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TRinrndnffl tenm-'Tn .r.inniiiin. mT.TA'TTT.tirrTA wraTiTiMiafci A V nrWfYRIfflR. 4. 1Q9.9 " ,?
EVENING PUBIilO DGBR-PHiMBELHIA, WEDNESDAY, OCTOBER 4. 1922
T77 TTT T JHW VTTDVJ7ATTM7T?? TH T? TTTJ JJ?T HJRRT TJ?
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AS SK Y-HIGH RENTS R 0 UT THE REAL BOHEMIANS
New Yerk's Montmartre Rap
Migration te Other and
Cheaper Pastures Suggested
in Move te Keep American
Qu artier Latin for Artists
idly Falling Inte Hands of
Seekers After Atmesphere9
JVith Plethoric JVallets
Kt ; ,, su" ' ' ' H il U
I.'bF
rUST the artists leave Greenwich Village?
L Arc the creeping sands of commercialism te engulf cw Yerk's
'I famous temperamental oasis?
Arc searing icnts te drive from their picturesque retrcnts the paint-
Ln sculptors and poets who comprise "America's Jlentinaitie"?
The nteblcm which confronts Greenwich Village is ene which, bv vir-
turc of its poignantly practical nature, is doubly distressing te the artistic
temperament. One must live, if only in a garret. If the gairct is unat
tainable, u hat remains ?
Mis long, and leases shot t and , .. , , Pr . " ""
! ... . . u ir worn by the late Tewksberrv Jenes
M.tlv Henr (it used te be Henry, . ,, . , ,,0,'cs,i
,cesti- Jiti" nnd ate censideied one of the con-
,thc(avcs if he manages te sell a pic - t an-v tc, as Mrs. Jenes her
1 c once in a while. I ",f . heha always felt that
T " . ,- sl'c "could de senieth ng reallv
LW!!I ZTZ worth while if he only ttZ
tnai en ami ein.i . . time." and she belongs te n nnmn.
ing society.
Under
the village that Mr l!ei' organiza
tion lias embarked upon n delinite cmn
palgn for tin1 cenMi notion of studio
upon tlie roefn of lefi nnd effipp build
lni;s neap t he Khm mid Huilf-en Hivem.
Neie Colen Is Planned
Where Rents Arc Lewer
In an effnit tn rsiapp fiem the illlet
tanle. wlie wanirt in v.rar n Hew in;: tip
nnd live, in the midst of temptation, dim
body hn pmIIpiI n eeiifpipii. p of arlWt.
writer ninl rcnl estate nun te mnsnler
I In' proper method of fennlinrf ' new
ninny elsewhere.
Mnnv have depattrd ti,reudt. ceiiiK
month the lent of his modest quar
ters will be boosted 100 per cent,
owing te the increased cost of raw
materials and the current unrest in
the Near East and sun spots, life
may
r.icll
these circumstances it is
only a question of time bcfeic the
idea of moving down te Gicenwich
VIIIacpa rlmi'tia llnnn fi.n f I
tein. te take en somber aspect conscieilsnegs ,jkc "phwb
which art, even at its longest, can- eaatern his ghc aub
net enlighten. . way down te Sheridan Square and
Tills condition, wmrn is uixuinuiy
mere acute cvciy day, has arisen
from the influx of moneyed eutsid
ers, who have descended upon the '
vicinity of Washington Square like i
the fabled Assyrian, seeking quar
ters with the se-called "Bohemian"
atmosphere and occupying the ob eb
'icure studies and apartments which
the artists had made sacred unto
themselves.
These people, virtually none of
whom is endowed either with tem
perament or artistic ability, are
moved by a variety of impulses.
In the first place, even in the face
of the spontaneous flood-tide of
rentals which greeted their arrival,
it is far cheaper te live down in the
village than elsewhere; in New Yerk.
It is se much simpler te take a
itudie en Twelfth street, which is its
own explanation, than te pay the
exorbitant prices for uptown apart-'
raents, where some degree of dhs-1
play is expected. '
Seekers of Atmosphere
Chased Artists Away
Consider for a moment the mani
fold beauties of the idea. Mrs.
Tewksberry Jenes, for example, is
iving in an apartment en Riverside
Drive, fei which privilege she pays
$5000 a year. She feels that any
thing less pretentious is unsuited te
her station in life. At the same ,
time the financial situation demands
an immediate change in the ratio of
income and expenditure. What te
"? It ii a harassing problem, ,
which would undoubtedly brine e'rav '
(IMIrs te the head of Mrs. Tcwks-
berry Jenes, weic it net for her
V henna treatments.
Nev, it se happens that Mrs.
Jenes was considered talented as a
lrl at bearding school, a reputation
which jhe earned by her striking
fork en hand-pBintcd neckties, and
this idea has persisted through morn
7rs than she cares te think about.
uptown te join Hip ntlit-i nlie haw I teuiij: nitlst tlmli f illfllcult te cet
KOthPiciI In the lf inity of r ifty-icvi-ntli joinniiMMieim unlet, he Is near In- mar
elrcet. Others haw deserted Mmlint- Ket. 'le lerre him Inte the ceimtrj ma
utn ami iiievea actors tue i-asr mwr 10 , lmpn t hm weiu AMimm Mimair
Uroefclyn. where the ni'e I'stablished (,tliei l -1 r 1 1 1; pa'di etlnrw Mtudles,
en Columbia Ildgliu, und'-r ihe pJ
lemai fie of .lesepii renneii
Jvinie of the lutjrt' proHpereii".. wlieve mav .rneiih Hiterreri' ivlill the lie-
tut ays in ihe held el lllii-nniien and i velepmenr f seim jei.ns intifi". On
cniiiiiieirlal nil liiMP linngPiJ llieir ur- the ether linud. If snnie irlnts arf
e.iiiiHtniici's, ha vi le.iihi'd ih point
uheie ihev mi afTeiil in liw e it of
teun and reiiinuil' in tin 11 Mtudie
Oinun Lewell, fe' liihiiiiii trnel" in
from lux beautiful heiiu u NVw
llechelle each inernini; in In itudie
ii I op the Uankeri 'J'lu-t Ituildnig, ct
Korty-jeeend street and fifth avenue,
while 'llnrrisnn Flnher and V'. Leyen
deeker hnte their haiids-enii- chops" in
the Beam Arts Hullding.
Hut it is no' sin h us tiirsp who are
affpi ted b thp new lnevement In nitijtie
rpal cHtate. If ii the peep artier, te
whom the Mile of a. piuur In an e
asleii for the grpniest iiibilntien, who poepji. who were nli.ept durine Ihedn.i.
leplq the rub of the indented rent, lie -.tailed te put oft innt in hip ja -
wavs he m.ide it he tin
filmed hi the fellow ing statement bv
ricdeviek K. lletwtller it wMdel known
palmer.
"Youns artists :ire neing feri ed out
of thp fit j by hundred'. Thp coming
gpnPintlen of Ameriean artists arp te
lip found tedav en thp fermi, where
thp ran Ihe eh'aply and use the barns
Vew- Yeik i new en art center, b.it Decadence of Herse
It is a foreign art tenter. It is tiv
mart dilelly for impertfil works of nri
Amerii.in iirtiMl" ii'e beins drhen out
of pent.net with tlipir market '1
sinicL'Ilii" e jnir fellow is hndinc 1
u feet
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- ...it I ' ' -.1.- ......'tin i.ii. 1 )r,.
nu ',. h- ,, 11,11.-1 n .
. .Ir ippi ,
,111 01 ,1 nut
In bv the tiieu-iinds ami ate running
the urtlts elll of Ihelr linlue
lav IlanihridKe, the nrtist whine
lliieiy of d.MinmlP symmelrt ineused no
lniirli diseii-isinii nniuiu "Indents of
fJreelt art nnd n whiter turn tluniipliellt
the world, is In aceerd with Mr Det
wilier upon the pi ril will, h tlnenteiiH
New Ynik's future n an nit unler.
"Main tiillHts who waul in stny In
.Niw erk lire fetred te ke .ntnv as fflt
hs Nfirtliein CnniiP'tn u' ' he said.
"ThetisnmN hale bei n 1 'impelled In tlml
rheup jiIiiiph in Hip nuntr, whew they
work, making 01 eatoeiml trips te New
Voik le net then- pnblKhiii or denier.
Ibis hnndl'iipf them seriously.
' i.iifiiiir' tt ntl; lut t iu littlfif ilnriii ll nil CT
- " " - ::.. p , -
mucins ideas 1111s less or r en inn
fereed into i"niien in ihe n.nntry, they
nun work harder and de belter
"Seme land, e' ds ate i.eliber ,telv trv
Inc I" tot 1 1 aitists 1,' t of Mdlens in
wbnh arlisls huw lued for mnn lenrn
in 011I' 1 te 111:1 lp win t"i e,itider who
wnnt te Iivp theip be, iiue tbecp hec hec
tlens iuup Impii the home- of nrlp-tH.
"IMip friend of mine, Qerupjini; an
npnrtinent in n fom-sterv studio build
ing. wa fereid out Iipchu-p In- was an
artist. TI11 etlipe (loom uern nil ercu
pied by persons who ,rr enlv there nt
, nlcht." Thp landlord found be eeuld run
tin niliiinne enenpet in laierniR iiniy i'i
pliflsnnt tlui' the nrlivt was .empillcd
te tnnle '
neflnr inue f..r l.ib rentald In
Creenttrli illaiie 1" laid nf the deer
of the I. nsr-surfenm: niitoinebile. which
patient ineihiitilsm has been tdrimed at
en.- ,.me 01 another ter ilrtunlly all
fli 1 K of modem iiMliatlen
Alse an Aspect of Case
'I h 1 pl.iiintien i tli.it fhe rapid
ilei ,i,i ri'e if III" herv and the iieponi iiepeni
prtiMn,; c'ewtli et tin nutomebil
. lii'fil a whole--',' 1 ,,'nr rmui of old
tiii'lf", into r;.irn?e- 'I his wiir a :rpat
h'ev t the nitif.1.- who h.id been went
'e make thep old luiiltllnss into studies
in mti.i 1 pxppti
Thuf. has iinether weilr bpen laid
pen 'In be'wd iheulder of thp artist
fhOiS thpreby di'privpil at one Htrejce
' bis prim '.pal raw iniiierinl for ilwell
t'.cs Ne longer is ir peslble te take
an eid htfl ble, tip out thp Mulls, linet'J'
11 bole in the loef for a hkrllRhr and
i eve In In-tead the Philistines inter
pose, their Milsnr iimriej , lv 11 ppnient
il , an I burn inn'iiw night .ind day
' . i' Kreiu Ced l.astdirie.
Iihik us is 1 "ip Mllipp heri.nn, hew-
' 11 of 1- tlen.eii- tvhn prefen
'. ' uiii H!atl ed In .'inen.Miiif . sees
- t- r.inc in t'ic 1 loud of lay in-
1
T' t-e .e. filled take t-tudles," (
1 , re n help te the peep htruc
S ' z nrr'-
"It - just that kind of peep.e whi
Tt th, cn-t ailed patrons of art cspp
V ' '11 fhe ,veiiiit,tr mi' pi tain nrti t
' 1, ,.1 nc the ueiks and snewini;
' . 1 t'tir fri lid- ,'ti'ii it they mkn
r ni, J blew iIipiu'ipIm 1 up ai
te,, -. ennn-M ni -
1 , inir of th - is 1 'ear piieurIi,
en lei.fh thp sintav 1- ,lichlly b(
el 1 hiibt' who WOlllll tOM ns iirtlt
11 i' lave pietiin in heighten Ihe I
liiMi.ti- .ttul I'.et 111 si buj ihem fin
reul nitis;
' IS.'. In went en te mv, "thp niei-l
iiii'ike ti-t.f of Mr tSewtn' nttai I
upon the loe-i -ln'i- is n vlit fiem one
or ane'l.T 'ut.,,,1- tii'ntiw, nml wi
e the i.iei who are M-' bust, Miidvllii
n mode
Sm h 111 in. .rii.n e. letteer. in llm
tiini riti.'e ,,f pe l.iiin- .I'M online
te "Menlit I liv nr I- , . is In way of
heini; tin. pie.idi'n: -i.'n' of the vll
l.l?e As ni. ir anil prom u'fur of tb'
C.i,. 1 I. ni- ,inn.t,,i i'Kii:,' mnnllily
Iii'i.fliral. I,p i,pcs 1 1 i..-p tin'pr upe;i
the p .'.( e" ii 'iipp, mi. ,,.
".k"'iew i.ie iIip ii l',...i, linked.
'lu. li 1 it), itii - . a piei ed ire bv
a ('lift nr nn , el-e It rnil t
be iinni And if te J 1' walk into II
"tiifjin and f.iu n.t a pi r- 1 -n.diliig a
liiud' I what, ,(,,1 lii., film, it It'J
Nmli n'
Ai 1 iliniV i'iji
Writer Sharpen (Jitills
Te Air Their dricranevs
. I . i .1 th ii tile
' 11 . it . I' tin 11
1
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I'll' s,,l( ppnblriii .- iiii,nuitP(il)r
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j: ,t..7ni mis or nrii-- inn,, uil ltd th
leaiu in knmt , 11 ,,,,, Kr,. jn.
.rennet in i.nm n he I , r, , ,1 ,. ,, I, III.
inxi. vi , me nnw 1 ,
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I km tt Itlniit u
11 le le'it nitf I , n n t
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Ihe V Illiii;i'i , ni,.
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"I tll. nk 11 i- in . I ,r HulhhevlitM
11 ml tin ISnht'11,1 in- in living out,"
' I I m H il 1 I Hi 1 ,,!,,. Mlmlli.
yl III P villli I,., t, , r,. ...Mnr
III lilCll-i lilsn hit ,- im,. ninfe.
n.niii men ninl 1 iilem ti In
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of
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will re
it old
n belter
I k" the
will net
OIIVI'U
ni both
"The I-irnlch I)rn," where Village strollers cm gel re.il "atnuisphcri" .t xi
much n muiT
Mrs Miitnry'h illagi ntudii. henu
H"n' t ht it, iiRenir. ni
'tillled liee life r .(
,....., . . , 1 .. . . 1 - 1 :
,neiin.v KfiuiiK uniieiu,.,u pri es tiein Itaiene-K ,1
UPlI loero-livinc per- m-Jium. nr.
ill. tl llll
i In- 1 - Jl
!i the 1 nn,,. t lit.t ., 1
in v nnd . ip, emit ihnu
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I I
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Up 11 I llletll
1 1 01 it, nn nn ,s in v I'i,
, ,'e Hie r li 1 r, i; III -a 'Klin -
Otetim If Ita. ..!. ...1.
Wwcceilve jrensratiens
vti, wkich wr
.
intcrviewH a real cslatn agent. She
is careful te specify that her studio
must hy a "geed north lifht,"
juRt te show that she is one of the
initiate.
Tb afent rtcelfcs her with open
ninm. He intrixlurefl her te a landlord,
the owner of a ramabackle old building
en Fert trctt. , The Utter is cordial, h
U Sealre. he la alrneat affeetienmt.
Tm, Im hat a splendid studio for her.
Te b mire. It it eecupled at tbe nin
mem, hut the present tenant in coins
10 niPTt, ls
pseude-nrtiBiM
Ln.tL tti nnn. nun. ...,! n.i.iD niA.ii. . . ....
.TV ,1 1 ""i ,n,,i tinun Mfiiiiii.v 1 iiniiKfiitrp ne is nijnt anil i i.iunv non
vuncinieuB in 1 10 ifiecnwun Ulagn artists pan Veen up nipearunee better
1 ' I due lluga
( 1 i' 1 lean up
" l MlllH tire
1 mi,.h here, n n In
V4 ' de net Hkrt
1111 nrtuttV qunr-
Kcctlen aurpaaa the wildm huppcnlngs
Jn the Montmnrtre aectlen of Paris."
Feeling of this enrt ban aHauraed such
proportion sjuoej the lntelliintiU of
in u fitudie, pretendlni: that thiy live
that way bcraune it it artistic, but
Tcally doing ke beaiis Jt nave money
nth-work, Se-thne pcepl bava stepped
1 ' ' ii.,,, in,.
1 1 . t 1 1 jr
, inn n ,,,' 1 In ,1 t
Ofllf t p II 1 of tin , l
i'ip rep, nation of .eni;
11 r where nhiindeii 1, 1 iiieili.il nml ,.,-
ilenerl. Up wriiiit rial peepli bcrij nml
leal nrtlhtsi and profcuu'ennl people, net
thtmri who i-ojeurn hern becnuse hr
think this In ri place where- ajiytblnjc
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