC.
Blues, NBC. Best supporting actor in a limited
Best lead actor on a limited series series or special: Richard Burton,
or special: Richard Chamberlain, Ellis Island, CBS; Sir John Gielgud,
Wallenberg: A Hero’s Story, NBC; Romance on the Orient Express,
Richard Crenna, An ABC Theater NBC; Karl Malden, Fatal Vision,
Presentation The Rape of Richard NBC; Richard Masur, The Burning
Beck, ABC; James Garner, An ABC Bed, NBC; Martin Sheen and Rip
Theater Presentation Heart- Torn, The Atlanta Child Murders,
sounds, ABC; Richard Kiley, Do You CBS.
Remember Love, CBS; George C. Best supporting actress in a come-
Scott, A Christmas Carol, CBS. dy series: Selma Diamond, Night
Best lead actress in a comedy se- Court, NBC; Julia Duffy, Newhart,
ries: Phylicia Ayers-Alien, The Cos- CBS; Marla Gibbs, The Jeffersons,
by Show, NBC; Jane Curtin, Kate & CBS; Rhea Perlman, Cheers, NBC;
Allie, CBS; Shelley Long, Cheers, Inga Swenson, Benson, ABC.
NBC; Susan Saint James, Kate & Best supporting actress in a drama
Allie, CBS; Isabel Sanford, The Jef- series: Barbara Bosson and Betty
fersons, CBS. Thomas, Hill Street Blues, NBC;
Best lead actress in a drama se- Christina Pickles, St. Elsewhere,
ries: Debbie Allen, Fame, syndi- NBC; Doris Roberts, Remington
Marcle, Peppermint Patti, Charlie Brown and Linus will no doubt be a part of
Peanuts creator Charles Schulz’s Thanksgiving cartoon panels on world hunger.
subject into their stories, Schulz said.
Caniff said his story involved dev
astation caused by an earthquake in a
Latin American country, and it was
easy enough to deal with hunger on
Nov. 24.
It is not easy to deal with so serious
a subject in comics, Schulz said.
“There’s always the risk of being
(Left to right) Marcus Smythe (as Christian) and John Cullum (as Cyrano) star In Cyrano
presentation of the 1985-86 Artist Series.
things we present are not done ex
clusively for colleges and universi
ties,” said Richard Martin,
manager of-programming for the
Artists Series, Center for the Per
forming Arts.
Martin is in charge of booking the
shows for the season. He chooses the
plays and dance companies that will
perform here from a wide variety of
available acts. “You get to pick and
choose what seems appropriate to
ij tsao
accused of playing with something
that’s so utterly serious . ..,” Schulz
said. “(But) any time you try to say
something funny, you’re risking you
self, aren’t you?”
And in any case, cartoonists have
no other medium to use. “We got no
place to go,” Caniff said. “So we have
to holler in our own pig pen.”
Steele, NBC; Madge Sinclair, Trap
per John, M.D., CBS.
Best supporting actress in a limited
series or special: Penny Fuller and
Kim Stanley, American Playhouse
Cat on a Hot Tin Roof, PBS; Ann
Jillian, Ellis Island, CBS; Deborah
Kerr, Barbara Taylor Bradford’s A
Woman of Substance, Operation
Prime Time; Alfre Woodard, Won
derworks Words by Heart, PBS.
Best individual performance in a
variety or music program: Billy
Crystal, Saturday Night Live, NBC;
George Hearn and Angela Lansbury,
Great Performances Sweeney
Todd, PBS; Gregory Hines and Patti
La Belle, Motown Returns to the
Apollo, NBC.
Best writing in a comedy series:
Cheers I Call Your Name, Cheers
Rebound, Part 11, Cheers —' Sam
Turns the Other Cheek, NBC; The
Cosby Show Good-bye, Mr. Fish,
and The Cosby Show Premiere
Episode, NBC.
Best writing in a drama series:
Cagney & Lacey Child Witness,
Cagney & Lacey Who Said It’s Fair
Part 11, CBS; Hill Street Blues, NBC;
St. Elsewhere Murder, She Rote,
St. Elsewhere Sweet Dreams,
NBC; and Miami Vice, NBC.
Best writing in a variety or music
program: Motown Returns to the
Apollo, NBC; Late Night With David
Letterman Christmas With the
Lettermans, Late Night With David
Letterman The Late Night Morn
ing Show, Late Night With David
Letterman Late Night in Los An
geles, NBC; and The American Film
Institute, CBS.
Best Writing in a limited series or a
special: Fatal Vision, NBC; The Bur
ning Bed, NBC; Wallenberg: A He
ro’s Story, NBC.
your theater,” Tillson said. “He
buys what seems appropriate for
us.” “Of the things that were avail
able,” Martin commented, “this
(play), was one of the things that
was outstanding.”
When shows appear on campus
depends upon the company’s sched
ule. “We end up taking events large
ly when we can get them,” Tillson
said.
Cyrano will only be at the Univer-
Stan is grand as 'Gaff's DJ
quests for everything. As long as
requests are in by 9:30 p.m., Stan
will play them. With only four
“Right now we’ll keep dancing our hours to try to please everyone,
pants off,” Gran Stan, DJ at the stan formulates a program with
Shandygaff Saloon, said. less danceable tunes early and
Stanley Stroup, known locally as high energy later in the night. “I
"Gran Stan,” has been spinning play everything from Led Zeppe
the discs at the Shandygaff since iin to Madonna,” he said.
By VICTORIA JAFFE
Collegian Arts Writer
1979, his senior year at the Univer- j n 'Bos isn't hard to get
sity. “DJs hadn’t really come into pe o pi e on the dance floor, though ,
their own,” Stan said. The Shan y- women con t ro l the music selection '
ga f was the first bar in State stan a list of songs to
C^ le ! e M° h T Mir nr’ito dance to “The songs guys request ;
added. Now almost half of the don>t want to B d f n ' e t J, he
downtown bars do. “ ted .... ;
Stan has seen the bar scene ‘ . .
change into a livelier arena as the The high energy dance music of
’7os left and brought in the dancing ° d a/ Wlll not fo . r . S^ n .
-80 s. “Music was more ballad- thinks we may be heading back to ,
oriented in the ’7os, with' the ex- more meaningful music He said ,
ception of disco, but disco didn’t that music always reflects current <
get to everybody because every- events, and can also be a release -
body couldn’t dance to it. Music and escape,
has changed; now everybody Stan didn’t dream of becoming a
dances,” he noted. Stan said that DJ, he just naturally fell into it. ;
even movies have theme songs “One night the band cancelled at
with a rhythmic dance beat, citing the 'Gaff and the bar manager
in particular St. Elmo’s Fire,F- asked if I’d like to work. I thought
lashdance, and Back to the Fu- it would be interesting to see what
ture. kind of power you get.” Ray An-
He claimed that people are thony gave him a box of record
going crazy for nostalgic songs 5... and this 28-year-old political
like the themes from Batman, science graduate from Bedford is
Hawaii Five-0, and The Beverly still spinning every “Beer-Bash”
Hillbillies. “As long as it has a on Wednesday, Friday and Satur
beat, people will dance to it,"Stan day nights. Plans to leave State
said. College are not in Stan’s near
The highlight of the Shandygaff future, since he takes things
is oldies, though Stan takes re- “week by week.”
The Daily Collegian
Wednesday, Sept. 18, 1985
sity for one night because of the
audience size estimated for the per
formance. “It’s hard for us to do two
or three shows in a row because we
don’t have the audience to fill a
house two or three times,” Tillson
said.
Cyrano De Bergerac will be pre
sented at 8 p.m. this Friday at
Eisenhower Auditorium. Tickets
are $l2; $lO and $8 for students and
$l5, $l3 and $ll for non-students.
Tom Selleck
l ergerac,
Graphics instructor enjoys students
By ELIZABETH A. FRANK
Collegian Arts Writer
c. "Yes, I have bad qualities, but I
won’t tell you about them,” Lanny
Sommese says.
" “Losing hair is one of them,” Chip
Kidd quips, a junior who is in Som
mese’s senior graphic design class.
“Yeah, losing hair is bad for my
ego, but I guess I’ll have.to live with it
or without it,” Sommese responds.
It is mid-morning and Sommese,
head of the graphic arts department
at the University and a well-known
graphic artist, is being interviewed at
the same time he is interacting with
other people who come in and out of
the studio in the Visual Arts Building.
Behind a shabby sofa is a wallboard
.covered with various graphic arts
posters and a review of the Film
Follies, the senior class’ final project
of short graphic exercises that is open
to the public.
; Because Kidd is up for the Creative
Achievement Award, Sommese is
judiciously overseeing all the details
as he talks.
; Sommese says he always knew he
wanted to make a living with art. In
the 1950 s his parents had a friend who
made $20,000 a year painting murals
'Back to the Future' and 'Teen Wolf' are the top-earning films
Bv The Associated Press Rambo and the Steven Spielberg-produced Back Year of the Dragon remained seventh with
By The Associated Press tQ the Futurc are the only two summer movies to $958,830.
earn more than $lOO million, standing on top of the Here are the top 5 films at the box office
season’s unimpressive heap. this past weekend, with distributor, weekend
Cocoon rose two notches from the previous week gross, number of screens, total gross and number
to gain sixth place as its 13-week gross reached $72 of weeks in release:
million 1. Back to the Future, Universal, $4.1 million, 1,-
The ieading films were otherwise unchanged 472 screens, $145 million, 11 weeks,
from a week earlier, with Teen Wolf at No. 2on a , 2. Teen Wolf, Atlantic, $2.3 million, 1,310
weekend gross of $2.3 million, followed by Pee- screens, $22.3 million, fqur weeks.
Wee’s Big Adventure with $l.B million, and Par- 3. Pee-Wee’s Big Adventure, Warner Bros., $l.B
amount’s Compromising Positions holding onto million, 877 screens, $30.9 million, eight weeks,
fourth with $1.5 million. 4. Compromising Positions, Paramount, $1.5
Volunteers was fifth with $l.l million, followed million, 574 screens, $7.9 million, three weeks,
by Cocoon, also with $l.l million but a lower 5. Volunteers, Tri-Star, $l.l million, 764 screens,
average per screen. $17.9 million, five weeks.
HOLLYWOOD The time machine movie Back
to the Future took first place in last weekend’s
box-office gross and was gaining on Rambo: First
Blood Part 11, the year’s top-earning film.
Bach to the Future, starring Michael J. Fox,
earned another $4.1 million during the weekend
and boosted its total gross to $145 million in 11
weeks of release.
' Rambo returned this week to the Top 10 list for
the first first time since July 30. The Tri-Star
release starring Sylvester Stallone as the aveng
ing American mercenary who returns to Vietnam
earned $873,947, for a 16-week total of $147.6
million.
J Soviet Jewry J
Problems and Prospects
Mainspeaker: J
Congressman William F. dinger r
*
Sunday, September 22, 7:OOPM. HUB Fishbowl
*L. - Yachad Penn State Friends of Israel - -k
★★★★★★★★★★★★★★★★★★★★
ar~ Local Chapter ot the National |
\ns Association of Working Women g
I Meeting OPEN TO PUBLIC |j
PC SEXUAL HARASSMENT OF CLERICAL |
WORKERS AT PENN STATE 1
UtanYl a
I ii— Speaker §
Hh MICHAEL JOHNSON |
Assistant Professor of Sociology g
NITTANYI The Pennsylvania State University |
□E Sept. 19,12-1 p.m., WESLEY FOUNDATION |
5 The Sisters of Welta Welta 3)elta .£,
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# Fall 1985 Pledge Class: *
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Lisa Aburachis Caryn Lindsey . «j>
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Congratulations to a class with “class” 4 jL
SjL ® 0154
on walls. “I thought that was a lot of
money,” he says. Since he was in high
school, Sommese has been doing free
lance work.
At the University of Florida where
he received a bachelor of design
degree, he had a wonderful painting
instructor, which made him decide to
spend an extra year there getting a
bachelor of fine arts degree in paint
ing.
He arrived at the University after
leaving the University of Illinois at
Champaign-Urbana and took a cut in
pay because his freelance accounts
and assistantship paid so well.
“I think, with some exceptions,
teaching is very rewarding,” he says,
adding that, like everything else, it
has its highs and lows. Though he
prefers the highs, Sommese tends to
evaluate himself on the basis of the
least competent student he is teach
ing rather than the best. “There are a
number of people who will be good no
matter what I do,” he explains.
“Three or four students will be in the
middle and two or three I can help a
lot.”
In fact, Sommese says he wants
every senior to get a job. “I’m a
competitive person. I want the pro
gram here to be the best.”
To indicate the program’s success,
everyone in the class of 1984 has a job.
Producing quality graphic designers
is a must because Sommese claims
the market is flooded with them.
“Hey, did you see this?” Sommese
says to Kidd, pointing to a small
graphic illustration of Charlie Chap
lin on a page from the April 1, 1985
issue of Time magazine, which is
posted on the wall. Sommese explains
it was done by Dave Herbick, one of
his old students.
Anywhere from 45 to 65 students
apply to the graphic arts program
when they are sophomores, he notes.
About 24 students are chosen and
generally six to eight drop out be
cause it is too rigorous for them.
Yet, for those who do stay, the
teacher/student experience proves
rewarding. “He!s great teacher,”
Kidd says. “Without him this place
would be nowhere.” The respect
seems to be mutual. “I find my stu
dents more interesting than the fac
ulty. I find artists boring. I don’t
socialize with them,” he says.
“I think I’m a pretty social per
son,” he adds. “ Tonight I have my
pool league and the town volleyball
league.”
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“No pain, no gain” is his motto. “If
you’re competitive and achieve well,
you should be rewarded,” he says.
And the rewards at Penn State are
not directly proportional, he states.
“I prefer the corporate model do
what you’re hired to do or you’re
fired.”
Sommese sees himself as the kind
of guy who works day-to-day, doing
the best he can and adhering to the
work ethic. “I grew up in a work ethic
situation,” he explains, “and I tend to
get very uncomfortable when I’m not
working.”
In his spare time, he collects chil
dren’s illustrated books, metal wind
up toys and board games. “I have 100
board games on the living room walls
from floor to ceiling and another 300
stored in the basement,” he says,
explaining that he likes them for their
graphic design.
Yet, in the end, it is his work that
commands most of Sommese’s atten
tion. “In Washington, D.C. or New
York City they would charge ten
times what I do,” he adds. Although
he’s had chances to leave he prefers
to stay here. “There are other things
in life besides money but I’m
beginning to change my mind.”
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The Daily Collegian Wednesday, Sept. 18, 1985 —13