first sign cfPyorrhea When you brush your teeth, does it feel as though you were brushing against the quick f Do the guins sometimes bleed? This is because r pyorrhea has caused the gums to pull away See your Mce yeariy. r from your teeth, leaving the unenamelled sur- VstSenrca) twice daily. faces Unprotected. Your dentist will tell you, if you teeth against the attack or further ask him, that you have gum reces- progress of pyorrhea. sion; and that gum recession is N> . o j T i i . , _ hut benreco does mere. It cleanses lie ypjoirea. the teeth delightfully. It gives them Unchecked, pyorrhea will warp a whiteness distinctive of Senreco and shrink and deform the gums. alone. Its flavor is entirely pleasing, It will break down the bony struc- and it leaves in the mouth a won ture into which the teeth are set derful sense of coolness and whole —and you will eventually lose them, someness. To save your teeth you will have , Start the Senreco treatment to begin to fight this dread disease before pyorrhea grips you for at once. good. Details in folder with —I every tube. A two-ounce tube L !j A specific for pyorrhea has been for 25c is sufficient for 6 weeks* . ; t discovered recently by dental sci- treatment. Senrec <> r^vyi , . a j t i-i °« your druggist today; or send {&" / | encc, ana is now offered for daily 4c in stamps or coin for sample treatment in Senreco Tooth Paste. tube and folder. Address The ■* Senreco combats the germ of the ?,';? ta f I c '. Remedies Company ..... 503 Union Central Buildiap-. , disease. Its regular use insures your Cincinnati, Ohio. tf V |«|p|jjpi ■■mi u S si !■ u No More Sore, Tired, Tender Feet; No Puffed-up, Calloused Feet or Painful Corns-Try "Tiz" AJ JM )x> FX3(^ Why go limping around with ach- draws thn soreness nnd misery right ing puffed-up feet —feet so tired, chaf- out of feet that chafe, smart and ed, sore and swollen you can hardly burn. "Tiz" instantly stops pain in got your shoes on or off? Why don't corns, callouses and bunions. "Tiz" Is you get a 25-cent box of "Tiz" from glorious for tired, achimr, sore feet, tliv drug storo now and gladden your No more shoe tightness—no more foot tortured feet? torture. "Tiz" makes your feet glow with Ask for "Tiz." Get only "Tiz."— comfort; takes down swellings and Advertisement. 15,000 TONS OF DYKSTIFI'S ' MUSIC AT FIFTH ST. M. K. TONIGHT I'KO.M Gi:JtM.\N> FOR I'. S. Tho mugio at jo lfth street Methodist Washington, April 21. The Ger- Kplscopal Church for to-nlglit follows: man government has agreed to permit Prelude, "G-ethsemane," Mailing: offer f xportaition to the United States of 15,- tory, "Good Friday Spell." Vretblad; O'.mi tons of dyestuffs, lack of which cantata, "The Crucifixion," Sir John I .as seriously affected American tex- Stalner: postlude, "Stnbat Mater IJOIO - manufacturers. Notification to rosa," I^malgre. tills effect was contained in a note dc- The soloists nre Thompson Martin, livered to-day by Count von Berns- tenor and director, and Geor • Sutton, torff, the Gorman ambassador, to Sec- bai'itone. Miss Yiolette Casu l, organ retary I.ansing. ist. Remember theae two thi-tgs in connection tuifJi S. S. S. A 1 T'ley are essentials worth your consideration. /eC~T>_ Pure Vegetable Ingredients (f* So ] FiftyYears * \ \ Vkki ..-;/TKE FIRST MEANS TO YOU- |£,j | ,B :y A remedy for Rheumatism, Catarrh, ..H SUt i S ;; Malaria or Skin 1 roubles, that has •' ... ti v j qualities to drive these impurities l, jy.irw i from the Ulpod. an.lvc:. -table ingredients ${A K smm::fKaV ■*' that build the Mood up to normal healthy «'>, . j conditions, without the usual violent Ligji J K effects mineral drugs have. a 4 r- L'jl THE SECOND MEANS— L i ■.] ton arc not experimenting when treating Ss' \ ; vvithS.S.S. The merits of this remedy arc i'ully cstahlidicd. and i- BiJ Ihou.saiids have found in it the way to renewed vigor and vitality; f.'* ; ' If you see signs of blood impurities, start at once on a buttle of k't S.S. S. Get it at any druggist. THE SWIFT SPECIFIC CO., ATLANTA, GA. ' ■ -■ ■ J ■'! <■ *. ./ V v yv v* ■ t —. — ="N | | \ | SMOOTH and MELLOW j 1 l ; 1 ' 5c CIGAR jj | r Have built up and are increas- I | ing their reputation for quality \ and regularity. Confidence | I $ cries gained has not been abused I 4j , | £ | f "The Daddy John C. Herrnan & Co. [ | of Them All' Karrisburg, Pa. ' | { i VvVVVtA W WvWvWWiMAA VvIWWVWWVWW*\.W FRIDAY EVENING, KARRISBURG TELEGRAPH APRIL 21, 1916. STOKOWSKI TELLS WHERE AMERICANSSTANDIN MUSIC! By liEOPOljI) STOIiOWSIiI s I do not like to couple war with music. It is not Kood to couple war with anything. I would rather not ! talk about it. America knows, with- i out my saying it, that tho war has 1 driven many interpretive artists who i produce music to this country. ! Whether the artists who create music will follow or not. who can say? Some ■ i of them are already in tho trenches. 1 We are all affected, even the most subjective and introspective, by mate- ' rial things; and the musician sens!- , tively attuned to every sound that nature offers, what will ho do after hearing for years tho reverberation ' of artillery? Will it affect his genius? j ; No one can prophesy. There is no I doubt that if the creative genius of i Europe finds its way to America for I ' rest and peace, both will be accorded \ in full measure, for there is no coun- | try in the world more liberal in its j welcome to music than America. I have been so often asked here if | America would eventually become a j ' country to produce music, if the great mysterious force known as mu- t slcal genius would eventually And its 1 channel among the people who love 1 ' music here. Thero is surely no ob vious reason why it should not. The world over, the musical brain has three lobes—the interpretive, the re- 1 ceptive, the creative. The greatest of these of course is the creative. Al- 1 ; ready in America you have to an as tonishing degree the receptive quality, j in fact the love of music in America Is something phenomenal. I know of i no people so tremendously for. j so absorbed in music brought to them ias Americans. More and more you I are developing tho interpretive rpinl- : ity of music, more p< ople are playirtg music and playing well. The question of creating music—must forever rest j on the knees of the cods. Creative (Jenius Of course, it is possible to write ex- j cellent music without having creative genius. A man can be trained to write skilful, intelligent music just as a man can be trained to write skilful, in tellige.nt books, even fairly technically : good poetry; but thai flame which : I comes to «. man out of the' infinite, the divine fire which illuminates his own soul and the soul of those who come in contact with him, that can not be taught. You can build the channel for music and make it very strong and firm, you can see to it that music flows in the right channel. but the ineffable things which exalt the world cannot be found by any quest, cannot be developed by the ; most gracious system of musical train ing in the world; that is out of the h< art of nature, and is as mysterious, 1 iis reunite front our understanding as life itself. Once we find a definition for genius. : ] once we l race it to its source, we will find there, too, the spring of lire. That thev are one and indivisible. I am sur>\ anil so r cannot tell you If •u w ill evi i- be a great nation of it. .tive mi:-icians. If I could, 1 would j In' ih< prophet of the ages. I can only tell you w here I find genius, and then express it to you through the orchestra. We can all recognize that • "in the faces of some men and women we see God'' (to paraphrase Whitman )• ' but 1 cannot tell you, no one can tell you, why we sen Ood in the Ayes of some human beings and not in others. William Morris has described genius : is "the majesty that from man's soul looks." It is indeed the majesty from man's soul that speaks in the various arts, and if this majesty is dormant in • your nation, or if back of the nation it is dormant in nature and your na- j tion becomes susceptible to it, you 1 surely will create great beauty, be- i cause you have a land of great force and great power, arid, as I have al ready said, a great interest in noble things. | • T Ikes Everything <!on<l A fact of great Importance in Amer ica is the universal quality of (lie audience's appreciation of music. This eannot lie said of any other people. The American audience is enthusias tic for everything that is good and worth while in music. In France, for instance, the French people demand, all of the very best French music and , the classical music from Germany: Beethoven ami Bach are greatly ap preciated but Slrauss and Mahler, Tte ger and Schoenberg are but little played. We can reverse this state- , inent exactly for Germany and Ans- ! i tria. Naturally there all the great . I music of their own country receives ] a widespread response, and the classic French music is also presented in I concert and song; but in Germany,; and Austria we hear far too little of 1 Duhussy. avel, DuKas, Cesar Frnnck. . and still less of those great artists of \ [the modern Russian school. 1 need , not say that the modern music of i • v ry school is welcomed in America. , There are limitations set to your en thusiasm. The American ideal of freedom 'nd liberty is surely realize I i tn tli utmost In one thing in Mho ap- < prcciation of beauty. Americans <!o- | :nand but one thing, namely, that t what Is given them is the best of its t kind. In this ideal at Ipast the Amer- i iean audience is paiumount to any i other in the world. " j f I am especially interested In this i fact about America nccause I myseir < enj.iy all music, the simple music and • t 'Hi great, the music of the people i an.' the music of tln -.Sic (delusiveness. • i tin not hellovg tb-t theie is such a tiling s "vulgar music" any more than w6 would speak of a vulgar soul. A human being may have vulgar traits, hut music is one of the attrl- Mites of the soul, and so it cannot be vulgar. It may be uninspired, it may lack harmony. It may be without per- , muncnt beauty, but it cannot tie vul :;.>r any more than a picture done by in artist who loves humanity can be vulgar. In Kngland we hear people si« ilk of llogarth. of van Ostnde us vulvar painters; this is qui' ■ ridicu lous. A a matter of fact, they are men of wider sympathies than most of us. men who find in all humanity a subject for their art, just as a musi cian should find in all nature a sub ject for his music. I do not believe I that a man can be a great artist who] is not a great lover of humanity, and , you cannot become great and love a selected few human beings. Every manifestation of humanity the world over must interest you if your art is to express "the great vitality"—life ! : itself. There is really only one curb that should be put upon the interest of • the artist in life—the spiritual health of the community. If wo arc feed ing the community poison then the \ time has come to stop. But there | again, who is to decide what is Spir- j itually good for a nation and what will demoralize it? I consider that It . is a part of every artist's duty to study, to understand what will develop the community, and if he Is not sensitive enough to pour out through his work I the necessary spiritual sustenance, j then In is not essential. I believe, for Instance, that every conductor of i symphony orchestra should feed th" ' I audience with sustenance of rich , beauty and variety; also he should realize that hearty, healthy, vigorous music is not vulgar, just as the m'an who paints must reallx that the hum ble people are not vulgar, that they: are sometimes very close to the source of that power for expressing beauty, which we call genius. I take a, very great interest in sc lenting music for m.v audiences. T spend much time studying new com- ' i and new musical scores are I sent nic from all over the world, from 1 Kussla,- Scandinavia, Germany, Paris, and from alt parts of America. 1 also 1 study programs that other conductors lire making all world. I look into the kind of "food" that the Ger- i man conductor, *lie French, the Rus sian conductor is giving his audience, j 1 try to watch the world musically— | and I am always waiting for genius. Many of my programs are made up a year ahead, Indeed the preparations for .Mahler's great Eighth Symphony, which a plan to produce In March, were started nearly two years ago; j otherwise how could I complete plan j for two choruses of four hundred voices each, for a children's chorus of two hundred and fifty and for an echoing orchestra in the distance? Until a piece of music has been presented to the public, or at least until it has been "put through" an or- i chestra, it is impossible to get any \ impression of its relation to an audi- ; enee. You can read a symphony for the orchestra, but not for the audi- j enee. 1 am glad to say that there ■ are opportunities for the production of new compositions at the musical conservatories of America. I think every conductor, like myself, is watch ing I'or genius. 1 know that I>r. Muck constantly produces new music by Americans, that Mr. Stock does the same thing in Chicago, and in New York that Mr. Damrosch frequently, gives opportunities for hearing Amer ican composers. Mr. Stock is a com poser himself, and I have had the pleasure of playing one of his sym- i phonies. I find that the best method | for myself is the one that Rlehte?; sometimes employed in Germany, that of producing a new symphony score at a short rehearsal, when I have my i musicians together; that also means j occasionally a small audience to hear | the work. Naturally in addition to the music J we play, every conductor is immensely interi ted in the players of the music. I believe a conductor. In time, gets to think of human' beings in terms of ; musical interpretation. A man's per- ! sonality will inevitably and quickly suggest his musical medium. In this connection I feel very deeply about the exclusion of women from our sym phony orchestras. It seems to pie a great and incomprehensible blunder. The particular spirit that women put into music, their kind of enthusiasm, their devotion to anything they un dertake, would be invaluable in the formation o;' symphony orchestras. 1 lind that women are especially good as violinists, if to begin with they • are much about music; in fact, women are wonderful in anything they want to do. 000 Women in Chorus Tn the production of the Mahler j symphony we have about six hundred women sinking parts of utmost dif ficulty in the chorus, and they have taken tip this work with keenness, with an enthusiasm, with really an avid voracity. In addition to their delight in the work, they are quick 1 to gel til me ming of a score, tin y .ire ninible-wilted in taking in a tiew idea. In nnder.-i nding the nuance in the combination of so man.' instruments into one harmony, and they are moat conscientious • about appointments, time and practice. When I think of women as T see them in the musical world, what they are capable of iloljig, llinlr line spirit, excellent technique, 1 realize what a splendid power we are letting go to waste in this country, and in other countries too. What poor economy It is to take it for granted that women are not ready to enter the world of 1 art, are not capable of becoming fluent channels for the expression of genius. We are deliberately shutting away great forces for beauty and progress by leaving women out of our scheme of things in the art. world. We are sacrificing accomplishment to tradi tion: for tlie sake of not making the i ffort of opening our spiritual eyes we are leaving unused a power of achievement as great, it seems to me, as the electricity in the clouds which we have not yet learned to bring Into . our homes to help us livt> our lives more easily and comfortably. You ask me If women will become conductors of orchestras. Who knowsjj That is a matter of physical endur ance as well as spiritual insight. T doubt very much if you eould even takt any well-trained soldier in ex cellent physical condition and put him through three hours of such exertion as conducting the "Walkure" without his laying down the baton at the end of the opera in a state of physical ex- | haustton. There is nil Immense amount of physical energy essential i for good conducting. And then if you add the intense nerve striln and the mental strain, 1 doubt vi ry much In deed if women, trained as they arc to-day physic, ll.v, eould manage an entire opera. Opportunities Incrin 'n:r T find opportunities Coi studying music for nv n as well v.- 'lien con stantly increasing in this country. I have alft idy mentioned the conserva tories of .Yew York, l'.oston and Bal timore. There are opportunities In many other cities in Philadelphia, San Francisco. Chicago; but tlie studying of music is by no means con- , fined ty school hours or lectures, or even in listening to music, which ts one of the most Important branches of musical education. In my own student days T worked in London, In Paris, in Germany, in my own studio; 1 but ns T look back upon those times T realize that mv greatest lessons were learned from nature, out in the fields, along the river banks, in tlie foropts and In gardens. Indeed, it seems to me that power to produce the kind of music that will reach and inspire an audience must come to a man in two ways— one from his love of humanity, the other from his love and knowledge of nature. nhythm is to be found -in every branch swaying jn the wind, in evei v tret bending to tlie storm, in the crest of the wave, in a bird's flight, in tb" movement of a flower In the moonlight. These things ire all the equivalent of music and to know th"m ] well Is to be very close to that myster- ' ious spring in which genius finds Its s source. Rhythm is express".! (n all the arts, is of the essence of them, of this T am sure. There is rhythm in painting, rhythm in dancing, and we shall some day find and understand the extra ordinary large white waves of rhythm ; in sculpture. Some of the sculptors ; to-day have found it, and are express ing it, even thousrh they do not talk much about' it. It is for this reason that T believe much inspiration can come to a musician from the other arts. 1 have found it in close asso ciation with painting, sculpture; color j .is alwavs an inspiration to mo, but most of all T find an exaltation or spirit in beautiful dancing, of such; artists as Ni.ilnskl and Karsavina. The movements of these people seem to he a part of the universal rhvlhmJ What definition and intensity of ex pression they give! The beauty of all human experience seems to lie ex pressed when they move to music, it is as though they had absorbed from nature the rhythm that moves the wind and the sea. These marvelous dancers from Russia have no limit to the rnooils which they express! through their art; for nature has no limit to the variation of her beauty,, and those who are sympathetic to na ture, enriched by her, find themselves , endowed with her prodigal grace and color. And so when 1 SHV that F* owe j ; much to dancing as an inspiration. I r J Your Easter Suit | Be smartly dressed for EASTER. Don't wait several weeks to save up the money, being inconvenienced in the meantime. Buy your clothes the modern JuL way-the liberal, lenient, credit way-small payments weekly or monthly. Our to® f prices are low, because we can buy advantageously in the markets, on account of our tremendous buying power. We operate stores from coast to coast. % MILLINERY it - B r\\ su ' ,s ar e nicely M , jj | 1 | The hats we offer are made of real Lisere I straw, beautifully finished, newest shapes, j R 5 vc-*-:*, Mr $ fatf sailors, tricornes, turbans; etc. V J if gA i %£ O (jii A, ;rr,u:'' «pI.OU Up j A If MEN'S h2tS | f°re a window iL ■ # display of up- J\j£f IM\ I to-date garments s? \ # -""-STf "iIMMk A JC Wi ! wish i could j| j fC >f v I any - su ? r wenl V , ? I \ ](<// / I \ li w-«"»ply by paying fk ») If ! \r / 1 • pigMpM if %S j We have a large j line to select from. jfiJP & | Splendid and fashionable hats in the new and \ to ;**}*- m * nu,e Jg smartest Spring The quality is exlra- 1111 l ! X Jr.- A 1 une —every detail of finish bespreads perfection. I in brown, gray and j-jffe Second St. Corner Walnut j //% iwL J v • *Vc'' mtich to Nijinski and Karsavlna, I I'eel really that I am saying that na- Luro is my real teacher. Truly in music "one is a part of all lhat one meets." and the more pro foundly sympathetic the musician is ii ill people and all nature, tiie more mrnly he cun express the music that ivill reach all humanity. 1 dare say •en in the trench.s there are human xperiences, terrible realities, that will iiring people closer together, closer to lie essentials of existence; and those men who are sympahetlc, who feel in each i xpcrience its lull revelation i | -WHY MANY MEN I FAIL IN BUSINESS' AND WOMEN FAIL SOCIALLY . ! extent to make them perform as you would have QS&j I them to. /r\ JT~f | CADOMENE TABLETS represent a scicn- I f * </C" ~ tifio combination of tlie most vital elements for I (j fS Qy building and strengthening cell and tissue. I li /i j*' *5, ! i tX-V Cadomene Tablets produce buoyancy of spirit, 1 f. *'• ••». '• a regaining of vitality and endurance, renewed I '' * , v efficiency of body and mind Amazing and last- X JJ ing improvement results from Cadomene Tablets in chronic or recent cases of Nervousness or V \ Failing Vitality. \ 'fi So if you are a victim of overwork, worry, ViycJ disease, excesses or dissipation of the mental SjajW and physical forces —if you feel tired, weak, ' '.?J nervous, trembling, and suffer with headaches, t. melancholy, pain in spine and back of,head. cold -) Q extremities, dreadful dreams of direful disasters, a feeling ojf timidity and a general inability to Tt is the Bright, Active, Clear-eyed, 'Healthy act naturally at all times, if you have "the blues" individual who meets success, at work or at plav, attd the pleasures of life are no longer enjoyable, (socially or financially. ' tllcn - von nce<l Cadomene Tablets to brace and build you up—to put new ambition, energy and CADOMENE TABLETS Mean Health to Men strength into your system and reinforce and nourish the bodily structures. Cadomene tablets Health is Life, Strength, Vitality, Ambition, are sold on a money-back-if-not-satisfied-guar thc ability, the desire to live, to enjoy, to ac- antee, and if you are not pleased with results complish. Without health and strength in fullest you get every cent of your money back. It bc measure you may not hope to enjoy the fullest longs to you and we want you to have it. measure of.success in any undertaking. You Cadomene Tablets help men out of the rut of cannot make the best of conditions and oppor- nervous discontent and ill-health, and restore to Utilities.' If your mind, your power of reasoning them the capacity of more complete enjoyment and concentration are dulled or inactive, to any of the pleasures of life. All druggists sell 3- extcnt, naturally you are less capable to the same grain Cadomene Tablets in scaled tubes. of humanity, in other words, the art ists, will have a new and powerful and strange note in their poetry, their mu sic, their painting of the future; this we cannot doubt, if they live to ex press it. As for the present generation of musicians, in the main war will not stop their capaci* for creating. Once a man's soul has been touched into life, nothing c-.fn take from him his desire to express life; nothing, at least, except death. One remembers that war did not stop Beethoven in his ; work and-that lie composed within the sound of bombardment: that Cesar Franck back in the seventies, when Germany went into France, continued to come his "Redemption." So for the precsnt at least we shall no on receiving musical scores wherever mu sicians exist. And afterward, if peace comes to ua again, who shall say that it will be merely a niati rial peace, a , cessation of strife, a blind urge for material comfort again. It may ho that through conflict, some strange, new force shall have been liberated to illuminate the world and cast out the shadows of this present universal trag . ody - 21
Significant historical Pennsylvania newspapers