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CLOSE-UPS of the
O.V IIRNRT
There's a Little of Everything in a Big Mevie Studie
SOME day, "when I hare about thrw hours te spar1. I'm seing fn leaf n?
leisure through a big movie studio nnd really get an Idea of the amazing
Tarlety of stuff (hat i usually te lie een In mirh a place. The thought efvurrrd
te me the oilier dav when I called at the Fex Mudlej in New Yerk te see I'ear
White. Mls White wa in her dreeing room rlinnRinR her roMume when 1
nrrlred. co 1 'had about half nn hour te wnlt and I spent It wandering from sei
te set and making note ct the mai of apparent junk that must be felle.-ted te
make movies for you and me.
It Is rather hard te gire the average fan a c.ear Idea of the impretien tha'
nil this (.tuff makes en a vMter. In the firt place, words will net convey a
clear mental picture of jut what a movie ttidle leeks like. The word "tudic
makes you think of goed-ized room with lights nnd draperies and alt tha'
Tint places-like the Ve or Cosmopolitan or I,asky studies are far mere ean
this.
They might almost de for haugars for trans-eceanic dirigibles. They arc
huge places, se long that a Scoevie be's'n could jut about veil from oue end te
the ether, nnd wide nnd high In proportion Yeu can get tome Idea of the lze
from the fact that in both the Pox and l.asky main tudies entire city streets
have been built.
I'ndcr ordinary condition there will be from four te six companies working
In the ame studio Ht the 'ame time without Interfering with each ether. And
while they are occupying their et the technical men will be building hnlf n
dozen ethers and there will be still ether completed, waiting te be used or tern
down.
On the day I went te see Mls White fher were four companies under
way, but the place wa se big 1 bnd te hunt around te find them, llerhert
Hrenen. Nerma Talmadge's former director, was working en the picture with ,
Miss White in it ; rMwin Cnrewe. who ha' come Kat after directing Antta
Htcwnrt en the Coast, is making a picture with Mary Cair featured; Charles
Brobin is doing nn "episode" play and Harry Millarde, who made "Over the
Hill," Is finishing another.
You'd think that this would pretty well fill up the place and get 'm stum
biing ever each ether's feet. Put it doesn't I wandered about from set te set
the vacant one, that is- and only new and then could T hear one of the directors
or a cameraman yelling infrictlen about the lights.
ST I M lil.r.D ipen the fnnt of a ptien i&en that I remembered in
hare seen in use tire or three icecks before. It had Seen put up for
the: Brahin pirturr. and thr dau f witched them irerkinp en it, 1 icon icen
dcied hntc mwh of thr t:ff in the iritidews xent rra. And ihi time,
with nobody about te hinder me, 1 found out. Everything in it teas
absolutely genuine.
rpHET had evidently bought a compete pawn shop somewhere. The Iren
grating" ever the deer and windows were real iron gratings and they were
locked with real lock". The three-ball slftn ever the deer wa genuine. The,
bulk window were actual bulk windows nnd they were filled with alarm clocks
and musical !ntrument and revolvers nnd tools and trays of cheap watches and
pins and chain and every little item In the let was the genuine thing. Even
the pri'-e tag were still attached te everything, though no one could possibly
uptct them 'e show in the picture.
I wandered around te the back, where I had before watched them sheeting
lern of the scenes in the story, and I found that there, tee. there was no pnlnted ,
-nerj. except the bare wall". The counters and show cases, the cashier's t
cage, the :ndecribable lifter of stuff that finds its way Inte a pawn shop was
put up in this studio establishment just
former horse.
And the safe In the cashier's cage
gneas, because it was out of the camera s range the safe was the real thing
and Its former owner's name was still legible en it.
Can you Imagine any one going te greater extremes of care and trouble te
Insure realism?
A few steps farther en 1 came upon the outaide of a built-up et, and going
nreund te the open end found it wns n church interior. Weeden benches were
en each side of the long aisle from the altar nnd I took It for granted at. first i
that these benches had simply been knocked together In the enrpenter shop. ,
Then I happened te notice a let of initials carved en the back of one and
clesr examination showed me that every bench was literally covered with these
mementoes of the days when It wns in constant use. One of the initials was
followed by the date 1S9G.
' VOU can imagine from thin what a job the htad of the property
'department of a big ntudie has. ft a temperamental director phone
him tome morning. aying: "I'm going te nhoet that desert scene thu
afternoon instead of next month. By 4 e'cJcfc I cant four camels,
ttee hundred Arabian horses, sir palm treex, a irtll, four trained' sand
Utards and three tents, each looking twenty -iir years old." he's get in
have 'em there at o'clock. And the remarkable part of t M fiaf he
generally manages te de it icWxeut even ruffling ii 7ietr.
SHUTS IN A SPOOKY PICTURE
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Answers te Questions by Mevie Fans
DAHLIA "The Bride of the Gods"
la tha title given J. L. Frettilngham's
production, Ihe working title of which
vru "A Daughter of Brahma." Yeu
tudr about Marguerite de la Matte. Hhe
Will appear oppei(t James Morrison in
tht abore-mentioned picture. Yeu nr
tight She is the little lady with
Douglas Fulrbanka In "The Three Mui Mui
fceteera" aa Constance,
KIWOItD Wesley Batry'i next
Wcrurcwill be "Pnred.,r OnllenLan
la'is married, ae you have been mis
informed it yen were told etherwlne.
Addreas Tllchunl Barthelraess, care of
lBSDlratlen Pictures, 50.1 Fifth avenue.
New Yerk City. Yeu knew Dick In
starring; in hiss own company new. His
forthcoming picture will be "Tel'uble
David."
TOOTS "The Oath" was adapted
from William .1. Lecke's hook "Idel "
Miriam Cooper and Ceiiwny IVurle
played the leads. Your friend win
the bet.
4VANKTTA Helen Dunbnr. who
t4a a character part with Ethel Clay-
iM, ia tbe tame Helen Dunbar who
( ,. f te alar in comic epern, 1 dcrn't
r. tpajiawwant picture she ia appearing la
v S. vtmvi.
L, JTrrirB MatWa k Um adapter of
r --w
Te Daily Mevie Magazine
MOVIE GAME
M. NEEIA
as it had been taken down from its
put there simply for atmosphere I
Alice Lake's
new film, "The
Hele in the
Wall," deals
with fake spir
itualists and
mediums. Ifs
all very weird
and creepy, and
Alice say 8 she's
beginning te
dream of
seances and
thing
wiU be called "A Trip te Paradise",
and Bert Lytell will play the role of
Lillem. '
' 1
OLLIE Rebert gnew was born In I
Dayton. ICv.. in 1809. He is playing I
In Nerma Talmadge's picture. He.s
net married. I nm certain he will send '
niB pnote ir you
for it.
write and ask him
NAJS'OY B. Geerge Arllas was born
In Londen in 1608. He has been en the
stage for thirty-three years. He made
his screen debut ln "The Devil." He
lias recently been seen en the screen In
"Disraeli," his great stnge success.
ALICE "The Great Adventure" is
the plcture te which jeu refer. It was
taken from Arneld Bennett's wcil wcil
Itnewn book. "Hurled Alive ' Den
Rankin appears in this pietuie.
SLATER -Ralph Graves )n, l,lue
even and brown hair. His latest pic
ture i "Dream Street," a (IrlffjHi pro pre pro
ductien. FMILY- -Mnry Alden played the.
mother in "The Old Nest." She is
thlrtj-sevcn. ))euglaa MncLean was!
born in Philndelphin and educated in
Northwestern University. Jerhapa
would Interest you te knewthat he la
Ihe aen el a Methodist mlnbter. He la
tnarrifd.
yO-HO FOR A
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j OUR COiSMESrENDS TBftK&i
; A DAY AT HE A . JF . T""!S8
I Jf mfi FILMJS SHO , l?rS!I5S
I y CONSTANCE PALMKIt I ls-r ''SJ?- " """ 1!3S!ai '
! Hollywood, Calif. , LS& V S&SN&T. saM.-
Irn
HE a'aini went nff at 7, A. M. n-,
er schedule. rv dear:,. I cut!
i up tinallj eij have no idea. At'
0:80 we nnii.il te the big deck (it San
Pedre. wliei the s.niiif ship they u'ccl
in "tieijlfs Mm" wan waiting te take'
us out for the dny. v i
"L's" Is the ioldw)nceinpany niak-
ing (iemrrmur Merrih" "ellew .Nhui '
ami ijeld." JUchnrd Dix Is the lead -
ting man: Helen.' Chmlwicli ih lmlj In
' qije-itleu, and Hesemiiry Theby. the di
i tuibing eleiueiu. Kichnrd Tucker pln.vw '
a hert of goofy vllleii), with tortoise
shell nms nnd a derby, 'i'hu rims are
what make htm goofy, uccerdlng ty
popular picture theory, iimJ n derby i-,
a 'tine bign vi n vllluia. Irvin Wniai,
ii' ilinrtiir, us out in Uhj midst of thu
'.iii limiting locations umuiig the bil- '
lows.
jvi maiy Tucbj wuh nlieud) there.
lUmg rullltl)lUH)l en U l)R:i' m duck.
Mi'. ua (iilKiug In liazej Nnyler ii.lup
vni, h'j wi'iu-i lur the fun iiui-;n.iii''i.
Sl,f iiud lunif iluuu te de au luterview
nii llultfii" (.'liudwu'li, but whui thu
:"iiiid the lad.. m.i nut working Unit
Jin , she diji.'liJ'-d lleU te gu with lib.
1 ' ' ei t v noun h Hiiiuil unuy nppreuchvd
.10111 Ibe HUH dibtuiici. 'lliu i uiilei ul
if vas ltichanl Dii, escorting his
uellier, aud tha edgKit eiu property
ei'ja, I'lt" ii'icmiM huiI lebser ai-ler.
Every one liu heard nbuut "My
Aluili'i ' tiem ICicuurd, mid alter the
mtieihuti'ins, nubeil.v wuutedj te go
awaj. liul seineh'jw ev ether 1 ua
missed In thu general hew -de-de, nnd
at grumpily In u corner thinking thut
movies, locutions and bhips ueiu the
f . . . , , , in, nil ,. .
Bunker 11 II. Uieu-, Jle tpx pass.
fox iinu. hi7.sie .lenes -I that s m ,
unt jeuwmwt my ma. M uin s a
reBu,ar itirl. And eier thing was all
right again. Mra. Dix u, iii..t le- I
ni,J..I. .- .... ..!.. ..!' I. .. .i. ,....! 1
.uiuii. u .rjiu.i.r s.n. -""""""
in u uecK cuair. un r u coei uwning
she euje.wd very luinutu of the outing.
I 1 t,
if b thu lirbt time J ve nvt-r neen ""men. I ,elieVe, were -In the beat.
rnc( wilier, se im maKing 1.10 most eiUflb mlMl) ,0 savc two of them In
lt" , . ll.oetjnK them out in projectiles. They
RIOHAUl
go into
ICHAltD atked bin mother If she'd1
go Inte thn movies u stie were
bdventeen. "Oh, iudted, I weuld: 1
think thej'ru wonderful. I'd go te-'
muirew if nn one would have me. "
New Iiew'h thnt for "a regular girl .'
,ust about then they decided te take
neme pictures. I'm n. plain girl, and
plainly bpeaklng, liate te have my pic-
nire tiiken. Rut an you see. thev did.
.lust keep your eje en the lunch bexei.,
te tlie left, and en Richard, te the
right, and jeu won't mltid.
Then Irvin Willat, wue nau returned
from among the uuves, grabbed Ree
mary s feet, and i-Mck the rcs,t of her,
and there you are. Then they apolo
gized, and you plainly see she forgive
them.
Rosemary tells me she used te piny
nt the old Liibiii Studie in jour town,
in tock with Harry M.vers. She lived
at 1 lie Majestic Hetel.
had a funny c.spci ience with iev
tirt cm. wlil'h I get iiheut thai liiie
I ni'vii.is liml n 1111111 In drive for me,
lit eiiii lunv I iiiiildnt Iiud li 1 til ji.l
in the inuiiife i wunnd nun. e deeideil
te drive nijself. I'd never driven he
ron in my life, but 1 wanted te go
shopping right that minute. I get
downtown eventually then get kind
of confused among the gcuru nnd traffic.
I landed up en the sidewalk, within nn
inch of n hie tilata.irlass show win.
itjdew. I had ene of these gloomy girls
who are always sure the worst is about
te happen with me. Ncedlens te say,
I parked her right there. and took a tux I
SAILOR'S (MOVIE VARIETY) LIFE ON THE BOUNDING MAIN
ion Ludcnderff May
Re a Mevie Producer
H
l'i;0 STINNES i snld te be
fennding n tilni-ninniifiietiiring
mpunj in iicunnny wnn u cnpuni
if 1. "0.000. 000 murk, of which lie
- uppljins 'J.i.OOO.OOO himself. A
large hull i te be bought nnd trims,
formed Inlo n studio. Among the
Interested parties is said te h" Vun
hudenilerff. It is rumored that (he
object, of the company will be in.
tmsive prepngnndn for the monarch)
igninst the republic.
home. Thnt wns no time te emphnslze
i nlamity !"
hut Itesemnr.v hns a big black Pack
ard minister new. and I've never heard
(if tier negotiating with nuv plate. ghis
windows in E. A., nnywuy.
IN THE picture Itkhnrd is an iiutlmr
trying Ie sell a story se he uill linvc
ene igh money te inurry the gal. Tlie
tiling- that happen are really what he
Ami", hut you don't knew that until
the Inst. In n scene they tool; that
duy, he falls into the, bunds of the vll
Inint, who hltT him nnd threw him intu
the hay. .lust before the scene, one of
tin- property heys crept up te him nnd
whipered, "Say, Dick let me double
fur jmi. se's 1 can make t he extra ten."
Anil he did. but don't tell I told jeu.
The illnins leek him up in much the.
(.tit. i . It n I Dntflnmee te liutiillnil
r,mii; II 111 11 lll'l I IIIIL llii-'VllHii.l t " tiniiui"!
,)V Mr w ,,, nm, Mr uij. , lIl0 ,,,,..
Virfi , , ,,,, lnt0 thn ,ult,.r-
,yt bl,sidu th hhJp wl)lch ,s ln the
llu;Lgreun(W of the picture, divers were
,.,? ,,,.. , In ', ., .,. ,,:,.
. had sunk the nlzht before
--" .--.. .-. - -;
Snn Pedre,
i ;-- .u i.u.. ,. i. .,
is i vs. . i i in- I III 1111 n III 1 I' Mill i. ,
, ,lf ;h(, i.n,.in. ,., ls nnchered. Eleven
It
drew lets te sce who tney would lie, ami
two nettv elficers were, the lucky one.
' 1 heiieve inter It whs teunu tnnt only
1 two of the men had died, the ethers
living en the nlr system which these
beats have.
The ship we were en hns been used in
many pictures. Jt rents for $100 n
day, and nt thin price the skipper
Itlnew. in thrilling tales of the pirating
1 expeditions the beat had taken part in
I before she entered the movies. As 1 haul
I before, it was used in "Godless Men,"
and net a month nge Frank Maye used
1 it in -"iue niiuck .iasicr.
ml IE sea is Jinrd te work with. As
-L Mr. Willut said, "Wntcr is stronger .
than any mnn, and we cannot count!
en what it is going te de." During,
the making of "False Faces." In who Ii '
a submarine wan used, n wrung com
mand vvii-i given Ihe enptnin. He uli-'
mcrgi-d white two cninerns. and n gnmp
of pi eple wcie en deck. I'vcry eh" '
swiini invaj fieiu the hi!.'0'.' ui .1'
host he ce'iild, lint Mr. Willut, wlie
was the diiicter for ilmt piduii. tee.
hung en. ii ml mine up with Ihe ship
It iieurlv killed hliu. but he's that ort
of mnn. Very quiet, terse uud a demon
for work. I like him.
Well, we get henje a bedraggled let
of mevlers. The next dny the company
was leaving for a three-week stay at
Cetallna, te make a let of under-wnter
atuff. It meant mere early calls for
tnem every day thejfiwere there. And
true tnniK makine movies is a cincii 1
k Miss Thebyv , , t
! ' t ' "A UJUIIl
SAN FRANCISCO IS
"FAR NORTH" FOR
PICTURE COMPANIES
pa! three years the people
I'rancisee nud surrounding
of Snr
lenn have been making a centinunl
iitlenipt te induce some of the great
colony of picture producers and plnjers
of I.es Angeles te try their luck in
th northern locality. Companies fre
'Picntly go from l.es Angeles te Han
I'uincisi'e te sheet the decks and ship
ping locations, but none of the bigger
producers 1ms ever attempted te lerntc
l l.ere permanently until recently, when
a San I'rnncisce -financed organization
built a big. modern, cempleleij equipped
Mudie nt San Matee nnd Induced Max
Iruf. te move his organization from
i he Seuth and make his scene" in nnd
around San Francisce
Mehan Roswerth. the star of this
first Verthern-mnde production, is rnn-r
popular with the Snn I'rancisee film
fan-, and when it was announced that
the company stnrring him was nt work,
the .studio wn besieged by the curious.
S-ieral times, when the company was
en location, ndditinnnl police had te be
called te keep tin- crowd of sightseers
nwuy from the camern.
lNery assistance was offered Mr,
'irafjmd his director. Lambert llillyir,
net only by the city ami the Chamber
"f Commerce efliclnlly. but by bankers
and tradespeeple .v well.
The first Northern-made production
' an ndnptmlen from C. Cnrdner Sul
ivnn's story. "White Hand." Ros Res Ros
eorth i surrounded by n cast which in
clude Rebert M'-Kim. Eliner Fnlr.
Freeman Weed and Hn by Muriel.
Mr. Ornf has decided te produce sev-
' cinl mero stories in the North and will
lerll.v Iiavu another cemnimv nt werb
In San Ernii'-isce
He's Been a Hermit
trx
$m?ffa f
-"
HAIIHY MYEIIS
bnd te lie nn unshaven, disrepute
nblt-loeking person or ecenea In a
new' picture. Ilesultt JIarrj bad
te upend roost of his tliAj n bin
room till his director tefchim te
yamm: "
A -
mMmmJk
jmrnjUMMsmimfF
IS ??' s.iJt TWBBBBBBraJaV' t.
Thcc nccncn were taken dur
ing the filming of "Yellow Men
and Geld." The upper picture
shows Richard Dix and Helcne
Chadwick after a thrilling res
cue. The larger circle discloses
Dix and Rosemary Thrby "kid
ding," while Director Willat
watches. The ether circle shows
none ether than our eidn Cennie
Palmer, well disguised by sun
glasses; leeks as if Dix were
trying te tickle the lady. The
bottom pictyc shows Director
Willat looking things ever.
Pauline Packs a Real
Punch; Ask Leen Barry
"plAlCE stuff in the movies is n lliing
- of the past In Pauline Frederick's
picture.
During the filming of "The Lure of
lade" nt the R-C studies one of the
episodes made it necessary for Miss
Frederick te strike Leen Htirrv a sting
ing blew in the face.
"I'll try te make lt as gentle ns
possible," said Ml Frederick te Harry
before the scene started.
''Oh, don't mind me. lilt as hard
us you like." retorted Harry gallantly.
A few minutes later Mls Frederick.
carried away by the dramatic situntien,
Innileii her lull force square en Harry s
jnw.
He diepped ever backward, striking
his head en n table.
It was great enmera stuff, but hard
for Barry.
nioTeri.Avs
"VMOTrmATT
ty&fifa J early showing of the finest productions. Ask for the theatre
. company y J in veur locality ebtaininrr ninfiirnst trirmurh fim ei..
prAMteA
Pnwinnnn rV
vuuijuiiy ui
Alh-imliri ,2,h' Uerr'1 riuwiinliAi.QnAkT inj2 uiItAUn AVi:st i:
AinamDra s,at iMiiy at .-. r.vs w -" j. . .vatim-.-: .-mi mm -
Si,..e.,il I 1,1.1 In I irll II. Ilr M 1 1 1 e
The Affairs of Anatel"
TTlCTJlTNlV "Krankrc'.iil i "Ai'sshiiiy
S,.e'n Ciist III ( celt II. Il, .Mll''
"The Affairs of Anatel"
Tnnl I f - nieilf-cr. sth
li ULLW matim-i: tiMt.T
CONSTANCE TALMADGE
In "l.lsONH IN I.I.M
ARCADIA
OlinSTMT Hil. 16TII
10 A M te 11,15 r. M.
ETHEL CLAYTON
In "lir.WIMI"
TcTTlD I'HANKIIN A OIIIAHU AVE,
AO 1 Jt MATIN'KB BAMiT
ai.itxh ( sr in
"A Tale of Twe Worlds"
BALTIMORE,:1' cViV.t8
GLORIA SW ANSON
In "TUB dllKAT MIIMhM"
nckiNl 04Til" AND WnOOUM) AVB. '
Dtl.rNlN ' 'i iv' ' I'MI.V I
HOBART BOSWORTH '
Iii "iimnxn Tin: neon"
fS i I I V D I D P frond A Sucucliannn !
DLUli.DlrvU' i , U-, ,v uh. u
JACK PICKFORD
In "TMKMAN IUI If 1 i:VI'.HXTHINr;"
BROADWAY ft5"'Ml lVvT t'
LIONEL BARRYMORE
In "11IK (IKI.AT IIKVTI HU'
LAI I 1 vJL. in a r . ii is p. m.
PAULINE FREDERICK
in "TiinsTiMi or tiih i.isii-
TZ'rw --vKII A I t'1"- A Mnpteoeci Ave, I
CULUIN1AL. 30. 7 and n I'. M.
Nix'i''ul liml in i rrii ii. tie iuic
XU
The Affairs of Anatel"
DARBY "THEATRE
ELAINE HAMMERSTEIN
"I'Ollll DI.AI1 MAItdAltl'.T KIUIIV
tn
CMWIDDU'QQ MAIN 'sr' MVNAVINK
tlVlrlNCOe MATINlIi: DAILY
WILLIAM A. HllAnVS I'llUIIVCTION
"LIFE"
FAIRMOUNT sVrKli:r&
WANDA HAWLEY
In "lll.lt T.rnil.iVil'
i;'A1lI v"',"EA''ru,,:il"M,"kt H1
rMViiUci h . v ii .MiuMniir
VI I -STAIt CST in
"The Revenge of Tarzan"
C,Ti-I QT 'I UKATIllvV'llelciw HiHei
JOlrl J l. MATINI'.U UAILV
Sl'l'l IAL t'AKT In
"OUT OF THE DEPTHS"
FRANKFORD 4"5 W$$
Eugene O'Brien, 'Worlds Apart'
Al)l)ia HUKI'ltlBK VAOTIKVILLIC
C ORC W1 MAIIKKT BT.
CONSTANCENBINNEY
- 1W- :,"Hiicu;jLJ4iiiai.aujiK,
CONFESSIONS
OF A STAR N
As Told te
INEZ KLUMP'H
CIIAI'TBIl XTA'
"U:
NDKPKATEU" firmly established
me as a atar. Thnt happens ec-
cnRiennlly thnt one picture makes a
star. "The Miracle Mnn" Is the big.
example of that, of course both Hetty
Compson and Themas Mclghnn were ,
mndc by that, though they'd done geed
work before it was mntle. Dorethy (Sish .
really lilt her stride with her part ns
(he lltfle Disturber in "Hearts of the
World." And. of course, it. wns Iter
first picture made under Dc MHIch,
direction thnt made Gleria Swnneen.
I learned from outsiders that Mnl- i
celm Handy felt that I had dclibcrntely
uimilinted him In the eyc of Ills friend.
He had thought thnt the newspaper An
nouncement of our engagement would
clinch mntters, nnd thnt my nppeiirnnce
nt. "Undefeated" with him would be nil
thnt wns needed te mnkc neonle think ,
thnt we w(fre engnged. Se he set out
te get even with me.
I didn't mind his neglecting me for
Phyllis rnirchlld; I was rather glad
thnt he did. In fact. And I was work
ing se hnnl thej pushed my pictures
through ns fast ns they could, which
sometimes meant, working nil night ns
well ns all dny that 1 hadn't much
time te think nheut him.
Hut nftcr six months of that I be
gan te tee whnt he meant te de. I wn
established ns n money-maker uud I
had finished four picture, which were
all geed ones. Released ns specials,
they would last through the rest of the
time I wns under centnic te him. lie w.erk hnt ll0 wns cager te , .
could be rensennbly Mire thut I would renrsc. I wns enough of nn ald-timer
receive offers from ether producers when. t , n,iP tv lelp ,nii g0 We ?J
my centrnct wns up, nnd he he set out together ever the script of the'picture
dclibcrntely te kill me ns n money- we used te lunch nnd dine together nt a
mnking star. cheap little restnurnnt nenr the theatrs
Fer ene thing he cut down the amount one day n clumsy wnitcr spilled spa
of money nllettcd for my production. I ghettl nil ever our manuscript nnd as
Thnt would chenpen them, of course, i we'd mntle Important notes nil' ever it
He might linvc gene about il in another disaster M tired uh In (lie face, until we
way, n n producer i hiiuw iiiu bih-hj
wislieil te ruin n male stnr ur run-
iiing up tuc expenses et nis piciurcs se,
fet.t nm n t.lft, tint Vle II C liri'S
-'- "- "" ": ,v ,
.
,nv would be
s' tnenev f
I OUIIIIl L )Ulll,1 Ill.tlvl' I'lHMlll llllIll-. III
' meet tnem. rnen. you se.
te the owners of the cempat
that that star's pictures lest money for
, them nnd hew much chnnce would '
! there be of renewing the tnr' centrnct? I
Ann m i nun iiuiiiici I'HiuiK. riit'iii
little sets, while for Phyllis Fiiiichild
Ilnllnn gnrdens, with sunken peels nnd
gorgeous interiors were built. I re-
member one day when I had te ninke!mve something te He down en soint seint
threc Important Bcencs in n set that was , time nnd tried net te care I hid
supposed te represent n drawing room. I some pictures en mv dressing table a
which wns merely a bedge pedge gnth- , big ene of Derry. n photograph of Col
ored together from the property room. hcn. nnd a snapshot of the Gish girls
of furniture nnd walls that had been and Nerma and Constance Tnlmndgc
used in se tunny pictures that every fan i taken out in Les Angeles, with Lilllnn's
must have known them by heart. The, parrot, Jehn Gish, perched en the arm
wall paper wns the wrong color te sheet ; of her chnlr. Se the little room was
me ngnlnst. ns it wns se near the color homey nnd rnmfertnble, nnd that was
of my hnir thnt the silhouette wouldn't' nil that was necessary,
be eft"" . nnl the furniture wns j r waK K,ltti1B out lny frcnhe pMnt
horrible stun. nn( yellowish powder when some one
But en the next stage Phyllis lair- ' rapped en the deer, vehemently. 1 was
child was work tig in a rrstnurnut all dressed, se I shouted "Come:" nnd
scene, which would show in .mt n flash , ,' sjnlke.l my director. Jack Lewis,
en thescrnen. ct for it n perfect -dup-, j,lCif. was one of these delightfully
hente of one of New -erk s big dunce homely, red-huired (blips with n pen-
ciuDs liml been mull, protessienni mil-
,. ,i., ,.,. ,,. r.. ii. ,.,.
inv '
I' finally decided that I'd have te de!
something, nnd se. for my next picture.1
T worked en the set myself. The most
Important one was n living room, and '
ever that I simply slaved. I tried te
mnkc II leek ns I'd have liked the living .
room of mv home te leek if Deirv and,
I had been married. I made slip cover
for the best pieces of furniture thnt I
could get from the property room, uud'
1 get some material nt a ale at one ,
nf )l,e itennrtlnent slei-e nnd ln.i,n (l,
uarlingest rutll.v curtain. I inn
...r,,
s'"a
cushions and bought u geed-looking
desk set and worked for hours ever the
eiTumrcment of the furniture te get nn
effect i vc gieupitig that wouldn't inter
fere with the action.
M.v director wn n young chnn. just
out of college, who'd been working' fev
several months ns assistant directer:
he didn't knew n great deal nbeui Hie
IMIIII(II'IS
.1-1 .. .! -, nK....... I.n.l l.n
Mi-iuiia null viiivi iiiiich im.i U..H in- tnnt he wa samply sizzling,
gngei , nnd 200 extras, nt !.' a duy. at .m.i.. i .i :..i. i . j
......... i '.. .M .i ,i..,.,i, ....I.. ,.: "hnt de you think what de you
ale 'while IM ymV'an Mnlcel n e ndy ! ''nk-what de you think's happened?''
' ,.., ....,. ,.... ,. . , , lie stammered, tee excited te control
nensuited wiiu ner iiueciei- nun wusrcu i ,. ,, ..,.. ... , . ,. ...
The following thcatrea obtain their pictures
STANLEY Company of America, which is a
Awi...
xuiivii iuu.
III"". II. line's llriMii.i ,.f Tiulii
'MOTHER O' MINE"
GREAT NORTHERN !"?V .,:'!.'V
CHARLES RAY
I" "MU1' llt(l"
, IMPFRIAI 0UT" wai.m r st.
' ,1Vlt t'K,A,TftV;-i.,;5i' ' 7
I TOM MIX
tn "Tlir. NK.Hl IIOUsl.Mi.N
Lehigh Palace (J""""":ZuBu'l
IIAl III I'llll 111 i..
a Ml
enu
"The Princess of New Yerk"
LIBERTY imOA1 im.i mi-u'a'aV
i.iul,i i i MATii:r innv
''VVTI """" '' -vl i-sl In
I he Great Impersonation"
OVERBROOK m 'i Vr'.:.',l"D
LOUISE GLAUM
in "i.ur,Ti;u than t.ur-
PALACE ','", Jn!0b;r1 ""CKr
"The Affairs of Anatel"
PRINCESS
MA IK. I K
sf!fJI;'l,r,K,'7'r'ST,u:E'r
MAKI.IKHlTA'il.UTOv'.n0 '
"".? LIFE MARK"
REGENT :Vi'.K,'r T """ "uTir ,
ALLAN DWAS s I'ltiiln' i ' t'iiin ' Jl '
"THE SCOFFER" !
RIALTO n"BrMT5M i
ULAJKIA 5WANSON i
in
"TIM; l-.ULAT MIIMI.M'
I RUBY UAnCT T. HBUJW TTIl ""
10 A. ,f J;1B I', if.
l-UMliUY DAY
tibial in
LL OP UMILIIV l;.T ItF.u!
savoy ,s !mr,:--
uav'a imiBX; nuN""n
nin l VL,UIOJl'V
111 "IlHi fiAMK"
SHERWOOD Vy
"i-via liKtAMER
in "Mir
.l ll.TI-
STANLEY MV,t,;,',";
nil ii
l : i , p
111 lil.lll lie ..,,, l. " ' ' ' -u
HX " JL' "c'l'"
LfanrrnrniK rnmi Al. m i
- - -.w .l.UU
STANTON M'' ' V:-;. """
W,WAVir,S.,iK.',.,'V
it ' no it p
M.
OVER THE HILL
M
333 MARKET ?,TIlT TV?.
CONWAY TEARLE,Bl,M
in "Tin; rifiiiTKit"
VICTORIA V5Sp,?1'?ra
CHARLESAY,15PU
1 ".MMSIilEN'ANJJ I'lUixiS''
Isn't She Lucky?
1
Mrtmmmm.
'mKmMmmm.
mmsmt-.lmmmmmmmmmmmmmm.
mmlSM9mwSmmmmmmmmk
fmSmmWmmmW&mmmmmm
'mWmWmmmWtmmmmmmTimmmmmmX
' ' :.. ..;,:'.';-v(, 'M'l
i ; -v ix?t '3 ill
ix''..'.'.-;-' : fJsa
" m'v"';ymmmin
uaw i.,.iiBtrj'j
MlhDUED IIAUK1H
must hnve nchieved royalty or hav
lind It thrust upon her. She'a Tem
Meiglinn's lending woman in "A
Prince There Wns"
'uiiiikcii h cicnu up tile mess.
i Anil iiin i,n .ie,-
And then, the day we were te nn
lat living-room set. the thing hatv
pried tlinl litut l...nl-A .. 1 1. v
tna( i,vinc-roeni set. the thine harl-
no.,.l .!....... I. ..,'' ... l""S Dp-
i"" "" Ji"i- urehc my nearr.
1 .... ...... JH.-I. iiiunr lll lll'Hrr.
r'P' aV ,wn," ncllIcf ' "'? ,,n,-c
?JS 5 ?11!' .?"' 'J W P'e he'd
( J
' "u" ," , "caiiinuuy iiirnisiied with
ennnieled furniture nnd gay cretonne
curtnins, ami nn electric heater. Seme
of the furniture and (he heater had van-
isneu nnci gene te riiyllls FnirchllJ'H
room, but I replaced the departed elift"
lOllf-lle W'llll II cc.llell nn ul,v...K. 1... ,.
t ,,,.,. lenmer and I could sec nl n clnn.
iiimseii. v.ur set s uecn stolen .
Stelen!" I echoed, dumfeuuded.
"Vi'P. Phyllis FnlrchildV sheeting
,ll(,'' "" She i-nme m curly, saw I
","1 ril,v,;( "V'r 't'I1"ul ,c,r mnPJS?.K
u"' ","1 !' vc tnken n least. 10) feet
." IH" .'here alren.ly. I lint finishes lt
,,'"",; , , , ,, ,..., ,. ,
", i1"1- Mj '.liu' lnS little living room
"'"l'1!1 ""''."'."i" '" ll01- ln-tiire. and Jack
'"'' i'l'l have te wriunile something
xW"w.r. "J" " the property room . jujt
"'-v . "',1 ,)1,l.u:n "f furniture, and de
" "" .' "C lOlllll Willi It
i .-','i'i m.v uijiie-uii iiue a urawer
, ,i .,...! ....
I "I ......, I.- I..... .1
uiiii .--ii.ijii l,
"Where are jeu going?" demanded
.Inik. He told me afterward that if I
could have seen my own face I'd have
be"ti as frightened us he was
"Te talk te Malcolm Sandy," I an
swered, opening the deer. "This n
the end."
CONTIMED TOMORROW
i'iienut,.iN
through the
iriianintpp ''
H0T0PUYl,
. cemvamv r .
OTAXlHtCA
at mrer - ,r,nr,
, A' WEST CHESTER
RIALTO "l'l-AS .Mnrl.l'A.N In
IDLE HOUR M.xs-f.WrrVvVKS'n
. '"'mil (i l.illli' (lurn"
ffa 1 he NIXON-NIRDLINGER
. RFJ iUOMT :r m,,vs- .,...,
L,' V,V , T', ;r'' - ' .amKi"m.
. "' ir "'" " fis'll II. lie Ml lle
i Hh AFFAIRS OF ANATOL'
CEDAR
'-" ' "T.I'Ml wcvui)
.11) cinl n- 7 end 0 P. M.
WELCOME, CHILDREN
' COLISEUM "'"" ". !(! t eih
int. Ah FAIRS OF ANATOL'
JUMBO llMS r "iTuws.
.MARY MILES MINTER
U JOOMitaniijienkvs, , Klr...
LEADER ltiT I-ANl-AsTLlTAVKr
. LE AFpAIRS OF ANATOL'
LOCUST .""" AN" "".'JLlw"VritBkM
s.M'd.ri ',',"; ,1-3."' n,M- ';-i"' H.30I01I
'thc app JV,U"!L"' "" ,"''''
I HE AFFAIRS OF ANATOL'
NIXON
mm: ne.u
: AMi
MMlKl.r STS
4 '.t.'V 7 -i
Ml, l.tviwi.sTiisr In
"THE GOLDEN TRAIL"
RIVOLI ''" xV'7
-AN'.S'O.M HT3.
ELSIE FERGUSON
-. J'' XNI ''l"l'ANi; I.OVK"
STRAND UIHIMANTOWN AVK."
Swr"1 f'1"' ttVKA8??u$rl!t.
THE AFFAIDQ nr AMA-rni
THE AFFAIRS OF ANATOL'
AT OTHER THEATRES
MEMBERS-OF M.
I.P.T.O.A. I
Germailtevvn Mu' 'rmatiiuvn
"uuiiiuvvij MVris.BUAl
Av.
Hit
VIOLA DANA
I" ".I'l I'l'l.Ts III 'V.
T- -" 'l .. Av-vt. ---
JU i'l'. KMIN-" ' " 'iii.iii -
j'-t i j.ijvi ... .... ... i,.m,V
BETTY COMPSON
In "I'ltlMIMMts or LIML"
PARK lllH' AVn & DAll'lTuS 8T.
HOBART BOSWORTH
In Tliet. II, lur'. "CUT OK LIFI!"
KOMIBMBBI ki
WEST ALLEGHENY mM$3l
BRYANT WASHBURN ,
Ia "TUU UUAX) XU IA)HU0HU &
vtr