22—The Daily Collegian Friday, Sept. 24, 1982
111
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Id ''' ° DEAR SNOOPY, I HAVE "MARBLES" IS COMING I HARDLY 1-z**
RELATIVES ARE LIKE MAIL
,._Ati.-_"14011111V/:/1"olljEMBP__ ' , „o';i•,' .-- ..(',' • toy, .#/ -:,,,, - - ; LOST MY HOME .. : CAN PERE?HOW CAN I FIND REMEMBER ORDER CATALO6S...II4EY
By CHRISTINE CURCIO ty. Religion, education, politics and wearing identical masks. "Comfort- "--- -A 't l :-%;;;. 4,‘ , . i 41,10 0 1 F .i - - t YOU HELP ME? AM HIM A NOME? HIM... ~ - COME OUT OF NOWHERE..
Collegian Staff Writer • , ii : , , :4 111 11 . ,
family all build a wall around our ably Numb" is also chillingly pre- , . ''* ------------:-"--':----;----7;::-- '''
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~. , r.-4.01.% •ow' i f , ,- .t• !A - •,---- ' ARRIVING SOON-YOUR •-• s e 3 --- , o '...
hero Pink, who represents all of us. rented.
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__ Asll2 , /o , i!.:•„Mitt;iii - -- - z- -- .-.7...- ) BROTHER, 'MARBLES"
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Pink Floyd has set a new artistic That wall is too high to climb, too ____,_ ---, •
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With the exception of The Trial _______, 11 w
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premise for rock movies. Along with strong to break - and Pink considers ,_________--- --_____ . -- ___---- ,
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The Who's "Tommy," "The Wall" suicide. Pink's inner con fl ict comes scene at the end, the few animated ^------------ c,A , . -ma ~ . i Pi/ / t Ai, ,""'";714::::
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represents the end of the days of to a head when he is tried by a jury sequences are distinctive but out of --______ I '
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grainy on-stage films of a live band. and told to tear down the wall. place. This movie is so real, so ' pain- , . • :.• , \ ~.,• ~. , ; 7.-t-.: ';': -:7-7..74-1 . 7?_•,,,,
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fully real, that animation just doesn't A , • . .
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The movie is visually and emotional- The movie is Pink's life story. Pink, 111.•;.. -1. , 1; v.' ;‘ '• \\‘ \ ii --.. ----
ly powerful, enough , to leave anyone played by the Boomtown Rats' Bob fit' _______,„.... 1,• ! '.., ‘‘ \\V4'''' grrff—
•°WOOF ri HE'D SAYVERY TTY,
shaken. Geldof, is plagued all his life by the The power of "The Wall" lies in its _1- i 11 . • \"•.• ,4 4,
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death of his father during•the war. A visuals - they are 'unrelentingly !... Mr , L , s; „ \ ‘, w ok , ~.‘ , .._1 , , „„,_
------------:=----___ ____--------, - . ---------_. Zaill XI, N'illaki;ii-,,A,ltt,r , :, /, ''i, 4tak• - --- BROTHER,IS COMING HERE.., THE SMART ONE IN OUR (0 , BUT HE WAS SMART
i.. It I CANT BELIEVE 1T... FAMILY,,: YOU WANTED
S. • TO KNOW SOMETHING, YOU
touching scene in the beginning graphic. After all, it is about a per- - ‘AWNNW,--- - - - 1',.....0 , •
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JUST ASKED MARBLES.... r, fiv
movie review 'shows little Pink in the park asking son's lifejong journey into insanity, ----- ,r
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someone else's father to put him on and all things aren't pretty. One - ---- -___ el ' 1 ~
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the merry-gd-round. The father corn- scene that's particulary startling is OA '
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plies and later Pink goes over to him when young Pink walks into an aban- , :
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Much has already been said of the and takes hold of his sleeve. The doned asylum and sees a gibbering ' i -* - -7-f- :--:--,- 1;1 -- • ' '' -i *
father pushes him away. The lyrics of man in pajamas in the corner . He _,-- - - i /11111111111 ,
album, which sold 12 million copies- ;=2- ::- • : : ,.-5.. •
the song, in the background say, touches the mans shoulder and inds , ,
worldwide; what's important is how
"Daddy, what'd you leave behind for that he's looking at himself 15 years .„, •
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the 1p translates onto celluloid. The , ' . scenes were interestingly staged , doonesbury
me./ All in all, it's just another brick later. The surreal, disjointed atmo- .
transference from one medium to in the wall." "The Wall" isn't as confusing as it
sphere in the movie enables us to look • I
another is usually disappointing, but , seems. Those who are theleast bit antana s hot rhythm -- ,
GENERAL. DYNAMICS, PRE-5,9 e iIHA T/M WC
Roger Waters, who wrote the album, • The Ip's lyrics comprise the great at different stage's of Pink's life at
familiar with the Ip•will understand S area, IN OFF MO 11,4VE UM„
has successfully authored the film. majority of the film's dialogue, but no once. , its basic ideas and appreciate the , - ' - FOR MY INTER- YOU 60T LET'S NRTNRUI? 1,94 FOR SHIRE, 7A1X1N6,49(X1T?
.
"The Wall," both the album and the other words are needed. An interesting twist shows Pink not way in which they are presented. • Y 15105. GOSH ME -
.w. DRONED 711E55
movie, is not so much the story of the Standout scenes are "Another so much the rock star but an Adolf The success of "The Wall" lies in set to rock Rec Hall ~ ~ fei L. , lIIGC.
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mental breakdown of a rock star, but Brick in the Wall Part 2• " or, We " Hitler-type leader whose insignia is its ability to illustrate at length the ' '
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portrays a deeper theme of the sup- Don't Need No Education," with two crossed hammers. This scene profound ideas that went into the Ip, 1 ) '';'-
rF From the "Evil Ways" of the albums followed before guitarist . 7 1! . '7 ,4,
pression of free thought in our 'socie- school kids marching through a maze was lost to me, but the Nazi Germany without losing them in the shuf fl e. , :,
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to "Winning" in the 'Bos, Car- Neal Schon and singer/keyboard- , W
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los Santana personifies th e evolu- ist Gregg Rolie left to form Jour- , !. 6.7
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14 , i 111 IF I. / . Aro arm _1 ' ► tf I '
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_.% ' - 11 $ ,_ 4 ,--4.- 11 1) ---- - '
Kalliope an artistic treasure box for area tion of the music industry. And ney in 1973. F, ---- 'V ~a
Santana, unfoiled by any guru this That year Santana released two ', ~', ii a -- - f Aida 7
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year, brings his multi - talented en-_ albums, Welcome and Barboletta ' ' 5 -- -
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tourage to the University at 8 p.m. that revealed the jazz influence of ' j il M 9 ' 24
Aspiring poets and short story writ- Associated Student Activities, are g • •
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err can see their words in print if chosen by the editorial staff from l it -, ' ,. )t; di' , i',6 t, 1,,,,1!,', •
__ , k,'?',4l ~ 4 , . • ) l'i , ), .4_, mit-Ti,,. Sunday in Rec Hall. 8.8. King and others on Carlos - ---- -0.,_, ,A,,, i,.k.t • N.,-.,. _ . " 4",.. „ „,,____,
~b._ •-•%,--,".,;,;„--, ..4,, Vallb.- 1 ilia
• , ~. •J - _ ~ . _ - _ - • •i. - -r- - , ~.=,,) Santana. However, he reevaluated G = ''' 11001111.1 " - -''='' 4r411* 6._.n .-- . -J om uisili' % „ mum a
their work is selected for Kalliope , a about 500 entries. Entries are judged . -- ___ 1
literary magazine produced ' by a anonymously to eliminate favoritism -:,... , ' S. - 1 " i '
rciterspwrovme, wavAm' /7% 5 0 1 7 Y 9 4 r10/1/77r. 5 . ZONKER? a/ 5° ,4 11Y 7f0 1 t4 Y 1 v mar
group of University students. and all staff members have input in, : : . . ~
iii c •-•-, concert preview • and returned with the release of AN, IJIS I APPLICANOVS !
• rock more
wcormoilmweritchiaAllymigaopspe,
Moonaling HOPING 70 MAKE IT IN
"We accept work from students, the selection process, Heavey said. . , - ' . •.,,,, t' ‘ 'i TO SOME CORPORATE a 9 ITr
_ _MAR/C.7111515 A AWA Y. EVEN ZOOM'S /
wil ow,.
faculty members, alumni and State The authors' names do not appear - .id 0 1i t •,., 5 ,". A. ' ' 4 ,, ) ,1 PAM' ARE 11E, MIKE? MIN ENOUGH IRIORK FIR M - GIRLS,
College residents," said Melinda Ha- until the book is printed. . ; Flaw. "NINA'', ....6 • A i ..,,/ flower, and Marathon in 1976, '77 ' , , i ---, A. 5 IT 15. a- ,".. COMING AROUND 70 ER,4I. DYNAMICS SIR.
. PAT REIMIZATION rf- -
and '79, respectively. N,- .....„ ~ - '-• - '‘kV'' /0 MR, \
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becker,• co-editor of the 1982 Kalliope. Any interested students who are •-• 'l.; ' ' , •, 4, , - .* 4 • r' ---- ,• ~ Sponsored' by the University '
,
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Mark Heavey, editor of the 1983 familiar with contemporary litera- ',> C, , ' - .... '..,;--;..;--;.:',- s - • • Concert Committee, the Santana The release of Zebopl in 1981 • :.• ._ r , f t 2,'„, \/ , •
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magazine, added that the purpose of tore are eligible to join Kalliope's -:!.:, •'-' , • .-14,"., , 1 ,. . :-; concert promises to resurrect the kicked off a year of extensive _
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Kalliope is to give _members of the staff. A skills test may also be nec- '.. -. • _
, I • - ••:,- • 1 , -,,, rock, rhythm and blues, soul and touring for Santana, spurred by ..i . n r 4
: _____ r :4-.
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i 11.. 01 • I I.44\\*==___:-.....,1>1 '/
University community a chance to essary in the future, Ha'becker said. ''.:•/ i..'. . v.` .34, jazz style that has kept the group a the popularity of "Winning." The , °
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A p . ,
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express themselves by printing poet- Kalliope sponsored three poetry .--',/ :‘,,, 1 ,,•
44 = = - Sri forerunner in contemporary mu- worldwide tour included a billing -•,
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hort stories and art work that can readings last year and is now trying , __. l: i., -, ~,,
ry, s ) ~:, ~,. - ,
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___,_,,. sic for 13 years. with the Rolling Stones in the -
be reproduced well in two-dimensio- to arrange a luncheon with Gwendo- 'St-4 • \...oPs , ~.: 4 0 ' 4 .11 .. , 57 -,‘ :.. ‘o'.' 0 Silverdome in Pontiac; Mich. . ' iiii
' i 1174 1 t"'''s
N i 4 f 4-i---- 1. . 4.„___,„ 4-. 17r i l a ,-
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nal black and white. lyn Brooks, a poet coming to the ~•• ~ , 1 • 5 , . ~y.,, ~-,:, ~,.. ' 4 :: ..`N 'I, .4 ., After an ecstatic reception at -- :;.-..-.........."'" ..12.
Santana 's 14th and latest Ip, ' `41 , ..„„.... 0 mi ‘ Ti
"'Calliope is a permanent record of University as part of Colloquy's con- ,•-• - N g - e_ i k
the literatdre and artistic talent of temporary authors series- c? ... •, 1- ~ , .-A • 1 / 4,:i -4 1,4, • - t'..sr::‘
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, 4 1 4.1 4I if 1 . .)\ , 1 5,..,... -its way with the immediate re- Shango, features a mix of many - Q.) --- - - -- -1
different styles - Afro-Cuban :
this area," Habecker said. Issues of Kalliope are free and can , ..,X. ' ' ~. s 7 4' ! - :": ' , ‘,,' 4 I 1 , -,;-'1 gi ~ ' ..% l';,;,:, lease of the group's first 1p Santa- ,
, ‘ rhythms, R& B and jazz all ,
The magazine, which is in its third be picked up in Kern and Carnegie .11-,p -' '.,. ;,,,: t • '„. '),.-1 .), -,:,?:-.. ,i i il •,, 4,.:. ,IT na, which yielded "Evil Ways.' . , * 11%" i 4 2,
5 ,. .p..; t, 1 z .„: -..., produced by masters in the busi- - . a•iaa, %A, al
year, is printed every Spring Term. buildings, Pattee, the HUB, Schlow ( a . 4
~. s: ,-._. " :::: 'll , ."0.',. - 4 :.:e. 1,, ,^. v.'', i "Black Magic Woman/Gypsy ness: Carlos, Rolie and John Ryan - ,
'lssues are available until the next Memorial Library, 100 E. Beaver ';';;,? f-- , .. ..,..., ; : 'lck• -. ••. ~ _ .! 'l!, , * - "P‘ Queen" and "Oye Como Va" were _
, - , - - -..„... of Allman Brothers and Styx 1 '
issue is released so that "freshmen Ave., and Nittany News, 108 W. Col- k ; r, , -,, - - 4,fir,, s , two hit singles from Santana's 9ol)e ()? 69
can get a feel for what the magazine lege Ave. ~%Z,' 1, ., ,' ' . ).' ...;-_-_. „il.) *?=:,-,.*•,-;::::.,,,, . - .: , zi,t,rv i ' i-, , 17 A
1 ' ,• - ~ t , ',4 ,or.g. , r , '. , - 1 ,7; r" , ` ,4 , ;:o,i . - 7.--.. r 4.1.4 -') --.;_. -- ~•• •• ,
second album Abraxas, released , fame ' ^ a
. Flo
.., e,---e-N,„, care ,o_, ~,,„, __
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is and people not here in the fall can Issues are also sent to colleges and ",i, , , :: _. '. 1 ~ 4 , . n , ,:t, , • , , „.. ..A.g. t vilit 4 g2 4, • . $ v
_J.:, c . in 1970, that blended Latin and Tickets for this weekend's con- : 0 o 0•? I 'l l 7l r'
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have them," Habecker said. universities across the country, Ha- '-'' ,4r :: , !' •,, :',,!;, /1-kijit 0-4 A ! Rif -00 -.47 ,'3 iAyt 1 s '''''
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t i \ jik 1 1 , y \ p .. / . 4 ) _ t 6 1) , \ At‘jdp
i t o i, A ,, Afro rhythms with the rock 'n' roll cert are $lO and are available at : v C C qo f AT *cr
The poems and stories printed in becker said. , k, .. , ~, c= ,‘ •< A ) \ ar i m ' 4 l f . " 1 1 of the era. Two more well-received the HUB desk. •i' - 0
Ho m w ,m' oo sieu es a Tit isrz..As viime o ° ;5, 1 1 :1, -7 , e v
ja , C-P Applocoont ,
oct lWh lst S A LOT ;Arne( \NW.. X. DIC. NAVE - SoMe
the magazine, which is sponsored by -by Laurie Jones Illustration by Andrea Benson - ,
, . cetvivrirtaNT 'Menu!. VAND NG- MY
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WEDNES9AY Mar
SLUSH RAN
two special
events at - the
grider - lc:weal
full of and
spectc,l snacks
like nachos, deep
Sri ed cheese
com pit me nrary
chlps E dip!
"tour Koxl
?We..
the
[ fait
NAPPY HOURS
FRIDAY
(as usual)
AND
,-, r
F E S
Mad
country Tavern
Bzscrickewood drive • toffrees
237-1049
Good - tints
orBn't expeßsive
Qt the Grinder..
they just aloe
Miura (Iv!.
entertainment nightly
joel
Here lam in my fiflh and last tlaybi I s hould be less concern- It's never been done before,
yeo.r.ll, et ,. y , „be I
differently - maybe
Treat this
~ -ed with memorizirg fads for the Maybe I shoulcl..• of course, but - maybe Ishouhl.
y ear clitterenny - mayoe isno.to nett test and more wilb how MI . .
look on my studies as challenging have profitted years from new
my mind, rather than mystonima from my experience.
c r
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Acrosk
1 Platforms for performing mu
sicians
7 Where to say, "I do"
12 Snappy reply
13 Deserted
15 Speech deliverer
16 Stenography systems
18 "Was los?"
19 Quartz•silica building material
21 Slippery one
22 Deafening
24 Becomes tart
25 Tempest
26 Show contempt
28 " a boyl"
29 Ghastly and dismal
30 Singer Haggard
32 Deep singers
33 Cognacs
Down
1 Cooks
2 Contralto Marian
3 of Liberty
4 Child
5 Cyclades island
6 Beaches
7 Detests
8 Alf and Michael
9 Ripped
10 Uninivited picnic guest
11 Practice
13 Keen discernment
, 14 Common yellow flower
t 17 Winter gliders
20 G . ets muddy
23 Insisting upon
25 Certain oil wells
27 Controls , for the horse
35 Compund word part
36 eye dog
37 Handle trade: German
38 Gemini
39 Hope or Dylan
40 Julie, of "The Sound of Mu
sic"
44 Phoned
Painter of ballerinas
Scythe handle: variant
Assist
Political thing to climb on
Pituitary, for one
Of the common people
Revolve
Alaskan hunters
Farthest point of orbit
Up the stakes
Drainage conduits
29 Area including northern Fin
niand
31 Hockey player Leach
32 Adieu
33 Laments
34 December sleigh•puller
35 Purse
36 Thin leather piece
37 " Heroes"
39 " of the dog!"
41 Betroth
42 Cronkite, for one
43 People at an SRO show
45 Fops
46 Marsh birds
49 Legendary Brities king
50 Slangy negative
53 Sheepish comment
55 Drag with a rope
The Daily Collegian
Crossword
Warning: Watch out for a trick in
conjunction with this puzzle.
Friday, Sept. 24
by Mike Shenk
(answers in Monday's Classifieds)