EVENING PUBLIC LEDGER PHILADELPHIA, FRIDAY, OCTOBER 21, 1921
WHERE HAVE THEY GONE?
Re, Daily Mevie Magazine
CLOSE-UPS of the MOVIE GAME
OLD FAVORITES IN UNUSUAL MAKE-UPS
Dy HENRY M. NRRLY
t
, drtMS& i -"iiiii
What De Screen "Credits" Mean te Yeu?
SUPPOSE ue manage te get Inte the thrntrc between pictures when the lights
are up nnd we enn roc te get neati. We settle down In tlngly nntlelpntien
W have come In te nee our favorite here, Percy Doorknob, In his sensational
Ttvn story, "The Haunted Clothesline." Ah! The lights go out. There U a
flicker en the ccrcen and we sit up te get every moment of the action. What
de we see?
First comes a frnme Informing us that "Abner Pumbhell Presents. " Well
jrt're much obliged te Abner, though ne never heard of him Let's get en
JLnether frame "Frem the Story, 'One Wonderful Washday,' by Curving Heb.
In the Thingumbeb Magazine." All right. Wc didn't read the original 'terj.
but we've read ether stufl by Curving Beb. But let's get te the plrture.
Cemes another title, as the high-brew uiltcrs saj . "Adapted for the vr"en
by Irma Inkwell: Scenario by Telly Penwiper." We begin te feel a bit peeved
TVe have no doubt that Irma and Pellj are most estimable young women, but
we came te see a picture with Percy Doorknob In It.
And our anger rises as we see "A Perfection Production Hclcased by the
Hoesgow Distributors." We haven't the slightest idea what that means.
We've seen it dozens of times en dozens of screens, but. net being Interested In
the trade, we've never tried te fathom the meaning of the words. Besides, c
came te see Percv Doorknob. Is he In this picture or net''
Wait! Here we are! Ne; it isn't the beginning of the tery. after all
It's a frame filled with great big letters -nlng. "DIUnCTHD BY THOMAS
TINGOD." Then mere frames giving the names of the assistant director, the
cameraman, the art-title man, "surenifed by." the art director, "costumes
by," all the way down te "toothpaste supplied bj."
AND then comes ike modem brand-mark of mental serfdom the
A frame which informs ui that a small coterie of political place
holders calling themselves censers ftei viewed the picture and cut out
everything that might tend te smirch our merah or incite us te bol bel
shevism. We're glad of that, of course. We haven't intelligence enough
te decide these things for ourselves.
'A ND at last we get the cast of characters with Tercy Doorknob's name at the
" top and. with n few mere hundred feet of descriptive titles, the picture
tarts. It was just about tunc, tee. Wc had almost decided no had mnde a
mistake and this wasn't l'crcj 's picture, after all
When will some producer Iinve the ncne te put these reilit titles at the end
t the picture? Then. If the picture lfelf has interested us sufficiently, ne will
tay te see who acted the characters that impressed u mnt or who directed it
r who produced It. When all this conglomeration of names Is shown before
th picture starts It means nothing te us, because, net knowing the story, we
nTen't tha slightest conception of the relation of one te the ether.
There is a very Important psychological reason for this, tee and I hnve
aerer yet met a man in the producing end of the business he has even consid
ered it. When we go te see a picture ne go te see u plituie We .iien't inter
red in unimportant side issues. WE WANT TO SEK THAT PICTI'lin.
The really shrewd showman will get us te the picture jut as seen n he
possibly can. He will realize that every moment wasted in the gratification of
the personal vanity of his assistants Is a moment that arouses our antagonism
toward the final result. We came te see our favorite star in a picture We
paid him geed, hard-earned meney te see mir favorite star In n picture. We
didn't give him our money te be told who produced it or who directed it it who
photographed It or who costumed it or who wrote the scenario or the titles nr
drew the pictures en the titles or anythins ele.
WE CA.WT see these people living and moving before us en the
screen and consequently they aren't actually real te us. They are
only abstract names te us something te be memerised like an unin
teresting lessen.
HIT THE ACTORS LIVE 1 I'U'OST Oh Is 117 IS.
THEY ARE, FOR THE MOM EST, REALITIES FU'lEMJh.
The actors are the only ones ice care about. We uant te live thcii
story icith them suffer their tortures, thrill with their joy, tremble
with their hates.
Then, when the wonderful ending come and tee sit back, satisfied,
ice realtti that it has all been a delicious dream and ice are grateful te
the men who helped us dream it. Then BUT OT VVTIL 7 7E.Y
ice leant te knew iche they icere. We knew the relation between the
characters ; we realize the part that each man or ireman ha played.
BEFORE the start of the picture all this Information is meaningless unim
portant delaying. After the picture has charmed us it is full of sig
nificance, essential, rounding out our complete enjoyment of the story.
The trouble Is that producers and directors and presidents never really go
te the mevlea. They see every film at a private view. If I.asky and Fex and
Zuker and Selznlck and the rest would only spend an evening alone new and
then at that little neighborhood house around the corner, the would learn a let
about their business that they don't knew new and that thev'll never find out
e long as they arc tightly surrounded In the Brotherhood of the Itching Ege
meaning the heads of the sycophantic departments en see represented n the
present-day credit titles.
De you think I'm exaggerating? Listen Ocraldine I saw a contract the
ether day which stipulated that the name of the director of the picture should
appear In all films and all publicity matter, in LETTERS AT LEAST 75 PER
CENT AS BIO AS TOE MAIN TITLE OF THE PICTURE.
And net many weeks age a hack scenario writer entered suit against a pro
ducer for something like !52?itOOO because the scenario writer's name was net
thewn en the screen In these boring credit titles.
I'm just wondering. It's your mener and mv menev that pays for all this
etnff. What de YOU really think about it?
BEAUTY AND
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THE BEAST
..F.mt '.,
ir,;fciwi't
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prize Airedale, are ;rcm puis l'p te
have resisted tlie lure of the films
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That immaculate fasliinn plate, "Wally" Reid, is
following in Jehn Barrymore's footsteps. The two
upper pictures en the rigid show two stages of his aging
in "Peter Ibbetson." Belew he is still the handsome
youth. Elsie Fergusen, co-starring in the picture, did a
little make-up work herself, as the left-hand pictures
show.
Hew I Became
A Mevie Star
As Told te
INEZ KLUMPH
THE STOin BEGINS
in n 1'iptral "small town" and
intiuduifs horethu, who is fmiva
hinging te get into the movies.
Emu time iht and her friend,
fadgr, utr a pieturr they crave te
finuliite the itan they see grows en
them I hen Dorethy gets a letter
fiem Prists Grant, a girl ehum, u he
Aim ' mmlr yuad ' m A'c'ic Vetfc, in
ircretarial iurk. Dorethy finally
lieriuadit, he parents te allow her
te visit Pe sit
NOW GO ON WITH THE STORY
( HAI'TEIt II
On the Tliieslield of a Studie
SUM EH. MLS en the wny te New
Yerk I felt a little bit scarv ; it
seemed as if I'd undertaken such an
uwful let. net knowing anybody who
euld help me at all except Persis and
-he'd just barelv met that motion -pie-ture
man she wrote about, and she
might neer even see him again I
thought of the thousands of girls and
ir.nien who were trying te get into pic
tures, and the thousands mere who had
tried and hadn't been able te make It
Vnd the future lnmd pretty gloomy te
me as I get nearer and nearer te New
Yerk. Mabe that was parti because
I'd never "taken a long train journey
,lone befeic; I'd b"en te Colerado once,
and te California for the exposition, but
Mth some of the famllj both tinnf tinnf
se though going alone Inte the dining
ar and doing all that sort of thing
tiade me feel verv Important. I was
lad when I followed the pertei li
nrrifd mv bag through the Grand Cen
tral Station, in New Yerk, and n
Persis waiting for me
"My dear!" she cried, grabbing me
e hard that my hat slid ever one cai
"Wbnt de ye.i think , I've get a ehan'-e
r veu t' act ve'i'np come just at tli"
-ight moment if you want te get Inte
turns, because Mr Hepsen that s
he man who makes picture:,, ouknew
Is just casting a new one, and he told
e he'd want lets of girls He's been in
ir office a let lately Isn't that gor ger gor
eeeu," fiorgeeus' I was se thrilled that I
ardly realized that n tew minutes later
1 was riding en a Fifth avenue bus
for the first time I was just in a
dream, but as we passed one of the
big department stores, somewhere in
the thirties, Persis clutched me by the
arm and pointed wildly te the sidewalk
"Loek there's Nerma Talmndge
the girl In the bright red hat, with the
tlnv little deg under her arm getting
into that limousine!"
We were riding en top of the bus
and I simply dangled ever the side of
it, breathless. Sure enough, it was
Nerma right there within twe.nty feet
I of me Think of It' A let of people
hull stenncrt te stare, at her, aim sue
sort of laughed and ducked into the
nr quick but I mm enugnt a glimpse
f tl.e violets in tiie flower holder In
side her limeublne and of the geld mesh
ling that she tossed down en the (-cat
heslde her I could ee down through
the window And .Nerma s clothes
were se stunning nnd she looked se
iiwfiillv nrett and harmi I was mere
' convinced than ever that I wanted te
be a screen actresB.
Petals' room was nice, I wouldn't
have called It big exactly, It uas about
tlu buc of our dining remi ut heiui.
Kr- .: s. t. s jtterzzmifm
-T.
They Used Five Tens
of Salt in This Film
THERE Is plenty of seasoning In
Jack Helt's first starring pic
ture, "The Call of the North."
Five tens of salt were used for the
?new scenes.
I riut she said It wbb big for the money
1 and It certalnl looked comfortable
'There were two couches that we could
I -deep en, and she unfolded a card table
1 and put an electric stove en It whn (
' she wanted te cook. The dreser was 1
I behind a screen, and en It she had
photographs of Corinne Griffith, Viela
I Dana, Wyndham Standing and narrl-
son Ferd.
1 "You've no Idea hew they've helped
me te kiep from being lonesome," she
I told me when I was brushing mv hair ,
1 before we went out te dinner "When ,
I firt rump te New Yerk I didn t care
se much about the movies, but after
I'd been hem n little while, without
knowing anybody, I began te go a let.
And after a while I wrote and asked
my favorites for their pictures. They
sent me such nice ones, and Corinne
(Irifflth even wrote me n nice little note
with hers Se I sort of substituted
movie friends for real ones nnd tliev
made all the difference in the world "
I decided right then that when I set
te be a star I'd write little notes with
my pictures I even made one up ns
I'eisls and I w allied te tne nearest res
'nurant for dinner.
It would be two weeks before Mr.
Hepsen wanted anybody for his picture,
mil of course. I couldn't afford te
uaste that much time, su I started out
the verv next morning te leek for a
job. I'd hunted up some of the studies
in the teletilienc book, and made n list
f them, deciding te begin with ti.e
nearest ones
But nt the one en West Flftv -sixth
street the weren't making am picture,,
nnd when I went t the Tex studl.i
there was no chance of Heeing any -uie
nccerdlng te the boy who sits at the
Innr and asks all strangers what the
want. He said the casting director wan
awaj, and that I could send In some
nliotegiaphs, if I wanted te hut thnt
I'd have te call again te see bun Si
I went te luncheon, and prepaied te go
that afternoon te one of the studies that
v ere out en the edge of town or In 11
suburb that might change my luck 1
sent mother a postcard with a picture
of Grant's Tomb en It, and wrote that
I was having a lovely time; I knew
the family would think I'd been
sightseeing, and be a let happier than
if I said I wns job hunting.
I went en the subway te the studio
I'd picked Finding the right train was
complicated, but people were nice about
telling me where te go, and some men
I heard talking en the wav there get
off where I was told te and headed for
a big white building net far awny, se
I followed them. They'd been saying
that the big pictures of next )ear would
be made In the Eajst that the coast was
losing popularity with picture makers.
They seemed te knew nil about it. and
when thev began discussing "long
shots" and finding fault with the we
a set had been built, I was sure thev
were movie people.
They went in a deer marked "Office"
when they get te the bis building, se I
rllil. tee Inside there was a man te
ask what people wanted, and seicrnl
people were Hitting and standing nreiin
. uniting for semctning
I want te see the casting director.
I told the man. My hands were lev
cold, 'aliTl seemed te be simply cramped
around the package of photographs that
I was carrying, but I thought my voice
sounded fairly unconcerned.
Te be continued tomorrow
X. SmiMEEEEm f v 'ViVyi e?xri S mmCi
liK 1." liA'i" itUB S Bill
V
v.Zj?VX
Aire Old Lady Thought
Hayahatva, in Make-Up.
Was Old Clethes Man
"pvON'T wear your make-up off of
-' location,"7 warns Hayakawa te
his fellow players. The star gives thi"
advice nfter an experience while film
ing "The Street of the Fling Dragen." j
In the picture Hajakawa plavs the
icile of an idol carver nnd one of the
ustuiiies he wears consists of a bat
tel ed straw hnt. shabby black clothe
and a burlap sack ever his back. It
was in these clothes that the star re
turned te the hotel after a day's work
en location. After stepping at the desk
for his room key he was about te enter
the elevator when a nice old ladv tapped
him en the shoulder.
"I have some old clothes te sell," she
said.
Hajakawa "caught the drift." The
woman hnd mistaken him for an old
clothes man. Hayakawa paid her
liberally for the clothes.
When dinner time came and the star
was seated In dinner dress near the
old lady's table an hour afterward,
his Identity was made known te her.
The next morning the old lady
couldn't be found in the hotel.
iSazimeva Favers
Sheath Gowns and
Other Modern Medes
DISCARDING the historically fa
miliar basque and crinoline, the
new B7lmeva picture, "C'amille," is
costumed In the
present mode, the
story lifted te the
present generation
in Paris, with all
the modern setting
of electric lighting,
moteicars nnd Jazz
music
Against this
ba ckg reu nd, In
clothes thnt ex
press the mode of
the moment ns In
terpreted for the
d 0 in I - mendalne,
showing also the
ether side of the
shield In simple ap
parel for country
llfe. the Russian
Mil Nil7lmeM
.tut n miuai liru-
(iuctlen draws a stirring picture of one
of the most pathetic figures In roman
tic hikter, the beautiful Marguerite
trautier.
All the way thieugh the picture Nazi-
mevn wenru nlntliuu dml .. Iiln !.....
star's latest tire
press the modem mode, are distinctly
I Individualize In tone. Ter the evening
1 appearances she favors the sheath type
of gown developed with a slender train
finish In the first act the fabric is
1 a metal tissue, cut entirely blacklcss In
the last black elvet is trimmed with
embroidery down the front in pointed
I lines that emphasize the slender sil
I heuette.
I '
A CPKSSOniES are most elaborate In
the form of a spangled shawl wrap,
a .Spanish shawl in light colorings, and
Innumerable curious fans.
In the scenes in the country, when
('iimllle Is striving for health, the mood
of the costumes chiuigei, showing S'n
iliiimn in soft fabrics, conservatively
cut, with the round rather high neck
thnt this netress fnvers. A crepe dress
is trimmed with embroidery or appliques
of darker fabrics, while a chiffon of
similar genre Is built In several layers,
with n transparent hem, but decided
length.
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ALICE TERRY ISN'T
TO LEAVE THE
COAST, AFTER ALL
By CONSTANCE PALMER
Hollywood, Cnllf.
mHANK goodness Alice Terry Is net
-i- going te leave us for n little while
at least. She Is te pln the heroine In
liex 1 n g r a in s
production of
'The Prisoner of
Zendn," for which
lie is casting new
They say this Is
going te be a ver
entertaining play
for any one who
cares for that
sort of thing. It
will be a ferpeful
uigumcnt for the
eiidurnnce of the
big spectacle, any
wi. That re m 1 n d s
me t h e r e's
another case of
thcatrlcallsm 1 n
Agnes Ayrcs' new
picture "The
Lane That Has
Allen Trm
Ne Turning."
Theodere Kosloff has n
dignified part in it, in which he wears
1 black velvet housecoat Charlie West
is a liutler. all done up in blue satin
and geld whoop-Ins; Captain Butler (I
Knew him by no ether name; is natural
us a British officer in full regimentals,
and the rest of the crowd Include two
diplematB, with all their dednds, and a
lump of old-style French soldiers. Im
agine this conglomeration all together
in one room! Remember the old ex
travaganzas they used te take us te see
as i liildren "Superbn" and "Tep of
the World"? I suppose the display
of gorgeousness In the movies nnpeal te
the same childish love of spectacle in us.
Peer Mra. Flugrath, Viela Dana's
mother' She and her husband had just
set up housekeeping in a new Hellv
weed bungalow, when burglars broke in
and denned the plnce out They took
jewelr.v, dresses, underwear everything
tlie.v could move but the enlj thing
Mrs. Flugrath truly bewailed was the
rnoTet'LAVs,
HaTIHUY,
tuau
COHMNr " ,
erMcme
Alrinmhrn l:h -Me"ie x. i'as
unit Av.
n 45 4
DOUGLAS MacLEAN
In "PASSIM. THKV'l
A I I PHHFNY -"ink'nt.l & Allegheny
ELSIE FERGUSON
In "FOOTI.HiHTB"
A D-M 1 f
B2D li THOMPSON STB.
nrvju.L.v-' mtm r-i- paii.y
THOMAS MEIGHAN
In "WltlTn AM) 1 VMAKK1ED"
ARCADIA ,,unsT,Ni;T ,?? !
CONSTANCE BINNEY
In "TIIK CASK OK 1IF.CKY"
Charlie Chaplin in "The Idle Class"
A CTHD TOANKUS A GIHAKD AVIS
nOiVJI vvt's''- nxitY
v CONWAY TEARLE
In "TIIE FlfillTF.U"
BALTIMORE " tfhVW??
CONSTANCE BINNEY
In "SUCH A I.1TTLK QUEKN"
nrMM 84TH AND WOODLAND AVE
DnrNPl Mat. Dulls 1 I Jumls. Oritarilnt
Douglas MacLean in "Passing Thru"
Added "iiuiimrAM: urTcn"
BLUEBIRD
IJread A SuiquehmnnA
i 'ft? tlniiAtta f until 11
nroneE jrELFertrcs rnonucneN
"The Great lmpersonnuen
BROADWAY "TalV
ELSIE FERGUSON
In
FOOTI.IIiHTS"
CAPITOL
722 MAnKET ST.
10 A M In 11 IR P T
FRANK srrnmiiAN in
"THE RIDER OF KING LOG"
Charlie Chaplin in "The Idle Class"
srvi "NTI A I Q'a. Mplewoed Avm.
xAJLAjrNlAJ- 2 '0 7 nil 0 I M.
POLA NEGRI
In "OYPSYHLOeir-
DARBY THEATRE
RETTY COMPSON
In "I'niPONKKS OF I.OVK"
T-RIDDCCC MAIN 8T . MANAYUNK
LIVIrltJij MATINKK DAILY
DOROTHY rillLIJI'S In
"Man Weman -Marriage"
lATY UOBAINK In
"GOOD AND EVIL"
C A r1 1 1 V THBATUK 1311 MARKET
f AM1L.I SAM TO SriDNlOlIT
ALICE BRADY
In "I.ITTI.I". ITAIA"
C"T"U CT" THKA'IRE- Hlew Hpruc
3D 1 M 31. .MVT1NI K DAI I
"TwInUlr. Ttt Inkle. I.lttle Htnr"
Chnrles Ray in "Scrap Iren"
rM"7fil7 i'01 MARKET HT
IjUUDL, M) ami 11 ae tu n
The TrrmrnilmiK 1'nilt'ri.rn Driun.i
"WET GOLD"
HP ANT4"'-'-' (1"'ARI AVE MM Sat
Jl11l 1 0fiitiri) 'Par!' Iliiitftrfly"
HOBART BOSWORTH
111 ' rillJ CUl' OF LIFK"
A couple of weeks age
Katherine Spencer, the
lady In this picture, ac
tually showed her ears.
Everybody remarked en
it. Here site is again, but
these ears have disappeared.
less of a bottle of Coty's perfume, which
had never been opened !
It is pretty generally known b.v this
time that Jack Pickford is net going
te make "The Tnller-Mnde Man, and
that the company has been dismissed.
This is pretty hnrd lines for tliese con
cerned. The technical people had been
given whnt was fondly termed a "vaca
tion" of four weeks, during which
every one took trips and generally en
joyed themselves, which, of course,
means they spent money. And new each
one has a tale of wee beginning with
"And when the panic came " Peer
dears!
Frank Maye and Dagmar Godowsky
have at last been married. It's been
a sort of "They will they won't"
affair, and it Is no doubt n great relief
te their friends te find that nt last they
decided te de It.
Remember I told you May MncAvey Is
te appear In a new story called "Baby
Dell"? I saw her
ift a distance yes
t e r d a y and she
looked just like
one of these dells
they have In the
toy-shop windows
around ChrUtmas
time. White socks,
pink satin dress,
wired around the
bottom, yellow
wig nnd pink hat
w ith towering
plumes can ou
imagine any one
looking cuter than
Mny?
This sgeems te
be the day of kid
characterization s,
for Bebe Daniels
Is te annear as a
Mny MicAiey
liej in her next picture that Is, for a
part of it. I'll bet they dress her up,
rnoTeriATs
S73" &v&' ;
The following theatres obtain their pictures through the
STANLEY Company of America, which is a guarantee of
early showing of the finest productions. Ask for the theatre
in your locality obtaining pictures through the Stanley
Company of America. "
GREATJIORTHERN ."tt'bW
ALICE LAKE
In "PNCKAIiTKD BEAB"
IIWPFDIAI OOTH 6. WALNUT BT3.
llvlrtll-l Mita 2 .10 Evbi 7 4 8
LIONEL BARRYMORE
In "JIM TIIE I'ENMAN"
kfaelfnn CHESTNUT BT. Above BROAD
rvanien DaUy 10 a. m. te 11. se p. m.
William S. Hart in 'Three-Werd Brand'
Charlie Chaplin in "The Idle Class"
I U!vV. Dnlnn Ormantewn Ave. and
Lehigh ralace L.hicn Avenu.
ELSIE FERGUSON
In "FOOTLIOHTB"
I IRCDTV BROAD 4 COLUMBIA AV.
L.lDC.r 1 I MATINKK DAILY
EUGENE O'BRIEN
In "OILDKn UIU"
OVERBROOK,,3D VvKNuSr0RD
DOROTHY DALTON
In "IIKIIIM) MASKS"
PALACE
THOI
In '
12W MARKET STREET
111 A In II II P. M.
THOMAS MEIGHAN
In "CAI'I'Y ItlCK.V
Charlie Chaplin in "The Idle Class"
PRINIPF 1018 MABKLT STREET
rlll-ll3ij K.30A M te 11 16 1'. M
VIOLA DANA
In "THi: OrF-SHORE I'IBATK' '
RPP.FNT mauklt ar Belew itth
rcvaciN 1 u is a m. te 11 p.- m.
MARY MILES MINTER
In "HER ttlNNIMl WA1"
Charlie Chaplin in "The Idle Class"
RIAI TO UEKMANTOWN AVBNUK
xlnl-i 1 J AT TUI.PEHOfKK.N BT.
CLARA KIMBALL YOUNG
In "C'lIARdK IT"
1 1RV MARKET UT HELOW 7TU
rUO I je n. m. te 11:1ft p.
PAULINE FREDERICK
U.
In "ROADH OF DKaTINY"
CAVOY MAJlllBT HTRKB-f
0flr ' A. M. TO MIONIOItT
DOUGLAS FAIRBANKS
In IllllIN' MIl'TH"
SHERWOOD V uiTiT
CHARLES RAY
In "HCKAl IRON"
STANI FY MARKET AT 1BT11
JlrtHLLI 11 a ,r in II II 1' M
CONSTANCE TALMADGE
In "WKIUMMl HELLS"
Charlie Chaplin in "Thejdle Class"
STANTON MAiKErAbevi"i8m
UII.I.IAM FO.'S UONDI'.R n.AY
"OVER THE HILU'
333 Market wf .y
LIONEL BARRYMORE
in "jim tiii: i'i:nman"
VICTORIA Wtf Tn -J j
BUCK JONES
In "TO A FINIHII"
Charlie Chaplin in "The Idle Class"
few
mam iNEmSJwwA
TMMtMBWV3Mt.iryp'iiK?J m
' sttttMg9BtjSFSMwfi
Rex Ingram Has Trouble
in Malting "Extras" Waltz
"PUTTING old wine Inte new
bottles Is nothing te putting
old steps Inte new feet," says Ilex
Ingram, the Metre director. "When
I produced 'The Four Horsemen of
the Apocalypse' I hnd a let of trouble
finding people who could dance the
tango. New In 'Turn te the Right'
I hnve scenes calling for the old-time
waltz nnd two-step. And I find the
rising jazz generation has te go te
dancing school nil ever again te get
the 'jazz out of its feet."
though, before they're through. Bebe
certainly does de clothes n let of credit!
t
Ceeley Was Very Frank
in Answering Questions
HALLAM OOOLBY Is one young
man who insists en belnr perfectly
truthful and frank nt all time, tTen
when the occasion requlrc just a little
fiction sance te add te its coloring. Rv
was recently required te fill out an
autobiography form and his answers te
some of the questions follew:
"Hew did you happen ta enter the
atricnla?" "Tired of going bensry
"Hew did you happen te enter pie
tures7" "Stage didn't pay, I went Inte
pictures."
"What are your hobbles?"
"Collecting my salary."
"What are your favorite clothes?"
"B. V. D.'fl."
rnoTeriATs
Vnlrpuiv,
tOfAMtmCk.
AT WEST CHESTER
RIALTO
Whltmnn llrntlfilt'l
"Truth About Hunliandi"
IDLE HOUR
llrht, llnnlrl In
"Twe eks Wllb f7"
G?
The NIXON-NIRDLINGERfrt
THEATRES U
BEL MONT MD AU0VK MAnKJrr
IJ1-1.,1VIV1N I j :,3 nn,i d ae te 11 P. M.
DOUGLAS MacLEAN
In "I'ASSIMi 1 IIUII."
PFHAR U0T" CEDAR AVEMia
v-u.i--r. j 3,1 nnrt 3 .7 ana 0
MONROE 8ALISI1LRY In
'THE BARBARIAN"
COLISEUM ""jir'i'in
ELSIE FERGUSON
lu "FOOTLKiHTH"
II IMRO FRONT 8T. & alRARD AVB.
Jumuu Jumbo June, en Frankford "t"
DOROTHY DALTON
lh "HKIIIND MASKh"
I FAnFR '4l6T & LANCASTLU AVB.
LaVlCI MATINLE DAILTf
ELSIE FERGUSON
In "FOOlLIOIllb"
I Of! KT sliD ANIJ LOCUbT 8TREBTI
L.VV,J01j,au j 30 3 30 U,BH (30 tj
THOMAS MEIGHAN
III "C.U'l'Y lUtliS
NIYDN 0-' ANl) MARKET STS.
1-IS.J11 n n 7 ,nd I
HAAID reWEIJ, In
"THE MYSTERY ROAD"
ll V JUl MATINEE DAILt
ELLIOTT DEXTER
In "THE 1V1TUIIM. 1101 II"
STRAND OERMANTOWN AVE.
J 1 It-WU AT VENANOO STREBT
Themas JcITcraen und Mixctal Coit la
"RIP VAN WINKLE"
A'l OTHliRTHEAIRES
MLMBERS OF M. P. T. O. A.
GERMANTOWN a&A,
Alice Lake In " Uncharted beat"
Wlifilal Aihlrd Atlrnctlun
M. DE MAY
Full i'unhluii (.'trillion . ,,
Fenturlnc Hepe llumiiliin & Murilm M.inntH
Jeffersen" n wr
ALL-STR CAST IN
"THE CONCERT"
PARW HiUOB AM. e- DV 1'IIIN T'
rMIrv Mb, 15 ;u. 11 11 in 11
ELAINE HAMMERSTEIN
In "lirK MIR,ULE OF MAMI lii
WEST ALLEGHENY sWi.'P
ritANK MAYO nnd Ppeclul Cnit "
"THE SHARK MASTER"
1)
t
wm
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