Daily evening bulletin. (Philadelphia, Pa.) 1856-1870, December 16, 1868, Image 1

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    GIBSON PEACOCK. Editor.
VOLUgg':•:-XXII - NO;lta - 11-'4;:.',
NEW PCBLICA.TICifii‘
In e,nlinary lore the name of 'Fiancatelli. we
. :I
believe, is that of an honored prophet. The aim
pie fact_that_he_was longthe eAeLin the Queen's
kitchen is commendation enough wiien we Con
alder the gormandizing refinement inherent in
iliFßonee"of - Hatiover. His" Modern - Cook "Is ,
a masterpiece of (in the American ; edition) 585
octavo pages, containing nearly fifteen hundred I
separate recipes for every kind of French, Eng- 3
lish, German and Italian dish, whether plain and
bourgeois, or artistic and luxuriously ruinous.
Prencli exactness in statement makeelds most
intricate explanations lucid and comparatively
easy to follow. The weights anthrteasurcalErethosp
familiar to us. Sixty.t we useful weed-cati aro
iriterarwsed. This Manual of a science on which '
hangs all our health
_and well-being L has reoched
ittl. p, audon ninth editon, from_ which .Messra. -
reiereon de. Bros' have repUbliahed a:fur elre'ailer
and route Secesslble "Ailed - ea issue • "'
HANDBOOK OF FAMILY ENOWLEIMMI;
fir. Charles Desliaer; Itla. 1229 Clie:stnatlitreet,
has forted into one dense volume of about seven
hundred pages the whole art ,and mystery ,of
couklug nursing behaving housekeeping and
every tiling else that enters into the modern set.:
ence of. We, net forgetting the abilitito be at
need a cotriplete letter-arritor." The eeonotarde-
partment =ld tile epistolary pisparttneet ore •
formed of well-known and approaed standar&
on these vital themett, while the Kitchen Cabinet
Minister-1i the beaming tioyer of Crimean fame.
The , volume condemn* snore experience ind ,
dem than wo.have often seen in so portable!
Desibrer publishes, In a rather erne mental -
octavo. a - compilation from Bolton, Golditualth
/toddle elder naturalists, which the author, Mr.
O'Neill, calls "Glimpses `of;-Animated Nature,"
There are nearly three hundred cuts dispersed
through the four hundred and-odd pagesof the
work, tbe whole being fronted by a atupendons
chrome. la which a gorilla . appeans to be con
templative a tort of Alai au Bois 1%-ballet exe
cuted by a flamingo u premiere &name, as
serted by a company--of.menagerie-beasts at the
1)3e.)4 of the stage or cage. This volume, so gay,
and -fo much of Would expand any boy's
heart for a Christmas gift.
Pettr Pastore byes of Colnutbna, of Washing
ton and of Fran klin,bound together into one cheap
volume, form excellent family reading for the
oung,„ besitita being well adapted for element..
*l7 telltale. The'llinstrationi aro the good old
familiar ones, (which aome 'ot" its would but
loatblv exchange_ for _better _art,) hearing so
marked AA air of having been printed equate
well-Deed butcher's block.—Tbe "Columbus' ,
uud fora fioutlepleeo (we beW to explain to the
yontJetul and trapikit reader) isfrom ivpainting
by, Parmigiana and.was really txrpied from some.
Italiangentleman's,face liourishing about a een-
_tory after the great discoverer. Published by
Desllver.
Prof. Coraon's interlinear translation of Arm.
nal boa dui excellence of being au =pied du bkre;
every wordless urn ox its -exactocmivaleat t ,the
difference between the Lax and English sc:.•;',
quence Nana indicated ,by Vire& Gifford's hie
of Alveoli! Introduces the efildcm. it b ere:Client
fc,r ecliools or titivate study. Published by De
ed VOS. - •
tstephtit Oirard's Will,neatis printed in octavo,
with a short biography, is a kind of civic huison
useful for us all, u published by Mr. Desilver.
Mr. Desilvei finally obliges nil with a couple. of
fresh, large photographs—one.-the old , familiar
"Obi" (boy impressing a'ster on kb with the end
of his spine, surrounded by a constellation of
eggs and apples); the other new tone, and called
"The Politicians."
ART 1 . 8ii1.9.
—A new picture by Titian tuts been discovered
in Venice. It formed one of an old collection, in
the DOESeaBIOII of the Mocenigo family, .but was
in such a condition that the artist's name was
not suspected, until the operation of cleaning
the picture brought it to light. The subject is
Christ, supported by the Cross, and extending
bis bands In blessing over the sphere of the earth,
The picture is now exhibited in the Venetian
Academy.
—The monument to Mozart, in a cemetery
near Vienna, has been outrageously despoiled, it
is supposed by persona who admire the master
not wisely but too well. The medallion por
trait of Mozart, a candelabrum and an inscrip
tion, all in bronze; have been carried off bodily,
—The widow of the famous sculptor Dan
meeker, beet known in this country by reduced
copies of his "Ariadne," died recently in Stutt
gart, having survived her husband twenty-seven
yews. She biqueathes to the national gallery in
Stuttgart all the works of art which formerly
belonged to . Dannecker.
—A German eihotographic expedition hasgone
to Egypt for the purpose of making a complete
collection of views of the ancient monuments
and inecriptione, The - first attempt in photo
graphing subterranean chambers by means of the
magnesium light, was made at Memphis, in the
buried
of M. Marlette, the discoverer Cif the
buried city. It was entirely successful,' and the
best results are expected when the Same process
is applied to the Theban tombs.
—The veteran of German artists, the painter
John Martin von Rohden,died recently in .ilome,
at the age pf ninety-one..
—Count Pleten,the poet,who diedat Syracuse,
In SLelly,la to have a monument there. A colos
sal bust, in marble, has just been completed, by
the sculptor Schiipf, and is now exhibited in the
Villa Malta, in Rome—the former residence of
the Ex-King Ludwig, •of Bavaria.
—The Bavarian painter, Piloty, whose large
picture of "Nero" attracted so much attention at
the World's Fair in 'London, in 1862, is exhibiting
a new.peinting in Berlin. no subject is taken
from the history of the Thirty Years' 'War. 'lt
represents an abbess and her nuns endeavoring
to eave their convent from the irruption of a
troop of plundering soldiers.
—An unusual number of American artists are
spending this winter in Rome. In addition to
those who permanently reside there-the sculp
tor* Story, Rogers, Miss Stebbins, Harriet Hos- ;
mer,- Mies Foley and !dozier; the paintersiTerry,
Tilton, Buchanan Read Vedder, Coleman, Wild
and Rotchkiss—there will be a large accession
to the number of temporary residents. Church
and Bleretadt; Gifford and McEntee; Yewell,
Loop and other painters and Lanni Thompson;
sculptor,have taken sudice for the whiter. Long
fellow and Cyrus !held, with their families, will
also form part of the American colony there.--
Pentium's. . -
lioneon Gnaws/ purposts to write during
the year 1869, an elementary work on Political
if,conomy, wherein tho policy of Protection to
Nome Industry will be explained and vindicated.
SIN work will drat be given to the public through
successive issues of Tan New , TOME Taxstrsv,
and will appear in all its editions—Dan', 1810;
13aact-Wonmor, 44; WZIKIX, et per annum.
—The Spanish Episcopal bench is said to be
preparing to celebrate a grand religious act, by
the assembling of a General Council at Toledo to
deliberate on the new situation in which the
Church is placed by the revolution, and by the
proposed proclamation of the principles of reli
gious liberty. It is proposed that each bishop
should afterwards communicate to their elergy,
In a sort of provincial synod, the decision which
may be arrived at.
—Paris doctors are puzzled by a new disease,
writers' palsy, which they ascribe to• the use of
steel pens
. t _
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=OM
LETTER. FROM
Appearance of en° Pubtee
Ittedidtiodie--Celeariated Ritaiinsiteente'-•-•
leereenty, ea_ ;,; shot', Mourn-, elizewegcal
tloilacs ' iii Chiliereignee "and Cow gate
;illeneets,—.llobeelinex and Soifevene
ICorreseen4tstest •or- tiao-Pettadeleeta sventag- j natteeril;
Einsintetar, BooTtipurNovecuber, 80, 1864; . ---
Edinburgh the capital of the Stuarts, and from 141
resetriblumee said lobe the "`modern' &thetas 7 is
certainly ore themoet beautiful cities of the
'World. It le exektlinglY clean,' and although in
general apPearancenoe t very ancient-looking,
presses one with its sol id ity; enbetantiabill an"';
a ;;
, d n
rash•
genera air ,
of comfort; an. 'Everyone wil
admit that thecite is one otthe most striking of i
any of the capitals of Europe. It is, principally . ;
situated Upon three "ridges or hills
running almost parallel,_ _and
from its , elevated - - points 7 extensive, ;
varied and views. , Th rough the centre;
wild ravin e,
runs a' eep, wild ravine, wilt& Separates tee Old;
,from the New Town. and gives place to the cola
bined railway and etagere , This valley or ravine
once contained alike 'calla the Nor' Loch, and;
was conzidered'great deferinity, but has
been eonverted'into,beintifur -pleasure grounds
called Prinetss Street Gardens, and crossed- at ten •
different places by large wide bridge& and mounds
Princes street'le the principal and finest street
„. „
in the city,-endirunis parallel with this valley .
the New-Tows - aide; it to a mile in length, quite
straight, and bas a southerly exposure. At the
west end of this etreeknn bold, rocky prod.'
pice, , stands Edinburgh Castle'with its time-worn;
battlemente; at the east end,, - Cutter/ Hill with its
Nelson "and iithiffiribilurlitilleFerrils - iiiiiii side , ;
are - located' the principal - batch,Pfid7fieleTst stores, - ;
while on the,' south side - aro' the - Gardens Sir
Walter Scott's monument, and several beautiful
buildings devoted to art and science- The:views
frign Carlton IEII or Edinburgh Castle are de
eidtdly-fine,and from either, a bled'h,eye view can -
be bad of the _whole city and surrounding
country •
"Traced-like a Imp, the latdscape lies
In enituted beauty stretching wide;
There Pentland's green acclivities;
There Ocean, with its azure tide;
There Arthur's Seat; and gleaming through
Thy Southern wing, Dunedin blue!
Witile in the orient,:Lammer's daughters,
A distant giant range, are seen, •
North Berwick Law, with cone of green,
And Bass amid the waters." • •
' - At night, from theee - elevateripointe;the city
appears to be beautifully illuminated because of
the houses of the lower chefs being so high and
densely inhabited; each room having its ocen
'pante,' with the necessary - - ,
In point of architecture the city pres ents a di
eidetily-llevoillegAppearance, Whether weregard
the almost Milted phimaeyiametricel pa:icon/Ana
of tbe - streets of the New Town, or.the. wild,
'cranky and picturesque disorder o the streets
and buildings of the Old. ' I
The public buildings are not overwhelming in
their magnificence, but more Charactedzed by
cbaste design, , rnany .of :.them, adhering to old
etyles of arebitecture, such ate Doric and lonic,
having had for , their architect Playfair; and, as
with - Many of the houses and other ;building!,
are built of a dense Atone, which.
ie .44 rOich .; e; 69 1. Ahsorhentebareeter as to retitle a
clean sitipettrehee for along time. "Tne color is
tot white enough to glaringly offend, nor sombre
enongh to be gloomy. The lionises of the poorer
clues are tall and ungainly, but pletureNutelook
ing, being eight ta-oleven stories . high, and let
cut flats or stories and rooms—on the tene
ment principle. The same house Is owned eby,
E 0 many landlords that it is impossible for the
.goverignent to get rid of them, and they still
stand as they have stood for several hundred
Sears, breeding crime, misery,disease and death.
The city , la _getting rid of them one after , an
o ther,but she needs a Napoleon to remove them all
from the face of the earth at once. To an Ameri
can,these tenement houses appear to be the only
drawback to the beauty and healthfulness of this'
otherwise beautiful and healthy city. ' They are
so tall that the sun rarely, if ever. gets into their
cola, damp eosins and alleys, and the women and
children look pale, feeble, and morally and men
tally depraved. Still, under able health officers,
these places are twice daily policed, and rendered'
as comfortable as bad ventilation and overcrowd
ing can make them. ; _.* . •
The gteat charms of ,Effinburgiewhieh few or
no cities of our great lend can boast of, are its :
monuments erected tq peat and good MOD, who
have made their mimes and their country and city
both historic and celebrated. There are upwards
of eighteen in all, and among the best is the one
to Sir Walter Scott (situated in Princes street)
which was designed by a young architect named
George M. Kemp, who died Jest before the struc
ture was completed. It is a Eye:n(lM Gothic
tower, 200 feet , high, very elaborate, having a
stair of 287 steps , conducting to the top, from
bleb tb ere is a gt)od view. Underneath the can-'
opy is a statue of Scott, and the principal niches'
occupied try statues of some of Scott's princi
pal characters, such as Prince Charies,Mag &ler
riks, Lady of the Lake, George Heriot• and .the
Last Minstrel. I confess to a great weakness for;
statues or monuments , erected to those who hare
rendered themselves great, their country cele-,
brated, and benefited their fellow-men. Soyalte 4
has done much in this direction to perpetuate
royalty; and how much more necessary -should
it be for republicans, • who filo bYthe will- of the
people governed, to do likewise to perpetuate, a
love for free government and veneration -- for;
thee° who have by their assistance made their
country'known and respected. ;
There @Mould not be a city in our land which has'
not its statues of Washington and Lincoln, with
a email-fund once a year to.decorate them with
immortelles and evergreen. Napoleon does this;
aid why?—to perpetuate and keep alive in the
French people a love for the magical name Na-'
poleon, a name which la now thoroughly iden-•
tilled with French greatness and unity.
Philadelphia has had many citizens besides,
who might thus have been bonored,and our plain,
Squares and parks,.rendered much More attrac
tive and profitable to those of , our successors
who will some day be expected to work out the
problem of free government. Still we have made.
some progress, as our national cemeteries will ,
be lasting monuments to testify to ,the devotion
of a loyal, people. I conceive %still greater lee-;
eon could ba learned—one brelithing more of
peace and fotgiveness—at the same time serving as',
a warning—lf our rebel dead Were collected in
those cemeteries, and on their monuments writ , .
ten, "Sacriticed, battling , to destroy free govern- ,
meal." I am not alone in adch a wish ' as I
know no instance during the whole war where f 1
medical officers made. a diatinetion between 1
Union and Confederate soldiers 'after the great?
leveller. "Death" had set his icy stamp 'upon I
then'.
There are two curious old streets running par
allel with Princes street in the old town called
amongst° or" High and Cowgate streetern High
was once considered the finest street in Europe, -
but itsgreatness has departed.. ;It leads directly
from the Castle to Holyrood, and upon it are
situated some of the principal baildings and reel- 1
dences or . 1116 old-time people. A few of the'
quaint old boluses still remain, which will carry
one Wl* to 'the time wheu they, were: inhabited
by the 'wealthy and fashionable of the Court of
the Stuarts; nOW,_ however , generally occupied
by the poorest and moat destitute. On this street
Is situated the houses of the old reformer, John,
Knox, David, Hume, Boswell, and many others,'
making the walk from': the Caatle to Holyrood
one of the greatest interest to the antiquarian,'
and showing also the:mutability of all things
earthly. Here also still „ stands old St. Gillees
Church, dating away back to 1259, and although
unfortunately metered, yet showing traces of its
ancient curious , Goth ic 'architecture. This old ,
relic has witnessed some of the moat memorable
scenes in the history , of Seethed and from its
-pulpit John Knox madeso'me of his hardest hits
against Popery and the unfortunate Mary Queen
of Ocoee • Ha ancient Cemetery C 01141.45 the re-
---- PHILADELPHIA, VEDNESD.AY, otugmßE4 'l6, 1868.=-TRI'PLE SHEET.
mains of ninny notable men; and what is very`
curious, the. ,equestrians statue - of Charles IL
owing to oomtrt change, is supposedlWottitid.,
directly, over the'grave:of John Knox. ,
Butr. we will • leave Ormongatn, street, 'assuring'
the render .that- "My Annt , Margaret's • Mirro" -
and Chronicles of theCanongate will beread with
a much more thorough:- zes,t 'after a day's wsik •
frotn.Edifiburgb 7 CantlelififfelyrocA:7oanesegik)
10_6lb:toted on one'of: those ridges already allwted
top while Cowgate street, is In' the vallejtranning
'Parallel with it, and 41110 extending from . Holy
rood Palace to the old graiso•market near Edin
burgh Castle. - This street , ist crossed', by - two
bridges., celled George IV. and South Bridge. A
view from either is: as near an .acqualatanPe.aB I
you wish, to make with • ibis narrow, .thickly-pe
pillared alley. These bridges are nprrards•of I
100,fra above the 'level of thit 'street, and , far
above .the roofs - of - its etirionsly-balln , honserr. -
'The view, bars been: compared to a peep. into the
"nether world," and-a walk along this well pu
lierd but_ pestilential will -clearly demon
strAte,how easy it is for, intemperance ,to make
-01 s section a beiL
I:.Cowgate,ln` the reign of - .klieg V.,wass itui resi
dence of the elite of decalandi now the ,haunt of
derders in second-band-furniture and old mlothea
—the moot miserabks street in; all Edinburgb,and
is said to be the raostdenael3s, overcrowded street
in the .w tole world. Borne of the „descendants t
of decayed old families continued to live in this •
street; ntil a•TerY recent petiod. and their dwell-
Ingo - were known -bye their;_large -brass door?
knockers and whitewashed steins., The, old brass,
polished door knoeitera are_ still , a moat
cottopienono object of attraction on the doors of
the better class or people,and eye them a - good
old time-honered appearance • ' X.
PENNSYLVANIA HISTORICAL SOCLETY.
Moralists-F. nat Adapted to the trnited
_l•ltsst,esXata!faugst 0n5!....01t„ I he_ ilittsto
richt hipesety, or to,ontroy
.
At a stated meeting - Of - the: of
Pennsylvania, held Monday , evening, December
14th; 1868,11Cliarl4 - J;Luirens„'Esq., - dissociate '
Editor of The;`t-Atchitecturalitellew," read a pa-
ber on "HyttAtunr, AS ADAPTED TO TIES,UN/TED
rsers.s,"^ of which, without confining ourselves
k t l ictir_lo_the. order of -tho EsslsYr - Ive - g/To - th
snore salient points.
Mr. Lukens coinmenced by remarking: That,
in the general acceptation themost, useless
branch of human knowledge is hei_ai dt y; in its
blazoned array, held in contempt by the astute,
but ; tricky and selfish Laths XL of fttneo, as-the
"trumpery of red, bine and green;" and 113 Its
genealogical aspect, snecringly chancterizvi by
Voltaire, as --"the science- of lop's-with long_
niemiirlegf 'St' in esseuttaL symbialleal
lure, necessarily used by the nations -of the
earth; and, consequently, destined to last as long
as there should'exist communities of men.
One of the: so-erdrell most videos,- then, and
one of the , confessedly , most useful selena.s, Herr
aldry and Seamanship, are peculiar, in. having
eack an outrliranching nomenclature, far more
coherent, systematic,
_and 'complete, than any
other branches of -human acquisition. Both have
their fanttutticalltleai, but, in she main, the mind
at aticeraaßt their PriteiPlaar alltl:ritaltui their
technicalterms. _ -
In Its essenM , Heraldry is almost entirely em
bodied in chromatic pictorial symbols ; , and—by
the eimple, rapid presentation. and definition. of
several hundred, illustrative shields—it would be
quite possible, in the cosine of a -single two.
bouris' - zitting,.to give ,those present, previously
totally, nimequaluted with- 14 an exact apprehen
sion of its essentials.bet not a comprehension; the
later depending.upon ;a retentive memory and a
heen judgment. practiced in the subject; whereas
the fonder 'would spring from the general intelli
gence of the, audience.- - Bat much less time
beneenpltsl. • • - -
The use or Heraldry is the formation of flags,
signals, 1.c., for the purposes of commerce, pa
rade and war—which must be instantly recog
nizable, an far as the eye can reach..
The 'essence of • Heraldry consists in extreme
simplicity and distinctness of figures, and sharp
color contrast. Whenever these attributes are
wanting, the device is of allure.
Amongst the heralds, White, (Argent,) and
Yellow, or Gold, (or,) are called Ilia -rats; and
Red, (Gules,)' (A zurit) (190/e,)
Green, (Vert, or Binople,) purple, (Purpure,)
Orange, (Ten4,)' and Crimson, (Stinguine,) are
termed Cesare; but the isart three are, little used. ;
In addition they have certain conventional, but
simple arrangements of, figures and, colors--of
which the checker-board is a good 'Popular in-;
etesace—knonla its Funs.-
The Wick surface, either of, a shield or Aim is
detioniinated the Field; and any object upon it is '
designated ass Charge.
As, by rule, Metal cannot be charged upon
Metal. Color upon Color, or Fur upon Fur, all,
who are able to distinguish colors by , name, will
see, that' whatever is thus conformably devised,
must not only be very agreeable to vision, as a
detached ensign, but also very distinct:
Objects are also allowed in the natural colors,
then known by the word Proper, and—as a shield
can have no proper color—always relieved upon
White or Yellow; but these are never so success
ful, fer the purpose, as the arbitrarily tinctured
figures, because, be it remembered, the intent is
not'to make pictures, buteymbole:
If any one pt these colored symbols or coats
of-arms, is devised heraldically, heralds have a
concise and certain technical method of de
scribing it, so that any one, acquainted with the
science, can, without the slightest pictorial as
sistance, reproduce it exactly, even if he has
ever seen or heard of it before, simply from the
description.
Herulds have, also, an arbitrary system of lines
and dotb, whereby they can perfectly convey, to
the initiated, in an, uncolored engraving, the
exact colors of any armorial bearing. Any one of
ou, who—by a fortuitous combination of lucky
vents—is the happy possessor of a silver half-
dollar, will observe r that the chief, or ;upper
straight band of the shield on the breisat of the
American eagle, •is engraved in horizontal lines,
whereae, some of the stripes i or paks,,,are en
graved in perpendicidar lines, and others are left
plain. This, if not a mere die-sinker's convent
once, would seem to be at least accidental; but
,such is not the case. To the educated eye, these
lines, and these clear spaces, say, as clearly as if
in words: for the chief, or band, blue; for these
lined paks, or stripes, red; and these unengraved
pales are white.
When' arms are merely sketemd, heralds make
small dots in the various parts; and run single
lines thence, out of the shield, to a word, or an
abbreviation, on the margin, noting the,tincture;
or, If the space Is large enough, the lett& signify
ing the tincture is placed upon the object itself,
as A. for A read, O. for Qr, and' G. for Gala.
Tricking is the technical name foe this mode.
There should, then, always be at least a few .
gentlemen educated in hereditary Heraldry, be-
cause the old need "of distitignishing between per ,
son and person, in monarchical countries, gave
the variety of figure, posiffon,,ilke., so available
now, for .National, State and amoelational pur
poses,• although personal heraldryr - Xhould never,
and will never be of any influence in our republic,
save as historical, for the - nation, and annidiatic,
or reminiscentisfi; forittriamilies.
The gentlemen managing the American Revolu
tion, were, of course, measurably familiar with
Heraldry. Hence, almost.all_the arms of the ori
ginal thirteen States are well devised, as to figure
that is. they are dktinef. But, from the days of
'the Continental 'Congress to this instant, there
have been gradually increasing failures, in de
vising the arms of the admitted States, because,
at first, for a while; the inventing movers in, the
legislature were less and leas informed upon the
subject, and, latterly, they seem to have known
nothing whatever, helplessly supposing a coat.of
arms to be a mere crowd of confusedly jumbled
figures, or else a landscape hopelessly undeci
pherable at any moderate distance.
To add to the amazement,' there - semis - to be'
only tradition for the tinctures, or, popularly,
colors, of the .armorial bearings of the old thir- -
teen States. •
It ie time something effectual is done, under
„competent advisement by statute , - through the
different legislatures: ; In the original States cor
recting and confirming the figures, so they can
be described heraldically as well as popularly, in
the several institutory or confirmatory acts; and
in the admitted States; while retaining as tar as,
OUR lElitiLE COUNTRY.
poseible; the ideas typified, reforming away all
the avornallui nod excrescences.
Troia J140...1Mt. itorieiel Society of Pennsylvania
Should appoint an Honorary Committee of Con
ference, to communicate, npon the subject. with
- the different - other-- Historical "`Societies eff' the
Union,-with the various State= governments, Rte.
On this committee should.be appointed such ex
perleneed and competent heralds as Milt=
fifs'erib and ...Robert Lfolet', Jr.," Eseis„' and 'suit
amateurs as Ed ward Armstrong, Esq., and others.
he essayist'himself. as an innovator, long ratta
ils? with the tinderlying principle% and pretty
'war grow - deli inn -- the practice or r ry
would esteem it an inestimable, opportunity and
apipb honor to be one. - Such a-Conittlittee. Or
concurring Associatirin - of CoMmitteee—at once
of much public benefit—would ultimately 'give
the world a standard authorityttpOn the abject
- in their Final Report
Hew stands the case now? 'The best informed
gentlemen in 'the Community can tell you nothing
-with certainty.as to .the coat of arena of their own
'States: - A competent' herald-painter gets au 'or
der for's m
'col. , 'court-house „panel, or a regimental
standaid,.and does not knoW where to look for
the authentic data. And the iteintinistration of a
Elate cannot point to the establishing resolution
of the arms of its commonwealth.- In fine,
everything connected with the subject Is -abso
lutely at sea. * '
The_Librarian (liv. Mr. Shrigley) gave w very
fufireport of the contributions made to the,"So
ciety since the November Meeting. - Among the
objects of particular interest Is a very tine old
elock, made in Scotland; and presented' to the
Historical Society by Messre. Conover and James,
of Orford Lodge. an eicellent"piete cif.
lasorkmansbip, and keeps time very correctly.
Could the members of the Society- Secure a
more commodious hall, easier of access, they
would very soon have one of the'most prosper
',ems literary Societies In Philadelphia.
--The decease of George .W._Pahuestirek-was-an
pounced, and the Council.was requested to pre
pare an obituiry notice of the deceased, who had
been for many,years an Influential member of the
Society; ,
The meeting was then adjourned, Dr. Coates ?:
having ocenpied the Chair, - the President' being
necessarily absent.
TUB FINIS ARIEV.
Berlin; I Freacoes; Its Dinfosamia.
Having previously given a good deal of atten
tention to the interesting devolopment of mural
art in Berlin, under . Bing Ludwig, we, should
scarcely feel justilleAl in omitting the following
intereatiag summary farnished-by, a contributor
to the Baturday,Revieii4 It gives an interesting
tableau of
_the results achieved by a modern
Pericles determined to make an Athens of his
capital and stock it with Phfdunes. ,
BERLIN A 6 A 3 ART VOCI7;.
Prussia is ambitious In arts as In arias. and
Berlin, the capital of the new German Confeder
ation, has determined to make: herselfthe'great
art centre in Northern Ettope. The:eity, singu
larly. 111-situated for beauty or picturesque effect.
hes done her best to supply what • nature denied:
"Cuter der •Linden." though unable, like our
own itsgent - streeleito withstand either weather
or criticism. may be accepted as a somewhat
pksaint art compilation of shops, trees, and
cafes. Berlin evidently has been gob up as a
show; she has done much in — the way of facading;
we arts are , on • public promenade in
her streets, sad are. drawn tip with
military dignity and , t precision in her
open • squares:- —the..gods, including of
course - Frederick. the Great; defy the elements,
and in winterdlinerra, snowelad as a peasant in
Iceland, sustains ' the' dignity of classic art in
shivering stew. We incline to think that modern
art—or, rather, modern architecture—has In Ber
lin missed its way; it has turned its back con
tem ptuonsly on old Gsrman nationality in order
to coquet with the Italian Cinqueeanto ; and the
offspring of the alliance is pseudo-elastic corrupt
Renaissance, and a hodgepodge mixture, the
polyglot of all styles. Thus, naturally, people of
true art instincts prefer su ch nnpretendmg and
nnspbilt towns as Dresden. Bamberg and Narem-
/TS MUSEUM .
Berlin is more happy in what she has collected
than in, what sbe has created; the contents of her
Museums are of more worth than the buildings
themselves. The Ohl and New Museums, to
their general scheme and arrangement, have de
servedly been held as models; the chronological
classification instituted by Dr. Waageu obtains
wide approval; and the catalogue' prepared by
the erudite Doctor screed as a precedent to Sir
Charles Eastlake and Mr. Worn= for the pre
sent admirable catalogue of our own National
Gallery. Perhaps in no city can the systematic
study of the schools of painting, and the history
of art generally through its monuments,
be prosecuted with greater advantage
than in Berlin. Strangers are 'usually
struck with the treatment of the
Egyptian antiquities collected by Lepsius at the
instigation of Bunsen. The building has been
designed ar.d decorated in keeping with its con
tents; sarcophagi, mummies, inscriptions, &c.,
ale dispelled within temples and tombs. Analo
gous modes of treatment were, in the. Interests of
popular instruction, rather than of historic truth,
adopted, It is well known, at Bydenham; but Mr.
Owen Jones frankly admits that "the most per
fect specimen of Egyptian art we remember to
have seen is the tomb which Dr. Lepsius removed
from the neighborhood of the Pyramids, now in
the Berlin Museum." In other departments also the
mural decorations are made to serve as consonant
historic background. Thus in the "Salle Omegas"
are "Peintures do antraille par MM. Schirmer,
Blermann, Behmide,•Graeb et Pape;" among the
scenes depicted are "Tombeau' en Lycle,"
"Syracuse avec, FAcropole et to Temple do
?dinerve," "Egine avec to Temple, de Jupiter,"
"luterleur de FAcropoje Athimes," "Inttrieur
du Temple deJupiter a Olympe,". "Atilnes avec
fAcrepole." Of course these temples are painted
in great measure on conjecture, and, like the
various reconstructions of the Roman
Forum, eau only he accepted as, approxi
mations to truth. Still the lane is
gratified, and the intellect,at least err, -on
people, cannot but be instructed; je t , res
these works may not be of any very high order,
but the. scenic effect gained is striking, and th
art is sufficient for the occasion. It were futile t
recommend the adoption of like mural decora
tions in the British or the Kensington Museum's,
simply because we have no artists in England - by
whom they could be carried oat. The miserable
failure of the ~wall-paintings at Westminster
has, we tear, put a- Moo for many a year to any
national or. municipal schemes of mural paint
ing. In Germany frescoes have stliod fairly well,
audit Is hoped that the new "wasserglas" process
will stand still better. In Berlin wall-paintings
have found their way even into private dwellings,
as in Italy there are trained artiste, rapid and
certain of hand, masters of pictorial and decors
effeetywho,will in short space sad at small
coat cover the sides of a room or a corridor with
bold panoramic compositions. Of a higher order
far are the greed Berms of pictures we will now
describeta- - therwall-puinlhogs -- executed - lw"water
glass", by Kanlbaeh, in the "Treppeuhater of the
Berlin New Alstmum.,
KimLaken.
Wilhelm von Kaulbach, in his youth a scholar
of Cornelius in the school of Ousseldorf,has now,
at the mature age of sixty-three, won, the very
highest position: among living paihtere. 'The
artist's studio is at this moment once more in the
Academy of Munich,. but his greatest achieve
ments are In Perim. The New Museum in that
city, of which we have already spoken, contains
a vast "Treppenhatts." On the "Staircase"
Kaulbaeh, in emulation of NaffaeUn in'the Stanza
of the Yatiesn, has developed a great pictorial
- scheme, which in its ambitious range, claims to
illustrate the histOry of the world, and to shadow
forth the destiny of the human race. Twentyrfour
trgraviegs of these•large, and complex composi
tions are now before us. The pictures them-
Seivee, obith we have known while in execution,
we have recently examined carefully in their
finally complete condition. The whole work has
been ekborated slowly and studiously, through
the' heal years of thepainter's life; thus, as far
back al the Paris "Exposition Universelle do
1811 , 5" w ft tound nine cartons for hoseweal.paira,-.
Inge, while in the last g.reat Wrench Exhibition
Ithe ,cartoon for the: "Era of' the Reformation"
gained for Bavaria Its . .onet "grand. prin.". 'lris
impoesible, withlin the comprise at our command,
to do justice to these grand compositions exe- .
cuted in "water glees:" We •• may, -however, Say
'bat the painter's object has been—in a series of
six compositions*. • each some thirty feet long, '
find' &meriting Over one: hundred • figures;
above file-size—to seize , upon , salient turning-
points and to elucidate certain. epochs. In the
world's, progressive :civilization. ' The epochs .
chosen are the "Tower of Babel," "Era •of the
Glean," the • "Destruction •of Jernsa
lcni.". --the - "Battle of the liens,"
the , Crusades," and the -of the Refer:-
motion." Knulbach's• free• and easy reading ,of
history, and the hatitudinarlaniam of his creed,
have in Germany given occasion to considerable
cavil ' - The best apcliogv is that=the artist ex- -
clUslvely the artist; ,that, hews, not the divine, to
teach dcetrinee and dogmae; but, like Steak
apeare or Goethe * . the dramatic-poet,' to seen in
the world's history moble characters, stirring ac
. than ands grand scenic:: situation's.. Ra.ffaelle,
It.la be/leved, %in.,' the composition .of the "The
ology," the • School of :Athens," the "Feeds,"
&s: accepted gladly ideas from the learned men
of his time; we know that our own palittera and
rculptors who , attempted •the decoration of toe
Houses ofi Parliament were :aesisted by• a Royal
Commission of which such men as. Lord Macau
lay,"Mr. Hallam and Lord Mahon were members.
ir wollid - be - interesting - to - know - what. ttelpOt _
any, Kanibach sought frost the learned ',Profes
sors, of tbe Berlin University. Athenian artists
were accustomed to hold close intellectual
relationship - with' the poets and
_phlioso.
pher; of their • iperlogi, ' . and Kaulbach,
who in a great measure is a self-made man, Could
ill afford to sever his art from the critical acumen
and , profound research which in Germany have
served to elucidate, and sometimes to undermine*
thfavery histdric,-"Aras7 which the • painter, has
portrayed. Yet, fortunately, it, is-posaible for
tor these pictures to be _poetically : true,'
though historically false .: Thus Thus it may, be
agreeable to the: eye and conformable to
decorative ende -that •such compositions • shOuld
be nicely balanced and evenly - distributed; yet it
is hard to conceive that historic epochs: such as
he-overthrow-at -Babel*---the-Tecitations --of-
Homer. or the preaching of Luther,
could have invariably been enacted in a
elide. Painting in a eirele,__lllce a rguing in
a etrele, cannot but iniolve fallacies. . T The art of
Kaulbach, in short, may poseiblyhe Imaginative'
poetic, academic, claesic, and a thousand great
things; beside. But this one thing is certain, that
the manner le eminently Artificial. The same
charge, and netwhellywithout Jette4n, has been
made against the more elaborate and pea/Ably
overforced comp:mittens of Raffaelle. The works
of Kanlbach beyond-doubt suffer undir.the •Watt
of strong conviction; the artist pays the inevita
ble penalty of serving ' not two, but twenty,
masters; he seeks.to be all things to all men.
And the;, consequence Is that these marvel
ions and matchlees creations , in Berlin would"
tall satisfyGreektiotthetimepf.Phidies,worild
not seem rhonest and earnest to devout spiritual
painters of the middle ages,and do nokcoininend
themselves by actual truth and iridlvidiality,
the naturalistic schools which in Germany are
row rising to dominion. jiaulbaph,. in fact, is
universal to• a fault; painters:; more partial and
less prolific have greater strength;in narrower
spheres.
We wish it were poseide to give. here an ado
gnat° Idea of these impoeing mural decorations,
the crowning , product of.,':the. moderin,German
school. We have already" ;.spoken; of
the • general • Idea ,• • • or, • conception, and
we have incidentally indicated the • art
character °C AI e work and the position . which
that weak has made for the painter himself. A
few words may fitly be, added on these latter
points. We would say that' Kaulbaeb, hi his
toric styles, stands on frontier-lines between
claesic territories, Renaissant epochs, and mod
ern times. Thus the offspring of the painter's
imagination is hybrid. A Venus from his pencil
is a. iashioneble coquette, Fudicizia a courtesan;
his cherubs are Cupids, his Chrism Apellos, his
Madonnas Junes, his Jehoyakts Jupiters. Renee
it will :easily ~b e understood that the great
German has , slight „claim to the
of a religions artist; herein he &fere
from the great Italian painter to whom other
wise he is akin, for belt • remembered that Raf
ladle, even, after the. sear. when-:Ruskin tells of
his apostacy,, peinted the divine "San Slew."
Kablbach's genius, indeed, is sometimes even the
converse of actions and sedate; Into the midst • of
historic acenes.the, most Beltran, the painter is
accustomed to thrust a humor essentially Ger
man, and absolutely grotesque. So indoddiable
, indeed is the comic sense within his mind, that
the broad farce of "Reineke Fuchs," which some
hold to be the artist ' s:master product, he would
not'scruple to place on Olympus or. the Mount of
Tranefiguration. It must be confessed that the '
ancient ; Greeks and the middle age, Ital
ians did . sot permit themselves • steak
license. But cosmopolitan Kantbach aspires to •
eomething more universal than Mtehael Angelo'
or Da Vinci; his art is at once Cisalpine and
Transalpine, it is at home with Albert Durex and
Martin Schorr, it migrates to distant lands, :it;
passes our English Channel in kindred with Ho- .
earth, and Leech, in fellowship with Chaucer and
Shakespeare. Yet it is no injustice to add that '
.
Kaulbach, in thus distending himself to . univer-
sality, and striving to be the equal of the groat
est of• men collectively, incurs the danger of be
coming less than tho least individually. finch in ;
fact has always been the penalty paid by eclecti
cism.
THE NEW MUSEUM
The Treppenhans in the New Museum aims, in
common with the most pretentious of Germsn
revivals, to gain united force through the com
bined master arts of architecture, sculpture, and
painting. The structure is designed expressly to
receive the decorations, and consequently erne
meat holds its due place in the concerted whele,
and performs just its ~appointed function and, no
more. , The architecture Is perhaps rathernierte
mongrel than we could desire; it is of the Beattie
and illicit school of fechinkel, who, like Sleaze
in Munich, has : done ranch ,bothto snake and to
mar the city surrendered to hie genies. The
polychrome applied , to this architeethnie ,bialy
case is not, like that in. Munich, Byzantine
or medireval, but is rather allied to *lassie and
Pompeian, styles. lodeed, .the single.and subsi
diary figures which %tufted; has made to float on
- a field of chocolate are directly Pompeian in color
as in treatment.. As usual, ,the ,figures on gold
grounds tell best decorativelY. Altogether the
coloring is a success, though, as usual in like Ger
man revivals, he relations show more of science
and hard intellect than of intuition and emotion;
the tones are apt to be crude, hot, andyet repel
knUy dead and acad. IBM, as we have indicated,
the whole composition, u if under a strong effort
of - the reason and the will, has been forced into ,a
not nnplesushig propriety and agreement.
, Tux. WATAIII•OI4II3B METHOD.
It might be intereetleg, did space permit, to,
discus thaetiative merits fresco and of that;
new process of " , was ter-friss" of width Kanibiatt
is the most experienced manipulator. It , is un
derstood that both Ifenitetch and Plioty give to
- the new Method e preference over the-old, while
other German artists still adhere to the_ auctent
historic mode. It is our belief that each mate
rial has its specific advantages ; fresco possesses
more brilllance, transparency,purity; water-glass, ,
with a certain opacity and blackness, as exemp
lified
under Iteulbach's treatment in Berlin, gains
In compensation , rears detail and finish, more
untidy in light and shade, snore of ramose ,
plierlc dietetics and aerial perspictive. Nat
it is scarcely an injustice to • say that, while, KC}
Italian "fresco puro" may be compared, to the"
best old wiudowpainting t , thegie "wasserglas!'
works may be likened to windows of the new
Munich school. It will be .rememberied that on
the failure of frescoes in the House a Parliament,
Mr, ' Idacilse; at the instigation; of the - Prince
Consort. went to Berlin to lear n from m .Kaulback
the newly invented . process. :" Ton years ego he : '
reported to "the Commissiouers of Usable Arta":
that be had closely inspected "five largo and;
otherwise notable subjeete," also "colossal alle
gorical greet) figures, painted in- the new mate.,
trial, and Awing their permanency to having been:
imprergated with wator-glase. Of those
works, it may indeed safely--be said,
that, they form a Barka , of
F. THIBEISTON:,...PabIiskti.
PRICE THREE OESTS.
the noblest embellishments of one of ttici•argud—
est bulls which _architecture hris as yet dedleatird
to the' development of akindred art; .and herd„
too, is to be vie Wed Perfection hcW,
ecendently imposing are the. results -whett, the,
two arts arc harmoniously combined." This
tribute from the great,mural opanateria England
to his German brother in • arts is generous, and
scarcely Over-colored.. We may add • that , the
pictures which Mr:, Maclise saw in prucesa of
painting in the autumn of 1858, are now, in the
autumn 0f.1868,in perfect inissertration; those first.'
execnted.are as Sresh as the most receut We can
not here - enter into , further details, and would'.
only in conelmilomeay that the prayervWhiehlhe•
devoted inventor of..t.tvassergiss'ltittertgilithnit - -
before his death seems to hatter obtained ,,. asi
answer in l'aulbaeh's completed work. "'I offer,
wrote D
r,_ von_ Puchs,_!9,o_ mv_Trianda.mianv
whom assisted Me materially in my, difficultbuy,
my- oeep-telt gratitude at the conclusion oil my
isbors. • But, '
, ,before all, I thank God; , whccs.
Oonely allowed - his'weak and aged serVant4di
finish the.precedinginvestigatilin of water glom
audits application, , no.far•that others may htdid,
upon tbe foundation I have laid: To the
or all good be- thanks for all joya and eufferbigh
experienced! May lila, blessing be - „uptial the
work!"_ _ _ _
ART ACTIVI r.
TY hr. ,artraN
- - ,
Berlin, in other directions than those above in—
dicated shows an activity and enterprise 4 In-- the
arts worthy- her position as- the capital of _
United Germany: —= Bince - oniprevloutsvisitsiber --
vast cartoons of Cornelius have been massed Ina
thrown into'an exhibitiOn. Rea Towns Gaiety -
ore collected specimens of Modern7Gertuanr•art;
and during the.present- autumn , thero'has='-been
held in the Royal Berlin Academy—which =offers
banging space three times as great as our ' own
Academy—an exhibition of morsithau atlioussn.
works representative of the present aspect of
the - divers schools - of Germany:.
Berlin, indeed , •.- • .notwithstanding---.---mtWo-- •
sary supremacy, has =beont _ . and_ stiff is,, et
strong focus of • art labor—an art workshop= Os.
mous for its erudite products and - critical actinic* -
even more than for its originative power. -• The
scene of Weagen's and Eugler's life labiate was
"laid in. Berlin; and now Grimm, the writer of the
latest and fullest memoir of Michael And
VtroitirainTc - whvbar m - axlelilmselt
studies on Holbien, sustain the reputation tong
enjoyed by the city for critical research.: -in not
another capital in Europe -is-- there-closer rbei--
procity between art:creation and.:critietsmi - trsi:
tween ark products and art philosophies. •
The inlet George
li•hittuteiptmhot.
The;Elt. Patit : (ttlaiteecita):PAiiniteh;: of **
inst.. contains the fellowing..akpreetailia - tiptioliv_
of lamented citizen or Pktiletlelphiet..
.
Among • the_ victims of ' the , ill-fated ' 'steamer
United eitates, which burned at Madison, Ind., ors
Friday night last,i are Dr George' W. Falun:stook
and daughter,.of Phlladelphisio . . t
It is with the keenest of, sorrow we pea this
item, ono which will sadden-Owl:warts*/ numbers - -
of our citizen's, who became acquainted with; the
deceased during hie sojourn in this city in 18664,,..
and highly estimated him for his nobility of ~ t rue- .-
actor, his generous and liberal diaposition,.and
his modest and amiable bearing. As an ecquaint
ance remarked this. morning:, "I neve r , - in my
life anew a more thorough gentleman in every
particular"—a: testimonial to dde worth. whiedi
will be Warmly asaentesLtoby all who • werestak
fern:Mate es:to.knowhina,_ .'.:- . 1-, .
Mr. Fahnestock was a eon. Of the weiblenowen
B. A: Fahnestock, , of Philadelphia. who awned
a large fortune and died in 1862. ; He was bora
Sept. 23, 1823, at Chatnberabrag, and was Wafts.
quently 45 years of age. He was married, in 1844
to Miss Grace Ensep Of. this union only one
child ,was born—Miss Grace E...Fahrtestoels, vdti4
at the age of, 20 years, met her, death, as above
stated. All of Mr. Faluiestock's brothers and sis
ters aro now dead, and • his aged mother alone
survives of all the family.
Mr. Fahnestock was carefully educated, and is
every respect was an accomplished gentleman..
Inheriting great wealth Sean to be at least half a
million dollars) be bad little or no taste for plea%
sure, the empty show of wealth, and ostentatious
display of fashion. His taste ran in a:more use-,
ad direction:s :From his bOyhoed hohad an ala ,
sorbing passion tor, , study .andsantiquarian- pur
suits, and in them . he: spent his;', whale
leisure •time. In ".the .!: ,puranit ~ of .!sa
old fossil or curiosity—a , rare , pamphlet, ,or '
a scarce book, was. his • sole ololight,- , .. and
with hie ample means' and leisure. kw sooni
amassed one of the finest-private collections tit
the country. Remover alluded to it in a boattfel
way himself, but .from others we ~ leara
that his library was , exceedingly - maluable and
quite large, too. His pamphlet collection' seems
to have been his pet. Everywhere he could, Its
purchaaed collections, ranging ;from. , thotteaada
clown to a single pamphlet.. He probably had at
his death,6o,ooopamphlets en American history,
exclusive of • his bound volumes. .. Some
of the rarest and oldest of these cost him several. ,
dollars each. The whole makes an alumna mak,
valtd collection. ,A. abort time ago he , tolittis;:-
"When I think L have got' my little , colleetion
complete enough, I intend to , bind them up:and
present them to some public, institution. ",; , _ ;But;
his generous plans are left incomplete, unleselatt
has by,will made provision for :the .emergency. .
So large was his collection, and so extensive was
the scale on which it was carried on, he was coats
melted to keep a private Secretary and Librarian
•who attended all, the book sales, buying, fro:
quentiy over all other bidden, books , desired by
Mr. Fahnestock._ _ • • ' .., .• r
Ilia donations to public libraries were shover
liberal. To several Eastern Societies he gave
large gifts. To our Minneaota Historical So
ciety, in which during`his stay hebecame greatly'
interested, his donations were almost pflneely.
This year alone, his donations of books, picture&
and money must amount to $l,OOO. Saul he was
still devising liberal things for us. Everywhere
he traveled,. ho vowed his friends to send dons-
thins to it. In the death of such a man, our
whole State,is a loser.
He spent nearly a year in our city for the bonen
of his wife's health—who was far gore with con
sumption.. During this ,time.a numeer of, our
citizens beau= acquainted, with him. In An .
1867, his wife died. Since then he has , :p
PallYtbeen travellmga, .
While in our city, m any whom he casually met.
and felt interested in ware made to feel his gene- -
rosily—always so quietly and kindly bestowed.
that ao pride was offal:A.44lnd no refund c0nN,....
be made. :He nests have spent two or „threw
thousand dollars here in benevolent acts alone.
and donations to churches. Wherever -he went
through life, his principal aim seemed to be tad*
good , Wealth for him was but a Means of doing
this—and thousands, bound to him by no its blot
1
love for , his amiable eharseter and noble qualities.
e d gratitude for his generosity to them, milk
h ay the announcement of his death with, deep •
• .'
We have v deemed this, tribute due , io idem.es .5
benefactor, of ant whole State, by his gifts to
of its inatitutthis—and regret that it is so Imps
feet and =matey. • ~,
-Orlon.
The eonatellation of Orloo, with the "atuddisl;
tab" ae Aeoti calls it,WOM tinsgthow
colossal .1/ i gure 'which the . ancient .saltro'etseaOki.
marked out on the stem heavens, le now isstsfs,
sight in the evening:. The followlncecninet,inwei ,
terse In expression and nobler Inthonght, tieOs
E4Pneta apt to be, appeared In the Aglinize
ifostitylor February, 1867. 'Ste worthittedlng
by those who make a study of the conlitellatlonA,
and those who do not. , -
Three worlds he wears as bosses
.on his help
Never ungirded; mortals theirs lay downi, •
Great Aaron his; Moses in lll t c)ab bit
The Sovereign Hand his high estate discroWo;
Kingwd great men, or clad in , mailer kThirc l / 4 . •
DisioWsnd and die; bat lot front year to row
Those banded:worlds the mutual 'distance owe,
Which Adam, saw when N,lght camouko44
~
erhere; ',
Ged's golden compasses there MOSstim sit
Night unto night by this great symbol shows
Far forth this counsel; Ever ..bs 1110 same,
Planted by God, and feSr norabalna nor
it:jai:let loose Orlon's bander--11di to t yAsst, - ;
0 faithful soul! 0141111 V the heat' ins ,
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