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FH? INTRODUCE "PENROty' TO YOU K
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CLOSE-UPS of the MOVIE GAME
By HENRY
Hew the Movies Can Sheiv
2JEVERAL renders hnve written in te thl pngp eiylng thnt they rile" net quite
,jM understand ft reference I made recently te the timing of the deuhle exposures
S Mary PIckferd' "Mttle Lord Fountlorey." They ,ik me, te explain the trii'k
Wpt having one person play two chnrncters in the ame prene and want te knew
jMbat timing ha te de with it anyway.
Cll, it s a pretty nig job te explain
Afferent methods, but they are all hned
Let us take, as an illustration, one
aya txre characters in thl- Ceiiric.
e 11 say the scene opens with Dearet
ter and enters. Dearest turns around
d says something like this, "Denret,
ys all make fun of nie." Dearest
rla when he was your age." And Cedric says, perhaps. "Oh, I wih I could
re seen him. '
Then Dearest turns te the desk, opens n drawer, takes out n plutegriiph nn i
nds it te Cedric. Cedric takes it,
ght about the curls.
Te understand the taklns of n scene
3fttle about the operation of a motion-picture
Cfcpmes in Ien? strips, aheut an Inch wide, and the erdinarv box used in t 'i
slhplds about four hundreil feet of it. On each side of this drip are holes m wl i
SU i wound from the box down into the -amem. passed in front of the leu wit
Ete aprecket wheels operating the shutter at the same time, and the film t r-,
JFjiaases up into another box, where it l rewound mi a spool reidj te be taken te
jjjthe dark room for development
2H Te operate this mechanism t'ie photographer continuously turns a crank a'
,Sthe aide or back of the camera, depending en the make. With the pirtieulnr mike
fftbat 1 have operated ue counted two turns of the crank te the feet of li'm - tM
3l ach turn ran six Inches of film pact the lens, the shutter making about si i
geipesurcs te six Inches Modern cameras have a cmitit ng attachment, Mi -.wing
Sjtte eiact footage that has been run through.
1 '
" J Itf 'f' "' Pr,Pnre '" ,nr ''"' ecnp or "Little Lord Tauntlerey '
B I " Everybody in have te kerp right en the job brain? there i some
s?i thinn important for eicrilwli te de and the sliahte't ihp-un m n detail
may ruin the whole take.
URST the director and Mary go en
se AS te ppt fhp iinflnn ami ltu feninn.
EThrn Kntisried witli that thr en threuirli
alJiwa them un and marks with n niece
5"hich they each must stand at the beginning and ending of everv spepch or action Vnlm idge's rasy and even diposi dipesi
SAnd they must find some way of indicating the precise hisht of the linnd above , tien ni d her willingness te please The
Vine noer wnen tne pnotegrnpn i handed hj nearest te eriric, for tins s the
Sifeest delicate part of the scene and if there is the slightest jump or tlii ker ns
'gtne picture is passed from one te the ether it would cause a laugh from an audi-
Ssfece of experts.
Incidentally, let me say that it was
ssly that the expert audience who first
c applause.
New, we're all ready te begin. Mary is going te play the part of Dearest
rat. All Dearest's action Is done en
mera man, with a piece of cardboard
the camera, exposes enl one-half of
jrfbla means that nothing that gees en en the right-hand side of the et iill be
'Sihotegraphed.
Si While Mary is playing Dearest the director or some one cle will go through
Jedric's part, and bping always en the right-hand side, the camera will net
itir him hnf rlll mi.ulAr Mnrv rmlr
Hi hti T nnct Tn,i hchlrifl th.i nmarn
m .w.. fjut-t J..U u ,,,u. i,,v vu.lllU
Ssjbewed ninety-eight feet Pe ninety -eight is our starting point.
3 The action begins. Dearest is at her desk and we "photograph some of it
jXhen Credic bursts in the deer, and I note the little counter and say te you
jjjCetl-ic in IIS," which you jet down en your pappr and which means, of
xurse, that the footage counter showed IIS at that particular moment.
5 Dearest hears him and smiles, and I say te jeu, 4,Dcaret smiles 131.
2Jedric smiles 130, Cedric siups le'2. starts speaking. "Dearest whv"- 15:i
SAeps speaking 179. Dearest speaks 1S2. steps 100, Cedric speaks 10
Rl " and se we go through the entire scene, Bill Smith, meanwhile, direct
S&gMary te the various chalk marks en the fleer following the notes he has made
Squring rehearsals.
Zi Then we step and get ready for the next job. Mary gees te htr dressing
czpem te change her costume and the camera man winds back the films te its orlg erlg
ilftal starting point fW. He changes his lens attachment or the cardboard te
Rluank out the tideTilready taken and expose for the right-hand side of the stage
3 J Then Mary comes bark te take the part of Cedric. and whoever i a. -ting
Ai the dummy with her gees through the part of Dearest ea the "dark" de of
gtjie set.
S i The notes apd figures that you have jetted down new guide the who!- action
;sfllary has te listen te three people all at once new and -till act her part Tie
MIracter is telling her hew te go through it. thev are instructing her iust when r .
3&Eln and when te step a speech or an action and Bill Smith i, wildly imploring
fter te move two inches te the right or left se as te get p'umb en one of hi i U.k
marks which she mustn't leek at herself because it would spoil the effect of her
ung en tne screen.
"3 A' se ' 'cAec tAirtff it jenp through irith nenin.
2 " through the developing and printing as quickly as j
morning ice all leek at the "rushes," as they are called, inth our Acai't
in our meuthi and our breath tcme. And no wonder. Likely as net ire
will find that wme one made a mistake of a feet or tire at the xtnrt nf
one of the takei and the whole thing i? badly out of time. Dearest
and Cedric mni be found te .ipeak at the tame instant or Cedric may
take the photeoraph before Dearest hands it te hnn for Cedric mai hare
heen four feet out of place when the picture was pancd. Only a lit'le
mittake of this sort and the whole thinq hat te he done all ei'er again.
2?e icender movie directors get gray before their time'
Answers te Questions by Mevie Fans
E8THER Pauline Frederick's new
Cture will be entitled "The Lure of
'de." The sterv for her picture was
gwritten especially for the star by Marien
-Orth.
S: J
5 ;XAURA Dorethy Bernard ha- nor
jjppeared en the screen for quite sems
rtfme. She is plaWng enp of the nrln-
rtlpal roles in "Personality," a stage
a . Ji Three Musketeers" She began hu
i, ' .ft . G. N. it H SMY1HE Anne Luther 'dieer as a tne dancer trued l tne Curren children.
f.:. $!
M ft g AS SINGERS, THESE FOUR ARE FINE SCREEN PLAYERS
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M. NEELY
Yeu Telling te Yourself
it, bcenue different ramern men hive
'n much the name principle
scene in "T.lttlc Lord rauntlerey " Mir
the little lc.nl and Dearest, his in tli
sitting at her dek ( uric lmrM In I'm
and smiles at him He apprnm lies her
vliv de 1 lmve te wear long eurh-' Tie
smiles sadly and avs "Venr fif'u' w
leek at it and says that makes it n 1
like this you must first undervtind
rnmera The film, ns you Un
the set and rehearse it half a dozen times.
nr sneeil ttii fhp utiv thpv unnf if
If nrniu .mil Rill Smith I we'll m I fel.
of chalk en the deer th. e.iet. f.:iet in
done in this particular case se fault-
saw it In New Yerk burst into thunder-
the left-hand side of the stage. Se the
or a special device attached te the lens
the film, leavinz the ether s'de untouched.
ti'ttl, a num... n A nnnlt v. J T ..i.U
"HW i'.HIfl UJ1IJ trilli Ullll 1 1llll
7 he Him m put
netnje. nnii t.e.rt
is nor mnn-.-pri Ti,t t,. .
.name. Pearl Whir.. U nn 1-,,. me-.
nor! Vm rn,w .!, e,,-j ,i:
verce from" Wallace'MeCutcheen. Mabel
Normand has neer ventured into mal-
' rimenv and Mabel Normand i-. the name
b whlcb "n" "a christened.
'
"LA l M. Marguerite ue ha Mett,
IMI1" l.i mil ill i iju.riniT in ;i,
Three Musketeers " She began llil
dieer as a tne lancr
Daily Mevie Magazine
NO WONDER
' QnMP das age we fold of Miss
nbeve vi , ties are illustrative Nerma
get up fmm a s-ic U bed te come te the
studio, but -lie wasn't tee sick te show
four distinguished guests from Brazil
aieund and explain some of her work
te them. As seen in the ti.p picture,
r.ading from left te right, they are
''PRODIGAL JUDGE"
IS FILMED
ON ST. LAWRENCE
I I i"V.S
PAKJE, playing the leading
.l
eminme role in "the rrediga!
the Vitagraph special produc
tion baed en the
KSSCvSCgJ
famous novel b
Vaug'ian Kester .
Edward Jec, the
dirci t,.r the cam
eramen and nearly
ill ,f the east nie
at Cedars a small
Canad an t. wn en
the St Laurence
It lv e r. inhabited
l
ntireiv bv French
Canadians'.
T'ie party num
hers mure than
forty, at.d will re
main "nn loca
tion" for about
two weeks Then
the entire torn tern
p a n v, augmented
by several ether
members of the
cast and a score or
mere extra p'jjers.
gees te location en
the Miss is 1 1 p i
Rner for the bull,
'.it &
yirr.mwt TTI ?tfl
Jean Paige
of the i x'er.nr scenes In the special
product i i
(Vd.ns i.s ni ated at the beginning of
tie i ipi'i- in j,-,n? the smiie uaui( ,ind
said l i he the most dangerous en tlie
St I.iwienie The rier at that point
Is hut i;im fnet wide and about seen
feft di'p The rapids extend for some
distani e, w.th an exceedingly fast and
din gereus furrent Threugli the rapids
i'i pas- a Mississippi type of keel beat
and a two. cabin inft. exact reunter-I'lii-
of the craft used en the liver
in I sir., as described-in the story.
The taking of the scenes will be no
c.uld s plav : in fact, separate ca"ualtv
insurance has been placed en etch of
the acers taking the risk.
Family of Seven In Film
A pepul ar clrpumstance in the cast
rf flu Prodigal Judge, ' Vitagraph's
s, ec.nl production, based en the novel
In Vb igrin Kestei . is that seven
i Ml.iis of the cast belong te the same
i i" ' Thev are Mrs May Curren
a- I .i six i hildren Mrs Cuiren ap-riir-
is Mm. Hicks, and the six lit-i!-'
C endishes of ilie stetj are por per
trueil h tne Curren children.
J-.dg
NORMA IS SO UNIVERSALLY LOVED
Lieutenant Paule Penido, Tnrma,
Helle Lobe, Brazilian Censul General;
Admiral Conrnrie Heck and Nicente '
Abillne, of the Brazilian Consulate. I
The ether pictuie, taken en the same
day, shows n scene in "Smilin
Through," which had te be retaken
many times. Yet Nerma never com- (
plained and nlwnys yielded te Director
l'ranklin's wishes. i
CONFESSIONS
OF A STAR
As Told te
INEZ KLUMPH
THE STORY HEOINS
ll"ifi the early days in the old
fine Arts studio in California when
Colleen Moere, the Gish girls, Bessie
Leve and a host of ethers were net .
kimcA mere than extra girls, Diana
Cheyne tells hew she and her chum, ,
Isabel Tleath, sat lonesemely around
the studio until Phil Craney, the
famous director, chose Isabel te be
the first of the screen's "baby
vamps." They are seen together a
great deal, and a scandal is created '
by the diiecter's wife. Derry li'm- j
Chester, a friend of Diana's, is
called en te help, and Isabel tiies te '
"romp" him. Then Isabel an
nounces she is te be starred in the
East by a Paul Harkham. Derr-i
gees te Trance with the aviation
eeips and Diana meets Keith Gor Ger
ham, who stravqely attracts her.
On the eve of a lemantic runaway
marriage, Keith is kilhd in an auto
mobile accident.
NOW GO ON WITH THE STORY
CAPTER XXXVI
THE moment 1 saw Malcolm Sandy
standing there, staring down at us, I
shrank back into one corner of the
wide couch. Following my glance,
Stanley Quentin looked up at the bal bal
eem and saw him, tee I was cold
with fright, and my heart seemed te
turn ever and ever, and flutter ns a
frightened bird does when you held
it in jour hand.
But Quentin wasn't at all disturbed.
"f course, Sandv meant nothing te
him; as he'd told rae, he tolerated all
the ethers just because be wanted te
knew me.
"Helle. Sandy." he called genially.
"Won't you romp down and help me
out' I'm trying te persuade this little
girl te marry rae. but she can't seem
te make up her mind."
The audacity of It made me mere
frightened than ever. Fer Malcolm
Sandv had been a dictator for se long
that I knew hew furious he'd be at
t'ie thought that any one was encroach -ing
en his niesencs. te nut It verv
baldly. But, of course, Quentin didn't
knew that Sandv cared anything about
me. or at least, I didn't suppose he
did In fact, I hardlv realized it mj
self; I'd never thought of such a thing
until Derry Winchester put it into m;
head Even then it seemed conceited
and ridiculous that n man like htm
could care anything about me.
"Diana can't fall in love till I give
her my permission te de se," Sandy
told him. as he came down and took
up his stand en the hearth rug, with
his back te the blazing legs "And she
won't get that for a long, long time."
'Perhaps her heart won't wait for
von te saj 'Sheet!' " Quentin laughed,
lighting a cigarette and glancing at me
quizzically through the smoke. I knew
that he was sizlns up the situation in
his quiet, shrewd way, and eh. hew I
hoped that, if ever things came te a
crisis between Malcolm Sandy and me,
I'd he able te count en Stanley Quen
tin te help me! I felt se alone and
helpless. , ,
"Perhaps net, arawiea eanay, in
reply te that last remark. "Better
run along te bed new, Di ; we're get
ting up early in the morning, te make
thee. re-takes. I want te hurry this
tuff threiiirh new and get bavk te
. Tum, TTn(t.h!ll iT.il) Vp rpnrlv
n kAni .r.ii-1 nf nnep. fihp told tne
when I called her this afternoon.
I went up te my room gladly; it was
such a refuge, se quiet and peaceful,
and far removed from the tawdrincsj
of the world I lived in. I wished I could
sta in it forever.
Malcolm Sandy did hurry the rest
of our scenes, and wa started back te
town fully three days earlier than we'd
expected te. I ceuldn t tell whether
Sandv did It en purpose, because Stan
ley Quentin bad bean se nice te me;
of co irse, bavins Miss Fairchild ready
te begin work us seen as he get back
was a bis inducement te hasten bach bach
te New Yerk. But I wondered if the'
whs his only reason for hurrying
'I he n, ght before we were te leave I
went te my room early, te pack.
And when I finished, net being at all
sleepy, I bundled up in my big beaver
coat and went eat en the balcony that
can wound-this put&ide ei he house 1I
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wanted te stand there and leek out
ever the valley, und up at the great
hills, and at the stars thnt glimmered
se whitely in the frosty sky. Intuition
told me that things wouldn't be any tee
easy for me when I get back te town,
and I wanted a few moments, of perfect
pence te take with me.
It was there that Stanley Quentin
mine te me. He was at my side before
I lealized it; net until bin deep voice
said, "Duma," very softly, and his
hand rested for a moment ever mine as
it lay en the tailing, did I tealize that
ne was tlieic.
"Diunn eh, little girl, jeu knew the
things I want te say te you," he ex
claimed. And then he picked up my
hand in both his and kied the linger
tips, each one, und turned it ever and
pressed his lips te the palm of tt. I
felt ns if he had laid his iiaud en my
heait.
"Heney dear. I love you," he said
te me then, nnd the words made me se
hnppv that I wanted te sing aloud. I
hadn't forgotten Duty, I knew that
he would always be the one man in my
life, yet te have this man who hud seen
the w'erld, who was se tar lemevtd from
the cheapness in which I lived, care for
me n was se wonderful that I seemed
te be lifted out of myself.
"Don't say any mere te me. net just
yet." I begged him. "I lust eh, I
can't bear te hnve you ! Be. aiise 1 don't
wnn' te care for you, I'm net free te.
There's somebody else whom I love."
"Somebody else?" he lepeated, al
most as if lie were daed. ' Net eh,
Diana, it isn't Sandy?"
I didn't answer in weids but the
revulsion of feeling that swept ever me
was se keen that m expression must
have told him what he wnntul tu knew.
"Yeu won't let me go out of your life,
dear, even though there is .some one else,
will you?" he asked, then. "And pcr
hki' if there ever is n chance for nie.
you'll let me come te you, won't you?"
1 nodded, nnd turned away without
speaking te him again. I wanted se
mm h te give him the answer that he
wanted nnd feel mvself snfe m his arms.
Suddenly I felt that I never wanted te
fa.'e , camera ngain as long as I lived
Life with him would he se ipilet nnd
nnppv and comfortable When I rend
that girls wdie have Iwcn en the stage
and In pictures all ihejr 'ives have mar
ried wealth men and left the screen,
and settled down. 1 knew him hew they
teel. And then, when the fascinntien of
it alls them back, and thev come, as
Millie. King, and Mrs. Castle, and se
many ethers have come well, I under
stand that, tee.
But I lay awake for a long time that
night, wondering what lay in store for
me, nnd wondering, tee, if I'd made a
great mistake In letting my feeling for
Derry nnd my loyalty te Malcom sanuy
stand between me and the happiness J
might have known as Stanley Qucntln's
wife.
Te Be Continued Tomorrow
Little Charlie Eaten Is
en Stage and Screen Beth
LITTLE CHARLES EATON has
heen leaned te Vitagraph by the
Zlegfeld Follies of New Yerk, In which
he has nn important role. As he Is tee
valuable te bp snared entirely, he Is te
work in the davtlme for the screen and
at nmht for the stage.
lie will assume the role of Hannibal
in "The 1'iedigal Judge," a Vitagraph
special pioductlen. As the lovable lit
tie boy aieund whom the fortune i of
all the characters in the play center
he has a most attractive part in this
big production, founded en Vaughan
Hester's famous novel
JFcsley Berry Has an
Alligator for a Pet;
Has Named It "Pcnred"
tt A LLIGATORS are just like movie
, stars; It takes music te get the
best work out of 'cm."
Se says Wesley Harry, freckled here
of Marshall Neilan pictures, who Is
nothing if net practical.
Several months age Wesley purchased
nn alligator in Flerida. The 'gnter
swam nil the way from Fleridn te Les
Angeles In the washbasin of n Pull
man, thus achieving a record for long leng
dlstnnce swimming.
"Alligators will work If you knew
hew te go about It." says Wesley. "It
takes reed music te put them in the
frame, of mind where work is net loe
offensive, but if you give 'em the right
tunc they will help you put your lawn
provided you don't cut their tall off
in doing It."
Wesley has named his pet Penrod. in
honor of his Wesley's newest film,
produced by Marshall N'ellnn. If his
frecklcship has his wnj "Penrod" will
have nn Important part in that picture.
Make Comedy en Farm
"Fresh Frem the Farm' is the lat
est of the new Christie Comedies. Most
of the laughs in this comedy, which fea
tures Bebby Vernen, hnve their origin
among the cows nnd chickens. But the
only chicken in the picture that is net
of the feathered variety is the farmer's
daughter, played by Jesephine Hill, who
also played opposite Veinen In "Pure
and Simple." recently completed at the
Christie studio.
I'HOTOI'I.AYSI
PHOTlHLAYr
ySnu "v eifliMJDi Kjviuijauy cu. inic-i lea, wmcui is ii guarantee ei
"t&iaaZetj, early showing of the finest productions. Ask for the theatre
sJrVSLj in your locality obtaining pictures through the Stanley
company "x
Alknmkri ,:,h Merris Pisun! A
AlnamDra r,t iaiint2 evss is & u
rr-s. rnltv
TOM MIX
In
"Tin; m(,iit iienssnMVV"
ALLcvjHtlNI Mat. n,iv jr. v vj t S
r rs I IPMlf lrarlfn
ITanUterd & A'lesheny,
s - , ia I. IMin . i , r
BETTY COMPSON
In "AT THE i:I OI' Till' KI I)"
AdYm I f 6-D THOMI'min .-TS.
ftrULLU vTisr.r tUbY
WILLIAM S. HART
in -riir. ivmsTi.r. '
ADAniA CHESTNUT Dfl 10TH
AKL.AL'IA ie a m te n n r. m.
MARGUERITE CLARK
in .( liVMILLLL'LJ '-v'
ACTHD FRANKLIN & rurtAUD AVE.
A3 1 Jt M VTINEB DAILY
DAVID POttKI.I. and SPECIAL CAM In
"THE MYSTERY ROAD"
DA1TI MOR F ..f'lT.T A "A':I.l""J?
Bert Lytell, "The Misleading Lady"
n Kiujijj.nvijin. "i de;1
nrMM filTH AND WOODLAND AVE
DWID Pliwril und SIT.tlM sT In
"THE MYSTERY ROAD"
BROADWAY DT' V,TrrA m
RAOll. VAIMI mid l'l IAL sl In
"THE OATH"
7SV MARKET RT
L.AI 1 HJL. in A M1 " II 15 P. M
MAY MacAVOY
in -j:2Un tii in(t ion sm.iv
COLONIAL i,nn Ar r?"
DOROTHY PHILLIPS
ln ..m,nVOMAX MAItniAdl."
DARBY THEATRE
ALICE BRADY
In "01 T HI' THE IIORl""
naIDDCGC MA'-V ST. MA.N'AYUNK
EMrKLOS MATINKL DAILV
CnMIIPIII ITAV's IMllMllfrillN
"THE WILD GOOSE"
rIRMOUNY-.N-VAlS
EUGENE O'BRIEN
In WOULDS APART"
PAMIII V THEATRE 1311 MARKET
rAlVllL.1 8AM Til VI r. NIGHT
LOTTIE PICKFORD
In "THEV hllAI.I. PA"
CLT-IJI CT THEATRE Relew Spruce
JO 1 IT 3 1 . MT!N-rr i.mi.v
CLARA KIMBALL YOUNG
111 "l llA!tlir i l
FRANKFORD
4715 lTiANKFORD
AVI NI I
Louise Glaum, "Greater than Leve"
vim Minitir,r. .ivi.rn Kn tin. r
cnv bwi MAnicCT bt
VIOLA DANA " t0 "
in "ueius exuirr"
"Wcr" Barry has a new
pet, a sure cnoueh'gator,
which he has named .HI
"Penrod," in honor of
Ms new picture. vM8
WILL ROGERS STEPS
INTO THE BREACH
AT LASKY STUDIO
Uy CONSTANCE PALMER
Hollywood, Calif.
REMEMBER the long nrticlc en this
page nbeut nennie SCeidmnu, Mis
Pickford's business mnuagci'? Well,
new thnt .miss
PIckferd is going
te Europe and has
temporarily sus
pended production,
w e've all been
wntehing out of
the corner of the
eye for the fate of
little Bennie. On
the last Eure,"Mii
trln he chaperoned
and publicitied
mostly the latter.
Put the PIckferd -Fairbanks
party
'Id net include the
Zeldman n a m p.
Bennie had pre-
.....v ilUnnnnni.nrT
Ciillcn Landis
from existence
But new word comes that he's been
what de you think? making a tillum
yclept "My Wandering Bey." Won
der If he means anything by that?
I'nllcn T.nnrllfi in flip lpnilini' innii .Titst
why the astute Mr. Zeldman sees lit
' te keep his production such n dnik
I secret must be one of his own eriglnnl
' ideas However, what does it matter?"
I TTERE
fERE'S
something that ought te
. J--L interest you :
signed a contract
i Lnsky's fillums.
1 Mere than that.
Will Rogers has
te play for Mr.
lie has been ns
signed Rescoe Ar
buckle's story, di di
tecter and east, all
of which hnve been
standing around,
waiting for some
thing te happen.
They start tomor temor tomer
iow. As formerly
planned, Llla Lee
will be leading
woman of the
piece. Clarence
Burten also has
an important part.
Perhaps you
knew by this time
Will Rogers
that Brynnt Washburn has signed te
piny the lead opposite Ethel Kay in
"Hungry Hearts," which Goldwyn will
shortly produce.
Apropos of absolutely nothing at all.
T'm nlways inclined te hide a skeptical
smirk in the sleeve when it is an
nounced that a stur is leaving a Idg,
powerful company te "produce inde
pendently." Peihaps. But Just notice
that the majority, after an tvperi
- i
riiOTeri at;
The following theatres obtain their pictures
err vtt ttV vr,,,. e A ,..: ...u:..i. . ..
ninenua.
IHRAMT " OlrtArtD AT
VjI riN 1 v,,. - v,
171 IVirv I fKlnrM M
In "Till; INNER VOH I"
GREAT NORTHERN $?Wu'i.Ei'
.. IM Ml IIMIIN's
"THE JOURNEY'S END"
IMPFR1AI "111 4 WALNIT STS
CHARLES RAY
in '&( KAP IHON'
I ehicrri Palnrf Ocrmanienn Ave. and
ieuigu i diace LmiBh Avnu
liimidE 1KI.KI11!)S I'llOIiu Hen
ine ureat Impersonation
LIBERTY uyLr" AV-
VUll.l.IIU IlinDI.N anil'siHilil Ca.t In
"FALSE WOMEN"
OVERBROOK 03D il 6
EM.tV A"I VBMUM NI-ILV.N'S
M.I. TK ( AT In
"WOMAN IN HIS HOUSE"
BUCK JONES
in "xTnAK.IIT I ROM jnii s,lmi i DFR"
REGENT sur CVlr"
DOUGLAS MacLEAN
In "'"MNdJIIll "
RIALTO EWANrOV "ATEMJa
"THE MYSTERY ROAD" '
RURY n'-r hTiiELevfu
- - llli I nt1.Kt.
dumd peht:,.,. 'd.V,M.l
The Princess of New Yerk'
i V ;.V. ' li f M
in
SAVOY
yjii maiikct HTiiE'irf
CHARLES RAY
x jii in m ' miiT
in '"sfitxp ineN" '
SHERWOOD p- 2"njjjv?JS '
Hobart Boswerlh, "The Cup'ef'Life"
IIVRIHH MOID In "1 nn
STANLEY "A" at;tottt at;tettt
THOMAS MEIGHAN '" "
in "I V HU US'
STANTON SU1 V Lr ,,'7
"OVER THE HILL"
333 MARKET fVOT
The Great Impersonation"
V K ( ) A ".'' ' ' ' ' Illll
M M I I l ,(
. JTii.tr. V .' ... n M
L.IUJNK.L UAKKYMORE
In IMI 1 III Pi i i v
AT WEST C! TESTER
RIALTO a. uivrea
IDLE HOUR eIr"lj'EvK,4(RKK
4,
, MfWMW
ih r rfTT iJWUirifi
l V 7WX9Z .''?yiHrK'iMi
Wf VLJWB
of wilHk.
Rupert Hughes Has
2000 Rejection Slips
YOt'Nfr authors who have beceme
tee familiar with rejection slips
should take ceurnge from the
pramplp of Rupert Hughes, who
can new sell everything he writes at
tremendous prices. But 'twas net
nhvnjs se.
When Mr. Hughes was a fledgling
he determined te keep all his rejec
tion slips se he could show them te
editern nfter he beenme famous.
"I kept this up until I had some
thing like 2000," said the author,
"then It became necessary either te
move out onto the fire escape or te
threw the slips nwny. I decided ea
the latter course."
mental lapse of time, cither return te
the'r first sponsors, in n lesser capacity
than formerly, or else are signed by
. mother niie fat, dependable, snfe eor eer eor
p.irutlen. There are also one or two
dHecters who will bear watching. Jmt
nbeut time for them te be "Induced,
as n fuM.r, te accept so-nnd-se's at
tractive offer." Peer dears! There's
a Ficnch phrase they should usp as a
motto. Something about being "brave,
yet cautious."
Dorethy Dalten is te be Rudelph
Valentine's lending woman in Geerge
Melferd's pioductlen of "Moren of the
Lady Letty." Miss Dalten is an a tress
of some fire and magnetism, still her
producers are wise te place her In all
star productions of magnitude rather
than te star her individually in program
pictures that are scarcely mere expen
sive than the film en which they arc
printed. "Behind Masks" was a ter
rible thing.
J'iela Dana's Parents
Give Her Inspiration
VIOLA DANA finds having her
parents watching her at work
malting pictures in the Metre studies
in Hollywood. Calif., a continual in
spiration te better endeavor, for. ac
cording te Miss Dana, as her most ar
dent admirers they nre intenselv inter
ested in every part she plays and usually
have a let of geed suggestions
"They have as geed n werklaj
knowledge of the business as many who
have spent their lives in the profes
sion." declares Miss Dana. With three
daughters starring en the srieen they
hae pictures for breakfast, dl'iner and
supper. Miss- Dana's sisters are Shirley
Masen and Edna Flugrath. Miss Flu
sruth has been wet king in pic tures in
England.
Miss Dann is at present filming
"Glass. Houses."
I'linrnrr.ws
through the
i
tfNyrhe N1XON-NIRDL1NGER
PJ THEATRES
BEL MONT 82D ADOVK MARKET
PAULINE FREDERICK
in "ROAD-, or iiiriM
CEDAR C0TH & CEDAR .UE.SXJB
Gleria Swanson and Milten Silli
' "nn. Giii:r jieMLNf
COLISEUM Markt h ' '" n M
W1W 1 1(1 .ml - 7 and 9
Nerma Talinadge & Eugene O'Brien
i "ini: Minn
JUMBO
FRONT ST. & CIUARD AVB.
J lUtrrt Junt t,n Pr.r.11., 'T.'
TOM MOORE
ln ""Oil) 101 It HOUSES"
LEADER ilST & LA.NTVSTDR AVK.
.... .rr MXTINEi; DAILY
RltllARI) llimiriMIs nn, mJ CmI
EXPERIENCE"
LOCUSTm'''-0 an'd 1 ST "s rR:ET
Ralph Ince in "Wet Geld"
CJifHtrr Cemrdi. "nriil.3 Hiu,. V,la,
NIXON :-D IA K": J "
Reopens Men., Oct! 10
RIVOLI '-'" AV,J sn--.m sTs '
ts... M-isr -,ULT
DOUGLAS MacLEAN
In "ONi: A MIMT1."
STRAND ERMVN-TOWV AVn.
I ? Mpiwev inrt si-i:riM f st in
' Tlie Truth Aheut Husbands"
mUTm-nrnm i i
AT OTHER THEATRES "
MEMBERS OF M. P. T. e. A.
Germantown rsVi' fAZnrrcu?,
Art.
LT
umf'-.,AiViiyNiiIr,XM,' r',',l"' '"r",v
PILGRIMS OF THE NIGHT"
JEFFERSON" slfsr " f
ALICE BRADY
in i ii m i ini'
PARK ' ".'r UI ni'ur'T
MARY MH.ES MINTF R '
llllN
I
II I
VEST ALLEGHK.Y:
. ill
ILQJ.'IVfl i,lii; , , kn il v 10
"THE BRONZE BELL"
yjH0fIPUYjV
r iUi j-TMr,u
v ecuPAxv y J
llfc W Wm IMedy at-th studio. This quartett, Informally gathered between seenes, may be identified as fellows; Frem
-a i t jr .Bk,, Itft-te tljLtr-JluiWulbiilV yiehv Daaa. Jeha Jlewera and Alice Lake
A'Wf:1 f i
mm iiiiiiii --' ?n,i -- ' . . . i
i
J.
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