'ilr.'t' 'm& .'V'AiVI WW 4fer. mm i "JiUMI SET. : iTff .; 'Tl K," WJSI ffiWBB '7 J ' mgiTfiav.i na JtVLFAJfcl r m ;1 ha. n g'T . 'I ' JRE THE CURTAIN GOES UP fj Lm" attdS'The White-Headed Bof Are the'TwoNev- Wellies' in the Legitimate Houses $ext TPeekQessip WfS ' ' of Utlier riays ana riayerM . 5' Mi" I Bv HENRY M. NEELY v i likely te be a let 9 Interest In the two novelties that come te town HERE Is i j.eyej" which cemep te the Adelphi te jmd the long-run jnt ; ... . nl1nMl te nil levers of pet animals as well as te the Kf "The Bat, J""a foiiewertsof Wllllara Hedge. "The' White-Headed Bey," iaiB-.'" n,ii nurke at the urena, win give us a genuine vaincrenr hUch dlplc?.,","- u, -.,nrt the insiders who like te talk of the theatre 1: .1 nlnv WhlCIl eujuv . ... " : nsneets. whatever urey ".cuu u, u,, ."hUew." But it isn't just ordinary. Net that the play is par- E3 j.Hy "hlghwew, -v L.ttimatn theatres ".?':.,-. r...nr.ri, Sidney con st tne uj"1-' ---- - IS ''Welcome. Stranger," at the n.t. .V.i..ilitlnB Greenwich HPSWllM remains at the. Shubert; "' ;.' lirlll ant preDiem-pnij, Siskin flame " l" at the Walnut. !5Sl?i.'. mm Play,. "Orphans of Storm,'' repeats at the terresi. .. . - nnrvn Hlilncv will tfe mention. l "- . .h,t, vb IfU , len "Busy lwy ' r fourteen years most of his np pearancca in Phil- adcipnia w ifr" run ler flaw ' . t-... ihnii at Tenth WBtsFx. Wrf 5?1V"S" Ms rcnuUtlen for 2r When he had get all he ceud . XL1?". he attempted "legltl- J"".i. u w role being with .VJuUnkn and Raymond Hltch- lis "' "V cn,nn" unmn seven Jrfln "Me bow -.- -- - . llfmsMger and was made up UarSs Frohman. Oddly IJff his next role was also a t icntr!- 'VYm Cehan wrote In WJ52S e nut Chauncey Olcott en "r. : called 'Honest auu .." called b?vW Olcott in his Ms STn-nHen." But the purme in- "". 1 l Shows That Are Coming Je .Philadelphia Soen February 13 "Main Street," Wat- nut. , ' Fetirnar.r 20 "The O'Brien Olrl," Oarrlck. "Tlie Oeld Dippers." Bread. m "Make It Snappy," Shutert. Coming "Thp Squaw Mnn," with T William Paversham, Lyric X STARS OF THE SJTAGE COMING HERE NEXT WEEK Waiire O'NuJ SiaxelaAr THEWHITE HtAOED BtW 1 THK you i en having wicen. ... "","' "" 5".. j .iinnm.t .lehn O Brlcn wna Shdrawn after a few wifeks. ' in th s t me uiney mm uvj '"' Jtt?bale ideas for. theplay he Is & her in. After the failure of he nmU venture, m- reureu ruin i.. rflte for two or um-t- ."' ,'" JTub plot, and finally, working in SuSratien wltfi Aaren Heffman, Welcome, Stranger" was preauccu. !' . nnnt nlnv. But it Is one rf the best ermine's rntcrtainmenjK I rl uuiiiui. nnil Sidney uk(g a personal triumph thmfynu ffl't forget very easily: l vc, ncjer IMB a man gel ppreennniy '"- " foetUgJits with mere quiet methods or L. nimnrent effort. And 5 oil lcilVU with a very deeply rooted conviction that tha prejudices you have seen en tti stage are pretty widespread, in wieui ways, and that maybe you have Mt or two of 'em yourself. It s tlolfjemc. w " RUMORS arc mighty busy about D. W. Griffith. Right after hefinishe'd "Orphans of the Storm" he was up smiehed with a tremendous pliin of producing a scries of pieturc, or, ttther, a series of heries, each hinaller Fries' being designed te portray the kUtery and geed charactprisHes of the peple in the various" sections of the tilted Stntcs. It was propaganda tuff desicned te knit us all mere rlesety together, and it hud immense liinrlal bucking, most of which was ndentoed te be official. Then eainp aeents from sonic Seuth lAmtriean countries with n scheme te Me Griffith tiJniN te give publicity te I weir nations all ever the civilized world.. And new comes the most unusual IM of all, .but one which, according te "imldc" Kessip, tiriflith is seriously Mmldering. 'China wentM him. -China wants him te go ever there with his whole studio fcrce.nnd send out threurh the world pictures which shall show the Chinese in their real human and lovable quali ties te counteract Hip damage done by ae long je.irs tn winch the Chinaman lis tlnajs been used as. the stage and IfrMn Vlll.lln r'liinn nlxtrnrl Crlffith Wetuse of "Croken Hloscems." uFlffilil'M renrnnl ntleA iu In Tl.lln- defphla new and has held several con- Krtnees with some unnamed millionaire Ihlimman here, and 1 get it from fairly ariight sources that D. W. is much ittncted by the preposition. THE Tknalri' C.uilA ni .., .i. II . " "t '""' "", Schoell anethtr in Vlnrrniinn Dumaim irAe attended the Alexander Henry Scheel In Fraitkferd. and the. third u Gorden-Doolcv. one at thr nrlnrlnnf lunmakcr in the cast. Hnntni trn gtven a dinner and quite an ijaberate" rifcptKiK uy nu oeynooa jrxenas test week. . . troubles that fellow when a' yOllniT CltV Clmn IrlfU In mn n .Inir iiirui ierm me oasis or. tlic plot of WII llnm Hedge's new comedy, "Dogreve," which comes te the Adclphl Theatre Monday night. 'As has been the case with many of Mr. Hedge's recent vehicles, "Deg Leve ' was written by. him. as well as being nctcd with him in the principal reic. tioerge uuver trie part played by Mr. Hedge has, when the play begins, only a limited knowledge of dogs and has never qrtcstiencd the nsiem. "deg is mna's best friend," hut nftcr he has tried te manage the deg farm, and tried te straighten out the difficulties which the. dogs, either directly or indirectly, bring upon him, .he is Inclined te say "Beware of dogs." That, Jndcp was the play's name when It nppenreil fti New Yerk, but, for fenr that this milit sound (tn deg levers as n universal nttnek en th'elr fa vorites, .the name was changed. Among these appearing with the star arc Ann Davis, seen last year In his support In "The CJucst of Hener" : Geerge Barbler, formerly known In stock here ; Jehn Webster and Hnrdu Daubc. Naturally, the part gives Hedge a chance for the same dry humor that he utilized in "Thp Guest of Hener," "Curing fumbles," "The Read te Hap piness,' .'and "The Man Frem Heme." .wiw-jB". I lmmmmwmmmammmmi &KOAt r.BMjaBBi ' mmMmmmm&mY'mm:;- BiiHmmBHBBmHMMBiBHBBlBiHiiimta kHjaBjjjjjjMLi.' mmmK'fJk'AimrUM. rlBr i UHlmK ''- fwB&wP'i smfi MKml iBBHI9BaH BbF tB 1.BBM BBBBBBBBBBiBKBfllPSBBBBBl BBB''vlPlBKc2x''xBBBliK'SBlflBBBi BBBBBBBBBvrCK''PBflBBBBlBBl BBR'VeKPBBr" BliflBBBf -; BBBBBBBbK ViHiBBBRBBKBBl mmA'MimBiM': BBBrFBBv&liflBBBBBk'BiCIBi BKUajBBSBBBBBRBflBBB 19 . .rBBBWU PlaBBBBPBBBI Wt&X Ttettf.-. - , EBVBBBBBBBBBBBBBBBBBBBBBHBBBBb BBBBK sBBBBBBT' 'BBBBBBBBBBBBBBBBBlB&jBBBBBBBBBBr fl 9 ': vW ' (SBiBBBBBBBBBBBBBBBBBBBKSH BBBBBBBBBbBBBBBBBBBBBBBBBbKIbBBBBBBBBBBBU w "&?: ifBlKBimryffiS w'i-v.iy -v.j,L:MZrTmir zm--mc.4 'W--ti' s ,m '''KBKiM trMiHBii'Bfc-l'Y'y VtfMflLBEH I BtM4a' BBBBBBBBBBBEMBBBBralBBILjBmB-" lfP'vf:'jBBBfWl'BBBBlBBBBBll1 ' LclMk'': r. BB1 BBBFiMBBBBB BBBBBBr AWBBhBI oe x wmmdm bbbi b . BBBBBB:yr : m BBBBBBBBBBBBBBBBBBBBBBBBBbI BBBBBBBBBr x -BBBBBBbI l'' .bW 'KiSfT-X ttttmse ''JkWVBBBb WELCOME WANOTP: THE 5KIH GAt CREtHWICH VILLACE CBBBBBBi CAR RICK TiiyT , FOLLIES JbBBBBBBBBb! LBBBBBBMBBk':'v:l9 yBafer. BBBK &? ' VBBBB 1 bibbbbbbbbbbbbbbbbbbbbbbv-'jbissssjk: ,- v.AiVJSSKrfr , vi m -. y. s x- vaissssssi . BBBBvBfli tBBkk ihBFBBBBBBBBbIbBB 'WP BBBBk' ' ' i:'Bl BBmT StBKt KPSBBilP . s BBBK ''Jk diiv jgiJ' lVf j H BBBBB-m-: vtMBBBBBBBrBBBBPIE:''BBikk ' flBKrl' M y' , 0BBBb1 BbVSwBW 'BBBBBBBBbII BKlBr "t JtS I LMttMBK.' jBBBBBBBBa BBF-tlNScjfc J L-BBBBBPBl I PlflP. ' JK IBBBBBB-iBatc5BBBBBBBBBB W4r'Ki-ili. 'ftillaV Ue2ud XlrNaslZ Leea .. 77ffi Cfl7YC Ty4LgS TO MtSJC LOVERS VULft 12 which they arc portraying, and hence arc- able te make the cmotiena of the opera cenvincing: and unless an operatic singer does understand and i(..n..ni.i u.mnnihlw with the char- acter which he is impersonating the portrayal of that role will never be es pecially geed. It may "get across " but It will neTvcr make n Btar out of the person doing it. Of course, all this has te de only with the nctlng and UUle with t,be vocal part, except that a singer cannot give a thoroughly goon vecai prcmrniu prcmrniu tlen of a role with whleh he Is net in fiympnthy or ilecs net understand. There was n41mc In opera when this wns entirely possible, but with the ud vancc of the dramatic clement, pr rather with 1U closer union with the vocal part, this can no longer be done. rrUIERB are a few great actors en the jl operatic stage, et wnem mjwuaiu.u and Mepsrs, Didur and Scptti are notable examples, who seem te have the facility of assimilating nny role, whether comic, serious or tragic, but they are flew Indeed. And these roles where they arc at their best, such as the Saleme or Thais of Miss Garden, the Archibalde of Mr. Didur or the Searpla or Chlm Ken of Mr. Soettl, arc what might be called "traditional' roles demanding a very high order of dramatic ability, without! the element of .. , t 11 ... ..!. Intn llltn. a nniienai icvumk raien .-' . rpHE power, of nationalism in the In-1 J. tcrprcUtlen of music;, was given a trlklng cxcmpilficaUen in Philadelphia recently when Fcoder Challapln-sang (or perhaps It might be better te saj acted) the title role in Moussergsky's opera "Beris Godeunoff." It is exceedingly doubtful if a per son of another nationality, even granted that his vocal and dramatic endowments were the equal of these of Mr. Chali anln. com lil have ne.rfermed this work in the. same effective manner, -incrc Is something about the role which de mands that the person performing it be net enlv Russian in bleed, but in 1 thought; In fact, if he be Russian in tneuglit the bleed will net maKC any special difference except that the two things are ordinarily corollary. In the first place, the opera- Itself is mero thoroughly Russian than any ether work for the stage with which the opera-going public of this country is familiar. Tscbaikewsky's "Bugen Oncgin" might be laid in any northern country of continental Europe; "Beris Godeunoff" could be laid only in Rus sia net alone in plot, but mere espe cially in atmosphere. An was noted in the EviiNl.vi Pum.IO Lkimer at the time, the drama, for It is net essentially an encrn. Is a series of pictures of typical Risian life tw which the plot ns such is entirely secondary. In this respect tier , 1I 1 ... . . ... .. I ' t rr,alrn lie nnrt lit least net rCPUlStVC "Beris," having little te de wltfi the i te an American audience, as was the . I . ii! MBiiln tnnnf who i actual plot of the opera. idelphia. Mr. Hackctt's portrayal nhtlviut In fail hnrt tinnn their at -" ." r.T, :ri :,' - i.vi2.ii.1 resources, ana ni mis point ine nnnwjvi.Ti ,IL IIBUUIiaiinill JHIC.I.UI ,ll v "TV IV TJ fi lermers were tnrewn upon tneir lnntr" .a;i j consciousness' for their interpretatli. "J" thitv KMpn tn tilnv tnm mnat urnrlta in r.A. the manner in which these works apv ' ' pealed te them, and ns n result, th -'JfcfliJ compesiiionn which were wrmen ey inn n .1. Ma... n llila . l.t..J id... ..ahb llllinc.n wi Liit:it uwil uiuuu( UIUSD UUBI T 2 J nesers who nut into their works thn ', w,J things te which both composer and per- 'SMC! former were born, were played the beat.'- $NJ8 It is net because they like them WJA? better that the players perform theaaifS works tire best; it is because, perhaps Ty unconsciously, they knew better WhJ'tefS tun composer is trying te say And therefore interpret it according-te their common heritage of bleed and tradition. ACTORS' FUND BENEFIT Suxrasar METROPOUITAN CA-SIKJO OBOHANS OV TMt STORM POKRE51 Uncommon Sense By JOHN BLAKK Pick Your Position Tn n HE role of nhllosenhlenl bvstandcr is II "Juu Journey tnreugn me world it nlpflsnnt nnn te nlnv in life. But It - w " I1"' J0" l Bcc into inc swimy Professionals and Society Girls Share In Program at Garrick Full-fledged neters and netfesscs vied with debutantes en the stage of tlie (Jnrrick Theatre jestcrday afternoon. The occasion wns the Actors' Fund Benefit performance, anil stars from New Yerk as well as these playing en gagements here joined in the entertain ment. A two-act mystery play in which no body nppenreil en the stage was a fea ture. J0cry conceivable noise was uti liaed such as telephones, clocks or all sorts, canary birds, shrieks, shots, au tomobiles eff-stuee. train whistles, air plane whirring', breaking down of doers iindtuHinds et heavv bodies falling. Then the "Auther" came out and introduced n cast of fifteen celebrities who had "taken part" In his play. Anether sketch in which II. B. War ner. .Inne Giey and Vincent Serrano took part was repeated in tete becnusc, according te Mr. Warner, the cast wanted te show their 'appreciation of the audience's applause. The Society Pageant, entitled "Sports of the World," was another feature. Society girls and matrons appeared, each representing a particular sport. There were tennis, golf, football, can oeing und many ethers. Among these taking part were Miss Jean Rcilly, Miss Dorethy Redgcrs, Miss Eleaner Slean, the Misses Sarah and Mar garetta Harrison, Mrs. .1. Clayten Strawbridge, Miss Mildrciiengfitrcth, Miss Mary Enrncatitia App..'ten, Mt. Harrison Caner. Mrs. Karl Dedge and Mrs. Walten Clarke. had better be left te the old, who have the philosophy. The average man hasn't time te watch the world go by. -And it isn't I profitable for him te have it go by. Ills job is te keep up with it, or even move a little faster than the rest of the par adeIf he can. Tn New Yerk they hayc been long talking of building an underground moving sidewalk. ' This is a scries of wide platforms. The fiiwt, nearest the stationary side walk, 'moves very slowly. One can step en it without being jerked off his feet". The second gees a little faster, and the third, or pe'rhnps fourth, moves at the rate of an ordinary trolley cnr. Thus by degrees the imsscnger can get into the swift current of this me chanical stream and get te where, he is eeinir in n short time. Near his destination, he must pre pare te return by degrees te a gait from which he can reach the station ary platform without accident. i8TNYOUR if M- will prefi moving part et the current just us seen cct It Is. striklngfy like Charpcn-I In the same wav f harlca Hackett was s "Louise," which, In the same j at hte best as Plnkcrten In Mndurnu ncr, portrays Parisian life In borne Butterfly." where he seemed .torebll"?''; lO RIBKC U1C purl. Ul I, no.. - -, --- ,. nn American audience, as was the representation of a certain tenor who. Snn the role several times in Puila- me PORTRAY a leading character in s,ewcd' that he had an understanding X n work like this requires mere than I of American trr Nevel Stage Setting for Play Se constructed Is the scenerv used by the Irish PJajers from the Abbey Thentre, Duhlln, in their presentation as you can, and te stay there just as long as you can. Your working years ought te number about fifty, and that is net very many te accomplish the Important things and tn reach the most important destina tion. But if you will decide at the begin ning that you want te be en that cen ter sidewalk, you will be verylikcly te get there. Hundreds of people will block your way, for the fast bidewalk is going te be the popular one, and the very, very fast one. which exists net in subways, but in life, is very hnrd te reach. da.cK IvToapwer tin B.F. KEITH'S PAINTINGS ON VIEW Private Exhibition te Precede Shew ing te General Public A private view of the 117th annuul exhibition of the Pennsylvania Academy of the Fine Arts will be given tenfgtit. The exhibition will be formally opened Monday. It will close March 'Jii. According te the sponsors of the exhi bition, there have been collected sculp ture and paintings that represent In average the best work of contemporary American artists. Mrs. J. Wllrucr Kiddle. Mrs. Henry S. Drinker. Jn.. Miss Annn S. New- bold, Mrs. II. S. Prentiss Nichols, Mrs. Clayten Piatt, Jr., Mrs. William f. Sprout, Mrs. James Starr and Mrs. Carrell S. Tyson will be hostesses to night. Member of Popular Trie' Several years age Blckell, Watsen and Wrethe formed a well-known comedy trio en the stage, when thev dissolved Geerge Blckell and Harry Watsen. Jr.. became "Follies" fav orites, new Blckell Is still nppeariiiK in musical productions and Harry Wat Wat eon is in vaudeville. The third member of the trio, Ed. Lee Wrethe, has ulse become a vandeville feature, and is vocal and dramatic ability ; it requires a thorough understanding of the na tional characters depicted, and tills is a thing which can come only te a person born te that ntmesphere. The spectator feels that Mr. Chnliapin would give a remarkable dramatic interpretation te any rele which he might essay, but at the same time the fcelinc is ever present that Beris is his jrrcatest part. This. ! -..I 1- 1. r L 1..1.1. IS Hill, lllliv IWIIIII Ul IIMJ rC'IIUlTKUUIC , , , !,.- ,!, m.,4.. acting of the highly emotional second that they perform best the master act, but because he has in him that !' composed by these of their own necessary element of a thorough under- e'0,00-, , ,. .. . . . cnmlihi. nf hi ,. ...r.i umnti.s. I In this connection It must be also which Is given" ns a birthright and can ' remembered that the great eMjijw never be acquired. " , of Europe have usually written along sincu.v urn I'-Mi.n tiu.-T. .1. "-..... I impossible te mistake n Russian or a tradition and feeling and knew exactly what one of his own race would de under the ghastly circumstan ces. THE national clement in interpreta tion Is by no means confined te the operatic stage. One has only te re member the greatest concertos of most of the leading instrumental artists and then recall their nationalities te see y ut determine mat ii is tone your coming te . t Jclths theatre next J- nlace. anil veu will stand a better week in a new comedy called. "New. . 1 r - .. . . . Anether instance going te !car out this theeji'v is th.it the reatcst part of the late Enrice fiirtisn was Canie in "I Piiglliicct." It mum be remembered in this connection that this role did net allow the widest opportunity for the great tenor vecallv, nor did it espe cially suit his natural dramatic pro clivities, which were rather toward humor than traced. But he wns Ital ian, he understood l lie three-person traveling group peculiar te Southwest ern Europe and the emotions which Cnnle feels in the opera he understood and hence enacted convincingly in every detail. French symphony or concerto ter a German work a nil the converse of the rule applies as well. Hence because the composers have written the life and the soul of their own nation into their music It can het be interpreted by one who was born te that same heritage. It is for this reason that Fritz Kreis. ler is supreme In the Beethoven and Brahms concertos and that Elniun and Ziinbalist are nt their best In the Tschalknwsky. In thcte dajs of enor mous technique, when practically every irchcstrnl player can perform teenni TO CITE still another operatic in- ' cally any of the great virtuoso con stance, it is neecary only te recall ":rl0 th" nucstien. of the ab hty te chance of ccttine there Yeu may net de it, of course, for there arc few who can occupy the best nlaccs in life. But .veu will be sure te get a better place than If you had'nt tried, and your efforts, however strenu ous they may be, will be well rewarded by your achievement. CovvrieM, te::, fry Public lkAacr Company He has Owen Martin, as his associate. the marvelous portrayal of The Father nnd the Mether in 'Txiuisc", by Mr. Rethier and Miss Herat. It' ft' no dis paragement of their remarkable dra matic abilities te say that in these roles both appear te the best advan taee of any which they have essajed in this city, and it is only fair te add that their delineations of the parts bnve never been equaled by any ether operatic stars who have uttempted them A lnrce part of this is due te their icerity in interpretation, this method ei nationality and that, as a result, the.v plajlng became practically obsolete, understand thoroughly the characters With this growth performers were T,lnv the notes does "net enter into the matter at all. It is all a question of Interpretation, and this interpretation gws further than te play a concerto in the manner in which the master taught it. THIS used te be the manner in which concertos wie taught and played. But with the advance of technique and the demand for originality and sin- MUSIC NOTE8 Mls Kllrabeth Prlehrii JJrnr. contralto, will line with u Philadelphia. Orvtwutra en WMnewlay ."'" nt at Welrttman Hall, Unlveralty of Pennsylvania. Bhe an, tx-arrl Innt summer with the Lepa Orchea tra at Willow Greve. rtulh Ray, violinist, will en hnrd for the flrnt time here en Thuntday evenlna. February 18. In the foyer of the Academy of JIualc. The symphony ereheetra of the Corah Ceriaerratnry, cenaliitlnr of ntny members, , will rive a concert In Musical FSjnd Hall en Tueedny evcnlns under the direction of ail. berl Uamelda Combs, director of the eon een eon nerratery. The naalstlmr artiats will he Ophl- Mildred Wertx HHdera. piane: Har Har old Haatlnca Marker, violin, andjRuth Rew Clutchcr, accompanist. An elaborate pmirram will be firm by the Philadelphia Mask: Club en Tuesday afternoon In the Iteee Garden of the Belle vue, devoted tn the works of Jehn Sebaatlan Bach The Peasant Cantata will be pre sented fur the first time in Philadelphia. - W. m Iley Praim announces a concert by pupils of the Itilladelphla Institute of Mesle and Allied Arts, In the Orpheus Club. 1530 Chestnut street, next Saturday after neon, at 2.30 o'clock. "Den Carles." which Verdi wrote for the Paris Grand Opera and which was the Im. mediate predecessor of "Ald.v" will be riven by the Metropolitan Opera Company at the Academy of Music un Tuesday evenlnc. The cist Includes Iteea Ponselle Adame Didur, Olulle Crlml, Giuseppe Derbies. Mme. Mut zenauer. Mme. Dalensy, Mme. Hundeltui ami Messrs Gu-rtafsen nnd D'Annele. Mr. Papl will conduct. The program of the concerts by the Phila delphia Orchestra en Frldaj1 afternoon and Saterdav evenlnu next, s made up of the Passncarla In C Miner of Hach. the Con certo Orosse Ne, 1 of Hnndcl for flutes, oboes baasoens, strlncs and clavlnembale, and the Klflh Sympieny of lletheven. .Mr, Stokewskl has orchestrated the PassucXtila inn me nana-i uoncerte. ''helce of any three operas from the telre of the Chlcaee Company durlnir Its Philadelphia eneacement. KlvInK patrons ad vnntairn of the sMsen ticket redtu'tlen and oppertunlts te secure preferred seatlrur leca tiens, is arte-rtca threuxn a special arrajice ment which irees Inte effect Monday mernlnr. Se many peple expressed desire te purchase tickets en the season subscription plan, but erly for three or four operas, that It was de cided te accommodate them. The Philadelphia repertelr. Is Monday. Februarv i'Tlh. "Tann hseuser" Tuesckiy "Saleme", Wednesday, "Ie Jentfleur de Notre Dame". Thursr(a'. "Komee et Juliette", Friday. "Pclleas et Mellsande", Saturday matinee "The Jewels e! the Madenna"; Saturday nlcht, "Menna Vanna " Twe yeuwr Philadelphia artists will be the solelxts In the Academy of Music Sunday evenlnc at the third concert of the season by the Philharmonic Society. They are Max Seenefsky, iellnlst. and Marcus Blltznteln, plarjst. who will he heard reepectlvely In Mozart's leiln concerto In G and the piano concerto In U miner by Sxmt-Saens. The rest of the preirram Is: Overture Kuryanthe, Strauss' Artist's I.lfe Waltx. two cntr' cntr' jcte from Illzet's "Carmen" and the evor- ture te '-jne Fiyins uutenmap." Giuseppe Ferrari, cntnpnser and authority en French music, will give an addreas en "The Art of Senc Interpretation" and a recital of ancient and modern songs at the Musical Art Club next Thursday evening. Miss Acnes finne QuinUn will jrlve her Ierture.r:ltal en The Ancient Music and Instrumeris of Ir-Hand'' for the Forum In Germantown en Monday next. '$ .1 1 i. ii .... ? . . . XI ?-.' .f.!:.0 r? .Ii?.n'.r. ? '.' P'e. of Lennex: Kobinsen's comedy, "The ul. .!.- .-I , . ,. . " i fnrec trhelc evenings te see it MrWM, They're naitta tn dn thr first tutthe firt irccfc, second pert xerenH tu, third part third week, then hark frtt part and te en- if it lasts that V. he-magAne! N t It f&AT ee mi. n., I.a .i:!j: , I i. Sj .Lrt '""'ns that Philadelphia has M tie chance of seclnc Kritish caKa XiiA P1m in ,nrce of the best SZFUt" Plays that have Eli.0!! shown hpr "-is "WW foer season. The iirst was "The Bill of Drwi "xaDie a irwmn.t l.i.i i -... mi, milieu nas scored se re- Mici-css In Londen ; the lWn, ,". ""' "rummend," that wtcieus nieltMlrnmn which did well at In. n :": Ithmafn ., 'V.' in thp I're-holldev hBL tl,r! is ' ' "M" Oanif," IM s ","" years most th thought' a new "tt weeU nt s ii i . Hi- . . ' " "rimu, we arc te h. iTl.v"" ,nny of itish players from 'Abbe v Theatre. r . ". ' ' "- nis Wm7 it rp3 'umn' " a comedy, Kasen Uded I5ey'" l)y Lcnn" L cenmini ...i.!..i. , . i, erld's t..i7- i " . " "." ,s "laKing a ihwmini ' lms ,",'n keDt 'lb", with 1 Derfir txwP("'. since the origl erigl mVT,0,;'.t" Abbey Theatre. niualin . ' ' "i,' " ,s bound rer -Wann8 C,r.,." fWte of this KOn nff t.. "",, huh fxpccis 10 B "'re rnJ rll' ''Africa be- lined tk.. -'"'-. iii iiuviiir coni ceni K?t2.iS drpJi' of the Knglish -sneak - liited-Headed Hey." epenlnc at the itread Street 'rhcatrc, Monday, tnnt tne spivtater seated In the center of the auditorium has no ocular a'dvantagc of the spectator seated at the extreme left or rlsht. Ne one can set feet upon the stage without being immediately dis cernible from; all parts of the theatre, nor is there any object used that is net visible te the spectator no matter where he sits. Te accomplish this the stage In stead of being "set" at right anglea V the audience as usual is set along oblique lines. r Cast In Hedge Comedy William Hedge, remembered as "The Man from Heme" will bring a new comedy of his own wrltine te the Adclphl Theatre , next ' Monday. Ann Davis is his leading ' woman. Harda Oaubc, the statuesque beauty seen here last season with Wllllara Faveraham, in "The Prince and the Pauper," Is the vampire. There are three members of particular interest te Philadelphians, decree Barbler, Jehn Webntcr and Carrie Thatcher, all of whom were great favorite here In the days of stock companies. After-Dinner Tricks "IPortiens 0f ,i,e glebe. lee author i...e uer; :V?LV,'.n?T'10 ?f. '' iiy- eed f, ."..". .l.,u"'u'y cin-i untrvSi,in ,":;". "'" 'e. tun insn erv ,;',,. ,M:,oi!e...?.''i i"y wneei ?, u V " '"'"""y circum C.....b0- Tinether's durllnK. wl.esi "BUmls ..i n l"Lr." ""rung, wlies-e Jn The imr"' " ,,P,,, of "lip Wert i 1.-11, , etn.u,crpus brothers and cast him "' "0 rrv,ut a"d seek i " L" f - 'ly te find themselves per. Hawiii ". '"'I'cxiucs worse than Maeeii"zvi"u,:::m!:::e.n;- rfil "? -W again'srwlncn IsvlesK k V ;"ri 'voninsen never- rMrrWliJlirn,,,PPd wnut is Bttid t0 bc wrcsist bly fnny comedy of man- , Tee com mm v ii...i ,..i v.. ... ttr Hlncl. Ar "".'V,.,.r!," " lar Khl.l.i , ' ''"" .uurKUii. ,r- inH n V i , V. vVml" ''"ran si,. ,irul,0,unn7t May Fit. , Diizanne MrKeman nr.,1 rs-ie. i Ilayd anne MeKcrnan and Chris- en, I?! are tree Philadelphians xeith jOrfentcft Village Follies at the liELi?ne.ef Pem " tf0 Earned, fMe e the Qermantevn High OOF 77 Ne. 77 The Vanished Penny A coin can vanish from the center of n handkerchief by fixing a dab of chewing gum underneath ene corner of the handkerchief, The cloth is spread out en thu table, and the ceu placed In the center. Then the gummed cor ner is folded in and pressed against the coin, and the ether corners are folded In en top. ' The corners are opened out rather quickly, the coin cornea out with the chewing gum, and lies cenceajed be neath the corner of the handkerchief. Cepvritkt, lift, v PWe Leditr Otmptmi ACTOR PRECIPITATES 'WAR' I AMONG N. Y. CLUBWOMEN Geerge Arllea' Eulogy of Deg De- feats Anti-Vlvisectlen Motion New Yerk. Feb. 4. (By A. P Proposals that the New erk City Federation of Women's Clubs oppose the employment of dogs in vivisection were voted dew"h by that organization yesterday, following a heated debate. The point at Issue. Involved that old favorite of the debating society "Is the deg or the cow the best friend of man?" The rivalry between the bovine and the canlue threatened for a time te break up yesterday's meeting of the fifty -seventh convention of the Federa tion. Mrs. Belle de lUvcra. founder and honorary president of the Federation, proposed resolutions supporting the ex emption of dogs from vivisection, and mndn an elnnnent nlea en their behalf. She then called upon Geerge Ariiss, the actor, who, after a short address, made the mistakn te say tee deg was man s best friend." Irfrs. AVIUiam Bporberg, president of the Council of Jewish Women, took in stant execution te his bread statement. asserting the cow held the place of honor. Dr. Simen Flcxner, of the Rockefeller Institute, took part, in the debate. TREES CONNECTED WITH FAMOUS POEM CUT DOWN "Weedman, Spare That Tree," Was Written in Their Shadow New Yerk, Feb. 4. By A. P.) The two tyearaore trees, mero than 300 years old, under which Geerge Pepe Merris wrote bis famous poem, "Wood "Weed man, Spare Tbat Tree," have been cut down te prevent their falling. They died two years age. "Weedman, spare that tree; Touch net a single bough, In ynuih It sheltered me. AjkI I'll protect It new." This appeal, which has been nn elo cutionary effort of countless schoolboys, went unheeded with grim reality, as axes cut deep into the trunks, branches were cut, boughs sawed and movie cam craw clicked. The sycamores grew in tne rear of the old Woodward mansion in West Twenty -second street, In which a llrlt Isb general hid and later escaped dur ing Washington's occupation of New Yerk. The place is new a girl's board beard ing house. MISS ETHEL KAPLAN TO WED Germantown Glri te Become Bride of F. E. Atkins, Jr. The engagement is announced of Mim Kthel J. Kaplan, daughter of Mr. and Mrs. Frederick W. Kaplan, of ,121a Queen lane, Germantown, te F. Edward Atkins, Jr., a son of F. Edward At ktaa; auditor general of the Pennsyhm Pennsyhm nia'Ttaflread. Atkins is studying en gineering at the Pennsylvania Railroad shops at Alteena. Miss Kaplan Is twenty-two years old, her fiance two years her senior. She fraduated from Swartbmere College last one, .while Atkins graduated from Bwartlme ta 1M0. LITTLE BENNY'S NOTE BOOK By Lee Pape The Park Ave. News Weather. Windy besides cold. Spearts. Sid Hunt went out te the park te try his new ice skates last Sat idday and came back with a bnlddy nose and scrapes en both neez and a bunk en the back et his hed and one en the side and a Mack and bine place en one elbe, proving hew mutch he hadent bin en his skates. Sisfdety. A berthday party was held by Mr. Ram Cress for himself lat Wensday and Mr. Pods Siralrtns at se mutch he felt sick at his stnmmick bnt bravely tried te pertend he was all rite by still Veping en eating. Amnng these also present was Mr. Betmy Potts, Mr. Artle Alixander, Mr. Skinny Mar tin, and Mr. Lerey Sboestcr, Pome by Skinny Martin Don't Get Beddsn ADways sleep with the windows epes Te leeve in the pure fresh air. Bat yeall knew yea are overdoing' it If yen find icrekles in your hair. Intristing Facks About Intrteting Peepie. Benney Pettses favorite motto is Eat sleep and be merry, Sid Hants favorite one is All wcrk and no play Is the werst thing yetf can de, and Pnds Slmktasefl favor I te one is. Haste makes waist se take you time. Lest and Found. One cent, date 18TK) with a slite nick en one edge. Reward. See Ed Wcrnick. lltBBlBmllslssssssssssssssssssssssssssssssssssJ Si TVITb B fal2il H 1 B Hi lis Isss. ssssssssf! m I 9 99" UL (I K.sssasSs MsM 1 cB ssssssLsssssssisW. .OOBll IS Yeall taste the difference! s asee Coffee m 1 Cc I At all our Stores Clearing Up a Misunderstanding PflbUc Ledger Btareaa. 1 '.WashtefUw. J4n. 38 J At least tdxteen persons lest thell llives-and sceVct were Injured." many perhaps fa Uy. when the concreie.reof of. .the Knickerbocker motion-picture thmmtrn n BMMl.iAU- !... L . - ... v, -,. mswaniifnc pu- jq. igmein rea.;ni tyuixirel WttMng. tens nonewm raterjentfatl district," cel. lapsed under .tht) wtlgst efi Many persons assumed from this news item that the build ing was of reinforced concrete construction. In order tc correct this impression we wish te say that the theatre walls were of tile, the supporting members of the reef were structural steel trusses and the reef covering was cinder concrete. There is no evidence of inferiority or failure of the con crete te perform its service. As stated in the Engineering News Recerd, issue of Feb. 2nd, 1922: "The real trouble is unquestionably te be sought in the structure itself; . . . expansion and contraction movement of the steel-work are being considered as a possible cause of creep of the main truss en its wall support, leading te its final unseating' E Hercules Cement Corporation ' Philadelphia m cl 41 l 1 &! I 4 fi vl XfiJi 1 fcl.t; fegifeMllAfe Mm,tMmMk3,,Ji,: , 'Msm.JJk. i ,: t" iMt . ;4&Mk,