12
MEfoMen rtgynreßfivs
WHEN A GIRL'S IN LOVE .
By DOROTHY DIX
■ An anxious youth
asks me how a man
can tell whether a
girl is really in love
with him, or Is Just
flirting.
Why, bless you,
son, it Is as easy as
falling oft a log. A
woman in love is
the most give-away
pro position on
earth. She couldn't
deceive a blind
baby if he didn't
want to be deceived.
The signs and symp
toms of the tender
passion break out
on her like the measles, and are so
apparent and unmistakable that it
doesn't take a diagnostician to rec
ognize them at sight.
He who runs may read, but—and
Stick a pin in this point, son—in judg
ing Whether a girl is ki love with yoil
®r not go by the way she acts, and
fiot by what she says. Words are
cheap. Especially with the female
sex. Put no faith in them. At lovers'
perjuries, they say. Love laughs. He
must have conniption tits of mirth
over women's vows of devotion. They
are so often sugar-coated lies that
men's vanity leads them to swallow
whole.
Therefore, pay no attention to a
girl's honeyed talk. It's the bait the
little spider has set to lure flies into
her parlor, but keep a wary eye out
to see what she does when you're
about.
Do not be misled by the warmth of
a girl's welcome when you go to see
her. or the fact that she calls you up
on the telephone,, and invites you
around If you fall to show up with
your usual regularity. This is simply
business. Custom does not permit a
girl to go out and pick out the one
man in the world she likes for a hus
band.
The Very First Sign
Her only chance is to gather all the
men she caij about her in the hope
that among the bunch there will be
the one particular HE. Also to be a
belle, to be admired, gi\es a girl the
reputation of success In her little
world. Hence she plays up her smile
of joyous greeting to every man who
comes along. It's just one of the
moves in the game and has no per
»'M.VN OF THE HOUR" AT THE
PALACE
William A. Brady, well-known thea
trical producer, presents in motion pic
tures one of the fcrcatest successes of
the American staKe in "The Man of the
Hour," by Georgre Broad huift With
Robert Warwick In the title role of
"The Most Beautiful
Dance We Know Of"
Say Mr. and Mrs. Castle
Of the Newest Modern Dance
That All Will Dance This Winter
Now for the first time adapted for
the home. Mr. and Mrs. Vernon
Castle explain it, in pictures, step
by step, the same as they will teach
it at Castle House, New "York, this
winter to the most fashionable
society. It is
IN THE NOVEMBER ISSUE OF
The Ladies' Home Journal
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Independence Square*.Philadelphia Pennsylvania
FRIDAY "EVENING, HARRISBURG TELEGRAPH OCTOBER 23, 1914.
»
sonal significance, though many men
i never lind this out.
The first unmistakable sign that a
3 girl gives of being in love with you,
t son. is when she begins to prefer the
back parlor to the theater or a dance.
, As long as a girl wants you to be for
s ever trotting her around to some place
l of amusement, she regards you merely
i as a pleasant means to an agreeable
f end. You are her opera and supper
i ticket, so to speak.
t She may find you entertaining,
1 agreeable, congenial, but she isn't in
t love with you. When she does fall in
. love for keeps she begins to prefer the
- lamp turned low in her own home to
r the footlights, and her idea of a per
t fectly thrilling and exciting evening is
' one spent alone with you. So when
t Mabel begins .to show symptoms of
staylng-at-home-ltls you may rest as
sured that you have made a very con
siderable dent in her little heart.
1 The next way to test a maiden's
real affection for you is to try her on
i a monologue about your early youth,
i This Is. Indeed, an acid test of undy
> ing affection, but it is one whose virtue
i can be relied upon. No other human
being except a man's mother and his
i wife will ever stand for the reml-.
niscences of when he was a freckled
face little boy and hid the cat under
: the bed.
Therefore if Maud does not yawn in j
your face when you spiel along about
. your youthful adventures, and if she
i eats up the stories of your schoolboy |
days, you may pop the question with |
the certainty that she is yours for the
A Matter of Observation
Next, observe a girl's demeanor to
you when you take her out If you
would ascertain whether she is ij) love
with you or merely stringing you along
until the right man appears on the
Scene. If she is always urging you to
spend money. If she is constantly
handing out hints about flowers and
candy, and if. when you take her to a
restaurant, she orders the most ex
pensive dishes on the bill of fare,
there's nothing doing so far as you ;
are concerned. She's grafting what
she can get in the present because she
does not expect to be interested in
your future.
On the other hand, if a girl is in
: love with you she's always wanting
you to save. She'll suggest the movies
as a substitute for the theater, and
thinks ice cream plenty good refresh-
the picture, the play has been produced
in five acts. It is a Kraft story where
in a young man who has made a for
tune for himself is elected to the office
of mayor of New York City. Crooked
politicians try to Ret him to sign a bill
granting railway franchises to the com
pany headed by the father of the girl
the mayor loves. He, however, sees In
ment on a festive occasion. She has
mercy on your pocketbook, because
she is hoping that someday It ill be
her own, and that the mpre economi
cal you are in the present the sooner
you will he able to marry.
Take heed also to a maiden's con
versation on domestic topics. As long
as Sallle scoffs at the kitchen, and
acorns the sewing machine, and calls
babies brats, she Isn't in love with you,
or any other man. But the minute a
girls falls in love she is converted to
domesticity, and she begins to take an
interest in housekeeping and to try to
learn how to sew. You'll find no bet
ter test of a maiden's sentiments
toward you then to take her up a good
cook book Instead of the latest novel
the next time you go to see her.
If she dlsdalnfullycasts It aside, it's
« tip to you to hold your tongue: but
If she immediately becomes absorbed
in reading the recipes, go ahead with
out fear and tell her about that little
flat with exposed plumbing and a
papier-mache wainscoted dining room
that you've been looking at, and that
would make the cosiest sort of a nest
for two.
Then There's Your Health
I And here's also another sign that
never fails. Observe if the girl is wor
ried a\)out your health. it doesn't
| make any difference whether you are
as husky as an ox and never had an
ache or pain In your life. Every
I woman who loves a man believes him
| to be a frail infant, incapable of tak
ing care of himself, and who can only
be kept alive by her tender solicitude.
And she is firmly convinced that he is
liable to be run over by a street car
or lost In a crowd unless she worries
over hi"i.
So take heed as to whether Gladys
Oieraldine insists on your wearing rub
bers and muffling tip your throat and
keepln gout of a draught and giving
up smoking. If she lets you go out
Into the rain without an umbrella, and
doesn't make you telegraph if you ar
rive safely as soon as you get to
| Philadelphia, she's not in love with
you. But if she telephones to know
If you got home without being kid
naped—then, son, begin pricing wed
ding rings, for she's made up her mind
to take care of you through life, and
the first thing you know you will be
giving her a legal right to do it.
By these signs and token may the
temperature of a maiden's affection
be accurately gauged.
the bill a true steal and refuses to
sign. He almost loses the girl, but
finally wins not only her, but his tight
as well. In addition to this film there
will be shown a two-reel picture, "Ix>ve
and Baseball." which features Christy
Matliewson, the famous pitcher of the
New York Giants.—Advertisement.
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■ H w p # 1 give you satisfaction ILjL^U
& THIRD ANBBROiD O bring k back '
Rev. Lisse Gets Letter Giving
German Side of War Controversy
To the Editor of the Teiegraph:
Dear Sir: I have received a letter
directly from Germany giving the Ger
man side of the war question and I
would very much like to see it publish
in the Telegraph.
The letter is signed by a hundred or
more of the best known men of Ger
many, including university professors,
directors of educational institutions,
and others of the highest standing
throughout Germany and the world.
Some of the signers are as follows:
Emil von Behring,' professor of
medicine, Marburg; Wllhelm von
Kode, general director of the Royal
Museums, Berlin; Professor Adolf von
Harnack, general director of the Royal
library, Berlin; August Schmidlln, pro
fessor of sacred history, Munster;
Wilhelm Herrman, professor of pro
testant theology, Marburg; Anton
Koch, professor of Roman Catholic
theology. Munster.
The letter in full is as follows:
"To the Civilized World!"
"As representatives of German
science and art, we hereby protest to
the civilized world, against the lies
and calumnies which our enemies are
endeavoring to stain the honor of Ger
many in her hard struggle for exist
ence—in a struggle which has been
forced upon her.
"The iron mouth of events has
proved the untruth of the fictitious
German defeats, consequently mis
representaton and calumny are all
the more eagerly at work. As heralds
of truth we raise our voices against
these.
"It is not true that Germany is
guilty of having caused this warj.
Neither the people, the government,
nor the Kaiser wanted war. Germany
did her utmost to prevent it: for this
assertion the world has documental
proof. Often enough during the twen
ty-six years of his reign has Wilhelm
11. shown himself to be the upholder
of peace, and often enough has this
fact been acknowledged by our oppon
ents. Nay, even the Kaiser, they now
dare to call an Attila, has been ridi
culed by them for years, because of
his steadfast endeavorers to maintain
universal peace. Not till a numerical
superiority which had been lying ip
wait on the frontiers, assailed us, did
the whole nation rise to a man.
"It is not true that we trespassed in
neutral Belgium. It has been proved
that Krance and had resolved !
on such a trespass, and it has likewise
been proved that Belgium had agreed
to their doing so. It would have been
suicide on our part not to have been
■beforehand.
"It is not true that the life and
property of a single Belgian citizen
was injured v y our soldiers without
the bitterest self-defense having made
it necessary; for again, and again, not
withstanding repeated threats, the
citizens lay in ambush, shooting at the
troops out of the house, mutilating the
wounded, and murdering In cold blood
the medical men while they were do
ing their Samaritan work. There can
he no baser abuse than the suppres
sion of these crimes with the view of
letting the Germans appear to be crim
inals. only for having justly punished
these assassins for their wicked deeds.
"It is not true that our troops treat
ed Louvan brutally. Furious inhabi
tants having treacherously fallen up
on them In their quarters, our troops
with aching hearts, were obliged to
fire a part of the town, as a punish
ment. The greatest part of Louvaln
has been preserved. The famous
Town Hall stands quite Intact; for at
great self-sacrifice our soldiers saved It
from destruction by the flames. Every
German would of course greatly re
gret, >if In the course of this terrible
war any works of art should already
have been destroyed or be destroyed
at some future time, but Inasmuch as
in our love for art we can not be sur
passed by any other nation. In the
same degree we must decidedly refuse
to buy a German defeat at the cost of
saving a work of art.
"It is not true that our warfare pays
no respect to international laws. It
knows no lndiscipllnod cruelty. But
in tne east, the earth is sntured with
the blood of women and children un
mercifully butchered by the wild Rus
sian troops, and in the west, |ira-
Dum bullets mutilate the breasts of
ox r soldiers. Those who have allied
themselves with Russians and Serv
ians, and present such a shameful
scene to the world as that of Inciting
Mongolians and negroes against the
white race, have no right whatever to
call themselves upholders of civiliza
tion.
"It is not true that the combat
'against our so-called militarism is not
a combat against our civilization, as
our enemies hypocritically pretend it
is. Were it not for German militar
ism, German civilization would long
since have been extirpated. For its
protection It arose in a land which for
centuries had been plagued by hands
of robbers, as no other land had been.
The German army and the German
people are one, and to-day, this con
sciousness fraternises seventy millions
of Germans, all ranks, positions and
parties being one.
"We cannot wrest the poisonous
weapon-—-the lie —out of the hands of
our enemies. All we can do is to pro
claim to all the world, that our enem
ies are giving false witness against us.
You, who know us, who with us have
protested the most holy possessions of
man, we call to you:
"Have faith in us! Believe, that we
shall carry on this war to the end as
a civilized nation, to whom the legacy
of a Goethe, a Beethoven, and a Kant,
is just as sacred as its own hearths
and homes.
"For this we pledge you our names
and our honor."
REV. H. F. F. LISSE,
Pastor of German Lutheran Church,
Herr and Capital Streets."
MAJESTIC
To-morrow, afternoon and -evening
Vogel's Minstrels.
Monday and Tuesday, with Tuesday
matinee—"The Kound-Up."
Thursday afternoon and evening
"Freckles."
Friday, afternoon and evening—Bur-
lesque.
ORPHGIIH
Every afternoon and evening—High-
Class Vaudeville.
COLONIAL •
Daily—Vaudeville and Pictures.
THE MINSTBEI. FIRST PART
Johh W. Vogel. manager of the Big
City Minstrels, which comes to the Ma
jestic, Saturdny, matinee and night, Is
an enthusiast In his business and is
thoroughly posted as to the origin and
growth of the popular style of amuse
ment he purveys. Said Mr. Vogel to
our special commissioner:
"Away back in 1843 (to be precise,
February 6), at the Bowery Amplthea
ter, appeared the Virginia Minstrels,
four in number—mind you, four—that
was a lirst part combining banjo, vio
lin, bone, castinet and tambourine. E.
P. Christy, who has often been called
the father of polite minstrelsy, intro
duced the dress coat ilrst part, and the
really excellent parlor concert was
emulated by all of Christy's competi
tors. Writers who dwell rovingly and
reverently over the past, are wont to
dilate enthusiastically over the days, or
rather nights, of the Bryants at Me
chanics' Hall, Broadway, when they
announced, Jerry, Dan and Nell Bryant
and thirteen star performers, and the
orchestra sat on one side of the stage
and played for the acts of the olio on
the other side."—Advertisement
"THE ROUND-lIP"'
In addition to Shep Camp, Harold
Christie, John B. Mack, James Asburn,
John Walsh, Edwin Varney. Gertrude
Pern', Maude Williams and Kuth Cop
ley and the other principals in Edmund
Day's Western drama. "The Round-Up,"
there are twenty-five cowboys from
the cattle ranges of the Southwest and
twenty Indians from Arizona who figure
conspicuously In the battle scene in the
third act of this play. This company,
totaling 135 people, will present the
largest production ever made by Klaw
and Krlanger hore at the Majestic
Theater, for two nights, beginning
Monday, with a special popular mati
nee on Tuesday.—Advertisement.
"FRECKLES"
A. G. Delamater's beautiful scenic
production of "Freckles." dramatized
from the famous novel by Gene Strat
ton-Porter. author of "The Girl of the
I.imberlost" and "The Harvester," with
special music and song numbers by
the celebrated Viennese composer,
Anatol Frledland, will be the attraction
at the Majestic next Thursday, .mati
nee and night.—Advertisement. ,
ORFHKIIH
Since high-class vaudeville camo to
Harrlsburg we have seen Jugglers of
about every shade and hue. Some of
them had comedy antics included with
their tricks. some of them were
"straight" jugglers, to use the real
theater vernacular, and after having
seen all of them we Jilst promised our
selves that there was little left In this
line of amusement that could really
hold our attention. A juggler to close
the Orpheum bill, sometimes Jugglers of
national reputation, have experienced
that Harrisburg audiences would start
to leave the theater about the middle
of their performance. But this is not
the fate of Miss Lucy Gillette, pro
gramed as "The Lady From Delf," who
holds the last person in the audience
until the curtain has dropped on her
very last feat. The curtain rises on
her act showing a Dutch blue setting,
representing the interior of a Holland
kitchen. Miss Gillette Is seen at her
fireside, knitting or something similar,
and soon she is doing a mighty clever
Dutch dance. To everybody's surprise
the act turns into a juggling turn,
and Miss Gillette juggles everything in
sight and in a manner that is indeed
interesting to say nothing of Its be
ing sensational. "Tile Lady From
Delf" is pleasing, quick in action, and
her feats are marvelous, and one is
gone through right after the other,
without ever a miss. The artistic
staging of her act. together with her
pleasing personality, do wonders
toward making the most of her extra
ordinary talents. Miss Gillette is one
of the clever cards grouped about Lew
A Point
o
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For this reason, and also because of
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■ Wk HV MAR™ WAGNER CO.
Hft BH lUh j
Dockstader, also Johnny Doole.v and
Yvette Rugel in their nonsense and
song, and a number of other clever
vaudeville hits.—Advertisement.
(Oi.OXIAi.
Those who delight in artistic musical
acts And a treat indeed in the act of
the Three Musical Ellisons, offetlng a
picturesque musical novelty as the
leading feature of the new bill that
came to the Colonial yesterday. The
Ellisons are virtuosos of a variety of
musical instruments and in the hail'
light of the stage they give a musical
performance that must delight lovers
of exquisite harmony as well as ad
mirers of artistic stage pictures. James
Kennedy and company are offering a.
comedy playlet called "Jack Swift" that
is laughable throughout and the other
Keith hits include Mahoney and Tre
mont in songs, comedy and dances call
ed "At the Department Store;" the
Aerial Barbers, sensational athletes,
give a thrilling performance in mid-air.
To-day's program In moving pictures
is maae up of an Interesting arary of
first run licensed films.—Advertisement.