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(Xjfle, Daily-Mevie Magazine
FOR THE FILM
EEEEEEBEtfaiBW3lBlS;aR. A A ' a1 A. am iZ iiaaw
amHlHEllimimimimHl
amHamamiLamKPjtA'amamamamm.
amP'EambavPlamiaV' iV -'atatatat
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V ' "': flULBk .-:';aaaaaaaaaaaaaaaaaatr
I LaaaaaaaaaaV v '' V S1LWLmLmB' v sVaaaaaaaaaaaaamRaf
BLaaaaaaaaaaT V'" ''25' 1l iHH' 'LmLaaaaLaaaT
LmH laaaaaaaaaaV " it ,s Afe " JTlH'i.'X J L Sfc' " laaaaal
aaaaV Zaaaaaaaami , . yM 7 s VaaatV 1 - K jXiSWtTfc V aaaaal
NORMAN TRKVOR AM) MARKL IIALMN
11V trill hr ijlnd te publish the picture of such srrtcn plnycrs ate
sugyatid hl the fans
THE MOVIE FAN'S LETTER-BOX
Ry 1THNRY
I'lerriiee Nnelp Tluit't the way you
spelled jour name, hut I think jour
thumbs mutt have lilt the typewriter,
didn't they lltif you mustn't be tee
hard en Rudelph Valentine just because
of his part in "The ('euipienng I 'ewe.-."
He's much better In fact 1 cully verv
geed In "Merun of the Lady l.etty,"
I don't believe jeu're seventy-lite years
old .mil that "granddaughter" stuff
doesn't feel me a bit. Anil I'm i bit
suspicious that j ou don't want his ad
drest in order te say nasty things tei
him. You've get a cnHi, ten, haven't I
you? Well, till right. Addn-5 him I
care of La.sky Studie. Hollywood, but)
I detibt.if he'll ever tee your letter. He's
getting several thousand a day from
fand all ever the country. I
AnMeuV: Ne: "Melly-O" ha-n't
bet,- iiere. yet. It's coming been, though.
June Maylaml writes: l'oer .Hac
Murray! 1'ntll reading some of th t
slams she get In jour column, I wasn it
sweet en her myself. Rut new well, 1
HI tell jeu; my hart just went out I
te her in nltv. I nm it sympathizing
-"Peer Mac
'old maid. However. I think you'll have
te admit that she can dance. Players' Club, New Yerk, and Richard
"Can you tell me the name of the Dix can' of Celdwjn, Culver City, Cnl.
boy who plaved 'Prince David' in 'The .leimie MacPhersen wrete "Saturday
Queen of Sheba'? Thank you. I Night" and 1 hope she and Sissy De-
"I really cannot understand why Mllle are properly ashamed of it. I'm
'The Flapper' doesn't like Mary Pick- ' "et prepared te believe what your friend
ford. And whv does she consider the'ays about that trestle scene, liven if
May McAvoy pictures foolish? " N true. it. was net a "crazy" mis-
"Can you explain what it is about , ny iiieuhs. .Mighty few phe-
Rodelph Valentine that caused all the '"J ,' ? nr"1S,",ln ilu',ly 1,,-(or,,i"
girls te full for him? I'm sure I 'can't , " UI ' alraeat ' m ccl-
ami yet I am a hopeless victim of his I ft "" ' '" L'"nu,r "' 7 'deas eceur and
ebarnia mvself. Thev nil fnll sooner or ' th" W rll)t; adapted te stilt. I tiell't
later. I'm afraid Rud- is taking Will-
"j,?10 t"v,.,11 i::"'111-.':10!
of the screen. Well, we girls need a
change from the debonair Mr. Rcld.
What say you?
"Don't you think Mr. Harrison was
exaggerating in his account?
"I heartily agree with 'Rita Jean' In
regard te William Farnum, although
net te such an extent. My goodness j
did you really read Must Mary's let
ter first because of the blue paper?
And te think that I was going te buy
blue inpcr but didn't. Oh, Well,
maybe, you will like my envelope. What
say?"
(I sure de. And blue paper nlivnyt ' "f education anu inteingenee don't
nttracts my eye when I see it hitting "1u "cv'
out from my morning's mall. There's Ami, unfortunately for jour opinion
a reason. t'f mj intelligence, I don't agree with
It was little Put Moere who plavea J'eu about the movies being in a hope
Prince David in "Queen of Shebii " less londitlen. I think they hove im
Cute; wasn't he? I'm perfectly rc.nly I proved wonderfully just in the past six
te admit that Mae Murray may be uble i months, l.ct'8 ninlse a little compnrl cempnrl compnrl
te dauee. What I want te knew is, son :
whv doesn't she? I i,ast Sunday I rode bv troll v J
Why shouldn't the little ghls go .can't afford an auto iron. Cumdu te
crazy ever Rudy. 1 think he's just the Ueverlv. N. J. Having a eertalu pei
type that makes 'em luse their heads. I tonal interest in home-building, 1 looked
Yes: I think Mr. Harrison was exag-, at every home along the leute. We
gernting, but who am I that I should , passed, at a conservative ebtlmatc, a
contradict him?)
1 "Mrs. Hippl's Husband" writes
"Thanks very much for your answers
te my questions. They were fine and;
I appreciate tin- trouble It must have
i been te leek them up. 1 have still a I
i few niei e tliat lil line te have an
I bwered :
'Flrcl- lTm,' nnn f pAnn). Un f ..1 -
lowing nerseuallv f mean at their '
I homes Tem .Mix. Marv Miles Minter.
I Bebe Daniels, Eugene' O'DiIen and
Richard Dix?
I "J..n.l M'linMpnmlhi. mmm 'Slnl.'
unlay Night'? I think as you de Hint lnKH "m y or another. I find nheurwalk
it was one of the greatest jokes cver"" '" tlieuaand really worth while, pltal
I pill en nit; f-iri'ji, r ua ui uusuiKt", nun
crazy idean i i
I "In answer te my Inst letter you said '
something about a 'erazv error' in lhl '
'movie, Yeu get It nil wrong, If you'll
' nnrdeu mv saying se. Yeu nrebabh I
1 thought thut I said It should have been
something else and the writer of the
movie should have changed It, I said
the former, but here Is what I mean:
"As I said before, I have a friend
who knows one of the lending actors In
the picture, and he told me that his i
actor irieiid 10111 nun nine me car sneuiu
nccen i g te me written movie mive ,
gene ahead and beaten the engine te That gives you n little start en the
the ether side of the trestle, but some, day when it comes. Perhaps It will
tiling huppened te the meter of the car help you te save still a little mere time
and It went 'dead,' se the be-,t thing, ' te lend te the next tomeriow.
thought the director, te de Is te make. And by and by you may get ahead a
him held her while the train pas.es by reserve that will be really worth soree-
that Is, held her while he was dan- , thing.
cling from the trestle. Se they did, iiml , fXllIK best investment In this tomor temor tomer
I ndmlt it was very well done, but still 1 T0v lending is the drudgery which
it was an error since they had time te K unpleasant, and from which you get
cress without being hit. New de you j(.ry um,, benefit,
see? 'If you don't I'll have te agree Get thut part of tomorrow's work
with you about net 'having much brain , done today it you can. Then jeu will
In your (comprehending I put this in have mero time for the interesting du
myself) needle. ties the duties in the performance of
"Why don't you like Nazlmevu? 1 1 which there is real devdepuunt.
think she Is ene of the most talented j There is drudgry In all jobs the
actresses en the screen. And her plays i poet's and painter's ns well its the brldge
are wenderiui. r.very one, mean
movie fans, seems te disagree with you
en her, don't Jhey? ,1 hope some, day
you wlHreceivr' n-uruiiBnHBei'iuar
a
Kaslaftmi is wendfitttl actress. I
EVENING PUBLIC
FAN'S SCRAPBOOK
M. NHRLY
snld that lien I.jit'H's shows disap
point tii. I think if he should be put
into diip of these (treat v-hews that ntlier
iieiers anil nctr("se!i are in, lie would!
tep Inte line with Rudle Valentine.
"A few weeks age jeti found a 'mis
take' In my letter. The word 'late,'
and j eti Mild I meant 'recent.' 1 did
In the ordinary mmim', but If jen will
take out jour AVehter jeti will sec
that 'reeent' meant 'late,' and vice
verMi. Hut I knew I am wrens. be
cause eery one ues the word 'recent'
te epret that Idea. And you also
asked mi if I meant 'dmid fiein the
neck up.' I didn't then, but I de new.
At I feirefully have said before, I think
the movies newailnjs are well net at
ail geed. They are all dead, mistakes
nnil ,vrvthl!ii- nlsn. Ilnn'r nn mrrnp
with meV If it's net the movie It is
the director or writer who is ileml 'from
'the' neck up.' "
Most of the stars de net want their
bome addresses given. Tem Mix lives
t fiS41 Carlten Way. Hollywood; Mary
Miles Minter at 701 New Hampshire
beulwaid. Hollywood; Hebe Daniels at
.'.''01 WW Ail tn...r l.na Am-nlm.-
Ihigcne O'ISiieii can be addressed at the
If"" v i",U 1"1. ."JY" ""PPOi.t.l If the
iti;. wr.heut.ru iKr urC s 11 ng
was necessary w lend an air of pluusl
ldlity te the chauffeur and this girl
falling in love with each ether. It
wus unbclievable enough, anyway.
Yeu are at perfect liberty te like
Niudmevu all you want te. Rut lt'
my job te try te educate you up te
the point where you'll realize hew had
she has bci'ii in ull her recent pictures.
And 1 don't think every one disagrees
with me about her. I hheuld say the
fans are about fifty-fiftv. Rut I'll
tell you one thing 1 notice; the fans
wnese lectors generally indicat
the
thousand homes. Out of that thousand.
i leunu just two wim sumcii'iit erigi
nality or iH'iiuty te interest me
I find
mete tlinn two movies out of a thou
Mind that satisty me. Yet uichiti-cih
luive been planning homes for centuries.
I have seen every stage play this
season. I don't think there have been
1 morn than a deen that I would eall
Iriully satisfactory. I find n better
"it" " P'tures. e dramatists have
'""I centuries in which te iterfeet their
art and the movies have hnd bsicly
twenty years.
I get IlliXCd lll With U let of paint
Uncommon Sense
Landing te
YOt' will find that lending te tomor
row is far mere profitable and
satisfactory tlmn borrowing from It.
If you discover, .the day's wetk being
done, that veu have a little time left
en your hands, try using 11 in doing
nan et tomorrows worn.
builder's and engineer's,
Th Hiormef,, thnt drudgery you can
get done ahead, the mere tlme you will
have for'wertitnafretiulrcs deep thought
and planning.;, .7
.ml planning "
LEDGER-rPHILADELPHIAv MONDAY,
and yet painting hajs Aeen taught for
centuries. lytopeld Slokewskl finds
only a dozen or se composition each
year worthy of the Philadelphia Or
chestra yet music Is being composed
nil the world ever and linn been for
centuries. And hew many sculptors arc
nblc te turn out work that Js likclv te
live? Mighty few and they've been
culiing almost ever since Adam whs a
Ne: I'm net discouraged nbeut the
movies at nil. When 1 see tilings
like "Tel'nblc David." "Peter Ibbet Ibbet
sen." "KoetllRhtH," "The Ruling Pas
sion," "The Three Musketeers," "The
Silent Call, " "The Four Horsemen,"
"Jane Wyrc" and many ethers. I'm in
clined te say that they are doing won
ders for such a young bunch.
E. M.. Gleuccater Did you think I'd
forgotten you? I'm digging down Inte
my pile of unanswered correspondents
and getting 'em cleared up ns fast ns
I can. Ne; Al Chrlstie wasn't a
Philadelphia boy. He was" bem in Lon Len Lon
eon, Canada. The title, "Llllem,"
IneMtTt fit Inte the Uert Lvtcll film. "A
'Trip te Paradise." When the film was
1 first shown everybody whb had seen the
Jlelnnr play asked what en earth it
hnil te de with the filnr- story. You'd
never recognize their relationship. Te
find your friend, write the manager of
"The National Anthem," Henry Miller
Theatre, 124 West Forty-third street,
New Yerk. He'll give you the informa
tion you want.
REMBRANDT IS
MODEL FOR
FILM PRODUCERS
Wl
HKN Rembrandt and Titian painted
heir immortal masterpieces, they
little ilreameu tliat they were te play an
impertaut part in the development of
another great art which was te rise
hundreds of years later.
Nevertheless the old masters of the
I brush and palette have exerted and
arc constantly exerting a powerful in
1 fluence en the nrt of the motion pic
1 turc. Progressive producers, recogniz recegniz
I lux true artistic values, nre turning te
I the painters of the past for lessens In
1 composition, grouping and lighting el
screen scenes.
One of the pioneers in this field 1
Cecil R. De Mille. He it was who In
troduced te the screen what him come
te be known as "Rembrandt lighting."
And he is constantly making use of
the famous works of famous painters
in matters of grouping and composi
tion. At the time when De Mllle began ex
perimenting with lighting, with the able
assistance of Alvin, Wyckoff. his chief
clnematogrephcr, all motion-picture
photography was fiat ; every corner of
the picture was flooded with the same
degree of light.
, Following In the footsteps of the fa
mous Dutch painter, De Mllle and
Wyckoff attempted te high-light one
side of n character face while the ether
side remained in deep shadow. Critics
of that day prophesied that their ef
forts would result in failure. Hut they
-uccccded In spite of adverse crttlclsm
Today "Rembrandt liishinB" is a fca
turc of ail Cecil B. De Mllle pictures
and of the majority of ether netabla
productions.
Composition and grouping are Im
portant elements in the picttirtzatlen
of all stories. Here esrain the pre
ducing directors have profited by the
splendid models furnished by the mn
ters. Hardly a photoplay is made ted
in which the mnsterjy composition
the old painters does net play an im
pertant part.
Cecil B. De Mille beasts of one of the
most complete libraries of art reproduc
tions in the world today. Net only
has he a complete tile of excellent repre
ductiens of the mistcrs of the brush,
but this library also includes photo
graphic picturizntlens of the finest '
works of ancient and modern aculpture, j
This collection is being added te con
stantly, and it plays Its purt in the
production of every Cecil B. De Mllle
production.
Ner nie the producers and directors
alone indebted te the painters of note.
Wardrobe departments, cestumem,
technical and art directors, and even
the studio hairdresser refer te the fa fa
eous1 works of art for their audience.
One of the coiffures worn by Gleria
Kwansen In her most recent picture,
"Beyond the Reckfl," ewes Its origin
te n portrait by Leonarde de Vinci !
Recognizing the value of these paint
ings for technical and artibtic guidance,
I.iibky has assembled a studio collection
of reproductions that vies with Cecil II.
De Mille's personal collection. Miss
Elizabeth McOaffey, head of the Lasky
Stmlle research department, is intrusted
with the task or enlnrglng this celli c c
tien nnd superintending Its care. Te her I
come directors, art directors, assistant
directors, scenarists nnd, technical ex- I
perts, all bent en consulting the files '
wherein arc kept copies of the finest !
works of nrt the world has ever been. '
PICKS STRAWBERRIES IN N.J.
Spring Surely Here, Saya
Pauls-
bere Man
Spring is surely here, In the opinion
of (Jeorge P. Manlove, of Pnulsbore. N.
! J,, who has picked forty boxes of
HtrnwDcrncB en a sheltered portion et
his small plot.
Manlove brought the berries te thl
city, and had no trouble in disposing 0f
them at SI it box.
Hurt Skipping Repe
AVhlle skipping rope in front of her
home yesterday nfternoen, Ycttn Held.
man, thirteen years old, of l."ltl Seuth
Fifth street, sustained n fractured arm
when she tripped and fell te the side.
She was tuken te Mt, hlnal Hes-
Tomorrow
Dy JOHN IJLAKK
you have one will figure that he Is get
ting nil the value out of this time you
lend tomorrow.
He-may profit by it. It Is true, but
mover forget that all thn intelllm of
fort you put in en any task Is of mere
m - iiciu i you man it can ee te anybody
cm.-.
The employer seta enlr the result n 1
ih u. ins ernin uenves no ucnetit from
the thought that gees Inte it. Yours
does.
.. in.. , . . ; .- . ..--"
... (
rpiHO man who Is elwnys a little ahead I
- en his task Is saved a great deal of I
worry ami annoyance. Me ewes no debt
te the future thnt must be paid off be
fore he can begin te work In the pres
ent. He docs net have te get rid of n let
of "back work" before he can start
even. I
Yeu may net he paid new for what I
you lend te tomorrow but you will be I
paid for it bv nnd bv tierhnns hv nn
entirely different employer. What he
will buy at a better price is net the ac
tual work that you turned out, but the
far better work that ypu are doing be-,
''your trraln--revB,l(w
lur brain--grew Aaa--;dveIeped -and
DREAMLAND
ADVENTURES
The Magic Fairy Cap
ny ARTHUR W. STACK
, 1
Where de the fairict UveT Jack
and Janet find they dteell very near,
but te tee than and te knew them
one mut earn the right te icear the
magic fairy cap.
CHAPTER I
The Way te Fairyland
rtlirllRRIl is Fairyland?"
Janet asked the question us she
and Jack rested en a grassy knell high
above the lake. Jack shook his head
and ynwncd lazily. The warm spring
dny had made him feel drowsy.
"I guess Fairyland can be found
only in story books," he replied. "Or
else It Is far; far away."
Cocky Rebin, who had been busy pull
ing worms out of the ground and car
rying them te feed his hungry chil
dren, paused in his. work and cast n
laughing eye at the children.
"What arc you laughing nbeut,
Ceckv Rebin?" asked Janet. "De you
knew where we enn lnd Fairyland?"
Cocky Rebin perked his head en ene
side ntid closed his eye in n sly wink.
"I believe you de Knew." said Janet.
"Please, Cocky Rebin, tell us the way
te Fairyland. Wc want te visit the
fnrie'-" . L,
"Even If he does knew, Cocky Rebin
can't tell us unless sleep magic opens
our ears te bird talk," declared Jack.
As It in rcplv te that Cocky Rebin
blinked both eyes shut and nodded his
"Isn't that cute of Cocky Rebin?"
cried Janet. "He is telling us te go
te sleep."
"That I' just what I want te de,"
yawned Jack. He put his head en his
arms and closed hls eyes. He went
sound asleep at once, and Janet was
enlv a minute behind him.
Hew long they slept they did net '
knew, but it was long enough te take
away the springtime iazy feeling and
te make them fresh and strong. Janet
was nwnkened by something touching
her faee. Her eyes pepped open te see
Cocky Rebin and Merry Rebin, his wife,
carefully covering her cheek with a
leaf.
"Oh, you are awake," chuckled
Cocky Rebin. "We were nfrald you
might catch cold sleeping out-of-doers,
se we spread covers ever you."
Janet glanced down. She nnd Jack
were lying under quilts of leaves.
"Oh, thank you." cried Junct, "but
I guess it is time te get up."
"Te be sure It Is time te get up If
von exnect te find Fairyland today."
cJilriicd Merry Rebin crisply. Jack
awakened with a jump.
"Fairyland?" he exclaimed, "where
is It?"
"Fairyland Is near," chuckled Cocky
Rebin. "That is why I laughed at yeii
Cerns?
4-sA jTTLaaaaaaamLBSk
iJwMJF .
srw
OBasiiu
say
Blue jay
te your druggist
Steps Pain Instantly
The simplest wav te end a corn is i
BlUC-jay. Ateucn steps mepainin-
stantly. Then the corn loosens and
comes out. Made in two forms a
colorless, clear liquid (one drop doe
it!) and in extra thin plasters, use ,
whichever form you prefer, plasters
or the liquid the action is the same. ,
Safe, gentle. Made in a world-famed
laboratory. Sold by all druggists. j
Fret! Writ Bauer S-Black, Chicase.utvt.tsi
(or valuable book, "Cerrect Cart eftht Ftet."
Men Prefer
The Gainaday
WHY?
Because they are nat
urally of a mechanical turn
of mind. They knew ma
chinery. They appreciate
geed machinery. They see
in the Gainaday an elec
tric washer developed
practically te a point of
mechanical perfection. In
it they find only the best
of steel, copper and zinc,
simply and durably united
into the most efficient
washing-wringing unit.
Washer i Wringer
$5 Down Delivers It
Charge the Balance
That's the up-te-date
way te buy things that run
into money. 'Use them
make them work for you
while paying for them.
Phene or come in.
"The One-Price Heuse"
Gainaday
Electric Ce.
107 Seuth 11th St.
1336 Walnut St.
.Ai.Ml . at OJ . V
- wiimvMia nrv
CiWaaaaaaUaW
t-'. lr35eMBaaaaaaaaxl I
MAROHr 13, 1922
when you said It wng only In story
books or else far nwny. " . , ,
"Shew us the way there?" cred
Janet eagerly. "Please, Cocky Rebin,
show us the way."
"l'eu can flad Fairyland only If ypu
wear a magic fairy cap," replied Cocky
Rebin. Then, as If he thought he had
told enough, he darted away te his nest.
"Where can we get a magic furry
cap?" asked 'Jeck.
"Rv doing a brave deed and rescu
ing a fairy In distress," answered Merry
Kebin, dragging nn unwilling "r"'
from the ground and flying after Cocky
Jack and Janet looked at each ether.
Where could they find a fnlry; in dis
tress te rescue by n brave deed se they
could get the magic fairy cap te guide
them te Fnlryland? . ., .
While they were puzzling ever th s,
Rennie Rlue Bird rttsltcd from the
weeds, shrieking in alarm.
"Help I" cried Rlue Bird. "Help!
Prince Fllttcr-Flash Is caught in the
trap of an ogre nnd Black Dragen Is
en the way te cat him."
Jack nnd Jenet were startled. They
turned te run. If nn ogre and n dragon
were in the weeds, the safest place for
them was nt home. A cry from Cocky
Rebin stepped them.
"There is your chance," screamed
Ceeltv Hehln. "'Prince Fllttcr-Flash
is the son of thp Fairy King. Rescue
him and you will gain the magic miry
cap."
fTnmni-rnw will be fold llOW Jack
and Janet go te the recue of in fairy
prince.)
CHEW
WITH
FALSE TEETH?
SURE!
Dr. Wernet's
Powder
KEEPS THEM TIGHT
Relieves sere gums, sweetens
the breath. A white powder. At
best Drug or Department Stores,
WarattDutalMlf. Ce.,llSBkauSt..N.Y.
The Family Who j
Begged for Dessert1
"I'd just like te make some Ice
cream for diuncr tonight," said
Mrs. Graham as she uud Mrs. Nor Nor
eon sat hewing en the peich one
nfternoen. "Hut my ice cream al
ways turns out thin and watery." '
"Did you ever try making lee
cream with Puddiue?" asked Mrs.
Norten.
"I think I have tried making It
with everything' under the sun!"
exclaimed Sirs, urnham.
"Puddlne makes Ice cream smooth,
and velvety," said Mrs. Norten.
"You'll be delighted with It."
"What Is it?" said her friend.
"It's a prcphred dessert," she
answered, "and mere. Yeu see, I
never had much success with mab
Ihg cornstarch pudding nnd one day
somebody told me nbeut Puddlne.
New we almost live en it."
"Is it hard te make?" Inquired
Mrs. Graham.
"Oh, no; nil you de is te add
sugar nnd milk, either fresh or'con er'con or'cen
densed, and boil three minutes. It
always turns out right. I pour
mine Inte a meld, nnd then when it
cools, have a firm, smooth dessert,
lich and creamy. And it's se pure
mid wholesome, I let tli.e children
.. have as much of It, as they want."
"What flavor is it?" said her
friend.
"Oh. you enn get any flavor you
like your favorite chocolate,
vanilla, orange or lemon nnd It's
se economical. Why, one 1fic
pnekage will serve 10 people, or ou
run buy the 10c size."
"Hut you said something about
making ice cieam with It," said
Mis.Graham.
"Yes, indeed," answered Mrs.
Norten emphatically. "There is .the
simplest and finest recipe in the
Puddlne pucknge. And as for pie
and cuke fillings well, you'll be
delighted with their richness and
creamtness,"
,, A few davs later the friends met.
My dear," exclaimed Mrs. Gra
ham, "1 bought some Puildliie and
made the most delicious ice cream
you ever tasted, ami new mv fnm
ily fnhly begs for a Piuldine des
sert for cveiy meal."
Get some Puddlne at join gro
cer's today. Adv.
rilOTOI'l.AVB
HtnTrPUTr
COHMNV f ,
.OTAMWeA.
pany of America.
APOI IO KD A THOMPSON STi.
WALLACE REID
la "It KM' ntKi:
ARCADiA
CHUSTNUT Uel 10TH
If) JV M. ,n 11 II II VI
or.eiuii; riTZM.vniicK numi-, thin '
"THREE LIVE GHOSTS"
ASTflR KKANKUN t GIltAltll AVR.
"" VI MATINE13 DAILY
first i'iiii.ni:i.i'in. sikivvim;
"MADONNAS AND MEN"
BALTIMORE !" W
JOHN BARRYMORE
In "THIi LOTl'h KArKK"
Rl UFRIRri "r(",', s"iuennn,
DUKJi-DllU Cnntlnunm -J until It
GEORGE WALSH
In
T1IK WIXXIXH STHIIKI."
BROADWAY Urea:l ',
Art.
P.M.
"Ten Nights in a Barroom"
CAPITOL
722 MARKUT 8T
10 A XI te HUH P.
M.
VIOLA DANA
In "TIIK FOUinKKXTII l.tlVITH"
Cenrad Nnrfl, I r itrlir .lay run! Ill- 1 u,,t n
"SATURDAY NIGHT"
FAIRMOUNT
HPKCIAI,
20th it t'.lrarJ Ave.
MATIVI'P riAtf-w
biit'fiftt iit.m :
t- , ut 1 ,rr in
"Ten Nights in a Barroom"
IfYTH ST thi:atui-iwew nDruC
join "' matinkr d.vilt
TOM MOORE
In "Fllini IIIKJIKIII'M) ii"i
GREAT NUKTHERN KT-TJW
IIAHIIVUA CAHTIinilX In
"The Child Theu Gavest Me"
IMPERIAL ii.'ru waunit His
"A CONNECTICUT YANKEE
IX HIMi AUTIIFiyj4J-iM'HT"
rLTO "fctisS
. vjlukia SWANSON
In "1IK.K HUHHANrt'B TRAni,,..
yjY Hi.SSy'MnrxvT
'W1WM6mt'iZuaiu ,
J. ! Sheppacd & Sens
1
Levely Cottefi Fabrics
in greatest vogue for spring and summer fretltt and
capes.
, , Epetife, $1.25 te $1.75
A- bold weave favored for one-piece dresses and their
complementary capes. Plaids, stripes and solid colon. .
The dress may be of one effect, the cape contrasting
color. Very modish.
Tissue Gingham, 75e
New, sheer and fascinating. Checks, plaids and stripes-
Printed Voiles, 40c, 50c, 75c
Piquant scrolls end dots en rich backgrounds in
fashionable colorings.
English Prints, 50c
Charming little designs distinctly British in character
and color.
Japanese Crepe, 40c
A wonderful choice of delightful colors copper,
tangerine, maize, pink, jade, russet, Copen, navy
and white.
100$ Chestnut Street
I
, ,
rarara,r2JlratZlEJRJiairdrdi
woewkwe
ioe?4 vinaiN woeu
Kp
Outstanding featurtt tf Jaegtr Children') Cttt
art their Itng wearing qtulitiet, "tftrmth, end
the east with which they may it washed at htmt.
Smart, youthful coats are presented in stylet te suit ertrj
taste single or double breasted belted or unbelted
plain or pleated back raglan or set-in sleeves each typ
characterized by that finesubtle Jaeger touch of distinction.
CHILDREN'S PURE
RIBBED TURNOVER
or chestnut brown
Hiwiiisju,i-,iuiu.ummiuirjmaaiarjaiaiaic
PHOTOPLAYS
The following theatres obtain their pictures
siaxnLiJlx Company of America, which is a
early showing of the finest productions. Ask for the theatre f ty&ate,
in your locality ebtainincr nifitnivn tVimnedi tdm Sfeni n.. V "eiwT.
ORIFNT Woodland Ave. at AM SL
1X11-1,1 MATINKH DAILY
NORMA TALMADGE
In "THF. vvnsiiFiiii. imxc.M
OVERBROOK "jy"""0
PIIIht'II,I.A IlliN In
"CONFLICT"
PALACE "" V,",,?,
ckcii. 11. i)K miV.ik rUnJio" rUnJie"
"A FOOL'S PARADISE"
REGENT MAUKRT " TlelQW HTII
nuvaL.ni II A. M. te UP. m.
SHIRLEY MASON
In "JACKIIJ"
RIALTO GEllXtANTOWN AVEhUB
"A CONNECTICUT YANKEE
JgJgJJiLAWTIHIB'rl COL'KT"
SHERWOOD"TSAj:
POLA NEGRI
In "OXK AKAIIIAX NllillT"
STANLEY ?,a,at ah
M.
WALLACE REID
ln J'lK t'UAMI'IOX"
STANTON I'AHKEf-Alev. lUTii
'""" iu I HE RIGHT"
WILLIAM FARNUM
- - 'U-L'ilhTAIIiniexiAXCK"
VICTORIA SM"VTrTe7Tfn
. HAROLD LLOYn
M.
jii"As.n.u.iAII; MAX
GRANT H-iiiS,'1 Jr""5Tv
willrege'S'10'"-
In "til ,i: ei' vviimivi.
AT OTHER IHkAIHES. MT.MRF.rs OF M. P. T. O. A. J
aivma5iAUUir-v:-...tA-.i)nHm
wai ItAKLE
In "THK mav of HTOVP"
""BEItewn ffSAJSHsa.v'
San Francisce
' Bosten
New Yerk
Chicago
New at 1701 Chestnut St.'
Cor. 17th St., Philadelphia
CHILDREN'S
Spring Coats
CAMEL'S HAIR
in the Natural TJndyedTan
17.00 upwards
Designed and custom-tailored
in our private work
rooms, these coats for boys
and girls cannot be equaled
for style, quality and value.
WOOL HOSE WITH
TOPS In white, black
1.15 te 1.75
PHOTOPIAT
through th
Guarantee of mWt
OfbThe NIXON-NIRDLlNGERfHl I
W THEATRES lkV I
RFI MHiSlT 82D ABOVE MAI1KCT
DCL.lVtlN 1 1.ae Bn(1 3.0OJ BXO te It
Cenrad Nnrcl, Tntrlre .ler nnd Ilk Cut li
"SATURDAY NIGHT
PFHAR iTIP ft iCeIOAlt'AVHNqi
V-tUMrV. xae and 3; 7 and 8 P.
POLA NEGRI
In "INTRKIUF."
mi ICPI IM Starltet bet. Beth and 0ti
V-ULlOtUlVl j :se and 3: 7 nnd n r.
Conrud Xuirrl, TTHtrlra Jey anil Ills' CniH
"SATURDAY NIGHT"
JUMBO j.imh June
A CIlHAItU At
nn KrunKfnr "In
MADGE KENNEDY
In "OH. MARY. UK CAHEFUI.
LEADFR 4,8T u LANCASTER AV
l.lt-UC.r. a:30 te 4:30; 7 te u r. "
WILLIAM S. HART
III "TBAVKI.IX' ON" .
I CC JOT B2D AND I-OOl'M 1' HTRUETS
L.UV.UJ1 Xtata. 1:30, 8.O0. Ug. 1 " ,0
Wallace Reid & Elsie Fergusea
In "PKTKR HIBETHON"
NIXON wu AND
MARKF.T STS.
2'15. 7 and!
BERT LYTELL
In "TIIK Mil K HUH"
R IVni I 6JD AND 8AN60XI 8Ti.
IMVUL.I 1:30 and 3: d:4S te 11 P.
BETTY COMPSON
In "TIIK 1AW AND THF. WO'ldM! -AQTH
QT Theatre Opp. "I' Termini
07 1 IT O l . a 30. 7 and 0 ', M- ,
Conrud Nnirel, I.fnlrlre Jey nnd III i"
"SATURDAY NIGHT
STRAND S58 7v,V,i VCT
t'enrnd Nnaral. I.ntrlre Jey nnd Hl 1" "
"SATURDAY NIGHr'
JEFFERSON 3UftS,sWWv
LIONEL BARRYMORE v;J
I" "IIOOXIKRANO MIM.".
KiDaa avk. PAurutn,1
a;ie..
'tS
wfl
"4
i
'
Ntaibta rn a' Rarnw.li
"THE FOUR HORSEMEN
a"fV Hat. it,Bv. .
'h . MARYMeiCPOMD
mi4.. -T--.
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In. ". Vj
ir4WnrfivrirjX1'ffl
ifi.it 54.
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. " it.vT n'r- "
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