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DONALD CAMERON and
HELEN HOLT "WAKE UP,
(JONATHAN " Bread
The Critic Talks
te Music Levers
THE question nhicli is prebubly
arousing the mes-t Interest in the
musical world ut present is "who will
be the successor of Enrice Caruso ns
the world's premier tenor?" After the
pafsinj; of tin artist supreme in an
line, this question Is always discussed,
reiardlefs of the fuct that It is utterly
impossible for an artist of the very first
rank te have an immediate "successor"
In the sense that any person censpicu
eusly before the public with him can
completely .till his place.
Even where two artists divide the al
Ujiance of the public e8 evenly that it
is ft matter of difficulty te distinguish
ahlcli is the favorite, the one. who is
ultimately decided te be the lesser never
succeeds te the full honors of the ether,
If by chance he happens te survive him.
This has repentedly been shown in the
days of the elder Italian singers, kiicIi
as FnrincIIi, Caffcrelll and ethers, when
the matter of supremacy was decided
by public contest perhaps a geed way,
out one which frequently led te stab
vi iud Kfeui ambers ui wiui nine mere
full of Incident and mere hectic than
these of our present-day song birds.
THERE are many reasons why this
matter of a uon-successien should
be as it is, but the principal one is be
came of the overwhelming influence
which an artist, ndmittcdly at the very
head of all competitors, exerts ever the
lefscr lJRhts of his profession. This ap
piles net only te the interpretative mu
sical artist, but te all lines oficnde.-nor,
outride of the field of music as well as
In It.
The tendency of all the lesser lumi
naries is te imitate as nearly as possible
the things which, in their winds, make
for the success of the leader. Toe often
this results merely in the imitation of
mannerisms without getting held of the
real reasons why the one person Is su
preme ia his line. This Is found in com
petition us well as in interpretative art ;
as, for example, witness the example
of the modern Trench composers who
imitated the externals of Cesar Franck
without his genius. The result of this
imitation in eicrv field ix ilm dm
faults of the master nre copied by these
uu lava some essential elements which
dc the ether supreme.
In music, mere than in any ether art.
It is casi te imitate the faults of the
great their mniinprlsmu If dim. .
the stage and their outward forms in
comnesltldii. Mn-nr ,. ,i .,,ii i...
. . ...H..J ,. vuu uiunb liua
Deeil compelled te tnke n nnsirinn Inuer
than ihnt tn u'lit,.!. Ma ..Vim:., ...:u
.- ... i.u.v. inn uuiiiliwi llllfjlll,
nave raised him bad he only elected te
.uinc eui en the lines which he con cen con
sienrrt Iipki ntui im i.ii,, .i .... ...i
ttlttedly greater one's example. Most
People longte sear with the eagle, but
v-jr u jtw nave ine eagle s wings.
fTiniS tendency te imitate, in music,
is a cieadlj eue for mere than one
reason. The. Imitator can necr hope
e equal the -original, and its cult.vu-
n kink self-criticism and thus pre
vents the doclepnunt of an original
) e, which, though it may he net se
nigh artistically ns the perfection of the
jjlng imitated, is still better both for
ue pervm and the art. than a mere
loilewiiig of seme one else. Imitation
J1" never jet scored a really mibstan
l triumph cither in music or any ether
.. 0r these reasons, rherefnre. Hip
"uccesser of Caruso will probably be
man possessed of a great voice (wlth
jt which nothing enn be done), who
"111 Beek nn Ptitlrnli' ne,u f,.m r,t ... -
Fesson. Just as Caruso's form was dlf-
F THE tenors of the Mctrnuelltiin
ni.ni?P,ri! rlnu,n' t,1! '""f-t frequently
nentiened is Olgll, nnd It cannot be de-
7i u n l'"h 0US tenor, at the close
U' I1IS fiPSl UUU.n ,,.lll. II. l
Hnv I ,- ' lll HO' KH'lll. flllll-
tt.n', Jurtllcr advnnced artistically
wan was Caruso at the close of his first
Hut the career of Cnmse. meteoric ns
" was nnd u-lfl, ti, ..,. ii i i.
round of one of the finest voices of irfl
li thePPeSeUtCl! itR mei,t fc,rlklnS Phiwe
iW.TL . ."C1 Ul KrPQt dinger
SPi"1 h ms,(lf l,,),h elly ami ar-
.-V..HJ. ix iu fietllimil If i.ra linu
velen PTneallt'1, cnf, ln thv lllht0,1.v of the
Ml t I,lllc tlmt nf Knme "f 'he great
V.r5l mp.Tr,' .P-lnlly Beethoven nn.l
Periods lI"c'l"i"t wns lu three
In the first of these he depended upon
Iwf.uat nnt,,rul Leai,tJ of ''' v"'l'e
5i wm,v? werU 0f tlK ,n,,rvc-
flrtt Z U'erc WflB little Prenilse In the
Itill.n r or B0- IIe was then a geed
n. v0"(PCra sluBcr ' unusually
' mIten'Cceml rl0(1 ws the develop-
Mi aV ft tcncic"c1v te depend upon
t VoLee't,j,l,ino'1 with the beauty of
kme r i ' YfrH lM ial asset
J'' Jn the third nm! Insf w.-lwl
"", the development of. chaructcr
- iuiian m;i rnnie.
STARS OP STAGE COMING HERE
jHv WJkM&MnBnK rl BOGARD, PAPHNE LUCILLE
AHMHIw Casine-.. POLLARD, CWALFONTE, Slmtxrfc
RB iKMIpTKjPPrr'tTrr , "r Ke-itVa Vaudeville-...
- ,,-. ''-','? SB-fclE wiSf'jM EILEEN WILSON.
SSB?THE S' jlfe PAN.SH LOVE" LaHe
BAT" Wi Ji ROONEY 1 I i
Ad1PTii4 KfF ELindBMARIONRAY PH
MADELEINE
BARR.'Mr PIM
PASSES BY"
Gar-rick
VERA HILARE.
"TWO LITTLE GIR15
23Et
IN BLUE Ferrest
parts, such as Eleaaar la "La Julve"
and a number of ethers.
IT IS net cry likely that the next
premier tenor will hate the patience
or perhaps the ability te go through
a long, unremitting course of rigorous
training hi order that ench year he
may become n greater artist than he
was the year bcfeie. This Caruso did.
Caruso possessed se much mere than
mcre vocal ability that it will be a
difficult thing for the Metropolitan te
stage effectively some of the operas in
which he was supreme. Among these
will be "Paglincci," "ha .luive," "La
Prephctc," "Samson ct Dellla" and
"L'L'llsir d'Amere." v Caruso was as
prominently identified with the leading
male role in thc.c operas as is IScetti
with Srarnia or In "L'OraeoIe." Mr.
lings and ether mere or less pleasant! J;"tU-L.awizzj has already indicated
affairs which frequently made the lic ,liut Tni.i. tl"'s' Peras ""W llet bc
-i.i.- i - ..l au..i .... - presented this season.
Oattl-Casazza has already indicated
presented this season
This Is another one of the many
troubles attendant upon the "star" ss
tem. Mr. Gatti says that the aim of the
Metropolitan is a finished ensemble, but
be cannot get away from the fact' that
the American audience still gees te the
opern te hear a performer and net an
ensemble.
'IXniILE no definite announcement
has been made regarding the 1'hila
dclphia season, it is known that In New
Yerk lialll-Curcl will appear with the
Metropolitan In "Traviata" and Tilte
Kuffe will sing the part of Charles V in
"Ernanl."
Mr. Gatti haR had te rearrange the
entire season's plans owing te the death
of Mr. CarUSO. It was nrleinnllv Mv
intention te nave .Aime. tinlli-Curcl ap
pear toward the rlose of flip smvnn
but according te the rearranged plans
pin- m amp irem me opening in No
vember for about six weeks. Then, after
a rest of some weeks, she will again
sing iu January and February.
The Metropolitan is also negotiating
for the services of Chnliapine. the great
IluKslun basso, who. it lie is able te get
te this ceuulry, will appear In "The
Harber," "Herls Goudenoff." "MeHsto "MeHste
felc." and "Den Carles." The novelties
announced thus far are "D(, Tedtc
Stadt," by Eric Korngold, the veung
Austrinn composer; "Ln Navarralsc,"
"Le llei d'Yt." and "Die Walkurc."
Besides these, ether operas new te the
Metropolitan, will be a revival of Mo
zart's "Ceal Fan Tuttl." "Lorelv." bv
Catalnnl, and Klmsky . Korsakoff's
"Smjgouretchjkn." Of the German
enerasi, "Die Tedte Stadt" and "Die
Walkure," as well as "Tristan und
Isolde." will be sung in Germun, and
"Lohengrin" and "Parsifal" iu Eng
lish. This Is a formidable season of novel
ties, nne it Is te be hoped that, ln
view of the number of them Philadel
phia will reeeivn Its full sbure both of
the new works and of the guest singers.
ORCHESTRA GIVES NOVELTY
BY NEW GERMAN COMPOSER
Interesting Program Played, With
Telmanyl as Soloist
1HK l'UOCirtAM
.SVnpheny Ne i Brahma
ANernnnti of a lrauu Dt-busy
Ujmphenle IJjpukiioIe Lale
, Kmll Telmanjl
v arlatlerm for erwln.ilra Draunfele
of Brahms, nerhans the most' inmer-
tunl contribution te the literature of the
symphony since Ueethecn and one of
the finest symphonies in the orchestral
repertoire. It was splendidly per
formed by the Orchestra, especially the
leudy scherzo, one of the most char
acteristic movements of the grent com
poser, and the superb first movement,
witn its wenderfu coda.
This was followed by a really re
markable rendition of Debussy's or
chestral masterpiece, "The Afternoon
of a Faun," the seusithe und elusive
character of which Mr. Stokeuski has
always interpreted with peculiar ex
cellence. The piatiissimes of yester
day's performance, remarkable In
their beauty, without the less of tonal
character and the balance of the parts
an essential feature te an effective
rcadlug of this fine work liave never
been excelled by the Orchestra.
The concluding orchestral number
was a neelty, "Fantastic Variations
in a Theme of Berlioz," by Brauufels,
a young (Jcrmnn composer. The com
position was unfortunately placed en n
program already long, nnd it might
perhaps have been better bad Mr
Stokeuski emitted the Debussy num
ber until a later concert. The Braun
fels number is well worth hearing, but
It requires a close attention, which It
is Impossible te glve at the close of u
nrecrain as lone as vesterdnv'H. 'rim
oiVinesitlon Is frankly modeled en the
vfucna m i.ieiiinn mm inn orcnesirauen
en that of Strauss, but It is no slavish
i
llic Philadelphia Orchestra gnvc its
KS 1 , - Academy of Mi.slc 1.-
Panlnl nnd se 0,, nHX , l.n,i,.r of l,rt'fce"l,l,,! ? lir"t.'ri" "f much beauty.
i second pntiri'Pt if Mm cnm... -. i.
A
.'EVlfclN& PUBLIC
NEXT WEEK
imitation. There is nlcntr of erlgi
nality in it, much movement in the
variations and color In the orchestration
which is at times strikingly original,
although the composer never gets en
tiiely nwny from the two great "Hlch-nrd-t"
Wagner und Strauss. Mr.
Stokewski would de well te repeat the
work later in the season, giving it an
early place en the program.
The soloist was Emll Tclmanyi, n
Hungarian violinist. He has n huge
technique, ns Is te be expected, a mod
erately egreeablc tone of fair quantity
and lets of enthusiasm. lie is a vie-
inlst creator iu his premise than In his
present artistic capabilities. It is true
that the Lale concerto docs net allow
the performer an unlimited scope for the
exhibition of artistry, and Mr. Tel
nianyi probably did as much with it as
could be expected. At present he is a
lirt-class plaer of the violin with
excellent artistic possibilities.
Mr. Stokewski again mode a radical
change in the seating of the orchestra,
placing the cellos where the woodwinds
nat last week that is. at the extreme
right nnd nearest te the audience. The
change wns net altogether hupp. It
worked well In the sole passages of the
symphony, the second theme of the first
movement and the first theme of the
slew movement, where the cellos have
absolute sole, hut In innny ether places,
where the cellos merely double the
contra-bass parte or have insignificant
contrapuntal passages, their tone was
tee prominent, ln their new position,
tee, they effectunlly "blanketed" the
tone of the woodwinds. This was no
ticeable in the opening of the'sclierze
of the symphony, where the oboe sole
could with difficulty be distinguished,
while the comparatively insignificant
pizzicato accompaniment of the cellos,
was aggressively prominent.
JOHN McCORMACK IN RECITAL
Irish Singer Appears te an Immense
Audience at the Metropolitan
Jehn McCormack, following Galli
Curci, Philadelphia's ether popular
idol, appeared In recital at the Metro
politan Opera Heuse last evening before
an audience which tilled the house,
overflowed en the stage te the utmost
limit of the seating capacity ami then
steed fixe or blx rows deep behind the
bruss rail.
Mr. McCermaclt's trip te the Antipo
des seems te have done him geed, both
vocally and physically, for his voice
was in excellent shape, both as te power
and control, while his pbjslcal propor
tion! were mere robust thnn ever. Ills
songs were received with the usual dem
onstrations of enthusiastic approval by
trie huge audience. lie began the pro
gram with a rondo of Mozart. "Per
pieta non ricercute," which was well
sung, and gine three groups of songs,
the first a set of rather indifferent
compositions by Hrinn, Williams, Lar
clat ami Harty. The second was the
customary group of Irish folk songs, in
which Mr. McCormack is alwas at his
best, and the third a set of mere effect
ive songs by Edwin Schneider (his no ne no
ceiipanist), Harrison, Shaw and Itus
sull. Mr. McCormack gave a large number
of encores, as is his went, and did some
of his best work of the evening in them,
especially Schubert's "Ave Maria."
The encores wcre varied in style and
musicul content und were all well re
ceived. The recitalist was assisted by Donald
McBcnth. violinist, who generally takes
the assisting part in the McCormack
recital". Mr. McDeatb nlaved well, ns
he jilwajs does, and Mr. Schneider's
accompaniments left nothing te be do de
sired. MUSIC NOTES
At the Drecram nf th tM.i ... ..
concerts b" lhu I'hlliidflnlii.i 'rJi,..:
f' lP ".''j;.1,""" w11.' brought forward.
Una, thn I'lfth SVymiilinny of .sibillus uin
li.ne Its flrt Amerlcun henrlnc. nnd th"
?l,hV.hiVI1rli0i Sotl'lu',0"'"'ei)iJlM," H IIBW
ti 1'hlladelphu, The uthtr werki en the
PreBrai,, mciuili. th "Cirnlval" Owrture 8J
da nimln"" Teclmlkewaky 'Trancci
Thn program of the Ne-v Ver! Smnhenv
?..'..'':'" .."viiiiwr i.i nc udi
anrtirrae of' Thurlnrlla1 " TannhieuVeTm
be BtinK bv C. W. Graham und Wolfram bv
h. J5ar,ecQfr!,, 'SifflS
The first public concert of thn ltlrh-Klndlr.
lian"nS-h,rle,wl" '" "lvn t Wl her"fK)en
Hall en Thursday evenlnif. November 3
IJIchaH Htrauss. th eminent composer
will iippenr at the .Wdenn of Music tJ'I.'
wr !.,,.,fli.rnB,inn' v,ei""b"' "s
eell ftxalirnml tUn ... .. . -.-..
. Anna ralea
, the irresistible llusslan
t the Acadeim of Jtu.lc fe?
ene matinee November is
uancer. anptars a
ie niifnts ana
and 10
111 w-rltliur. addressed le the secretary at
Ite l.n.'ftl .cnmmlltee. William C Hammer
403 Harrison Ilulldmi;. Philadelphia Tim
operas available ure "Aids.1 ''Ilarber i,r
KnUlle," "1 lJeheme." "Mm.- Hutterny"
Paallapcl," Kaust," "l.a Korsa d,.
Diitlne." "Hansel and Cretel, "i.' 0V'
yenita." "Jewel, of the Madenna." "LurU
Masked Hall." "Manen "nii-olette'"
"Tales of Hoffmann," "Tesca." Trallaia"
and "Trovaterc." The 'imIIs" will close
en Neember 10, " c,0e
Clarence K. Ilawdcn announces th. open epen
nt of his studies at Carnel Hall. In New
XerA.Pli5rl ?.nd 3 Beu ElBhlwnth .tre.t!
n,fh'lJfpil. Mr. Ilawden will tfeveu "'hi
latter half of earli wsek ti tapSln. , 2l!z
rhidelphl stuJIe. " '" '""
n acninniiuierr tfmpheny Ne. 2 In K mlriiir
"d 'i "fctlievni neelty n th? Andante con
arlazlnnl from the atrln nuartit in A
tSHT.8nl,i''Ji, "aul Kechanakl will p.;
er?he!trJ. concerto for violin iJd
At .he Philadelphia Optratlc Secielv n-r-fermance
of "Tannhaeu.cr" at th cad?my
nt Muic en Thuriilay fvtnlns. Neerfilr S
win ' j!liavA airl'. Ailellna Taltl Neiir
hn Lnl", Ve.nui' P""1 Thelnia Molreno Si I
he heard e. the Hliepherd. neberi L. nJ
llie opera te be presented at the premier
of the Hail Carle (Irand Opra Company'!
will be selected b iipu ar ete, and opera
eiers am Intlliul ahrnir.. ih.il f..?.p'rn
LBDaERr-PHILADELPHIA, SATURDAY,
BEFORE THE. CURTAIN GOES UP
Only One New Shew Here Next Week, but the Following Motu
day Beings Five Novelties Notes of Flays We Iltve Seen
Vy IIKNRY M NBKLY
THERE'S only one new show coming te the "legitimate" theatres next week.
This Is "A Dangerous Man" at the Wnlnut. Other p!aH which seem te
have established themselves will remain with nil of them apparently doing well,
except "Spanish Leve." That gees off after next week for lack of sustenance
or something.
But, if this coming week seems net notable, the one that fellows will keep
us all busy. There will be five openings a week from Memlny "Mury Hese,'
at the Bread: "The Merry Widow, at the Ferrest j "Enter Madame." nt the
Lyric J "Mecca," nt the Shubert, and Harry Lauder (beg pardon, Sir Harry
Lauder) at the Wnlnut.
YOU'D think that one real live play
wright would be enough for any
show te carry around with It. In fnet.
if you knew the
four rlauicrigiiia 'temperaments or
In r.ni nt some of the nlnv-
"Dangcreus Man" wrlghts that I
knew, you d swear
it would be impossible for any organ
ization te keep mere than one nnd the
peace nt the same time. Yet "A
Dangerous Man,' which comes te the
Wnlnut, beasts four count 'em;
FOUR nil nllve and in rnptivlty nnd
they haven't tried te chaw each ether's
ears nil yet.
FJrst. we have Alan Brooks, who is
the lending man with the show. He's
ulse en-author, which means thnt he
nnd H. W. Pczct. who's with the
show, tee, helped each ether write it.
Pezet, about n year age, co-authored
with Bertram Marburgh in writing
"Marrying Meney" and Marburgh
will also be among these present nt
the Walnut.
Next te Brooks en the bill you'll
find the name of Harry Wugstaff Grlb.
bcl, who will never be starred because
no manngcr would spend the money te
put thnt name In expensive electric
lights. Last year Orlhhel wrote "The
Outrageous Mrs. Palmer," which
scored n big success nt the Thirty
nlncth Street Theatre in New Yerk,
with Mary Yeung nnd Henry E. Dlxcy
heading the cast. Gribbel went' te Alan
Brooks te get Brooks te play the lead
in the show, but Brooks was then busy
putting en his own play. "Because of
Helen," nt the Punch nnd Judy. And
this year Brooks get Gribbel in nn
unguarded moment and made him sign
en the dotted line.
Gribbel is a Britisher, but he were
e Yank uniform iu the late mix-up
and when he came hack he wrote and
staged "Let's Beat It,'' the selrilei
show which his outfit, the Twenty
seventh Division, cleaned up with at
the Century Theatre in New Yerk.
Then came "The Outrageous Mrs
Palmer" and then. Inst August,
"Mnrch Hares.' a cuttinsr satire en
our codfish "culture." which the critics
pronounced se geed that nobody would
go te see it. Gribbel's latest is "FIfi."
He co-authored in thnt. Frances
White opened in it in Atlantic Cit
this week preparatory te taking it te
New Yerk and way station!;.
APPA.UUSTLY there's no iieppinu
ri "The Rat." I p at the Ailclphi
they've been looking ever the records of
long runs In this city and they fiml
that Ueeniy-enc vceks is the high
mark. That is, It has been until nor.
Hut they're simply smiling at that and
advising us te teatch the new high
mark irhieh they espect te hang up.
Hut nobody but a confirmed hlgh-hruir
uritl begrudge 'em their; success. As a
piece of clever craftsmanship, this mys
tery thriller is entitled te any midals
they Jiang en it.
LIFE
Tumi!
FH was made miserable all day-
lay by a let of chronic first-
nighters dropping in te enthuse about
what a crackerjack
We're All Glad play "Mr. l'lni" is
That Mr. Pint at the (lurrick.
Passed This Way Being naturally
sardonic and .skep
tical and generally dyspeptic, I pooh peoh poeh
poohed 'cm out of the office. Then, in
self-defone. I determined te see the
show myself nnd point out all its faults
and sav a let of clever, up-stage stuti
about 'em and make fun of people who
get enthusiastic.
Se I saw It Tuesday night. But
there must have been something the
matter with me befnusc I couldn't find
the faults. Se I went again next day.
Mebbc by next week I'll be able te
think of something cutting te say about
it. But net just new. Icry time I
try It I laugh myself out of the mood
ever the memory of some of the lines
or the business in the comedy.
If you knew any man en the Ftage
who could take the part of that odd.
plaintive, lovable, forgetful, Irritating
Mr. Pim any better thnn Krskine San
ford does I'd like te base his name and
address. My idea of a full course in
a dramatic school Is just te watch San
ford's work for one ccnlng. And they
tell me be's only twenty -eight years
old!
MO L0XQE1
' play ent cle)
QER trill the playful little
elope cavort joyously among
the cast of "Happy Ge Lucky," Which
M a gentle tray of informing you of the
premature demise of this American,
version of "Tilly of Bloemrbury," It
gees into the ice box tonight. It's a
geed play, but you didn't want it. And
you're the boss. Se, with the close of
this evening's performance, they trill
weep a few weeps and murmur pathetic
words about hew natural she leeks and
then they will lay her away. Hut be
fore they shove her en the shelf of the
refrigerator, let us carve an enduring
epitaph en the ice-box deer, thusly:
There once teas a girlie named Tilly
Who met a reception quite chilly.
With a funny old egg (he
as called I'etcr llcggicj
She fllvvcred and flopped here in Philly,
YOU youngsters won't remember the
sensntlen that "The Merry Widow"
scored when It was first produced here.
It's really an in
Early Star of tematienal eper-
"Merry Widoie" tta, but its great
Discovered Here American success
has a local atmos
phere in that the name part was made
famous in America by Ethel Jucksen.
And Ethel .lacksen wns a disceverv of
Willanl Spenser, author und composer
of "Princess Bennie." "Miss Beb
White," "The Little Tycoon" and half
a dozen ether stnge best-sellers, It
was while she was making her success
ln "Miss Beb White" for Spenser that
Savage chose her for his production of
the "Widow," nnd her singing of the
part had a let te de with the wav the
eperatta swept the country some fifteen
years age,
The show was first put en in Vienna
in 1005. Theu It was token te Londen
the following jear and. in rvtni.....
1007, was put en by Henry W. Savage
I saw tlF k.-)w In 'ew Yerk this week
xerK. u rnn for a mr tli.-re. wh ch UMID I income h-hm,i Rosvenh -The ,, i t ir l w ,'e"r,n , ',' " .'.Tr,",h "" "i..'u"
wns U most linumiftl thin,; In these dn)8. I M -lern MU In "The MIU Horsemen" T-Mehan !',,e,ier,h "The C M If" - - J,,,r""" ' "Truth Ah,,t II i.sna.MU"
mill then It wan jiut nn the reed am ! ?, T?W M,',ln "F.jr 'ht Ilemss-nis-ii" ' h -T MjiBhm, "The ( emrir.1 of .,,, mi r? I iii tn u,-r ,..,..
sept the country W feUr ,ear." ""VeMae,;'?; .. , r- IJKu'T'l '.P-EM Vfal 5?" IDLE HOUR' ' C",:ST':',
These of us who are n little elder ' -3?ty .?Tr".0." ..!?. 'J"" ' "s? n.r r". r. ?" Tmi Mix in "A nidin' iinme.," J' i.ci..i .-, i, nlp , ,. .. ... .
than ue ought te be will remember hew Indereli.'s TWjn- - 1 n Kn;;wfi i, -tC .',',; r;;j.;
we were pcNtered bj the faiuiuH waltz iPMPRF'vS MAIN ST.. manatunk i PALACF ,2, market street i ni't r,mT,!,'''i.rir".",''r".',i ''''"
munUnJ n,eln,irtlng UWfly frm Itt. i S-"Mart-Wemi,n-MarrUc" S-The,,e && J "0 $&$ I IU THEATRES "Iff II
- ...- ... . .-.... ... .v.,i. in ,iriv I -, A I" 1 nS 'T-l ,. 'lll-
ltB Wktif te lln Hm enmn thin. ...!.. I
And Lcenfeu, that It wltf,
-J J
Shows That Are Coming
te Philadelphia Soen
October Si "Mary Hese," Bread.
"Mecca." 'Shubert
"ICnter Mndame." IyTlc.
"The Merry Widow."
Ferrest.
Harry Lauder. Walnut
Nmrmbrr ' "Llttle Old Ntew
Yerlc." O.irrlck
"The Follies." Ferrest.
, "Dear Me." Bread.
nightly geed after our long siege of
jazzing everything from "The Old
Oaken Bucket" te the Songs of Solo Selo Sole
mon. They hnv nn international cadt this
yenr. Yeu get n funny mixture of dia
lects Dutch, Russian, Italian, French
and Chicago.
OVU UIRDS," at the Shubert. and
''Mrs. Fiske, at the Jlread, enter en l
Mcir ina' ireek Monday. Musical
comedies seem te be doing belter fnii
season than the straight stuff, and it is
probably only the big personal fellmc-
ing thai Sirs. Vlske has that keeps
"Wake Up, Jonathan," going. There I
is a peculiar situation in the theatrical i
business at the present lime and a let I
of shows are failing that the wiseacres '
had booked for successes. It i fnrtu
note for "Wake lip, Jonathan," that
Mrs, Fiske's friends seem te be sticking I
loyally by her in spite of the obstacles I
that ether shows of the kind arc meet
ing. TIMELY NOTES
ON CURRENT BILLS
Dalten Was In "The Thief"
Charles Dalten. who pla.is tin- role of
tlie egotistical, strutting, "self. made"
husband with Mr. Fiske in "Wake
L'p, Jonathan." was one of these who
played the leading male role in Bern
stein's "The Thief" a number of years
age.
Hew "Leve Birds" Get Name
"Lec Birds." entering en its lai't
week nt the Shubert Theatre, was
called because of the principals. Fat
Uoeney and Mnrieu Bent, whose ro
mance did tiet conclude with their mar
riage lu lfl04. but has continued, un
ruffled, as the two have nppearcd in a
professional capacity together. Kdcar
Allen Wnnlf. hl nillhnr nf flleir nri.inf I
1 1.-.I.1...I .. .!. i. I ' "
l) I uvtiwtu un mi: nut. i
"Follies" en Way Here I
The Zlezfeld Follies will mnlte their
annual visit te Philadelphia commetio-1
lng Monday, November 7. at the Fer
rest Theatre. The stay here Is limited
te two weeks.
Jazz Band at Academy
Philadelphia is at last te see and hear
the lord Dabncy Syncopated Orchestra
which has been for se long a feature at
the Zlegfelil Midnight F
Yerk. This organization
nioTenAYs
I0TDUY,
. COMPACT r ,
-O'AMtSJCA
ALLEGHENY
rrankrerd ft Al'echsn7
.rm PnOv - tfl Hia-s. at 8
M. Elsie Ferirupen In "roelllidits"
T. Elsie FeriTUs In "Kcelllitlit"
W Klsle rcrirunen in "roelllslit"
T. Kltle Kerrusun Is "Koelllililn"
F. Klsle Kenruscn In "KoetllKhts"
S. Elsie Femusen In "I'oelllidits"
APPVI I Pi WD & THOMPSON BT9.
Al V1IW HATtSEE DArLT
M. "TIm- AfTnlr of An.itel
T. "The AfTaln of Anatel"
W. "The Affalm of An.itnl
T. Thes
F. Thes
S. Thes.
Me lirhn. li e ami rrrmarHrd
Melhan. "lt and J nniarrlrij
Jtslchan, "nTilte and I nmnrrteil"
W'S iV-v "'. 3 JsT5 " ' FAMILY T"E' We1 &e1.?a ' REGENT SJ ;. 7i V i CEDAR ". t f VevTO
5J- Rlnald Darker's "The Old et" u itll,u ,,, , , ,,,.,,,.1.1,, i-in,." . i 1, ., .. ... ...... ,. " " 1 30 A .1 7 1 0 P. M,
8.-D0U.U, Mai-t.ean In "Pas.m.: Thru" k-ttVl?,Z .V,'".! Wr-rlma. U. I -1& . 11 Slnl- "& $X I T Z& Itttll 15 lZ ""V"
18TH
M. Oenatance lUnrr v "The rim of Ilwkjr'
ACTHD FUANKMN A OIllARD AVK.
rwiuu fUTINER IJAn.T
M O Melferil. "The (ireat ImperMinstlen"
T. i, Melferd "The (Irrtit Imnersoiiatlen"
W. i Melferd. "The tirnt Impersonation"
T -Conway Tearl- In "The Klehter"
T. Conn ay Tearle in "The Fighter"
S. -Conway Tearle In "The FIhtrr"A
BALTIMORE V S'It-P.
f. Kuirene 0'Hrl.n In "Worlds Apart"
T Uiicrnn O'nrlen In "WerliN pirt"
W. Catherlne Cui III In "The -K I' let"
T ('Mherlni Curtis In "The Skr I'lliil"
F. Const ninnev In "Sin-li 11 l.lttle Utieen"
S, Const ninnev In "Hneh 11 I Ittle llneen '
BENN
IHTH AVI) WOHIU.ANP AVE.
Xfat nall E. I. I istli-e OrKanlst
M. nerathv nation If "llehlnil Mnk"
T - Porethy Dalten In "Behind M isks"
W. Haml Pann In "Ueiollen-'
T. Ham! Pawn In "Keuitlen
F Dounlas MacI e,i in "Pass njr Thru"
n Peiiln MaeLein In "PTslnr Thru"
rjl f ItrniDr Hrea d 4 Susquehanna
Dl,JCDlIU i-nliMnunus .' until II ,
M Constance Talmadne "lessens In I.ee
T Cnnstan" TumisdKe ienm in uhs" i
W. Rupert Hughes" "The Ulrt Mif
T e' Melferd' "The Orent Ininernonnllen"
S. W C. Cabann's "l.lie and l.H Lire"
BROADWAY nT,,Br.eri.
M r)eerse Flitmauricn 3 "Ktperlnire"
T Oeorae Fltsniiurlre's "t-.perlenee"
W. Oeerae Fltrtnaurlc i "K.vperleiice"
T Klsle FerKUSen In "loetllihts"
r. Elsie lYritusnii In "roetllihts"
S l.'.isle Fermiwen In "Fiietllichts"
rADITHl T22 MARKET bT
LArl 1 KJL. in A M te 11 IS P. M.
M "Thr Rider of Klnir lne."
T "The Illder of Kins Ixii"
W - "The lllilrr nt Kln l.ej"
T "The Rider of Kln Ii"
F "The Illder of Kins Ixic"
K "The Klder of Jilnc l"
COLONIAL U,?",S WaTpaT
M. Ethel Clajien In "Reenil"
T Ethel Clayten In "Herond"
W. Ftbel Clayten In "Hernial"
T Pela Netcrl In "C.tpsj lllned-i-
Pela NVirrl In "llypsy nioed"
S - Tela Nerrl In "liypsy Mlneq"
AlDMnriMT Iinth A ntrard A..
,fehJlVOM,i?t.'''iUrtkp uihfri
ADPAniA CHESTNUT Bel UIB S -AKVAIJIA
ie A M te 11:13 P M. '
T. renstance U'nnr- "ine laec or ""M UInl 1 m , ii.i c
W, Oenbtance ninncy "The r.i of lleckj" 1.01, r,., ..ti.L tV i. 11 J,, ?"'.;
T. Tenstance IMnnev' "The I use of IWrUy" I ,M ." t-f Cast "Tlie Trn-Ihiluir K.ilse"
F. Constance Blnnc . "The (nr of IWU," I , ." " " '' h ?.!":J,0,..
B Consunce lltnnev "The Case of lUnUy" -, ''! , ;'", , Tie lllel
OCTOBER 15, 1921
STARS APPEARING ON LOCAL SCREEN THIS WEEK
Hs- !' NMKHHUH l I T$ I Ilk-1 MlHr ' - VKSHPPII
BTfe. B """-'flM : ', ' f Mil JJwi li "' 9HHHKkifl HI ',iiP& . iHBi
dpi-fFtyHj fell nUR i jsWe flVPflBiHflK SHhSbbi 1 HWeBm j m
w Constance BiNNtY f mH ; 1H , flMBefT AV I " GapKyRioK, GapKyRieK,
"cOfBcc L2 Ittnl 1MndJUnMi& Jtml.h PALACE -1 LOCUST
HADDinsi vfiars jiiAm ic rHiiei ira vm... . .. jsmi i m a&v A.rr
STANtCY AftCAOIA VICTORIA RECENT NKutMBMlK'
TH I 19HKiH ln WNHHB victeria
"B ' -ffi'KiwI :iMHlHW&. 'R BSfS. '?k5BH1 Cb'ltruhain
. ". '. scvi ,m v gfr-mmma e:. wi mm. r" ymwa i.. .,.,
v i.. ,jl n m ii.. v. imt l iis's . tsm uma j iimm , ..
k-.Tra rWMm IIl m ..JM9 Laude
Mi. J !: ;, .ilfl mmZW mlffj'fr-r. Sir Harr
WmJCTm r ''-tfazJyWl mWkatf&ii., iW'Zwt itfir t rf. t
WILLIAM S.
HART
ariJten
HAZ.EL. DAWN
"TXc X,e.-
Volf "
AMBASSADOR
Thursday night of net week at the
Academy of Music for one concert. Ap
pearing with the orchestra are the Uiget
Quintet. Mese Bess. Ulften Davis,
!:ior.n,;t,."!,!ert:T.rl01,11i ,V.c"'.,vl0,"i,Kt.:
1 .'-'""" VX."" 'Vu.i7- t V.:: - I.?
Wizards.
vi,,.-.K,
"The Cave Girl" In Stock
te Introduce lieu- nlnvprs !n flip com
pany In the person of W. Slider, who'
i.Ti r, r-.ri - ,.i.. .,. r:,. !'"" ""d l-'onel Hnrrjmere. in
in,n n,i iw ii,i fnV ill .. Bone i 'f. "The .Ien." and when Jnlm P" n ei .mh 1.01 leKine. tin-creator of
";"''. CAmh, ..m Theiirr irt "'irrynwr,. was sick she played his part tlie Kus an ballet. Miss Lerber Is n
'wrt lerk Zl n ' '"'" t perfermances. MNs Hn..klii High S.-lw,el girl who nmde
, house. b5T l" S w " "' ; ,Htl l farrM - remen.hercd for .,nr ro.e of! ZS" 7 "?!' l 7
I .i...,ir,.,i ..in.'. .. - i. ..i.. : .i... I the charwoman with Mrs. liske in "underer. be was also the nrincl-
w-oeds' of NeVlhern M,.' wl 1 'serve I "Salvat.en Nell." , pal dan-er in "Chu Chin Chew."
plays unit part of n Wall street mag-i After s.-ering an art let ic triumph ln
nnte. Ruth Robni'-en and Dwight! Londen and ether cities en the Ceutl-
Meade bae congenial parts. nent, Daphne Pollard appcari at Keith's
;hh! a Plrtu l"'';"1 "," i? ;;lllci, ,H -in rt-'ullt
Shh! A 'Bat' Party .n little show in itself. Mie is a mere
Stealthy preparations are en feet for! mite in stature, but whnt she lucks in
n Halloween celebration at the Adelpbi i sle she mnkes up in iibllity. MUs
Theatre by members of "The Bat" Pollard sets the pace in singing chnrae-
com
npanj The party will occur en the'
go of the theatre immediately fellow-'
sjfl
incr the fnll of flip nirfnln nn I Inllmi-nnn.
The ilea is that hats are especially np-ihus Mich a i-lear enunciation that every
propriate te this night of the year, audi word utteieil gees te all comers of the
se the players in this terrifying plaj
believe they should celebrate the night
She Knows Philadelphia
Madeleine Barr, who has the part of
the maid In .Mr. l'liu l'asves uy, at
the Oarrlck Theatre, is the daughter of
the late Albert .1. Harr. former euner'
ig a feature at I of the Pittsburgh Sun and Pest. She
relle in Jsewiis known te many Phllailelphians. for
i will appear' she was educated at the Convent "Eden
rnnT(iri..Ms
Weekly Plwteplay Guide 'eek of Oct. 17 te Oct. 22. Subject te Change
The following; theatres obtain their pictures thieugli the STANLEY Company of America, which
is a guarantee of early showing of the finest productions. Ask for the theatre in your locality obtain
ing picturei through the Stanley Company of America.
- . " i "" ' IC IMf l UtQ-
iATr-I CT THEATRE Belew Spnica
JOin Ol. MATINEE DAILY
M. "Vlrtn l emiin Murrtjp"
I T "Mini Uemmi Marr'nee"
W "The Truth Alieut llusbunili,"
IT "The Truth Aheut Husbands"
. 1. I has. Ujs I '"irJ Iren"
IS. Hepe Hampteu lu "I.eip's 1'fnalty"
' pi PjRir'eOOl iLUUCET ST.
VJl,VJDIi, 2 30 ad fl 30 te tl
it Cenwa Tenrle in "Ilinklns the
w. Whltinaii Hinett's "Net (,ulU "
' T Whllinim Bimi-ii s "Net (.ullli"
M, ( enu iy reir'e In "UuiUlne tin- Tker"
lUrr"
V The t nrl.riHi lir.nmj
Wet Jielil"
3 The ln.tei.sea Urania
Wet (reld"
' Hubart ruiuuerth In "The f 111, f l.lf
S Ma Marsh in "I'elli of the I In us"
GREAT NORTHERN ?WepESL'
t'-'M W test $f:"
U -"llen-t Nrclrct lour Wife"
T I,ne lUimner- "J m lie IVnnuii"
F Lionel Ilarrjmer.3 ",11m the IVnnuin"
S. Lionel Ilarriimre. "Jim the IVniniin" I
IMPERIAL JSS1
walnlt era.
I -"Don't Nesleit lour Wife" I
T "IVin't Nmlert lour lf" '
W "Don't Neclrrt our Wife"
T I ion 1 narrnert "Jim the 1'runian"
I Mem I Harr-mer- "Mini the Penmnii
I- -Lionel li.urtniute "Jim tin- rnininiir
K"ARI TOM rKSTNlT Abe e Hll.l',
irtiL.iwn pau, ,0A ., ,, ,, 30 j, M
,r William . .11 'Thrri-sWiril llniml
M Clmrlle I'luplln In 'The Idle ( la,s"
T William S IIiti "TlirM.llnp.i n.,n.i
... l '.""' ii.in.iii m "ine idle I luss
W William S 11 in "TlipMi.llnr.l it.
W Cham.. CImp In in "The Idle Class"
r- Wllll.,111 S Hirt, "Threiv.ril llr.tnit"
T- 'W' i:h,,,j' '" "V1'' Wr "'s-"
!. ,V,"llal" s- ,,Brl "Thrre-Werd llr.iiitl"
L'.i'm11" l'.h"'ln m "Thr lille lllss
Wlllluni S Mart "Three-Werd llriinil"
S iharlli ChaplM In "llie Idle ( lass"
Lehigh Palace G'S:U;; -"
M. Peukias MitiLemi m "I'.is.lnir ti
T piul
m- I. in i "I'd, ni- Tl
w- ' Talnudire In
'I iintpren nuslness
pln.,1 i1!1"1"' In "Hi incereii. Hiislnrss" ,
r!' r'ruern In "rneillghts" I
S-EIMe Fergusen In "-.M,.-I,ts"
I inn . "
.t n.,.1 .
LlDtLK 1 Y ""AU f. fOI.rMllIA AV.
illJLll I MVTINEr DAILY
t ,.i r ?!? '." of tialrl"
ii' "s. '1nl.rH cf niel"
X - r1'!' An,ilr of An-Ui.l
?:&f ,;;
b May Allisen In "Thi Hlg c.Hrnr"
OVERBROOK eaDA " u bK? '
.. - r a MT" me' r.mmn ivr
PRINCESS fflJTjitvsiFZ BELMONT ?" "
W, A.hur Cast In'-Aeresii Ilia niild. w '!e!'.".cJ?v," ' "Hrxciid"
S-r-Vlel nana In "The. Offshore rlrVls plffi1" fcln ln"'l'as n Tlira"
lf.--T.ni Ml. in "Th, NlIerX;!.' EcSSffitT "n ." ,':.,:?"'" IhrSfi
ETHEL CLAYTON PHIL SHERIDAN
w Beyea " Riaer of the.
STRAND Kiafe 14 eg,"
BELMONT Ca.pa.tel
Hall." fit Terresdale. She get her
tiainlng in repertoire companies.
Cnnr.rnlnn fillrfa Varnsl
r.iMa Varl. who is featured ln
', "Knter Mndame" at the Ljrlr Theatre
i O'-tebe
li-teber -1. i" coming te Philndelphin
for the firt time a-- a featured player. ' ''' "-P'otneii., wbtcli comes te the Sbu
Sh" gaineel br greatest succes wltii hert en OotebT 21. Is only nineteen
Sniu
Daphne Pollard at Keith's
ter sengx. Her M-lect ions carry the true
atmosphere of tin- p.necM and perins
'he ill2S about. Ak Hll extra treat sill
hunse.
The Meaning of "Mary Rese"
ujr nuec
'1 he Londen Beekman recently effen-d Shirtwaist Workers." Tboe nrinc -n
sejies of prizes for the best jynepsis j pi concerned i the ftin-mnklng am
making clear Sir James M. Barnes i Kmniett Welch. Happy Thompson.
messHjje anil meaning ln "Man Ite-e.'i Iim-e lirnn ..,,,1 rv,.i .v.. 1
tin- newest play from the pen uf the
SVntHi dramatist, which comes te the
I Bread Street Theatre October -'1. The
' Pr-t prue went te thy- Ari-hdcai en ut
I'HOTOI'I.AVS
RIAI TO GEH.MANTOWN AVE
XI'- VJ AT If! PFHOCKII.N
.SUE
ST.
M - "Man Viem.in Mnrrlnce
I "Man Weman Mnrrl.nrr''
V "The 1'rlnrrss of Vr erk"
r NIHim A Bradj I.lfi-"
I'-i'iU h'nh u i.- in "l luirse It"
- i lar.! Kirnb.i ' V .mm In 'Ch.inte It"
Rl IRY majucjst st mulew tth
1V,-'1J 10 A. M. te 11 10 P. 31.
.;' neui. .1 v, r, a 1 1 "fasslnir rhru"
ii.-?" ?" ''' '--1'1 '' "l'iiltut Thru-'
T IiE nm f ( iMiieil lVnture
1 Pauline l-ec.' "nenils of l(tln'
ire- ri. --IIO.ICJS or IfestlllJ-
SAVOY ,211 MAllrCr-T STKEET
i- v j 1 s i m j , MIDNIGHT
M E1I1. 1 Cla -nr ., 11 hiihI"
T Ijjhe' 1 an 1 Ik-ivml"
" I. 1 I au 1 .1 lleieml"
l-')'.'-' 1 -V' ' ""it llie Wlie"
I A,1,1'1 i '' ' "'r thi Wire"
AlUe I , (), r (lu Win"
SHERWOOD Mth nV"rr'
r'v ' v: ;: ;: r ::iiirrJrb: '
V. ."The T... I, l ll,h .n.'lV1"1" '
J. Bel- I'i . is "M l -nil Vein-le"
I rh.ir'. s R ,v ln "s.rin IrVii"
fr ha-ls )!. , "sirVn Ire 1"
, .
MARKET AT 1HTH
'-i-. i
m .- t. ..
1'
' T 1 11 is r M
'eildlni: Hells"
Wwlil'ne Hells"
"(IH I .ic 11,11,"
"W ilillui: llells-
"W'sIiIIiik Hills"
'Weilillnir Hell,"
' '""aint in, t
. 1 IS ,n
T - r-,,n,t i v -i j
I 1 i.t 11 n r 1
P 1 e isf . 111 e r
kh . - . . I
M " , - I-' - "II, it llie Hill'
T W i1 i 1- i .. i.).. ih II III"
" - 'II " I" s 'Ul-er tlm 1 1 III -
J, -)) ' '" ;". r the H-ll"
L , ' ', '' .'. 'v' """ th, inn--'j-
lllui r is "Out the Hill"
'333 MARKET !-"rar'-,r nir.ATnT
V ..'J.," A'T-'lr of Xnilel"
m 7,,'.r 1''. "' nHi,l"
W "The ffulrs of iiiiinl-
. i i .. , ;. " '" mr r. iimiti1
" " M'" '""
in the I'eiiiiiiin'
VICTOR A MRKl'T ST el. HT1I
V lx 1 WrlM n x m . ,-, ,1 .."V,1
m , , ,, ..Tn ,) ,lUhn le ' M
J", T,',,", V" '" ' T" n l'1-lsll"
-Hut k T. lew i "Trt fl..!.,..
Hu. k Ii . is ir "1 , l,,"
Jill k .leres i "Te m -I,U,"
nil, k 1i Tn n,,"
'ALTO.
r i i'" $,'r"n" "T'"- '',!' s (lrle-
t ''r: in'i'
bl ANTON iVWr, .'.nV'RIVOLI fl2 " ;, sT,
15
Over- tiic Hxll
STANTON
5?
who thought the idea waa
tlen between n life lived in
lifi. Ihed in etcrnit.
r Plans World Tour
Lauder, who comes te the
Walnut tT a single week, beginning
O" teber III, i planning a verll tour in
the near future. Lauder, who has been
i knighted since he last plnjed in thiu
I ceuntn, Is making a limited number of
I iippturnnrpe new. At the close of this
i visit, he l return te Ktetland for a
1 -.heit ns! before starting en n journey
that will include the United States,
I (-a""da, Australia. New Zealand. Seuth
Afilca and many countries, of Curepc
and Asia.
I . Famc Reached Her Early
Mis Martha Lorb, r. premier dan-
snu-si- in "Mecca," in the Comsteek and
tvurt eiu, uur sne u.is inc uoner of being
Al Reeves at Casine
Al Rccm-s will bring his popular show
' te tin- Ca-ine next wt.'k with a number
of eul-tandtng feature's In the first
p,aL'"' Kf",M 1,lin,-pf i(h
his old-time vatido!lle net including
the fumeui banjo. Hnrrv Cooper is the
fi-ntured cemHian. nnd ethers who keen
things moving am Charlie Lcvine Frai.L-
Pickett, Liclvn Dean and Jim nnd Flo
Begard.
New Bill at Dumont's
An entirely new vhnw will tw. nut en
by the Ummett Welch Minstrels nt
iJilinent - next week. The main nnrr
.,, . ,.,, .iK,.ii,, r., ... ... '...:
Harry I'.ittorsen N another nenul-ir
eini'iliaii ami Bowlen ami lee ceiiin
, forward with their "Echoes Frem
Lembard Street "
I'llOTtU'lwWb
HaTHUT,
COMPAUr f
crAMCSICA
COLISEUM Mrk,!t t oeth eth
M Iah Halrd !n "The Heart Line"
Ti.nfh li.a'rd ln "'," "w,rt Mne"
K ?''' Tel in "Wines of I'rlile"
f. t.',sl" rrri'ui"jn ln "FiKitllehts"
J- - -! rerfsuBen in "rentllKhta"
a Marjoiie Paw in "Tlie Itntterflv r.i.i
JUMBO r"0 " OIHAIID AVT3.
j tu jumbu jue. 0I) FranWerd 'X"
V """n't ""H Mr Little filrl"
" l.ilu Dana In "I'uppetf, of Fate"
... ,'. -Taimndfcr Hnd u'llrlen ,n "The "lelh"
T" I s - 0r'':" N r.,1,0., in "IJehlnil Mask."
- '"" " rar" 'n "lliicklng the Tteei
.'. -V" r ii.am in "I.lll e Italr"
K the Titer"
LEADER Tv
M H I imrurn ' t ,... .j...., .. . ...
1 n . ' ... ",p 'in or tile World'
u -n
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