8
THE SCRAXTON TBIBUNE SATURDAY MOBXIXG, FEBRUARY 9, 1895.
News of the Green
Room and Foyer.
Those who, on Wednesday, witnessed
at the Academy the return perform
ance of "Dorcas," by the Pauline Hall
company, enjoyed what, In spite of
some minor drawbacks, was one of the
most pleasurable dramatic events of
the present season. The drawbacks re
late chiefly to defects In the cast,
which had been changed for the worse
since Its earlier local appearance.
Then, too, the audience Itself seemed
tinged with tho temperature prevalent
outBlde, only warming up to the merits
of the play nfter several tuneful lyrics
had escaped Kb appreciation, "Dorcas"
is described on the bills as an operatic
comedy; and it is concerning Its sug
gestions of a changing public taste
rather than with the presentation of
"Dorcas" itself that we now wish to
deal. The signs, in our opinion, are
surely multiplying that the slushy farce
and the bawling melo-drama have both
had their day. American audiences
are beginning to 'exhibit a progressive
Impatience for something newer,
cleaner and better. They perhaps are
lint quite yet ready to be preached to,
Henry Arthur Jones fashion, or to be
bored, after the manner of Henrlk
Ibsen and James A. Heme. But they
are moving on and up. A steadily in
creasing number of them are learning
to discriminate betweeii the grotesque
ness of the grimacing acrobat come
dian with his padded make-up formi
cations against physical mishaps and
the genuine humor of the artist come
dian who plays upon the chords of
human sentiment rather than upon
false piano keyboards and trap doors.
And as this discrimination grows and
widens, there will arise an epidemic of
dissatisfaction with the fun-making
equipment of players like Steve Prodle
and "C.rimesy" Mackle; and a demand
for a purer expression of the player's
part and mission.
While it is probably true that In these
matters the shrewdest observers ore
often deceived, we hazard the guess
that In the cordial reception recently
accorded in this former citadel of the
melo-drama to such sweet and dainty
liltle pastorals as "L'Aml Fritz," and
in that given also, in less degree, to
"Dorcas" albeit the latter play Is by
nil odds the coarser, more farcical anc'
more risque one can gain an Idea or
two as to what the new appetite wll
welcome. Tho melo-drama, In sonv
form, Is bound to survive, because It k
securely founded on the eternal veri
ties of human nature. Thus, also, of
opera, in at least Its simpler phases.
What could be more natural, then, than
to combine the strong points in the
two classes of entertainment, and go
forth unto the people with a double
magnet with which to attract their
favor? "Dorcas" shows us how almost
a farce can be daintily softened and
supplemented by the addition oD a
half-score of fetching songs. "Friend
Fritz," despite Its uncouth name,
proved to us that no stronger appeal
can be made to the healthy instincts
of a miscellaneous audience than by
the picturing before them. In exquisite
ly true art, the quaint charms of
bucolie life, with Its music. Its ro
mances, its openness, its clear sky and
its line, tonic air. Somehow, even after
the Interval of almost a year, wn can
not yet foel sufficiently grateful to the
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Some of the More Important Do
ings of These, Our Actors.
unknown German genius for he was
a German, was he not? who gave this
restful picture of tranquil, honest
home life to us; gave It with no thought
of spicing its pure charm with filth or
defilement; gave it serene In his confi
dence In the better motives of human
character. If when the inane farce,
the stupid problem play, the aenemlc
drawing-room exhibit and the robusti
ous heroic masquerade shall have man
aged to pall upon the jaded nerves of
the coming man, the amusement pur
veyor of the future shall avail himself
of a grade of commodity similar to
this German one, with its sweet songs
and touching loves and sorrows, who
can doubt that it will sell; sell with
that happy avidity which betokens
something unexpectedly novel and
true?
Discussing the trite but ever lnter
cbting question of the future of the
' legitimate," the Chicago Herald very
aptly says:
The passing of McCulIough, Booth, Bar
rett and others of honorable fame,
coupled with memories of Kdwln Forrest,
C'harlotto Cushman, the elder Hooth and
their fellows of an older generation, hus
created a sense of bereavement which in
turn Is responsible for the Impression
that the day of the legitimate drama Is
at un end. Hut the recognized artist win)
comes with un ample production of un im
portant play may easily determine that
the lire is still alight upon the altur of ilio
legitimate. If he Is able to speak In tones
of ubsolute authority he will commune
attention. A vast body of former play
goers, who have been partially weaned
from their old-time adherence to the stag?
by an excessive diet of folly and farce
comedy frivolity, may be won again by a
return to legitimate methods. It is not
the disposition but the opportunity that
has been lacking and Is lucking today.
Managers have devoted themselves to
attenuated comedies and silly farces on
the specious plea that these nerveless
compositions were demanded by the pub
lic, whereas it would appear that they
were preferred by the managers solely on
the score of cheapness and the accom
panying opportunity for greater prollt.
Happily, the end of this dishwater regime
Is at hand. None of the Important the
aters ilnd It possible to lure patrons with
the cheap ban of farce comedy, and there
s a reaction also against un excessive
lupuly of Imported comedy. Organlz.i
lons accustomed to peddle drivel from
mo end of the land to the other lind them
elves In the Jaws of bunkruptey and rail
t fute without ceasing. But there Is tit
le complaint from legitimate undert;ik
nss put on foot with skill and liberality.
Ada Kenan, in a round of standard char
acters, has earned greater praise and
profit this winter than ever before: Itleh-
ard Mansfield stands at the top of tho
ladder, amply satisfied with his succeis;
Otis Skinner at one bound becomeB a
recognized and prosperous star; Julia
Marlowe finds Increasing appreciation of
the legitimate everywhere; Fanny Dav
enport demonstrates the demand of the
hour for dramatic solids by her most ex
travagant but enormously profitable pro
duction of "Glsmonda;" Mrs. Kendal finds
no lack of appreciation for her sumptu
ous revival of "Lady Clunearty," while
Kathryn Kidder's splendid production of
"Sans Gene" Is quite in line with the other
sterling successes of the season. Olga
Nethersole, Alexander Salvlnl, Robert
Mantell, John Drew, Rose Coghlan and
others might add their testimony to the
proof of a revived Interest in dramatic
worth, while Sothern, Jefferson, Sol Rus
sell and Goodwill, all of whom are dip
ping Into legitimate comedy this season,
might also express an opinion that would
THE ELLERSLY.
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encourage those who pray for the decad
ence of drivel.
.
"Whatever may be the objections to
novel-reading and to attendance upon
theatrical performances, the novel and
the drama are probably permanent
forces In civilization and must," in the
opinion of the Chautauquan, "bo so
regarded. In eomo form or other fic
tion has always been attractive to the
human Imagination and has never
failed to Influence it. A story of trag
edy or comedy, an epic or a lyric of
life, appeals to an elemental taste which
neither ignorance nor culture can ob
literate. There Is doubtless a principle
at the bottom of this general truth
which demands universal recognition
and respect and the sooner we meet the
conditions of It with liberal intelligence
the better off we shall be. Viewed
broadly the drama Is but a novel ar
ranged and fitted for realistic, personal
presentation on the stage; It Is a ro
mance or society story to be set forth in
Imitation of life in the concrete by per
sons representing the Imaginary actors,
Instead of being read and so realized
in the abstract. Thus regarded the play
Is the novel reduced to example, as we
might say, and set before us In flesh and
blood. It is a poem materialized, a
romance exemplified by application to
life, a novel of manners and, morals
made real by actual exhibition. It
would seem that whatever harm or
good can come of Indulging in a taste
for fiction must be referred to the na
ture of the particular case in hand and
not to any sweeeplng objection or favor
able accounting applicable to fiction In
general."
e e
Score another for stage realism. One
of the features of William Haworth's
new play, "On the Mississippi," is a
scene representing a Mississippi river
steamboat gambling house in full Must.
Colonel George H. Devol Impersonates
the manager, and the beauty of this,
from tho standpoint of modern realism,
is that Colonel Devol has had forty
years' experience In the gambling busi
ness. He was king-bee of the bumbling
fraternity in New Orleans when the
city was captured by the Federal
forces under Butler and Farragut, and
even now takes malicious pleusure in
telling over the silver-spoon story on
General Butler in revenge for a loss of
$50,000 Indicted on him when the gen
eral captured all his race-horses at the
track and sent him to Jail for a year.
In the hands of so eminent an artist
as Colonel Devol, this promised play
will of course take a place In popular
favor which will tend to elevate the
drama with a wild, weird whoop.
Just before Beerbohm Tree left Lon
don, at a farewell function in which his
temporary disappearance from Albion
was toasted by prominent personages
of the metropolis, that eminent actor
perpetrated a clever epigram at Oscar
Wilde's expense. Wilde's new play
was to succeed the Trees at the Hay
market. Alluding thereto, Mr. Tree
ventured to hope that "The Ideal Hus
band" "would be found a lit companion
to 'A Woman of No Importance.' "
e e
FOOTLIGHT FLASHES:
Rose Coghlan has a new play.
Lydla Yeumans-Tltus may star In comic
opera.
Andrew Mack Is to star in "Jlyles
Aroon."
Sol Smith Russell will play "Bob Acrs"
next season.
Adele Ritchie will star in a new comic
opera next season.
W. H. Crano has accepted the scenario
of a new play submitted to him by Frank
ly n t'yles.
Dorothy Morton will be the prima donna
of the Summer Opera company at At
lanta, Ga., next summer.
Louis Harrison has signed with Ru
dolph Aronson to play the Judge In "Trial
Mrs. A. A. ROCKWELL. ;
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by Jury," which is to Inaugurate the one
act operetta seaaon at the Casino on Feb,
13.
Nell Burgess says that he has been away
from tho stage so long that he does not
believe he could play the old maid In
"Tho County Fair" again to the satisfac
tion of an audience. "I could no more
got my voice to that part than I could
fly," he says.
Mrs. Patrick Campbell, the most-talked
of actress in London, has two children,
born before she went on the stogo, and a
husband who hunts lions in Africa. On
her first appearance in London her skirt
dropped oft and she had nerve enough to
stoop and pin it on without leaving the
stage. ,
Mollere's "Amphitryon" Is about to be
produced at the Paris Renaissance thea
ter, with Coquolln.aa Socle, his eon, Jean
Coquelln, as his double, Mercure, and
Sarah Bernhardt as Alemene. The play,
like "Tho Comedy of Errors." turns
chiefly on the resemblance between the
two men.
With three remarkably prosperous "In
Old Kentuck" companies playing to the
capacity of theaters nearly everywhere,
three other companies doing a steadily
profitable business and three popular the
aters, It Is generally conceded that Man
ager Jacob Lltt will this season make a
larger amount of money than any other
one American manager, Mr. Lltt Is the
youngest producing manager In this coun
try. The largest stand of posters ever made
for a theatrical attraction In this country
has Just been completed for "The War of
Wealth," C. T. Dazey's new American
play which Manager Jacob Lltt will pro
duce at the Chestnut Street opera house,
Philadelphia, Feb. 25. The stand Is being
made by the Strobrldge company, Is nine
sheets long and four sheets high, making
thirty-six in all. Primrose & Went and
Klralfy had used the largest stands of
posters up to this time, which were com
posed of thirty-two sheets.
IX LOCAL THEATERS.
Tonight there will be something un
UBUully good at the Academy of Music,
"A Baggage Check." The play is a
satire on the steam laundry business,
and the second act shows the interior
of a laundry with several pretty girls
and all tho machinery, etc., used in
an up-to-date laundry. Mark Sullivan
appears as comedian. Miss Sylvester
Cornish, late prima donna contralto
with Seabrooke and De Wolf Hopper,
Madge Yorke of the original "Hoss and
Hons" company, and Leola Belle are
principals, who are seconded in their
entertaining by ten others, all of whom
can sing, dance and look pretty.
II II II
Joseph Arthur's stirring drama, "The
Still Alarm," now under Davis and
Keogh's management, is announced for
Tuesday evening at the Academy of
Music in this city, and the interest al
ready manifested Indicates that the
event will be one of unusual import
ance in theatricals. The piece is one
of the few sensational products of the
playwright which can be said to pos
sess genuine merit and to have become
a standard attraction. It tells the
story of a brave young fireman's life
and Its many thrilling episodes. Sev
eral startllngly realistic effects are
shown, including a real fire engine in
operation and the entire workings of
the firemon from the moment the
alarm strikes to the extinguishing of
me flames. This is the annual benefit
of Crystal Hose company.
II I! II .
At Davis' theater next Monday, Tues
day and Wednesday afternoon and
evening the successful melo-drama,
"Kentuck," will be produced. "Ken
tuck" is an elaborate and sumptuous
scenic production and presents stage
effects more Ingenious and striking than
any American play ever produced. It
portrays with rare skill the grace and
charm of Kentucky life, and places
vividly before the spectator real flesh
and blood figures of the present time.
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Gathered in the
World of flelody.
Miss Katherlne Bloodgood, who is no
doubt the "Blauvelt" of the contraltos
of New York, and was booked to sing
at Mr. Carter's recital next Monday
evening, has kindly consented to a
postponement of the date. Miss Blood
good is a handsome woman of 24, and
the Musical News says of her appear
ance at Mrs. Scott's musical tea re
cently: "Miss Bloodgood sang the
plaintive 'Eln Ton,' by Peter Carnelius,
In an artistic and sympathetic fashion,
and for an encore Nevln's 'Oh, That We
Two Were Maying.' Her rendering of
this sentimental ballad made one for
get Its triteness in the delightful emo
tions her voice produced, and her
'Gibson' figure and presence added
muah to the favorable impression her
voiee created. There were 450 of the
leading musicians and society people of
this city present." Mr. Carter will
soon announce the date of the concert
at which Miss Bloodgood will appear,
and a packed house Is assured.
II II II
Mrs. David Spruks gave a charming
"musical lunch" to a number of friends
last Wednesday, which proved to be
an event of the season. Alfred Wooler
delighted those present with several
ballads; Miss Masson, of Baltimore,
enthused her hearers with her flute-like
voice, while the hostess sang several
elections with much spirit. John
Watklns, George Noyes-Rockwell, and
George Bonaparte Carter gave appro
priate selections.
II II II
George Bonaparte Carter says "that
blindness is more common in Scranton
than in Denver. In Denver 'silver' is
easily detected, while In Scranton, after
a sliver offering at a recital the number
of pennies and nickels in the plate de
note how little consideration the silver
question Is being given by attendants
II II II
Horace M. Ecknian, pianist at the
Scranton School of Music, has been en
gaged as organist and musical director
at the Franklin Street Methodist Epis
copal church, Wllkes-Barre.
II II II
Musical teas are all the rage in
Gotham at present. Society leaders In
Scranton Who claim to be up to date
will do well to note this fact.
II I! II
The "Old Folk's concert" to be given
at the Kim Park Methodist Episcopal
church Washington's birthday will be
an attractive event.
II II II
Now prepare for choir changes, as
whispers are telling some' cold facts.
Choir singers are glad that Mrs. Bald
win has departed.
II II II
The Wllkes-Barre Oratorio society
will hold a musical festival at the Ninth
Regiment armory in June next.
II II II
Miss Florence Richmond will give a
musical evening at her home on Mad
ison avenue next Monday.
II I! II
"Saul of Tarsus" will be given by the
Sacred Music society on April 26.
II II II
This is how one critic praises Ysaye:
"His playing has every good quality
that endears It to the listener. He has
a silvery, pure tone, that in harmonics
becomes like a spark of light in bril
liancy and transparency. The Burety
and truly phenomenal agility of his
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Interesting Notes About Husicians
At Home and Abroad.
left hand is equalled by his command
of the bow, the most complicated rhyth
mical figures being tossed off with an
ease that is fascinating. His tone has
also that rare quality of never seeming
small, even In pasasges of exquisite
delicacy, or when the solo instrument
enters after the crasti of the entire
orchestra, as, for example, in the last
movement of the Salnt-Saens concerto,
where the violin, repeating a phrase
after the full weight of strings and
wood and brass, seemed to dominate
the entire orchestral mass. The violin
In his hand seems a living, sentient
being. His style is essentially mascu
line and Is yet graceful to the verge
of coquetry. He possesses marvelously
the secret of the bel canto, for even in
passages of mere bravura, or to ex
hibit the Instrument he sings, an almost
Imperceptible lengthening of some es
sential note making the melodic phrase
stand out as clear as though played
upon another instrument. He has a
superb staccato, particularly in the
down bow, and his intonation is almost
infallible."
II II II
SHARPS AND FLATS:
The Marquis of Lome has completed
two operas which, It is said, will be pro
duced In London,
The "Isle of Champagne" Is to be sung
In Kngland by a company which will In
clude Comedian Lonnen and Letty Lind.
Talk about art! Jose Lederer, the well
known tenor, has left the stage and
opened a cigar store In Frankfort-on-the
Main.
The Musical Courier states that Calve
has been engaged by Colonel Mapleson for
next winter's season and It is even ru
mored that she may visit the United
States.
Tho new Conservatory of Moscow is
nearly finished. Its construction will cost
about J3,W,000. The vestibule will con
tain the statues of Rubinstein and
TschaikoWBky.
Marlon Manola has completely recov
ered from her recent Illness, and she and
her husband have reorganized the Manola-
Mason company, which will begin a tour
in "L'Aml Fritz."
Mme. Marchesl. in whom thousands of
Americans havo Implicit faith, says that
a more accomplished concert singer than
Mrs. Wyman she has not turned out In
the whole of her career.
Richard Strauss' opera, "Guntram," has
been accepted for performance by the
Munich Royal opera house, and will be
brought out there under the composer's
direction about April 2V.
Plunket Greene, tho celebrated Irish
basso, will return to this country about
tho middle of February. Mr. Greene is a
very remarkable singer and he has legions
of admirers wherever he has sung.
Mr. Dnmrosch has had 111-Iuek with his
chorus master and his stage manager for
his forthcoming season of German opera
Slgmund Kaschosky, the former, suc
cumbed to mental trouble, and Adolpr.
Hauman, who was from the Royal opera
at Prague, was lost in the Ill-fated Elbe.
The love of Berlioz's life was an Iris!
woman, an actress, homely as could be,
but with such a power of delineation It
Shakespearean roles that his heart wa.'
completely taken. They were finally mar
rled. His "Symphonle Fantastlque" wa
written under the first inspirations, and I1
is no doubt due to the same divine lnflu
ence that the "Shepherd's Song" and thf
"Slave Song" have a delicious brogue li
rhythm, that his works are webs o
Thomas Moore melody, and that in his co'
lection of thirty-three melodies are man;
devoted to Irish subjects or suggestion.
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rm remedy in existence.
Your rrv reneotfully,
FEED HEFFNER, 783 Beech Bt
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ampbell. Lanoaater, Pa Successor to Da,
obu Campbell m Boa.
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