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FOR YOUR SCRAPBOQK OF STARS
Hew I Became
A Mevie Star
As Told te
INEZ KLUMPH
TXe Daily Mevie Magazine
v '''-jrf
M-
fe
W
CLOSE-UPS of
By HENRY
jTjc Wailing Takes the Remance Out of Studies
r"8 often .1 pathetic thing te see n building movie actress nt n certain Mope
in her career. We'll take Mnrr Wank, for Instance. That isn't her name but
.it will de. ,
. ' I met Mary several months age en her very first day as nn extra in a studio,
It wudewn ntthe f.asky plant en Leur Island when they were mnktne "Asatha's
Aunt," with Justine Jolinsteno as the btar.
Mary had come te New Yerk from a little town in the Middle West and she
Ttbs fclmply bubbling ever with enthusiasm. She lind simply lived en the fan
magazines and en the mental pictures that she and lur fan friends had formed
of the (slitter and fascination of studio life.
They pictured It as you yourself probably picture it Jut bright limits and
happy, beautifully dressed women and handsome, fascinating men nnd a censtaut
succession of cxeltinR incidents nnd Hrrlnp emotional scenes. Then- "ere no
dull moments in Mary's ntentnl studies. There couldn't lie.
'Xhe first day 1 s.xw her she had hcen railed for ' o'clock in 'he mernlns
'nnd bad reported with her little brnln in perfect whirl. She wa actunllv m
last In Fairyland! Sha wni geme te uiinnle wiiJi I'rince.r and maybe be
wooed by Princes.
They epent the mernlnj: making close-ups. nnd .Mary watched Miss .Tohn .Tehn .Tohn
Ptene, fascinated by tha golden visions of the dnv when she herself would he sitting
lictwecn these ftreat tnks of blue oeper llmvltr lights with u baby pet Klcntii
inft white en one slde nnd the director ceitme Iit worked up te thrilling emotional
climaxes while the camera ground out the tilm that millions of fans later should
weep ever.
Mary enjoyed if. She couldn't undeistnnd me bored expression en the fncs
of the ether extras. She noticed some of them unlklng up and down en a distant
Bet, talking languidly and paiug no attention te what was going en. And ethers
we sitting placidly knitting or reading.
Tbe only reason that T remembered Mniy .i ihnt, when Mm found I had
time, te talk with her. she simply bubbled M'v with the excitement and enthusi
asm of it nil. Sha pointed te the ether girls ami snid they must be tetully Incklng
in artistic tempernment te he able te go nbeut the ordinary gossiping, knitting
affairs of llfe with such romance right here in fient of them.
And Mary's pretty lips looked ipiite Hire of themselves nnd her brown eyes
were very confident when she assured me that she, would never lei herself forget
the romance and beauty of it that she would alwnvs he watching and studying
and working.
HAD te smile at her, but it wain't u smite of amusement. She was
se beautifully in earnest and se genuinely enthusiastic. Ami I hml
fern ethers that way nnd knew the pathatie disillusionment that airailed
ner. j.
I SAW Mary again about two months later in tha Fex studio. I found her
sitting Just off the set whre they were working. She was talking with another
jclrl, nnd every new nnd then, when the fiction en the set began te get swift, slip
glanced nt it nnd watched in a sort of half-detached way. It wns se different
from her first enthusiasm.
But she wouldn't ndmit te me that she was disillusioned.
'.'Se," she declared, in a brave little fib, "I still think it'i wonderful and
romantic and full of eh, nil sorts of thrills."
"Especially thec constant long waits until yen nrs called?" T suggested.
"Well," she admitted, "the wnits de get tiresome. I don't see- why they
can't call you when you are needed, have ,uu work nnd then let you go."
Last week I ran Inte Mary again, quite by nccidenf. 1 ran up te the old
Metre studio en Sixty-first street In New Yerk, where the It-C people tire putting
en anew production with William Chriitie Cahanne as director. I was told they
would start sheeting nbeut 1 :ItO in the afternoon, se was there promptly and
joined the little group of people behind the camera off the set.
It was n big dinner scene with quite a number of peeple in It, and the action
was rather difficult. They rehenrsed It two or three times. Then they all e.i'
around and waited nnd I learned that one of the principal actors hud riot yet
arrived. They couldn't go en without him.
Oabanne and the cameraman put in the time shifting the lights for n better
effect and photographed n few feet of film for a test. And they had te wait until
that was developed. About 5 o'clock the missing actor turned up and they
rehearsed the scene again nnd then something went wrong with the lights.
It was chilly and draughty in the big bam of a place nnd a girl I was
talking te said: "I'm glad I'm net one of the dancers. There are twenty-four of
them and tbey haven't get much en. They're been waiting nreund here all day "
j. wanncrea nreuna in deck or tne set and found tbe dancers sitting huddled
up In dejected little groups, -very evidently chilled te the bone. . And na I passed I
u iiui' u unto rum, uu, uciuj . i was iituc .unry uiank.
She wasn't the Eame Mary who had fairly bubbled ever with romance and
enthusiasm at the Laeky studio. She wasn't even the eame Mary I bad wen
later in the Fex plant. She was just plain Mary Blank, extra girl, hard working
tlrtfl,, disillusioned, net caring enough about the romance of the atudle even te re
around in front of the set and watch tie action of a big scene.
CHE teas Mary Blank, oeld. hungry, bored te death with the (ntrr
J minoble waits that are an inovltable part of movie lifewearied with
the drab monotony that she had enee refused te Micve existed in this
rairyland of hers. She was Mary Blank, se typical of thousands of
enthusiasts wha think te find Princes and Princesses and discover
tnstead, only hard-working, matter-of-fact mm and women, just like
you and me.
Answers te Questions by Mevie Fans
J?rcV" "R ?h" ! If!
liii, i) j i ;V ,' .f"" 'it"1"" VU.B
nuciK, jiuuepu ajentine; naeui de
Knint Hubert, Adelph Menjen ; Omnlr,
Walter Leng; Gasten, Luclan Little
field. rAUT BAC Yeu were mistaken
nbeut Wallace Rcid. It is Ju "I'eter
Ibbetson" and net "The Affairs of
Anatel" In which be had his hair mar
celled. It will be shown here under the
title of "Forever." Addresi Rcid.- at
the Famous Players-Lasky studio, Hol
lywood. Calif., and Kenneth narlan. at
the Talmadge studies, .T18 Enst Forty -eighth
street. New Yerk. Rebert Har Har
ren was accidentally shot while hand
ling a gun according te the corner's re.
pert. Yes, Wally tries te answer his
mail, I believe. Whew!
.TEATs' Yas, Indeed. I agree with you
en the subject of Bebe Daniels. Ad
ilrcf.s her, Uealnrt Studies. Les Angeles,
Calif. I think Miss Daniels will answer
your letter. Better try and see.
C- It. A. The Geldwjn company la)
net producing many pictures at present
anu im companies nave ueen cur. te n
minimum. They are engaging casts for
Individual pluyers rather than holding
en te stars. Among the players asso
ciated with the company at present are
Tem Moere. Richard Dlv, Helene
Cbadwick. Rosemary Thebr, Colleen
Moero, Bryant Washburn, Wallacu
THIS WOULD FOOL FATHER KNICKERBOCKER HIMSELF
wl UlEf -p;te i of tie New Yerk
h "Jtfrltliaa'B plcturt,
the MOVIE GAME
M. NEELT
! z? . ." iw
son. Seme of
""'" liucatreienses
nrn Hnen.ni.ni,i'
,.V.rT0 Ahead.' "Deubling for Uomee."
trmn the Ground t'p." "Tim In
vulble Power" nnd "Theodora."
KATHEKIN'K An-Hr,... Tw.i,'mint he "a snowstorm tlmt covers th
Gish. care of D. W. Griffith htudie, ! K" llmJ ""'' """'" ""d thai at least
Mamaroneck, L I """ "our n' ,'"1 M'"r' fhe'l be during
' 1 daylight."
THANK YOU May McAvev muv be' I' is imperative that Mr. Griffith have
addressed at the Realurt studio,' fis An- ' a sneusturm In wliiuli te take important
geles, Calif. Th.-y have n staff efls('f,n'i in "Tlie Twe Orphans," which
scenario experts there. Better address i "ew nearly cempletfd.
your script te Elmer Harris, super- Contracts of several of his principal
vising director. j players in "The Twe Orphans'' expire
r n n tjii, v-i.-- v ' Xoveiiilicr '20. nnd unless the snow
n i!t;n ur 1"R Hntln 7" ,bP s,"n" "',p ,llljpn llp'nrn that time, it
a dressed at Hie I-ameus l-layers-La-ky ,viU u. nM.PBknry , ,mlkc rpnevnls of
.,, . , r .i . i , ,
ithar iie plays the part of Armnnd with
-i,uuni. iiuii t wiiii i. i nn i . ii i rrnn
.. u.ttil", it ill ..iiuiiiiu. tu IIIlllUIIII'.i' -
ment has been made aa te that pictures
firit showing in this city.
v nv.mri n in "i ...... ;i I.. ' s .. ........
"SUNNY .TIM" Yeu ate right :
these Seuth Sru Island and Chinese
Scenes in "The Cun of Life" wen. nm
taken there, bur at n California studio,
In regard te Hen Turpln. lie liad had
urniij fi-urs ei smue iruming Wlien lie
went into picture, but it In true tJiat
he was working as an "extra" and a
tort of "handy man around the place"
nt the Essanay studio in Chicago when
he made his start, in plctuics. Yeu ran
see him in "hlis" In some of Chaplin's
early comedies.
elevated, doesn't lt7 But it Is just
"A PriticoThcre.1'a0." Seaifyeu
a
you can,
I ! WHAT WILL THAT FAMOUS PONY DO?
1 1 MitWkimmm9MkmfXfiBmmmmmm'.mmamVmmmmmukF( JTiflHPMIMHIfeV f i YvUmmK3tt&d? u:mrVmw C ' 1
IkKmTmmi SSsmJ JRmmV ' lirnTIBlnnBnn TPn iiHii 0 HlM nun ' I
mm IsmmF' -' :LWmm3m&
mar BKllSJir - . , JflBilSKi3 s - ":i -yj
mHKTJT M sal "' x KHttl''v
HBSleMMi :&W
mmmmmft ;i
mmjmm i animal trainer :
HH ' HAS A CLOSE
WmsWBM ' SHAVE WITH LION j
mmMti'Vy&mb3ii$t3HmW& VB
iiiilill
vmwmims(itfnti4smxA
MM
mwHas
I ssSruW Slit ifcL'35aa!a , vc hunurnl rounds of meat and
: nHni
; wwmum
, - - - - from its place he met the fanning Ian- . ?, sV!$SKZ' A
I
GRIFFITH INSURES
FOR SNOWFALL
BY NOVEMBER 20
D.
W. GRIFFITH has taken eul a
S-."i.0fifl nellr.v liisunnir hU next
preduci.nii for a nnowterm befere Xe
veniher 'Jt.
It is nreirfd in the pnliry that It i ''
i .. . i i
I'eniniem which
' einenditui-e
will invelvu a heavv
:..
Te protect himself ncaliiit this eest.
Mr. liriltitli seMclir ,lie Insurance policy
Se far as tbe insiirniwe records report
it Is tin' tir-t ever taken for n storm
te eicur. Man hate been iMtied iiKnliiht
storms.
Coast Colony lias Addition
Vernen Slci-lf who h plajing the
leading male, role in lvlicl t.'laj ten's
picture, "Pur the licfer.M'" is Hie
newest addition te I loll) weed's tilm
colony. Steele jeiwnejed all tlie wav
from New Yerk te California just te
play Hie part of Christopher Armstrong
il. the picluie.
"Bf ' built way out In California tav
find any. onachrenlsmg
!
William S. Hart li te join the ranks of these who have nnimala in the
casts of their pictures. This time it's n monkey "Charlie" by name
-and judging by the picture, "Charlie" is something of a UeauBnim
mell amenj; simians. Abeva Is a scene In the same picture. Reading
from left te right nre Hart, little Mary Jane nnd Ethel Grey Terry
SEVEN tawny liens sat en their ped
estals in the training arena nt the
t'nivcrsnl City zee nnd licked their
hops. A scorching sun filtered through
the bars. The liens looked like big yel
low cats.
The trainer turned
instant.
Five hundred rounds of meat
muse e nasned ttireugu tlie nir. itn a
iiumenng rear
the beast described a
larabela Irera tile pedeslal wnere he
lad lolled in the sunshine n second
hefore te the spot where the truim r, A.
C. Stecker. had steed.
With wide-planted fct Stecker
caught the fnarling jungle-rat in mid
eir with his whip and lashed him te
the fleer. Without moving one feet
J.i 11
from its place he met the fanning lan-ret-like
paws, blew for blew, until the
!i.n-TT wliln frnrn.l nil erirr,Ar1 'Fl.nii
....... .....i ....,, L, u.u ...ut,i.vu. ii. .
! using the butt for a club, he beat the
! beast until It turned away. The lien
i looked at Stei.ker and opened its mouth
without a growl. I lie trainer, still in
his place, looked back nt him directly.
Then the lien crawled back en hi.
pedestal.
Stecker will never again have trouble
with that lien. If he bed mnvd from
place he would hac hen tern te
i pieces.
.Many well-meaning per-ens wen d
have been indignant had tticy seen tha'
light," snid Sleeker ns he came out of
the training cage without tlie slightes"
apparent nervousness, "but tlie man
who relaxes discipline for tlie fraction
(f a second with n wild beast is n feel
r.nd a menace te the community.
"Animal men are fatalists," he con
tinued. "Seener or later all of us will
he killed, but the event cm be postponed
indefinitely by tlie use of erJir.ary com
mon sense."
STECKER knows whereof he speaks.
Although fitlll in his early thirties
he lias bier in the arena hinte he wus
a lit'le child hi? stepfather is Rex de
lleselll. dean of American animal train-
dpi n.irl QtiiM.'m. Iftiirnml llm (inn tMilnle
, - - . IKl . -I' . ... i- U, .. .. .... ..... '"H.
' iif fl-.n nnfcsetiifi In ectnnt fcrtrvicn i-itli
i he bii; eircusc. In his experience he
I .is fen many famous trainers killed in
i.rtlnn, and of them he said:
"Every truincr who was ever killed
died through carelessness. He turned
his back en wild animals. All of us de
it in the foolish helief that we will be
able te turn nreund quickly cniugb;
r-nr the trainer who turns hi back f,i
one-half second is taking a 100-te-l shot
en death.
"An animal sei.ses fi-.ir in a human
being ern before the human realizes ii
himself. Fear is an involuntary (motion
vbicli may :'eme te nnv one at any time.
"If ever I step mie the aiena and
(ear oeines ever me I will back iny way
te the deer. st"p out and rnr return
a" long ns 1 live. I miKl" tr) te deny
tear; 1 inifht even persuade mjself that
my old mrve had retimed; but I could
i'et feel nnimal instinct., and the dianccs
are that. I would be killed while I was
thinking about it," lie concluded.
Sterker's narrow escape, narrated
ahove. occurred while he vm ubii,g tin
nens In "Tirrer Trull." Eileen Sedg
wick's fTtlveming serial, which is be
ing dlrcctul by Edward Kull
Bessie Leve "Cur Scheel
te Become Screen Star
BESSIE LOVE, who appears in "The
Swamp" with Sessue Hayakawa,
had te play hoekey from school te get
her first job in pictures.
She "cut'1 school obe duv te visit
the Griffith studies. D. W. Griffith
aw her and decided shn was a screen
npe That was five year? age and to te
ilav Besir is a serpen star in her own
right
Vijtli Itarrie I'ilm Dene
When 1'cni'ii.in Stanlaws finishes
"The Little Minister" with Betty
Compson ns star, five of Sir .lames M,
Barrie's stories will have been filmed,
The four ethers were "The Admirable
Crichton" (Cecil B. fleMille'u "Male
and Female"), "Half an Heur,"
"What.Erery woman Knows," a Wil
lam DeMMe picture, and "Sentlmentnl
Temmy,"
t
'jVQ WEDDING BELLS
for me; SAYS
JACQUELINE LOGAN
ESS than a year
soft blue eye r
hair tang and danced her way into the
hearts of Broadway playgoers with the
i famous "Oh, Tell Me Tretty Mniden"
song, during the revival of "Florodora."
She had been chosen as one of the six
famous beauties in the musical comedy
because of her work in tlie Ziegfcld
lellies, mat about sums un the the-
.;,,,- " "V ,7f .im ; ."i .;"
Vl... ..i.-i "'.i""..V. . '.. ",' "".V ,
4JV1I I iUIWUUUI inutui UllL n
rewn .miss i.egan decidcu te remain.
Like nil the Florodora girls of the past,
she has received many proposals of
tnamnge. Hut. somehow. Miss Legan
believed that t lie star of her destiny had
"". v -, rv
elher plans for lier te pursue, se fihe
sweetly said "Ne" te all tlie ambitious
swains.
It happens that Miss Legan's wagon
of ambition was hiuhed te a star; or,
as one might say. between friends, she
had n hunch tlmt came true. Fer, no
sooner was it learned that Jacqueline
Legan was free and unmiirrinU in New
Yerk, than an offer canie le her te play
the lending role in "The Perfect
Crime."
WITH her success in this photoplay,
motion-picture producers realized
thai a new star war. rising in the film
hriiiainent. ami her next offer was te
play th" hading w-einnn's role opposite
Tem Mcigliau in "White and Unmnr
rird." Since her appearamc with Mr. Meig
han, Jacqueline Logen has taken nn nn
ether htcp up i lie ladder of fame via
the Goldwyn -t mlies. She is new in
Culver City, Calif., (routing the lead
ing role In i he new feature picture,
"The Octave of Claudius," by Barry
Pain.
Despite Mit,s Legan's decision te fol fel fol
lew her star te its zenith, she Is still
bombarded with letters from her host of
ndmlre.rH. Whn asked if she ever ex
pected te relent, Miss Legan smiled
and replied :
"Ne wedding bells for me just new.
Later, perhaps, ami then again, per-.'nip-,
net " Se there you are.
Queer Antique Knives
Are Used in "The bheik"
"lyrANY valuable antiques, some of
which mutely bespeak the ancient
feud between Mohammedan and Chris
tian, were searched out by Rudelph
Byluk. technical director for the filming
of "The Shelk," the picture version of
F. M. Hull's novel in which Rudelph
nientine nnd Agnes Ayres take the
leading parts.
tin the handle of n queer, le-hladed
Knife whhli figures pieminently In some
"' tlie dramatic seems was the Arabic
inscription. Mine It le Mini Twiep "
wiie nix, inline 01 sin, and em
broidered in geld characters, was de
clnred te he a prayer rug, originally
secured from a Persian mosque. When
Interpreted by n technical expert assist
ing in the picture, these characters
proved te be a prayer te Allah reading
like tin: "Oh great Allah, clve unto
tin tie power te swallow all the Curl.
t!ttnSra?'1"d1,?er t.he weril bk onto
the tyohammedanV' t
VIiat Has Already Happened
Dorethy Lane, a alrl from a small
town, shares her hippest ambition
with thousands of ether American
pfrls that of becoming a moving'
picture star. (She thinks her chance
has come when Pcrtis, a friend of
hers working in Wcte Yerk, tells of
meeting some people connected with
motion pictures and asks her te visit
her. On her first day in the metrop
olis, the pirl starts en a visit te the
studies and pains admittance te one
of them. Dorethy is given the chance
te play in a mob scene, and makes
the most of it. She meets Lawrence
French, press agent for the company,
who becomes interested in her. Then
comes her big chance when, because
of her resemblance te a well-known
star, she is asked te double for her.
When she tells Pcrsis the happy
news, I'ersis in turn tells of a de
lightful surprise for the evening a
party planned by her motten-pioture
friends.
AS
ND then, all nt once, I knew what
up Lawrence French.
I didn't think I was in leve with him
exactly. But I'd missed Iilm a let since
I left New Yerk. He hadn't, written
me at all. nnd neither had Sylvia. And
1 was anxious te get back and talk
things ever with him, nnd have bim
take me te the movies again, nnd for
bus ride.s nnd nil that sort of thing. I
knew, nil nt once, that I cared n geed
deal mero for him thnu I'd supposed
I did.
"And you will marry me, won't you,
dear, just ns seen as we get back te
town?" urged Jehn Sewnrd.
"I don't believe I cnn." T told him.
wondering even ns I did se bow I dared
refuse a man like him. "Somehow I
can't be qulte sure I don't just
knew "
"Is it because of my having been
married beferu that you hesitate?" he
asked. 'Tlmt was n shock te me: 1
hadn't even known that be had been
married, nnd told him ae.
"Yes, I was," he told me then, nnd
named the girl one of the most promi
nent stars en the screen today. "We
were married five years age, nnd sepa
rated a year later. We'rn still geed
friends we just didn't get along to
gether. In fnct, 1 dined with her and
her husband the last time I was in Les
Angeles.
"Yeu see. in the moving-picture
world marriage Isn't always looked
upon ns it Is among ether people; re
many things have te be considered
the different wnv of livine nnd all Hint
that divorce seems mere natural than
it does te people who arcn t familiar
with theso conditions."
He told me a let of ether things, but
T hardly knew what be was saying.
Somehow, te marry a man who had
been married before I cbuldn't just
see doing that. I cared a geed deal
for him, of course; 1 realized that, tee.
I liked having him kiss the pnlin of
my hand and then I:Irs nil the finger
tips. I thought of nil the girls who
would hnve given anything in tlie world
te have him fall in leve with them. I
really wanted te care enough te say
"Ych," but It just wouldn't come. And
se at I a sj; I get up and straightened
ray sweater sash and gathered up all
my courage. -
"I can t say what you want me le
new," I told him, nnd you can't imag
ine hew hard it was, with these won
derful eyes of bis looking into mine.
"I de care for you truly I de but
I don't ecem te care enough te marry
yen."
He seemed awfully disappointed ; his
shoulders drooped, and he threw out
his hands in n little gesture that I re
membered having seen him use en the
screen mero than once. Maybe that
was what made it seem unreal. I
couldn't be really sorry for him; I
couldn't get ever the feeling that, even
though he did enre se much for me
and feel bad because I didn't leve him.
he remembered bow he looked, tee, all
the time.
AVe walked back te the hotel together,
nnd he was awfully nice; laughed and
talked about nil kinds of things, and
told me all sorts of fuiujy stories about
his llfe en the stage. But when we
I'llOTOI'IAVS
prMnTO-PlT,
&
All L. liih
th, Merris tc Pasayunk Me
nillcllliuia Milt iiRiivatS Kvgs. 0:43 A
BERT LYTELL
In
A MKSHAf!!', FUOM MAIIS"
ALLEGHENY
frankterd All-hnv
V t Dallv 2:16: Rvtii. R
ltl'l'KHT IHfillKS'
Dangerous Curve Ahead
APOLLO
i'.'D & THOMPSON STS.
MT1VK!H DAILY
WALLACE REID
In TOO Ml til SI'KKII
ARCADIA tf''K u t, I1
EUGENE O'BRIEN
in "Tin: i.AHT neon"
ASTO'R
'UANKlilN & (IIIIAUI) AVK.
MATiNi:r. nAn.Y
DOUGLAS MacLEAN
In "l'.V.SNINl THItl""
DAI TTdrDI7 01 ST 4 u.uri.MenB
U-M-. 1 liYivyixtj !.,. 11 no. s'p
Mat.
'rim 1:111. 11WVV iiniikiim:a
DKAMA
"WET GOLD'
DblNIN rTiN'i:t: ijaii.v
.IAMI.S lilllUAVOOl) In
"The Great Impersonation"
BLUEBIRD
llreuij i. Susquehanna
I'nntin WW '.' Until 1 1
BETTY COMPSON
in " t Tim i:n nK'rm". vein.i"
breadway "TVinvxr
CLARA KIMBALL YOUNG
In 'TIIAItOK IT"
rAPITOI 7" MAIHsiri' KT "
vri 1 KJU, 111 M tn 1 1 .in r. M
CONSTANCE TALMADGE
in vtnniHNn nr.i.rs"
colon! al"e,i. ttr? ,";?
I.I,-STAIX ( ST In
"Weman in His Heuse"
DARBY 'THEATRE
MAY MacAVOY
in " l,IMV.TKM,A0.l."
U.1V1I IInJsJ MATINi:l! I II.V
ANITA STEWART
n'HARRIKT ANnTHi:IMl'KK
FAIRMOUNT i($AX
Gleria Swaruen, The Great Moment
nnAju.iK. niAi'i.iN in 'tiii: jiii,k( iss
I.'AMIl" Y ''Ji:Ar"m: Tiiir.Mirket si
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"TIjc Affairs of Anatel"
36TI-
ST.
111. v 1 111:
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"What Women Will De"
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in "WYK'R PKNAfjriM
P,R ANT " qmAnD"AVM:
r The Daughter of the Law"
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HARRY
One Weman Is Cured
of Reading Titles Aloud
AT A moving-picture theatre a
woman wns reading aloud the
announcements that accompanied the
pictures, oblivious of the annoyance
of these in her vicinity.
Suddenly her voice slowly died
nway, and the crowd nbeut her wns
convulsed with laughter as she read
this nleud from "Topics of the
Day" films en the screen: "We hate
te put nshes In nnybodyVlce crenm,
but deliver us from the woman who
rends the moving-picture titles
nleud."
get te the little clump of trees en tlie
hill just nbeve the hotel he stepped and
put his hands en my shoulders, turn
ing me nreund te face him. I felt all
xhivcry nnd eJtcd when lie touched
me.
"I'm willing te wnit, little girl,"' he
told me, "since it' the only thing te
de. But remember that I leve you se
much th.nt, sooner or later, you'll have
te say 'Yes.' "
1 stumbled down the hill then, leav
ing him there watching me, nnd ran
te my room. I felt like crying, nnd
yet I wns happy, tee. And I was glad
that I was going back le New Yerk
and would see Lawrence French again
seen.
We get back te New Yerk early the
next morning in n rainstorm. Somo Semo Some
Iiow that was the last straw. I hadn't
slept well, nnd my head ached, and
everything seemed te go wrong. Mr.
Phlpps and the two men had net yet
awakened when 1 get up, se I slipped
out into the station alone, thinking I'd
hurry home and get into some fresh
clefhes nnd call Lawrence up right
nway te tell hlin I was back.
My linen 6iiit felt damp and sticky,
nnd I'd lest one of my hatpins, se that
my hat kept sliding down ever my eyes.
My suitcase was heavy, tee, ns 1
walked across Forty-second street te
get the elevated.
And then, nt the corner of Fifth
avenue, a taxi flashed by me and turned
down Forty-second street, toward the
Grnnd Central Station, from which I'd
just come. It slewed up the least bit
ns it turned the corner and I get a
glimpse of the people in It. And they
were Sylvia Stearns nnd Lawrence I
I couldn't think for a moment. In
a taxi se enrly in the morning, bound
for the railway station It could mean
only one thing. They must have get
rnnTeri.Ais
Tlie following theatres obtain their pictures through the
STANLEY Company of America, which is a guarantee of
early showing of the finest productions. Ask for the theatre
in your locality obtaining pictures through the Stanley
Company of America.
'9 1 GREAT NORTHERN ZTZVl
t IllTPKiiT firm it iru
Erle
. M,
, "Dangerous Curve Ahead"
I M PRE? t AT wtu & walnut sts
CONSTANCE TALMADGE '
iTAT&r-
iwmL-iu eInTM ilul .,'r.TM
BERT LYTELL
l1lLAJJGi,U' J' MIAIHSB"
I pllirrli P-ilar-ra Geimantewn Ave anrl
gUJl.?i?.Ce ""I"' Avenue
I tlritLCLAYTON
I L"."ivveni"
I IRFRTY u"OAD ft COI.UM'niA v.
in .T i- , , 'AT'NEi: DAILY
; Lenst ce Talmadge, Mamma's Affair
filMM.1' L1'''- i 'Tin: mi.i; cuhs-
OVERRRnOkT 3U-HAVBIU'0rib
iiniVsTiisiT. Ani.lvfrsnrv Week
"NO WOMAN KNOWS"
irAltOI.I) l.l,mil InJ-NOW OltNi:VKK"
PA1 ACF "12U MAHKKT HfllBKf
' 'l-.V-l-. 10 A. M. In 11 15 . M
WILLIAM S. HART
- - '5 "lilu5ib"I,K'Lliiy SJ1"
PRINCFSS :e18 MAISKKt STHKKT
1 iinvUjj mn a m I.. 11 ir. ii i
sprriAT. i'aut 1..
"HEARTS ARE TRUMP'
REGENT "!.?'
llelew
te 1 1
liTII
r m
Ml) ITtANKI.l.V In
"COURAGE"
RIAI TO UKHMANTOWN AVKNI'K
IMriLilW AT Tt'l.l'KIIOf'KKN ST
lll('MKI IIAUTIini.MlUs III
"RXPFRIPlMrpW
RURY X'AIIMT 8T."nEtiOW 7TH "
, x ., I() n 1n v M
siUIVltiUY JJAY
Aliirnifiilfil mil of SH., .-,,lre,
SAVOY '" MA"'""!' STFtKUT
u.uktV.-W,.m,''''t
"PASSION FRUIT"
SHERWOOD ""r fp'vVe xt
. il? JJiaMmpersonatien"
STANLEY "AnKjcf-ATf-xefir-
A vnuW i?M ..U' Bi' "'
"AFTER THF SHhwi-
STAN TON .iW'1;, "Aj?ieTii
ii.i.im rov'iies- rn'pi'u' M
"OVER THE HILL"
333MARKET1,Wi;,:il',l,lhA1?,M'
"VOMAN IN HIS HOUSE"
"1 HE INVISIBLE POWER"
ftiALTO WEST CHESTER
LIONEL BARRYMORE
in "TltU OBEAT PVENTTJIUJ"
CAREY
married ! I knew they liked each ether
awfully well, of course. And new that
I thought of it. even when Lawrence
took me and some ether man took Syl
via when we went en our little parlies
he divided his time pretty evenly be
tween us.
Fer a moment I was perfectly furi
ous nt both of them. Then, en second
thought, I was furious at my'sclf. Why
should I hnve thought that Lawrence
cared for me, tinywny? He'd been
nwfully nice, of course, nbeut hclnlnr
who (I de that for any girl. And he'd '
taken me out n geed deal but then
he d probably have done that for any
girl from out of town who was lone
some. He'd told me once that he didn't
knew many girls in New Yerk ; prob preb
ably that wns the reason he'd been nice
And Sylvia was awfully prcttv and
r.wfully nice no wonder that he bad
fallen in love with her.
That was all perfectly reasonable, of
course. But it made me feel just des
perate. I only had a llttle money, but
I signaled a taxi nnd dreve up Fifth
nvenue in it and then home. And en
the way I declded that I might as well
marry Jehn Seward.
t,l cWa'tMP crying. And I
couldn't help thinking at the time
hew unbelievable I'd have thought that
situation net ee very many months be
fore. Why, I couldn't have imagined
myself having money enough that I'd
earned te ride in a taxlcab and then
think of crying because I was coin
te marry one of the biggest motion,
picture stars In the country. Yet that's
just what I was doing!
Te Be Continued Tomorrow
They Had a Dinner '
Prepared by Many Stars
en the Coast Recently
TTOW would you like te eit down te '
J--1- dinner that had been cooked ever
a pit fire by the following cast? Claai
chowder prepared by Snowy Baker, the
Australian athlete; steak broiled by,
I aullne Frederick ; candied Rwcct pota peta pota
tees cut nnd fried by Beb Vlgneln, di
'rrwr: c"Jn, golfed with red peppers by
Themas Helding; beans n la Mexican
by Lugcnc Pallette; Japanese tabid by
Mrs. Scssue Haynkawa : ice cream
blended ami churned by Sessuc Havn
Dnv? chocelato cake by Marien
. The fortunate mortals wlm ,m
'J"",1" "il. down te this "feed" the
ether day en the Pacific Coast pre-
STives'. !he "b,UC r,bben" "
.nioTerxviYH
irrefOB'
erAMimCA
The NIXON-NIRDLINCERfT I
IHliATRES li
BELMONT B ,TO
I MADGE KENNEDY
in "MARY. BE rARFnir"
CEDAR 00 C'EDAU AVTSUB
1 SO nnil 87 nnilO V Jt
CONWAY TEARLE
in "BUCKING THE TIGER"
COLISEUM .JIarlt fe" muj fc
,, , , . "1':;' nnl 3 rnn.lll ! M.
.1.M1-1 ii.unn nnil Ujiirthnn
mil Standlnr In
"THE JOURNEY'S END"
JUMBO
riWNT ST A RU1ARO AVE.
Junihe June mi I'rankfenl "IV
MA NOVAK In
"THE SMART SEX
ft
LEADER 41ST I'ANCASTErt AVH.
RCPKRT IUT.IIES'
"THE OLD NEST"
LOCUST Mfi2,D ??P LOCUST STTIKETS
W,J1 Mats. 1:30, a.3(). Ev. l.30 tell
CONWAY TEARLE
in "THE FIGHTER"
NIXON
U AND
MAIHiKT STP
2il5, 7 anil l
nnil At.USTAH TAST In
lVAI.IiACi: IIKKUV
"STRAIGHT IS THE WAY"
RIVOLI "D AN'D SANSOM ST.".
AI.I,STAK CAST lu
"HEARTS ARE TRUMP"
STRAND
CKHMNTOW A i:
AT ns V(ii) aTnr.KT
MILDRED HARRIS CHAPLIN
in "The Weman in His Heuse
AT OTHER THEATRES
MEMBERS OF M. P. T. O. A.
tit Ui ... MAT1NKH DAI1.T
"Dangerous, Curve Ahead"
.?.'!
;-a
I