Evening public ledger. (Philadelphia [Pa.]) 1914-1942, August 18, 1921, NIGHT EXTRA, Page 14, Image 14

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EVENING PUBLIC -LEDGERr-PHILADELPHIA, THURSDAY, AUGUST 18, 1921
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'CLOSE-UPS of the
Ily IIRNKY
t's a Great Year for Mothers in the Movie Business
TlIEItK wnt n tlnip s hen ou couldn't .iiioceotl In the movies unless you uere
a raving bonuty with wonderful chnrig. or cIm' n vouiik CSreek j?od with n.
cleft chin and innrveloiis eyes. Hut not nny more. Times lmvc changed.
Nowndays you've cot to be n mother.
f j" r .. !...
H NHv
HaEsa-m
ously In the fiesh air. never li.iwng uc.ird n cnbnret orchestra jiuz "Sninsnn nnd
Delilah" or "Madame Itutterlly ' or ' The Palms'' while the dancers toddle In
and out among the tables.
IV. IS tnlkviij the other day to Willaid Spcnicr, tcho has irrittcn
more succissful light opirm than I have finner.1 ami toes. "I hnve
noticed this tendency on loth the stage and the screen lately," he said.
"It is funny how if spieadi. woke up yesterday mufning trith the
musical theme for a tony tunning through my head. 1 sat down at tho
piano and began to work it out. The words tell how wc have grown
tired of the vamp and the )a;; girl and now want 'The Apple I'ie Kind
of a dirt,' I think it is the liril thing I have written." (Adv. Xcit to
reading matter).
' A LUHAIVV we have thrct' grent screen mothers whose names are being prcss-i-
agented more widely than the names of younger stars. They arc Mary
Aldcn, Mary Cnrr and Vera (lordnn.
Mnry Cnrr, in "Over the Hill," hns hnd New York women weeping happily
for some time. This photoplay is in some ways the most remarkable achieve
ment of the last beason. It came at a time when the production of expensive
pectncles was quite the thing.
"Over the II11I" was not expensive; it wns not n spectacle. Its cast consists
of about n dozen people, with no "t-tnrs," and it tells a simple, homely story
of' plain life.
Yet William Fox has cleaned up over n million dollnrs with it and it has
not yet been released to the country at lnrgc. It is a triumph In simplicity; It
gets into the human heart and Miry right there, and, for the average woman, It
Is nt least a two-hnndkeichlef story.
And Mnry Cnrr did it. Of course, thoo who understand these thlngr will
know thnt Ilnrry Mlllnrde, the director, was the real guiding spirit throughout
the production. Hut Mary Cnrr, foimer Pl.ilnde'phlii woman, "gets the stuff
across" nnd mothers her screen brood so vou almost want to be mothered by
her yourself as vou watch her.
Mary Aldcn has been n screen mother ever since her debut in pictures. Her
triumph this year In the Hupert Hughes htorj , "The Old Nest," will probably
make It forever Impossible for her to play nnvthiiig but mothers ; Mnry Alden,
without n brood of youngsters to worrv over anil sniffle over, will now be
inconceivable.
Oddly enough, Miss Alden hnd a mother part in the very first picture she
appeared in. This was Griffith's "Hattle of the Se.es." And she had another
in the scrccnlzntlon of Ibt-cn's "(ihoi-ts." She's been mothering ever since.
And this year she and the other mothers of the screen step right into the camera
lns and take all the close-ups there are.
yOV all remember Vera Gordon and her part in "Humorcsquc." She
simply stretched out her a rim and mothered the whole world, tihe
teas really the one who started thii mother ciazc. There had been
screen mothers before her, of course, but she definitely raised the mother
part up to stellar rank, and that's irhcrc it is today.
r1 IS Impossible to think of Vern Gordon ns nnvthing but n mother, either on
the stage or off. Personnllv, children are a pabsion with her She hns
"adopted" thousnnds of little waifs in nlniost every eit in the country and she
doesn't do It just ns a pres- tgent stunt,
but because she renlly has the big ma
ternal heart that she displays on the
screen.
Even when she dcerted pictures for
Taudcville she continued mothering. She
makes it a point in every city she
visits to do something or other for n
Jewish orphan home there nnd usunllv
ahe does It without her press agent
knowing It If she cnn. Hut It's pretty
hard to fool n press agent.
She did it here some time ngo. When
the "flu" epidemic was on one of the
Jewish chnritnble orgnni.ntions gathered
together twenty-eight little children who
hnd been orphaned by the disease. Some
women collected funds and took a house
at lfiSO South Sixth street and turned
it into a home for the kiddies until per
manent arrangements could be made
Vera Gordon heard of It nnd wsltcd
the house when she came here on her
vaudeville teur. She helped.
Now the little family of orphans hns
outgrown its home nnd has sunt another
appenl to the screen mother. And she
is helping ngnin. She lias started i .ik
in New York on another mother piuuri,
but she hirs found time to organize a con
cert to ho given In Atlantic City w xt
Sunday night nnd she is going to run
dowii there with little Mi nam Jlattistu
and show how some of the famous si cms
in "ilumoresque were made
for several years slic has been sending autographed photogrnphb to fans who
wrote to her. Now she is writing each one of these fans, nsklng them to pay
twenty-live cents for the photograph, but to send the money to tho downtown
Jewish orphan home.
Thnt's the kind of real mother heart she ,ns. And Hint's why it Is Impos
sible to think of her iu nny other than u mother role.
1 OSCV aiktd 'ttli Miriam llnttnta vlnch screen player she liked
bet of all she had ever played with. And the answered ouite simply,
"Vna Unnlou. Xo; I don t like hir. I l.OVU her. She's )ust hko a
mother, even when you'ie acting with her."
C
HE IS THE YOUNGEST LEADING MAN
'Xlttlfl Edgar Jones and his sister,
pictures
Te D ally Movie Magazine
MOVIE GAME
M. NKELY
Thnt lets you nml me out, Percy. It's
snd but true ; this Isn't our your. Slncu
nbout the middle of Inst senson the
only stnrs who linvc mnde renlly big
hits nro the women who piny mother
to nbotit hnlf n dozen children. The
more children they hnve to mother, the
bigger hit they mnke. If some one hnd
formed the llubbnrd Film Company he
would hove mnde n fortune. I refer
to Mother llubbnrd, not Elbert.
It certainly is odd the wny these
mo le styles come in waves of popu
larity. Ve had waves of Kaiser
films, waves of "miracle men," waves
of (-pirns (I'm tnlking psychology now,
(ieriildlm-, not what you think I am);
waxes of everything else.
Now It'1- mothers. We've seemingly
)colted at the artificiality of the inn-chine-made
scenario and hnve suddenly
come back to earth. Wo don't want
deep-dyed villains now. There are
mighty few of us who meet such
scoumlMs in renl life and we've grown
tired of seeing them scowling at us
from cer screen.
We line swung bnck to n demand
for the clean, simple things of life. We
hne suddenly remembered thnt the grnss
grows green in the homes of our In
fancy and the little children, and the
iltt'c kittens, and the little chickens nml
the little every tilings romp nbout joy-
IraHHHUHHHK '... suetm
who will bo starred in, Goldwyn
iKSt aju. 'VLLbKJiLLLI
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MARY
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The
LOVE STORY
MOVIE STAR
"rpAKE her on up here? And have
- him have that man coming up
here continually to see her? I will not
agree to it! At least," I added, over
come by a belated sense of shame, "let
mo think it over."
II gave me one of his keenest
looks.
"Very well, Nella," ho said quietly .
even gently. "You will have plenty of
time to think It over. Annette is going
away on a trip for a few months. We
can both think it over. We need not
decide before fall. Hut please remem
ber that her fnther is an old and valued
friend. I ask you to consider mu that
far.';
With that, ho was gone.
Hut it was as If the peace thnt had
come to me was a false peace. It was
like the deceiving green growing over
the edge of t lie crater of a volcano.
Leaving a huiried note for II
that I hnd one of my old headaches
and would not be able to woik thnt
day, I left the studio, and drove home
Once there, I i-ent my servant awy
for the day, giving her pcrmifslMi u
go to a sister's nnd spend the night.
I wnnted to bo nlonc. I wanted to
bo where no human eye could see me.
I wanted to give myself up completely
to tho rage and Jealousy yes, jealousy,
Annette ; jealousy of you that was
consuming me. I had never known
Katie, my maid, to be so slow. I
thought she would never be ready to
go' I thought she would never stop
coming In to tell mo where I would
find the ten, nnd In whnt pnrt of the
Icebox she hnd put the cream, nnd where
I would find the eggs for my breakfast,
nnd the grapefruit, etc., etc.
I had told her that she need not come
back until, after breakfast the following
morning, and that I was going out to
dinner.
I knew thnt she was onlv thinking of
. nu nnd of my comfort. Hut I hated
her for not going more quickly. At
last I henrd tho door close behind her.
1 1 was nlone.
I I was in the big studio In my apart
ment. I took n studio-npartinent, be-
Icauso I love to have a room In which
I cnn move nbout freely. One gets ac-
customed to space, working in our huge
i studios. After them, the ordinary New
York flat beems like n bnndbox! M
studio has just enough furniture In it
to mnke it look Inhnliited. A grand
plnno nt one end, n large table for
hooks nnd mngazlnes, u few chnirs nnd
n couch. Here nnd there, on shelves,
on brackets, nnd on the windowsllls,
nre beautiful and costly pieces of brls-
u-hrnc. mnny of which II hns
given me.
When nt Inst the welcome sound of
the closing door fell upon my enrs, I
snntohed off the little velvet toque
I was wenrlng. The next second It wns
spinning through the nir. I hnd not
meant to throw It nt anything ; I only
wanted to have m.v burning temples
free. I wanted to let down my long
hnlr Hut it struck a delicate, fniry- '
llkelike vnse one of the first nieces
thnt II hnd ever brought mo. Ilown
it enme with a crash, shatcred lno a
thousand pieces. After that. I think
I went rrnJtv ! The sound of the break
ing glass gave me nn insane delight At
tho end of n few minutes I had swept
everv cholco piece thnt I possessed onto
the floor.
Then tho reaction enme. A flood of
shame, of remorse, of ns hitter humilia
tion ns I hnve ever known, swept over
me. I threw myself on the floor In a
passion of self-nbasement. I was noth
ing morn than an ignorant savage! AH
my hard-worked-for education, nil mv
ncqulred refinement wns n mere veneer!
I hnd reverted to typo! The yenrs hnd
dono nothing for mo ! At bottom I wns
the same ignorant, undisciplined child
that hail played long ngo on the slag
henps In Pittsburgh ' There woh where
I heiongeil ; I had better return !
When I got myself tin from the hard
floor, sore and bruised in mind and
bodv. nlzht hnd fallen. I tottered lnt
my bcdraai, bathed iny swollen fact). .-
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and fastened my long hair up into a
loose coil. Remembering thnt I had
hnd nothing to eat all day, I made my
self a cup of tea, and forced myself to
swallow it.
Then I took n hot bnth, gut myself
into a loose gown, and bat down to
tli ink thinga over boheily and sanely.
Tho past, i that I thought dead, was
not dead. That wc elenr. Rolnnd
Wcllo .had become ical to me .ignln.
Hut I was no longer filled with Jealousy,
with rage, with desire.
How could I have ncted ns I had
done, when you who weie innocent in
the matter hnd made nn idenl of me?
And when I cared for you trutvV Hut
lould I let you go blindly to him? That
wns tho question which I set myself
to Holve.
And that wns how I enme to write
this. That wns how I came to tell you
my secret; thnt you might know the
Ready for Work
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HEENA OWEN
hu recovered from her UiBeta
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MOTHER IN "THE OLD
truth, nnd choose for yourself. So I
tiied nnd finally succicdcd to think
of you, to feel toward you, aa if you
were my younger sister, or even my
child.
Hut tho strugglo is not entirely over.
It Is wearing mo out. I wonder If I
will ever conquer it? You sec now,
denr, sweet, littln Annette, how, tin
1'iiowing and innocent, in crossing my
pnth, you brought back the tragedy of
my llfo in all its poignant freshness.
And, even now, when there seems
llttlo moro to write, I have not quite
made up my mind whether you shall
ever see this or not. I do not feel sure
thnt I nm big enough, nnd true enough,
nnd bravo enough to t.xvo you, although
I cnn do it so enelh !
For I lovo htm! I love him still!
Ah. I am sick once more of life
nnd lovo!
September 10.
A strange thought has been occupy
ing my mind today . The idea came to
me in tho night, while I wns lying
awake. It is thnt some subtle change
has taken place in me since I started
to write this, my life story . A strange
(linngc! Is it that all confession
cleanses? Even If one it, confessing, ns
it were, only to one's self?
For remember, Annette, I do not
know yet whether I shall ever have tho
courage to send this to you, nfter nil.
In the end, I may simply keep it for
myself; 'i record of the stormy pages
of my youth, to be rend over nnd per
Imps, who knows, smiled nt. when I
cot to bo nn old, old woman. It is hard
i for mo to think of myself ns really old
in the sense nt ever arriving at the
stngo when I shall not feel and suffer
keenly. I am not nt nil sure thnt I
want to. For when one cannot suffer,
one cannot enjoy. At least it seems
reasonable to arguo so. And I havo
such a capacity for enjoyment that 1
cannot believe thnt it cnn ever burn
itself out in this world nt lenst !
There have been times when this civil
wnr within me hu.s threatened to kill
inc. For I wns keeping it bottled up.
I hnve had no confidant. Hut this very
setting it down on pnper has becmed
or is it only an illusion to hnve re
lieved me? What oh, wonderful
thought if it is beginning to set me
free? Free from heartache, free from
pain nnd longing, free from the con
suming desire to see him ngaln, to feel
his nrms about me, his kisses on my
lips, as I felt them that autumn day
such ages ngo ! Thnt hns grown to seem
to me tho most desirnblc thing of all,
Kery tiling I hnve written has como
hard. It has been wrtnehed from me.
It hus been like a mrgic.il operation.
It has been like the tluoes of child
birth. Hut now that almost all has
been told, the reaction has come, I nm
beginning to feel us If I were waking
up out of a dreadful sleep; as If I wero
looking about me, and seeing again that
the world Is beautiful beyond thought"
uuttxxuuisu 1O0RR0TV;
i L-
NEST"
Ry CONSTANCE PALMER
AT THE Court of St. James Retty
" Rlythe I to be presented, ns Queen
of Shebn, to King George nnd Queen
Mnry of England. Tills Is the pinnacle
of success, perhnps, to Miss Hlythe. It
is an honor which hns been nccorded to
few Americnn nctrcsses, nnd perhnps to
no screen nctress. President Harding
nnd Mrs. Harding were so pleased with
her performance in a private showing
of "The Queen of Shebn" thnt they
expressed their desire to meet the star.
It must be admitted that Miss Hlythe
hns hnd n very interesting enreer. I
believe she started out ns nn nrtist. nnd
spent borne yenrs in the I.ntlu, Qunrtcr,
where she gained much of her poise and
knowledge of tho world. One would.
Rut her spectacular success has como
mainly in the last two yenrs, since the
time she cast her lot with pictures.
There Is an interesting story of n time
In New York when she went vainly
,Jrom mnnagcr to manager, day after
nay, looKing ior worK.
Paulino Frederick next Sunday Is
going to hold a rodeo on her Rcvcrly
Hills estate, for the benefit of the
Children's Hospital iu Los Angeles.
Mabel Normand. who, like Sltss Fred
erick, Is famous for her charitable
enterprises, will assist. They are both
big-hearted, wonderful women, nnd de
serve the affection of their audiences
nnd co-operation of their colleagues.
A Scotch screen fan presented Frnnk
Mayo with n wonderful piece of tweed,
nnd handsome Frnnk hied him to a
tailor. Tho tnilor took enough measure
ments to make a battleship, and then
announced there wouldn't bo enough
material to mnke patch pockets.
"Well," said Mr. Mayo, good
naturedly, "never mind tho natch
pockets."
In the course of tnilor's events the
suit wns pronounced ready, and was
called for. Mr. Mayo tried it on. Won
derful fit. Patch pocket. Mr. Mayo
expressed his gratification, nnd pro
claimed his admiration of the tailor for
managing the pockets. Then he turned
nround and looked nt himself In the
glnss. Nnmo of n name ! There wns
no seat to the trousers ! The tailor is
still on his wny and probably will bo
for some time, for Frnnk is n lurge,
strong man !
I
DON'T know whether it's because
he is temperamental, or because It's
a hot job, or beonuse ho thinks It's
safer, but tho fact remains that Eric
nioToruwH
"pHOTO-PLAYF"
. C0MR4NY r
orAMll)iG
APH1 1 f) ! THOMPSON BTS.
ArULLAJ MATINEE DAILY
THOMAS MEIGHAN
la "T1IK EASY KOAl"
ADCAniA CHESTNUT Del. 10TH
AlV-AUlA 10 A M. to llltS P. M.
COSMOPOLITAN PRODUCTION
"THE WILD GOOSE"
ASTOR
KHANKI.IN A ClinAIlD AVE.
MATINKH DAILY
TOM MIX
"A KHUN' UOMBO"
BALTIMORE SMaV"
ALL-RTAK CAST In HASH. KINO'S
"EARTHBOUND"
DCK1NI TI1 ANU WOODLANC
DtlMN MATINPR DAILY
WOODLAND AVE.
8oflnl Cn In Plrxt t Plills. Hhorrln.
"THE TEN-DOLLAR RAISE1'
BLUEBIRD
Ilrond f. Huiquehnnnn
rnnllnnoiiK 2 until 11
Hill JAMKS M. IIAIUIUH
"SENTIMENTAL TOMMY"
CAPlTm Ti!2 MARKET BT.
rtrilUL in a M to lt;l P.
ALICE BRADY
In "I.ITTLK ITALY"
M.
VWLAJINIML. 2 30. 7 and 0 P. M.
CONSTANCE TALMADGE
In "DANOEItOUH BUBINKHB"
DARBY THEATRE
CONSTANCE TALMADGE
In "TUB PIIKPECT WOMAN"
EMPRESS
MAIN BT.. MANAYUNK
MATIVKK DAILY
KATHERINE MqcDONALD
In "PASSION'S PLAYOKOUNH"
FAIVW V THEATHB 1811 Market St.
rV-lVllI, 1 g x. M. TO MIDNIOIIT
ciKOROK MKivniui'H I'lmnrcriON
"A WISE FOOL"
SATLI OT THBATKK Ilelow Bpruee
JJ ill Ul , MATINKR DAILY
HOBART BOSWORTH
In "TIIK rOQI.ISH MATHONB"
FRANKFORD mo &IJnD
MARJORIE rambeau
Ji? "Tin; i (inn ni; ticllkh"
P.I ORP tU01 MAitKirr st. '
IU.JUC j,, ,, 30 t0 ,,
lllb L.K..
In "UNCHARTED SKAS"
r.RANT 0M QIRARD avhT
WW- T4&
"Back to God's Country"
Daily Tabloid Talks to
on
By JOHN EMERSON nml ANITA LOOS
Many Job,s Are
The authors of this scries are the
famous Emerson and Loos, tcho have
written some of tho most successful
photoplays. They now have full
charge of all scenarios for Constance
Talmadge,
THERE is n shortage of directors at
prcesnt, nnd for that reason salaries
nro particularly high In this line, but,
of course, direction Ih k profession which
takes many years of study.
In beginning work on his picture, the
director first consults the studio mali
nger, who Is really the hend of the em
ployment office. Tho studio mnnngcr
consults with him ns to the expenses of
the scenery and the length of time to be
me BLcncrj uuu hip lungiu oi nine iu uv
spent In making tho picture nnd then
summons tho technical stnff.
The technlcnl stall of a studio Is n
rather lnrgc assembly. There Is tho
art director, who plans the scenery : the
technlcnl man, who directs tho building ;
the cnstlng director, who selects the
nctors; tho electrician, who assists in
working out the lighting effects; the
laborntory superintendent, who must
supervise the dcvolonlne of the film:
i the cutters, who nssemble the completed
mm, nnu last, out not least, the cam
eraman. Of course, there nro hundreds of
minor posts assistant director, assist
ant camcramnn, property man, research
experts, location seekers, nnd so forth.
Tho casting director immediately
sends out n call for the "types" do
mnnded In the scennrlo. If possible, ho
notifies tho nctors nnd actresses person
ally, but mpro often he is forced to get
in touch with them through the numer
ous agencies which act as brokers In
"types."
THE CONFESSIONS
OF A STAR
9 9 9 9 9 9?
t
Who could have written this
searching, intimate record of tho
inner llfo of a motion-picture star?
Who but A STAR WHO HAS
LIVED THIS LIFE HERSELF?
Love, jealousy, ambition, tho
sordid contrasting with the spiritual
and Ideal, vlco rubbing .elbows with
clear, clean living in tho studios all
these combine to make the story
The Most Gripping Novel
You Have Read in Years
It begins on this page next Tues
day. ? ? WHO WROTE IT ? ?
von Strohelm has caused to bo made n
roof-garden cutting room to which ho
retires, accompanied (always) by the
recent Mrs. von Strohelm, nnd there
the two of them cut and edit the thou
sands nnd thousnnds of feet of "Foolish
Wives" -120,000 feet, to be exnet.
Rolln Sturgeon, who used to guide
the nctlons of various glimmering
luminaries nt Universal, has signed a
contract with Famous Plnycrs-Lasky
to supervise Jack Holt and Agnes Aj res
in their new starring ventures.
Heforc Mine. Elinor Glyn left for
London, she left a second story for
Gloria Swanson to star in. It Is called
"Heyond the Rocks." ((Why will the
redoubtable Elinor bo so obvious?)
Anyway, if Swnnson nets it under Sam
Wood's direction, you cnn just be cer
tain it'll bo worth seeing.
By tho wny, lovely Glorin is depend
ing upon her drnmntlc ability alone to
put over "The Shulomltc," which is
to be called plctorially, "Under the
jasn." i uon t mean sue nnsn t n
splendid cast to help her. She has.
(Mnhlou Hamilton, Russell Simpson,
Lillian Lelghton.) Hut I mean there
Is no gorgeous display of gowns and no
spectacular sets.
She looks kind of tired nnd, worried,
poor denr. Pretty hot wenther to have
domestic troubles!
Lubltsch Secures Large Lot
The Ernest Lubltsch Film Company
has acquired about 100,000 square yards
of ground near S'teglltz, which is oc
cupied at present by nn Egyptian city,
which the director is building for the
filming of "Pharaoh's Wife." Palaces,
pyramids and sphinxes arc being built
to n lieignt ot lL'U feet. About UOO0
'persons will be used In this production.
PHOTni'IJWH
The following theatres obtain their pictures through the
STANLEY Company of America, which is a guarantee of
early showing of the finest; productions. Ask for the theatre
in your locality obtaining pictures through the Stanley
Company of America.
GREAT NORTHERN
Broad St. at Erie
2. T A 0 P. M.
PAULINE FREDERICK
In "ItOADH OF DESTINY"
IMPFRIAI 0OT WALNUT 8TS.
KATHERINE MacDONALD
In "MY LADY'S LATCHKEY"
Lehifh Palnr Otrmantown Ave and
i-cuiMl I aiace L.hi.h Avenue
HOBART BOSWORTH
L'l "HIS OWN LAW"
OVERBROOrC03013110
I.OI8 WKIIKH'H PRODUCTION
"TOO WISE WIVES"
PALACF 1SU MAPKET ftTHKET
ROSCOE (Fatty) ARBUCKLE
In "CRAZY TO MAniivi.
PRINCESS
1018 MARKET STnnrrr
8 30 A. M. to 11:1b V. M.
W'M. S. HART In
"RIDDLE GWANNE"
REGENT MAKnT ST. Ilelow 17TII
XT 0 A M. to 11 p. M.
DOUGLAS MacLEAN
I" "ONK A SIINl'TP."
RIALTO 0I?JJ!AJiTOWN' AVBNUB
"MARRIED LIFE"
RUBY MAniCEr st iinixjw 7Tn
HABLKV KNOLE'S PRODrcrioN-
M.
"CARNIVAL"
SAVOY l2U "AKBT HTItUKT
"HOME TALENT"
SHERWOOD Sft V'&vTS'V
AI.UHTAR CAST In
AV.
SO
"CARNIVAL"
STANLEY n
AI.lSTVR
ARKBT AT 10TI1
.u.ijw y..'i '.u ' "
.Jl011!1 Neglect Your Wife"
ri1 m in
333 MARKET , 7 ;;A?iV
EUGENE O'BRiEN
In "WORLDS APART"
VICTORIA uWiF .bT;. "
"WET GOLD"
Fans
Breaking Into the Movies
Open in Movie World
Presently n largo number of .
and actresses appear nt the stu M?
the cnstlng director selects from .t nd
the individuals best milted to ?h rl
Jug production. " O-
Meanwhile tlm m-i- ,n..i ,
his scenery, and the picture ,.?.?" '
proctlon. "- At 1MV5J&
weeks or two months, thn .HrLfl0.
tho comp cted film over to tho .'"
hllng nnd cutting department. n
tho completed film r. ' tZ"Z" wn
ASA rule, both tho director and th.
scenario writer work with th ,.
sembler nnd cutter, nnu if thev nJ.l,?'
they Insist on doing the wttttK'
solves, for tho siicpnea ." mn
.....i-i. r :,. . "" i"ciure d.
I ??!'L8 in.rRC,y "J1.0" ts Important .! .
.uuon oi assemoiy. '.-
i. uiu sumo iitno another snoci.iu
designs and works out the illmtrni. ,l
on the borders of the wrltten'Vn.1 ?' '
finnny the assembled picture Is ..
to tho studio staff, and f thev nr'A'?
Wttl 'J1.0 ncnt,vo iB forw" fed to tk.
distributing comnnnv. Th ".?.
work on that plcturo Is ended. '
From this brief survey you rn .
that tho avenues for breaking intnni"
tures nro nlmost unlimited ple'
You cnn be nn nctor, director, enmen
man. scene builder, cutter, title! Z
narlo writer, or anything else if you iiu
Pick tho Job for which you nre nttS
Win nt tne bottom nnd learn tlio J "ml
All of these positions nro highly ,&
and nil require a high knowledge if
motlon-plcturo technique. K '
(These "Tabloid Talks" are con.
dented from the material 'for a bZl
lv$rl ?"'er "I Hi" Loos tab,
pitbhshcd by the James A, McCan,
Company. New York.) tann
Answers to Questions
From Movie Fans
Olewga John Rarrymoro played tin
fc?d i'.1 """wnrthy'F. famous stngo n
"Justice." It is being seen on
screen at present; with William Favcr.
shnm In the lending role.
Ted-Sylvia Ashton. Mnry Aldcn and
ern Gordon are all famous for their
mother roles on the screen. At nrofnt
characterizations of mothers ore nlvlni
the vamp parts n run for their money!
Adec Rowland Ih a well-known sln,
In light opera and incidentally the wifi
of Conway Tearle. .
Curious You may bo interested n
know that Betty Rosa Clarke In private
life Is Mrs. Arthur Collins. HfP new
picture Is "Pnrtners." She rccentlr
Wso-cia1,1 .n'r'inC MnCl)na,(1 "
Peggy Rudolph Valentino Is at pre.
ent playing In "The Conquering Power"
His leading lady Is Alice Terry, who
played opposite him In "The Four
Horsemen of the Apocalypse." Rudolph
Is ready to start work on "The Sheik."
Ilulda C Tho C. M. Production,
Company Is n company formed to make
nictures for Lina Cavallerl, to be n,.
slstcd by her husband, Luclen Mura
tore, the famous opera singer.
Floy ".Moonlight nnd Honeysuckle"
wns first played on the stage about two
years ngo. Ruth Chnttcrton played the
lend. James Ronnie. Dorothy Glah'a
husband, played opposite her.
Will Hold Rodeo
PAULINE FREDERICK
rilOTOM.AYB
HflTO-PUYT
. COMPANV .
,or amih ca,
LS
Tho NIXON-NIRDLINGER
0
THEATRfcS
RPF 1V1HMT M ab. Mkt - Doubl. BUI
OHL-iVllN 1 2.30 and n .10 to 11 P. M.
TOM MOORE
HOLD YOUR HOUSES"
In
CEDAR
C0TH & CEDAR AVENUB
2:30 and fl 80 to 11 P.M.
BRYANT WASHBURN
In "Till; ROAD TO LO.MMV
COI ISPI IM MnrkM twit r.Oth 0lh
WILLIAM DESMOND III DAN hUIXY'S
"THE PARISH PRIESTW
JUMBO
KRONT HT b OIRARD AVI
Jumbo June, on Frankford "u
LEAH IIAIItl) nnd SPIX'IAL CAMT In
"THE HEART LINE"
F PAnCD 1ST ft LANCASTER AVB.
L.L.tUCt MATINKE DAILY
ALL-fiTAK CAST In
"APPEARANCES"
LOCUST
B2D A LOCUST BTHEnTS
Matn. 1:30. 3.30 Kv, fl 30 W
WALLACE REID
In "TOO MUCH SPEED"
RIVOLI MD AN m'aAILT
OWEN MOORE
In "A DIVORCE 01' CONVENIENT!"."
STRAND
QEHMANTOWN AVB.
AT VI.'V Willi MIllUBt
DOROTHY DALTON
In "IIEHIND JIASKh'
AT OTHER THEATRES
MEMBERS OF M.P.T.O.A.
G. BB10 rirninnton Are,
ermantown Matlnt.b daily
May Allison in "Extravagance"
LARRY NEMON In "fill: I'ALI' (,n
iJEFFERSON s0M,$i!W
' JAMEi lilllUUIKIII u-i.l SPEC IAI- I l "
"A WISE FOOL"
PARI' "'OOB AVE. & UAOWyjf.JfSall
PEB.HPJfMl" "v"'v"" '
"Pf VN"
J"
iJl,Vj.,JM ,
.,.
tbM
.it. I -.It II, W '2-a4
. llV ' lKrjliifl Lli '
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