clojelelele) THE THIRD GENERATION By Leila MM. Church. i 1 Clelelelele) Fro— The mirror over the dressing-table reflected the tired but flushed and eager face of the mother as she stood back, head at one side, to view her last addition to the room—the making of the bed. It stood in the eorner by one dormer-window, through which one might see entranc- ing pictures of swaying elm tops, blue sky, and far away the line of the hills. The bed itself, a resurrection, was the mother’s pride. Its four slender posts were draped with a wonderfully elever imitation of that which had dressed it seventy-five years earlier. And the valance, with quaint little knotted fringe that the mother had searched the city over to find, and the sheet and pillow cases beautifully embroidered with the daughter's monogram—all standing waiting and ready. “Isn’t it all just too lovely?” said the mother, delightedly. And then, with a little anxious note in her voice, *Do you think she will like it?” The father stood in the doorway, looking on.. “Why, yes; how can she help it?” he answered, hopefully. Being a man, he was optimistic. The next day the daughter would return from her long absence from ~ home, a visit of a few weeks with - gousins in a distant town. Together “now the mother and father stood, to ‘examine and to appreciate all the de- tails of the great surprise." ; The room had always been the - daughter’s, since she had been old enough to discover how fascinating a third-floor room is, with four dor- mer-windows, but the mother had found the possibilities. With all the .ardor of a girl planning her long- dreamed ideal of a room, sie had bought, selected, sorted and ban- ished, till now it was perfected, the fast thing was done. It was father who had the fireplace sway, an- | {0 fitted in, with its high, colonial tel, and he also contributed. the ‘irons. The mother selected the paper, with its riot of roses and buds over walls and sloping ceiling alike, and she had covered the high-backed rockers and low chair herself with the flowered cretonne exactly like the pa- per. The mirror was Great-Grand- .mother Drake’s, and the candlesticks at each end of the mantel; but the dressing-table—not even father knew how much she had paid for that from her own allowance. The old dresser had been in the room before, but it looked quite different in its new cov- er, and little new bedroom slippers peeped from beneath the valance of the bed, With appreciative eyes. they both studied the room. Over the mantel was a dark old portrait of Grandfa- ther Drake as a young man, in high collar and satin stock, with sloping shoulders and fancy waistcoat. The oval frame was dull gilt and effective. The mother was doubtful about it —she feared it was hung too high— then she wondered if the daughter would care for ‘it, although she had always been such a great admirer of @randfather Drake. : " Once the daughter had said she wished she might have certain old photographs of her father and moth- er. On each side of the mirror, and directly over the candlesticke