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CLdSE-UPS of the
By HENRY
The Fairbanks Twins Are Uncanny, They're So Much Alike
r!" MARY IMCKFORD hnd only been one of thf Kulrbnriks Twins, nil that
elaborate and complicated doublo exposure would hnvc been unnecessary In
making "Little Lord Fauntleroy." One of the twin could have played Cedric
and the other Dearest and straight shooting would have gotten the sum" cfTect :
I net or saw anything like the resemblance between these two kids. It's
positively uncanny. I run Into them in tho Cosmopolitan Studios in New
Tork last week while they were finishing their work in "The Remit? Shop"
and I still shiver when I think of it. much as though I had come from n
spiritualistic seance and had seen a girl and her ghost nt the same time.
And I'm really up Hgainst n graver problem than that. 1 fell head over
heels In love with one of them, and. if they wcro to walk into my office right
now, I couldn't for the life of me tell which one of them it is 1 am in love
with. Can you imagine anything more disconcerting than that?
We've all seen twins who bore remarkable resemblance to each other,
of course. And the theme hns been used In fiction and on the stage Innumerable
times. Madge Kennedy's show, which is here now. is built on it, and the
author vry cleverl gets around the problem of having botb characters on tho
atage at the same time. Rut If lied had the rnlrbnnks twins In lis cast he
wouldn't have had that trouble He could bring either one of 'om on the tage
t any time and safely offer the night's gross receipts to any ono who could
tell which one it was. Hut, of course, no one would be allowed two guesses.
THERE isn't any exaggeration in this itatemtnt of their weird lesem
blance. People who hai e been working wtth thnn day after day m
the Cosmopolitan plant couldn't tell which was which up to the day
they finished work. It uni rim rumored around there that tho kids
have to irear name-taps when they go to bed so that they themselves
won't be mixed in thetr own ihViiIiim when they get up m the morning.
I STOOD just off the big set for "The Reauty Shop. " talking to a friend when
I saw a very prettv little girl standing near us. "Who Is the peach?" I
aiked. "That's Miss Fairbanks." he replied and he Introduced me.
A Uttlo later another man took me up and introduced me to Miss Fair
banks. "Ob," I said airily. "I ve met Miss Fairbanks." Rut she ahook her
head with smile. "No." she caid. "It must have been my sister."
But I'm one of tose guys who thinks ho knows it all so I proceeded to get
very upstage because she had forgotten me so soon. And Just then her sister
came up to her and stood beside her .
"Now," said the oniyl bad been talking to. "which one of us did you meet?"
I looked 'em over for about five minutes with my mouth wide open Uko Boob
McNutt. And then weaklly I said, "Durned If I know." And I didn't.
For about ten minutes I stood talking to them and studied them almost
microscopically. And I thought I noticed that Marlon's chin was just a trifle
more pointed than Madeline's. "Aha I" I thought. "I can spot you now."
Then Marion was called to work on the set and Madeline remained with me
for half an hour that fatal half hour In which I completely lost my old heart
to her. And having fallen In love with her I was sure that the mystery of their
Identities would no longer be a mystery to me.
Later on, at I was about to leave, I saw her off to one side and went up
to say my fond farewell.
"Good-by, Miss Madeline," I said. "Til see you when your show comes to
Philadelphia." She shook hands nicely. "Good-by," she said "only I'm not
Madeline; I'm Marlon."
Now I ask you, could anything be more maddening?
I think it must hare been with the Fairbanks twins In mind that one of
those writer chaps composed the piece entitled "Bow happy could I be with
either were t'other dear charmer away." Anyhow, be said something when he
wrote It.
rHE twins wouldn't 1ell me. how old they wore. Bui they did say
that they icent on the. stags when they were eight. And later they
said they had been on the stage ten years. So you can get out your
adding machine and your slide rules and juggle some numbers and arrive
at a conolusion.
TREY have been with "Two Little Girls in Blue" In New Tork since last
April. It closed a few weeks ago and they started rehearsals for the road
show with two changes in the cast, but meanwhile, they had signed up with
Cosmopolitan for this big picture with Raymond Hitchcock and Billy Van and
Tim Corbett and Laurence Wheat and a host of other stage stars.
They've been working double ever since pictures In the daytime and
theatre at night and they rather surprised me by saying that pictures aren't
work; they're just play. But theydon't like them as well as the otage. They
want the footlights and the applause and the constant insptralon that comes
from an audience.
But tbey did admit that there was one phaso of picture-making that would
soon get to be the hardest kind of work if they did it day after day. That Is
the wearying succession of waits between shots, without knowing when they will
be called on the set, without knowing what It's all about, without being able
to do anything definite meantime for fear of being needed in front of the camera
any moment.
And while they're wultlng they have, to be Introduced to old bores like me
and be nice to 'em and pretend they like 'cm and all that sort of thing.
Before I left the studios I went down to the offices to get photographs of
the twins. The friend who took 'me there dug up n lot of pictures from tho
folders and handed them to me "You've been talking to the girls a lot today,"
he said. "You can undoubtedly identify their pictures."
I threw out my chest and acted very much pomposity. "Sure," I said.
"Give 'em to me."
So he did and I looked tbem over. And. for the life of me, r couldn't tell
which one was Madeline and which .one was Marion.
DUT I'm rather glad of it. The photographs trill Ante to he identified
and that will give me an excuse to see them again when they come
here next week. And maybe I'll find out that it's .Uarton that I am m
love with and not Madeline, after all.
Thoroughbreds in Film
Jack Moore, the turfman, of Pres
cott, Arlr., last week placed his thor
oughbred horses, Panther, Eagle Face
and Little Abe at the disposition of
Rex Ingram for the screening ot the
race track scenes In "Turn to the
Right." The horses had recently re
turned from a successful invasion of
the Canadian tracks. The ruce was
screened at Evposition Park, Los An
geles, with John F. Peltr, the camera
man, In a trailer twenty-five feet In
front of the racing horses.
A CHIP OF THE
9ssWFWsWKts9&yBi$
mLWsWsmswWhuTmTwHssim ,'ImI !
Will Rogei-b 11 nd tils cowboy son, Jiiniuie, who can tide a lioire almost
as vrell as hi father, and looks a good bit like the famous comedian
In Ui matttr of
rJ . A,
T3& Daily Movie Magazine
MOVIE GAME
M. NEELT
Gilbert Parker Takes Rest
Sir Gilbert Tarkcr, who for tho last
year has been nt the Liisky Studio,
Hollywood, engaged in the preparation
of stories nnd scenario, lias left Holly
wood for 'f York, whence he will
sail for London for a visit Just be
for leavine California Sir C.ilhnrr pom.
I pleted, in collaboration with Eugene
.uiiuin an ndaptnnon of hi novel.
"Tho Lane That Ha No Turning."
which will be Agnes Ares' riist star
ring picture Sir Gilbert will return
to Hollywood lato in the fall
ROGERS BLOCK
facial expression
L
DON'T HAVE TO DOUBLE-EXPOSf WITH THESE GIRLS IN STUDIO
fc ., ..
rfi bven tic
A. y V
Other
THESE Fairbanks twins certainly got
our "close-ups" man worried 111
New York last week. Ho talked to
Madeline for half an hour and fell hend
over heels In lovo witlvher. Then, later,
when he fnw them together, he couldn't
for the lifo of him tell which was Made
line. Notice the double picture above?
Well, both of them, when they're scci
oim. look like the ono on tho left, and
both of them, when they smile, look like
tho one on the right.
And the publicity man at Cosmopoli
tan Studios, where they were working
in a picture, gave u the two portraits,
but said we'd have to identify them
ourselves. And we can't do It to pave
us. Wo think the ono on tho left
with tho fur cape nnd hat is Marion
and the other one Madeline. Rut we
nrcn't mire. Both these portrait may
be of the same one, for nil we know.
The irticle to the left of these pic
tures tells you nbout thein.
ITS EASY ENOUGH
TO HANDLE LIONS
-IF YOU KNOW 'EM
HOW do they do It?
You see the Century lions per
forming their bit in comedy dashing
through the hallways of houses, chasing
the actor, scrambling into the bathtub
and even Into the bed. for these are
up-to-date farceo had et n couple of
weeks later you behold tho human be
ings who appear with them In new pic
tures, safe and sound, without even a
MratcK Is It a trick? How do thev
Kit by?
The real answer is a knowledge of
lion temperament. Tor each big cat in
a separate perponality. nnd the trainer's
safety, as well as thnt of the actor,
aepends on his knowledge of wbat Bru
tus will do and what Ethel and Caesar
will do. given a certain IncentUe. for
the king ot beasts has n (.ingle-truck
mind, and, unlike the tiger and the
panther, may be trusted to act tiuo to
form.
Tor instance, there are running nnd
lumping lions. A jumping lion may
be trusted to show the exuberance of
Uy feelings bv nn occasional leap, but
a limning lion nver If your director's
ide.i of coined is that you be chafed
b a loa-liig. milling brute, it is much
j-afer to be followed by one who keep-)
hi1- four paw- on the ground than an
other thnt goe sailing up In the air
after vou when the trntxjoor iloem t
work and you take refuge by climbing
something high.
Speaking of exits, you can be as
sured tint here is one thing In which
expense Is not considered. There arc
plenty of them in each set, and behind
each exit stands nn attendant with n
pistol and bis hand on the door ready
to open or shut it on an instant's no
tice. Teople who work with lions get cal
lous. They shed their first nervousness
v.hen they learn that they can depend
on tho mental processes of the beasts.
ON THE rare occasions when acci
dents do happen It Is with new
nntmnln, whoe temrrnment has not
Ik in studied sufficiently.
1'or Instance, It looks simply ter
rific for Snowball, the darky comedian.
.. let Brutus the lion uprlnsr at tlin
M'iit of his trouserM while he clings,
upparently terror-stricken, to the top
of a door. Terrific, If you don't know
IlltltllS.
That clumsy animal can ncvor make
his first jump successfully. Ho can be
telied on for two attempts. But tho
third leap, when Brutus surceesfully
goes over the top, Snowball won't he
there.
The qnestion Is often nsked t Do
the lions have all their teeth hnd
claws? Thev certainly have, and den
tists take good cure that they Uep all
the grindeu which nature gave them.
A toothless Hon, like a toothless liu
man, would soon die of Indigestion,
and hi temper would bo stormy
An instance of a lion's slngle-trai V
11 1 1 ml is hi habit of running in a
slialght line, a a rule, when urge I
from he rear by the keepem with
tl.eir blank cartridges and prongs
You wll) notico that the lions, whon
they jump Into u tank of water which
they hate and onlv because they aiu
being stiongly urged from behind dash
In a direct line. The same, tiling hap
fens when they are worked In other
set.
Sometime a beginner a girl--Is
tented nt a typewriter, let us nv, near
a door She is not thinking of Huiih.
or she would fchake so that she would
tpoll the film. She does not dream they
ate anywhere near her.
Suddenly 9 trandoor is onened nn
tne otner side ot tne doorway, uiam
.. :. -.. . . : wwz
iTK
l.i
131 1. !
The Fairbanks Twins Am So Much Alike
..-...""
Lcrtain I licmscivcs, So lliey
Every Morning When They
right past her dasher a Hon. polntedU
uiged from behind. He may bump right
nlong past hei. almost knocking hei
nt of her seat as he frantically dnshc
nlong, but unlets she deliberately throws
herself in his path lie will not even
notice that she is there, much less stick
n claw Into her, for he litis IiIb own
objective point In view nnd is just mak
ing a wild dash to get tlieio.
THE whole Idea is keep out of the
lion's way.
t Wfhsn you se Rill Sterker. cham
pion animal tralnc nt I'tiiversnl Citv
menagerie, wrestling on the floor with
Ethel the lioness, which I n huEky two-je.ir-old
.ou are naturally worried for
hlf safe'y.
You needn't be. Ethel is a "good"
lionesM. and. what is more to tho point.
the know Bill nnd liken him. When
she was a little thing she and severnl
other cubs tibcd to run around the
StccKer farmhouse, on tho outskirts of
Holhwood, like kittens', and on cold
evenings the family would take the cubs
to bed with them.
Rut good lions and bad lions have
this point in common they both go
mad at the si?ht and taste of blood.
The grea thing is never o let them
find out that human beings hnvo blood,
nnd thut fs why the study of their
iiKiital processes Is tho very corner
stone of tuCLCSs In handling them for
pictures.
Until the time when it knows" better
your good lion stays- a good lion, but
rot 11 moment longer. After thut it's
till off.
"Feed the lions" is the safety-first
slogan 111 motion pktures where tlit.-e
riilmals are employed, so when the.v
go out on location ou can be sure that
they receive a (orUlng good breakfast,
for fear that there might be some aching
void in their stomachs which would
cause their mouths to water at the sight
of BOine plumi) dung person of tin
movie-star variety.
"Three Live Ghosts'" Begun
by Fitzmaurice in London
pEOROE FITZMALRICB has
- started work in London with u
plcturization of the successful Broad
way comedy, "Tlireo Live Ghosts."
Norman Kerry nnd Anna Q. Nilsson
will appear respectively In tbo roles
of Billy Foster nnd lvis, and Cyril
Chndwick will uoittuy the part pf
"Spoof.v," which lie created In the stage
production.
It U expected that Mr. Fitzmaurice
nill tnalro .!.... V. 1 u .,..- ! K..-
n.,, .ui.nv. .mini,, um Dll IN AWUIU)ir,
three big picture for which his wife,
i.uuia JJergtie, will write the continui
ties. Edmund Uoulding has taken over
the arduous dual duties of co-directing
nnd enacting tho part of Jimmy Gub
bins, the Cockney "Ghost."
My, But He's Popular!
BERT LYTELL
Who hns just been proclaimed
"Prlneu Charming" In n contest
among, women only, held in Los
Angeles
iJsWssm WsW lrs' 1
Bfwf
Thev Can't
. : " .
Ask bach
Get Up
MANY STARS CROWD
LITTLE BEACH,
OUR CONNIE SAYS
By CONSTANCE PALMER
OUNDAY was a heavy day at the
J Beach. Two feet was the limit of
space allowed between groups. Every
body who Is, anybody goe to the same
bench, which nt most is nbout two
blocks long. The rest of the ocenn
front, which extends up to Son Fron
tJsco on the north nnd San Diego on
tho south. Is practically empty, aud
has no celebrities.
Rcit Ltell was there witli Mrs. Ly
tell. as he is every Sunday. He's as
brown na a berry. His athletic frame
nnd energy belie bis rather theatrical
voice and manner.
Rosemary Thcby, In a one-piece
bathing suit and heavy ioat of tan,
and her black hair swirling about her
face, was towed nlong by an Eskimo
husky, straining at his leash. Their
destination was a ring formed around
some btunters. who were performing
itenlh-toking feats of strength.
Mnv Collins, 'ooklng worried in n
stunning red and white che'ekod ging
ham dress with lots of filet, pretty soon
donned her one-piece suit.
Lionel Relmore ns usual was the
center of a chortling group. He's the
sort of man people pound on tho back
ami shout at. "Well, there's old Lionel!
Dear old Lionel!"
George Wngner wandered around in
his usunl casual way, stopping now and
then to talk to his friends, but even
tually stinting out on another wander
ing tour.
Another conversation on the set of
"The Rubiyaat":
Extra "What's the name of this
picture we're in?"
Another extra "Something about a
cigaretto "
First extra, somewhat enlightened
"Oh, yes-Omar "
Second extra, thoroughlv illuminated
"That's it Omar, tho Ruby Cat!"
Here's nn ancient history fact: Mary
I'ickford, Douglas Fairbanks aud
Cliarlio Chaplin once appeared In a
one -i eel picture- produced by William
I Tailor, for teleaso in Australasia,
I'd like to see it, wouldn't you?
It is ruuioied that Rupert Hughes
m ii j be nu Independent producer him
self hefore so very long.
It's getting to be n regular game for
me to find out RcaJart title now that
Hie hnvc intioduced the new policy of
keeping 'em from the public. The nume
of Wandn Hnwley's picture Is "Too
Much Wife." I think. Anyway it was
written by Loma Moon, who nlso wiote
"Don't Tell Everything." in which
Gloila Swanson, Wallace Roid and
Elliott Dealer played two or three weeks
ngo.
T. Roy Barnes Is MIsb Havvley's lead
ing man He's a natural comedian,
making the people nbout him laugh jutt
as much as they did when ho wus au
Orpheum headllner. I can't help won
dering as I watch him, how his wife,
it he has one, must feel about it.
Mary Aldcn's Make-Up
Fooled Her Screen "Son"
WHAT greater proof of screen acting
than tills:
Mary Alden. who plays four different
ngew the oung woman, the middle
aged mother, the aging mother and the
tottering old woinnn, In "The Old
Nest," ut Goldwn's, was riding home
in her machine ono night when she saw
her screen von, ,. Park Jones, walking
nlong with a miitcnso,
Sim linked lilm to ride. Thev chatted
for a mile or two, when Miss Alden
Hind: 'I sec you have your suitcase.
Did ou finish tho picture tonight?"
"Us," replied Jones, "but how did
.vou know?
"A mother should know n few things
about her boy, shouldn't she?" repllod
replied Mis Alden mischievously.
"Good heavens! Aro you Mary Al
den the woman I've been working with
this week? Why I thought you were
an old woman "
Miss Alden smiled. It was an old
story to her.
ftONFESSIONS
OF A STAR
As Told to
INEZ KLUMPH
TUB STORY BEGINS
With tf,o early days in the old
Fine Arts studio. in California when
Oolleen ifoore, the QisU girls, ISessie
Love and a host of others were not
much mora than extra girts, Diana
Cheynv tells how she and her chum,
Isabel Heath, sat lonctomely around
tne studio until J'iil Uraney, the
famous director, chose Isabel to ho
the first of the screen's "baby
vamps." 7'Aej are seen together a
preat deal, and a scandal is created
by the director's wife. Dcrry Win
chester, a friend of Diana's, is
called on to help, and Isabel tries to
"vamp" htm. Then Isabel an
nounces she is to he starred in the
East bu a Paul Markham, Derru
goes to France with the aviation L
corps and Diana meets Keith Qorf
nam, wno strangely attracts her.
On the eve of a romantic runaway
marriage, Keith is killed in an auto
mobile accident.
AND HERE IT CONTINUES
CHAPTER XXV
TWO days Inter I went to work on
my fiist picture under the new
starring contract that I had signed with
Malcolm Sandy." And beforo I'd been
working nn hour I knew thnMherc was
going to bo a drawn battle between my
director nnd me before that production
was finished.
He was the most disagreeable innn T
had over known. He still is. But as
It happens, that very disagreeablencas
has made him one of the biggest direc
tors in tho business, so far as salary
and position nnd all that sort of thing
arc concerned. Judged by the standard
of artistic productions, ho wouldn't
rank bo high. His story I such an
amusing one, and so characteristic of
tho way things happen in Hie motion -picture
world, that I am going to tell
it to you. . t
Ho hnd been n window trimmer for
ono of the New York department rttoies
that Is, he had assisted tho head win
dow trimmer. I believe that ills salary
was $35 n week. Ho hadn't any artis
tic ability in particular, so far as iiuy
one knew, but he got along very nicely.
Then a friend of his suggested that
he ace If he couldn't get bomcthing to
do In the movies, making sets or toino
thing llko that. The friend knew some
cne in ono of the studios and got him an
lntioductlon to a studio manager. And
tho window trimmer did get some tort
of job, working on tots for pictures.
He stuck to thnt for u while, and
then gradually worked into being as
sistant to one of ihe directors. Ttic as
sistant director's job is no joke at oil,
and It must have been awfully hard for
this man, with his hair-trigger tem
per, to take nil tho blame for tilings
that went wrong and see the credit go
to somebody else. Ho did it, though;
lie was learning, jou sec, nnd that was
wot Hi n good deal.
Finally he wns made a director, nnd
tried his hand at this new Job with two
or three stars who just made regular
program pictures, nnd who were such
old hands at the gninc Hint they could
almost direct themselves. -
He became so frightfully hard to
work with that every one realized tlia
tiling just couldn't go on as they were
Yet his contract had several cais to
run, nnd tho company couldn t afford
to have him stop working nnd pay him
ins salary an tuat time tor iiotlilnr.
Tho.v tried to get some other company
iu iHKit iiiui uii iiieir nunuH, out ills
reputation hnd gone before him, and no
body would have him.
"I'll tell you what we'll do!" Mr.
Sandy said nt Inst. "We'll make him
such a big mnn that ever body '11 want
Urn! no II give him his own produc
tions make him head of his own nro-
ducing unit put the publicity depait-
ment ueiiinu mm. aim uaii.vhoo him in
every trnde journal nnd fan magazine
in the country."
And that's exactly what thev did. It
was announced that lie had done such
marvelous work tliut lie was to ho put
I'llOTOI'I.AiS
"pHOTWlAYi""
. COHMNV r .
Mk-.tv.l-..--, l21h. Morrill ti Pimsjunlt Avn.
rinamDra Mat. uuy t . bk o.is &
WILLIAM S. HART
In "THK WIIIRTI.K"
At I PrUITNV I'ranUforJ ft Allegheny
ALLrAinLilN I t!1t. Dally 2 IS V. at 8
ItEOINAI.U llRKIfll'H ritODL'CTION
"THE OLD NEST"
ADAl I C G2D 4 THOMPSON oTS.
Ml V-L.U.W MATrvEi: daiiy
t'ONHAD AOKI. mxl I.OIS WILSON In
"What Every Woman Knowa"
ADPAniA CHESTNUT BM. 18TH
AlxVMLJlA III A M to 11 1.1 P M.
CONSTANCE TALMADGE
In "MAMMA'S AFI'Alli"
ACTYD FUANKMN & OIItAHD AVE,
A3 I yjts. MATiNnn daily
PAULINE FREDERICK
In "ROADS OK DKSTINV"
BALTIMOREI?!.Srn,nnABATTIS5?AnTB
"THE OUTSIDE WOMAN"
Aililfil Comilfy "A t'MISK MIA K"
tjPMVI UITH AND WOODLAND AVE
DtilMN MTP'KK DAILY
THOMAS MEIGHAN
In "WIIITK AM) inmakhikh"
BROADWAY Dr.'W:
WICHI.F.V IIAKKV In M'irnliull Nrllan'a
"DINTY"
PAP1TH1 TS2 MARKET ST
V.-ll IUL m a V to 11MB P. M.
RICHARD nXRTIIF.T.MFSS In
"EXPERIENCE"
COLONIAL .?& 1 Wtf "
RICHARD IIARTHF.I.MF.1H In
"EXPERIENCE"
DARBY THEATRE
IIARI.in' HNOI.K'H PRODUCTION
"CARNIVAL"
CIVIPRP MA,K ST" MANAYUNK
tilvirrvn-oo matineb daily
David Powell in "Myitery Road"
"TlirNDr.RIIOl.T JACK" NO. 1
FAIRMOUNT J.S'SaftV
BERT LYTELL
In "A SIKSSAIIi: FROM MARS"
FAMII Y THEATRE 1811 MARKKT
rMVUL.1 HA M. TOUritlNKlMT
CORLKSB PAI.MFR nn,l Snrrlnl m.t In
"THE ETERNAL TWO"
SATW 9T THEATRE Dalow Ppruce
join Ji. mtinhi: nxiLY
Jack Holt in "The Mask"
I.ARRV BKMHN In "THF. rAI.I. tlUV"
FRANKFORD 4T,BA?5K
"THE OLD NEST"
ADDED SURPRISE VAUDF.V1IJJ1
P.I ORR BB01 MAllKET BT.
"THE CUP OF LIFE"
HEX INGRAM AND ALCE TERRY
TO GO TO
REX INGRAM, the jouthful pro
ducer of "The Four Horsemen of
the Apocalypse" and "The Cotuiucring
Power," lias admitted the plans for his
marriage to Miss Alive Terry, the beau
tiful Mid-Western bchool girl who rose
from obscurity to fame by her won
derful port raj uls in these two Ingram
picture.
Unllko the majority of weddings, the
pair, whose engagement was recently
announced, will not go to the nearest
parson for the regular formula of "I
will" and "I do" and then settle down
to the regulation honeymoon.
in absolute control of his own nlcturcs.
Cnstlug, the designing of sets, the se
lecting of stories he was to he in
chnrgc of everything, with n liberal ex
pense account to hack him up.
But it was a oung chap in tl'e pub
licity department who put the finishing
touch on the whole affair. He was told
to send out some stories on tills direc
tor nnd see if he couldn't get some of
the magazine people to interview hi ui.
lie came down to niy dressing room
witli ii bunch of clippings about me that
duy, I remember, and sut there cross
legged on the day bed. smoking a cign
ictte nnd bewailing his fate to Dcrry
and me.
"Nobody wants to Interview n direc
tor!" lie lamented. "All they want in
the mngnzines is pretty girl. What'll
I do?"
"Mnke him compete with the pretty
girls," Perry suggested. "Make up
things about Iiiui that will sound ro
mantic ami exciting nnd all that. Ha
rems Constantinople studing art
abroad all thnt sort of thing."
Which Is exactly what that red
headed i otitic Imp did, because he
wanted to get through his work and
hnng around the set where, some one
I'HOTOri.ATN
iPf m- - P'Ms'WWL H
ill Npi&a. J ' kI'HBHHHV
i v aHH
The iollowing theatres obtain their pictures through the
STANLEY Company of America, which is a guarantee of
early showing of the finest productions. Ask for the theatre
in your locality obtaining pictures through
Company of America.
vJFV-ll l MATINEE DULY
.U2.EJfA KN "nd i:. K. LINCOLN In.
"The Woman God Changed"
GREAT NORTHERN ?'ft W
MAY ALLISON
.In "Tim UST CARD"
IMPERTAL
OU'IH ti WALNUT ST3.
Muti -j. an i:iir 7 Sl a
CONSTANCE TALMADGE
In "I.hSMISH IN 1.0 VK"
Lehigh Palace "Tir 'ivS; aDd
GLORIA SWANSON
In "THF. (iREAT .M0.1IKNT"
IRPR'TV mtoAD & coi.UMiiiA av.
L1D.1 1 I MATINEE DAILY
JUNE WALKI'.K nnil KOIll'.lir HARRON In
"COINCIDENCE"
OVERBROOK U3D4,a'vT.nu,L"ud
NORMA TALMADGE
In "THF. FASHION 1I1U F.R"
nRIlTNT OODINDAVU fttO'JDbf.
iiiiii i matini:e dailv
IIARLKY KNOI.E'S PR0DLC1ION
"CARNIVAL"
PAl APF l-1 MAHKLT HTHEET
I rtL,nVLi in A Mi , lft ,. u
REGINALD RARKKIl'S PRODICTHIN
"THE OLD NEST"
PRINCESS
1U18 MARKET MTREET
s an A M. tn II IB P. M
ANNA Q. NILSSON
In "UOMI'.N IIO WAIT"
RFCRNT MAi"r t iwow urn
lxl-rtV l " 4" a v in ii p. m
MARY MILES MINTER
In "DON'T CALL Mi; LITTLE IIIUI."
RIAF TO OERMANTOWN AVENUE
UinLiIW AT TULPEHOCKEN OT
CONSTANCE TALMADGE
In "DANOEROUH IIUHI.NESS"
RI IRY MAHKLT bT. HEIvOW 7TH
lxv-,"iw 10 A. M. to linn P. M.
LIONEL BARRYMORE
in "THK III.VIL'H (1A R D EN
SAVOY 1-'11 MARKKT STREET
bAV HOPE HApfOFiDNInT
In "LOE'H PENALTY"
SHFRwnnn M,n itiinor a:
"Tlie Woman God Changed"
STANLEY
MARKET AT 10TH
II A ,r In 11. IB P. M
r'irrii. n nw
"The Affairs of Anatol"
333
MARKFT ?.treet'iui:atre
ill in ,r..A . ' ,n " '" P M,
-LftKA MMMALL YUUNG
III "CHAIUIK IT"
VICTORIA "ARKET HT. .b. OTll
L1 CHARL,E5RAYl!,BPM
in "HCUAP IRON"
Ai Whiil CHESTER
RIALTO ..K'caak.,
"-" '-i FllHJIx vuvuuta "E.1N In
y "ONK A HUVIITKM
IRELAND FOR WEDDING
They will be married by Mr. Iugraa'g
father, who 1 nn Episcopalian clergy
man and professor of Greek and Latin '
at Trinity (,'oIIpbc. Dublin. After tit
conclusion of the filming of "Turn to
the Right" they will bid nn rcvolr to'
Holljwood for a while and start for
Europe.
But even while on their honeymoon
nbroad the jouthful couple will not U
forgetting the meguphoiie and th
make-up. for Director Ingram Is con.
tcinplntlng the ranking of nt least os
picture with Miss Terry again in On1
stellar role. "Ivanhoe" has been men.
tioned.
was staging n scene with a band and iJ
iui 01 r utiles cnoru girls, lie took that
ex-window trimmer, nnd had him bota
nnd brought up in a harem in Constant
tinoplc. and studying art in Italy, an!
giving up an enormous fortune becaun
he wouldn t wed the girl of his father'
choice anil live in n pulaco on the Bos
poms, and coining to Atactica and'
starving In a ganet. And he sent It off
to some1 of the magazines, thinking the
editors would laugh nnd chuck it Into
the wnstcbuskct.
But they didn't. Two of then
printed it. Another one ran his pic
ture, with several reference to his re?
ninrkablc mist nnd artistic tralnlnj,
And, funniest of all. the director him
self took It to his bosom! He bepm
to live up to it, to speak with nn ae
lent, to sigh for tho bciiutlcs of Con
stantinople. k
And funnier still was the moawt
when the very same red-headed roota
i.ilm.. ...n.l.. .... ,,..., .,.... It. ,ls !....
1 I1U IIIUMV llf IIIUI rtUI 111 IIIC UTi4u"
ninif. Interviewed him. nnd was told thi
11 itil inin lm liliiiEnlf tinrt mmla im in.
...... ....... ... ....... .v.. ... ...... .v ..,, .-
broidcted witli incidents, even more W
rnnntiu innn tuosene u invcnieu.
CONTINUED TOMORROW
1'IIOTuri.AYK
"pMBTttPlAKr1
the Stanley
COMMNr r A
orAMCmC.
l
Tho N1XON-NIRDLINGER
1
THEATRES
nm mnuT r,ii Aiiovra UARXM
DCL.lViWlN 1 , .10 and 60 to 11 F. U
THOMAS MEIGHAN
In "THE CITY OF SILENT MB"
PFHAR r cedar avektu :
v,lL--r. l-S0 mid 3 T and I
THOMAS MEIGHAN
In "1IIK COMlUEbT OF CANAAN"
COLISEUM Sta,'S;lSS-ri7 r
GLORIA SWANSON
In "THE UHKAT .MOMENT"
II ll1Dr FRONT ST. lm OIRARD AT
Jumou Junilio June, on Frnnkford "V
BEBE DANIELS
In "THE .MARCH HARK"
I FAniTD I6T i LANCASTER AT
lMZiUlZ,K MATINEE DAILY
GLORIA SWANSON
In "THE UUKAT MOMENT"
lnnCr 8SI7 AND LOCUST STREBTl
LUV,UJ 1 ,, ,. , ,,, . o0, ..,. a in II
BETTY COMPSON i'AE "bu?
HAROLD LI.01D 111 "THK FLIHT''
RIOI I WD AND HANSOM ST&
I1VVJL,1 MATINEE DAItT
DOUGLAS FAIRBANKS
In "THF. II.IIIIT OF ll.iri'INKSS"
STRAND alW$acvShi
RICIIAltD IIARTIIELMKSN A HI C
"fcXrfcKIfcNUfc."
AT OTHER THEATRES
MEMBERS OF M. P. T. O. A
Germantown "iJJSS'ifflA
i
It 1. I'll INCK In
"WET GOLD"
JEFFERSON 2MATfNF?EupDhiltr
VIOLA DANA
In "I'UIM'KTS OF FATE"
PAPk' HIDQE AVE. A DAUTIHN,1
rnlN Mt a tr. iiB". rvwijlt
IVIAKI 1VJ1L.UO rnmiwi, '
III "TH15 LITTLE CI-OMN" .1,
: T
WEST ALLEGHENY m$,?i$
IP J
UUIVU 1 n t riiiuuuxu
.- .....v .......v, ...unflK"
5
m fMn if uwn mnn-.- j
i ?V Jrf .At aW lll
I I . - ...,, J
A. JKtJzit vOfc!
..flM'trA.-55tH'tfrlv.. , . A&i4
i-fiJM