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CLOSE-UPS of the
Hy IIHKKY
There Arc Interesting Things in Prospect fbr the Fall
NOW tlint we've nil stnrtnl to go to the movies oni'e more nml nre forgetting
the grouches thnt the hot wcntlicr gnc tin, let't tnkc n little look nlien.il !
aud see what the coming r-ensou promises ns In our favorite form of entertain
ment. The beet of recent productions, at I hnvc explained to jou, have been held
back from the local hou-os bocniip ou nnd I were too lmv going to the scanhorc
or the country to contribute our uharu of the expense of bringing them here. ,
1 Hut we're beclnninir mice more to die down Into our pockets for our quarters
and our hnlf dollar, and turning them over to the managers of our movie houses
and they, in turn, arc turning them owr to the people who soil the pictures.
So we've cIommI the switch nnd opened the carburetor, nnd, with n heave
of the crank, the old motor will soon be humming once more.
And there renlb are some unusually interesting tilings In prospect. The
Industry hasn't been standing still duiing the slump in attendance. The people
who nre in the uroduciuc end of it have kept busv, trvlng out new ideas, im
proving here and there, probing Into defects nnd correcting them.
You will see the result this fall and winter. You will sit as a jury upon
the whole production phase of the business nnd. with the evidence before you,
you will deliberate and deliver vour verdict cither for or ngninst.
T TOOK a lot of nerve for the pioducers to go ahead as they have
been doing durinq the slump. Thru kept entering up their losses
vi their books nnd pluRoiii'i away at new thing, confident that you and
I would soon get tiuil of fishing and come nth ore again.
WETi:
; 1 our pi
been talking a lot hero lately
our continued nbsenre from the theatres.
Hut -did you see ".Sentimental Tomm.v ? No? A lot of people llrtn t
My own opinion is thnt "Sentimental Tonimj" is the greatest photoplay achieve
ment In recent xcars. It was Harrlc. in nil his whimsical spirit, ideally trans
lnted to the screen. In cast, scenario, setting and direction, it left nothing
undone that could hac been done. And the popularity of the story proves its
merit.
Yet "Sentimental Toinmv" was a flivver commercially.
There is one cr.v iinpoituiit experiment on trial in the coming senson. It
If the commandeering of mini) fatuous" authors by the studios and assigning them
to dc-crt their old tittion form of writing to write stories directly for the screen.
We haw sien scwral of the results of this experiment. Hut this fall and
winter will bring us nhnost a deluge of them, nnd If we can only get away from
the intluence of the famous na,mcs and consider their stories as stories Jn compe
tition with those vviitteii by unknown nuthors we will be able to form our own
opinions as to whether the experiment is worth the very lnrge sum of moncj
it has cost.
And we hnve a perfect right to toil the producers whether they arc to
continue the experiment or not. They nre not spending their own money. They
are spending ours nnd mine nnd the tnoiiev the owner of our neighborhood
movie house hns invested in his propertv so as to cive us n chance to sec things
without all the trouble of coming Into the center of the city every night.
voi
and I and the theatre owner
I tit
deal oftcner and a good deal more
ever done before, tinier Applaud what you like when you sec a film.
You'd do it in a thiatre: why not in a movie house t And hiss, if you
want to, when you sec things that displease you.
And don't forget that a postal card, which costs you only n cent,
will give the house managir a valuable tip on how his shows arc pleas
iii(7 you. Drop him a card every week. Tell him how you like the films
he is showing. He'll pass the woid along.
BESIDES the general run of pictures the coming season will show us some
notable attempts to do big things on the screen. Most of these super
apecinls. as they are called, haw been seen in New York, where there are enough
transient visitors to keep them going ,cv en duriug the slmup that hit the rest
of the country.
There's the immense screening of Ibancs's powerful war novel, "The Four
Horsemen of the Apocabpse." Any one who lias read the book will marvel
at an organization having the sheer none to try to transfer such a huge con
ception to the silver sheet. Yet it has been done aud I hope mv highbrow
friend, the critic, will npprow of it If he does I'll promise to read his criti
cisms for two weeks running and that's u big price to pa
Then there will be the Fox spectacle, "Queen of Sheba," wltji as murh of
Bettv 111 the in it as tiio censors don't want to cut out to save for themselves.
Wc hnvc alreadv printed a lot of pictures showing the great scale upon which
this wns produced.
For simple heart appeal, and as representing the wry antithesis (I low that
word) of the spectacle, wp will hnve an opportunity to weep voluminously with
the pathos of "Over the Hill" nnd then to lnticli uproariously at the screen
adaptation of Mark Twain's "Connecticut Yankee in King Arthur's Court,"
with Hnlph Spence's titles (which, bj the win, just about saved the show in its
early d.ijs).
We can shiver at the grotcsqueries of "The Cabinet of Dr. Caligari." And,
In this connection, let me urge .ou not to ttent this remarkable film ns n joke,
but to get the lew point of the produceis nnd the men who conceived the startling
tccnic effects. Hemeniber that they faced the very difficult problem of presenting
the world as it might he seen by a disordered brain, and, us one scene after
another comes before you, keep that viewpoint In mind and see how very cleverly
they have done it.
I'm allowed to speak fnwrnbly of this because, as it deals with disordered
brains, mj highbrow friend, the critic, will admit It comes quite within my
province.
We are going to have Douglas Fairbanks' most ambitious effort, "The Tluec
,Muskctecrs" and Mary, I'lckford's "Little Lord Fnuntleroy" and Arllss' "Dis
raeli" nnd the Held-Fcrguson screening of "Peter lbbeuon" under the title of
"Forever."
And we will get Von Stroheim's super-foolish "Special Wives" no, that
Isn't right. I mean Von .Stroheim's super-special. "Foolish Wives." This
prima donna director has just finished spending a million and n. quarter of our
dollnrs and a jear of our time on the production, nnd ho hns thrown nwny
fifty-nine nnd three-quarters MILES of film I said MILES to keep, perhaps,
ten or twelve thousand feet!
IT STItUCIJS me as being a simple
to 11 n (' is to J), uhnc A is
the foolishness of it all and J) i the
I may be wronn, though. Whenever you speak of sums greater than
$10, I get di;;y and all murd up.
Daily Tabloid Talfe to Fans
on Breaking Into the Movies
Hy JOHN EMEUJsON and ANITA LOOS
Motion Picture Business
The authors of this srriri arc the
famous Emtrson and Loos, who have
written some of the most mcrcsifiil
photoplay. They now hure full
charge of all scenarios for Constance
Talmadge.
MOST people seem to think there are
concerned in the making of mo
tion pictures just four classes of people (
nctors, scenario writers, directors and
cameramen. ' It nil seems wry simple
The scenario urilei sits down in
the morning atuh works out u hmic
ho wakes up the din 1 tor. who
packs some actors nnd a tiiinernmnn in
nn automobile, together with a pu ulc
lunch, and goes out to make the pic
ture on some lowlv hillside Then.
Iinvjug finished the photoplay, thev
take it around to your local theatre and 1
exhibit It at twenty -the cents a seat. I
Ah a mntter of fact the motion-pic- I
ture business, now the fifth national
Industry in the United States, has as
many phases and as many complexities
as nnv other industry in the world.
Hroadly speaking, the motion-picture
industry is made up of nlllances be
tween producing companies and dis
tributing companies.
The great distributing companies'
employ the salesmen, advertising ex- I
ports. biiNiniss men. and so forth
All the tirhiin.il work concerned
with the mnklns of the picture, how I
Cupid Given Leading Role
Cupid Invaded the l' lot again the
other dm at Ilolhuood and stood 111
the corner while Howard .Mid hill . Shu
ley Masons director, and Aileen
Hushes answered 11 few qipstions before
a clergyman. Miss Hughes is u J.os
Anjeles society girl who was stopping
B Catallna Island when Mr. Mitchell
j making a picture there with Miss
Xh
This 1
jJotjfo.
'aoib is too eixtn marriage on
tvto months,
sA
H3& Daily Movie Magazine
MOVIE GAME
M. NKIUA'
about poor stories being the cause of
have got to get together a good
intimately thu year than ice havo
problem 111 the rule of three.
A is
the wastanc. It is what t kept.
r u
possible xaluc.
iYoiv a Complex One
ever, is in the hands of the producing
compnin. and sini e wr are engaged in
such work ourselws it a about these
posts that we must tnlk.
TF WE are to
- in their natur
take the studio jobs
ral order, the fiist to
begin work 011 a pli ture is, of course,
the author
r.n li studio emplo.vs n stennno edi
tor, who is on the lookout tor good
uingnine stories or pln,s or original
scripts He himself Is not s(l much a
writer a-- an finalist, who knows what
kind of stums his public wants; gen
einlh he is nn old newspnptnnnn or an
ex-iu.igazine editor.
Having bought the story, he turns it
nwi to a Mvnnrioist the "continuity
writer " This tjpe of spicialist is
lunch in demand, sliue no story can
survive a badlj constructed scenario
The scenario writer puts the story
into picture form exactly as 11 drama
list rna.v put a novel into play form
for the stage. It is the scena'riolst, or
continuity writer, who reallv gives to
the storj its screen value Hence the
very large prices paid for this work
when It Is well done.
(These "Tabloid Talks'' nre con
densed fiam the material for n book
by Mi. I'mcrson nnd Miss Loos to be
pitblishtd in the .taints A. 'Mcl'ann
Company. Xew York. J
Another Building for Movies
Wotk has been started at the La--Kv
Studio, Hollywood, on the construc
tion of another building to house the
udded directors and members of the '
scenario staff at the studio Owing to
the influx of writers nnd otjicrs for
merly connected with production work
in New York, the personnel of these
departments at the Laslfy plant has
been considerably increased, -,,
:
H
EVENING PUBLIC
mmmnmmmmEhmsm,Mum 1 r
tEm.ifimjimwmS!WmM
it if, 1 iv, 1- 1 M,tm3t tiiiiftmmfrii" run n i Ami, iimmim mint fCTnAv3la?yy'-?
The top pictuie shows how a train wreck is mnde without loss of life.
In "The Old Nest" there is a train going over a nestle. It wns much
cheaper to build jip in the studio than to iiave n jeal one smnslud up.
The picture below it shows an idol, nnd itf size can be judged by com
paring the height of the two nun. It win built in Florida for Fox's
"Her Elephant Mm"
Kept Cranking as Dynamite
Mussed Nature All Up
rpiII'Y nudged n log-jam with a ton of
dynamite for l'rlscilla Dean's latest
picture. "Conflict" nnd showeied some
of th prettiest Riencry in Ilntish Co
lumbia with splmteis and mud; fcr
miles.
Of course it had to be photc graphed.
It had to be photographed close-up,
too.
Five minutes before they sent the
juice tingling down through tins stack
of powder HaioJd Smith set up a cam
era in a shack about seventy-five feet
nway from the logs nnd nhout n mile
too near for cither comfoit or safety.
Hehind Harold Smith stood a ttupid
rnwilo lumBerjacK. lie nnd
Ho hnd his hands
on Smith's shoulders. If Smith left the
en mi in the lumberjack was to be fired.
If Smith stajed for the p.ut.v the 1 ,ni
berinclc was to get n pint of liquoi.
'J'hey fooled thnt lumberjack. He
thought that Smith wanted to go fish
ing and that Stuart 1'aton, the direc
tor, wanted him to stay.
"Ay tank ho stay dere," snid the
lumberjack. "Ay hold him "
Tutting the lumberjack there w is
Smith's idea. lie Isn't on to high
tone human nntuie. He knew that a
ton of iijiiamito sometimes t'irns feet
toward the outgoing trail and he wanted
to shoot th.it s cue.
That five minutes seemed like n
mother-in-lnw'h visit.
Then mething happened. The kv
went blink. It seemed all hit, red up
with liny toothpicks. Smith's ears
pounded and his heart did a Hip. 'J ho
lumberjack, swallovvul his tobi, ro A
second l?ter Smith looked at his wust,
HERE'S
Remember these playcds jn "Dream
jco nic
r"
wmwmmrrmm -x x man nvmmmm m i i
LEDGER-PHILADELPHIA, WEDNESDAY, AUGUST 17, 1921
?7 TECHNICAL SIDE OF STUDIO LIFE
It was turning n camera.
The scene will be in "Conflict."
Smith is lugging around a letter of ap
pieciation from Irving (!. Thalberg.
fccneral manager at Universal City. It
s.ivk something ubout "gallantly in
action. "
Photoplay Shoivn in Church
Causes Trouble in Alabama
A SUNDAY presentation of the film
"The Inside of the Cup" in the
First Univcrsnlisl Church of Iliiming
hnm. AIn., has caused an investigation
by the cltv authorities or llirminghani.
'I ho How Mr. Clark, pastor of the First
Universnlist Church, thought "The In
side of the Cup" a perfect sermon and
used it on 11 Sundav night to illustiate
his own sermon. He had neglected to
obtain n permit to show the picture on
1 Sunday, and the incident Is now being
iiivcsiiiueu u,v iiio i oiunussioner 01
Public Safety of llirmingham
A largo congregation saw the photo
play nt the church performance. In his
sermon, which pieceded the showing of
the picture, Mr. Claik said thnt motion
pictures us important In theme as "The
Inside of the Cup" should be shown in
churches throughout the country.
Taxi Drivers in Abundance
The simple won! "taxi" served Hos
coe (Fntty) Arbuckle well when he
was in Chicago rceentl tilmlng scenes
for "Freight l'repnld " Director James
Ciuo wanted a sceno showing Aibucklo
besieged by taxi driwrs, so the cameras
were sot nnd the star walked out Into
the center of the station and veiled.
"Taxi." Taxi-drivers appennd from
nil directions. "They swooped down
on me like a ton of bricks." said Ar
buckle. "We got the scenes and they
wero great. And we didn't have to hii'e
a lot of extras to get 'em, either."
CHARLIE, CAROL AND
Street"? Each of them Is preparing
wii o"4vj mu iunvK) ucuiow;c nuu
rnmrn j9 MMf
1
THE CONFESSIONS
OF A STAR
Who could have written this
searching, intimnte lecord of the
inner life of n motion-picture star?
Who but A STAR WHO HAS
LIVED THIS LIFE HEUSELF?
Love, jealousy, ambition, the
sordid contrasting with the spiritual
and ideal, vice rubbing elbows witli
elenr, cienn living in the studios all
these combine to make the story
The Most Gripping Novel
You Have Read in Years
It begins on this pnge next Tues
day. ? "? WHO WHOTE IT ? ?
MARRIAGE, A LA
MOVIEDOM, IS
ON FULL BLAST,
Hy HELEN KLVMPII
COUHSE. I can't quite see
J T
Tlieda Harn In orange blossoms."
Onrry launched nt me nlmost before I
finished npologizlng to the Inst four
people I had stumbled over on my way
to n seat. "Hut I think nny one ns
voting nnd pretty ns Knllirjn Perry
ought to be compelled by Inw to hnve
n regulnr wedding, with rose leaves
to wnlk on nnd n tulle veiie and a
saccharine soprano voice singing "I love
ou trul.v" and nn oignn nnd
"A groom who forgets the ring." I
ndded. "Not for me. When Dorothy
Oisli nnd Constnnce Tnlmadgo stnrted
the fashion of dashing up to Green
wich, Conn., to ge.t married they be
came n gietit Influence in the motion
picture world. Whv on enrtli some of
these fans who chnsp nil over the coun
try trying to see their favorite stars
nt 'personal appearances' don't just go
up to (Jreenvvlcli nnd patrol the road in
front of Justice of the Fence Meade's
house for n while I can't see. Sooner
or later they'd hnve the pleasure of
being the first ones to know nbout n
wedding. Of course, ever.v one knew
nhout Owen Moore and Kathryu Perry,
though"
"Even Mr. Sclznick," Onrry chimed
In. "That wns an inspiration on his
part to lime them play opposite each
other in 'A Divorcee of Convenience.'
The picture is to be released soon, and
I'm told that Owen and Kathryn are to
be co-starred us Mr. and Mrs. Owen
Moore. Won't the theatres bo packed,
or do you suppose the broken-hearted
girls will stay awav?"
"Stny nwny?" I echoed. "They'll
go' to the thentic in droves nnd comment
loudly. 'Of corirsp, she's awfully sweet,'
nnd all the time they'll be wishing they
were near enough to wring her neck."
"Yes, nnd no matter how hnppy
they nre, some gills in the audience
will think thev detect sii'iis ot weari
ness nnd trouble in his face nnd blnme
it on his lovely new wife instead of on
the scennrlo writer. These motion
picture stnis lead 11 hard life some
times." "Well, you'd never know it to sec Uie
Owen Moorcs now." I told her. "You
can save your sympathy for borne one
else."
Easy Life of a Director
Director Flank Llojd, of (Joldvvyn,
is having n rntlier sticnuous time these,
warm hummer davs. He gets up vvitlJ
his family at fi.;!0 each morning nnd
plnjs golf, then after the day's work
they nil motor to the seashore for un
after-dinner dip about 8 o'clock every
night.
RALPH
to appear In new productions,, Ob,
yiw
ft-'
1;
The
LOKE STORY
'MOVIE STAR
This Is Hot) the Story Begins:
AJMjLA MORULAS D, mo!t famous
of screen stars, hears that a
young girl, Annette 'Wilkin , has
fallen in lovo with Itoland Welles,
an idol of the screen. Miss Morctand,
to save Annette, writes the story of
her own tragio love affair with
Welles, intending to send it Jo
Annette so she may know the kind
of man he is.
She tells hdtc, while a pianist in
a movio theatre in a Western Penn
sylvania town, she met Welles when
he mado a "personal appearance"
there, hoto he invited her to come to
A'cio York and said he could place
her in Via movies, how she came and
the chily reception which he Rave
her in the studio. Then, becoming
interested in her, he gets her a job,
makes love to her, proposes and she
is deliriously happy until another
woman reveals Welles' perfidy., Then
she quits him and the company.
Later, when she has achieved fame,
Welles reappears and tries to rciew
his love-making, but she knows ho
scants her for her value as a film
favorite in his pictures, and she
repulses him. Desperate, she tcrilcs
a photoplay full of dangerous
"stunts," and she and II- , her
director, who has stood by her m
all her troubles, 'prepare m film it.
Here the Story Continues
A ND then came that memorable
Wednesday, when we took the scene
for our new piny, on the steps of ihc
Cnpito). It was one ot those piuys
which have n popular story. They do
not interest me ns much ns they once
did. For I hnvc been spoiled by better
flings. However, I nlvvnjs go through
them conscientiously. It is all in the
dny's work. And I pride myRclf on
being a good woikmnn. Besides, if
H is dlrectine. I have no hicher
ambition than to please him, nnd to
mnke nny picture he is interested in n
success. I should be nn ingrntc if I
felt otherwise, after all he hns done
for me. For I never forget that it wns
ho who gave mo my renl first chnnce.
He hns mnde mo. Where would I be
if it hnd not been for him!
The scene itself wns s mnle. Fnbcr.
one of our new lending men, wns com
ing down the steps with me. very ma
jestically. For he wns nn Ambassador
trom one of the gieatest countries in
the world, nnd I wns an important
Senator's daughter. At the foot of the
long flight df steps we met my Ameri
can lover, who suspected thnt the grent
Ambnssndor wns plotting ngninst our
country. Hut I scorned mv faithful
American lover. The Ambassador
sneered, nnd we passed haughtily on.
Thnt finished that scene. I went back,
hnlf-vvny up the stups. to where II
wns standing. We s.miicd nt each other,
ns wo often did now, n quiet, compre
hending bmlle.
"Nclln," he said, "you look superb
today. There Is something unusually
rndinnt nbout you!"
"Is there, old one?" I laughed.
It wns then that you came along,
Annette Wllkins. You smiled brightly.
nnd climbed up to II nnd greeted
him almost affectionately, ns a daugh
ter might greet a father. He was visl
bly delighted to see you. He turned to
me. keeping your hand in his.
"Nclla," he said, "hero is one of the
loveliest nnd sweetest youngsters in nil
Washington."
I looked nt you with interest. You
looked so fresli nnd sweet in your smnri
little suit, that my heart instantly
warmed to you. And when II said.
"Annette, this is Nclln Moreland," I
saw your young face light up. And 1
knew thnt you were one of my mlorers.
And I wns glad to feci thnt, somehow,
you looked up to me; thnt, with the
generous impulse that belongs only to
the first springtime of life, you hnd
mnde of poor me n sort of ideal. Am
I mistaken? I think not.
I took your pretty little hand in mine,
nnd I loved you on the spot. And jou
Interested me, too. I felt thnt jou had,
like me. n stiong personality. I sus
pected thnt j 011 had great natural gifts
which weie as jet lying fallow, waiting
to bo developed. Hut I divined n gnat
natural sweetness of ehnrnctcr ns well.
A sweetness which I have never had.
-"Yes," II went on, "this is the
daughter of one of my best nnd oldest
friends. Heavens, I am forgetting that
jou do not unovv her name: J.ct me
l'HOTOn.AYH
"pHOTtrPLAYl"
COMPAMV .
ormic.
Company of
ADPil 1 C 62U A T110iIPSO.SSTa
r-H VL.L.V 5IA
ItATINKK DAILY
AI.I.-STAK CAST In
"THE CALL OF YOUTH"
A n- A IM A CUKSTNUT lial.
lOTII
tVStUt 10 A. M. m litis V,
M.
t OSMOI'tll.ITAN riloni'CTIHN
"THE WILD GOOSE"
A OTAD FHANKI.IN OIHAKU AVB.
no 1 vl. 1
MATINRB DAILY
TOM MIX
A niiHV no.Mr.o"
In
BALTIMOREIon,AH,ATT1.M&?AlT:.
AI.ISTAH CAST In llArlll. KINO'S
"EARTHBOUND"
PCMM 04TH A.SU WOODIMND Ava
DC.ININ MATINErj DAILY
Spfclnl C'ist In T'lrat W. l'hlln. SlinuInK
"THE TEN-DOLLAR RAISE"
DlvJn.OUL' Contlnunua 2 until 11
silt .IAMV.1 M. IIAUHIK.'S
"SENTIMENTAL TOMMY"
CAPITOL
721! MAHKBT ST.
10 A it tn 11113 V. M.
ALICE BRADY
In "LlTII.r. ITALY"
COLONIAL u,v. so WT2 AiT
TIIOVIAS II. INTK'M rillllll i;iiii.
"THE BRONZE BELL"
DARBY THEATRE
CONSTANCE TALMADGE
In '"1HK l'KKl-KC'T WOMAN"
CN4PDI7QQ MAIN 8T MANATUNIC
tMVlrr.I103 MATINEE DAILY
KATHERINE MacDONALD
In "PASSION'S l'LAYtiHOVNli"
C,AIII V THUVTIIE lail Market .11.
rAlVUL! 8 A. M. TO MIDNIOIIT
GLADYS WALTON
In "SHOUT SKIKTS"
1AT"U QT TlIKATIlia llelow Hpruo
-.Oin O 1 , MATINEK DAILY
JACK KOMI', nnd RIT.CIAL f AST In
"The Mnn From Nowhere"
FRATJKFORD 4T,i"KWl,rg"D"
HOBART BOSWORTH
In "HIS OWN LAW"
GLOBE
6001 MAUICKT HT
'J '30 anil (Afi In 11 t r
ALICE LAKE
In "IINCHARTKD HKAS"
P.RANT 02a auvARDAvE
""filE JAMM M. SfflS1 DAttir
"SENTIMENTAL TOMMY"
..i-Hrf
Back in California
ELLIOTT DEXTEK
He Is 0110 of (I10 featured players In
"TI10 Affairs of Anutol," which
Jratiio Mncriicrson wroto
Introduce you nroncrly. Miss Mdvelnnd,
let mo present Miss Annette Wilkins.
Hut come, let's get out of this, now
thnt we have n little time to ourselves,
nnd take a walk In this glorious wcath-
cr!"-
Then wc went xvalklng down the
street, we three. Ho on onoide
of me, you on the other. And ever
nnd again, I cuught n glimpse of your
face turned toward me with Hint ntlor
ing look ! I did not stop to think how
little I deserved it. I loved it !
When we enmo to the door of my
hotel, you said good-by to me. Your
eyes were shining with hnppiness. You
snid that jou would never forget hav
ing met me. You even added" that you
would dream of it.
Little did I drenm, for my part, that
only a short time Inter I should set
myself down to tell you the story of my
life nnd my unhappy love, I who hnve
never mnde a confidant of nny living
boul,
I nm telling you nil this, so thnt you
may know how deeply I wns nffected
by our meeting, even before 1 knew.
And nfter the first pnng of the knowl
edge hud pnsscd, I rccnlled your ndor
lug glance. When one is conscious thnt
some innocent young heiut hns mnde n
sort of ideal of one. it brings fortli
whntcved latent nobility there may be
in one's nature. 1 wns swept hy the
feeling that I must show mjsglf
SHE'S GOING TO
Constance Tal
madge and her
sister, A'orma,
ivill interrupt
their vacation
to go to Atlan
tic City for
the movie ball
next Tuesday
night. It will
be given on the
Garden Pier
by the Motion
Picture The
atre Owners.
rnOTO PLAYS
HkIM .' ' m
""""""""915 jKk
T JtHYA WWW
The following theatres obtain their pictures
STANLEY Company of America, which is a
early showing of the finest productions. Ask for the theatre f "tytanSuh
in vnur localitv nhtiininrr ninrirrpjj thrrmch thn Sfnnlnu V. compant
America.
GREAT NORTHERN 'A'W.W
MARY MILES MINTER
In '.MOO.srir.HT AMI IIONIIYSL'CIJI.I."
IMPPRIAI OOTII & WALNUT ST3.
11V11 IIXIZ-M., j,,i j 3n I:vC(li U!l
CHARLES RAY
. in "THIS lll.l) SVVIMMIN' lini.1V
Lphirrk Pnl-i- tlermnntown Ave. and
YPJ? ralaCO LthUh Av.nu,
HOBART BOSWORTH
In "HIS OWN I.AW"
OVERBROOK03D&,anuud
LOIS WKIILU'S momtrrioN
"TOO WISE WIVES"
PAT APP 12l MARKET STTIEET
i a-U-,-Vs-Cj io A. M. to 11:15 P. M.
ROSCOE (Fatty) ARBUCKLE
In "CK.V.Y '10 MARRY"
PR1NCFSS 1018 MARKET STRElirr
i .yits-c-pj 8 30 A M , ,,.1S ,, M
J''i'ii, Klrlivviioil In Murs'iull Nrlliin'N
"Bob Hampton of Placer"
RRCiFNT MARKET 8T Helow 17TH
IM-VJTIN 1 4i, A v roU V. M.
DOUGLAS MacLEAN
in "om: a mini'ti:"
RIAl TO OEUMANTOW.V AVENUE
77" .T . .. .A1 ri'r.p :noc kn ST,
,IAiVi hfi.,2'r nMr.l)Y
"MARRIED LIFE"
RURY ma"kut st nr.Low tth
awu a . 10 A, M. In U 13 P. M
ALL-STAR CAST In
"COINCIDENCES"
SAVOY mi "AJIKET Gt!
r.L 8 A M TO MIDNIOIIT
THOMAS MEIGHAN
l "WIIITi: Wll DSMAItlrni...
ALT..STAII I ST In
"CARNIVAL"
STANLEY ,-VAUKvc'?, AT" T
ttn ,.u.L.j,VxsV,i;,lllS1'
Don't Neglect Your Wife"
333 MARKETnVrW-Wr
I. L. rilOTIIIMHIA.M'H PHOnirTION
"THE TEN-DOLLAR RAISE"
VICTORIA "ARKET 8T. b. WTU
vVi -'V o A, M. to litis P. li
i AL.L-8TAR CAST In " ' '
v iuE"r nru ri
I'" VJVLitZ
.' v
tin.
.tJift vji., Wrpjfr
8Er;fc.72Lx bo.nbbicT
ssssniz that v r-Ttr, 3t1
...... m-,, iiifrQ
and
of your personality. th " f
1 " wiw more than n week Int.. v I
In New York, that l-t n'.V' ht 4
of you again. Ho entne Into mj poVi Y
iiiK room, a puzzled nnd I tm. ?'.' I
on his face. "oublej iv",
, "Nclla," hesnld, "do you J
FnCfc.nn
anOreVwZ,tr?OfCO,lrS0lW'.
could make a place for her ,m i?ot&
nm sure she has talent .L 1 P h IS
of having talent. "' r Khti !$
1 m sure of Itt" T
-110 llPSilnln.l A !..
i,.nt, 7.;;7.:.Tr.; .'.,"" mo tmi.M
low well T hnvo"ow7r ',?, lt
Ita every chnngcl to i,ltcrpd3i
I felt the blood leave mv fn. M
looked ot him sharply. Z ',""' M
gazing intently down "into" l,,
"The mnn In dm ct...i! . . ?
.working bcfor.5 I came to.ofr' tWMJ
pcated. "Not tL" l0'Ju7' I r.7
IT08 ,,e snl11 nuicklvs mill .i.i.
out looking nt mo. J knew tint it i: I
ns hard for him ns if ,..-. nl u -
menn Welles. Holnnd Welles hf'V
Oil nfter n !.,, " "US, UOWtBt'
Sly hands clenched in my Inn ,?. 1
the dressing tnblo. y ap' UniI- 1
'Toll me nil nbout it. Wlmt .1- '
menn?" I demanded I brcatl ll Sly '
Ho innlr Ma l,.i i.. mt .' J
plMlty. " '" "0UMed p.
"She's met him somewhere, nnrl .v.
v.., ui iuui, in in (e Iier In 1.1. .!
studio, nndmakcher, nndmrhV'
Hut everybody knows him! Thnf.ti,; '1
1 wnntcci to linve her come here TV
get her away from him, if nosslhl.
before it Is too late." ' ""'
I wns amazed at what happened to
me. All my hard-fought-for self-coa-,
trol forsook m In my time of need 1
shook with one of my old furies' I -"snw
red," ns the phrase goes. In that
dreadful moment 1 never even gate 1
thought to the friend whom I vr.j
wounding nfresh. Thinking only of mj
own reopened wound, I wns unmindful
of his. His mouths of devotion vvert'
ns nothing. I managed to keep tin,
rage out of my voice; but it was colds
and hard.
CONTINUED TOMORROW . '
THE MOVIE BALL ',
rilOTOI'LAYS
through the
guarantee of S
OThe NIXON-NIRDLlNGERrrt
THEATRES U
DCLlVlUiN 1 3U aj o 3D in 11 P. It.
EUGENE O'BRIEN
In "UOKLDS APART"
CEDAR
OClTlI A CEDAR AVEXD1
.' 30 uml II 3ii io 11 P.
BRYANT WASHBURN
In "THE ROAD TO I.OMMI.V"
rTI IQT7F l Market hot. 00th 4 0J
sVJIIOt,UlVio ;ui nn.l 1130 to II P M.
June Nuvilk A 4lin Wnnilrr Hoc, liuiaD, U
"KAZAN"
II MRO HONT ST l. OiRARD AV
JU1VIDU Jumho .Itinc. nn Krankford b
LONW.VY TEARLi: AM) SPECIAL CAST I
"SOCIETY SNOBS"
LEADER 41ST Sra?'
ALI.-STAR CAST In I
"APPEARANCES"
-J.'
I CC lsT r'-0 AND LOCUST 8TRISBIi;r
L.WLU01 jiiat, 1.30, 3 30. OJ0t
WALLACE REID LM
111 "TOO MICH SPEIUV JIM
RIVOLI B2D AND JrlSWAttt,'
HiM'dttl Coit In lie MHIe'n ProJucllon j
"THE LOST ROMANCE" i
STRAND aKAMTvToA?rW
DORIS MAY nnd HPE:IAL CAST In
"THE BRONZE BELL"
AT OTHFR THEATRES
MEMBERS OF M.P.T.O.A.
Germantown m ai i . ... X
"THE TEN-DOLLAR RAfSb,
IIARDLI) I.I.Oll III - , )'
JEFFERSON "VTlsfS&f
JAjir.sj uiiiKVViiiiii nnu Bii"
PARK ni.;kSSSS
tug BUi'iai-a'EsirtM ''"';l, j
"DECEPTION J?
-:' " "
""Id nosln.i.
....usual about her! wVst &&
flicV a real person.' Co n nl"hK "&
hero to us. Why not?" br,htttT
X
i
L ii iStJ