mEim
WliiNINCr PUBLIC lisdger-psilIdelphia, SAUtelY, e&mWW'WM
,y
h
,. .. ' ...... ., ,. . .... .
CLOSE-UPS, of the
--
IJy HENRY
That Man Hutch
THERE'S only one man In the world who
nlmnr In the hnlr-rulalnit ''stunts" In
Hutch hlttneli 'hnrlc A. lltilcliiti'en, te
In nt It iiRniii. He" delnp nnethrr In nn nttrmpt te mnkc thn thrills et tnis
serial leek mle In comparison with the llirtlls of the Inst. lli're'a one I mv
him pull In New Yerk early till week.
l'icturc 1'erty-flfth ftrcct between Fifth and Sixth avenues en nn ordinarily
busy tiny. On the north ide of the Ptre.-t stnmls the Patlie lUilhltnR. nml from
the top fleer they have hunR the tackle for mining nnd lewerlns snfes. Seme
of the crowd below, of course, itep te watch. Then they notice three moving
picture camera", one en n platform out of 11 ninth -fleer window and two tit
strategic pelntn below.
Naturally, thnt arouses curiosity. The word spreads that something unusual
! going en nnd toen the street Is jammed nnd truffle Is blocked. Nobody knows
xvhnt it's all about, but the movie earner a i prove it isn't just the ordinary job
of handling tt safe.
Soen n big snfe swings out of n window en the top fleer and the camera
men Menti by their . ranks. A man pekei his linul out. puts a megaphone te his
mouth and shouts. "All ready?" They are nil readj. They start te lower
nwiiy en the snfe. It gets down te about tin- sixth fleer when suddenly the
crowd gnsps and then yells in horror.
Fer. without warning, a man has dived head first out of a ninth-fleer
window, caught the rope in Ills arms, swung out and about In imminent danger
of losing his crip and then, with his lingers lirmly about the ropes and his body
steadied, lias shlnnied quickly down the ropes until hi" feet find somewhat mere
ecure resting places en top of the swajlng safe.
They lower him te the ground and rewd about him. Everybody Is shaking
With nervousness ever bed. thnt W. except the man himself. He quietly
jumps oft the safe, pushes his way through the crowd, enters the building and
beards an elevator.
rriM7".s Jfutrh' idrn of nurf 0
thnetinii art
renrs in thr studio until
tacklr trrrv irmlil. Thin he nml his mmrrn men j urn pal info mifo mife mifo
ne&i7r nml rushed deicntnicn. lhiti-h did hi duv com lAc niiifA
fleer, u-cnt 11 1 nnd heliird the ccmera
they "" 'i'"' tei't ' "C studio te
i:c that.
HUTCH Is n psychological puzzle te me. He is an unusually well-educated
and intelligent man nnd he fully realizes the risks he runs In the stunts In
does. Yet I have never seen him exhibit the slightest Mm of nerveusivss vlthcr
before or after one of them.
"It's entirely 11 matter of looking at things m a calm and logical way." he
laid. "Suppose there were a nq 0 linnslnj In front of us new as we stand here.
Ten wouldn't have the slightest hesitation In making a dive for it and hanging
from it. Yeu would he willing te bet ti month's wages thnt you would catch
It successfully sl times out of six. In fact, the thing is se absurdly easy that
you would pooh-pooh the thought of failure.
"Why doesn't the same thing held geed nine stones above the ground? The
W I1 II11M1 il I fill III
physical pnrf -if if s ixa. t'y He sane AT "i Hme ti- s nmlie eiir iIIm'
nd grab our retie. Se long a-- .m f-rgei the HfTr-r''! '- i ' n n.ne liflu
nnd nine stories of n building, the two -tunis are identlcn!
It struck me 11s being mighty generous of Hitch te give away his secrets
like that. New all anybody has te de tn put Hutch out of a job is just te
remember what he says and go ahead and jump from ninth story windows nnd
leap Inte Ausable rapids and "top from one airplane te another nnd all that sort
of thing. I haven't had time te try ' myself yet, but I have no doubt it's all
right.
Hutch really carrier this sime logic
his own plots and he builds up the tin.
the chain es for and against hiu wivn 1
bpoke about eti of the most tiinlug
feme shows him riding en 11 nioiei' w't
Ions, high open railroad trestle v it'i
nnd a tee-bold behind him. He !..r , .
turn off the track.
"That's another inn- of tiei.'. ,
thousands of men tiding meter. i i
nnd thinking nothing of it I implv
eliminated its height from th.. al!e
enlv of riding a leuali read nt thitn
And se. logically, It became a perfe tlv iiui ! i...ng te de and one ihm :.
dreds of ether men could de if 'lie? tt..' mi. 1 tin. right no ii'i.l ainfule
1)0."1 knew just ii'iiif tithit- tlml. Itutih 1- iitii a a 1 mi im II 11 in '
picture. The stunrwr in nlmh tin inje tmuiitl alli lur Inm te In
cornered in nn office by the t ilium-. I In 1 bni!. dun n the deer, and
nn he g'.nnces d round or 11 hkhii 1. iwii;h. he ki flit" inprs out 0'
the leinduie und uhIkis 11 hut ('.; mn Su he dji .1 Im dm und i N
airay. Hut. belmr mi. they'd hmv tn ii. i.eut imih'y tn.iijh loekimi
villains coming 111 Aif dour lit fun I'd ; ,1 Ihiuli th.m-u ui s n.p'r li,nte
te it practiiul test like lln't.
WHO IS GOING TO
Just n scene BJiaPDed In the I.asky
hunjry ones, lendlnK from left te right, are Walter Hieri, T. Usy
Harnes, t'ullen l.nndis nnd Charles Ogle
T3& Daily Mevie Magazine
MOVIE GAME T
M. NEELY
Is At It Again
detan't sec nn thine te mnke n fii"
"Hurricane Hutch." Thnt mnn i.
clve lilm his renl mimi And Hutch
a merniiia'i icerk.
He ft ml !:rit
thru ;iiemd Aim that tin- mic 0111
nun (iiicfc their ;itru;iAi'i-iiiifiu mm
continue Hheutmy tncrier.
.lust
iii'i. all the things In des. He writes
s win, 11 really scientific calculation of
. 11 i.es te j, 11 them into action. Wc
st','" 01 llurricnni' Hutch." Tne
:i' ..' i 1 1, rty miles en hour ii'T(i- a
tri.n imiiiig oil ju-t about one. jump
mining' '. bent tim truin ress and
'iii iu
. er 1
' !. su.d. "Kcr d.i y there iir"
g.i ieiid. at thirty mrles an hour j
ngnpe 1 " trcstle ;s 11 rough v.id
i ..-;. . v . I . liiiiiiuited the triun. I thm
luih 11a hour und turnnie off nt the
I
ght
nd.
GET THAT Ll'CH?
Studie duiin; a quiet moment
Ths.
ry 0flJv'r in?
I I -'- viiBwmmxrmN' -jiiN'ff
vttil'1iii' PR'SSpPii iMiLLi- ri'iiM.Pf
. - :rmirii.T1MiaWfTmrrMFr "771 ,- O" Ml' I ! II II II
1 .. . . fwss siiwfyHKii
Hew I Became
A Mevie Star
As Told te
IEZ KLVMPH
WHAT HAS AMIEAm If M'IM.MI)
Derntlni l.nne. n iiitl irmn n small
own, Aurn her hi'int km'e'cii
iriA themnvd of etlirr .Idkii, 11
0irs thnt of hccnnnmi 11 nerma
pint ure Star. Shr thinks hi r ihi,-i
ij come icftrit 'cti. 'I fnmd of
lien irurkimj in Xiir Ynrk, f''l r.f
Hireling inmr pcnpti1 I'nnnee'rd irith
motion pielurrt nnd nski her tn rml
her. (In her first dnu in thr vntinp
0'1'is. the girl starts mi a ruit te thti
studio and pains adinittiim-e te nne
of them.
CHAI'TEK III
I Face the Camera
Twe men wre- s itidins near the
casting department talking, and preltv
seen one of them turred around and
looked nt me. net exactly pitjinqly, but
as If he thought. "My heavens, em
riere!" He looked nice, tee scrt of
like one of the boys back home, except
that he was mere veil, dashing, and
really better lerkinj. I w ndcred if lie
was an nctdr. Then he turind buck '
the ether man and said. "W-ll. that's
all there is te it then. They're all
t'engresinen. .ind thej've te be shown
tl. studio and sivn all the nrguimms
against eon.ershi'i. Yeu knew what
Miu're te ile. Sec tint I haw u sti
man when I want him we ought te gut
some geed rtuff for the paper'. And
;.et nreund nnd te.l til the iars who
.re working, se thnt they'll be en the
Heur when this delegation turns up.
I'll tale then ever tin- wheie studio
'! e first thing .1111 .iit for me down
n that lug rcstnnrnnt r. and here
' ey c ui""' And lie lushed out of the
ent loe- j 1st .is a line of autem iblhs
.'iove u" nr.l 1 let of ni n get out.
"Visiting (' mgicss'iien. announced
l.c mnn In charge et the office te no ne no
hedy in p:n t.i ulai . "Tnut "img fcl
r ';" in ni's wit te a woman who snt
rvnr lue "(Hi. that's I.awrei.ee
French . he has charge of the publicity
1 ere .it the studio."
It sfenipil te me thet he wns verv
nitig ler such a josltien, and I 1101
lered. tee. ' In 11113 body ns pond l..ei;-
'ng as he 'is wouldn't want t 1 net. I
lint j'is tin 11 the ninu in charge cuiae I
n,T te in.- and slid. "Mr. Hunt wil'
! -ep von no'(." And I felhwcd h in
thrniiL'h a side deer Willi my In art
just hnu.inering. My (dunce had lenlly
1 (imp '.
Mr. Hunt simied se pleasantly when
I went into hi ofbee; I suppo.se he was
used te unsophisticated girls who wire
frightened te death because the oppor
tunity they'd always wanted had finally
irriv.'d.
"Want te get into pictures- he
,'skrsl ns I su allowed hard and tried
te tell him why I'd come. "All right-
. it any ph m-graphs "''"
I shewpd him mv bft ones.
"Vel photograph wll." In s'lid a'.
in wt "Seu.- ffiee is wide at the cjih:
lint's a very geed point
bei'iiu'e
j en
!.., ..',... Coe,, finipklr and iiun
f ,pp won't change much if inu t'.f'fut-
. . ... 1 -.'I
i..r rte ti inii"i'. nail a:iv en'.ri''iM.'i .
hadn't of course, except III sonic
!in..iieii- I lentrii a!s
buck home lie.
, ..t..,l t.-. l-Tinw if T iilil
lance and
!.. i i. .l.i..... i.l.. .i.nt nml I
,,i t ,..i,i - i i.iiteT -mis tie enlv thine:
'. .,. .. i.:...i .1..,. i', i .. ,-..h ,i..,..
,,1 mill Klllll lei l . '
U'..i ' t,i vim i e I eunn. l'irn-
,7,1s. of hueeboeU .'.,. !:,, 11,.,.
You're n Reed e'.i.Kirl tvpe, ami
" t'-htne lii'.iiiis: mat ream
itnpeitiint. though euisi den t s,.cm
te knew it. Yeu have .,.-. money. I,
lippesi' ellUllirh I" IIM' oil fill l RCt
"'"'"''.'.ill him i t.n.i is: .in i
"''' ""' "r" ,' " '" .""'
one and then, if ou haven t itet
s nrte.l v. ite stniijl.t ha. k home.!
Oh knew list 1'vi ! r. '..I mu la
one n " el lypc end e..MI p.ehahly '
Z .....I .entmill . II... i- - u dm.'- ,
,,... ih.ld. nml I'd rail,.', see ,,. , a "
vti-.i. smy one i .... ...uw -
eoeil limn- than trjln
I, i j Im vi nrss.
..... ,.i..- i.,
K h
... . . . i ...
lie laiKPU Id I"' " ei ii. . ie inn
..i.l him that 1 was determined te be
i nu actress ami weiiimii i ke in. hi
tU
I was convinced that I never could sue
iced. "All rlcht I'll u'hu you a chanfu if
I caii." he suid. "Yeu register with
mv assistant, and I'll tucl: you into
etic of our productions ns iyi extra rijilit
I nway Yeu won't have nnvtihtie te de.
but en ' 11 see what a studio's lute and
hew' one has te work before the
I , nuiera "
I was mi overcome thnt I lrirdly knew
what te de. I'd hoped te toxin right
I away, of course, but l'ersls had told
i me that It took some people ferevet
even te get into a studio, ami that then
tiiev inver get worn nne u met a Rlr
.,!,,. i.li.il ii nod llnallv Lii- e mni
I a.. ne te work as u sulfstfirl in a bie
milliner --i,,,.,. knew that I was
luck le hne applied fe inibed se
nice a" Mr Hunt was. but I never
knew Just hni lucky I'd been till 1
met some of the ether casting directors.
"This ma he the last bit of work
you'll get for months," be told me, us
, ', ".i: ..IsU '.....I I.i.r.i.a ..v.. lt.eil.iu.: l.,nch hi...:" while .he -IH11 ","."::.
te go te bagdad for these scenes
1 lilt JlBa. x wSSfSSi HpvflL JSrcaHL WbkWaiXmt &1K
3' GSuer!&
I S ' hundreds of players nnd thousands of
J : : I-
.,TOtiW5&racUHW
NsImSImISM11IEiv
x r2rsiaffiJBeMWMJ?73sW!xa. i
i .
Above are three views if the (liienlal . t y which Is the background of
"One Arabian Night," directed b l.ihitnch, who made "Passion."
Thej could net go te the actual location se the iii"il the ex Kilmer's
mammoth parade gneind near P.trlin. The band in the lower picture
was all imported bv the wagonlend
his nssistmit nnd I stalled for "the
fleer" that's the part of the studio
win re they actually take the pictures
"se make the most of this chance."
I premised li 1 111 that 1 would, nnd
hurried uwa, eager for this first step
into in new world.
We wetit info 11 perfectly enormous
,.1...... Li, ....... l,ii mi. P nnvlluiHi I'll
ever' seen. Four different '1 empaiiies
were working there; two flours of a
house without any front, of course
had been built for one of them, "n.l
ihi.cn ...n u n t ftUtfl It I'll lit illnn till'
,,n,i.- v..,,., "r.r i,ni,, m.iil imv nf.wny. Wliile it is a pnrt of the 500
tentien tu the rest, though and there
was room enough for several mere
companies, it seemed te inc. A band
wus phiing in the restaurant, mid pee-
nlu were danclinr and eating, just as
1. . . , f .1 ..
If they wvru in a real place of that
kind. Ttie.v were all made up. And
'the men I'd seen arrive nt the studio in
I autei. nihilist u little while before were
lull standing around watching tl.ein
1 then' were nteut twent In that group,
but tile nlace WUS se big that tin were
I quite lest.
1 was tn be ill the picture U..11 was
.being made in this set that was a house ;
T ,.-.... ...w. ..l ti ,neti nt nlient lilt v liee-
.i i
1 "" "'" s,fc " ..." - -.--; ' .
pie mm iiumt- in inm us-...n u ......
. . . , . .. , . l.i .. .!.:..
wue was iii'iiny mni, . ....... ..... ... ...
! heroine, who wus in love with
lllll. It
ilefiliiir
was .se excitmir te see her
eM'i'ln'd,
'and when we all ran up the
irehe windows and tore down
' . t el i s and 1
,,.'... ".... ,, U,,.,l
'I.vnch
i uoei, r. ii'iimuii, .. .-........,..
ceWeli'd heh ind the Klrl-.ill. It .Lie
, me J'isi uiu " JJ211 '
,,, , ,.elU,Ile(i .Monday
. ,
,.,
lUllltl .SeffltTl OH II
xfer iew Russell Film
,,,, i ivm Iti-SSKI.I, inin.-ais ns n
I7 I.l M UlSSl'.. i iiii-ais ns a
A j i . i . i . v .m in n
V sci.ui f an old Southern family.
Jealous f Its traditions nnd involved in
a feud. In a P cture new un h;r way ,
n- l'-..x W.st fHt MjullMH. I he Mere
is nn a.ii.nil. n of 1 ." U""t li.. . .,
'", On Hi- U..X let lit Helly iv I ni.-l.. .,
m,ii. n ( Hires .M'ne '
r , i .. mtlieri
niniislens nun nun, I c
i : ,:,. .'..!,. I,,.!,.,. l.,
uw.'ii.MK ; ;i '"".-" , ' ;''".
IMXOllS HUH ill." i"
i.iaiiv junta et i niiii.ii.i.1 u.,.,.1.- ,. m
liKnt'iens for typ.cnl Southern ext.rci
In ids new picture Kursell U mi',
ported by Sylvia Itrcinier. feminine
lend; rierence Deshon. Heb Dnil.1, Ar
thm- Morrison and Al Un-m nt.
Nigel Barrie Is Glad
He's Playing the Villain
"VTKiKD IlAItltlK. who is playliiB tin
IN "hcavv" in the.riicturlziitieii
"The Little Minister,' .1. M. Hnrrie'
novel and pin, Is a happy man tin's
.lavs '11 einlse lie depsn t linw t.'i wear
l dress suit in the pictur
"I have plaved III se many pieti.res
in which I have hail te wear cvciiiiijj
clothes that it i a distinct ple'isuie i,i
I'av a pnit llhe Captuln Ilalllwell," he
exp'lnindl. "Of course, I have te be the
villain te cet nway from the stiff shirt,
but It's worth it."
An Emergency Hospital
Is Being Maintained at
This Western Film Studie
A COMPLETE emergency hospital Is
maintained nt Universal City te
, f'niv fef "'" injured in Hie preduc
: tlen of motion pictures,
1 'n,P hespitnl is n wnlte stone, struc
; , , , , 1anll.rsi1im hlc,1
' "
( acres comprising the studio property, it
1 j n jtt0 apnrt from tle busy center
f netivitics nBsurin(? Bl.Cnter quiet for
patients.
' ri.i. ., .1.- ti , ,!
1 110 luncnen et int- 1 niversai vii.v
Hospital Is purely for emergency cases.
An injury te u Unhersiil cmplujc is
cared for by surgeons there as first aid.
Then the patient is moved In a Uni
versal ambulance te one of the big
downtown hospitals where the Universal
surgeons consult with the hespitnl in
ternes, and a nurse is supplied for con-
. blunt atll'llUll
nce.
. l il mi le im 1 1 cuiii'iii. ill i lie I I i u
. J, ,.
tlen of pictures. lhe strtnueiu scenes
"f the iiiedein photedramn often 'esult
! 1" participants being injured, and in
. . , . .,.,
wei-hiiik wiiu wue milium iwui'ii im.
-
This Industrial Accident fnnimisslen
has recently expressed approval et th
hospital nl the world's lilm capital and
held It up ns a iiiudel for ether similar
institution.-,.
Dorethy Dalten liehs
Hair in New Picture
w;:
l'l'H Dorethy Dalten in the featured
le, licerite Melferd has started
Meral, of th
I, ad: I.ctty," tin mint
t.itien of the hotel
In the lute I'tiinlt
N'eiTis. Miss Dal- i
ten has just re I
turned from the
Ilast and the coni ceni
pauy Rees en loca
tion in Northern
California waters
te net many of the
1 e ti e s. jdiilelph
(ilentlne has the
mule lend of Ita
lliiiii I., redo. Others
in t he cast are
Charles lirinilley,
K in I 1 Jeritensen,
Maude AVuyne, (,'e
oil Helland. Will-
t ' I' I, e n i; a n (I
(ieerue Kuttn.
Miss Dalten hns
hud u couple ineie
UOUOTHY DALTON
Indies bobbed oil her hair, se ihnl she
could ineie ea.illt' make up the feature
role of Merun, a woman tircbscd iike
man. nut; urcsses as a sailor or a wa
terfront chniacter In a primitive role,
full or reugh-anil-tumKle IlijhtliiK nml
thrills.
, ffiPrK
'am
a
THEY BUILT BAGDAD
ON ITILHELM'S
REVIEWING GROUND
SUI'l'OSK that by some great political
upheaval. Marshall Ncilan, the
American producer, was enabled te rent
the While Heuse nnd turn It Inte u
motion picture studio.
Huppose thnt hh it result of a similar
governmental disturbance In (lr1eu.t
Ilrltaln. Cecil Hepwnrth. the English
director, hired Buckingham 1'alaee for
the mine purpose. ...
If cither or both of these suppositions
became fact, they would hardly be any
thing mere sensational than the t""1
which nre nctunlly happening en the
Kurepcnn continent today.
Wlint linn iiKcnmp of the magnificent
i estntcH of the mennrchs of fallen cm
i plrcB new that virtually nil Lurope Is
i republican In form of government
I The old imlncti of Sans SeucI nt
l'etntlnm. built by Frederick the Great
I in imitation of the Falacc of Ixmls
i XIV nt Versailles was. used as the
l'nlace of the French Kiug In Fas
! slen."
. Almest nil of the Impcrlnl buildings
used by ex-Knlser Wllhelm in the old
regime have flncc the war figured prom prem
hnently In German productions and the
I fnmeuM l'nlace of Schenbrnnii In Men
I nn. which was the palace of the old
I Emperor Franst Jesef nful the home et
1 the HnpsburgH for generations, is new
I regulnrly rcnlctl as a motion picture
studio.
MOST striking of all, however, Is the
fact thnt the great military rcylcw
, ins grounds just outside et Merlin,
' where Wllhelm used te watch his troops
' pnss !u review during ami before the
I war, is new a vnst studio let!
I Instead of being the stronghold of
i rifles nnd much i no guns, the vast sandy
i plnln new beasts of scores of motion
' picture cameras, dozens' of directors,
hundreds of players and thousands of
actors. It is indeed nn nrmy but of n
different kind!
"Heady! Aim! Fire'."
That was yesterday's command te the
firing squad.
"Action 1 Camern 1 Sheet!"
That Is today's command of the di
rector. Ernst I.uhltsch, master film director
of the European continent, was the
commander-in-chief en this enormous
production let when he staged "One
Arabian Night."
The old reviewing grounds underwent
n remarkable transformation with the
production of "One Avnbiiui Night."
l'levcnlcd from filming the tulc In Its
ecnle, the old Persian city of Mngdad.
owing te the prohibit ie expense nnd
distance. Director I.uhitscli was com
pelled te construct practically nn entire
city.
TJEFOIIE actual construction wns be-
I J-'giin It was necessary for the tech
1 nical director te makn n trip te the
Orient nnd te spend several weeks in
studying thn buildings and general
landscape. Then he was compelled te
study innny books bearing en the. sub-
riioTei'i.w.s
HSTLVPUTT
COMPANY r
Jr AMERICA
Alhambra "ft. ft. Vs.WSWi
DOUGLAS MacLEAN
In "I'ASHINO TIIKI"
A I I nTUCMV I'rmikMrJ u Allegheny
ALLLAjliLm ii d.iiv v iv kvhs. at 8
ELSIE FERGUSON
mjcniirn.iiiirrs'
ADm 1 C 62D THOMPSON STS,
trJ-.-J MVTiN'fH HA1I.V
DOUGLAS MacLEAN
InJOMi; A MIMTI'-'L
arcadla i;:11? H. rx
CONSTANCE BINNEY
In 'TIIK C.sil'. (IT HCt'HV"
Charlie Chaplin in "The Idle Clais"
ACTHD KIIAMCI IN A GlItAHD AV!S
rD 1 wr me s mi'v
CONWAY TEARLE
TIMnRIT ''' WAl.nileilB
BAL 1 11V1UKL , . . w,Tmat
in "Tin: t iiiiirai1
UUINa 1 AlNUt OllNlNE. I
, I-.-SITI. A UITI.K (IllXS-
OrlM ,)ml AN" wniilit.WD AVH
1JU.IN1N mi ii, i, Iii-.ii. 1 1. .-.vin-t
Deuslas MacLenn in "Passing Thru"
A!l)hli "III Itltlt M' lit TCH''
BLUEBIRD "; , : : .Xu
MI. 1,1AM IIHIST1 ( IANrNr.,
"LIVE AND LET LIVE"
BROADWAY !." . ".,"' V
ELSIE FERGUSON
In "rilOTI.KIIITS"
CAPITOL
-U'J MAllKUT ST
1" M , II l.'i
jr
ritANK Hiir.nm in
"THE RIDER OF KING LOG"
Charlie Chaplin in "The Idle Class"
COLONIAL ""i. "p"-,wrf."AMM'
POLA NEGRI
In "HVl'HV lll.OOIl"
DARBYTHEATRE
VIOLA DANA
III "CINlir.KKI.I.VS TU'I.N"
EMPRESS "'MA,?,",:0,T.,VNK
IlllltllTllY lllll.l.ll's n
"Man Wemnn MarriaRe"
FAIRMOUNT tWIXIaIIS
wm.i.iam iU's,s.ri.i. in
"SINGING RIVER"
r- a Kit 1 1 V lilKA'UU. Hill MAHKKT
I' A1V11L.1 s v ' 'in ""DNiuiIT
DUSTIN FARNUM
in jnii: i'himi. i w
(.. I'l-I si!' nil-AIHI-. Il.miv Dnnir
JO 1 1 1 J I . IHT'S'U. I. All.',
lllll'K mMI'HIN III
"LOVE'S PENALTY"
C i nrr e'jui mahkkt vr
ilJJnV.' III e,r 0 ,10 t , tl
Tiin TiiKJinxnniN rsnnn'.KA nn.M.
"WET GOLD"
a .
Dorethy Dalten Has
Such a hlild" Part
HEUH nre some ' of the things
Dorethy Dalten will have te de
in the feature role of her new pic
ture, "Mernn of the I.ndy I.ctty":
. Fight n horde of Chinese cut
throats ermed with knives.
Knock down deserting sailors with
bare knuckles.
Pilet a vessel through rough seas.
Fight with Itudelph Valentine,
who plays the male lend, until he
finally overpowers her.
ject In order te make his plnim conform
with the architecture nnd customs of
the period.
Chief among the features of (lie set set
tlnge for "One Arabian Night" are (he
palncrs of the Sheik, one containing
the threne room and his suite, and the
ether heuulng his harem, with a hun
dred wives and ns many slaves and
guards.
One fent accomplished by the director
was the "mnklug" of n picturesque
desert. Glgnnllc sand dunes were re
quired for the desert setting. Ne suit-
nhln ilpserf lielnr- within n thousand or
mere miles, one had te be constructed
te order. The former nrmy maneuver
ing grounds consist of a perfectly lint
plain of sand. An nrmy of laborers
was employed nnd for days trains of
trucks carried additional sand te the
location. This was spread ever the.
ground and en the hillsides and piled
Inte great mounds with the result thai
the mnde-to-erder desert appeared the
real thins:.
Tha Story of "One Arabian Night" In
founded en the glories and the remnme
of the Arabian Nights. 1'eln Negri
plnya the part of a dancing girl bein
and bred en the Arabian desert, untam
ed and unmanageable, imbued with the
spirit and grace of a goddess.
Answers te Questions
Frem Mevie Fans
ETHEI Serry I can't give you the
niiini! of the maid In the serial you men
tion. The address of Pauline Frederick
Is 50.'l Sunset boulevard, Ileverly Hills.
Calif. Gleria Swanson can be readied
nt LaFky Studie, Hollywood, Calif.
SYLVIA Yes, Knthcrine MncDeti-
aid has been called the "American
Heauty," and voted the most beautiful
woman en the screen in many contests.
Her latest picture is entitled "Thu In
fidel." Her lending mnn Is Hebert El
lis, the well-known director.
TL'LIPTOWN I de net knew
whether Vivian Martin has deserted the
screen for geed or net. although I de
net believe she would forsake Iter screen
ndiniiera. She is at piesenl ptinlng
with Lyntie Overman in "dust Mar
rlid," Elaine Iliininierstein is twenty
four' years old nnd has naturally curly
brown hair. 1 ednilte your mime very
much. De write te mu ngaln.
COLONIAL LADY Niles Welch is
thirty-two years old. He is married te
Dell Iloenc. The latest picture In which
he nnnears is "The Cup of Life." with
Ilebart Moswerth and Madge Uellamy.
Creighteti Hnle was born 111 Cerk, Ire
land. Yes. he has been in pictures for
quite 11 number of years. The serial In
which he appeared opposite Pearl White
wns "The iron 1 law, which wns re
leased quite n number of years age.
LUCILLE AKNOI.D Yes. Priscilla
Dean Is married. Her husband is
Wheeler Oakinan. Se you like the Pris
cilla Denn tarn? Yes, she made the orig
inal one herself.
MIDISON Elme Lincoln is still
doing serinls. The title of the last one
en which he Is working bus net been
iiiuicuiiced. Len Chancy ia wltHi Uni
versal. He is working nt present en
"Wolf Breed."
HALLY Anna Q. Nllssen Is mnr
rled te Guy Combs. Ralph Giiivim does
net tell his age, but I'll bet he is net
mere thnn twenty-five. Ne, lie is net
married.
CL1TA Tully Marshall has been en
the stnge for thirty-six years. Ills
address Is lO.'tO North Vine street, Les
AnteleH, Cnlif.
rilOTOri.AYH
The following theatres obtain their pictures through
the STANLEY Company of America, which is a guarantee
of early showing of the finest productions. Ask for the
theatre in your locality obtaining pictures through the
Stanley Company of America.
PR AIT 40" Olraril Ave. fat. Today
s-J1'", l Overtur,. "('nrenne 1 Jvitt or (1
MAY MAItSII In
"POLLY OF THE CIRCUS"
GPAT"NORTHERN"re7 0t,.Brs,I'
ALICE LAKE
111 "rNCHAKTKI) M'.S''
IMPFRIA1 "T WAUM'T HTH.
11V11 1I1-I, jnlB .j.nii. 'VM 7 t II
LIONEL BARRYMORE
la ".iim tin: i'i:nman"
k'-n-h-rtr "IU:afNff AbOe I'llOAIl
IXcirilen nally 111 , Jt. tn 11-30 I'. M
William S. Hart in 'Thrce-Werd Brand'
Charlie Chaplin in "The Idle Clais"
Lehigh Palace fZTl and
ELSIE FERGUSON
In "reOTI.lf.llT"
I 'RFRTV 1IIIOAI) 4 re'l.t Mill A AV.
UlUUiU I I t IT'VI-'I-- DAILY
MAY ALLISON
In "IIIK IIK. IiHIK"
OVERBROOK w, VVt'J;,?,,,,,
TOM MIX
In "A IIIDIS' KOMI'.O"
PAl APF ''-'' mmiiv'lt siiti:i;r
I L.n,v-U hi a m ,, n n j. .j
THOMAS MEIGHAN
in i'i mi Ks
Charlie Chaplin in "The Idle Class"
PRINCESS ,1;i W11,!. 'i.,:4Mr
TOM MIX
In Till: VKillT llllltMMrv"
REGENT W;' cfT-.Vl,T,."VI,i
MAKY MILES MINTER
in "iint winmmi n,V"
Charlie Chaplin in "The Idle Class"
RIALTO " ll,"W IV. ..r.v" ":
CLARA KIMBALL YOUNG
in "CIIAIfl.r, II"
Ill ir-V" lilAilKI.-l- s.r ,.,,,...- ,...
fAUDI hi il, ,,,,,
MAUKlr hf, UKU)W 7TII
HI f tr, II M I t
PAULINE FREDERICK '
in 'itiiAiis or Di.sinw"
SAVOY J-u M-'UKLT STHK1-7T
ln v w ' A M Tn MID.MGIIT
M.l.vrXU I S In
"BETWEEN MEN"
currnYi"rM .-m a , ,,,, . .
CHARLES TRAY
III "SI ItAI' IKON"
0.30
STANLEY
MAUKI71' AT IUTII
11 A l lii II I.-. ! M
CONSTANCE TALMADGE
III " I.IIIIIM, III.I.I.S"
Charlie Chaplin in "The Idle Class"
STANTON
M II I I M li
"OVER
M Ull.' I , - ,T
' I ' 'I ' , I I I' M
II I I M I l'si .1 n n pi ii
"OVER THF. HILL"
333 MARKET
M In II n li II
LIONEL BARRYMORE
In "JIM Till", l'LNMAN"
He Dcsdrvcs It
v
STIIONGIIKAHT
Noted war deg, who wns u Red Crew
here en ninny battlefields, is new in
the movies. He makes his debut ns a
bcrccn star In "The Silent Call"
He's 92 and She's 76,
hut. They Arc Making
Their Screen Debut$
T IS. LESTOCQ, who casts for Lnskj
" llritlsh pictures, was commissioned
te find n dozen very old men and women
for geed Scotch types In "Besides tht
Bennie Brier Bush." Mr. Lcstecq ha
ever .'1000 names en his books nnd th
agencies steed ready te assist him.
But he was itnable te find satisfac
tory type sunll lhe remembered the blr
Londen peer-houses.
Luckily, he found the "guardian"
agreeable te his suggestion thnt he
should lend out some of his clinrgct
for a couple of days.
"1 have n line selection in ripe old
nges," be said, with a twinkle in hii
eye. "Anything, in fnct, from seventy
te n hundred. Ge and have a leek at
(hem, and If the old folks nre agreeable
eti are at liberty te take your choice."
Thus it has come te pass that nmen;
ether veterans, nn old lady of seventy'
six and a great-grandfather of ninety,
two will shortly be mnkiiis their "first
appearance en any stage!"
This Brahman Temple
Set Was Very Cesily
THE Braliam Temple erected for "A
Bride of the Gods" Is one of the
largest ever constructed for a motion
picture snectnole drama.
It is TOO feet in length, 2."0 feet
wide, cost S 10. 000, nnd is surrounded
by steps capable of supporting the C000
persons recently filmed In one of the bis
s'ecnes of the play.
In making this scene n tetnl of l.fiOO.
0011 oniidlepnwor wns diffused en the
set nt one time. In nddltien te fifteen
sunlight arc lamps.
Sixty-five truekloedH of brush and
vines were used te embellish the tem
ple, which wns constructed by a crew
of 100 mechanics in exactly n month,
which In Itself wns somewhat of n feat.
Ingram Has Superstition
Rex Ingram hns one superstition,
which is that Edward Connelly must be
r. member of the cast In nny photoplay
thnt he produces.
Cennellv has appeared in nil of the
Ingram productions for Metre- "dhere
Acres," "Hearts Are Trumps." "The
Four Horsemen of the Apocalypse,"
"The Conquering Power" nnd "Turn
te the Right." He will be seen in the
new luzrnm production, "The Prisoner
of Zcnda."
iMtoTerr.ws
pHOTO-PUy?
COM PAN V I
rAucnitA
V1PTHR1A MAIIKBT ST. eb. OTH
VIVIUKIA UA H tnllllJP, it
BUCK JONES
, In "TO A riNISII"
Charlie Chaplin in "The Idle Clasi"
AT WEST CHESTER
RI ALTO WILLIAM IlENNKTT'S
,". "IXl'TII AIIOI'T III'MIAVDS"
IDLE HOUR iikiii: ami:w in
The NIXON-NIRnLINGER
THEATRES
RPI MONT t'"U AHIIVI, MAKKEt
DOUGLAS MacLEAN
In "l'AiSNO TIIR1 e
CEDAR
Wni ft CUI1AH AVKNUl
1 SO n,l Ind! and
VOVICOi; KALTSIU'IIY I'l
"THE BARBARIAN"
rvi icer wi MtrK . im.
'HI, & HO 10
i ri
v-'l-.l.ll.-'H t "0
m mi-iiiiiii: mu1 ,
"THE BUTT
MMi.lllllli: DUV ,'Pil l(l(l crinTT In
"THE BUTTERFLY GIRL"
ii livinn rue.vT -JT. a
lllllAllll AVB.
J KJI11UJ
IV .- V ril "h
CONWAY TEARLE
in "itt'ctviNii tiii: TK.itu
I FAHPO lsT A lANC'ASTKK At.
LlrML,lt M n'i"-v I'MI.Y
ELSIE FERGUSON
in "reuTi Kiirrs"
I npl IC'I' ..JD IMi I'M isf siiiKBti
I.UI.iJO 1 m.i. t i,i ;i in i-, i. li) tell
THOMAS MEIGHAN
In "CAI'I'V HICKS"
NIXON wu ASU MA"1"
llllil t
.tup'mvbtpdv enAn"
I THE MYSTERY ROAD"
KIVOLI '"u ASU '" UV "n "'t
! ELLIOTT DEXTER '"""
I ' "1I,K " "thinu net it
'STRAND OUHMANTlJWN AVK.
3 ' KM1NU AT VIINANr.O sTIlFXT
I Tliumim ,lcfTrrnn nml Mncd.il I "l m
"KIP VAN WINKLE"
AT OTHER TULA I RL1S
MEMBERS OF M.P.T.O.A.
GERMANTOWN "V,;; U
Alii r l.nlip In 'l mil irtril Sfiis"
,fl,.l Aililril Mlrnrtliii
M. DE MAY
loll rnslilnn Crrnt'en . ,.
IViiturlnir llniw llnniiilini A' Murlli.' MnntlIJ
J EFFERSON 8W,? , ? . v'.'T'S'.fi A
BERT LYTELL
i nn. in who"
PARK ,IUl",,;.AV,..k.",".,,rV
CHARLES RAY
In "( II l 11(0 " -
WEST ALLEGHENY --;',:'..:: KB
ETHEL CLAYTON
In "WEALTH"
.t
4
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