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12
EVENING PUBLIC LEDGERr-PHIL'ABELPHIA SATURDAY,
it
WmWi'tt"
OCTOBER 7. 1922 4i
iif
le'
$2
S3f
Cam &
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Tt
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I
9
1l-
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Hi
14
IV
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CW 77ffi CONCERT STAGE NOTES
77te Critic TViMrs
te Music Levers
H.v SAMt'KL t IA('IAR j
1XIIAT iironiiKes te lie flic lilRRtt
v" iniiiilcnl spiicnn In point of Kctiernl
lntrroef (mil the IiIkIiiM point "f iirtl
tfc . nttnlnni"iit tlint PhlliuU'lpliin lui lui
ever wen win ninVlnll.v njieiieil In- the
cenrcrt of i tin I'hltiulelpliiii Orchr.stri '
nt tlie Acu.ldil.v of .Music .vnitnrilny '
aftrrnoe'i. '
It I." ti'ii" tlint r hiivp liml win op!
of e,'rfii. mill I'M'cllcnt ejir-rn, nt ilmt.
, Leth In tlie tniunier et tin- pprferinnn'(
011(1 i ,i.'i-inlly in ihp f.irt tlint un-t of
the work prc-ciif I'll were lliie-e witli
M'lilch pvin the raMi'-linriletit'il opera opera
peer i net f.iinlliiir. tint it n tee
cnrl.i In tlie ..e.'iM'ii for tlic 1pm pe ',h',p
results for tlm pomp.-inv. Tlie mnsivnl
ppfi'-en in tills ritj new eprn.i with the
first MiDierf of tnp l irrlii'Mra. nml tlm
lins Ikpii tlin p,i.p hit sliH'i- tlip lib II"
tics of this griMit urcnnijntien line
conic te tie thoi'ieii'litv npprpi'lii'' 'I hv
the clme'if, of tlipii hntne town.
In tl. ei'iIipm":ii i.pIiI tlu'ip i lifle
prehahtlitv tlint linll Ii"tir nuii':i
'mere tlinii we 'lil l.i t -non. i'
course, Hip niniilif r ,f ire erti. of our
own nrp'ipstrn lin lern inr'seil hj ohm
Jinli. nut Mr. ltiimre- -li "111 nt- c.ve
his nsinil prii" . f the i-nneerts. Hut
tnpre lri Ivpii no nrsii'iiz.-itim n '
te i !. up iln Mri s i'e'i;m1 !v ill ill
lle ten S iii'ilietiv two ve;i ,".'e.
i'iniiim''ni''tit f t!,e 1'lul
.if New V'ii!. rl'iinii"!
lull lilelll' .
cii'l Ait'iur .tti(!en lue,i::ip I'- I "islne-n
hriul. hImi iPtiiininv lr l n-!t )"ii n
nii'i'iigpr f flip l'liilii-i-'M:ii
-f thp IMiiliil
( Hv'
s'rri
H'.if
It u;i lii'lipvpil ri 111:111.1
I
iT 'II-
11 rv
tt 1 k.
;ii- in
Xli' I'liiiniiriiMiiii weniii i p
Till ;i s -rip. 1 nt this is iv! 11
np tlie 1 ;is... . I l-nt clur..ic
Fenvin T Iip I,lii:.irnienip fe. 1
Rnxe 11 I'lillnilplpliln -piiwii, li'ir
lint ri-p.ill niij npppnrnin'p .lin"
lni v.licn (riiMnip Mnlili'r i i'
dnp'er.
i'lir t,iii for e.v hi .tr
tlie licit r'n I111 crown
T li-i I tlii'i l :illii'i' V'
11 net In t ip. 1 if en (:!
clnsv vi-itliic ersniilzntinn.
lip .1 "11 1 one The lit t
. 1 11, - ! '
.11 cl" 'Vi'
, ,1 1 h I..
. Iiv ! 'ir'
H'nr : , "
IWll ('.!- ' "
of the HoMejt s.i i.iplieny
-llOWVl , HI
i.v tlint t!i" nttpti 'ancp In tlil imj .
irc t rutin In the merit of tin pi r
feriinniiv". .-itiil it 1II1I net r :i - '.
COIlcPn -Kei'rx "f I'llllil'lplplllll li'llll '
lpiilip tiic ii'liin!.i us iliiy then p$:"
d in tin- en," yvnt ercaniwiM ! 1
te rsit''r ri-t hnt rli'". tlimic'it ' .
I'lul.-i ! It In 1 :ilv'ii- l.:i I'i'i-ti :"i .-
CPPilitiuii ilisi'riiiiin.it.n citi ri ;n":-'
timttp.' :i!nl in n hip hupp loin n. m .-
esppciail.i 111 tlic 'nt "-i'vpii ni , ,t
jinrs. Tin' mis' en-- of tfiii !!.;;. it !
hn in.'iilc lone teiir of orchestras n ven
hnznrile'i 'inilertnkiim tin.11iPi.1liv :ri i
therefore there i net hhi I. te be loet.i
fe,- from thin seui I'.yt ihere 1 .1
tir.c I'l.'iertiinitj for nu erclietra uf
the In--; class 'il..'h ;li u',vc ti s,t,c
of lic
nml
I'llllll.'.
te till.
i' li,
II ert- HI tills City
ilelll.mi W!,C f'lP
tin i- 110 liiiiccr nlile
,.l I 1 he
I
N Till' "turn the , nmin; 'pns"n nWe
iiri.i. i-i's wi'ii Ttiere will be the
l"i''i li.ll pel t'e".ll'l',c x tn the
Metr,,; lit. in 1 1 ;i I'otnpetn of New
Vel;. Mil Mr liiilln ha urrangpil te
Ceir.i 'lire for tv 1 weeks in Nmembpr
V't'i Mie S.in Cirle Ojitli Ci'ini'iinj . .
If tl - eM'.'lletit orsiinUiatlen ps pntroti pntreti
i.eil the luerits of i's perferiiiar.cps
varr.11.:. if iinsht be ie-vb'e te L'et .1
1 ':ii' 1 ni: .scincnf fimu Mr. (tiille 1 cir
' t! " ' tlic easnli. Till Is eli-
t.11 i ', 1 'e tile iipi'rn -ueer-.
Tic 1 pi l- 1 ever of 'he city have
l'l' " ' -H J -.-. 1 II of III tile sebctlen of
the ,, , ;, tuell llV til" I "t Topel II
the i;i 1 'en or three seasons Mr.
ialfi .ipp.irent'j has abninleneil bis
trnilitien.il pelicv of jrivinj n" enlj tlic
Minnl.iril repertoire, whicli in Metre.
jielitan inratipp hum ns Ver.Ii an, I Iiic
01111.
nml
the last tve seuseni we have
liml a 'i
ether s
(If ,
nunibei
tPlliletii
lie , reil".etl"ltien of the
reek nlul of the novelties
irse, there will l,. t!1H usual
of seli recifil-. .il- li'iiiitli the
u me .ineri an music.
intreni..n: public ha In
i mere a:
-I
Music
Thr fi""' " n.s' f '-..' . mf," l'l ce I-'t
irtre, n;. be pr- ipr'."t it Uc "' I per
cf Ph".1'rh i ".- hfsr- , mi ! t F
tp ,'f'M. . ,n ar. 1 S.i i - le ewr. nK '. ' ''V1
".ipk M lux !'! mr.B 'h J..1 in- "i ,-"i
Iren ' '.k ,'j'- Hie- 9t cnil "" -,n v ,
enni! ' kk tr Rrlrh Kcrii" l'l i. I Mix
Jl.C'r N i irp""r he. bi'M t r .( imn11 1
for "100 rrn-if. ' V..n II- '". '
Jl'i-lini ' S'r,'jw nk.nc ihi v'w -cia .
fiP-finlr.! 'v'.inv Tl i .11 ir
Oi'tlr' ' ..I."1 n. tl.1 ' Ii'iCROc1
Tarn.- ' si-V.VT. i.--s't. I 1.5 Mr
F'ek'.Asi I in-rfeTr" I . 'hf neertu
ler 'it ' . - ' . .1' . cirnr "t" "hi' : jm "n
Vi,'
Tnrk :
n"-"h i-n-ltj'
i t ' h, ri
0- It -.
He '-: I !"
l1-
r,,mr'"'1
th ...c!
r-.ni
my nf Mni'
rrl th Pr
r "lern,
r-:
d'i-h 1
v Sd n'.
ct "I." i-'irnni'ii U
A-ilrr.i'iT
Saens Mr nvr
Urnhm" -i -rhunv
KectiHii- V tin '. si
th Ha 'i c er'
Vleilrm.
ni-
DP'l Mr
'. I . , 1
. r ' t t-.i.
The iiirr.cr Jlunie ?ecitv ef ,an Frn-'
rliirr v.ll' nv a r. . lil '" MencUy v-I
Rtntr tn th- .-.ei-niv Fe.r Th pr-rrim '
n. ,ira. h.. r nK 'IL'tt "l 'IV U' ". '
of n' -
Mm Hhi1'
The"
nrcl
'ftnatten- f1
lr'c i'J
an.!
qu i'
Cute
t 1 (
rn.l iti-
Ii flat t..i.'i r
Drhnei
MurM
Teindfiit '
cltnl at
TuS'Uy
centnlns
Mnirerl Ky'e.
,f Phi nrlie.pS' ..
pnri'.'ir r, a f rn r
il.l ' " r.t .-1 II. "
h ' Acl'li'nl '' M 1
p. r.lns next M- K
aeii'.'i l'l' H ipaf V
" 4 i r'.rfttn
'irtrst'n Hn'l
2l re nn'l
CpnrK"H
a four, e: Mnrpurg"
Hechmnnlr
iin'l
rnne l'l !.''' n I"
hnl Pti' i-'rne
. nn'l W.' u-.i .-'I l.'"i
Jehn r "
Bween. t-'.lmer
Mliipha K" ip- v ' ,''r,!l' "".
thf. Acartemv ..' Mjil- r.
mnllK tvii." ti ..Wtirn
In D iiinlur ' H'.-nel 1 ,1 "
miner. ye.ix'e; . ''.,""""'
turpp. Chep'ri-W ri'tin
PTear nf
V.v.lriv
n re S'.naln
. 1 N , r. A
Hai-h N'ei--
Tlr t..",lt !" c'i I-'' "f
i.p'rfp'.
.1.1 ,ni..a PninttrnfTt ..ill 0 hr'l In f F 'T
of four mf 'inn rcml'-nl 'i-lki in 'he h'n..
Of the A't'lTTl- 't'1" H'l'umn llr M',lj"-- Perauiir
1l will tux e . r.h'r.i n.u.:i Hti1 "r. Jr w(, ,
thtrna end M'f KteSt'iwlc! en ,nnrprt nB ,lf his
inrt cim-ert KUlnK Tnrh nf ihp lalUa ill l
talc" en Ii" ir mil fir nair nn h'"jr tn
Sudlfrc HI h priil"i ''J nK 'iuntlen
tr Hi"k w'K I'.all ' "f TUPi"ti f'--
JlOOn. Oil. her -'(. nn.l "11 T-U'1iv f'-
neon. NnwnbT 1H M- lnie.lcl v.'.t
ipak en Te.-rtnv afi'rneen Ori,.i r fli
and en Tuenlai nfernnen Neim'-r 'js
The hour im 3 nVlnrk
Jehn Mrf'nrn , ' Mill rlv a recital In
th Arnili"" "f M'l'l" Vi!n.v.av eenlni:
October I
Amilita "lallia-'i-cl Mt kIv hr orb
ThllnrtPlPhln rpl'al lit the iiiilms nf
MuVlc frl'l" I"'" 'pt''tr 5" most
JnterentlnK iirnpinm Mill r-e arraniir'I
Tlttn Ituffn wilt he hpinl In rttat a
itA..flnnlliin llrerii Heuhh tin Tun-lav
ts,
v..
nlnK October ill Amnnir nthfr n'lmhm
winning tlie "Trn'mfu rrnm ''"K ''
hi "I,ra-n nt fi letum. fr"m "Th" llnr
bar of HeMIIe." "'1 Ih" "Toraier" .,n
from "P.'rnien ' Hentric "1" AlleniiP'lren
mtxio-aeprati'i. will be thn nmlJllnit nrllne
Th Mn.ttii''llP lllll. i-e'ltmil rhgrvn f
rn Metiil't' l""t "'"' tl'iimltv the eni'r
cherua of 1 n t aen Tlie ,".p,ri ih's
aiaJen IH " 't'"ti '" ltn. A.et.mt ,f
Mualc. n,l f"r thin retann the ehnrua lm
bean aetni-wlial enlnrgej Thl la lh, e'ub'a
fertj'-elslilh aeaa.in.
Thp rhllmllp)it Ojieriillp Pnelei" will
artva at lh Aradamv of Mun'r en F"r,1y
ranlna. Net'eft'cr 'I t ."f ,- !n', Pa
llarrl" ant lliin'i.eriln. k's ItienI jii',J
rtralal." Th nerfermnnca will. he In Unif.
i i, ll nnd will be under the iltrpctlnn of
V I eMaalt Lena. The pari of Nadla In "I'a-
$v& I?!??." ha b'n nalnd te Cera Krya, C
1!, 'Str V"' ISurnalt will .n Canle and Tonle will
Mt&eMi velctd by I)r, 8, K. Mpahuts. In "Jtaen
TO Mr0'1 nu et aret.l win b
l! STARS APPEARING ON LOCAL SCREENS NEXT WEEK
'WT i'l f-C" J i RICHARD
" 'W 1$ fi ' JAfeWf BABTHEIMES9
P01ar '8).t k 1 'i4fiWS ih icsw from
I'hf M $ 1 -L'-W tm , "THE BOND
SiP will-' mwm :.ip
Mi'&MfrT-L 1 cifeSfM
&M8W&8$MR iMMWM &28&j&&W&i WMW$$$wi
SPlPwBli imiMm- K3SsJt4& WSr Barbara casileten
WmMSM ffilalt $mm:M flte w "what's xreng wi
Av-. tWm.- '- Wm ;) -N-ANAUsi.. jk,'
ll'.er" e
le
i I the
v, h
r. u t
i'11-einhles
til" l'l't I
1 - a tul
i - .
e p-
K,. --
rnii
ilKKK
n t.
i- run. :..
ler .l'l I
l!i,
.il.e .1,
(':r i
ina '.!
tll-'sl'
preba'i
fllli'l.ci'
-, Mife
!!: ver
.l'-i tli
..i" .J.
f'e a
a i is a;
Mi
no
ur
.I ie .
. f p.
' ie ,1s '
el.'ia'.i
il Sir.1'!'
'"' l'l'
trill i nnceri ami
her rptsfc i .mi i i
of the re; '"si
' rj ir I. a M i1
hle'i hi "ir.1 ' i
flu ll'.r pic"i,. s
Hut i.. . :Te.
two form-
Notes
Mr".
7' 1
:: .i-
!-f.,rrr ,'
n- '.''
vhi .1 ' . 1
Thui. '.
.-tv
ilri'
H.
"iir.i nt
. linvf
.in.-p fi"1
. .".HIP 1
r r.
i. ch
1 c n.l u.'
-h iri.i
"'jm if
'1 . I J"
!. '.'
'l'l . """ "
PriO 1ieir I
I' K-nh
Tl !t!:r. i'h,.i-n! ts
I'.'e" r. i'itr.es ri-h'irf r
"1 .1 -.. 't'-n of a i.p,
PI il , I.-.1 1 1 1 Thr.v. .,.!,.
1 1 f ' ni. in 'enti si - .
a- - ' !. : 'III. 11 '
Jin
nf
.. M 1
Pn
'I !
'J-le It ' Ar-r V.
l! 11 " H i I !
lU'lM ll I1.
. r s r .ftr.f,
r. rn. Tt"
Hul ' rn
1.' K
tv if he
Th" t'l irtnT'nT
WillKirn ll-nrv W
lntnp'i".l m i". ! '
In the n n'
PhllHiJelt'hi" M;'
r.f
h
1 In
1 .
ler
I.' lit 1
fenninc -i ' icjt i us,
of OeerKi I.. I. i i.i'
dcl 00! m'!-
tr.i ,
..or
t I.
SI. Hi!'
M 1--
1 n i
l'l '
nf lUlur!'.
r je.l :,
... If.l t.
f .r Hey.
I ipn
ml v:
IrvlnB C ll-in,
uanlil nnu civ, rn.
I'hi- ikp. Ih r.u
muster ef ihH i'l
Wel pili'.i l'rHl
i fn, u
T-lic
-mr "'
' the
On Huniinv t '
Iei.r i '-. 11 ' f, ; ' ni
Unly 1 ny ur..). r l
It I
Htjinn nrirn's' aiTl
wh'i.rrn ,t
TV. f. vi .
Mi. r.Hti,
ra"" t s .
" '. n ,t
W i I or. vh
STARR TN BURLESQUE AND VAUDEVILLE HOUSES
llUIiiIUiii '-"!" " - - , -" ' r r- - XSt "' - VgpgBBHaHaMabM.aV
UDA-FAY-ELDRIDGE,
MILDRED BROW.N.
Sijeu-
ii" i"ii' la
rn nni's-s ,
:u the -,(
ci. I .lull le
-II Z !
pub!
t" tic
.1 in
,-. I
I' '
..' IS
or-Tl-'l-.
''.CM
, I'll-
' .cr
f
alij with
even
r
!
. I...
".tni'i
.1. irr. .
.1
but
'.
In il' r
the I,
lk He
iter
..ply
1 '
it win
lb
take hims
'' .' 1 ert; ;t
" tli . n ,.1't.c
: - 'cii rcip 11.
-tari.inn: te u'' t
sphere of n Mr.c
ib-ii ii'i.i much of
, th..s
,lk,
'l-l
of tl." 1
Il'll-ll 11. ....1 .1
the i.iluieii.
,t
1 clieru-, no. 'lei s
tlic i-niae thine ter
I -son te ii,.prs';iti,
, - ' tic ti'-r 11.
th.- underbill,;
t ""I of the
ii? Hut set
tl! st IP. ii uei.t
I
n I'lfth Si mpl:
n 1 i-tr Mi"
"II A
Il ell.
1 pairtet. u (.1. 11
as nnitliii s i,.,
'-P eer M r,,', , ,,.
sonata, 'lie I . i'er
I of eniotiei, us
' any .uie
" :cer pinii
i'ie niMI'b
of lech,
r
il iiri-ical
Pie, b'lt of
I'-
' 1.1
i.'iilfrsiaiiilin
neil. inr; but
it- appeal.
l'l tlll'-e I
the lll'l-lc
If
rn 1 1 1 :
J- e . 1
""' nnllst has jinetlii
'in' stnull I'li.semble
of ppennli!) aid
-ity hnve much le
, wlierpas tin-
II" Mllllll Ct'-Cllll''es.
f a'1'..M.i.i:
. I oil
Tr.
. P...
, i
i' In:.' the
tic f. "iiu-
le Ult'l llje
- ".'1, r He
.t', ,'l vefv
li II' tie of
'ions, ami pinctn
1 - new before the Ame
VI P'.bll.
- ' I ''lk
1. Ill -.
I llll ep
llter.'i.
. nts or
'!' tssintr of the 11 .picric.
' - ;, b) tile Hef'c -
" -te be resreM. ,, f.,t -i
:i' . in a knew lcilne of tl,. ' ,
it" !': the varieii- m.s.. j ,
U'ei-s hi' SI Well etl",ei
erKs', perfermpil by the tine:
ti rj, relative artists. . ,.,.. .
"- ' 'I S II- Well IIS II. pel fi:
- 1 1 -t ailvanttiuc an I i;i ,
TIlPM"
t of the
he con.
:i..ci te
'le liii"
he llllee
true iier.i,ect,, .. :
' !l ' tile WOl'its llp II, thi
lit. ra-
Miice.
ti play
lulli I
t per-
ir- of the instrument or of 'h.
It i- net everj pianist u he :,
' lie ' At.pllsseilt,i" 0111 '! 1 i 1'
lw perfermwl, nml if it be tu
i'.., I at ltn best th.- 111
u the hearers ilm - ;ie
e lllll-lclll Vlllue of the
ile 1 tirleus mu .icul
ipressirm mu. p
r. present tl,,.
work
erpnnint!.iti
Mr', as tlie ( liaiiilii r .U'lMc Society,
'In- .Miuiiliiy Meriniu' Mu-icii!p, the
M'i'inec AJu.slcal nral tin r -t nt.' all
V ' TlllB !'".' their b Uifesl s , H, 1
' P.' Will give thi public u 1 hlllli'e t'
. many tliinsx i'ich nuu'ht ether-;-e
I.e ileriicil it. It is tee inrl.v te -ay
vli.i' we shall hear n, the wav of new
weik-, although Mr. Stnkevki inve
two nt j-e.-terdavN i em ert of tht
erchp.stra and Mr I tninresch has an
1. ,. 1, need Halnt-Sacii-' "t'arnivil of
A.'iimals" nt hN opening com ert. n
v 1 ri whieli will d"iibtle-s he interest.
.1 a If net very profound. I'rntn present
ii.ilieatieiis, I'lnlinlelphiii may leek for fer
vard te tlie host musical hi.iisuii in Hip
.story of the city.
DOTTY BATES.
CctsincKe
OF THEATRICAL EVENTS
. Cem Jus t'tl Crcbsr;le.l
V.tJlltc?Sl
UKRAINIAN CHORUS GIVES
A REMARKABLE CONCERT
Unique Organization Appears at
Academy Mme. Koshetz Soloist
1'.' t Hes.plC ill 11MUP IllstlltllP. the
I'krn:' .an National ( imrus last even.iiK
gllVc "lie of the IllOS( I'Plllilt'klllllp C.l.l-
Liti'ii- of choral weik that ha
h
1 I'liil.nlPiplii.'i ler 11 lone
llll
Tl
1
rus has several dl-tltictivc tea
tie of i.hicli is that it cenlaius
tM. ,iti -fe ir male voices, ami eph tif
1. I ' :,..lle I,,, ".. Hut tliis i- -I
1 e I I ' ' lie 1 1 t ilmt u hill' the '1 III. ilc
V"., "s .it hl'uii divided into iinire
tiiaii two ,ni Is. the male void- ill" a.'M -.i.nly
-iiiuitis in imir and even mere.
The iju.iliiy of the voices is csscti
tinliy liiis.-ia'ii. and this is csp, .uliy
ni tb'PiiL'le in tlic "-oprnne; ntcl the
basseu, the lermcr heuii; of the dear,
nlinii.' -harp nerther: character timl
the liiis-pM ..f the traditional It isslnn
fli 'ill. ss, sivenil of tlll'lll t'lklllL' with
P'lse the li and A below the lentra ('
in., I thus cj.-iiu: 11 foimdatlen m the
ietml superstructuip which is found milt
Pi Hussl.'iti choruses. The t uei-s vnrc
e.spi c ially Hup. both n te recistcr, ipial
It.t and liitonntien.
The c,,tnpo-ltien which they snug
were iinifei inly Ku-.-iaii, ncsi of l hem
bciiii: skillful arratiRPtnpiits of folk--"lit,'.
Tup chorus sun,; with an .'li-
selllllle sehlelil lii'lird ill l'lllltllll'lpllln,
with pi-rfeetien of pitrh and with nn
amaziiic .nipty of roler. pf the
1 went numbers, which they Kiive it
would be .1,1'ieiill te pick out these nf
biiperlatlte crccllenci., or rather it
wull le 'iillii ult te select these which
did imt liiui' 1 hip ipjallty. The whole
concert, im si, fur ns the choral numbers
tt.f icirt.'il, was one of the best
that 1 1" he, n lienrd in this city for n
In'.K 1 '. I'.ut Pi.pei ially te be men
tioned 't.i- nn rkralnlan lullaby with
.lllti.l'.tl sole.
Mr K"si ef im uncle of the soloist
of tin it i-iitiit. showed himself te be
a ,,n, .ctei of dl.-tiiicilished ability,
net ..-lit t,;h resiird te the teihtin al en
K'liibi. 1 f ilie chorus, but .'ten te n
itreati't . teiit as te the cn-cinblc, the
inter; re'.'iiin 11 and. above all. the spir
it'!. r content of the w. rite perfeniKvl.
Tl.ey v cr" all national In Hjiirlt as In
exH'itl'.'i. '1 ml the perfnrniiilicp of a
pr, igrtn 1 -ueti as Mr. Kenliet. selei ted
. nli' 1 i,.r 'in 1 n., 'table and a s-ldrituality
Mich R , -e'clem found in any choral
'irx: 1 '.'. it, .ii
Mi 1 '., Nina Keshet. wan the solo
ist of ihe evpiitni;. She sniii; ttith the
sac e ih&tiiifruislied hiirneter of vocal
ipi raiiieutal lu'riermance which
sh.
exl.ibiteil nt the C'bisint; mncert of
tie !
'!; ( lichcstra. She had pesslblv
'" 1 Ii of the program, but nil of
ler 1, .1 'ni . were verv enie.table, e-ipp.
'i i' ' - e of llinisky-Kcisakeff and
T-, . i.'.wsky.
"Eeggar3' Opera" Soen
"T' " Beggar-.' tlpcra," the old
i" r.i
pcra. the attraction at the Met-
I u ! .rn Heuse for two weeks
b.B
fllMl
Mim
'l'l,',
( i ,'.
ll. '
.'. ,'. ei. Mendnv, Hcteher HI,
" li.i'iri'i niiera off the stage for a
whin it was tirst pre-
d in Londen In 17-S. ,Iehn
t! author, did net dream
twentieth century audiences
! Iiiigh at his topical jests. He
"i.ilnl.t Intent upon enricaturing
Ite "'.t Walpole. The present re-
I hi-i St'ta .Vetlis as I'elly lWh-
le 'ci Maitlniid as Mrs. I'eacham
Cilia Turril as Lucy I.eckit.
si.r
t n,
ai'il
HOPE LYcJN,
CagpHrmrri'
THE ORCHESTRA OPENS
ITS SEASON BRILLIANTLY
Twe Novelties Presented by Mr.
Stokewsky at First Concert
Tim rnenrtAM
Ovfrtnre Melittprdttwri'
Suite In H miner .
Sytntilietiv Ne. 4.. i
In 'uir ilcn I.ys"
Ln nle
. . . Wmtncr
. ... . .Ilarh
.ifthevrn
. . .Iiphiiimv
Unel
I
The ppnsen of tlie I'hilatlpltihin Or.
chert rn opened nt tile Academy of Music
yrrterilay nftprnen with a splendid pro
gram the feature of which consisted
of two iinvpltle.M by niedprn French com cem com
pespr., DchuKsy and Havel. The new
stage setting, designed by the conductor,
wns also used for tlm first time.
The new setllns N entirely plain ns
te design and of a llagrant yellow, which
make It somewhat trying te the eyes nf
the audience, although It doubtless
serves the purpose, of relief tint; the light
uplui the music of the perfermera very
well. It is high, covered entirely nml
extendi te the extreme end of the stage,
thus stepping up the tvliie open spaces
through which much sound formerly de
parted and many tlratts came in. As te
miind, it uniptpstieniibly served the
purposes feV which it wrj built : the
pianissimo carry much bptfrr than for fer
meilt and the fertrs are mere brilliant.
Hut, while it tuny be acoustically u joy
fercter, It most certainly it net at pres
ent a thing of beauty. TIip platform
upon which the player sit has Iippii
leteipil considerably from the precipice
like one of the last season or two, thus
mat rially Improving the appearance of
the orchestra. Htit tlie setting U se
"pl'iin." te put it mildly, mud of hiicIi
a mine color, that it may he iptes iptes
tietied wliPtlipr It niny net have an un
conscious effect upon n sensitive audi
ence. Mi Stoketvskl's program began with
Hie M"istersliigcr overture and wns fol fel fol
lewcl hv the Hitch It mitler suite for '
tlutp and strings, in which William M.
Klncaid signally distinguished himself,
plating the difficult sole part with ex
cellent tone and skillful breath control.
At ,ti close he tvnp obliged te ac
I hettledgp thp applause of the nudicnec
'.etirnl times. This tvrs followed by
the lippthevPii Symphony Ne. 4, one
, ,t l.l I ..i ..0 i.. e
.'I ihi til"-, si en,.. i ii. '.nil tn I ee i.iiii ,
,'is nine, it wns nnaiiy piaypii. ami
...srps te he mere often heard.
Tie Pel-ussy number. "The Court of
lib'-." from the incidental music te
tie l'AnnuH7.ie mystery play, was a
gem ,'ud was reielvcd with wild ap-pl.iu-c.
It Is atmospheric, like nil the
Inim-M- mature works, and carried out
iv.etlt tlip iili-a suggested in the title,
hint.; hugely scored for the weed winds
nml horns. It is exquisite In its deli
, ict If this is a sample of the in
i ah t.tal music of this play, a suite made
up from several nf the niimbT would be
nn attractive feature of mi) program.
Tic Havel wait, k mere oempHentod.
I'ti'il.e the usual wall., it is fragmen
tart and fteipient'y env" the nctual
iiieledj te the imagiiintimi. hut the music
indie lies se clearly the idea of the
cicipescr that there is never liny dlf
ficult.t in following it. The composition
has mere than a hint at places of the
Viennese wait?, of Strauss and Wnld
tciifcl. bui Is a strikingly original work
nnd "lie which will b'lir repetition later
in tin- -caseii.
Concerning Deris Keane
I ten- Kpihi. star In "The Czarina,"
ipenii'g nt the Hre.ad. Monday, heenme
nn nctiess because nothing eke really
interested her. Frem the start her
career was one of such peculiar dk
, euragemeiit tlint at times she was
sure she had chosen the wrong calling.
Fer Instance. Charles Frohman engaged
Cl.tde Fitch te write a cycle of threp
plat" for her, but the untimely death
of Fitch put an end te the plan. Then
Madame Vera Kemersarchesky. thp
celebrated Hussbui actre.-s offered te
give Miss Ken tie two years' personal
training and then send her en a world
imir. Hut Mndnme Komersarches Kemersarches
kt's sudden death banished this most
wonderful of all opportunities.
Of small parts Miss Keane has had
many geed, bad, and Indifferent, but
iilwa'.ts the coveted role wns just be be
jend her reach It was In one of her
periods of darkest dexpnlr that the
memernble "Itemnine" made its up
perance. He Likes Beth Stage' and Screen
When Vincent Celeman wns a young
man he chose the stage, but inter he.
trail- ferri'd hN nt tent inn te the screen.
Net for long, hint ver "t'p the I-ad-ihr."
which cut. is upon Its final week
at the Walnut Monday, drew him bar!:
te tlie stage.
"It seems tbnt 1 was sort nf drngged
en the stage." deilni,s Celeman. "An. I
I am quite suie. no matter what any any
bedt eke uiigbi have lehl you. that al1
ehildrin get st.irli'd mi the stnge the I
s.nine way." As a matter of fact, it was
Celeman's uncle. Hi, hard Celeman, a
very popular plater of a generation age,
who Minted lil"' nnd Inspired him with
ll love for the -tage. Celemnil is re
iiienihered fieni sin h pictures as "Omul
l.pfercnrcs," with 'enstnncc Talmudgr,
and "The Freedom . f liclmid." He hii'i
appeared mi
"Martinique'.'
many ethers.
the
speaking stngn
-elf Defense"
in
nml
Miss Eagel3
Jeanne Fngels,
the new drama,
Began at Seven
the featured player in
"Hiili!." which comes
te ihe (inrrlck theatre next week, made
her debut en the stage at the age of
seven.
Bern in Bosten, of Spanish nnd
Irish-American parentage, Miss Kngeli
moved te Kansas Cut. and it was there
that she tirst went en thi; stage in a
stock cempiin.t. Alwajs u geed dancer,
Miss Bagels ile, iiled that she should
like te gain further experience en the
stage, and joined a musical comedy
company in which Itichard Carle was
appearing, entering the chorus, but nt
the same tinn doing a specialty dance.
unrulier. Afterward she appeared In
"The Ii nk l.ndy." It was from this
musical comedy tlint Miss Kngels ever
night iumpeil into Klsie Fergusen'H role
in "Outcast," in a second company.
Then followed her appeiiraiien with
I cerse Arll-s in "The I'rnfumer'si Iove
Story," in his revival of "Disraeli,"
and again in "Ilnrniltmi."
Concerning Zlegfeld's Elephant
The bnbv elephant purchased for Pa
tricia Burke Ziegfcld by her father,
F. .ifgfehl, Jr., is going en the stage.
And all just because he rebelled ngalnst
restraint and developed tcmpernjaputal
tendencies by smashing much costly
brir-a-bnic. Billle Burke, Patricia's
mother, decided he wns tee rough te
plav around in the piirlnr. The lirst
thought was te use him In "Snlly,"
new playing at the Ferrest Theatre, but
H tins linnlly decided te use him with
Will lingers In th' current Ziegfcld
Follies,
I'HOM NKAH ANJJ Irt
rhetnernplm of eilrnerdlniiry eventu, prnm.
inent reople. nlcturejiriue lecalltlna, from
,v,.,v imarinr of ttlA SlOtM. UTe nriniAll vru
A week, In aeft Pl .n"' ' Hotegravur
Section of t&JffiJ C0BUa AeV i,3Uk.i
("Cie Daily Mevie Magazine
n i
j OVIDA'S OLD THRILLER AGAIN ONSCREEN ""
milkW r,T v n.ml tncl "",'' Still, what would b
WirtiljfiEiJ'. (fly P't the point nt nil.) "'
s(..: lwZM&VmWmVnkmMmMM, . , 'Mm.
(tMi :-'Mft?W Wmmmmm$lWUR!m!ftiX$h WtOm'mV
1 WXm i -mmhmmiwmLm!mx?wmL
K"mmmmmWAmmmmW '
':MmMmwmMmmMm
ajIli ttLmF jflRaviuafsDH' BK0cHHIHDSBHKvXaaPaK IBaR
jj-s .0 '..-k.S.alM'&kJBKs; vtajs
"Fniler Twe Flngs" lins again men filmed, this time with Pikcilla
I lean as Cigarette, tlic heroine. Above l.s n scene i-hewing Ciga
rette darning for the French soldiers, and below she is mounting her j
steed te start her famous "ride te the rescue"
nns again e.
the heroine.
THE MOVIE FAN'S LETTERBOX
By IIFNIIT
"llnlestburn" writes: "I saw 'What's
Wrong With the Weman' and am still
in doubt. The picture, though, had
enough obvious faults in tact, hardly
a commend. ib!e feature excepting little
Helen Bew land and the sellings for the
home of the debutante iwlie needed a
spanking and a few mere ounces of
clothes i and her warring parents. There
was an abundance of plnycrs 1 rather
like, but no one can play an abso
lutely senseless role in nn underdone,
overdrawn vehicle and please.
" Hurricane's (Inl" was really well
done, nnd Dorethy Phillips can take her
place alongside of our lust women stars
that is these tthe arc able te cast
aside tlie fripperies nf fashion and get
Inte a pan with action. Say, Henry.
Imagine what Cleria would have done
with the role of I.ela !
"I id tmi see 'The l.evn Slnve'? It
was a feielgn picture with a rather
attractite, graceful woman starred, I
believe her name was Lucy Deraine.
Well, the final subtitle was 'He Has
Suffered Lneugh.' Se liml the audience
it was terrible a few interesting ex
terior shots, and the graceful use nf the
stnr's arms and hands were the hits of
the darn thing.
"Hurrah for tour answer te 'Miuur
lia's' question as te why Philadelphia
does net get some of tlie lcc" attiuc attiuc
tiens before eiIki- cities! Yeu are right.
When the theatre-goers here are nu
merous enough and appreciative enough,
te shfitl fare better. As for me, l
often catc h nn with a show missel
in
New Yerk here when en a visit.
"Well, old man. heaps of Geed wishes
and accept my heartiest agreement with
your opinion of Bill Unrt. Let in
stand together and receive the shuns of
his admirers."
' (Fiinnv part of it Is there hnsn't
been a single letter resenting my slam
nt Bill Hart. It surprised me. I
don't think it's because everybody
agreed with the slnm. Mere likely its
because nobody cares what I think.)
tiiingu. Din writes: "I sure did )il;e
the wav Ned Mac steed up for Wallace
Heid. 'Why can't they let hlni make
two or three really geed pictures under
ills contract iusltad of about ten that
are net uerth while seeing? 1 thin.;
that wh"ii enn makes fewer and better
pictures, it !h ni much easier te re
member him or her than by se many
where .vuu can't remember lmlf the
title.!. Ak an interviewer Ned Mac Is
C.OOD. . , , .
"Why will the fnnn roast the movie
actors n,nd actressps about what they
lire doing'.' Fer Instance, why does
Gleria Kwam-en always exhibit herself
and clothes? She Is told, I presume,
by her director te net that particular
wny ami she does il. The public likes
it and gees te see her and Mill they
roast her.
"I'll bet a wooden nickel that in real
life her clothes, are never really se ex
treme. .
"Then, again, there is nlentine.
The public has sort of get the idea that
just because Im is geed-looking lie isn't
any geed an nn nctnr. Isn't It highly
fesslble that people can bn both good geed
looking and talented?
"De yen knew what I would like te
de fienie day, nnd I'll get a patent for
it, tee? Have a collapsible sign with
me every lime I go te the movies and
same should read "Why read titles
aloud' nnd put It en the back of my
sent. I low's that for an idea?"
(A (.'nod Idea. But title reading
Isn't nil. What I particularly love is
te get a Feat In front of two women
who sit and joke and comment n
through a picture. Ilud that experience
fciahv-lh. ether day. It was, .."Oh!
. ' ""' '
en nimeu, tins tune Willi I'llscilla
Above l.s a scene i-hew tig Ciga-
French soldiers, nnd below she is mounting her
start her famous "ride te the rescue"
M. XKHl-Y
doesn't she leek like Se-nin
"I'd like te see ant man
S
and
mi-:
trcat
tint way," and se mi through
the cn
I You'd
lire mnge el anserine tmuity.
letter use the unabridged ilictlenrn
for that one; probably isn't in the test
pocket editions. But I'm going te buy
one of these liftt, -i cut gas masks and
iieM time I'll t ut it mi nn,, turn
I'imini'l.AY.e
APOLLO
KD 4 THOMPSON STS.
MATlNHi: IAIL,Y
WILLIAM FARNUM
in rcRJuny
ARDM0RE,'AV''Ars'KV,,.5,,,,',ll,,:,:,'.s
A LI, ITAH CAST in
"DANGEROUS TOYS"
ASTOR
11 li I II . ! 1 1 1 K 1 1 AVIS
M vriNMIJ DAILY
LAST 10UII DAY3
JtOUBE PrTF"S , l MATT MOORE In
"THE STORMS
BALTIMORE V7?,n,eAiM,ilJ.
WALLACE REID
In "TilE nirrATen"
BLUEBIRD 'v;'. , .".Mri.
EUGENE O'BRIEN
JnJ'nHANNINO OF THE SOUTHWEST"
COLONIAL " ' ..V V'tTn'r
RODOLPH VALENTINO
in "BLOOD AND SAHD"
FAIRMOUNT r, nv"
DUSTIN FARNUM
in OATlinOUHIl'
56TH ST. T,,,:;V;''V.-.,';
JACK HOLT
i.v siprtK-Q
HA1I.Y
In "WHILE SATAN BLEEPS"
GREAT NORTHERN ,,r:.'1,,r;!1V",,1;v;
ALL-STAK OAST n,
"Whal's Wrong With the Women?"
IMPERIAL'. ..ViTO ?i,
HOUSE ?rril1 nnn MATT '00UE in
THE STORM"
I IRPRTY 1!"a' & .'ei.umhIa'av
L,lDE.l 1 1 MATlNni" UAIUT
MAY MacAVOY
In "THE TOP OF NEW Y0HK"
nDlCWT Wcurtiuna Ate nt Bi'i at
1IIE-1N 1 matini:i: DAILr
WALLACE REID
III ' THE DICTATOn
OVERBRDOK
.s HWUIl.
I'aiti) .wis
CHARLES RAY
In "R. S. V. V "
DAI IVl"UAM;.,emi AVK &
i -i-iivi Niinnis ,sthi:i;t
HOUSE PETERS
InJ'HAH I'KOM LOST RIVEIt"
REGENT MA,,?;"H; !!:'";77
SHIRLEY MASON
in "LIOHTS OF THE DESFRT"
R I A f TO I'liiiMANTint'.s'.rvnsTii "
1I-L.IW t Tlt,ii:jnr'i;K.v ex
CHARLES (BUCK) JONES
in "THOOlTil 0'NEII.I."
SHERWOOD -V, 'i"";.';'.'"'".
WESLEY Utlri'tr- TlAnr.V.i,
"PENROD"
333MARKETnrSKr.!"l,,faW
TOM MIX
In "JUBI TOHV'
.1. It. wriles: "Why should Walt.,
C. find fault with Vnlentlr.n been ,,,. yl
acts like hlniselfV We like Vale,no
but our friend thinks tl,,,, ,l9 S
never make the sat,,,, expression twice
l.y ilent they crltlclxe Wnli,
Held s ipilznlcal expression which e .
curt in nil his pictures and which
all leek for nnd like? According tj 2
frlentl Walter C he should neve?
the same expression mere than er.ee Hi
would indeed have te be versatile
"Then Theodere Ilnl.erts, with lit, in.
evltable cigar, uses it mere or less in
the same way always.
"We want Valentine te leek li.
himself and te net as he Interprets th
part and net te Imitate Wnllle Held Z
nny one else. lie Is the one we admired
and fell in love' with. Then ivIit
should we want hlni te give tis unythlnj
but himself? As far as 'balcony
scene is ceticprnpil, there is practie.illr
only one way of proceeding and I think
aIentine.s version above criticism"
.Many readers have sent
n letters In
the "Illend and .Sand
peiitrnverfy
letters that were very interesting tAi
that, in the majority nf enses. neeH
that It wns a tine picture and Hint Vel.
eiiliue did nn admirable piece nf work
in It. I'nferiunately, there U tint room
te print them all. and "Bleed and
Sand" can new rightfully be allotted te
retire from the arena and give place
te prespnt-day subjects.
n. II. S. writes;
altitude tettiinl the
"Mrs. W. K. IVi
scene in 'lllnml niiil
Nnul where (.allarde and Carmen nr.
alone after the wedding is absolutely
inconceivable te nip. 1 have watehfd
that scene carefully each of the three
times I have sppn the picture, nnd I
think it was a very beautiful touch,
nnd I de net believe it could have been
mi beautifully done had there ben an;
vulgarity in the thoughts of either tbt
director or the actors "
fperry T hnd te cut out the rest of
your letter. I thoroughly (1Br(.p wpj
you. but, unfertunatel.t. the very pru
dery and warped viewpoints of whicb
you complain are se iiiilvers.il that no
such discussion is permissible in a
newspaper. But there isn't a word you
wrote te which I cannot lespeml with
a sincere "Amen.")
I'HOTOI'I.AIS
The follewiiig theatres obtain their pictures through
the STANLEY Company of America, which is a guarantee
of early showing of the finest productions. Ask for the
theatre in your locality obtaining pictures through the
Stanley Company of America.
ffl
Th
iNlXON-NIRDLINGER
0
I HEATRES
",xex; AMBASSADOR fSSttt
Mae Murray & Rodelph Valentipe
in "DELICIOUS LITTLE DEVIL"
BELMONT S2D AiievirMAiiKBi
HOUSE PCTKP.H inirTTOOIn11-
"THE STORM"
CEDAR
tiOTII A.
CEDAIt AVFiVUl
ll 1 - ....I ( n tl
rrf ... ' tiiiu u -, t
in
WKIS MAY
"OAY AND DEVILISH"
COLISEUM Mllrlet let. BOth & mtt
DORIS MAY
. '" '"THE JINDLnSTUDV"
JUMBO
KHO.VT
st. a otiune Ava
June nil VrnnUtnrA "L'.
.Illinlir
PRISCILLA DEAN
In "WILD HONEY"
LEADER
i if
T & LANCASTER AVJ,
L' .1(1 tnl'SO: 7 lull P.M.
LON CHANEY
- .JlLl'Af EJJFJIEAUTS"
LOCUST fi",1? AND I-OCUST STOEKI
,,. M'l", ' 30 & s' 1: ' "
HOUSE TETEns anil MATT MOOKE la
'THE STORM"
NIXON 62D AND MArtKn-T6T3.
, n 2 1.1. 7 and
"WATCH YOUR STEP"
WOULD SEMES ItETUHNS
RIVOLI "
E) ft SAKSOM 6T8.
1 ISO 4 H il til le 11 P.M.
LON CHANEY
i5. "ACE tm HEAKJjLl. .
69TH ST Theatre Orp. IV Terminal
"Ul' 2-ae, ? nn,i ft r. M.
MARION DA VIES
In "THE YOUNO DIANA"
STRAND ntnrAv:,- ?ri'v
rodelph Valentine
in "DLOOD AND SAND"
at ether theatres
members of m.p.t.e.a.
fiF.RMANTnVTM HMO 0rm(inten a.
-.....iiiwviiii ArATINKIl UA"
HAROLD LLOYD
ll "OKAIIDKA'8 DOY" .
GRANT ,"" "'"Ann ave ,
VJl-lN 1 JIr T()lI(1J. ,..,,, 7il
MARTHA MANSFIELD
in "QUEEN 0J-' MOULIN R0U01
JEFFERSON 'Mtiwn&i
CORINNE GRIFFITH
in A WOMAN'S KAOItlFIOE" ,
PARIsf ion Ave. & dauFhin'JJ
I AlN. Mal, e 15, Kvk. Ui W j
TOM MOORE . i
I
in "irM, babnH or new -
.'I v. J-i
mtom&StiUZfe Jtv,. .a .-. stA.!.- .