8
H. HEINE.
BE
stars vitU a troub-led
t r
fc
brown, That her feet
Gathered in the
World of Melody
Interesting Notes Concerning Musi
cians at Home an J Abroad.
THE CHIMES AT THE ACADEMY
A Successful Production by Scranton
Amateurs Bamberg's "F.lolnc" Ef
fect of Extra .Music in Churches.
Rubinstein's Unfinished Works.
The rendition of the "Chimes of Nor
mandy" by lilchard Lindsay's chorus
last evening was a creditable perform
ance that gave evidence of the ability
of the director and talent of his com
pany. Being headed by two such pro
fessional artists as lime. Natall and
Henry Peakes, of course Mr. Lindsay's
party had the advantage of the ordin
ary amateur trouiHj. Hut the work of
the entire company was admirable
throughout.
II II II
Illustrations of the influence of good
music in attracting large audlenoes ait
church services were given on. Christ
mas and at the New Year exerclaes In
Bnme of the Scranton houses of wor
ship. This was particularly noticeable
at. the cathedral, where a large orches
tra assisted the choir under the efllclemt
direction of Prnfesor Schilling; and at
the First Presbyterian church, where
the organ was augmented by .a violin
ami harp. It sevms singular that, in
vIpw of the successes of extra musical
features, church music committees wlll
Incurred In securing additional instru
ments. Good music never destroys the
effect of a good sermon. In most ln
6tanc?s it Is an aid, and often an in
spiration, that moves One minister to
greater efforts. The day of struggling
congregational singing and of tuning
fork leadership in church music, it Is
to be hoped, has gone by. By all means
lot the congregation sing when occa
sion warrants, but, also, lot the beat
talent that can be engaged give buoy
ancy to the service of song from the
choir loft.
It II II
Professor D. O. Johns has been pro
ducing his new opera, "Little Tottoon,"
in the suburban towns herpnhnuta anl
When the company appears in this city
nt the Academy a few weeks hence it is
presumed that the members will ba
thoroughly conversant with their roles.
II II II
Miss Draeger, solo contralto at Elm
Park church, is also an artist of much
ability, and exhibits many studies In
oil that are of unusual excellence.
' II II II
Haydn Evans has returned from his
professional visit to Youngstown and
Palnesvllle, Ohio, with a good account
of the hospitality of his friends in those
cities. After adjudicating at the
Youngstown .elsteddofd on Christmas
Mr. Evans journeyed to Pnlnesvllle and
gave an organ recital at Bt. James'
church, and was followed by a banquet
nt' the Cowles House, In honor of Mr.
Evans.. ,
-toie . guest of the .evening was the
object of a very enthusiastic toast, dur
ing which a warm eulogy was passed
upon his musical skill. Hpeaklng of his
adjudication at the eisteddfod ' the
Ypungstown Telegram Bays:
"Professor Evans, the talented young
mare who, officiated as adjudicator on
music, performed his exceedingly dif
ficult office 'with rare taste. His de
cisions bore the stamp of . carefulness
find good judgment, and were always
applauded." . ;' ' "?
.very intereeunir as exDiainina Han
del's power of producing so much muslo
In short periods of time are the state
if
. i i i
way. My
f ee Efi fg f!!!Z?r
k -
long ing led me be fore her door, I kissed, I kissed the stone-step
i J U ,
iggp -p- ffgjr:
ii
THE
DAYS OF i. YORE,
Eecitativo
I dreamt that the moon looked sad - ly down, And the
ray; I went to my sweetheart' home,
-jstzz
-esr-.
had touched in the days
Copyright, 1894, by The New York Muiical Record Co
ments of Ebenezer Prout, an English
musician and profound scholar, whose
name is well known and closely identi
fied with Handel In the capacity of
editor of the Novello edition. He has,
says a correspondent of the Hartford
Times, made the somewhat startling
discovery-that Handel "borrowed" by
the wholesale from at least twenty
nine different composers. He finds the
famous "Dettlngen Te Deum" taken al
most note for note from Urlo; a con
siderable portion of "Israel In Egypt"
Is by Erba. The famous duet, "The
Lord Is a Man of War," is a mixture
Urlo and Erba: while in other parts of
the work the compositions of StradeUa
and Corelll appear. Gram, is also a
sufferer at the hands of the unscrupu
lous Handel. Mr. Prout mentions
"Saul," "Israel," "Theodora," and
other works, which Handel performed
frequently and received congratula
tions for, but which contained some
"mo3- atrocious cribs." A recent num
ber of the London Musical Herald con
tains an amusing cartoon by Charles
Lyall representing Ebenezer Prout
dressed as a policeman. In hot chase of
Handel, who Is waddling down the
street with the scores of StradeUa,
Erba and Graun under his arm. The
familiar choiuses and arias ore not
necessarily less beautiful or Impressive
because we have to Inquire of Mr.
Prout who wrote them; and It is no
news to the musician that Handel was
a heavy "borrower."
II II II
Lovers of comic opera have a treat
In store at the Academy on Monday
and Tuesday evenings when "Kobln
Hood" and the "Knickerbockers" will
bo presented under management of
P.arnabee and McDonald. In the five
years of Its existence before the public
"Robin Hood." it is said, has netted its
authors $100,000. In the matter of pop.
ularity the opera has been a surprise.
The average successful life of a comic
opera, It is said. Is about three years.
Notwithstanding "Robin Hood" was
laughed at by American managers
when it was written, twelve or fifteen
years ago, It has been one of the most
successful operas ever produced, and
its popularity Is not upon the wane by
any means.
f ' II II II -
C. ' Ela!r,e," BemDerg's new opera
which Melba has Just made acceptable
to New Yorkers, Vance Thompson
writes: "Mr. Bamberg's Inspiration is
intensely lyric. The melodies are sim
ple, perspicuous, but largely conceived
and gracefully expressed. In the first
act there Is a dvliclous ballade,
"L Amour est Pur Com me la Flamme,"
which admirably illustrates this young
composer's power of lyrlo expression.
The melody is direct and naive as a
nursery rhyme; nine people out of ten
have whistled it as they went away.
And this dear, consistent, lucid flow of
melody Is unbroken' from the first act
to the last. Now and again a familiar
march movement; there are passages
of vigorous, and daring orchestration
fitfully emphatic use of the brasses;
and the melody flows on and on, clear
as crystal, serene, graceful. You have
never heard t .before and yet you
might have heard it a score of times.
It makes no- Impression -of originality
I .think It will be very popular,
i " II II II
Recording to an Italian exchange,
Verdi has Just made his Willi "He dedi
cates his fortune, valued at something
over 10,000,000 francs, to the, carry Ing
out of a noble scheme. After men
tioning that he has no child of his own,
and that he sees no reason vwhy he
should enrich distant relatives, he ex
presses his desire that his wealth shall
benefit those who have helped him to
make it, namely, musicians and lyric
artists. He has decided, accordingly
to build upon his own property and
endow ai superb palace, capable of
holding 200 persons of both sexes, to be
used as a home for Italian singers and
musicians who may find themselves
without means at the close of their
. SCRANTOX TRIBUNE
C7 FROELICH.1
The town lies ma ny a league a - j
a-
of yore,
And the
career. Every possible comfort Is to be
provided, not omitting fifty pianos and
a proportionate number of organs. The
designs for the building are already
In u forward state, and the. composer
even hopes that It may be completed
before his death."
II II II
Rubinstein's room at Peterhoff has
been locked and Is to be kept exactly in
the condition In which he left it. The
expense of his burial was undertaken
by the government, and a subscription
was at once started for a monument.
His friends say that he was himself re
sponsible for his untimely death; he ate
too much, took too little exercise,
worked too hard, and stubbornly re
fused to gee a doctor even when
asthma, fainting fits and insomnia
warned him. Plaster casts have been
taken of his face and hands. The St.
Petersburg Conservatory remained
closed three days.
II II II
There Is no chorus and no ballet in
Mascugnl's opera, "Ratcllff," which Is
to have Its first performance in Berlin
in January.
II II II
A letter from St. Petersburg states
that shortly before his death Rubin
stein put the finishing touches to a
suite In five movements for orchestra,
and this, together with the cantata for
soloists, orchestra and chorus, written
for the opening of the new building
of the St. Petersburg Conservatoire,
was his latest work. Another and more
Important effort that is to say, a sa
cred opera, to take three evenings in
performance, and entitled "Cain and
Abel" he leaves' unfinished.
II II II
Private letters from Paris state that
Calve has become a perfect hypo
chondriac. To all- appearances she Is
perfectly well, but those privileged -to
know her personally have to listen to
ioti accounts of )i-r ailments and to
her constant reiteration of the remark
that she Is a very sick woman.
II II II
SHARPS AND FLATS:
Nlklta Is singing In Russia.
Leoncavallo will soon conduct his new
symphony, "Beraphlta," at Berlin.
lOd win Stevens will appear In "Rob
Roy," De Koven and Smith's new opera.
"Ignelde," a new opera by Max 8chll
llnga, libretto by Count Sporek, will soon
be given In Carlsruhe.
There Is no chorus and no ballet In Mas
cagnl's opera, "Katcllffo,"whlch Is to have
its first performance In Berlin next
month.
Emperor William is arresting Berlin
critics on a charge of lese majeste because
they express adverse opinion of his "Song
to Aeglr."
It Is related of Chopin that he would go
from one end of Paris to the other rather
than write a letter. Brahms has the same
peculiarity.
Being asked at Paris If It was true that
he was writing a symphonic poem on
"Death," Verdi replied, "Death Is think
ing of me, but I am sure I am not of
It."
Bronlnlaw Hubermann, the violinist, has
received from an admiring countryman,
the Polish Count Johann Zamoyakl, a
present of a Stradlvarlus violin valued at
13,600.
Satnt-Saens will again spend the winter
In Algiers, where he will devote part of
his time to completing the operatic torso
left by the late Ernest Qulraud, "Frede
gonde et Brunehaut."
Upward of 200 one-act operas' have been
written In Germany and Italy during the
lost twelve months, as a consequence
probably of the success of Cavallerla Kus
tlcana." The plots of nearly all of them
turp on tragical outcomes of Illicit love.
Going to Sea Grau'ma.
An' pa '1st snuggles me 'tween his knees,
An' I help hold the lines
An' peek out over the buffalo robe
An' the wind '1st blows an' the snow '1st
snows!
An' the sun 'st Bhlnei an' shlnest
An' the ole hoss tosses his head an' coughs
The frost back In our face i
An' I ruther go to my gran'ma'i
, Than any other place.
-James Whitcorab Riley.
Si
"ft l!
SATURDAY MORNING, JANUARY 5, 1895.
ratt.
Iu the win dow,
r'feEt-g3--1----- taL
trail - ing hem of her gown. f
1 x r i r r i i i t 1 i i
IU '
jf r iicrff
The night was long, The
night was cold,
3t
2fc
3t
tHS-
- -
N?u)s of the Green
Room and Foyer
Some of the More Important Doings
of These, Our Actors.
SUMPTUOUS STAGE SETTINGS
Costumes and Scenery Swallow Ip Prof
its for Weeks Ahead in New Productions-Decline
in the Areh Street
Thcatcr-rootltght Notes.
We sat together at the Grand,
She with her queenly pride.
And I her slave e'en for a smile.
Was happy at her side.
The play was fairly good that night,
The actor'B eyes divine.
I saw her bend her ardent gase
As ne'er she had to mine.
And when his tenor notes rang clear
I heard her heave a sigh.
Her pale lips quivered, and too well
I knew the reason why.
And when In deathly silence
His last tones died away,
A teardrop glistened on her cheek,
I knew not what to say.
She loved him better with his song
Than 1 with millions rife.
In one short hour he won her love
I've pleaded all my life.
I would I were an actor, too,
With but a tenor voice.
And penniless I'd face the world
That I might be her choice.
Atlanta Journal.
The development of Philadelphia has
left the Arch Street theater without
a public, and that house after a long
and eventful history, will be devoted
to other uses. The ' fortunes of the
Arch street have long been declining.
Tli.- following Interesting history of
this memorable theater appears In the
Buffalo Express: This theater was
opened to the public on Oct. 21, 1828,
and. with the exception of the Walnut
Street theater In that city, Is perhaps
the oldest in the country. After several
seasons, in 1831, the Arch Street was
taken by Jones, Duffy and Forrest, and
the theater was one of the best-known
houses In the country. James E. Mur
doch, John R. Scott. Eliza Riddle and
Mary Duff were In the cast. William
E. Burton and John E. Owens played
engagements there, and Edwin Booth
made his first Philadelphia appearance
In this house as Wilfred In "The Iron
Chest," to the Sir Edward Mortimer of
his father. Among other actors whose
names are associated with the early
history of the house were Thomas J.
Hemphill, William Wheatlelgn, John
Drew and John Sleeper Clarke. Mrs.
John Drew took a lease of this house
In 1861, and for thirty-one years man
aged It with signal success and profes
sional honor. On May 7, 1892, she bade
farewell to management there, appear
ing as the Widow Warren In "The Lovo
Chase."
The Weary Raggleses of the stage
are, Bays the New York Recorder, In
variably neatly, even fashionably,
dressed oft the 'boards. Bill Hoey, Wal
ter Jones, Mr. Wilson and Lew Bloom
are well-dressed men. This seems to
surprise some people, who Identify the
actor with the part. Lew Bloom was
engaged for a sociable In Chicago' and
all that was required of him was that
he appear In costume, but he did not
sing or dance.- He sat still at the table,
ate, drank, smoked, was merry, and
was looked at, and received ITS for this
gentle pastime.. ;
. "'
Reports of a play's success are very
likely to be followed by news of the ar
rest of somebody for an attempt to
ri 1 11 1 , " it
I moons pulo beam '
IS
Ice cold did the stone steps
:& Jr
:X
her own wan face
be
J
J 1-
-
II lumed by the moons pale beam.
IH I w tW ITT
steal It or of the Interruption of its
performance by a company which has
surreptitiously got hold of the text.
News of similar efforts on the part of
the owners of plays to protect their
property Is so often telegraphed to the
New Yorg newspapers that only the
more flagrant cases are regarded as
worth printing, says the New York
Sun. One or these occurred the other
day at Chicago. A man there, who for
the last twelve months has been known
as the most persistent play-thief In
America, was arrested In a theater
while engaged in an effort to take down
in shorthand the speeches of a popular
play. When he was ejected from the
building, a business card was found
In his pocket advertising for sale most
of the popular plays now before the
public. A few nights before this man
was put out of the Standard theater
In thi.i city for attempting to take
down the text of "The New Boy." It'
Is by means of stenographers that the
play pirates come Into possession of
their looty. They will go to any ex
pense almost to get hold of a popular
work, (ind If a stenographer thinks
that hi; is likely to avoid interruption
in a box, the price of that luxury Is not
considered. It rarely happens that the
whole of a play can be secured In one
evening, and the copyist is likely to be
found in the gallery on the night after
he began operations in a box, although
the same ninu Is not generally entrust
ed with thle work of stealing the whole
play. He usually alternates with an
associate, 'o that his face shall not be
come familiar to the employes of the
theater while the process of acquiring
the play goes on. One stenographer
was found In a New York theater with
o pnd of paper small enough to con
ceal In one hand In his pocket. The
lines on it wire marked by a small set
of wires.
In the Wilfred Clarke Comedy com
pany which comes to the Frothlngham
for a brief season of two nights and
one matinee, Jan. 11 and 12, there is
a young actor, D. Webster Seism, of
Scranton, who bids fair to make his
mark on the stage. This is his third or
fourth professional year and he is now
doing very Important work. His friends
m this city, and they are legion, will
be gratified to learn that he will ap
pear on Friday night as Uncle Zoodle
In "Tit for Tot," and at the Saturday
matinee and Saturday night perform
ances as Baron Elssbrook In "A Widow
Hunt." Mr. Seism's connection with
the company will insure It full houses
here In Scranton, where he Is so well
and favorably known.
This Is how the discriminating crltio
of the Omaha Bee sounds the praises
of a gentleman well known to Scran
tonlanB: Daniel L. Hart gives promise of taking
the place of the late Dion Bauclcault In
the great world of the drama. He Is
young, we understand, and has just be
gun a struggle for a place among play
wrights. The drama "O'Nell, Washing
ton, D. C," Is a gen from the standpoint
of art, highly Interesting as an enter
tainer, notably pure, scholarly In con
struction and beautiful In Its touch of na
ture and simplicity. His quick changes,
Irish humor, Celtlo wit, and above all
heart reading sentiment are decidedly
Bouclcaultlan and reminds one of the
Immortal Dion. Mr. Hart Is the first of
the new writers to dip his cup Into the
stream of Irish purity and dash Its re
freshing contents over the withering
flowers on the bed of the Irish drama In
America's great dramatic garden. How
thoroughly Celtic, the following from the
scene between O'Nell and Mrs. Norton In
act four: "Yls, he had his faults, poor
lad, but I forget thlm, whin I think of the
clay that covers him."
FOOTLIGHT FLASHES:
Eflle Shannon will appear In "The Dis
trict Attorney."
M. B. Curtis has gone to Europe. He
has nervous prostration.
Rhea rested In New York the week be
fore Christmas and has now resumed her
tour.
Henry Arthur Jones' "The Case of Re
seem;
1
-3 I I
11 hi jJ 1
IS
z5-
hold, II - lumed by the ,
p
g: U-
-a-
perpewltm.
bellious Susan" will be brought out in
New York Dec. 31.
Beerbohm Tree will appear at Abbey's
theater In New York at the close of the
Kendalls' engagement.
It Is understood that Paul Potter will
dramatize "Trilby" for production by A.
M. Palmer's company.
Edward Bell has succeeded E. J. Rat
clifTe In "Shenandoah." Odette Tyler has
also retired from that cast.
E. J. Rutcllfre will appear In "The Fatal
Card" at Palmer's In the role William
Terriss is now playing In London.
Katie Emmett has returned to her fa
vorite character of a boy. She will ap
pear In "An American Boy" under her
own direction.
V. T. Carleton hag closed his season of
song because pecuniary results were not
sufficiently encouraging to warrant any
further risks.
Lillian Russell's engagement just closed
was the most unsuccessful of any In
which she has yet appeared. "The Queen
of Brilliants" and "The Grand Duchess"
were both failures.
The figures of the cost of mounting
"Mme. Sans Gene" show beyond any
shadow of doubt that a manager needs
must venture a great deal of capital In
sending out a new play. These are the
Items: Furniture, JS.-tH); costumes, KM0O;
scenery, 7,80fl; properties, J1.000; Jewels
and armors, $1,600, making a total Invest
ment of M,7U0.
Frank Mordaunt originated the part of
Col. Andrew Sloane, a Virginian, In "Two
Colonels," W. R. Goodall's new play, the
Bcenes of which are laid In Vermont and
the Old Dominion. The first production
took placo In Washington last Monday
night. Mr. Mordaunt will also originate
an Important role In "The District Attor
ney," to be produced on Jan. 21 at the
American theater, New York. ,
Henry Irving will bring his company to
America next September. He intends to
open In Canada, going from there to Bos
ton, Mass., and then going to New York
for eight weeks. Philadelphia, Baltimore,
Washington, Richmond, Atlanta, New Or
leans, Nashville, Memphis and St. Louis
will follow, and afterward Chicago, In
dianapolis, Detroit, Cleveland, Buffalo,
Pittsburg, Philadelphia, Boston and New
York. The tour will last for thirty-live
weeks.
Mile. Rhea has several new plays ready
for production. The first and the one
upon which she places her greatest hopes
Is "The Parisians." by Vlctorlen Sardou.
There are seventeen parts In the play and
every member of Rhea's excellent com
pany will appear In the cast. Mr. Hart
will bo seen In the chief male part. The
burning of letters on the stage for dra
matic effect Is almost threadbare, but In
"The Parisians" It Is handled In such a
masterly way by Sardou that a sensation
Is likely to be the result when the piece
Is produced.
Russia Is file greatest theatrical terri
tory In Europe. Helena Modjeska writes
that she has st cceeded In opening the
doors of that country and will appear at
the National theater at St. Petersburg,
after the olllclal period of mourning for
the late ciar. In the spring. Her address
before the ladles' auxiliary committee at
the World's fair caused so much censure
on the part of the Russian government
that she was Interdicted from entering
the Russian domain. But through the In
tervention of the director general of the
National theater, a personal friend of the
madame'B, the order has been rescinded.
Beecham's pills are for bili
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Id a lying posture, dimness of vision, dots
or wbs Mfore the sight, fever and iu)t
pain tn the hoad. deflaUnoT of perajtlsa
tion, yUowna of th skin and yea, pain
lnthld,ohst,limb, and sudden Susaea
of bat, burning In the flesh.
A fW dotes of SAD WAY'S PILLS will
tree the tysum of all the abor-cem4
disorder.
Prloe 2Bo. per box. 8old by Druggists
or eerrt by mall.
H.nA ta DR. RADWAY A CO..
Bos US, New York, for Book of Advice.
Complexion Prism:.
DR. HKBRA'S i
VIOLA , CREAM
t&SBlJtt
IVwr JewwJ . awaajBswivvsjsansBy
unbar and: Ta, and re
store th skin to It erlf
Gal treshneaa. producing a
Clear and healthy oym-
.!! Smi-dMtnlllHm
fnparatloD and .periecUy
uunlslsoriBallediorMcta
Per eele by Matthews Brae, and Jeha
ftPheloa.
I J
bannkea AtlA
Scud foe CSrauiai.
VIOLA SKIN S-0APJ f JVTfflaVS.!
Q. C. BITTNErV CO.,Tclcdo.CV
Rave too Bore Throat, Ifmpls. Owrr-ColOTd
gpou. Ache. Old Bores, Cton In Mouth, Halr
killlngt Writ Cowk Meatady C BOt atav
wlTple'klM,lllfor proof, of cow.
Capital saavpOO). PaUantaearaa slnnws
MttgajounoanwenjOjje