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14
EVENING PUBLIC LEDGER PHILADELPHIA, THURSDAY, OCTOBER 20, 1921 '
I Lr Nfigy
CLOSE-UPS of the MOVIE GAME
By IIENKY
JPViy fie "Ultra-Rapid" Camera Makes Action Slew
"rpiIKItn is n thins that I base lately cecn in the mevlei thnt imzslcs ra,"
n rrnilrr writr in. "It in this. In the niwn reels I ee a bit of nttien nml
then a tit I Hininc 'New ee hew it loeki with the iiltrn-rnpiti cntnra,' ntid then
instead of heinu ultra-mi'M. it is ultrn-slew. I remember one reel of animal
picture1). I'iru it liewel rncli an.nial running nt reptilnr speed. Then hls
'ultra-rapid' camera made them just ecein te glide through the nir ns if they were
flentins. Whv don't thc rail It ultra-slew, when thut is rcallv what it is'
There i an apparent contradiction here though it is only apparent Te
' undciMnml it, jeu muvt first keep clearly in mind the difference between ti"
camera whirli does the photography and the projection machine which threw
, the pictures en the screen in jour favorite movie house. Oddly enough, the
i faater the pictures are made by the camera the s-lower will thev appear te move
when thrown en the screen The opposite is also true, slower photography inaKes
if faster action en the seven
It i.s really quite flmp'e niul eay te understand if you knew hew mev-Dg
pictures are made and projected They are taken en a long ribbon of film which
(1 wound from one jier! te ai."t'iT passing en the way. behind the lens. On It."
lens is nn automatic shutter vlr.cn makes sixteen wparate and distinct photo
graphs en each feet of dim. one imm'.-'liately after the ether. And, thceretica.lv
nt leant, this dim Is teeUd through the camera at the rate of one feet a reeend
The finished print also a Ien? ribbon of dim is put through the projection
machine at exactly the mni" rate of sp''ed for normal action. Thus, as we phe
tegraphed It nt the rate f Mitcn pictures n f-eernd. and it is projected nt t'ie
rate of sixteen pictures n second, the action en tiie i-wn appears te have cx-ictH
the same speed of tin original action.
Let's mppete wc are tak ng a man reaning and lei nireiy smoking n i.garr'i"
He Is sitting with his arm n'eng the arm of the chair: I e slowly rnlsrs the cig
arette te his lips The di'tnace through i,.,'h hi hand travels 13 two feet, tl
time it takes l two "ecend".
I'hotegniphins this nt normal speed, rach iUcc"sHe picture en the ribbon
will bIiew the hand nwvert one-Hlxterath of a feet nearer the lips. Projected at
normal speed, the figure en th- screen will mee th- hand one-sixteenth of a feet
ler each picture. Therefore the screen action i normal.
ATOir let's use the ultra-rapid tcmcia. The ew most n use makes
inrturrn eiyht time an fait us normal, or at the rair of 138 per sec
0111. .0, 111 taking the motion of the hand te ihr tips, trc make 256
pictures 11 the tire seconds of the action.
T1TK PUT tail through the project. ng machine at the uuai rate of Hlxteen pic-
" tures a second. AVe have, however, -.VI pictures te pi.t threjgh. Se it will
require tixteer. iecnr.ds te project r In ether words, the man we gee en the
hcrecn will require sateen seconds te complete nn action thnt normally takes
only two seconds Se the screen action leeks elht times as slew a it ought te be. 1
Te put It in ether words, each feet of film from the normal camera shows him 1
raising his hand one feet; each feet of film from the ultra-rapid camera shows I
it raised enij pnc-cig;,in 01 a toot.
It is in this way that a jumping
rrere Mmply floating s'ewlv and gracefully up in tin- air and down agnln Wres-
tiers in the verj heat of batt!.' can be made te leek ns though they were going
through marvelously graceful lainthcnics and a tumble by Ben Turpin appears
te be part of an esthetic dnn-e
Ail mi. tnc cight-timts camera Is the one most In use Hut d.ring the
i -. i iitu'iui'i .. .m.i.m un- i i (i i--i
probably ask veurself, "What's the use
we moving pictures arc eirering into
general jeu wouldn't ask
rifV thn i1Aftift 'M Wn itin I j-t rlanrtn
times normal .speed Pi rim p you wonder why they are doing this; jeu will
of beam breaks under n certain strain. Yeu put it te teats; it breaks and ou ? t! 1 , cc , ,Krn 7.n.tP' fro"1 she wrote me thin she'd become u i the East, but father thought it would
have the two jagged end-. Hut it broke tee fast for jeu te see where the crack K SC! , TJ thought pretty geed secretnrj and get a room be terrible te let me go off there alone. I
started or hew it tr-neled. se veu-can only guess nt the steps necessary te rec- , ml' . .. . int,fh? Y, ,' ('' A', L , , , with en,y 1'erBl'1 te Ieek utcr mc- l !
tlfy the defect In material or design " I ou Re0' thcre vauf wa-n r much I slmplv devoured that letter of hers, v.-as flrm, though.
New. feuppese you ba,e a twentj -times ultra-speed camera. Yeu put veur
beam through the test until it breal.s. cnotetrranhlmr it nil the tlm. n-h.J. .
watch this film prejected: ou sc the'lirst little evidence of strain, you ".,'. a j
?" "PPrj. ","d .I.!? h.Pf, jrCl. aJ?l ..? ??'. neh i
Jer nu te rtudy them all the while.
Oezen times unt.l you get nn idea of what is wrong with the beam. And you
build another one and photograph that, nnd se work te perfection. I
Athletic trainers in colleges arc using the ultra-speed camera right new te '
demonstrate te tneir sepjaas jut new the
a physical movement; hew form Increases
.
euecr or a misstep in ttic nigh jump or
Naturalists are using it te study the illght of birds nnd. with the increase of
speed in the camera, we may one day solve this most fascinating of nat iral
crle3- b "a urjl
the sp
mysteries
CP' ALIA' xaluablc and aster.tthiny u the opposite phase of motion
pu'turc photography. Have 'jeu teen a daisy gretc from the seed te
maturity, b'enm. xciiher and die all in the space of one reel some
fifteen minutes of timet .sonic day seen I U tell you note that is done
and you'll Sfc it.rat a tiemirdeus deb' j icnce and general education
xciil nice te the movie ramira itici ue have sense enough te use it mere
widely in our schools and college.
HE'S AN ARTIST
tmrrrmt2im2WSJ2i2Xjmzx
Wnllai e lb m v he l.as ilnjed diverte r.a .ennutics and exeue charac
tcrs till 1.1b repTtQl-e k"-ui unllej-s Here he is in his disguise in a
coming picture.
Answers te Questions by Mevie Fans
ANETTl. The iliree ii ill, cliarne
trrs in
I TIiiliii me were .Mulileii
iiamilten. : iidhai'.i .standing and
J.awsen Itutt ll hive bei n actrs en
the legitimate .taj
HUther of the sterx
. ,
nvvn ii. in. hi. v..- ...i.i r...i. i
Iteland is still imikins serial.. 1 'belie, c '
be is te n ak two a tear, of 'iftien
episodes each She has i eddish In own
hair and big Hue cjes. She is net mm
tied.
JRSHIC'A -Nerma Treier nnd Mabel
Ilnllln have Hie lending tubs wi ".lane
X'yte." The scenario was a laptcd fren
tllO ChlrlettC Ilrillltc novel hv Hiiee ,
llallln, and directed by him also. I
I
LIMaaN Grace VeJentine. and
Te
M. NEELY
... ,, , , ,
horse can be made te leek as though he
.v.... i. ttijii.i tiu iiianu juu ivs twelve
of it"'" But if you realized hew largely '
engineering and science and industry in '
Yen have that picture projected half a'
maximum or power can be gained from
. . t... .. . ...... ., ,t.iii-4 j HiU
speed in running or hurdling, and the
the pole vault i
ON MAKE-UP
Matt Moere are the two lending plujeri
in "A Man's Heme" Again jeu ink
about William S lin.-t nnd Jane Ne-,
Mik I'li.v nave njt nken m.. mte rl.I.-
Basil Kins is thelienfld'H-e. se I cannrt m nfi tiie rumor
of th-ir insngcuent ' ru,"er ,
I
J'ltlt. 'i' K 7. .T.i. , i.i u. ..
mv; jour menej. Of course, I nm t,t
nijiii'f t 'int mere an
Het Mhenll thnr
vw 111 link' jeu it v liter, but unlc-s c.u
idle pesltne thut jeu bine tslcnt in thnt
line, iiHiinlh wur money is foolishly
spent en speedy devh es te herein" a
grent writer ever night It Isn't done
thnt win
ROUS Yes, 1'aiiny Wind him re-
sl"iieil from the i reen Shr. ly mi.iml
but I de net knew the name of her
huslmnd. Reye Dean plays the part
of Cnrietta in 'Trexles;
Daily Mevie Magazine
I
I
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B4 miwii.wiwwii MM-i,a,ri,wi..f,lwnrLUHl
7S . I
Hew I Became
A Mevie Star
As Told te
INEZ KLUMPH
CHAPTER I
Hrralrfiw Away from Hnnie
TDt
T'D GIVE anything n i.i word K
could get into the mevic
Madge told me as we left the Star The
atre and turned toward home "If m jt
uc r,icn heaps of fun -the i,Ieasancs
way In the world te earn 11 let, of money
nnd i'' " ktlew sllcu lntc','itinj pee
Tie eni' travel around te all sorts of
places Oh. I wish I could lenve this
0tj tfnvn an,j trj. le get , nt Ienvt
T ,h(In't sny nn.thlng nbiut it iust
then, even though Madge v.ns mv chum
but i " b"en lnki"R tnn- sa,r'' '""
lnr mentn. i i aiwnys wanton te get
Inte pictures ucr since the dajs when
i nau my urst movie cru.n m .Mae
nn-v'm,,s T, n ,Blr n ,''0.ln "u
t0Vu en c,l,u,l.? back te high school
e. U"
U-negrpR. and bookkeeping. I took
it. but I skipped these two studies be
cause I certainly never wnnted te settle
down and be a stenographer or bonk-
keeper. One of the gtrls I knew went
nt' ln' Horary a nssihiniu, out mm
- - .' ., ,
sc"""'1''! scrt nt gniDiiv te me, 100. 'n1',
vhn" Father weiild have let me de j
tI,ar' b,Ut J1"'5 iS,tPr """ TlVl'L? i
man led the winter after I graduate!
one i uie gins wem i--i i" uuu.,... ft
from high school, and there v.ere l"t .
of parties being gien nml I thought
r'il mther stai home. I had a pret
geed time there, but I never rcc.int for
a minute te settle down
I nlvn si
I....." i. i... t 1 ..,., ,Qf'll n,el...l ...l.l. Li.- w,l
ineugni i.iat ii.-.i ' i. ....... v.v '-'"
what career I was fitted for-an I
knew t would be a prettv big en-
I'd go ahead and be something And
I'd decided just ii few days before that,
dnv when Madge and I walked home
from the movies nnd she centesseu intone tiling; ir i can possieiy manage it
I,,...,!,,,- ,,. ire into nieturca. that l 1 nnu Having n Dig producer Knew the
be n movie star I man I work for sort of helps I'm go- "llulu ,cv,Pnlng a?ine !ny "nl,r tnP ".I3;
.. , ,. j , ,i . lng into the movies " My Allisen docs hers, though I'd
W.'.l s.en Pauline I-redenck tl.a i '" " '- , about decided te have it bobbed as seen
,lnt in 'Mndiime X" for the sccenJ I walked straight ilewn te the dining t ROt nwny trem home I thought
t.me; ,t had plaved our town , ar.Ij r , room when Pd read that, and I said te JtVeuld leek like Constance Tata.E
in the season and been shown ugain father and mother . prebablj. An(1 X leek n ttle like Cen-
hr rwiiiPRt. I was crazy about it, but "PitsIh Grant wants me te enme te fn,,n nn.vnr t T .n,,ii l.ni
Madge didn't enre for It se mucn.
"I d like te play emotional parts. Dut ,
I'd like te wear nwfullv geed-looking
lethes, tee," she said. 'Tnuline dldn tl
weur nnMhing very stunning: al her,
01, scenes w.ti- inu. -i i i.s-.4w.-i.w
Ins clothes. Why. the only thing I can
remember thnt I'd want te wear was
'her gloves these long white ones that
1 came up se nice and smooth clear evr
her elbows I think I'll nsk for a pair
1 like that for my birthday."
Privately. I decided thnt I'd give my
eves right out of my head te play parts,
like that, though I de think I'd like,
wearing gowns like Normn Tnlmadgc's
better thnn just having scrubbj things.
f thought it nil ever once, mere after
1 d left Madge, and imagined what the
life of a great star veuld be I could
just see her wnkinj late in the morning
and hnwng breakfast en a limine lengue
before n wonderful open tire, with
flowers everj where and great heaps f
mall from admirers all etcr the world
' anil intercKtlng men telephoning te
make engagements for luncheon nnd
I dinner, and the owning. I knew the
star would probably liae te work dar-
1 Ing the day, but then think of coming
1 ei ie and being dressed fr a gorgeous
ilmiKi party nnd going (mm it te the
firsr night of a wonderful play, wl'h
pr ,pl. everywhere recognizing you and
pointing you out as a grent nnd talented !
star' It teemed se vivid te me that I
couldn't help thinking maybe I was
meant for that sort of thing And 1 1
went up our front steps Imagining in
self ( nterlng ene of the famous New
' Yerk hotels for supper after the then
ter with Eugene O'Rrlen and Eineii
Jehnsen with me nnd a gay rewd
waiting.
M B.stir's video woke me from thnt
7J iunt dream v the Hvis right next i
dnei since r.he'H married, se sbs's al
vain at our house
"Yeu have a letter fiem Persis
f.rdiit," she sold, tossing it te me 1 (
simply clutched that letter and ran for
in v own room, even though dinner was,
r.ii en the table and the family had
been wnltmrf for me. Fer that letLcr
from Persis linked me with the world
.i.T
,
I wanted te enter at bust, it sort of
I'""-'M r!r?n.t hnrt r,0,ne t0. V'''"1
''-ree jears l-uere te iivn wiwi n. r fiuni
Qn' fi,ll8h '"V "lB.". V0 '" r'u"c' r'1"
and I were dar friends she ues Just
HOOlIl III) enij i-i.uei ii- j.-ui rut- iivte
In our town. Hut she left as hoen us
Khe'd finished school , she hsid she'i
get te earn b' r living nnd wuh going
te a big citj te de It She'd tukui thej
business course nt school, se she went'
into her uncle's: etllce In Ohknge-
Oakwoed'rt a suburb of t'h'uage -and'
worked awfully Imrd Then, after n
uir, she get an offer te go te New
Yerk as u-irfnr. te nn nwfullv rich
v ninnii who was Intere-teii in all i-orts,
of public tueeiucnts- -prison reform.
iiiu1 'hingM like that Persis loved be
ing lit New Yerk, and when the rich I
woman suddenly decided te go abreay
SHOWING HOW THEY MADE THAT DESERT VILLAGE
' s . t
'
lUtS arXisr '
irxmxmxssmcsz - i&-'j&&Zs&'i.!;-L .-
14
K
i;MMa&3i;.tgALft&31
Persis cot i ml in
n r , ' ,nurt't't",s'
"I ,l wish you could -.me down
ZUTir
Y. W. um.-. exactly what I wanted,
j se J ie taken a nice big room that costs
me a week's salary each month, and I
mm. my own iirenuiiiMs and heineiiuies
in dinners and hau a Uew of Stuj -
yesinnt Square and am net fur from
,..,. ...... ..... ..wv ....
l ittli incnue And whnt de jeu think
ulnrlj -I still liae my stencgraphic job
Z,JM ,,P '"d lh n,,tUil,t cn,y ,'"
e'lr agem j for ,me big feature pie-
i v- gene into tnc nieviep . .or reg-
tures, and the i n who made thein and
who wn a friend of my beiV took all
the girls from the efiice out te the stu
die ene night when they wen working
there, and let us be extins. I KOt miltc
uimiuim "' """ iieiiMiy V new ii that I wns ceine with the de-
. Doiethy. , "r ;u! mero fun In my J .f, t ?cC,UrM
life I an t pesslblj describe the stu- ' i . , , been three times as uneasj
die te jeu. or the way they d'd things'. ' J1,"" jnC fnat CVCnt he'd never
there or anything clsg-it was tee per-, h'' tt me go nt aU
fectly wonderful. Hut I can tell jeu,0 Kt ,,ne L,B .nt "l1, ,. t T
i.Ncw 1 erk te visit her, nnd I d rather
go than nnjthing clse in the world.
Can't I?"
WeIi thpl.e was a jen discussion.
jiy sister thought I ought te be allowed
OLD FRIENDS
1M IIP
c'llllil sWHi v Jl
mm
a
JVSH"
yr
'iiM'
":
a ..fivAtj' ss. yy
"nut you go te parties here-nnd ,
hae lets of beaus " father began.,
ieiJ'VL'XlS1''
w.', y l' den',' S'te just gVmarVied
and settle down here like Hue did." Yeu
should lme ltcnul my tlster and her
i tuisbnud exclaim nt that; "I want te
, M.,. Miiuetlwng of the country before I
de that, .lust let me go for n wenth,
vtw lilili, uuni
,ul : jeu knew I didn't get that trip
cause we
for " wc'
''h.it w
t0 Magara Fulls when I graduated no
gave Suu the chest of silver
cddlng present."
en fnther ever, nnd he finally
said I could go. He still felt sort of
uneasy ever letting me rush off te New
Yerk with just Persis te leek after me.
. : "' ,","' , . ... '',"" T, , "m
though, as I reminded lilm, she s
i-wi-iii , imi. ai liiDi in- Kiitf iu. u t.y ..
i . "- ' ""
.Uiiiilj, id iv ctta tkitu j. rjiiuk ktic
' held the comb and brush. I was se cx-
' cited. Te think that I was geimj te
i,a,e chnnce. te get Inte the movies!
Te Ile Continued Tomorrow
REUNITED
Themas
Meighan
and
Betty
Compson
played
together
in
"Tlte
Miracle
Man,"
New
they meet
once again
in the
Lasky
studio,
both
stars
in their
own
right.
Naturally
they
staged
a reunion
yv. a
1
nu advertising etrice te. nnrl ltinflier tnll ts i-n timn T leii-i
In the upper picture Max
Barker, art director, and
Mente Katterjohn arc
shown constructing in
miniature a scene from
"The Sheik." Belew is the
scene as finally built and
used in this story of the
desert.
$!rtMT'ff "5sw y
"it vr -r.n 4 -fftf
,,'w'i'n'T"
33KnO
1
They Have te Wash
the Air for Londen Films
THE new air-washing plant ro re
rcntly installed nt the I.nskv
Londen studio is new complete. It
was put te its first big tet during
the recent foggy weather, nnd
triumphantly justified nil the expec
tations entertained of its efficiency
In coping with the vagaries of the
British climate.
'Sunshine Sammy" Starred
Frederick Ernest Morrison, otherwise
"Sunshine Sammy," for several ears
past a ray of joy in comedies produced
by nnl Ileiuli, is new n screen lumi
nary. This eight-yeat -old colored boy,
who has become almost inseparable
from "Snub" Pellnrd, will be seen this
winter in a fpeciul two-reel comedy,
called ' The Pickaninny."
rnoTerr. i s
"pit OTtH5 UTS'
THIU
fc
-OrAUUKA
A1U-rv.Uve 12th- Merris ft Vayunk Ay
AliliimDra Mat. nnlly nt 2s i:s. : 0
DOUGLAS MacLEAN
in 'TAbsiNe rime"
AIinTUCMV l'rjinxferd & Al'eiheny
ALLUjHLIN I .nt i)i,nv."ir. mm at 8
ELSIE FERGUSON
In "FOOTLIGHTS"
APOLLO
BSD & THOMPSON ATP.
MAT1NRI1 UAIL.I
THOMAS MfclUHAN
in "ttHITE AXI f NMAKKIKD"
ARCADIA
CHESTNUT Del. 16TH
10 A M. te 11 15 V. M.
CONSTANCE BINNEY
In "TUB CASE OF IIKC'ICY"
Charlie Chaplin in "The Idle Class"
"a e-TD FHANKLIN A. OlllAItD AVtt
AS I UK MATINHi: PAtLY
CONWAY TEARLE
In "1IIK ntlHTEH" f
T A f -T-IOrjIT B'8T & HALTIM6BK
BALTlMUKt.i:vB B SO. SAT. MAT.
CATIIKUINK CUtV.ri In
"THE SKYPILOT
DrNlM (MTU AND WU0I;LM1 A E
KLlNlN jut Dally i: I. Iub'I" Owanlat
"Hazel Dawn in "Devotion"
nrAliUK CHArUX In "TIIE WOMAN"
BLULtilKL' rn-lr ,,. .mill 11
OKOllflK MKLTOniVS I'KOIHTTION
"The Great Impersonation"
ELSIE FERGUSON
In "rOOTLIOHTS"
r, a OITnl 7" MAIIKET T.
CAr 1 1 V-H- 10 A M in 11 15 P.
M.
VUAMi nilliifcliirt in
"THE RIDER OF KING LOG"
Charlie Chaplinin "The Idle Class"
rri -NKH A T 0"- Mnploweod Ave
CULUINIAL. 2. an 7 nnd 0 I'. M.
POLA NEGRI
In "C.VI'HV IH.O0l"
DARBY THEATRE
BEBE DANIELS
In "SHE COULDN'T IIEI.I'
n
CMDDfQQ MAIN ST. MANAVUNK
LMrKtOO MATINEE DAILY
DOROTHY PIIILI.II'H In
"Man Weman Marriage"
FAIRMOUNT 'rfA
CECIL ll.iiK Jiii.i.ivM
The Affairs of Anatel"
rr'A. WAU V THEATER-
1311 Market hi
S A .ir TO MlliMiiilf
VII.IIAl lir iiii.ii in
"DANGEROUS TOYS"
?6IH S 1 .'"". mat nke dTilV
. .m m rf-fct-- H lllUTtll !-... 11
AM.STAIl f VST IN
"The Truth About Husbands"
7-" I -kDtr CUUl MAHKET UT,
lllVyiJJ a.30 nml n
.311 in 11
WHITJIAN IIENNETT'K IMIODlt'TION
"NOT r.llll TVII
"v U"V
&.
'' &A OLM3MUniUiKUAUia
ZASU PITTS HAS
A PART IN
NEW CLAYTON FILM
Ily CONSTANCI5 PALMKK
Hollywood, Calif.
HEItE'S news! Znsu Pitts Is going
te play n part- in Kthcl Clnyten's
new picture, called "Fer the Defense."
It even seems ns If Zasti was the be
ginning nnd ending of nil trouble for
Ethel, as she playn the part of a Jen
nie Dunn whom Ethel, ns Anne Wood Weod Woed
Btock, tries te help out. Jennie has
fallen into wnys that nln't what they
should be, nnd Auuc, ns the personi
fication of nil that is noble, gets the old
skirts eonslderable muddied nnd the old
hair well ruffled In trying te show .Ten .Ten
nle thnt right Is might, or something
like that. In mv frothy way, I may have
It all wrong, but that's hew it wes
explained te mc.
Anvwuv. ns a character actress Zasu
Is a wonder, and if she'd only realize I
this nnd step trying te be a leaning
woman, ehe'd be n let further along
than she is new. I don't dare tell her
this te her face, be am hoping thnt some
kind friend will send this te her.
Will Ilegcrs was In the midst of one
of these hectic jnzz plnccs in some
scenes of "Ek," ns his new comedy is
temporarily titled. Lets of lounge rep
tiles of both sexes arc authored about.
when in prances Will In the arms of n
very sprigiuiy uaiiRiiicr m juj ntuuj
dressed In black and white. Around
nnd around they whirl, faster nnd fast
er, nmid the applause of net only the
ether hubitucs of the place, but of di
rector, cameraman and onlookers.
(New, if you can tell me hew n camera
man can applaud when he's grinding,
I'll be much obliged!) Well, nnywuy.
every ene liked it but peer Will, who
was se dizzy that when the scene was
finished he had te lean ugalnst a painted
pest
There must be a strong wave of sec-
nnrie writing about the ceuntiy, for
thev say that stories are pouring net
only into the Realnrt Studie, nut into
Geldwn. Amenir the efforts are ve
hicles for Wntida Ilnwlcy, Richard Dix
nnd Hclene Cliadwick. Hebe Daniels nnd
Mary Miles Mintcr. Keep it up, ou
writers, if you are determined te get
i there, but it's a ceed plan te be sure
jeu knew your mediun.. i
I
R EMFMIJEIt m telling you that
U1W1UI.K m-.ieiiiig jeu ,
Ethel Kay was te plnj the lead in J
"Hungry Hearts," which Gnldwyn is i
new producing? Well, they did several1
dnys' work en the picture nnd then Miss
Kay fell ill, and Helen Fergusen was
given her part. It Is particularly un
fortunate, because Ethel has been try
ing for a long, long time te brenk Inte
pictures, and this wns her first big .
chance. Every one who lias been asso
ciated with her nnd knows of her mis
fortune is wishini: nnd honing that nn-
ether chance may come her way er.
seen.
The cast for "Hungry Hearts' is u
splendid one. IJrjnnt Washburn is the
leading num. and Otte I. dercr docs a
sort of sympathetic heavy.
I lfiu Etuiiiciiuiiri
ftiuiiy: Ilu ant
Washburn uud E. Masen Hepper, his
director, are lenewing nn old friend
ship. Fer Instance, when Mr. Hepper
nnd Mrs. II. were innrricd, IJryaut nnd
Mr.s. W. "steed up" for them, nnd
when Washburn,, was married, Mrs.
Hepper played the'wedding match!
This Studie Set Made
Tem Meighan Homesick
VTT MADE me homesick for n while."
J- confessed Themas Meighan. stnr in
"A Prince TMiere Wns," telling of n
remarkable studio setting built te rep
resent nn intersection of two New Y'crk
streets. There was an rleatcd railway.
the familiar brick houses, the crowds '
and the noar-Ilreadway atmespheic thnt i
every New Yerker knows se well. I
"On the studio let wns a real hit of'
Manhattan." said Meighan. "Outside
the fence were drooping pepper trees
, nnd the balmy airs and sunlight of
Hollywood. It was ene of the mint fas- '
i Mnating Eets in which I have ever I
. weikcd nnd I hated te sec it tern I
down."
rneTOPLAT. s
The following theatres obtain their pictures through the
STANLEY Company of America, which is a guarantee of
early showing of the finest productions. Ask for tfie theatre
in your locality obtaining pictures through the Stanley
Company of America.
P.R AWT 022 GHIAHD AVE irt Sat
v-,x'u,' nvniiTi'iiK '"th AIH
HOBART BOSWORTH
in "the cup or Lin:-
GREAT NORTHERN ? Wi; W
ALICE LAKE
In IWTHAKTEI) hEAS"
IMPFRIA1 C0Tl1 WALNUT 8T8.
HVirLIlAL. Mats y.30 nvi; 7 ft U
LIONF1. RARRVMnnc
In
jim the 1-EN.MAN-
Karltnn CIIKiT'L'T aixhe huead
UI"'-'II D.-illv in J .- ., in i ..
William S.Hart in 'Three-Werd Brand'
Charlie Chaplin in "The Idle Class"
Lehigh Palace "G","'niB,hAv.'1
CONSTANCE TALMADGE
In riANJiEKOl H III MNE.SS-
LIBERTY mMi? ,i reLUMULTXv.
"""' MATINEE DAILY
GLORIA SWANSON
ULJ.IHE C.nEAT MOMENT"
U VLKBROOK e:)U A S01'0
THOMAS MEIGHAN
jnTHE COVOl KSJer NAA
PALACE " rKcr"wnBB?"
THOMAS MEIGHAN
In "CAPI'l IHCUS"
Charlie Chaplin in "The dje Class"
PRINCESS ,0.1?nV,,,.i" SEOT
yiW OF THE YUKON
:""" i l
REGENT "".T bT liriew 17TH
MARY MILES MINTER
ru i-'Vl1" ":,v.W "
Charlie Chaphnjn "The Idle Class"
RIALTO UKKMANTON AVENUE
nnxiAyiyiYr" -
"I IFF"
'LIFE"
.,
RUBY MAHKET ST IJELOW T1I
COMEDY DAY lL
i!I?-Un.'Ll' POyi!Il II.TIKKN
SAVOY lSU MAHKET i.TIUSET
n A . TO" M in iriDNIOHT
L,l-E. LANb
InOUIll rilE 1TIIII."
SHFR wnniii h nammer. a-
"-' ..,, lhr sre'i.nirii,,..",,;
"JV1ALK ANn FFMAl en
1 QTAMI ITV
I" . ' 1-.Lj I
MAUki 1 v 1 .th
11 A .- '
C0N?T.ANC.E TALMADGE
' ll I (I I I II
rk..l:. '"l "..'"."'' '"! '
..a.uc wnapun in "Ihe Idle CI
lass
STANTON
MAl.ul I
" M III I, .. ,,
.... 1.H.1
'j;:i;;i i". HONi.Mt Vi.W
"vtn inf. hiii"
.V IV1 A DIVC'P Krimn-r tiil-..,;.-.:
, VAVtLV ' A M Vn 11 Wi. "?
L.1UPJKI. RADDVUinnn "
I 7. :r. " mwili
He's a Film Recruit .
ERNEST TOimENCr.
Musical CDtnedy favorlte, has vleld.
cd te the Kliegllglits call. He
seen ns n Virginia mountaineer in
Tel'nblc David"
Sheet Slew-Motion
Stuff te Shew Hew
Viela Dana Can Dance
SLOW motion photography has bn
applied te certain scenes of Vleli
Dana's picture. "Glass Houses." Th
action se photographed is that of
Russian dance the star docs. According
te the director of the production, Harr?
llenuuieut, this wns the enlv s.iit.f.
i tery mcchnnlnil rccourse, for Min
I Dana s movements during (he numbtf
. are ; se repid thnt the regulation camera
fniiB te record them suitably.
I Se far as Is known this is the fln
time in the history of the screen that
inn unire nu-i ui-rii UIUIZCO 111 till
straight narrative of a story in motion
pictures. In a Douglas Fairbanks pic-
te give the desperate strninln? .
iuiu niun iuuiiun nui uruugnc into pIiT
tlen of a man In a nightmare, bnt
this was a vision scene. The results in
l'01? "SM" ar K,aldVy thoSe w-
hnve had glimpses of tlic film te be sue.
ecssful.
.
,. r,
Indian t.Vtras Would
Insist en Gambling
I T)IL'TE Indians arc great gamblen.
. J- When a number of them were em.
Iplejed for work in "The Call of the
North." starring Jack Helt, they spent
i all their snare time mid inenev r'(w!j
i for services rendered gnmbllng in their
own fashion of "put nnd take."
Knn ,, ,, ,i.. .,
snij Jeseph Haniibcrv, the director
..tlte vhlica Mmp, . 8e,zcj th ,
nni mmk. n boc.nne for tlld b,
rendezvous. It wasn't lone before t.
of them were flat broke. Ily the end el
our stay en location nt Mammoth
Mountain ene of the redskins had ell
the money. He'll probably letirc new
and live en the interest."
"The Call of the North" is an adap.
tatlen by Jnck Cunningham of the play
by Geerge Ilreadhurst nml the lnviV
"(Vinjurer'e Heuse," by Stewart Ed-
1 nr:l 11 lilfr.
.. u.U ., .IV
Will Rogers Knows All
"Deuble Exposure" by AW
"T'VE been double exposed se
J- much In this picture that f feel
like two persons," said Will Rogers
after one of the difficult double-exposure
scenes for "Ek." ids new
lemedy. There nre 2311 double ex
posures In this picture nnd every
scene has te be "counted," maklnj
the process of filming found like l
third-grade elnssJn arithmetic.
rneTOPTWYs
Hinwtji
. COKMMT V
.erAHllllCA.
VICTORIA MARKET ST- b-
BUCK JONES
ru i. .,n '.'.T0 A ri.viSH"
Charlie Chaplin in "The Idle Clan"
AT WEST CHESTER
RIALTO CONSTANCE TALMADHE In
I m r- tj, tri ,1"L-ESS0NS IV I0VE"
I '"-'Lb, HOUR I'ETTl fOMI'.SONIn
. "PmsoMmBeriow
IT1 hp NIXON-NIRDLINGERiW
d I U THEATRES til
' OtLlViUIN 1' TaneTsi
TTf 1 m & m
DOUGLAS MacLEAN
In "PASSING THRl"
CEDAR U0TIt CEDAH AVE.NTJ
llv 1 30nn13-7nnl "P.M.
Nerma Talmadge & Eugene O'Brien
"THE MOTH"
COLISEUM ,!! !r-Ti!P2
ELSIE FERGUSON
In "lOOri.KillT.S"
IUMB0 riWT ar. & eniAiiD av
i, Iumt June, en Frankfnnl "L"
Nerma Talmadge & Eucene O'Brien
"THE sieni"
I EADFR 41ST ' I-AM'ASTEn AV
-'-r-l.L-'l-l MATINEE DAILY
ELSIE FERGUSON
In 'MTOO I I.JOII r V
LOCUST B-' AND'i.ecrsr .srnEE
LutuJl Mill I 311 ,130 ric it u te 11
THOMAS MEIGHAN
In "CU'i'V nif .
I NIXON r,-D - MAIIKrr HTfl""
I -. vm i-en ki j, in1 7 .
"THE MYSTERY ROAD"
0,. U.-
I T MXTINEI. DVlW
1 ELLIOTT DEXTER
. In "THE niTCHINll HOI II ' ,
STRAND OKIfSIANTOWN AE .
J 1 IrtlU AT VHNA.VllO hTHEET
TtiemnN .Ifffireii nml sprint Cut
"Klf VAN WINKLt"
AT OTHER THEATRES
MEMBERS OF M.P.T.O.A.
GERMANTOWN &
. .Ml ir Luke In "I mliiirlril fa"
Siirrlnl AiIiIimI Allrirllen
M. DE MAY
I'nll Iihlilnn I rrnt'iiim
I'mlnrlns Mope lliiinnlnn & llnrllii MnnSsif
' JEFFERSON..WSXi
IMAV AIlItJON
MAY ALLISON
In "rilK LhT C VICE''
r. -. w ....... .
AVE A DAI PHIN BT.
1 AKN ,,..,' ., ',r. 1 .w 1143 10"
l.l .KT ll I ur IN
"THE TONCERT"
.rr,r ... .,.. ...., ...,.. Aii!iiwiit
i VVL5 1 ALLLUHLNI '" ii.iln.. w
,....., i . v
..i-""""i"'-2'i'iWie1 WI
Iu "JIM 1 PENMA.N'
"D 1 UL.11IN XVlUlVlli" " t
I
1
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