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OFASTAR
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4MHU1VM CONFESSIONS'
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i
CLOSE-UPS of the
By HENRY
The Weakling Brother Isn't Very Weak These Bays
YOU'VE nil Been "Drcnra Street" by this time. You've lovcil dainty Carol
Dempster nnd admired the work of Italph Graves as the rouchneek who
becomes the hero nnd you've felt the big lump rise In your throat nt the pathetic
figure of the weakling brother, plajed by Charles Mack.
That came weakling Is about as appcnling a chnractcr as we have hnd on
the screen In a long while. Slack makes him so llvlngly realistic. It doesn't
aeem to be acting at all; 3011 get the Impression that Mack himself Is n limping,
undersized, morbidly self-effacing, silent sort of chap and jou can't Imagine
him speaking much above n whisper when there Is any one around to hear him.
Now let's shift the scene. Let's imagine ourselves over nt the Griffith
studio at Mnmaroncck, Ij. I., while D. W. In putting on a big mob scene in his
present production of "The Two Orphans." I've already told jott of some of
the things I saw ovar there. I want jou to stand with me today while we see
another.
We are well dowu the lot say n hundred yards to the north, where we
can get a good perspective. All the way across the field of view stretches that
wonderful set they have built showing a street In I'nrls during the Terror times.
The street Is jammed with all sorts and conditions of people. The colorful cos
tumes of the Revolution make vhlil splashes of pigment ngaiust the placid waters
of Long Island Sound. There is action, color, noise everj where In that trans
planted street; people arc leaning out of every window nnd door, yelling and
waving things. It Is an orgy of revolutionary joy.
For they arc Indulging In their favorite form of outdoor sport chopping off
the heads of a couple of dozen aristocrats.
Down nt our left, just beyond the Inst bit of the "propcrtj" street, there nrc
two platforms oer which big umbrellas cast their shade. On the platforms arc
the cameramen with their photographic rapid-lire mtlllery. And Griffith nnd his'
assistant director are there, struggling to keep the immense mob In some sort of I
coherent action while the cameras grind.
WH C.X hear the assistant's voice bellowing through the megaphone ;
he has to be n leather-lunged indxvtdual to make them hear his
orders above the din of the cheering croicd. Hut tec do not hear
Griffith') voice, lie is the least perturbed man on the lot. He ft dressed
in neat-fitting blue serge. Coat buttoned properly, collar umrilted in the
heat, straw hat shading his eyes and he isn't the least bit excited. He
can t afford to be. Excitement makes blunders that icasto tunc, and
this scene is costing over $100 a minute.
TTUtOM these camera platforms on the left the street runs for about two city
J- blocks west and there another street cuts across It at right angles. At the j
extreme western end, on our right, just off the set nnd bejond the range of the 1
angle of the camera lenses, a troop of revolutionary cavalry awaits the command 1
to get Into action.
There arc real cavalrymen, too. Thej arc a troop of United States regulars 1
borrowed for this scene, and their horses are the nno, spirited animals that know
how to make a genuine charge when they aie told to do it. So do the hardened
service men who ride them. Hut they don't look like I'ncle Sam's bojs now.
They are all drcsed up In scarlet and jellow uniforms with plumed cockade hats
and high soft-leather boots with spurs.
Naturally, no human olcc could reach from the camera platform to this
distant troop, once the charge begins and the crowd starts to yell In the mob frenzy
of Terror times. So we see, about midway dowu the street, another platform,
built much higher than the first, and on It is perched a camera man and another
assistant director. We want to keep our cjes on this other assintant director.
In fact, once the action begins, we will watch him without Intending to, for the
pep and the energy and the physical effort that he throws Into his difficult job,
high up there above the crowd, silhouetted against the sky, will make him the
tnost conspicuous figure of all.
Suddenly the bugle sounds the preparatory signal ; the crowd begins to get I
into motion' and the cameras start to grind. Then comes n sharp bugle signal
nnd the cavalry, way off to the right, swing into fours and break Into n mur- '
derous charge, full tilt through the crowd, up the side btrcct, swing the corner
and shatter all traffic regulations as they fairly fly up toward the cameras and so
off to the left.
And nil the time this assistant director, on the high platform, has been con
trolling the distant crowds. He has had to act their frenzy for them. They
haven't been nble to hear him because of the din of the mob and the crashing of
the charging hoofs.
So be himself has gouc through all the action of n maddened revolutionist,
cheering, jeering, dancing In bloodthirsty glee, ami generally making a blankni
tlon spectacle of himself so that the thousand or more people below him can get
their cues as to how they are to pluy their parts in one of the most difficult mob
scenes ever tilmed.
Half a dozen times they have had to shoot this scene to get it just the way
D. W. wants It. And each time, this assistant director has yelled himbclf
hoarse and nctcd under a head of steam enough to bust a high-pressure boiler.
You wonder that he has any strength left. You watch to see him throw himself
tall length, exhausted, on the platform after It is all over.
DVT he doesn't. Instead he jumps lightly down the stairs, coma
D over to us with a cheerful smile and says quietly, as though ho had
been doing nothing at all, "Well, that's done. Let's go to lunoh."
and then you recognize this thousand horse-poicer of energy. It is
Charlie Hack, the "weakling" brother of "Dream Street."
TITACK, as we sec him here,
is the best
i.VXwork and sacrifice and boost for I).
the time.
Mack was very nmioiiN to play l'ierrc In this production of "The Two
Orphans." No, he wasn't anxious ho was crazy to do it. The man who docs
It will be "made." And Incidentally I will tell )ou sometime soon the marvel
ous story of the little man whom Griffith found for the part.
Mack tried it in the lirst few rehearsals. Hut he was too big. l'lerje is nn
undersized cripple with a withered arm and hand. Mack Isn't ntid can't make
himself look it.
Griffith always has in mind exactly the type he wants for a part. He won't
take something "just as good." He hunts until he finds the trade mark he Is
looking for. Mack had it in "Dream street" ; he didn't quite have it for Pierre.
So Griffith told him frankly and kindly, and Mack, Instead of getting sore about
It and walklug off the lot, as most actors would have done, cheerfully accepted
the verdict and turned in to help in any other way in which he could be useful.
That's why we see him working his head off in the sweltering sun, high above
the heads of the mob, and every now and then turning quickly to the camera man,
pointing to an unexpected bit of good .
stuff in the crowd and saying "Get on
that quick."
I'm venturing the prediction that
Griffith is going to be pleasantly sur
prised when he sees some of these un
expected bits in the projection room.
And as I watched Mack in this new
job of bis I couldn't help getting the
impression that the screen Is going to
lose n mighty good actor In a few jenrs,
but will gain a much better director.
TJD I ever tell yau the remark
tf able story of Charlio Mack's
"discovery" f It's one of the most
unbelievable true romances of the
aereen. I'll spin the yarn for you
tome day soon.
Answers to Questions
From Movie Fans
C. M. C Herbert Rawllnson is
mnrrled to Roberta Arnold. He is
jiovf plnying onposlte Prlfoilln Dean in
"Conflict." He hns signed n contract
with Universal and will be featured by
them next autumn.
J, C. 8 Hoot Gibson is a nntive
American. His wife is Helen Gibson,
who achieved fame us a serial star in
railroad films. Addrebs him nt Univer
Ml City, Calif. The customary fee for
photos is t.venty-fivc ceuts.
AL S, Sorry to have kept you
waiting so long for your answers. How
Mrer. hero they ure: Frank Mnyo ap-
, pea red on the stage in England souin
years ago. He is a nntlvo of the United
Btatcs and went to school nt the Peeks
tort (N. Y.) Military Academy. "Tlw
Kb ark Master" Is IiIb next picture. He
'waa not cast in "The Devil's Pass-
ROSE Marie Provost is unmarried.
Her fir starring vehlclo will be "Siren
HtUff." Thut story ubout her rescuing
her director, King Hnggot, from drown
lttg was op tli 3 level.
O. II. E. Tho effect In "Thunder
Island" was achieved by means of dou
File exposure. Edith Roberts becmed
to kisa herself good.by. Norman Dawu
directed the film
MOVIE GAME
M. NEELY
Illustration I know of the way people
W,
Griffith. And loe him loyally all
r,
BLKRS- five of 'cm cnught by the
w camera
Hollywood ,
nt the Lanky studio Jn
Sir Gilbert Parker Is the
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CONSTANCE BINNEY
LOOKS AS IF SHE
WERE A DARLING
11
By
CONSTANCE PALMER
Hollywood, Calif.
WKU
' arrived.
Constance Rlnney hns 1
Everything can go on ns
usiinl. She was dancing up at the
Hollywood Hotel the other evening
with Elmer Harris, Realart's Super
vising director. He was just as much,
if not more, enthralled than we were.
She looks ns if she were a'dnrllng.
They arc getting her new story ready
and speaking of stories, Renlart has
evolved a nef and infernal policy re
garding the giving out of titles. They
say it mixcH the exhibitor all up to read
of, pictures in the junking, two or three
months ahead of the time when he' will
see them.
Rut in the words of the poet jiibt
give me a chance! Let 'em try to keep
facts from meh !
There has been n switch in the enst
of William Dc Mille's production of
"5Ilsn Lulu Rett." Some days ago It
was said that Mildred Harris would
play the lend, but now she hns been
given to Tommy Meighan for lending
woman in "A Prince There Was." Lois
Wilson will play Lulu Rett.
Work on the nlrturp hns started.
The Deacon home, where much of the
action takes place, is built all com
plete front yard and all on the Lasky
S til COS.
The cast Is a splendid one. Milton
Sills will play the lead and Taylor
Graves, Theodoro Roberts. Clarence
Rurton, Helen Ferguson, Mabel van
Ruren. May Glraccl and Ethel Wnlcb
ore the others.
Wnllle Reld Is at work on "Rent
Free," his newest picture. Llln Lee Is
his icadlng woman, anil Henry Har
rows, Gertrude Short, Lillian Leigh
ton, Clarence Geldart. Claire McDow
ell nnd Lucinn Llttletield complete the
cast.
Rupert Hughes not only has a hand
some son, but n vivacious daughter.
She was making things lively nt a
table near us the other night. Ralph
Graves seemed to bo her complement.
The Hughes' son, Rush, is working in
"The Wall Flower," which his father
has written nnd is co-dlrectlng. Col
leen Moore li the leading woman and
sweet Richard Dlx is the leading man.
C? PEAKING of Richard Dlx,
I have
J(
capitulated completely. Remember a
long time ngo I made the remark that
I thought his publicity wan cheap?
CELEBRATED AUTHORS .4ND STUDIO FOLK GATHER FOR
brnrded gentleman, stnndlng next to
Klinor Glyn. These two noted authors
have Ltcn working In tho Mudlo every
day for six months writing nnd suner
HE'S. TELLING 'EM HOW TO ACT
S
Thnt about his wanting to find a wife,
I mean?
I'll compromise now by snylng I
think it's merely unnecessary. My good
ness, Geraldlne, he's nice ! Think of my
being so nasty !
I had lunch the other day with htm.
We talked of many things nnd mostly
tho two unfailing subjects of conversa
tion John Rarrjmore and John Hnr
lcycorn. Not connected, you under
stand. It Is rumored thnt Mr. Dix nnd
Helen Chndwick are to be co-starred.
Thnt will he nice, for their teamwork Is
very smooth. They have already played
together In "Dangerous Curve Ahead,"
"Poverty of Riches" and "The Glor
ious Fool.'"
Paul Powell has come back from Lon
don to direct Ethel Clnyton In "Tho
Cradle," which is taken from the play
of the same name by Eugene Rrleux
Sir. Powell among his associates Is onf
of the most popular and respected di
rectors, In the business.
Tom Meighan Still Moving
"It isn't a hobby with mo but a case
of necessity," remarked Thomns
Meighan ns he stepped off the train at
Los Angeles, completing his twentieth
round trip between New York nnd the
California city. Mr. Meighan started
work on "A Prince There Was,"
George M. Cohan'B stage success,
shortly after his arrival at tho Lasky
studo.
New Film for Alice Lake
Alice Lake's next starring picture
will be "The Hole in the Wall,"
adapted from Fred Jackson's stage suc
cess. Miss Lake has just completed
"The Golden Gift."
vising the fi'mlng of ricw photoiln..
Cecil H. do Mlllc, In the center. lin
liikt rrmnlDted his Iwclvo-btar picture,
"Tho Aftalrs of Anatol." of whlchltuw
NdW!
Charles Emmctt Mack, popularly
"Charley," takes the megaphone in
hand for a change during the filming
of Griffith's "Two Orphans." That
doesn't mean that the "Weakling
Brother" of "Dream Strcct'has quit
acting for good, hotvevcr. Not by a
long sight
FIND REPLICA OF
RICH JAP HOME
IN LOS ANGELES
rys'R of
v nmples of Oriental architecture in
the Occident is the home of the Hern-
helm Hrothers, nrt dealers of New
York and Los Angeles, which they have
constructed in Los Angeles, as n fitting
casket In which to preserve the Jap
anese art treasures which they have col
lected In n score of years.
From the time of their first visit to
Japan, they were fascinated nnd ab
sorbed in the pursuit of new treasures
to ndd to their personal collection, nnd
this hobby they hnve pursued insistently
through nil the Intervening years. They
arc recognized today ns nmong the
grtntest of Occidental experts In Ori
ental art.
They determined thnt the only ap
propriate house for such n museum
would beof true Japanese design. They
took for their model the beautiful home
of the wealthy owner of many silk mills,
near Toklo. nnd with his permission.
architects drew the plans by which this
palatial home was duplicated to the last
detail in Los Angeles.
Sessuc Ha)aknwn also has his home
In Los Angeles, not far from the Hern
hcim brothers, nnd an ncquaintnncc
sprang up between them.
WHEN Hnyakawa was about to pro
duce "Where Lights Are Low,"
cnlllng for incidents in the life of n
Japanese prince, the Hernhelms opened
tneir home to tnc cameramen and the
company of players. This was the only
time they hnd ever permitted a photo
grapher to enter their home to make
pictures for other than their own per
sonal use.
Ml of tho scenes which Hnyakawa
had taken In the Rernhelm home nre
shown in "Where Ltflthts Are Low."
These include not onlv the interior of
the home, hut the beautiful inner gar
den or patio, which the house sur
rounds. "To spend an hour or a day In this
homo is n keen delight," Hnyakawa
said after the production was made.
"Its equal cannot be found In America.
I believe. And the whole home is so
arranged and the nrt treasures arc so
placed that there is none of the atmos
phere of the show place or of the mu
scum only the atmosphere of the pri
vate residence of two highly cultured
Igentlemen."
A CONFAB
Wallace Reld. standlns next to him. hns
a li'iillnt Dart. T.mlv 1'arker. lioiillnir
ardb. aiipcars us an extra In this pic
CHAPTER XVII
Thoso who went down the gangplank
onto the stage had to pass close to .me
I was glad, for mnny of theso people
had worked in the East since I had been
In pictures, nnd so I had never seen
them. I wan anxious to know what
they looked like, what their personality
really was. ,
Rut of course mf Interest centered
on thoso two men the falling star and
the rising one. Would tonight roc the
great moment of their enrccra? I henrd
that they had worked la the game
studio at one time, and that even then
they1 had not. been good frfends.
Tho younger man went down to the
stngo first. Ills mouth was rather
grim, and I noticed that his bands were
clenched, as ho paused for a moment
at the top of the gangplank, while he
was nnnounccd, Then, as the cheers
of tho crowd began to surge up to him,
he Shook his shoulders nnd smiled a
broad, checrful'grin, put on an readily
and consciously' ns a woman puts on a
veil,' He ran dovn the gangplank, wav
ing one arm, and never stopped till
ho was leaning over the railing nt the
front of the platform. Then he cupped
his hands nnd shouted through tbem.
"Hello, everybody I" in n voice that
rang through the Coliseum.
People shouted nnd clapped, nnd
threw into tho air the souvenirs thnt
had been given nwny nt different booths
cheap little reproductions of different
stars' photographs, paper fans, cellu
loid buttons stamped wtlh the name of
n poor picture mm was qeing pusueu oy
lavish advertising,
Tho excitement died down for n mo
ment or two then; people drooped nnd
leaned neniust each other, or surged
away to tho booths where some of tho
stars were. A very posse Ingenue, with
violently yellow hair nnd eyelashes so
beaded that they were nearly an Inch
long, minced down onto the platform
nnd told the crowd that she just loved
them nil, a statement which they re
ceived with wear,y indifference. The
great pennnnta hanging from tho bnl
cony sagged In the stilling nlr, and n
rloud of dust danced in the radiance of
the glaring lights.
Word hnd gone around thnt Bill
Hart, easily winner of the contest for
.the grand march, had withdrawn his
name. It lay now 'between those two
men.
Presently It was announced that there
would be some more personal appear
ances. The crowd jostled nnd shoved
Its way back to the platform, or
climbed on chairs and boxes nnd the
edges of the booths in the background,
eager to sco the man whose name and
faeo thev had known so long.
I studied him as ho stood beside me,
waiting to face the people who, like
the nudlences In thnt other Coliseum,
In Rome, could brenk him if they
wished. He couldn't have been so very
old, nnd If you weren't too near him, ha
gnve the illusion of youth. Hut I could
sen thnt his very mobile face had begun
to sag. that there were many lines
which the touch of make-up didn't hide,
thnt ho did indeed need the favor of
the crowd If he was to hold to his suc
cess. He sauntered nonchnlantly down to
the stnge, n stunning figure, In hia per
fectly fitting evening clothes. Looking
down nt him, as the crowd cheered
ftantlcnlly. I didn't wonder that girls
have "crushes" on motion-picture stars.
It Is their buslnes's. of course, to bo
good-looking and magnetic, and know
how to make people like them. Men
In ordinary life rarely bother to do that.
Is It any wonder thnt those who make
a business of it succeed
The cheering died down, as shouts or
"Speech speech" came from various
parts of the hall. The man took a step
forward and laid his hands on tho
railing.
"Friends of mine " he began.
"Wc want " then It was a demand
for the other man, the younger one.
Another voice took up the shout, and
then nnother. People turned nnd twisted
to sec who was shouting, but tho cry
rnme from everywhere now. No use
to try quell it and go on with a speech.
The man, that older one, who had been
trying to mnke one, threw out his hands
IMIOTOrijAYH
"MBTOfUtr"
COMMIT? y
AlkomU, 2. Morris ft Pwunlc Ave.
Alnambra Mat Dftuy ,t 21 evb. 0.45 & 0
Conmopolllon l'nlJ?" ..
"THE WILD GOOSE"
FranWord & Alleiheny
ALLC.urlC.lM QIat. Dull SMSlKygs. at 8
iUnCPU ijlat. Dall 2:llKyi
GLORIA SWANSbN
In "T1IK (1UEAT MOMENT"
ADO! 1 C 52D A THOMPSON BTB.
Inw-Vnnte rroductln
"BEAU REVEL"
ADrAHlA CHESTNUT Ital. 16TH
ARCADIA io A. M. to tl:10 P. M.
ELSIE FERGUSON
In "FOOTMOHTH"
Ab 1 UK MATINKR DAtr.Y
THOMAS MEIGHAN
In "1VHITB AM) UNMAKMED"
D Al TIN4rOn' MB & BAUTIMOKE
tiAL 1 UVlUKtrvK. nin hat. mat.
WALLACE RE1D
In "TOO MUril SfKEU"
DCMN OVTH AND WOODLANp
DC.IN1N MATINEK "AU'I.
DOUGLAS MacLEAN
In "ONF. A MINUTE"
AVE.
Ol T timiDr Brod & Sudiihnn
DLUL.d1KU Cnntlnuoiia '.' until 11
DOUGLAS MacLEAN
In "ONE A MINUTK"
BROADWAY T- "-'d" m'"
ROSCOE (Fatty) ARBUCKLE
In 'TBA7.Y TO MAKKY"
r A DITTM 112 MAnKET BT.
CArl 1UL ,n a jr. m M-ir, p.
GLORIA SWANSON
In "THE OBEAT MOMENT"
M.
COLONIAL ot3o WftX"
GLORIA SWANSON
In "THE flKEAT MOMENT"
DARBY THEATRE
WILLIAM S. HART-
In "THE CBAIH.K W rdl'UAOE"
lDD'QQ main st.. manayunk
tlVlrrviioo V4TIVRB riAiLY
THOMAS MEIGHAN
In "THE CONQUEST OF fAN'AAN"'
FAIRMOUNT Tl
WILLIAM S. HART
In "THE WHISTLE"
PA Mil V TIIEATOE 1311 Market St.
I -MV11I-.I K a. M "it MinNIOHT
WILLIAM S. HART
In "WAflON TRACHH"
SfYTH T THEATHE-Hslow Rpruc
JUlll iJl. MATIVirp nll.r
PAULINE FREDERICK
In "ROADI OK DESTINY"
FRANKFORD ina J0
Pauline Frederick in "Salvage"
ADDED SURPRISE VADDEVILLB
Doris May was
v
recently mar-
t
Hcd to Wallace
tMacDonald,
and wc asked
her to give us
her opinion of
married life.
All she sent
was this
picture
4iiHPVH
Wv n0MliiiiiiiiiKSBk7lM 'mil' i ) tV ,, '" H
JMMmWWik'
in ndespalring gesture nnd turning)
enmc slowly up the gangplank, beaten.
A moment Inter the younger one, jubi
lant, passed me on his way to respond to
the shouts of his friends. No need now
to force his smile; it wns radiant. Rut
for n moment, though, I did not know
him nt nil, I hated him.
"You know what happened, don't
you?" tho man who hod brought me
there taid to me n few moments later.
"He arranged that demonstration him
self, when he saw the enthusiasm that
gicetcd Rlank. Ho says he's going to
unnouncc publicly that Rlank bought
up the contest, unless he retires."
"Rut why should he want so much to
win it?" I nsked.
"Well, this will mean quite n lot.
He's in the market for n new contract
right now. If nil these exhibitors get
the imprcbslon that he's tremendously
popular, and If the word goes out
through the industry that ho won this
Will Be Lulu Bett
W(M
I.0I8 "WILSON
Lois has been chosen for the name
part in "Miss Lulu Rett" Instead
of Mildred Harris. The two havu
just exchanged places, Mildred now
going Into "A Prince There Was,"
with Thomas Meighan. Lois is
playing opposite Milton Sills in
"Miss Lulu Bett" .
I'lIOTOl'LAYH
,mv? &lZ&ik?.W?iVtr'" J
The following theatres obtain their pictures through the
STANLEY Company of America, which is a guarantee of
early showing of the finest productions. Ask for the theatre
in your locality obtaining pictures through the Stanley
Company of America.
GI ORP S001 MAnKET ST.
'-, 2 "1 8:30 U II
Oforto Jltlford'i rroduetlon
"A WISE FOOL"
GRANT i0 outAno ave. .
ROSCOE (Fatly) ARBUCKLE
in "tllli TKAYK1.INO 8M.KHMAN"
GREAT NORTHERN
broad St. at ISrla
Bt.BE DANIELS
In "ONi: WILD U'EKK"
IMPFRIAI 00TK Walnut bts.
iivii jri-i Mnt 3l). i:vg9 7 & 8
l onmopoIllDn Prnducllon
"A WILD GOOSE"
Lehigh Palace aerrooThi
e. and
Avenue
WILLIAM S. HART
In "Tin: 1VIIISTI.K"
LIBERTY "K.0A COLUMHIA'AV.
ROSCOE (Fatty) ARBUCKLE
in "fHAZY TO MAItnY"
OVERBROOK u:,D& ,AAASulEORD
WALLACE REID
In "Too Much Knrnl" ll' i.inin.i,.i irv
PALACE
lft A. f in 41 .IX 1 w
BETTY COMPSON
in "fllE r.Nl OF THE WOKI.n"
PRINCFQQ 1018 MAUKET STltEET
WILLIAM S. HART
In "THE H1I.ENT MAN"
ENRICO CARUSO
In "MY C1HJN1N"
RIALTO aA,TMTK72!ofS'1S
THOMAS MEIGHAN
I" "WHITE ANI IIVMAlMMiTTM.
RUBY MA"Klr BT. UELOW TTH
" L-,. I" A M n II. IS p.
ETHEL CLAYTON
In "WEALTH"
M.
SAVOY l-U MAIIKET' STREET
r . ? A .TO MIUNtailT
"The Woman God Chang
nged"
;lmore Wv
SVE. out
SHRRwnnn mn t uui
JL-. v MAT. 2 KVE
DOUGLAS MacLEAN
III "QMS A MINUTE"
STANLEY liTMVi'.. ,
RlclmrU jgjJp'ggjgV-'W'a
333 MARKET thekt theatre
ROSCOE (Fntty) ARBUCKLE
in "rii.v.y Til MARRY"
VICTORIA lvhki:t bt. ab. oth
V IVy 1 UlMrt n A M. , ,1n n V
',"iOii'.i,roun'H puoprrViov '
"The Great Impersonation"
WM. PENN
41t it Laiiiiuiitir At..
V"ilvlli ami lMxtnrei
CONSTANCE TALMADGE
la "LeqiONB IN IVE"
'
THE STORY BEGINS Wj
With the early days U akMil
Ftne Arts studio in Galifornix MWf1
Uoltcen Moore, the Qish, girls, DukU 1
Love and a hoit of others Uitri'w i
munii mnrn innn rrt i.r nr w
Cheyntr tills how she and her cAim
Isabel Ilcath, sat lontsmtlu orotai
tho tludio until Phil CrantuJtH
jamoua uirccior, cnosc Isabel foli"
the first of the screen's "toW
by the direotor's icife. Deny lfft,
Chester, ' a friend of Diana' tt'-i
nniim. nn. in nim nrt f,r.r r-j
"A i;m an.-.. 7.. 1.471
firi.f .i.. .a ,wt J4UUCI 7f
iiounces she is to be starred frrli
P... .. rt..l ir...i.i... '''
noes to France mf the aW
corps and Diana meets Keith' Hi
nam, who strangely attraols
On tho eve of a romantio ruMi
marriage, Keith is killed in an a
mobile acoident. ft'
NOW GO ON WITH TIIE'STOaf
thing it will have real results. That'i
wny uis neart is set on it.
I'd thought that Rlank was beaten,
Rut Just as the vouueer man turnnl ti,
lertVo the platform, Blank reached Lit A
company's oootu. And it swinta n
he was going to be mobbed, for a fed.
ment. The Millings of the booth tint
torn down ; the wicker chairs that foM J j
uooui. rrusiieu 10 nip noor. as ptojile
climbed on them to bee their hero'h
wns the most tumultuous demonstri
tlon of the entire convention. ." ,i
"He's proved his popularity, hut ft
ho?" I demanded excitedly as BUnt,
mounted on n tnblc, handed out.lu
photographs. Blank's voice cut shirt
my companion's reply. IIC was it ;
iiuuniniK uiul 11c nuu ui'l'll cuiieu DSfl
to New York, nnd must leave Witt '
night; therefore he would resign frta
his place at the heado the list of
dldates to lead the" grand march at tk
ball, and ask hie supporters to.Tgtfr
tho man next In popularity the younf
one who hod been fighting him, of
course.
"Good stuff he knows how to phi
tho game!" commented the man with
me, ns we mado our way down titM
crowded stairway to the main AwCM
"Neat, wasn't it. breaking down thst.l
booth; that'll sound well as publicity?."'
nlnff " .V" a
"But I don't understand," I p$
tested. "Wasn't It the neonls who
wanted to see him?" -".,) 1
"Yes eventually. But Blank's puh
llclty mnn planned that this &".
noo," ho replied dryly. "Wonder If A
"4 wouldn't get him for you !"
Moiiouiol poniijuo3 sq ox
I'IIOTOPIjAYH
IfyriT.
NIXON-NIRDLINGERi
&
THEATRES
BELMONT f&CTSWtfl
uiona nivonion nod Mlltan HUH u
"THE GREAT MOMENF
m
CEDAR
OOTJI & CEDAR AVKMJi
1J0 and S 7 and B P.
MAE MURRAY
lit "THE (ULDKI) IJLY"
COLISEUMKd . WfS 1
ETHEL CLAYTON
In 1'SH.VM"
TTIimno Tiinrr t a nminD Xt.
JU1V1DU Jumb0 Junc on Frankford "V
DOROTHY GISH
In
THE GHOST IN THE OAKRK"
i CAnrrn ist iancastck av.
HF.KNA OWEN and K. K. LINCOLN 1
"The Woman God Changed"
I 111 I VI '''l-, AU liULUBl Olliu - 1
LAJCUOi MnUi l!3o, aao Evk fl301oi
Glorln Kunnion nnd Mlllnn Hill 1 i
.. .. .. ..... . .. . n..M nwnVPTl
"THE GREAT MOMENT'
-1
RIVOLI 52D AND 8A,NA8TNP:fl"DXltT
WILLIAM S. HART
In "THE WHISTLE"
I
STRAND QE,KSovsW,!
fllnrln Hnnion nml Milton HUH l
"THE GREAT MOMENT"
AT OTHER THEATRES
MEMBERS OF M.P.T.O.A,
r.v,f ,. "10 aermantown M .1
uwiumiuuiTii MATIMUE. v
BEBE DANIELS
In "ONE WIU) WEEK"
JEFFERSON "$J!tf&u
WILLIAM S. HftKi
In "THE WHISTLE"
.l
PARK S..&W?$l.
Imlil l'owi-il nnd g"''!''' CJ'l n'
"THE MYSTERY ROAD .,
WEST ALLEGHENY "-S?4
ALL-HTAR CAST in
"THE WILD GOODfc
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