Don’t Take Chances... Do'you arrive too late to find a copy of your school paper with Ampersand in it? Would you rather have your very own copy with no one else’s fingerprints? Do we have a deal for you. A year’s supply of Ampersands, for only $5.00. If you transfer schools, drop out or graduate, you can still have Ampersand. Send to: Ampersand Subscriptions, 1680 N. Vine Street #2Ol, Hollywood, CA 90028. Please enter my subscription (s) at $5.00 each (check or money order enclosed). If more than one address, write on separate sheet of paper. m m HH V Zip Hollywood’s Finest Oh, the sad .young writers who trooped out to Hollywood to milk the movie gold and stayed to watch their dreams of glory shrivel like so many raisins in the decadent sun. The stories that surround these often bril-. liant wordsmiths have become the stuff on which legends are made: it’s all Paradise lost and F. Scott Fitzgerald drunk...again. Mank, the Wit, World and Life of Herman Man kiewicz, written by former Life magazine staf fer Richard Meryman, is pa/t of that litera ture of doom; it’s a fascinating biography which reminds us once again just how far the mighty can fall. Mankiewicz, as every good fllm student knows, co-wrote Citizen Kane with Orson Welles. A few years ago, Pauline Kael spent thousands of words proving it was Mank and not Orson who was responsible for tHe Ampersand of the Month Edward Hobin of Knoxville, Tennessee created this scaly Ampersand of the Month; he says he’s not in college, but studies mechanical drawing and machine design. If you are itching to devise an original Ampersand, do so —neatly, in black ink on white paper, and send it to Ampersand of the Month, 1680 N. Vine Street #2Ol, brilliance of Kane, and other critics then spent an equal number of words trying to prove otherwise. The debate will probably, never be settled and Mank does little to sol idify the opposing sides. However, it does offer a major* contribution to that con troversy; the biography proves without question that Mankiewicz, the man, pos sessed one of the most brilliant minds ever to toil for the movies. Oscar Wilde, that master of the aphorism, once wrote, “I only put-my talent into my writing, my genius I reserve for my life,” and certainly that statement sums up everything we ultimately need to know about Mank as well. The book is one incredible story after another, all testimony to the writer’s wit, cunning, and perception. He was, without doubt, his own best creation. Meryman, like other writers, again brings the famed Al gonquin Round Table to life, but this time those clever souls aren’t revered — Meryman exposes them for the pain and cruelty that they inflicted, often on them selves. He also makes it very clear that cer- int