••• • • •
CATALOGUE
MB J. P. BEAUMONT'S
(OF NEW YORK)
(mEcTiom OF PAINTINGS
OF 111116
HIGHEST CLASS,
To be Sold on the Evenings of
TUESDAY and WEDNESDAY,
December Ist and 2d,
AT 154 CPCLOCK.
NOW OPEN FOR EXAMINATION
/IT THU
PENNSYLVANIA ACADEMY
TILE JFIII4IE ART ,3,
(Eastern Galleries,)
Day and Evening Until Sale,
J. P. BEAUMONT, Beg., of New
York, tae, at the solicitation of
many friends of Art in this city,been
, induced to offer the following col
lection of the highest class of Pic
tures for public competition, and
hopes it may meet the approbation
of our connoisseurs. The Catalogue
oOnsista almost exclusively of works
painted expresEly to his ordet by
eying celebrities with whom he has
been for many years in correspond
ence, and warrants me in saying,
that' the collection, for merit and
beauty, cen hardly be surpassed.
Yours, respectfully,
B. SCOTT, Jr.
"
„
0A2M.1.4404GiV.E1.
C. BakiNAas, Pupil of Louis Meyor.
A Calm.
P. G. HAMAER—The Hague.
A Game of Draughts—Candlelight Scene.
EUGENE VERBOECKHOVEN—BruseeIs
Sheep, Lamb and Fowls.
E. von RAVEN—Dusseldorf.
Lake Lucerne. Mt. Pilatua in the distance.
COUNT A. de BYLANDT—The Elagy.e.
Mountainous Landscape with Cascade.
F. STROEBEL—The Hague.
taa Interior. Preparing for &hoot.
EAKTNIAN J I )II.NSON. N. A.—New l'o,A
"The fiOttle." A case of Difficulty.
THE DAILY_ EVENING BULLETIN-PHILADELPHIA, WED.NESDAY I tDECEMBEIL 2,1868.
1
k
2
STUYVERT—Br tank
A Bleoping
P. C. VERTIN—The Harm
A Town View in Holland.
W. HESTER—Rio Janeiro,
"After Dinner," a Scene in Brazil.
C. V. WYNGAERDT—HoIIand.
A Cottage Family.
0. OAMPE—A ndwerp
A Village FestivaL
L. MIGNOT—New York,
Sunni in tho Tropics.
BOHERMERS—A Wiwi).
Harvest Scene.
HENRI de MU—Brussels
The Young Brood.
LANFONT de ISIETZ—Paris,
Child PluCking Grapes.
L DEVAUX—Paris.
The Morning Repast.
V. BENOIT—Paris.
The Cottage Fireside.
N. RlEGEN—Atusterdam.
Marine View. A fresh Breeze.
N. RrEGF.N—.Amsterdam
Marine View, A Calm.
E. von -RAVEN--Dusseidorf.
On Lake Lucerne.
W. AMBERG—Berlin
Pleasant Thoughts.
J. B. KLOMBECK—The Hague
Pupil of B. C. Kookkoek.
Winter Scene. -
3. B. KLOMBECK-7'he Hague
The Path through the Forrest.
& C. BRAYER—Shirley
l'he Dairy Farm.
C. HERTEL—Duseeldorf.
The Young Choristers.
THEODORE FRERE—Paris
Twilight in Arabia.
FRANCOIS DE LEUB—Bras.leis
The Dairy Maids.
JERNBERG—Dusse/d,oif.
The Atelier in Disorder.
G. WALKER—London
May Morning.
H. SAVRY —Haarlem
Landscape with Cattle
IL 8A VItY-11aarled,i
Landscape with Cattle
11. VAN SEBEN—iirussek
The Prophecy of the Flower
T. RILVERDINCK —A mderdam
Ruined Castle on the Rhine.
G. 1 1 .0itriENTI1A1,—Dris,qp/doij
Landscape Isith Mill.
JAN PlATTEEC—int;tieis.
Marliet Day.
,The Fine Art Review of Antweirp compli
mented this Painting, by obtaining permission to
engrave it as an illustration- for their Journal,
adding the following remarks: ”Vie . had hoped
to have seen in the present exhibition a second
picture by this excellent Artist, (Platteel,) name
ly, the one commissioned by the Beer . Beaumont
of New York, and in this expectation.w c had or
dered an engraving of it. Unforseen dream
stances have prevented its remainingg - for exhlbl- -
lion, but the Engraving will, we think, Bad an
acceptable place in our Journal:—llt is entitled
'Market D_av ' a scene In the Island of Wal
cheren in The Hoer PlAtteel is an an
cient. Eleve of the School of Kremer, and has
long enjoyed a well-earned fame."
' A. copy of the Journal may be soon in the
G. BARRETT—Lo,Kbit.
The expected Lotter.
E. ACCARD—Azrif'
The Mirror.
M. ABNOUY--Parith
The 1.6!m.n.
A. BCHELFHOLIT—The Ma,qtte
"Evening."
J. H. DELL—London.
Tho Thrush's Nest.
V. CHATET--Pari.c.
Contemplation.
H. DUVIEUX—Paris.
Viow in Venice.
L. DEVEDRUX—Paris.
An Arabian Fruit Beller.
F. VAN WYNGAERDT—The Hague.
"After Dinner,"
P• VAN WYNGAERHT—The Hague
Going to Service.
PAUL BEIGNAC—Parif.
Luncheon time.
H. SCHEERES—The Hague—deceased.
The Guard Room.
H. SCHEERES—The Hague.
At the Dinner Table. 16th Century.
HENRI DE BEUL—Brussels
The Farm Yard in Winter.
W. GENTZ—Berlin.
The Market In Grand Cairo, Egypt.
Esteemed as the Master piece of this artist,whoee
works are extremely rare and of very high cost.
F. KRUSEMAN//ofiand
A Grand Winter Scene.
—E.—FORT—Party.
View in the Pyrenees
LAURENT DE BEUL—Brussels.
Shepherd with Flock. Early morning
P. LEVINR--Lcmdme
"ARCHERY."
A. VELGHE—liorf,
Feeding Time.
I'. F. V ANOSB-17aarieni
"On tho Dofeneivo."
JULES MASSE—Paris
Lady and Cavalier.
A. BOBENBOOM—Br•useeI9.
Devotion
P. J. TOUSSAINT—Brume/4
The Bop Pickers.
. ItONSDORP— The Hague
View of • tho - Hogue.
VAN HOVE Jl.—Antwerp
Anlnterior.
sa
VAN HOVE, JR.—A ntwerp.
Interior. Companion to the above.
J. B. B. KOEKKOEK—Ai,,tilerllcn
Morino Vlow—Morning.
J. H. B. KOEKIWEK-4 nesterdagt
Marine View—Evening.
h. F. DEICKER —Dusseldoy:
Grouse Shooting-,
Esteemed by the Proprietor aS the finest aint
ing of the class which ho has ever been ale to
obtain.
CARL HOFF—J),,,ee/d„ 1
A rich Interior.
B. DE LOOSE—Bili.sseis:
Lady arranging Flowers in a Vase
A.J,ERNBERG—Dosaticienf.
The Idle Oook.
lAURENT REDIG—A nevem.
View on the Mee 0. .
LANFONT DEldETZ=Parie.
Tho Bepaat.
A. BESES--Menio4.-
An Interior In the Tyra
ALEX. IiILVERDINOIC--Amiterciam.
View in Leyden.
M. ARNOUX—Parie.
The Now Doll.
LlMAY—Parie.
Coining from the Spring.
EL DEVIEU3.
Viow in the DardnikeWs.
FRANOOIB DE LEUB—Brussels.
The rot Dove.
T. VOST—Munich.
Ltuidik4pel with Figune.
A. BORCKMANN—BerIin.
The Cabinet of Antiquities.
J. R. ILINTERBERGER—Mu 'nick
The Coast of Norway in Bummer.
C. LEICKERT—T/k , Ilagw3.
View on the METUEC. ' Evening
C. LEICKERT—The Ilague.
Morning. Near Amsterdam,
H. VAN DIEGIIEM--Brumeis.
Landscapo with Sheep and Lambs.
H. VAN DlEGHEM—Brussels.
Landscape with Sheep and Lambe.
J. J. VAN EECKHOUT—Prendent of the Royal
Academy of the lia,gue.
Fortraq, of Madame to Contesso de * s
SECOND EVENING'S SALE.
DURIEZ—Paris.
Unriosity.
BCHERldEßS—Antcrerp
The Axchere.
PAULINE CARON—Paris
Domestic Interior.
P. FAURE—Paris:
Garden Scene. Period of Dads XV
A. MEARNS—London
The Watcher.
IL VAN DlEGHEM—Brussels.
Landscape with Sheep, Fowls, &c.
• li. VAN DlEGHESl—Brussels.'
Landscapo with t r 3heop, Fowls, &c.
IL HOLLENDER—A msterdam.
Feeding the Pet
JAN LOKHORST— The lifttgue
Village Scene.
J. VANDER WAA.RDEN—HoIIand
Fruit and Flowers.
A. SCHIEDJES—The Have
Veeeela in a Breeze.
A. EICHIEDJES—The Hague.
Vessels in a Breen.
F. G. VERTIN-77re Itg flue
Street view in Amsterdam.
P. G. VERTIN—The Ifgryue
iStreet Viow Ltt Amsterdam.
d..T. PEELE—London
The Young Cottager.
F. KELI3-I.himeldorf. 4
l'ho first Grapes.
A. ROSIER—Paris.
Constantinople by Twilight
MORITZ CALlSCll—Cheralier of the Order of
Charles lii/, of Spam,.
Preparing for tho Masquerade.
104
J. ItOSIgRP . CBa"DoI.
"Gwa..4kOlt.
=ELI=
AiDERT.:IYILLIMS—Brectoeb.
not and Malguefite , . •
_KRUSEHANItrtioek.
Winter in Holland.
kiammer Evening Laudaospe.
ANDIIEN3 ACRENBACH--Dustekiorf.
Tho Vont 0184'0mill:igen.
OTTO ERDMAN—l)makiarf.
The New Nolghbora' First Visit.
GUSTAVE DE JONGHE—Paris.
Leisuro Hours.
J. F. HERRING—Landon
The Farm Yard.
WM. SUAYER, Bum—Shirk/
Going to Market.
J. JACOBS—Brum&
Fruit and Flowers.
3. JACOBB—Brum/4s
Fruit and Flowers.
W. H. WILLI&MBON—LoIuion.
The Coast of Normandy.
W. H. WILLIAMSON—Len:don.
Companion Pleinre to tho Above.
A. SEBRUUi.—Brueaels
The Chateau Garden.
CAMILLE VON LEEMPUTTEN—BrusseIer
Landscape with Sheep, &e...
IL VON SEBEN—Brtmets
Fire Wood Gatherers.
NORDENBERG—Dum/dorl:
. . The Unwelcome Stater.
121 i
H. HOLLENDER—A Inreerdam.
The Home of the Artist Re.abrandt.
LEON ESCOBOU —Parie
ContkmplatiJa.
MILE ROSENBOOM— The I. agu.q.
RAWL
E. KOBTER--liaar/eni.
The Village of Ilsuirlom, Holland.
125
COUNT A. DE BTLANDT—TIec Hague.
Winter Beene.
126
A. KLITYVEB.-4 nuterdarn
The Coming Shower.
W. 8. MOUNT, N. A—New York
"On the Fence."
THEODORE DE HEUVEL—Brussd,q
Pleasant News.
BENRIECTE RON nß—Bruse !Id
Rlturn tiom Market.
U. HOGUET—Berlin.
The Coast of Normandy.
C. IRMER—Dusseldorf.
The Rhine. Plains near Dusseldorf
H. ANDREWS—London
"Blind Man's Bar."
C. BCHLEBINGER—DusseIdmf:
The RarvosteeeEvening Rebut/.
LAURENT T)E BEUL—Drusseis
Shophordess with Flock.
F. KRUSEMAN—Brussels:
Winton Scone.
136
E. GESELSCILES.P—Durse/doff. -
Christmas Morning.
LOUIS TOUSSAlNT—Ausschiorj
Tho Dull Lecture.
V. EDEL—Thisseldorf.
Landscape in Tyra
H. PiAVßY—Haarkva.
Lawleoapo with Cattle, I r
IL BARON--Path
"Reverie."
• ,
A. 1311ILLE 14 MIN-,Paris.
An Interior in Normandy
14e.
w. 'ultra
A Blirllio in the Tyra-
143.
atm Most of April.
144.
H. E. aERYNTIENS.. , .7U Marie,
4.n fazorlort
• __ • 145
B, BEYNTIHNB—The Hague.
Interior. •
L. TATMANS—Biunae.
Tbo Bride.
147
BODDINGTON—Locton.
Evening on t.ho Thaw*.
148
L. P. VERWEE and ETRIENT. VER3ORCK
BOVEN.
Landscape with Animals and Figtuta.
BYRON. WEREl—i2inburg
The Bunter's Return.
E. BODEMAN—The
Landnape with Distant View of Leyden.
151
CARL BECKER—/krtin.
Carnival Tlmc Venice.
Esteemed as the Master Piece of this ceilebratsiel
152
E, P. VAN ROMMEL —At/Wet-dam
The City and Port ofAmsterdam.
J. BTEPHANOFF—Loadon.
George of - Aspen and Isabella.
Vide Sir Walter Beott'e Mirka
161
E. IL ECHEEREB, (deccased)—The Haunt.
The Gaud Room.
165
J. H. B. HOEKKOBK—Ameertisin
A Cairn Evening.
156
HENRI DE BRUL—BruAtele
Rural Felicity
157
P. SAUAGE—Paris.
The Cottage Firmldo.
158
JULES MONTIGNY —Par is.
, The Pet Lamb.
H. HELMICK—Paris,.
Hamel in tzez Study.
160
LAURENT DE BM—Brude
'Sheep anitGoats.
J. C. DlEFACTZ—llrusxth
An Interior.
162
G. LIEEREBART—AinOerdam
View in HOltand.
163
L. DANEILEEM—Pari3.
A Conversadone.
DAVID DENOTER—Brzwelo, now Paris,
Fruit and Life.
FAUVELP.,T—ParS.
Lady Reading a ,Letter
MG
GUSTAVE DE JONGUE—Paris
The Pet Spaniel.
167
GEORGE AIItdFIELD-14,11den
Just too Lutz.
168
FRANCOIS DE LEM—Brussels
Fetding the Canary
KLUYVERS —A raster dam
winter in We Forest.
170
H. DT:VIEUX—Paris.
View of Constantinople.
EUGENE DE BLOCK—Bruseels
The Spinning Wheel.
172
C. LEICKERT—The Harm.
Village Scene.
F. STROEBEL —The flaytte
Winding the Crock.
174
KNELL—Lon6n
~ V lew off Yarmouth.
F. LEBRET-Lltrussetr.
.14indbcape with Sheep, &c
176
J. OLIVER —London.
The Stepping Stones—View in Wales
177
REMBR FIN DT PEELE —Ph iladelphta
Head of Washington,
A. MORRIS.—London.
Scotch Mountain Bhcep
L. THOMAS—London.
Landscape with figures
180
"ECCE HOMO."
Fainted by au Artist of the Bolognese School,
about Anno 1590
This remarkable work was.purchased by Mr.
Beaumont of the venerable Professor Rudde
man, during a journey Inßavaria in 1848, hav
ing been originally selected by the Professor
from the Collection of Eugene Beauhaniols,
Viceroy of Italy, the sale of which took place
in 1815. It bus never before been publicly ex
hibited In this country.
The Painting is supposed to have been the work
of Goma ItErri,of Bologna, being in the earlier,
dark, or Cara' ggio manner of that artist. The
Frame is a fine wood carving of the 16th Cen
tury, in a fair state ofpreservation , repremit
ing the emblems of the Crucifixion, and is
probably unique of its kind. ' -
DESCRIPTION OF TIIF FRAME.
Right side.—An angel holding the basket of Im
plements used in erecting the Cross, below
which is a spade, and a ladder on which are
two Cherubim, one of whom holds . the bag
with the 80 pieces of Myer, and the other the
Reed dipped in Vinegar. Left side.—Contains
the Pillar and Cord, the Roman • Soldiers'
Weapons, the Lantern to the Tomb, &c.
At the bottom—ln the Centre is an allegorical rep.-
- resentation - of - thaGrayevon - tha ,
which is an illustration of the casting lots for
the Garment, and on the other the washing of
thabands by Pilate. At the top of the Frame
afire angels holding the Motto of the Cross, ite,
NOTICE.
The Paintings will be removed on
the Evenings of the Sale to: our
Store, where Ladies and Gentlemen,
desirous of being present can be
comfortably seated; and it has been
deemed advisable. considering the
importance of the Sale, to 'issue
tickets of admission, which may be
obtained gratuitously either at the
!Store or at the Gallery.
B. SCOTT, Jr., Auctioneer,
1020 Chestnut, Street.