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14
EVENING PUBLIC LEDGER PHILADELPHIA, THURSDAY, SEPTE&BER " 29, 1921
HI
CLOSE-UPS of the MOVIE GAME
Ily IIENKY
Three Cats and Three Mice Can Cost a Let of Meney
ONE tiny last week I wnlkeil into tbc eflice of a man In the publicity depart
ment of one of tlie film companies In New Yerk. I found him sorting ever
a blc pile of photograph.
"Helle." he niil. "I'm just looking for n picture that made me think
of you. Itcmember the trouble we bad te meke these mice run up Johnny
HIncs' trousers nud the eat run aftrr them?"
I told him I remembered it very distinctly. "Well." he said, "it ought
te be interesting te jour readers te knew hew much these cats nnd mice cost
its that day. I haven't figured it out, but it must have been well ever a
thousand dollars."
He was referring te an incident that occurred while they were filming
"Terehy n la Carte." one of the series of Torchy comedies in which Johnny
Bines has made such n success. In this particular story, Torchy gets a vaca
tion and spends it operating a lunch cart se as te meke some money.
In one town, he wins n great reputation for the delicious doughnuts he
cooks and a eciety wemnu, who is planning a party, thinks it will be a dis
tinct novelty te liuve him bring bis lunch cart and make doughnuts for her
guests.
Se the film shown Torchy mingling with the aristocracy and ene of the
laughs called for by the scenario was te have a mouse run out from somewhere,
chased by, a cat, seek refuge up Torchy's trouser leg and then have the cat dash
Inte the picture and try te get up the trouser leg. tee.
When they were casting the picture, they had te find some one who had a
cat and a mouse guaranteed te carry out their parts in the performance Can
you imagine what a job the casting" directors aud property men have when they
arc expected te knew at n moment's notice where they can get such thiugs as
trained cats and mice? That's just what is expected of 'em, though
AXD thrrc actually uas comparatively Utile difficulty m finding what
they thought they uantett in liit caic. They had en their files the name
of a young iremrni who did vaudeiillc and entertainment acts with
three common or aartlrn randy mice and thrrc rats ictth no pedigrees
and net even one gcnciatten bcticccn the backyard fence and themselves.
WITH the assurance that these animals were pet feet ly trained, the director
figured that he could sheet that particular scene in n few minutes and then
go en with the rest of the ilnv's work. He he ordered the whole company te
report in the morning and lie put the animal act en first se as te get it ncr with
and net keep the salarj list working while the people weren't.
But I've alread told jeu hew unexpectedly temperamental animals some
times get when the camera begins te grind Hemember the story printed here
some time age of the long day they spent at nctzwoed getting a mule te pull the
Toonerville trolley car just a few feet (low n the track?
The supposedly trained cats and mice engaged for this Torchy episode get
suddenly very much prima denna en tins day. The girl who owned them came
out from a dressing room carrv ing a round pasteboard box. much like the boxes
Mme actercttes carrj their make-up in. The three cats followed her with bored
' expreiens en their faces and they xquatted near her chair and closed their
eyes as though they considered it the right time and place te take a nap.
They went through the rehearsal ence with the girl figuring out the best
way te make one of the mice run up nines' trouser leg. Then fche tried it, first
with one niecce, then with another and then with nil the meece together. But
the meece wouldn't. It seemed that all the people standing around watching
jxrturbed them, which is a slang wav of saying that they made the act all wet
After about two hours of this she did manage te get one of the tiny crit
ters te de the trousers stunt in pretty geed shape .se then she turned her atten
tion te the cats Frem then en the camera man had te grind out expensive
celluloid en every try because there was no way of telling which one would be a
success and they couldn't afford te miss it if it did happen right. '
But the cats simply acted bored te death. Being in a movie studio, they
immediately adopted the movie actor's attitude nnd pretended they couldn't
possibly step nnywhere but the Ritz, and they wouldn't think of taking a com
mon taxleab for fear of getting things en 'em nnd all that.
Besides, why should they chase these three little meece up Johnny Hines'
trouser leg? They were perfectly geed friends with the meece had known 'em
for years been brought up with 'cm, in fnct. And who was this Hines person,
anyway? Did his people knew their people?
By the time the cats began te assume a bla9e half interest In the work
the mice were tired of it and wouldn't act. And se cverjbedy had te wait and
give 'cm a chance te regain their equilibrium, which is a colloquialism meaning
second wind. And then it was lunch time.
After lunch they tried it again, but both cats and mice seemed te have for
gotten what they had been taught during the forenoon session. And all the
expensive actor people just steed around and waited, with every tick of the
clock meaning mere dollars dropping out of the company treasury.
'THEY tried that stunt for seventeen solid hours and didn't get it.
Until, sometime after midnight, the old studio cat saved the day for
them. One of the mice started diffidently en his icay te Hines' trouser
leg. The studio cat wandered in, saw him and made one wild spring for
him. And the mouse, having already learned that the trouser leg was
a place of concealment, made a terrified dive for it with the cat right en
his heels. And the cat didn't de any mere acting. lie wantid that
meme and he clawed and scratched, with Johnny Hines yelling bloody
murder and the director imploring him net te quit that tha action teas
simply great and the camera man cranking away just as though noth
ing unusual were happening, which is a way camera nun have. Se,
tchen you see "Torchy a la Carte" and laugh ever this scene, yen will
enjoy it mere, knowing that the acting of the studio cat is the real
thing and net merely a weik of clever aitistry.
FOR YOUR SCRAPBOOK OF STARS
K
".. .
OLADYS
-
Answers te Questions by Mevie Fans
LILYAN Dere Davidsen plajcd the ,
nthur in "Humeiesdue." Abuer Grey
In "A Midnight Bell" and an important
role in the stage play "RoIIe'h Wild
Oat." He was en the speaking stage
for many jenrs before his appcaruinc
e& the screen.
MAO Knthljn William played the
Fairy Godmother in "Feibidden Fruit."
Julia Fnjc was the First I.ady-in-Wailing
in the same production.
MOLLY MAKE RELIEVE-Madge
Bellamy's hinge expcrleucu included
engagement!! In "Peg n' My Heart." in
rttwU 111 Mllnllviitinn nml wltl, AVII.
JiMnv, Glllette In "DC Brutus." Bhe
.,i,.vr.te.,aT-dea thfc'tttaca-and. theHicKr.ivutu'iaunun
("Cie
St. NEKLY
; .;
Vl
:, " .
v-"rf -
.. -
T , f s
WALTON
Pauper" when Mr. Ince saw her and
gne her a part supporting Hobart Bes
worth. She is u Southern girl, the
daughter of a college professor in Texas.
NELIi Shannen Day was the vamp
in "Man, Weman, Marriage." Pre
vious te her appearance in this picture
she was a Ziegfeld Follies girl.
GLEN Gasten Glass is the godson
of Sarah Bernhardt He plavcd an im
portant rele in "IIiiineresfiie " Jean
Puige Is inurrlcd te Albert Smith.
YAMADA In "Sud" Mary Pick-
ford plays, Uie part e
Amanda At-
Daily Mevie Magazine
'POLLY" FREDERICK MATCHES HER EMOTIONS BY HER GOWNS IN THIS FILM
CONFESSIONS
OF A STAR
As Told te
INEZ KLUMPH
THE STORY BEGINS
Wtth the carlu daui in the
Fine Arts studio in California when
Colleen Jfoere, the Gish girls, Hesste
Leve and a host of ethers uerc net
much mej-c than eitra girls, Diana
Cheyn'j tells hew she and her chum,
Isabel Heath, sat loncsemely around
the studio until P,tl Craney, the
famous director, chose Isabel te be
the first of the screen's "baby
vamps." They arc seen together a
great deal, and a scandal is created
by the director's wife. Derry Win
Chester, a friend of Diana's, is
called en te help, and Isabel tries te
"vamp" him. Then Isabel an
nounces she is te ba started in the
East ly a Paul Markham. Derry
gees te France with the aviation
corps and Diana meets Keith Oer
ham, who strangely attracts her.
On" the eve of a romantie runaway
marriage, Keith is killed in an auto
mobile accident.
AND HEBE IT CONTINUES
CHAPTER XXXIII
TSABI:l:" I gasped.
1 "Yes, it's I. Thank heaven, I rec
ognized you there at the station ; you've
saved my life, Di." She was trying te
speak with her old nonchalance, but I
could see that she was trembling, nnd
she locked the deer of the compartment
before she sank down in the scat across I
from me I
"Did jeu notice our little party at
Poughkcepsie?" she asked, taking out a
geld cigarette case with her monogram
done en it in rubies and diamonds nnd
offering it te me. "Well, you might1
as well knew the truth about that. Fact S':nS' B,,euW htnc c0,ne t0 black-
is, Di, the authorities are after us , "Where jeu going, Di?" she asked
that man at the station and me be- n, after a moment.
cause they heaid that u 'snow' party1, I lel(1 hur. t exactly liking the way
- -III li I. a.rn.i lull I mi ... nniinli.l iiIh nu
i was given at my apartment in -e'ibhe listened
Yerk the ether night. It wasn't at "Well day, DI, let inc go along with
I all; it was given at well, never mind J011, won't jeu? I've heard about you
I where They've get the goods en u, ' J-J' .Zl
though, and we get away, we theuglit, 'didn't ou; that is. jeu didn't marry
land then were traced, and " ilnm. That's a nice waj te Mall being
"Isabel:" I c-Nclaimed. "Surely veu '" levt wltu ll l10,101' llU' 1)cr1)'. but
,,., . .i -, i i hanging right en te the golden geese
haven t come down te this. Opium par- jtll0t ,n8 . gMm t,gg J14f thp M1,T,e!"
ties why, Is. I can't belleve it." , He that was what people were say-
Yt looking at her, noting the change
in 1 cr pretty face, aid the way "4ie
acted, I knew that she was telling me
the tmth. At that time "snow" par- '
i ties were net se common among nieWe
f"lk as they are bald te be new, and,
cen new I'm sure that the Hteries one i
ueurs ei ineiu nre Kreaiu cxaKiferatm.
Te be sure, a friend of mine wrote nic the hheui,itir. -Rut listen te me new.
u wiiile age about a party which she i-rhey'U wlie ahead and have this train
heard bad been given in Hollywood, ..hed. when they realue that I've
.' T'!",,1,le f,cr,,c?r' l"u'rL' slipped away en it. H.-l,, me out, won't
was a flunken peel filled with chain- i J, D, f -,hc bake of lM timcsV IIen.
pagne, which men painted like Nubian ,stIy thls tblng ns.t Iuv fnilIt. itIn
-law- ilnpt.il up in great golden pitch- . hnu ,, , . ,, , ,lreralse
ers whlle opium and cocaine wen- tlmt j.,j Ktrall;ht from ew .'
passed te the guests But biia wu- ..j ,Ien.t ht,0 what j , ,, but vn
telling what she had heard, net what tn. j nnsw(.lcd. I was thinking that
she had aeen ami I'd rather thmk ..,,,,, tJmes.. mPnnt tlle dllJS whcn ,,hu
that such tilings den t actually hai.pen ,,Hlk I)lirr. nnnv flem Iue Uld jnily
ej.., i , among these who have made m.i-h Hmv nav frem'his wlfc.
mere men.y in mu h les time than anj i ..-lA.t ,',, bc ,()tlr heCrutliry, or presa
of the moilen-pictuie people I knew. i t or s0iik thing." she tel.l me has-
I m up ngulnst it, though. Di, .en,tlh, ..(iet UI1J ma;P up 10lcv Hew
I if they dldn t get me," Isabel went onnbellt wjKsV All right-give 'em te
n row TniniitPR lntnp mum rn.ilt. . , . i .. n " "
- . ., .s. iLivj t,""l'6 "t
Iiruiuai. ieu see, 1 well, I'm
broke ; played the stock market and lest
ever thing, except these." Aud sli
opened her handbag and dumped into
my lap a heap of bracelets and rings
that glimmered and gleamed likn im
prisoned sunlight. "That's what stands
between me and starvation. I'd still
be all right, but my apartment was
broken into day before yeoterdaj I
pnened down today nnd the maid told
me, I guess that's hew the dlwk of
whi're we were linked out; they must
have traced the call.
"Any way, I had an ace in the hole
down there, if it hadn't been stolen
Liidently that's what the house was
brektn into for. I keep a card Index,
jeu knew even the cards that came te
me in boxes of Hew era, I keep. Ecrv
telegram, every llttle note anj thing
that might be evidence. And I had some
notes thern, and a cablegram that well,
I was holding them for twenty thousand,
and I'd have get it, tee, if I'd en)y
had tune te stick 'em Inte a afetv de-
.... fc IV ... T ,1 ..
posit dex neiere i nail te light nut "
I just tat mere and stared at her
. .. . --..---..
in U1IIU41-III11II.. .i iiiiuu mm isauei.ter a
jji'iiiu, iuv &'( i.iiu ii piiuii-ii my urcss
ing room In tl
e old days at Fine Arfjr,
fum.jees--fiu
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Hi
ing about me, was n .' Mv ejes filled
with het tears of indignation
"If you think things like tlint about
me jeu can leae this room at once,
and never frpeak te me again," I told
her, angrily. "I'm net that kind of a
girl at all, and if jeu think "
Oh. all right. Di I understand,"
.i .i i,i ......
mn
And hastily, milking her skin a warm
cream color with grease paint and pow
der, ln-tu.nl of u deathly white; touch
ing her cheeks and lips with rouge,
darkening her light brews ami lashes,
and finally putting en the dark wig that
I wero in part of my picture," she made
herself an entirely different looking girl.
Just In time, tee. Fer she had
hardly finished when Mine one ham
mered en the deer, n moment after our
train had slewed down jerkily at a stn stn
tien where it wasn't supposed te step,
and Malcolm Snndv called te me
"Diana, open the deer, please!"
Te Be Continued Tomorrow
Slew Camera for Film
Slew -motion
nlioteiminh.v has been
nnnlled te scenes
'.h in Viela Dunn's next
picture, "Glass Houses." Se fur as is
known, this is the first tlme that the
slew -motion device bus been utilized In
the straicht narrative of a story in
1I1IILII111 IliL'lllll'l
.!.. ..i,....
Jlie director, uarry
Beaumont, had recourse te this device
Russian dance, in which Miss
Dana's movements were se rapid that
the regulation camera failed te record.
ftienvjnutaDJjk.
WHITE ELEPHANT IS
PROBLEM IN
NEW DE MILLE FILM
rpHERE'S no such thing ns n white
-I- elephant.
Se sajs Mrs. Florence Median, fa
mous expert en things Oriental.
The discussion arose when Mrs. Mee
hnn wns aiding Cecil B. De Mllle in
his delineation of Siamese scenes for
his latest picture, "Feels' Paradise."
Seme one suggested thnt the Siamese
sacred white elephants should be part of
the parade.
"I hnve one for you," said the ex
pert and she had led forward a huge
beast which, te the unpractlced eye,
looked just like a regular gray elephant.
"That's net white," baid the on
lookers. "Tliis elephant," replied Mrs. Mee
han. "is a white elephant, according
te Siamese standards. You'll notice It
hns an albino eye, very unusual in an
elephant and white spots en the ears.
That's what makes it 'white' and
therefore snered in the ejes of the
Siamese The King of Slam has twelve
of them in his royal stables, and tliej
are mere carefully tended than the
uverage millionaire baby."
But these who expect te sec a huge
white shape loom up when white ele
phants are mentioned nre deemed te
disappointment. Fer, strictly and ac
curately speaking, there is no such thing
as n white elephant.
The "wh te elephant" which Mr. De
Mille uses in "Feels' Paradise" is used
for a coleiful street scene sheeting
across an inlet of water te a tremen
dous Oriental temple, n reproduction
of Wet Chang and Aknger Wat, two of
the architectural wonders of the Orient.
Slam and all its Orinetal splendor
Is balanced in "Feels' Paradlce" with
the less elaborate life of an oil town
en the Mexican border. The beauty of
Mildred 1 Inn Is blooms in one while
Dorethy Dalten is the epiees of the
ether. The man in the cast Is Cenrad
Nngel, while Theodere Kosloff, the
famous Russian dancer, has a very col cel col
oiful Mexican interpretation.
"Feels' Parndise'' is by Beuleh Marie
DIx and Sada Cowan. It was sug
gested bj "The Laurels and the Lady,"
by Leenard Merrick.
Send te Faraway Biskra
far Valentine' s Costume
JNf
N ORDER te obtain n costume that
eulil tie absolutely correct in every
particular, te be worn by Rudelph
Valentine, featured with Agnes Ajres
In "The Sheik," the Cnited States was
combed and ce.stiimurs were asked te
submit designs. Nene seemed te fill the
bill and finally a cable was sent te the
American Consulate nt Alexandria with
a lequest te buy a costume in Biskra.
As a result n few weeks before the
production of the picture was started
by Geerge Melferd n costume arrived.
When seen en the screen It will, it is
clniined justify the effort, for it Is
elaborate and effective. The nccouter ncceuter
ments, in thf shnpe of long sword,
nlstuls nnd ether thiuus that went with
it, caused the entire, outfit te weigh
liheut fertv nmiml. VnlenHnn rtiw.1nrJ.il
he was tired averv nlnltt- an much from
wearing jae coatumiaajfjem.tttlna. .JJffcA-"Xira gkeax advektckci
SMiMH tf."C ik, . V
Pelly" Frederick Wears
Seme Stunning Getvns
in Her Newest Picture
ABOVE arc scenes from Miss
Frederick's comedy feature of the
Seuth Seas, "The Lure of Jade.." In
It she wears some of the most gorgeous
gowns imaginable.
In the circle nre Miss Frederick nnd
Leen Barry in the Sea Gull Inn en a
distant isle.
In the lower left-hand corner Miss
l .uuviiLi, 1? ncvu 111 tl ruuu ui iiiiiuillKU
red silk with sash hangings of brilliant
I1 n 1 ft i Air In wi l n tal a J1m h !hm
green beads. Three ropes of beads
ivory, amber and dark red cnclrcle her
neck.
In the lower right-hand picture the
star has en a costume of bilk madras
with n (lower design In rainbow hues.
With this costume she is wealing n rope
of hand-carved cbenv and ivory beads,
a necklace of rare geld, a pendant of
green jnde, a bracelet of black onyx
with turquoise drops anil nnethpr of
chased silver. Miss Frederick designed
this costume herself.
In the upper right-hand picture she
has n gown of gray silk chiffon, splashed
with flowers in shades of amber, rose
nnd brown. This she also designed.
Each costume will typify the mood
of the wearer nt the moment, thus in
creasing the effect of audacity, anger,
grief and ether emotions.
Get Neiv Name for Film
"Keen Off the Grass" is the screen
title selected by Bayard Vclllur for Bert
Lvtell's forthcoming photoplay of the
nrlze rim based lltien
ize ring based upon "The Jliglit 'ilmt
Failed," bv J. P. Mnrquand.
Virginia
Valll will be leading woman.
riitrrnrLAYN
'rMOTWUtr
COMPANY "
erAMtnieA
A1U,U 12th. Merrlii A Fnasyunlt Ave.
AlnamDra Mat. nniy t 2: Kvrs. 0;.45 & 0
WILMAMHOVS I'UOIltCTlON
"WET GOLD"
AtlCrUENV rronkferd & Allegheny
ALLCvjliillN I .Mat. Dally 2:11!: Kv. at 8
HICHAM II411TIIKI.MKJ8 In
"EXPERIENCE"
A Dl I f &2D 4 THOMPSON BTS.
ArULLU MATINI3IJ DAIL.Y
Mabel Tnlliifrrrn In Mr Jnmjs .'iKy,8 "
"SENTIMENTAL TOMMY"
ADfAniA CllKbTNUT He!. 10TII
AKCA1J1A ki A. M. te 11.15 P. M.
BERT LYTELL
In "T1IK MAN WHO"
A CTHD FHA.NHL1N UlllAHD AVE.
AO 1 UK MATINKE DAILY
"THE BRANDING IRON"
b A I TIMnDC f'ST UALriMOIlB
BAL 1 lMUKt.r.VK 0. HAT MAT
"THE WILD GOOSE'
BROADWAY BrB Hdr! &
KATHERINE MacDONALD
In "MY I.AHY'8 I.ATCHKKY"
n A DITm 72a MAKKKT HT.
LAlllUL ie v te n -in " m.
CONSTANCE TALMADGE
In "MAMMA'S AITAll!"
Qtn Mnplewoed Avee.
LAJLAjmML4 sail 7 nnn 0 P M.
CONSTANCE TALMADGE
In "MAMMA'H AFVAin"
DARBY THEATRE
CLARA KIMBALL YOUNG
In "C'HAUflK IT"
CMDDCCC MAIN HT , MANAYUNK
hlvlrKheD MATtNnr daily
CONSTANCE TALMADGE
In "TUP. PKItKKCT WOMAN"
FAIRMOUNT 'VikriVr
nEOINAM IIAIIKKU'S VIinm'CTION
"THE OLD NEST"
H'a 1V1II V'THEATHE 1311 Market HL
TAMIL. I HAM TO MIDN'IGIIT
EDITH ROBERTS
In "(H'lSXEn B1H'(TTKKS"
cTenjCT THKATHE llelnw HpniM
DO 1 M Ol. MATINEl" DAIt.Y
Jack Hexie in "Cytlene Blias"
"OINnKHKM.A." ennrtnl liy Hlds
FRANKFORD 4m fW&f0lw
"Ged's Country nnd the Law"
Hi'iti'nisK vai dp.vii.i.i:
pi OBE em MA1"V;. bT'. .
, VJl-V-fDE 2J1II .nil rt.se t. 11
UONEL BARRYMORE
WILL MAKE SERIAL
OF THIP WHICH
COST STOWELL LIFE
By CONSTAk'CI PALMER
Hollywood, Calif.
REMEMBER a story that ran en
this page about a month age about
the ill-fated expedition te Africa of
the Universal Smithsonian Institution
expedition? The fame expedition en
which William Stewcll. that fine ncter
who used te play with Uoretny l'himps
in her Universal-Jewel pictures, died?
Well, they've made it into n serial, nnd
Eileen Sedgwick is te play the lead. It's
te bc called "The Clutch of the Oc
topus" which is a terrible title, I
think. But Eileen's a nice girl who
plnys her Westerns in a vigorous, earn
est manner thnt is deserving of better
things.
Bert Lytcll Is working In a big coun
try club garden party set thnt is re
markably realistic. It is built in nmeng
the dust of the Metre back let nnd the
grass is laid down by the yard. (That
sounds like a pun, dears, but I plead
net guilty.)
Vlrglnln Valli, of the sweet and de
mure manner, is again Mr. LytclPs
leading woman. She is a pleasant,
quiet sort of girl, entirely feminine. The
sort of girl who waves her hand nbeut
her bungalow nnd says, "We took down
nil the pictures nnd moved out tnc litr litr
niture because it was terrible, nnd I
hope I work in a new picjure seen"
and is very pleased and happy nbeut
it nil.
Miss Jey, whom Mr. De Mllle has
signed up for Jiis new picture, sends
nut n frantic entreaty te note, ploase,
Mr. Editor, that her first name Is
spelled with an L nnd net with a B.
Being "Lentrice," which is pretty nnd
Just like her.
SITTING en the shoe-shining stand
at Lasky's today I .saw a sight for
the gods. Mr. De Mille hove into view.
Cecil, I mean. Then in single file four
respectful paces apart, stepping softly,
n string of disciples, breathlessly, gently,
reverently. And he stepped, right in
front of the stand. They nil stepped.
He turned te his two art directors,
who were next in line, nnd stnrtcd
speech. Breathing ceased. He a get
ting rendy for his new picture, called
"Saturday Night."
Ah. well, we laugh, net loudly you
understand; but we wouldn't miss one
el his plctqrcs for the world. And I'm
sure it no would deign te have me m
his trnin I'd step just ns softly nnd
breathe just ns spasmodically ns the
test, lies that sort of man.
Frank Maye Is out en the ocean
making the sea scenes for "Dr. Jim,"
the tttDry which wns written for htm
by Priscllln Dean's director, Stuart
Pnten. Claire Windser, the beautiful
and non cempus mentis, is his lending
woman.
W;
AROLD LLOYD is a most versatile
newest accomplishment te come te the
notice of an astet.ishcd public is his
knowledge of slclght-ef-linnd tricks.
Fifty of 'em. He's teaching about
forty-eight te Mark Jenes, who is n
juggler in Mr. Lloyd's new picture, "A
Suilor-made Man."
He's having a harem in the picture.
I hope it's rlp-rearingly funny, for
that sort of thing somehow doesn't go
with Hareld Lloyd in the minds of his
fans, I find. But I suppose he knew,
ns I've never known him te miss a
Mire-fire idea in the way of laughs.
Why docs Charlie Chaplin go Lurop Lurep
ing just new? Get my point, dears?
U. S. Company Tours
France With Circus
JOHN S. ROBERTSON has brought
his company bnck te Londen from
France where scenes hnve been shot
for "Love's Boemernng" with the
Cirque Pindcr.
The picture folk much enjoyed their
two weeks' nsocintien wit.li the circus
people, following up the big tent outfit
ns it moved from place te place. Un
forgettable for most of them were the
dajs spent at the little old-world town
ship of Caudcbec-en-Cnux, where the
inhabitants vied with each ether te give
the first moving-picture cempnny they
hnd ever had in their midst a hearty
welcome nnd n plensant time.
Ann Ferrest, who appears in the
role of Perpctun, is enthusiastic about
her first intimate glimpses of circus
life nnd circus people, and will tell by
the hour of "Belle," the big elephant,
who wns her chief "support" and who,
according te her accounts, must be the
most intelligent animal of her species.
moTerijiYH
The following theatres obtain their pictures through the
STANLEY Company of America, which is a guarantee of
early showing of the finest productions. Ask for the theatre
in your locality obtaining pictures through the Stanley
Company of America.
fDANT'0" GIRAnD AVE Mat Sat.
, sJ1-1N 1 Overture. "Alila" iVerdl)
KCV mrWCsXT
JACK PICKFORD
In "Jl'HT Ot'T OF rOMJCOB"
GREAT NORTHERN 2 Wri'M
itr.uiNAi.n iiAitnr.it'K rnnm'CTieN
"THE OLD NEST"
IMPrVRIAF CUTH-i. WALNUT BT3.
11V1I lr.l-l M o.ae. Ksxu 70
ItKGlNAI.D IIAIIKICII'S ritOUL't'TION
"THE OLD NEST"
LpMrrK Pnl-i- Germantetvn Ave and
uenign raiace ihigh Avenue
JACKIE COOGAN
In "PECK S UAH HOY"
I IRFRTY BROAD i COLUMBIA AV.
L-.1UU.IX 1 1 MATINni! DAILY
BEBE DANIELS
In "ONE WILD HKK.K"
OVERBROOK 03uIAnaD
GLORIA SWANJ50N
In "THE IIKBAT MOMENT"
PAI APF lal4 MAHKET STHEET
I AAlA.I-4 10 A. M te 11 15 V, M.
"THE SKY PILOT"
PRINCFSSe1'18 MAIlKKr STHBBT
i IMlilVLJs ae A Jr u p
COHI.ISH PAI.MEH"
"THE ETERNAL TWO"
REGENT MAKKT BT ifel 1TTH
lL,VJUl 1 Ml a M te 11 V M
BERT LYTELL
In ''THE pniNTlCHH OF NEW 10UK"
RIAI TO aanitANTOWN avenu
V Ttt dttulpkheckkn BT.
.....A.Lr'-5TAn rAHT In
"THE BRONZE BELL"
RURY MAKBr T. I1ELOW 7Tli
COMEDY DAY
AU!gIJIl'L.JP M'Erivi, fi: vti'iiks
SAVOY l'U AKLT SITIIEET
ur-v v yy i h a m te MlDViniiT I
WllirMAv iirvvvTT.Li ..!.. .l!J....i.'.' ' I
"The Truth About Husbands"
SHERWOObVS'Ti
KATHERINE MacDONALD
In "Ml I.XIH 'N I.ITCIIHEV"
STANLEY MA '"':' -Mn7ili
.Tahiti. J.'.A M B " " p m.
NORMA TALMADGE
'" "X'I, JHL'' e j;iie neon"
333 MARKET WfBV7VOT
ELSIE FERGUSON
n "MltlTI.'dinS"
VICTORIA llA'L'i f. ..ufiT
v iv-1 vjii- u A, M , ,, w-
DUSTIN FARNUM
in "jun rnuiAi, laav"
She Docs 'Em Beth
i
AJ4'..,''-'' ihVHD
CONSTANCE BINNEY
Who hns been busy this fall fiittlnf
'm tlw'oetlfohta of Broadway te
v.w ,...b..Bte Hl U1U ucaiart studlej
GARRY SEES STARS
AT OPENINGS
OF N. Y. SHOWS '
By HELEN KLUMPH
miIE eldest story in the motion-
J- picture business." Garry an
nounced with that air of authority that
nlvvnys convinces people that she is of
Leis Wcbcr-llke importance at least,
"Is thnt raotien-plcturo stars have te
stay nt home nights and rest."
"And they de," I added. "L0u
at Lillian Gish."
Garry glared nt mc. "I might hart
known that you'd pick out the ene
exception. Whnt I was going te say
when you interrupted mc," and h
glared nt mc ns though she wouldn't
think of doing such n thing, "was that
all the motlen-picturo stars seem te
be chronic first-nighters. A glnnte at
nnv first-night nudience leeks like
Who's Who in Filmdom.
"Of course, it's been wonderful hay-
ing Mary Plckferd and Douglas Fair
banks in New Yerk. They've livened
up many a dull shnwj merely by ap
pearing in n box. One night the cast
of the play didn't knew they were
there, and made the fatal mistake e(
thinking that the applause was for
them. '
"Then Gleria Swanson has graced
several shows with her presence. Dor Der Dor
othy Gish nnd her husband, Jnmej
Rcnnic, were nt the opening of
'Swords,' nnd Irene Castle was the
cynosure of nil eyes nt the revival of
'The Merry Widow.' And that reminds
me thnt the new Merry Widow hat
isn't going te be n space grabber like
the old ones. It's going te bc like these
darling toques Mrs. Castle wears in
pictures sometimes. Peggy Ileyt, who
designs most of Mrs. Castle's hats,
designed the ones for the show and
that's hew jthe resemblance comes in. ,
TJUT if you'll allow mc te live after
-D making n pun, I'll tell jeu that
Irene Castle is ene of the most design
ing women I knew. She net only de
rlgns the prettiest things she hns her
self, but often, when a friend drops
in te see her, she can't resist making
n sketch of the kind of hat or gown the
ft lend ought te wear te appear at ber
best
"That's one thing about Irene; she
can afford te be prodigal with the se
crets of her charm. Let any one else
de the snmc things Bhe does and they
fall flat.
"She's all well again from the Injury
she get in her last picture and about
te start en another. And, eh! what
thrills she's storing up for her friends.
Yeu knew, she insists thnt she can't
act. She told me the ether day that
te give the public their money's worth
she wns going te try te lenrn a let of
new stunts horseback riding, swim
ming nnd the like te de in each new
picture. Has any ene else her ambi
tion?" "Ne." I admitted thoughtfully. "But
if she s any mero long-winded than
you nre, I miss my guess."
riiuTerrWB
AT WEST CHESTER
RLAI TO THUS. II. INCH'S
.uni i w TIIK IIR0N2n nELIM
IDLE HOUR "" J,0zT'ntr.
iTtlrTh. NIXON-NIRDLINGERl
U THEATRES U
RF1 MONT R'iD aeve junKCT
E.L-,IV1V-1N i 1-30 and ft 30 te 11 T. M.
WILLIAM S. HART
In "O'MALLKY OF THE MOUNTED"
CEDAR
OOTH & CEDAIt AVEKUB
1 80 and 7 and 0 F. IS-
MAY McAVOY
In "AM'MVATi: bt'ANDAI."
coliseum v:i,TAT9
BETTY COMPSON
In
"AT THE KNI OF THE MOULD"
TI IMRH ftient bt. & eihahd avb.
jyJHlUJ JumlK, Junc. en FranMerd "V
AMHTAK CA1T In
"THE CONCERT"
I F Anrn ist lancastek avb.
LLAULK MATINEE DAILY
MADGE KENNEDY
In "THE HIGHEST IIIUDER"
I flPI IQT 020 AND LOCUST STREETS
UVJlUOl Mala. lrSO. 3.30 Evga O.SO te
Elsie Fergusen in "Footlights
Added CeinedT "SPM.KHH HPNPA" -
RIVOLI "D AND HAiE8ET!,Aiu
BERT LYTELL
In "THE MIHr.K-tniNfl LADY"
3 1 KAINIJ T VENANOO MTREEf
f.mi- - nwnrKinvlVK'
AVE.
DOUGLAS MacLEAN
In "PABSINO THKC"
AT OTHER THEATRES
MEMBERS OF M.PT.O.A.
G. 6S10 Clormantewn J
ermantewn matinee daily
IIE(IINAM) IIAIIKKK'H P"2Jii'.C
"THE OLDNEST
JEFFERSON m&T
CONSTANCE BINNEY
In "THE MAllir ITI"' ,
PARK fAVi,.Atefi ,
WANDA HAWLEY
In "THE HNOir
WEST ALLEGHENY "XuTvw
MAK I M A flAn J' "--. id
V COMMNr f J
-OTAMtlPP
An U18 BIWXICKR'B ?.
H T'A-tTR'f.n'j '"V -' T .
"iSL'-laOtw
Ji , S "'
3. " .' - . CT- T