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EVENING PUBLIC LEDGEEr-PHJLABELPHIA, WEDNESDAY SEPTE1VIBER
1921
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,(rC(ie D aily Movie Magazine
CLOSE-UPS of the MOVIE GAME
fly IIEXKY M. NEELY
The W ondcr Story of a Little Berlin Shop Girl
WE IJOAPT a lot of tlie romanc of our business worlil over here In the
United Stnte. Our now Buoy become industrial lictntore, our hootblneka
blossom Into kings of finance. We tell nhout it nml hold It up na proof thnt
the whole world Is the ojf.ter oj nny kidlct lucky enough to get his start In life
over here.
We've come to think that these wonder talcs of success do not exist In the
old world. I!ut the) do. I heard one the other day while I wan tn New York.
It was told by a man who has Just come from Germany. It was about n little
girl who, only a few cars ago. stood all day long behind a counter In n depart
ment store In Herlin and sold dilTctrnt thlngumjiKs and gadgets to the female of
the liochc species and found her more deadly than the male.
Xobody knew the little shop girl then; ou all know her now she Is known
all over the world. She Is Tola Negri.
There has boon n good deal of controversy here n.(r the real name and
nationality of this t iiipcramontal star of "Iasion" and "fljpsy Wood" and
"One Arabian Night" ithe last of which jou still hae in store). Some said
she was a Polish (oimtess. Others declared her name was really Pauline
Schwartz and that Pola Negri was nu Italian translation.
This man tells me that she Is really Polish, though not a countess by any
means. The "Pola" in her name represents her nationality. And, he says, the
"Negri" reallj is an Italianized version of her surname Schwartz, which Is
German for Ulack
Pola's story isn't the usual one of sudden rise from poverty to riches, with
the steady happlnes that sijeh a career would bring. She got n U(l(lcn start,
had a taste of success and then slumped hack Into her job In the department store
again. It wasn't her fault that she slumped: It was the war.
t
7HKSK wonder stories of the screen aliayi seem almost unbttievable
to me. can't conceive of nny one staying sane nml normal after
$ueh dizzying transition from poverty to immense wealth and world
wide fame; I'd hate to think what tt would do to me (but I'd love to
try tt.)
CIIAItMR CHAPLIN had an uphil' struggle In his early days, playing small
parts in cheap London vaudeillr Today lie hires several assistants, to each
of whom he pajs just about the salary of the President of the United States.
Marshall Nei'an was a chauffeur not a decade ago. Now he Is one of the.
biggest of producers and directors.
Norma and Constance Tnlmadge were glad once to get jobs as extras around
the Btudlos. And now look at 'em Just look at 'em !
Anita Stewart thught -he Was lucky when they let her play a tiny bit as a
maid, and Charlie Kay used to carry a spear in a stock company that went broke
and left him Hat
And before the war this temperamental Pola Negri was making fifteen marks
a week in Wertheim's department store on the Leipziger Platz In Herlin.
Fifteen marks then was worth nearly $4 In regular monev. Now it might be
worth forty cents.
Pola was born In Posen in Poland. As a youngster, she learned to dance
and play the violin not at the same time, of course that is. she didn't do both
of 'em at the same time If she had, she could hate got a vaudeville engage
ment and the department store episode would be out of the picture.
Hut she must have been fairly good on the fiddle bocauxe friends who heard
her play In the evenings after she had punched the Wcrtheim time efbek urged
her to trj It profe.iuniillj and itilt the ribbon counter.
Finally she decided she would. And she did. She managed to get booked
t'or a modest concert tour and then worked into the Imnerlal Russian Mallet
where she danced before the once well-prcs-agcntcd Czar Nicholas. Nick prob
ably didn't know she was there, but It was a better job than Wcrthelm's nt that
OHK teas daneinq in llerlxn when the tear broke out. .ind thnt tern-
-f porarily ended her artistic rmecr. Came the time (as the magazine
writers my) irhcn they uerrn't doing any mote daneinq in Herlin -or
anywhere che tn Germany. So 1'oln went back to her job nt U'crtheim'i
And by that time fifteen marks was worth one car ticket.
"V TATT. lt. T.T.Y Iwmbnnnmiy i.Mililn. en.icf. n .! n.l. I.a.1 l.J . 4 . .'
1X1 '" - !" '." i..-t. ,i t,ti i ..in. nun uau a lllMP oi
i-N public life. There s no thrill soiling tMnKifmjigs nnd gadgets to the adipose
fchoppers of Herlin at lea-t, I shou'dn t think there was.
Pola heard about moving picture- Mic sot a job as an cttra working as
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CONFESSIONS
OF A STAR
As Told to
INEZ KLVMPH
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Youngest Leading lad,
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LUCILLE RIOKSON
Tt.l ..1...1.A..l-.t
... suiij-iiuiucii person U d.
pictures but'ac I "I "3
with that honor. Now-. 7
nee of olowm i. i. " '..at
ffe 8t. ..'.. m a .M?
inn-, mm win make her !nri.
debut at the Ambaawrto, "J ,'
Los Angeles. She tlavc,i , f1
Tarklngton. E1L J!?'?..tt
"- -yuif(HCSt
HEME are sume scenes from the
latest nnd most nmbitious film
creation of Douglas Fairbanks, "The
Three .Musketeers."
Above are Athos. Portlios and Aramis
holding Doug back from n Cardinal's
guard. In the circle D'Artngnnn bids
ins fathr good-by and starts on Ms nd
ventuus. Between these pictures Doug
is seen struggling to recover the Queen's
jwels from Barbara LaMurr, the Mi
lady of the ciiBt.
POLA XEt.Rl
atmosphere with LuLif i the fJrlmth of Europe' And Lubitseh "dis
covered" her.
That was six .ars ug.i Today the little shop girl is wildly worshiped in
two or three inntlueiits. Majle four.
Het early dandn,: expeiiemc gives her her principal opportunities in "One
Arabian Night." She takes the part of a wild, whirling dan. -r of the desert
and when win see her perform b. fore the old sheik in the picture you will get 1
chance to make a new estimate of her temperament nnd her ersatllit
, i . wo"",,r,"B ",w '"" " "' " befou- some astute American man- '
ager will bring oer the timpestuoiis Pola in person and tiir her In a show that
will give her a .-nonce to run all through her list of accomplishments in one
evening. I il almost bu a ticket to that show raj self
Answers to Questions by Movie Fans
Jni'ADY At last it is niinored that
William S. Hart and .lane Nuuk are
to be married m O. tober It is in
terestia to know that Chailes Itaj was
never on Broadwo Not that it was
Ills fault. He packed up seeral times
for the trip, but something alwajs in
tervened. Poor Charlie! Some time
lie'il get there.
COp-COO-Mai Allison hails from
the South. So does Hope Hamilton.
Islles Welsh Is at pieuit working with
J'.laine Hammerstein n "Tlie Waj of a
Maid," This picture thrtntuis to he
the last appearance of the joiuig man
en the scn-en for some time to come, as
lie is to pla the lending role i I'hu
Hot Heads." This plaj is to open on
Broadway early lu the new season.
Mrs. II. N. W. .Mnlveen Polo, Ed
die daughter, has bobbed hair. Irene
Castle a eyes are blue, not brown Her
lialr Is light brown And. bj the win.
Kpeaking of Irene, her new picture
Which was called "The Broadwnj
ilrlde ." Is nn iv ...,!.,. i..,.n ...
V.. . V. . .. '. i uii- inline
of "FlTlnit Colors." Titles, j.m know
are mibject touchonge nt a moment's
feotlct.
J" t.ikcn from Hfllph ( onner's well
know, ,ook by that title It was pro
due eel , the Cathrine ("urtls Produc
Mon Company and features Colleen
Moore and John Bowers Yes Gloria
,- ""' """ les lilorl
Swanson .was once n bathing beauty
" has been married twice. She i
Tliey have
now Mrs Sjnhnrn
j small daughter. Gloria
is
one
VICTOR Doris M r.
VjUM.ftrIteaid, "Tbe
. r i
'& ;
'h
marrlpfl to
Skrllof
CLITA Anltn Stewart wll send vou
her pliotograph if .vou write and'nsk'h-r
for it. It Is miml tn inclose twenn
live .enis She has two pictures to be
re!.nr.l In the fall. "Her Mad Bar
gam' and "A Question of Honor."
MA WON The cast you ak for Is ns
o lows: Jane .Tennlngs, Mvrtle Morse,
jlclmrd Cnrljlc. William Humphrev
I dword Boulden nnd Chnrles P'nne The
temporary title of the picture s "Hal-
ticiiie in in., secret service
, CLARENCE Inn Claire f, n
l.urope jn-t now. I do not knou that
she In making a picture ocr there Mv
fills, wmilil In- that she Is not "The
, Gold Diggers" has not been adapted for
iiiu nuil'cil.
.1. A. D. Address your letter to
Jul'nn Eltlnge, Eltlnge Theatre, New,
u.n vl .
;irTn7Cr,(A,'TCi7T
I -iu, vno .nu x VjrlX I
USED TO DEMAND
By CONST NCE PALMAR
Hollywood. Calif.
TOMMY MEIGIIAN lias commuted
back again from New York. Dear
me, how that man does trnvel ! His
present obleetive is the making of
George C ihnn's stage success, "A
rrince There Was." lie is again di
i lei tn I mi, in ipi'i mil that nice
Guy Oliver Is in the cast.
Lois Wi's. ji who a .iijs loeiks so
nice opposite Mr. Meighnn, is his hero
ine. Nisei Barrie, a jear past the most
leading of leading men, is playing a
secondary part.
Anent this It's happening more
often than jou would think. Actors
who hne held out for months for their
exorbitant salaries of dns gone by
have capitulated, and are now onlj too
glad to t.ike whnt they can get. Which
is sensible
Rupert Hughes, whom we have rforn
Innted for it niche in tho Hnll of En
ergy, is co-directing, with Mason Hop
per, his own story, the continuity of
which he wrote himself. The title of it
is "The Wall Flower" and Colleen
Moore is It.
I watched her work yesterday, and I
say frankl I didn't think she had it
in her. In the first part of the story
she Is a cry down-trodden, unpopular,
homespun sort of person nnd by the
way, Fanny Stockridge, who played the
old maid in "Way Down Eabt," pla)s
Colleen's mother.
The girl seems to be in her part even
between scenes. She looks neither to
the right nor to the left ; her toes are
just (is turned in when the camera is
not grinding as when it is.
Although I hnve been fnrmallv nnd
definitely introduced to Miss Moore
five distinct and separate times, and
prnhabl) will be as ninny more, I'll say
frankly I alwajs enjoy meeting her.
and she has my admiration for being n
good actress.
Gus Edwards, with his little tioupe
of proteges, is touring the studios be.
tween acts at the Orphcum. He visited
Wallle Iteid the other day and after
ward Beft Compson.
Back again to "The Wall Flower."
I forgot to tell ou thnt Hush Hughes,
verj good-looking son of Rupert
Hughes, makes his ilclxit in this pic
ture Iln has only a small part, but
the fun he gets out of putting on his
make-up nnd others watching and lis
tening to him while lie does it is
worth the price of admission,
Richard W. phylng the lead, is
(
Daily Tabloid Talks to Fam
on Breaking Into the Movies
By JOHN E.MERSON and ANITA LOOS
L
Film Actress Born Here
Alida V. .lones, who appears with
Gladys Walton in "Tlie Rowdy," was
born in Philadelphia In a house on tlie
corner of Thirteenth and Walnut
streets. She attended the Catholic
School at Sharon Hill nnd was grad
uated from there.
THE STORY nEGINS
vith the early days in, tho old Fine
Art) studio in California, when Col
letn Moore, the Qiih gtrli, Deisie
Love and a hot of other were not
tnueh more than extra jirfa. IJiana
Cheyne relates tho tale; she begins
with the day in the studio iciten.she
and Isabel Heath, not stars then as
they are note, icere sitting on the
stairs when a strange man came tnto
the studio and looked at them. Tho
cameraman- called them down to
meet him, and it proved the turn
ing point in liabcVs life. He was
Phil Oraney, a famous director from
the eastern studios, and he taught
Isabel to bo the first of the screen's
"baby vamps," and engaged her ar
stieh, a part in a photoplay he teas
producing.
NOW GO ON WITH THE STORY
CHAPTER XIV
'D BEEN married several times In
pictures, once In a beautiful gown nnd
veil, and six awfully pretty extras ns
maids of honor, nnd n set built from
parts of n real church. I'd thought
then that, when I wns really mnrricd
I'd have a wedding somewhat like thnt.
When I dressed to be married to
Keith Gorhnm I remembered that. I'd
thought I'd be adjusting n floating,
gauzy veil to my head on my ivcddlng
day, Instead of running n wet comb
through my hnir, pulling out tlie little
tendrils that curled down nrotind my
face, and putting on n soft white hat
that wouldn't blow off in the wind on
the way to Snn Juan Cnplstrano. I
did remember all the little supersti
tions, though; my "something new"
was tho white 8crge"ftult I put on; Ijd
had It made for n picture, nnd then At
the last minute they changed the story
and I didn't hnve to wear it. "Some
thing old" wns the rest of my clothes.
"Something borrowed" was the little
pcnrl crescent pin which Colleen Moore
had lent me n few days before, when
the top button came off mv blouse, and
"something blue" was the georgette
scarf thnt wns wound nbout the crown
of my lint.
We hnd decided not to sny anything
to anybody nbout it till it wns over,
becnuse we were perfectly ccrtnin thnt
his aunt nnd mine would object. Keith
was still in college, nnd my aunt hnd
never renlized thnt I was grown up.
So we thought It would be better just
to go nhead nnd be married, nnd then
tell them nfterwnrd. house nnd be married "in the fT1"'1
It was n Klorlous morning, clear, , lor. even If ft ,ns wnx flower.
sparKiing, goiuen. e siippcu tnrougn
the town's truffle without seeing nny
one we knew, nnd before long were out
on the road to Capistrnno thnt road
that follows where the' monks' feet trod
so long ngo. It was heavenly, skim
ming nlong through the country,
through the hills so covered with yellow
poppies that they looked ns if some
giant god had tippled a great cornucopin
and spilled them out.
Keith laid one nrm ncross the back
of the seat, nnd I Hlippcel down low
and leaned my bend back against it.
Glancing up nt him, a sudden thrill of
happiness went through me. Even
when he looked down nt me nnd I met
his eyes, I hnd no longer felt the old.
disturbing sensation, ns if my heart
were a bird that was trying to fly nwny.
I had always loved the old missiem
nt Snn Juan Cnplstrano, nnd wanted
to be married there. We were to get
our license in the town, and get a
Justice ctf the Peace there to go with
us up to the mission. There wns n
grassy space, outside the crumbling
gray walls, where the ceremony would
be said.
And then we would go skimming on
along the white highway, past more
great hills with their golden poppies
eagerly, running abend of hm ..W,...
here, where the slmoows---" i,h
And then I stopped. For o ,
clear, peremptory, enmo across ik. ?'?'
tcrcd stillness. Th u,.i5S8!h.h.
too familiar, anttVntffegiS;
"Camera 1" R ordered.
And nrrnaa thn ...,..
ley crow, iw- nS X'S1"? n
ntT&':.,B:
SlKftft.
I nmilfl IiotA ...A
to the oar. No- chce" noTto'M
ceremony performed there- thWi!
working nil nfternoon. tJd h
Nctcr mind, dearest," Keith ,f..i
ns he iitnrtci ,t, ..i:!-110 orisi
nnothcr nlnco tlmC e..'f ...... ...ran s
And " J " "B i"i'wii
ir. even it it i,ns wnx flowers
S"..")' ' it," I XCl
n-,.'ii :...i ..
"I", .",,u l"? rarest mlnliM
'ront pat.
'wers u(
tucking my skirts -in and i Inn K
hat on more firmly, "That'-sK
I....LU i Know or where there's eerui;
not to be a motion -picture company
. So we turned toward tho onen .v..
tumbling down to the sen, to Coronado.
From there we could send ilm neces
sary telegrams bnck to Los Angeles;
there we could pour over steamship
companies' booklets, planning the joy
ous wanderings that would be our
honeymoon.
We came to the mission nt Inst,
pnrked the car and picked our wnv
across the gross to the place where I ball
expected to be innrrleil.
"Here it is, Keith," I exclaimed
...... u.i inure nrimy. --That's thd ".il
fe. j .?.' "here tW.S
-. ..:.. ...i " '.. i,,v v.pvu conn
". uKtiiii. iiriii Tirn.nnti ..... ..
anut.M.nn'.ljplS
"It couldn't hnve hnppened to ini
.in wno wnsn t in pictures," mfc
Keith, g ving the car m9re gas n, .
mi!'P X. Te, "'""" r," to the crest of
a hill. "But of course "
And then suddenly It happened. Tin
sudden realization thnt another ear ttu
plunging around the turn of the hill
toward us, the sickening swerve to tit
. i me roan, i up crnsn that seemd
to still my heart with fear.
. Aml f,'.icn tllc lrrlble aftermath. Tht
hills still tumbled their golden poppla
to the sea ; the blue water still hurtled
up to meet them. Far out a gray plan
of smoke marked the pnssage of a lino
outward bound. But there nt ray fVt
lay a crumpled, broken thing, wltl
tortured face nnd staring ees nil tilt
hub ieii oi jveitn uoriiam.
CONTINUED TOMORROW
How They Named One Play
. i'What shnll we call the picture whn
u is completed.'' was n eiuestlon
citing Selznli-k's staff, as Elaine Ham
merstein worked on one of her mi
photoplays. But the need of an air
plnne to use tn some of the scenei
drove the name problem to the rut
ivuii'iiitiiiiy. .or nuving nn airplane u
stock, it became necessary to borrow
one nnd then the picture wos namrf
Jiorrowecl v ings."
1'iioTnrr.AYs
PIIOTOI'I.AYS
ritOTOI'LAYS
Cost of Production Doesn't Guarantee Success
The oifVioM of this series ate the
In mon s Km, mon and Loos, who have
written some of tin most successful
photoplay. They 7101) have full
rliatat of all set itanos for Constance
I almadge.
And the high cost of n picture by
no means guarantees Its sueceds. A
N 100.000 picture mnv eentually make
naif 11 million dollars for its hackers, hut
certninlv they have u long wait for their
liicim-i. On the other lmi.il Mm rl.b lu
Arm in 1 . . . , . . -tiipemlous, for the picture may be n
'"(ID Ine-ieel feature picture to- tlttt failure,
day eosrs about sixty thousand dol- One of the most successful nictures of
e!noln0JrH"re ," ,",1 Htar h &' Past' Hennor " 000 to p od.ee
, ironnn nM f,n ePn1ot"r?.?.0,',, T'1,' ,llr,,,,t"r f t''ih Iicture-an Ameri
IJown Fns"rf.,'nt10?'?00' "y " Production nt that -had previously
;,n,;. Gtiffith's latest produc- ln,le, nt n cost of $150,000. another
, t'oT J" ' m"lcr " m,,1,on doll,lr8 t0 1'1'otoilranm. which proved a financial
ino.llice, lemon. Tho 1 nun nt fliooo f ,,.,!,,
The profits of the picture come out of 1 tions ls evccllent proof thnt the best
its 1 mi, wlil. I, id iv Inst rcvcn or eijht
eors, and eve 11 longer in Europe.
Churl! Chaplin's pictures are prac
tically without eteepton long-run pro
ductions. His eC first comedies have
In hi ieissin.1 time and again and given
return engagements all over the country.
'Should, r Arms,
pictures are not necessarily those which
' usi rue most
He thnt ns it may. one eheering fact,
attested liy ninny motion-picture mag
nates. Is that, whatever mn, be the case
in other industries, salnries are not
going to droll in elm motion nlcti.rcs nt
least not to anv appreciable extent for
rcienseu miring tlie i"e majority or workers
ere reee Jli5 l "U ",".', KW- n ,h" 'ntrnry. the motion pictures
5Zri.Ti the public, andnie growing bigger nnd the demand is
nro llil, .iw' ,h,"new l'''t"'. "-ill 1 greater than over before. There Is
Wil ten ,n' V (",ll ""VC f Pnu' I n,on' " "wtlon Pictures r.ow. and
Utlt ten jears hence. ' t here will i,n nn ..,... i .1 '. '..
I r i .1,,.,.. .I..'- t ...! un.Li t
Y,Miii'i" s iiiiiiioruii uuiria. 'jears.
......11 .i.-auu h siusaiioii wnen it was 1
introcluce.l in this countiy In the spring
of 11)11, Ik about to make the rounds of
American pictuie theatres again this
jear. Of course, all pictures are by no
menus in the same long-run cIiirh.
there will be even more in the next few
(There "Tabloid Talks" are ran
densal from the material for a book
hy Mr. Kmrisnn and Mia Loos to be
puhhihtd by the James A. McCann
Company, Yn Voifr.;
his guide anil ifientor, and the hounds
that issue from their dressing rooms,
coupled with lemarks about grease
paint, show they both have their hearts
in their nrt.
Tom Gnllery is in the picture, too.
I found him over in u corner buck of
n lot of deeper), sounil asleep. He hiijh
the iik-tim- he inndi with Ills wife.
Zasu Pitts, will soon be released for all
the world to see. Znsu plujs the part
of 11 toinboj , mid Tom falls in love
witli another girl.
I'd say that Is the height of altru
ism or something for they are new
ly weds, jou know.
Built Complete House for
Bert LytelVs New Picture
BELIEF that the construction of
costly nml elnbornte "sets" has
been abandoned by picture producers
during the present reorganization of the
industry Is belied by one glimpse of a
complete home that has been erected
within oce of Metro's big Inclosed stages
nt Hollywood for Bert Lytcll's new
picture, "Lady Fingers."
Not only tins the structure been com
pleteel for photographing from without,
but tlie interior has been completed
down to the last piece of tiling.
This setting is one of the largest and
most complete ever built nt the Califor
nia studios. It consists of n pntio in
eluding a large got den, in the center of
which Is a pool where pond lilies and
either water plants are grown. A clois
ter walk runs uround Hie entire patio,
from which nie entrances to the many
rooms of the structure. The archwajs
on the walk are covered with growing
Unes. All of the rooms are completely fur
nished, cien to tho smallest detuils, so
that the camern can be set to "shoot"
scenes looking from tin gniden into tho
interior, as well ns from the interior
into the garden.
Another feature of the setting Is the
fuct that a balcony runs around the en
tire building nnd many scenes are to be
photographed on this portion of the
patio.
More than 8000 rfmncrsaCwere niilir.
to llhibt tote eluboratiia Utl,,Md
MjrtrPlAYT
1SirfA
COMPtNr r
fcUfAMcwc
The following theatres obtain their pictures through the
STANLEY Company of America, which is a guarantee of
early showing of the finest productions. Ask for the theatre
in your locality obtaining pictures through the Stanley
Company of America.
. tmhu
COMPANY r-
orAUtWCA
A 11 1 i'ih
.HinaiTiDra jrn'. niiiynt j.kw t.ir&u
MorrU A rtsunk Ave.
DOROTHY DALTON
In "Iir.lIIM MASKS"
Al I PPUCMV l-'innkfori! t Allegheny
rtL.LL.unC.lN I Mat. Hillv-.' I I-vsb ut i
GLORIA SWANSON
In "Till', (IKKAT MOMKNT"
GLORF W01 MAHKET ST ,7 ""
JSENJNTAL I TOMMY" , LW THEATRES l
A POT 1 O 0-D & THO.Ml-SON 8TS.
ttrULLU MAI LSI. U II MIA
DOROTHY DALTON
In "Till: II10I. OI- TIIK hOUTU"
CIIUbTNLT Uol 10T11
III 1 I I11 1 I l.'i 1' M
ELSIE FERGUSON
In M'OOI'l.KilITS"
ORAMT -' uniAiiD Avn.
t,Z. . MATINUs, DAILY
ETHEL CLAYTON
-'! "SAM"
GPFAT N0"RTHERN,,T7Fr?
CLARA KIMBALL YOUNG
1.. lulu ...
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ARCADIA
IMPERIAL oom walnut sts:
ROSCOE (Fatty) ARBUCKLE
II. iitf.t' i... .. .
l.Mi " 'IAIIHY1
AQTOD J'KANKLIN 4 UIUAUU AVE
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DOROTHY DALTON
In "I1ICIIIM) .MAsKS"
BALTIMORE SIHT i ;v,LTlM01
DOItls MAY unci COl'HTr.NAY POTK In
"THE BRONZE BELL'
RPMM "TH AND WOODLAND AVE
ULlllX iii. ni v
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"THE WILD GOOSE"
Lehigh Palace t,,,r,m-,nl'n avp. una
AI.I-si-Mt ut ,.. ,!;!'"'',1 A-nu
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BLUEBIRD
Ilroad A KtisquelmnnK.
1 mi clniio h j unlll 11
WILLIAM I)K MILLIVS
"THE LOST ROMANCE"
BROADWAY nrmzaffir '
THOMAS MEIGHAN '
In "Till: CONDI i:ST Of CANAAN"
CAPITOL
7-i-i MARKET 8T
III M n it IS 11
GLORIA SWANSON
III "l Hi: (IKKAT MOMKNT"
colonial atn. a, ?p.ta,w,r?. A,r-
GLORIA SWANSON '
In "Till: OUKAT MOMKNT"
DARBY THEATRE
THOMAS MEIGHAN
In "TIIK CITY 01' SII.KNT MKN
FMPRFS S'A,N flT- MANAYL'NK
pOROTHY DALTON
In "IIKIIINII MANKH"
FAIRMOUNT-TrY
WALLACE REID
In "TOO MITII SI'KKK"
FAM1I Y .IKATHK-13U .MAiTkkt
1 r-iviii. 1 n i m to vidnioiit
"THE BRONZE BELL"
LIBERTY uOAp i OOIAMl-AV"
OVERBROOKu,,ir4vr:Iono
WILLIAM S. HART l'U
PALACE VoHa M,Ar"'-TrM:I1ET:-r
BETTY COMPSON" Pl "
PRINCESS, W MAitKHnBTHirKT
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TWIS
ID PI H fly'NK 1T- KOf A I1-HII1 II t IlL'IMI
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"THE GREAT MOMENT7
CEDAR C0T CEDAU AVKNT1
iriiX.1'"1 4 3 '"" n 4r' ,0 P,U
1 nurafli iVltlUMAIN
In "WIHXJ5 ANU UNMAKltim)"
COLISF.i IM .M."" "? th .
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m.dAJL' SAHT In 1011 MrilKB'S
"TOO WISE WIVES"
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ENRICO CARUSO
ill 1I! "I SIN
IUMBO raNT ST A niltAKD AVI
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WILLIAM b. HARI
In "TIIK TKHTINO lll.OCK"
RIALTO uvrTf,,-iji,-AV'UNJK"
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RUBY MAUKt777rF'w-TTir
DOUGLAS MacLEAN "'
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WILLIAM S. HARt"NU,"T
jj "TIIK Wjllhli.!;..
SHERWOOD & .""'iv"
STANLEY ."'(""AT-iiru-
LEADER ustvtaa7Stavi
"ISOBEL"
LOCUST :,2D AND r.OOI'ST STnEETI
"THE GREAT MOMENT"
RIVOLI B"D AND PAN.SOM STS
- MTIM.I 1
'AKAJIOI'XT SI'ITlV-SPKlilAL
"UtLtr'TIOW"
ILT
STRANH l-I.MATOWN An.
111 lit.. . U A r I. v I M (1 STREET
lTIji?VtNHON' '"" ''TOVMM.Jh
t. n i 1vnJiv1c.11 1
AT OTHER THEATRES
MEMBERS, OF M.P.T.O.A.
I prmnntnum "'I" ilrin iri'u "'
vjermantown matin r: dailt
.-..TI,0MXH " INff."
"THE CUP OF LIFE"
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XPERiENCE,"'"','uAe'" JEFFERSON -Sful?
333 MARKET wni:,"TiirATinjROSCOE Fn"y) ARBUCKLE
ITr,oi.iTA.N i'iAni!i 'jVmJ,5 ' M ' ,n."TI,,! TAV,:,,IN" f,AI'hsMA51-
56TH ST.
TJIKATHK IIpIiiw Sprue
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FRANKFORD "".J'JftJjiJssB
"Whaff.Your Wife Worth?"
AdJd SUBrBISU VABDEyiU.K.
yr".l -hnnged" IpARkr hkii: ak. a dai win
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