— The Daily Collegian Wednesday, August 4,1976
Concert
planned
The New York Renaissance
Band, five musicians who
specialize in early music on
authentic instruments, will
give a concert at 8 tomorrow
night in the recital hall of the
Music Building.
The group, in residence
here with the Pennsylvania
Orchestra, will conduct the
Institute for Renaissance
Instrumental Music as a
continuing education service.
The group’s repertoire em
phasizes dance and in
strumental literature . for
Renaissance winds, drawing
on the music of four cen
turies.
Members of the group are
Lucy Bardo, Allan Dean, Ben
Harms, Sally Logemann and
Ben Peck, a guest artist for
the University residency.
Free tickets are required
for admission and are
available at. the door,
S ning al 6:30 tomorrow New York Rena,
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New album a good debut
By GEORGE OSGOOD
Collegian Arts Writer
MCA 2217: Byron’Berline and Sundance.
Pleasant surprises from the record in
dustry are few and far between. When a
new band cuts its first album, there's in
variably a lot of promotional hype from
the releasing company and a dismal
sounding disc that fails to back it up.
“Byron Berline and Sundance,” a hew
release from MCA, cuts through all the
hype and .comes through beautifully;
truly a pleasant surprise.
But it’s not really that much of a sur
prise, considering the personnel in
volved. Berline, formerly of Country
Gazette, Bill Monroe’s Bluegrass Boys
and Stephen Still’s Manassas, put the
band together. He’s a massively talented
performer who has worked recording
sessions with' the Roiling Stones, Bill
Wyman, lan Matthews and the Band. He
has won the National Fiddling Cham
pionship three times and plays a mean
mandolin, too.
Dan Crary, who plays acoustic guitar
on the album, has a doctorate and
teaches music at Cal State Fullerton.
Skip Conover, of Country Gazette, plays
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dobro and Dallas Taylor, of Manassas
and CSN&Y fame, is the drummer. Not a
bad> starting lineup, and the rest of the
band are very competent musicians in
their own right.
Although - the- band members were
drawn mainly from the flourishing
southern California bluegrass com
munity, their music transcends pure
bluegrass and is better described as a
fusion of bluegrass, country-rock, and
R&B. Berline and his boys make ex
tensive use of bass guitar, acoustic
guitar, precise banjo and juicy pedal
steel, along with Berline’s contributions
on the fiddle.
All but the last of the 10 cuts are at
least good, and some are simply ex
cellent. “Sweet Wanomi,” a Bill Withers
tune, is among the best. Its intricate four
part vocal hatmorties are outstanding,
and about halfway through there’s a
super banjo solo by John Hickman and a
distinctive rhythm guitar riff by Allen
Wald that make tne song exceptional.
Another high point is the instrumental
“Storm Over Oklahoma,”'a track that
shows the band’s technical skill to be
awesome. An acoustic guitar lead by
Crary starts out soft, mellow and down
beat and matures into a rollicking
cowboy stomp backed by banjo, dobro
and excellent fiddle from Berline. Over
dubbing of Hickman’s banjo part is in-
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teresting and enhances the tune's
fectiveness. >
Seven of the album’s songs were writ*
ten by bassman Jack Skinner. His >■
are well thought out and refreshingly'
free from cliche and pretention. - ’
The album, simply titled “Byron
Berline and Sundance,” has only one
sore spot the last cut just does not go
along with the slick, tightly-knit image
created by the first nine songsi
“Locomotive” appears to be the band v i
first attempt (and, with any luck, their
last) at.a real hard-rocker in the Blue
Oyster Cult-Slade style. And the band
seems uncomfortable with it; the playing
is just a little less vital and Skinner’s
otherwise pristine lead vocals seenf to
lose their edge and, degenerate into'a
series of screams, shneks and groans '
that are better left to Robert Plant or
Aerosmith’s Stephen Tyler. ;
“Locomotive,” though, can’t really
hurt the band’s first album. The overall
quality of the record is too much to allow
that. Technically, the album is superior,
with excellent mixing and staging
throughout. !
“Byron Berline and Sundance” is a
cohesive hybridization of Pure Prairie
League, the Earl Scruggs Revue, and
Poco. They appear free from affectation
and produce a clean, original, appealing
sound. , ' j\
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