TIIE SCEAXTON TETBinTE SATURDAY MORNING, TEBKTJAItY 1C, 1895. 11 News of the Green Room and Foyer. The verdict of Miss Sadie Kaiser in a recent London letter with reference to Henry James' new play, which has now been withdrawn, after the run of a month, from the boards of the St. James theater, has received indorsement in an eminent and unexpected quarter. In his last cable letiter to the New York Tribune, George W. Smalley severely castigates the non-appreciative critics of the metropolis who have concertedly damned this production. He says: "They have driven off the English BtiiRe one of the most delicate and truthful pieces of dramatic art which that stage has known. Mr. James' Americanism and his training In the French school have proved Inexpiable offences. True Guy Domvllle' has run for a month. True also that it has been played to appreciative and applauding houses. True also that Mr. Alexander modltli'd the second act, in vain hope of satisfy ing the prejudices which had been aroused. Nothing availed. The houses which nightly received the play with cheers were too small to pay. The au dience, though tit, was few. But It is true also that Mr. Alexander has said that if the 'thing were to do again, ho would do it again. True, finally, that the most competent Judges on the prac tical side, with the best knowledge of this curious English public, hus said that the play falls simply because it Is too good for that public." But, as Bill Tweed remarked once, in another rela tion. "What are you going to do about it?" If a public will not submit to being elevated and ennobled, whut re course Is open to one, this side of bank ruptcy? ThlB question might very appropri ately be raised also concerning the re cent withdrawal of a play on this side of the water. In announcing that he hud decided to shelve Daniel L. Hart's "O'Neill, Washington" for the remain der of the season, Daniel Sully lately offered, by way of explanation, the assertion that "O'Neill" was too good a play to be popular; that the average theater-going public did not wish to have Its Irish drama lifted out of the realm of howling farce. There may be some measure of justice In this claim, upon the principle that reforms require time; but if Mr. Sully had added that the company with which he had surrounded himself vAle attempt ing to "elevate" the tasteJY the Amer ican people was, upon xjf Ivhole, well nigh as Inadequate amraWfllcient an one as has yet been entered on drama tic record, I fancy he would have struck much nearer the truth. This is not meant as a denial of the obvious fact that "O'Neill" had many crudities of workmanship In it; notably in the prolonged barrenness of its tirst act. Yet if Mr. Sully had seen fit to present the play In a manner calculated to bring out its numerous merits as it is necessary to bring out such merits in a production that aims to establish an Innovation In the dramatic world, there are many persons who honestly hold to the belief that "O'Neill" would have been., in tha pplanv f the jjrofwuWon. a "money-winner." So far from be ing cast down by such an outcome. Dramatist Hart should feel encouraged to more sturdy future effort along the line marked by him In this miscalled "failure." The field Is there, and he Words by LULU IRENE BROWN. Allegro Comodo. Some one's hair is gold -en DalQ-ty she from feet to vH5 IBP i - r f n m ,L 'tempo. fc-r-- 23pqr rjT T-T-- ti jrTJ ' jjgfZZ-Zdll IJgrgnXz zjZ z2.7il ZZjbLjE: zd. jzz5E' V Some one love's me now I know, Someono is my own, and oh, M I I I I II. I . BB .hAsSi D I II V U . mmr .1 TT II : I 7 rZd '- 1 raf 1 tW M 1 )") .' 1 1 u iUi.ii11!. 1 1 irtATTFZirrrg: 1- . " . . itnr 1 1 1 1 1 - 1 ( ii Some of the More Important Doings of These, Our Actors. can occupy it if he will be earnest and patient. An interesting story Is going the rounds concerning an actor who has been seen by many Scrantonians in New York, and who was seen by a few of them In Scranton, once upon a time, while playing With A. M. Palmer's stock company In the Krothlngham. The story concerns Wilton Lackaye, who lately contracted to be lending man In the company of Miss Olsa Nethersole, the young English prodigy now on these Bhores, but who quite suddenly abandoned that position, much to the public's surprise. It seems that for one ofvthe English plays that she has recently shelved Miss Nethersole engaged the hundsome Wlltpti to play the second leading part. During one of the rehearsals Miss Nethersole consid ered It necessary to push Mr. Lackaye's beautiful curls back from his forehead. "Pardon me, madam, but I cannot per mit that," Mr. Lakaye remarked. "Ah, sir," said Miss Nethersule, "but It Is my business to do that, and I shall be Obliged to even If you do not wish It." "Mudnm, I beg of you not to touch my hair," said Mr. I.ackaye, feelingly, and with that the argument ceased. When the performance rolled around to the part where Miss Nethersole insisted on caressing and turning back Mr. Lackaye's adcuble bangs, she put ex tra emphasis In her work, and with wo man's Inborn perversity brushed his forehead clear. In a moment after ward she was sincerely sorry, for on the floor, peaceful and bottom side up, lay Mr. Lackaye's beloved bangs, that un til then had been an Impenetrable secret to even his closest friends. Mr. Lnckaye left the Olga Nethersole com pany that night. To a recent 'number of Harper's An tonln Dvorak, director of the National Conservatory of Music, contributed an Instructive artlole upon "Music in America." He finds that music of a certain grade In this country can not complain of a lack of appreciation. Our concei t halls are as well filled as are those of Europe, but our opera audi ences are in no sense representative of the people at large. He does not doubt, however, that "if Americans had a chance to hear grand opera sung In their own language they would enjov It as well and appreciate it as highly as the opera-goers of Vienna, Paris, or Munich enjoy theirs.' The change from Italian and French to English will scarcely have an injurious effect on the present good voices of the singers, while It may have the effect of Improving the voices of American singers, bringing out more clearly the beauty and strength of the timbre, while giving an intelligent conception of the work that enable singers to use a pure diction, which cannot be obtained in a foreign tongue." He notes as one of the crown ing absurdities of the present order of things that five American prima don nas of prominence are now singing to American audiences in. French, -Italian or German, but never in plain "United States." Indeed, In the pertinent lan guage of one of the commentators on Dvorak's article: ' "It Is this foreign tongue which prevents Americans from enjoying opera to the full. Those who Some One. Musio tit. I be-1 r too, Someone I shall try to woo, head, Someone I should like to wed, I PV-, I J I i i t I i i rr r I -a- . I II t - Ub I tmSz -&z v 1 gH i I ; j I ? ,i asaaa - - r, 'isVY , ,l someone aisa'ame, yea, 'tis so, Bomeonetiss ame, yes 'tis so. Someone, n rr1! 1 n . u .... . 1 -. n 1 WM-HlnmH-4 'J j -H-o 3 Tj7! -H u. . : , n ... . ' i ..... I k i ... . . " - -i i n . . r jpTi j.h. 1 a. -zj-rrc- '-j 11 3 . .jlaza . e"a' 1 . yacis l.j zll l i . i in VT 'V I . r.F.r. I . . .. Wirn 0--0 --hg-rf-.--f--H-?-l-gH -fg-a-l-i-a-H " H H P t: F r-F fi y v hf-M- lt1 , m Vtr ' ' I ' lm n.r. rot. Sor. Throat, t-lmple., CoDp.r-Colm 1 " ' 11 1- 1 f " r ( 1 f U" 3 1 t! ' 1 - faT r-r " I ' 11 11 - I fj Spou. Aohr.. d Son-i, Ulcera In fiouth, II air- V, i I r 1 v1 i . '" 1 I T -j 1 ' 1 1 1 I i rtuW wriw rook sirsr (-nei Ma- 1- 1 !,it! . ' 'I I V I ' I ' w onlTrnile4'hlraia,lllfrpruotiof euro. SA Mn'.tA D 1.-1 a-X Capital OOO.OOO. l'allentcurodlejrr sUHCal Ktcord La j sjojodajojmdn protest that it Is only the music, and not the libretto, .which one should re gard Indulge in mere musical cant. The libretto is vnot paramount, to be sure. But without an Intimate knowledge of the words of an opera, it is safe to say that no opera-goer truly understands tu music. The fitness of the harmonics can only be guessed at vaguely. The low state of the opera in America is due to the singing In a foreign tongue. Opera-goers sit contentedly today and hear polyglot duets and scenes; care little for the acting, for the actions do not need to suit the words; and endure the: worst of misfits in roles without a murmur." In conclusion, Dvorak thinks we have the material In this country for a national school of music, but it is poorly developed as yet. In some thing more than a hundred years of na tional exigence we have been able to fertilise deserts and subjugate great mountain fastnesses, but we have not been able to compose even so much as one original national air fit to be Bung to the words that eulogise liberty and Independence. Musically speaking, our greatness lies wholly before us. FOOTLIOHT FLASHES: .Will S. Rising has joined the Louise Lk-audut Opera company. Andrew Mack, the well known singer, is to star In "Myles Aroon." "A Trip to Chinatown" has passed its one hundredth night in London. Adellna l'attl Is enguged for six operatic performances at Covent Oarden next sum mer. E. II. Sothern Is to have a play which is to have the Ill-fated Major Andre us Uio central figure. Dunlel Sully Is writing a comedy in which (lus T. Williams and John T. Kelly will star next seusun. The St. Louis pupers pronounce the Pauline Hall production of "Dorcas" the best thing 'that has been seen there this season. ' It may be that 13. 8. Wlllard will not re turn to this country next season, lie Is negotiating to produce a number of plays in London. In Mr. Potter's "Trilby" Virginia Harned Is to be Trilby; V. J. Ferguson, Svenguli; Burr Mcintosh, Taffy, and E. M. Holland, the Laird. C. W. Couldock will probulily retire from the stage shortly. The veteran actor is said to be in very poor health lately. A complimentary benefit is tulked of. Mrs. Lungtry's three plays, "A Wife's Peril," "As In a Looking Glass' and "Es ther Samlraz," ure evoking very favor able comment throughout the west. During the run of "Sowing the Wind" at the Empire theater. New York, last sea son a profit was realized for Charles Froh tnan of over tfo.ouo. At 'the same time Syd A Lady of Fashion Is said to have a rope of diamonds holes bored through them so that she can put on a string like beads. This is a very poor way in which to treat gems. .Yet purely from the romantic point of view, The Hollow Ruby may possess brilliant and prismatic beauties such as are found in the story which JULIAN HAWTHORNE has written and which is to be published in The Tribune, beginning Feb. 19. It is, of course, a tale of Eastern life and is full of startling inci dent and humor. Hawthorne has surpassed himself in this novel story and it has been fully and fittingly illustrated. by FREDERIC PRESTON. Moderate. Semplice. 1. Someone'seyes are deep and blue 2. Someone's, lips are swet-tuudred m Some one, Some oue, 1 . gFII I'll JT 4- g! W (2 U j r - 3 'W'WHjR K 3, Someono tried 10 run a-wsy 1 j i ; ( ney Grundy, the author of the drama, received about pi.UOU 4n royalties. It is stated that Ellta Proctor Otis will stur next season In a repertoire which will Include "The Second Mrs. Tanqueray," "Peg Wottlngton" and "London Assur ance." The board of directors of the opera house at New Iberia, La., are considering a plan to dispose of that property by means of ratlle. The house is valued at 112,000. Beorbohm Tree says he considers Ibsen a great playwright and that his plays have had a greater Influence upon the contemporary drama than those of any other writer. At Krakow recently a theatrical man ager obtained permission to perform "Julius Caesar," provided the soldiers "were not dressed In the uniform of the imperial and royal Austrian army," Both of the De Reskea are obliged to lead exceedingly abstemious lives as far as food and drink Is concerned. They have a tendency to put on weight rapidly, and though the big basso Is somewhat in different to his Increuslng bulk, it Is a serious and Important matter to the tenor. Mrs. William Furst. the wlfo of the musical composer, sings nightly at two theaters in New York. She appears ns Kate In the Rising Star Saloon In the first act of "The Fatal Card" at Palmer's, and sings a song, and then hurries to the Empire to sing a sentimental song in "Th Masqueraders." Frank Daniels Is to quit the "Princess Bonnie" company at the end of the seu son. lie is to appear next year In a comic opera of his own called "The Kibosh," the libretto of which Is by Hurry B. Smith and the music by Victor Herbert, whose "Prince Ananias" made so favorable an impression here a week or two ago. Paderewskl, who offended the British middle classes by declining to play to a provlnelal house where the seats were hut five shillings, has taken back water, and, In order to square himself, has devoted the entire proceeds of a concert to the re lief fund of the families of the flooded miners at Hanley. He wants to clear him self of the Imputation of money grab bing. A musical critic who has heard Pad erewskl pluy parts of his Polish opera declares "that this oiera of PadorewskTs is going to do more for his fame than even his playing has done, and that It will murk an era not only In the great pianist composer's career, but an era in urt It self. It Is an absolutely superb work, great Intensity and full of truly human pathos." With reference to high fees to star sinners there ,re some people who think that these sums are out of all proportion to the artistic vslue of the singer. Such was the opinion of the empress of Russia when Uabrlelll asked 6.UKI ducats to sing at a state concert. "Why," said the queen, "that is more thun I pay to my field mmshals." "Then let your Held marshals sing for you," was the reply. t When I told her all one But she did not say me i I -i- Q ! 1 i 1 r- ! i 1 1 i 1 1 1 ' ! i y - -f. 1 l -f. i J i- - , 1 5IZfct "1 1 P I n j--f"r -f--s-; - g; -0 i --rv 0 3- 0-Sf-tWg- I I 1 J - ztzizfrrX: rbzgzt X- :pzz:: zpzX-- -pp-f-x- 'i !r i, f f lr T 1 r T . j rail. rail. J, I f u - ' I 0 1 I it! 1 r -1 1 1 1 I 1 1 1 1 Gathered in the World of flelody. Adellna Pattl has been singing to four ' generations, the great grandfathers, the grandfathers, the fathers and the younger generations of today. She made her debut In New York In 1HM, when she was but 1,6 years old. Her voice bus been one of the-wonders of the age. In her later years, taking ad vantage of her marvelously well pre served voice, she has compelled man agers to pay her from $:i,UU0 to $5,000 for public appearances, and at the end of a season would realize from fLTiO.ooo to $450,000 us her shares of the proceeds. Unlike not a few ladles of her calling, l'attl knew how to Invest her money, and laid It away to the beHt advantage. She is reported to be worth from $3,000, 000 to $4,000,000, while on, her Welsh castle, Cralg-y-Nos, Hock of Night, she has probably expended a million more In Improvements of various kinds. II 11.11 An unfinished oratorio, or rather an oratorio In Its beginning, by Joseph Haydn, has been published. Haydn be gan his composition Just 100 years ago, during his second sojourn in Kngland, between 1794 and 17115. The F.arl -of Abington asked him to write an oratorio-, recommending him Nedham's English translation of the Latin "Mare clausutn," by Seldon, for the text. Al though Haydn had not written an ora torio since the completion of his "Kitornci dl Tobln," In 1774, he under took the work at once. Hut ufter com pleting two numbers an aria for bass und a chorus for four voices, with ac companiment of orchestra he laid tin work aside. It Is now for the first time that these (the mirtiuscrlpt is in the British museum) will be made public. II '1 II An Interesting story about a violin conies from Berlin. A Herr Vansell, son of the well known engraver, saw a vlulln In an old curiosity shop, took a fancy to it, and bought it for $20. He did not care to name the price to his friends for fear of being laughed at, as he considered It somewhat excessive. One day he took it to a violin-maker for repair. Hirw great was his aston ishment when he was told thait it was a genuine Amutl. worth several hundred pounds. Some few days after the violin was sold to a member of the opera house orchestra for $1,500, and the pur chaser of the same was offered $2,500 for the Instrument, which Is suld to be a magnificent specimen of the maker. II II II The Schubert quintette, composed of John T. Wutklns, Will Watklns, George M. DeWltt, C. P. Colvln, and Howell Davis, Is one of the finest musical or ganizations In this section of the state. Tile efforts of this party have been well received wherever their voices have been henrd, and their services are invariably in demand for a return date:. '! Ii !i Mrs. Lizzie Hughes-Brundage has re sumed her old position us solo soprano at the Penn Avenue Baptist church, and her sweet voice is heard with great pleasure. II II I! "Ye olde Folkes" concert at flreen Ridge Presbyterian church last evening was one of the most enjoyable musical events of the week. i !! Ii The Scranton Oratorio society, under the leadership of Klchard Lindsay, will -t i i- -tS- r day, But she did not gay me uuy, nay. Some one, r . ' 1 ill m I I a tempo. 3 m 1 Interesting Notes About Huslclans At Home and Abroad. begin rehearsing the "Bohemian Girl" next week, ii- ii ir Congregational singing, with Mr. Weedon as prompter, is among the pos sibilities at Second Presbyterian church during tlie coming musical year. II II II The Old Folks' concert, to be given at Simpson Methodist Episcopal church on Washington's birthday, will be con ducted by Miner Worden. II II II Professor George Bonaparte Carter will play upon a harpsichord 100 years old at the Old Folks' concert, at Kim Park church, Feb. 22. II II II Musical Director Charles B. Herman will publish four or five new compo sitions for voice and guitar in the near future. II II II Trofessor Max Frankel has recently issued a folio containing gems from "L'JIJi" and' some of his later composi tions. I; II II "The Chimes of Normandy" will be repeated In the near future for the benefit of the Thirteenth regiment. II II ii Professor Conant, of St. Luke's, spent the past week at New Bedford. 'I Ii Ii ' SHARPS A NO PLATS: Pailerbwskl will visit America next fall. Caroline Hamilton, the prima donna of the Bostonlans, has entered suit for abso lute divorce against her husband, Charles KdwunI Hamilton. itudolph Aroneon has engaged as tenor In his new operetta, "Trial by Jury," which will open the Casino on Feb. is, Kl gar Temple, formerly of the Bostonlans. Chopin was lame and had consumption; Beethoven wus deaf; Humlel and his contemporary, Sebastian Bach, were blind; (iluck was apoplectic ami had to slop work In the middle of an opera wtajrh was to be called "The Uanalclos;" Weber and Mendelssohn were consumptive, and Si human hail softening of the brain. The tour of the Milton Aborn Bijou Opera company wll begin next week at Wllllamsport. -Mr. Aborn has a larger following In Philadelphia than any oilier comic opera comedian, and the engage ment of twenty-two weeks at the BIJou, which will close today, has been the most successful ever played there by a comic opera company. Brahms and Ooldmark were among the most enthusiastic applauders of Johnnn Utrauss on Jan. 6, when his new "(iarten lauhe" waltz was conducted by him for the first time In Vienna. Of course, he had to repeal il, and when the audience still clamored for more he played a selec tion from his latest operetta, which also had to be repeated. While great composers are becoming scarce, great violinists are getting to be a drug on the market. We have several traveling In America at present, and others remain In Kurope. Among the lat ter none has created a greater sensation than ltronlslaw Hubermann. He Is lucky too. A wealthy admirer, Count Zamoyski. has made him a present of a Strudivariug worth over IWkw. The new theater at Wiesbaden contains 1,510 seats. The entire orchestra location can be lowered out of sight by hydraulic screws, for Wagner operas, or lifted up for Italian works. The emperor him self designed his box. This theater cost Jl.OiXi.iiuo. The emperor grants an an nual subvention of $&.() to the manage ment. accel. cret. ' r But she did not say me nay, fl r. ' 1 GIVEN UP ALL HOPE Eczema, Turning to Blood Poison, rcaiouDy specialists seven aiontbs without One Particle of Success. BODY RUNNING SORES. 1 Condition Terrible. Life a Burden.' Tried CUT1CURA. In Three Days At tends to Business. Cure Permanent. In tho spring of l9l I took that dreadful akla disease, hczema, which turned into blood poison. I consulted the best known specialists In this city, j noy treated me for seven months but i never derived a particle of good from any of them, fhey had given it up ua a hopeless euro. I was covered with aorca from head to tout ; 1 bad run ning aort-a all over hid, some of them aa large aa a box of yourCcnccuA. It cost nie hundreds of dollars with these so called specialist!). My condition wrs terrible, llfo was almost a burdea to me. I could not eat, drink, or aleeu. I una unable to walk and had given myself uu as dead. 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