wm? ww'"" Fwr IiwT;rwmm??mi''A -?. v.v.vyw :v" :- iwm, T'Trw' .v -.vsmpwh.." v-T'SrTwsrr. v , l r J-:yt Bi'' . ,r- l " . . ' w . EV1DNING PPBUO ' iLEDGEIJA-PHIIlABELPHlA, MONDAY, 'AUGUST 8, 1921 s i U Louise Is Resting "Ote Daily Movie Magazine LOVE STORY MOVmaSTAR ? ' r w K .'A pW I1 flP 5 ' CLOSE-UPS of the MOVIE GAME By HENRY They Staged Some Costly "Dreams" When They Filmed "Peter Ibbctson" New York, Aug. 0. SOMETIMES It costs a lot of money to gc a dream or n vision In tho movies. You see the hero asleep ; he dreams he Is a bold bucenneer on a desert isle- and tho desert isle and the bold buccaneer flash before you on the screen, prob ably for less than a minute. It docsn t matter now snort that Hash is. Hie technical men in the studio , have to put as much work and ns much thought and as ranch research Into , staging tho dream, as they put Into the biggest scenes In tho picture. ; The high-salaried location man has to hunt around and find the Island or eise it nas 10 uc duiu in me eiuuio or on inc lot; me rcscarcn ucpanmcni nns to i be ns accurate In costuming the buccaneer In the dream as though It were an I essential part of the production. Nothing can be overlooked; visions must be as I complete. In detail as arc the realities. You can Imagine, then, tho trouble nnd ezpenso of such n production n , "Peter Ibbctson," which Is csscnttully a she-ro visit tho far places of the earth In build these places regardless of the cost. I had n private view of tho completed fllm thli week and it struck me as i representing the modornncss of the movie art nilccd about to the nth power, ' whatever that is. And, by the way, the story will go out to the public under the title "Forever." It co-stnrs Wnlly Itcfd and Klslo Ferguson, with Montagu Lova and George Fawcett doing two of the best character parts they have ever , done. DVT I didn't start out to write a review of the picture. That must D be left to the dignified high-brow gentleman whoso province it is to tceigh all the components and tell jou and me what tee ought to think about a play, regardless of the fact that we iierer think it and wouldn't if tee could. It would kill our enjoyment of life to take everything as seriously as these intellectuals take them. I 'WAS particularly interested in seeing this completed production because I hod been down at the Lnsky Long Inland studio a good deal while It was being made, and ono rnthcr elaborate set in particular interested me. They built it in whnt they call their "back yard." The big picture on this pago shows you tho nctual construction under way. First there is tho great back drop of canvas on a huge wooden frame to represent the distant view of the Arabian desert. You can see that In the uppo. Itft hand corner of the photograph. Near tho edge you sco the scene painters' ladder and stand, nnd just to the right of tMA nvtrl tfiftn ttm atfln nt nn ArnMnn linllcn the door. In front of It all, leading back to the white sands of the desert, glaring in are running up toward the stepi, you .harnessed for the thlng-um-jlg In which the passengers ride. The thing-um-jlg itself Is in the foreground just under the stairs. It looks more or less like a gigantic poke bonnet. Get it? It took the technical department n long tlmo to get the authentic details for this set and It occupied a great deal of valuable space in the back yard, as you can see. 7ET all that is shown of it on the screen can be seen in the other tico pictures. It lasts less than three minutes in the finished pro duction. It is merely a dream that the hero and she-ro have. You see them come doicn the steps, the camel is driven in, they mount into the thing-um-jig and ride off. That's all. AND tho dreams of these two tnko them Into many of the far corners of tho earth. You see them In a gondola under tho Bridge of Sighs in Venire (boilt in the studio) nnd that lasts about two minutes. You see them in their imaginary honeymoon home which Is built with all the elaborate details of con struction, design and furnishings of nny other part of tho picture. It means a lot of expense to put on a picturo like that. Yet it has to be done. You and I wouldn't bo satisfied nowadays to let 'cm put across any of the old stuff on us. AYe've learned to expect the ultimate in all scenic settings nnd it means nothing in our young lives that these things are only three-mlnuto dreams. TiYhcn I spoke of this production coming near to the well-known nth power of something I did not refer only to the scenery. The thing that interested me most of nil may not impress you at nil that Is, you will be Impressed by the effect without feeling any curiosity about how It was obtained. I am referring now to tho photograph. I havo cranked a movie camera myself and I know most of tho standard tricks, but the guy who got elbow cramps behind the lens in "Forever" has put ncross several stunts that are entirely new to me and I've been puzzling what I call my brain to And his methods. Ho has a dream garden scene in which tho fully grown characters wander and see themselves B3 children. Of courso, It would have been easy to do with the old double exposure. But this accomplishes effects that mero doublo exposure couldn't touch. I'm going to hunt up that camera bird and see if I can get him to tell you how he did it nil. Mcbbo ho will and mebbe ho won't. They're a secretive lot, those camera men. Bl WT there is one thing that tcill cost of production or technical "Wally's hair. Marcelled. Yep; honest. It's a play of the early eighteen fifties, you know, and the gentlemen heroes of those days simply had to have curls. So they added a hairdresser to the salary list dottn at Lasky's while they tcere making the picture, and every morning Wally had to have his lovely long hair marcelled. Wouldn't you just love to run your fingers through it, Oeraldinet Ten Weeks' Time to Cut Picture Erch Von Strohelm is well started at Universal City on tho stupendous task of cutting liOS.OOO feet of film to twelve reels, which will be released in the fall as "Foolish Wives," tho mil lion-dollar uhotodramn. The director ' Is doing Jho editorial work on the pic- ture himself. It Is ostimutod that teji weeks will be devoted to cutting. FOR YOUR SCRAPBOOK OF STARS BBBBBBBBBJBBBBBjMBBBfijlmVB2jpH VaVaMWaBBVaVaVaVaaBBBw!9SaVavK&'nMv',liSVaVaVaVaVfl aVaVaVaBTaVaVaLHV0Pv'V;H " VaVaVaVJ iiiiiiiiiiiViiuHiiHliiiiiWMtfV''V '.r'it3Kil ; -'' iiiiiiV iiiiiiiiLBffiRt i IHI, iLH Owtn Moore is n recent bridegroom. lie la now the hubby of tho beauti U Eatberlao Perry. 8he is the star In "Why OlrU Leave Uomo." M. NEISLY story of drenm llfo. The hero and their sleep. And the producer had to that, n canopy. Then comes a palm ' with tta nilillnt etntrurntr Innrllni uti t, ' the camera stand on the right, you see the sun. Just between the two men who 6ee a camel in tho background being interest all the dear girls more than trtcks of the camora. And that is Brsnon to Make Special Picture Herbert Urcnon will make a special to bo releacd as a Herbert llrcnon Spe cial and wiU then direct Norma Tnl mndge in "The Voice From tho Minaret." liv Itnhert Hlrhi'ns. Urenon will likely make tho special on the oast. Sid Franklin will direct Norma In her next, "Sinilin' Through." ITS ONLY sferF 'THE RUBAIYAT" IS BEING MADE ON A MOUNTAIN TOP By CONSTANCE PALMER YESTERDAY afternoon I bumped along a new-born road up an ancient mountain peak to watch Ferdi nand Pinncy Enrle direct his produc tion of "The Rcbnlynt." It was worth it. Mr. Enrle, who Is an artist, has been working in preparation for tills undertaking for two years, actually maintaining n payroll of designers, re benrvhurs, other artist and writers during that time. First I tnw a troupe of wild-looking Peninn horsemen swooping down on me. I dodged and they continued their tempestuous way to another distant hilltop. Pretty soon we came upon scores of blnck nnd white striped tents that would look lovely on nuy bench. Extras, swnthed in multi-colored draping, lay In the shnde and did what cxtrus usually do nothing. I might even ndd thnt at a rough estimate I noted their breath came In short pant. After two or three hundred yards more we came upon tho ciimurjs focused on a dramatic scene between Edwin Steens, ns llnssen ben Snhbah, founder of the famous nnd notorious order of Assassins, nnd Hedwiga Rviclur, who, by the way. Is n nister of Frank Kelt her, of the Theatre Guild, and n cry famous actress besides this. As the htory has It, Miss Rcidier is til1 wife of Mr Stevens plctori.illy, Genevieve, pictorlnlly and for moties of vengeance disguises herself ns a man. They had just found It out when I came upon the tcene, and Mr. Stevens wns about to nhn-so-thlu- is-tt! nnd behead bur. Frederick Ward, tho well-known actor, as Ornnr, hove into sight, nnd craved mercy for the lndy, who hnd just discarded her whjHkers. Mr. Stevens wus about to behead him, too, to say nothing of director, camera man, su pernumeraries, chief stoc kholder nnd what-not, when the s-elf-saiiii' I'trsian hoi semen who hnd tried to run me down galloped over tho brow of the hill, each trying to wiu the dollar the ns slitant director had offered the one reaching the scene of action first. IT WAS a stirring scene to ny tho very least. It almost mndo me for get to 'nsk little Katherlne Key, who Is the "Thou" who sits beside me In the wilderness, together with the loaf of brand nnd the jug of wine, for her recipe for that wine. When the picturo Is released It will hava n special musical score, which is even now being written by Charles Wakefield Cadman. Mr. Enrle Is a very sweet man, u little diffident nnd much too nico to bear the brunt of tho troubles attendant on tlio mulling of pictures. But filming "Tho ltubnlyat" has been hi dream for years. Now ha is doubt less in the henrtrondlng position of buffer botween ldenlism nntl commer cialism. Mrs. Enrle works with him, both as adviser nnd as actress, nnd me thinks I counted two little Enrles In the costumes of old time Author Writes Special Movie Story "The Mnn From Lost River" is Katharine Newlln Burt's Bret original photoplay. Plcturlzntlons have been mndo of her two novels, "The Brand ing Iron" nnd "Snowbllnd." Japanese Emperor Likes Our American Movies THE Emperor of Japnn and the roynl family hnve enlisted in tho lnrge army of Japanese motion-picture enthusinsts. Showings nre held nt the ronl palace In Toklo nt res ulur Intervals, nnd high-grade American films nre nlwnys received with tho keeneht Interest, Recently tho rojnl family wns entertained with a showing of Fred Stono In "Johnny, Get Your Gun," and ac cording to the reports, the picturo was one of tho most popular ever shown the Japanese royal family. nILiiiiV& LiiiiiiiiiiiBiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii MHSitapiiiiS Ir-ta BillllllnE illlllllllWfliS &klllllllllllllllliMillllllllllllV&"firc!S$ibil ltTrSnkBilkiiiiMHX.flikiiiiiiiiiiiiiiiiVliiiiiiiiiYb'3? iiHiiiH vlSt0illllllMPnH W VillllHlllllllllllllHilllllllllllllK?.J&KraCBJillllH.HH4illlllk:MillllllV illlllllH I w-. -.--i.'Sf.t-. . J m. V "' BHHL M." . I . .VlJ i ; J. Bk-w1 . wHV.lllv i-. -. '. . F . . ' . A izcs&sv nn m-llgggA-(rM-IMZ.mKff:i i s's&ism ... .-!!V-, . i wrrasmx.v ikjui. cm.- .- sCS&mir'& .x.w -iiiiMi I'iiT'F''1" glCTh- k-.tL , K -.'" II. ' , FV?& -ai-- Wjhss&p iiiiiiiiiiMkli TrWvv-y. . . , t'.-u. TiFk ) .' niiiiiiiiiBBHiiiiiiiBiinB imrrA t. r;!. m. iiiifi - k ii' Mt wimmtm mB-mmKs:.. wKH&kmtmsrzzr. . iram.- i& ,-w .. vrfS:'7&w&mmaigmmm-vk- k?:. ; j-m ii.' ";' -i. rmmvJM"-r -rrvimimHm&mm-urmmmm&.X!'. s. ', i . A THREE-MINUTE DREAM, BUT IT COST A LOT BilfeoB I LETTER REACHES ITS I DESTINATION JUST A YE ARAFTERM AILING A TRIBUTE to the efficiency of the postal service of various European nations as well as to that of our own Government was pnld Inst week when Mary Plckford received a letter that had followed her all through Europe nt the tlmo sho and Douglas Fnlr Lanks were honeymooning abroad. This letter was mailed from Miss Pickford's studio in Hollywood nearly n yenr ago for tho purpose of ascer taining Miss Pickford's popularity abroad nnd nlso to test the efficiency of the contlnentnl postal sjstem. The enxelope was addressed "Mary Pick tord, Europe." This epistle was sturted on its way hhnrtly nfter Miss Plckford nnd her husband sailed for London from New York. Urcnt care, wns taken, of loutsc, to start the letter so late that it would arrive in England niter the fnmous newlyweds had gone to France. This began tho incc between the letter nnd theso stnrs. When Mr. nnd Mrs, Fnlrbnnks re turned from their trnvels. it was learntd thnt the mlsslte never cnught up with them nnd those responsible for this unique "Correspondence Hnudicnp" be lieved that the 6tunt had failed. Im agine their surprise when Miss Plckford received tho letter from her company's New York office. When tho letter nrrlved the envelope was so badly mutilated that It could not bo saved, but postmarks Indicated thnt tho missive followed the honey moontrs over their entire itinernry. Tho postmarks that could bo read showed that tho letter had passed through Lon don, Paris, Coblcnz. Brussels, Berne, Nice and Versailles." It Is estimated that this letter trav eled at lenst L'0,000 miles, all on n four cent stnmp, and that It taxed the In genuity of postal workers In at lenst four Old World capitals. . , This Girl Loyal to Movies Mildred Moore, the pronu-ing joung Ingenue, who hns been eeen In small pnrts In scverul Fnmous Plnjers Lasky nnd Metro pictures, hns now definitely decided to forBnko the speaking stage for the screen. She hns been ghen the part of tho pretty "sohoolmnrm" In ''School Days," which William Nigh is making. Henry B. Walthall, Star, Working Henry II. Walthall, mala actor of the far-famed "Birth of n Nation." heads tho big enst of "Flower of the North." Pauline Starhe co-stnrs with Mr. Walthall. Die picture Is an adap tation of ono of the best -known htuiies of James Olier t'urwood, whoso tales of tho North hue undo him famous. HERE'S ANOTHER ADDITION TO MOVIE STARS mnv ,,( .'V ..j . , mmmwSmmmW " i'mmm wmmsVBmm ammm - '- ' - .., r .'4 ,$?--&t' ' 'r:' 7t";ai Jnyj .V ft w Mrs. Owen Moore's First Fall Release "Why Girls Leave Home" BEAUTIFUL Katherlne Perry, who has recently become the bride of Owen 5loore, the noted screen come dian, has a prominent rolo in the forthcoming Warner Bros. feature, "Why Girls Lenvo Home," which Is unnounced for immediate release. Mrs. Moore furthermore has a "character" 1 art. This does not necessarily imply thnt tills inarming young actress has hidden her beauty beneath a grny wig and a coat of grease paint. On the contrary, she Is presented in a rolo that accentuates her charm, for she Is de picted ns one of that ultrn-modcrn typo of feminine charmers immortalized by David Belasco iu his production "Hie Gold Diggers." TN THE rolo of Edith Lnmnr, Miss Perry gles n skillful portrayal of n shrewd, blnse joung woman, who makes a good living bv capitalizing her good looks and exploiting to her own per sonal advantngc her chnrms. Wlso be jo ml her jenrs sho skates skillfully on the thin ice of unconventionally with out breaking through. In tho character of Edith sho explains herself in n title which states, "It Is purclv n business proposition with mo, 1 dnnce nnd dine with jaded business men and in return they repay me with tips on the mar ket." The many elnborate scenes in "Why Girls Leave Horn"" nffqrd Mla Perry several opportunities to wear gorgeous gowns, and the spectator who sees her In this picture, produced by Hnrry Rnpf. will not wonder why Miss Perry wns nwnrded tho Golden Apple as being tho most beautiful girl in New York. Answers to Questions From Movie Fans Toddlo Top So the fasclnnting little game has caught you, too? Be careful. Toddler. It may be expensive ns well ns fascinating and fashionable I really can't tell you whether the hta you admire are fond of the game, but It's safe to say they are if thev have time. Stars are hard-working people, despite tbo populnr belief that nil they do is to wear beautiful clothes and ride In their Hmouslnt. Rldgowood Eugene O'Brien, Nigel Bnrrie and Conrnil N'npel n . 1 1 ut. feet in height. John Bowers played the role of Clayton in "The Cumberland Romance." His Intent picture Is "The vty it.'. wn'cn he playa the lead, RuhvII I do not know the play vou mention. However, there Is a musical comedy cnlbd "The Whirl of the ?w,n- iV ,",m-T.b'' th" ono youJiave hi mind. 'Hold our Hoises" ik taken from the Rupert Hughes fctory. Tom Moore plays the lead. Introducing Little Miss Ruth Margaret Nagcl. She Is the Causa of Heart Breahs in the Breasts of Feminine Movie Fans OF MONEY rpHE filmed version of Du 1 Maurier's "Peter Ibbct son," which you will sco under tho title of "Forever" will show you a series of dream episodes. Here is ono that lasts for not moro than threo minutes on tho screen. But you can sco from theso photographs how much money was spent to mako tho dream rcalistie to tho audience. Tho article nt the begin ning of this page tells you about it. 4 What Your Favorite Film Stars Are Doing The cast for "Tho Threshold." the second feature produced by the United States Moving Picture Corporation, in cludes Walter Rlnghnm. Belle Bennett, Jean Robertson. Logjin Paul, Mny Kit son, Jnmcs McDuff, Denton Vnno nnd Rita Rogan. ' Universal has purchased "Ropes." which will be used as a starring vehi cle for Miss du Pont, when the new Universal star has finished "The Rage of Paris." Roland Rushton, Reginald Bnrkcr's nssistnnt In the new scries of pictures for release through the F. Ii. Warren Corporation, is back fiom New oYrk, where ho looked over the play market. Wlillo working In a picture under the direction of Fred Fishback. Brownie, the Century wonder dog, contracted a severe cold and has been confined to his bed for n week with little hope of getting out of It for another week. George Chcsbro, who wns lendlns mnn in n number of feature pictures wiin me inte Ullve J nomas, plnyed op posito Junnita Hnuscn in all of her aerials and nlso plnyed the lend with Ruth Roland In Pntho serials, hns been engnged by tho Mornnte Prod-Co. to play tho featured role In a series of' Northwest Mounted Police stories, of which "Tho Recoil" Is the first. Wallaco MacI)onal6, well known ns n film plajer, having appeared opposite most of our fnmous feminine stars, has deserted tho make-up nnd hns picked up the megaphone. MacDonnld is now in the midst of directing his first picture. "Tho Western Princess" Is the title nnd Junnita Hansen is the feature plajer. Others in tho cnt include Eddie Suth erlnnd. Wilbur Hlgby, Jnck Rlchnrd son, Buddy Post, Eric Mayne nnd others of equnl note. VHOTOri.AYH MOTD-PUrr COMPANY f BTAHHICA APni I C B2D A THOMPBON' 8T3. tVJ-.WJ MATINEE DAILY LIONEL BARRYMORE In "TUB IlKVIIS OAKUEX" ABPAHIA CHESTNUT IJ1. lflTH tr.Ll 10 A. M. to 11 -IS V. M. MARY MILES MINTER In "MOON'MOUT nnd nONKYBUCKLK" A PTrtn ITTIiMlfl.lN a nutAii OIRAnt) AVK. fJ i Jt MATINKK DAILY AI.T-RTAR CAST In "THE CONCERT" tJAL 1 llVlWIxil. nvn.n an pat mat. Helen Chiwlplrk In -ettfiiM Purktr'i "GODLESS MEN" RPMNJ tTII AND WOODLAND AVE. DH1MN MATINEE DAILY 8IH .JAMF. M. IIAnniK'sf "SENTIMENTAL TOMMY" pi I ICniDTS 4l road i BueqUfhtnna Dl,UU.OirL rnntlnnauj 2 until IJ DmlJ Pimrll nnd Hixrlnl Cnxt In "APPEARANCES" CAPITOl T22 MAIIKET BT V--Vrl 1 KJLa jo A M to 11 11 n NORMA TALMADGE In "THE MOTH" M. COLONIAL fin- Wr WIM.IAM 1)F. MII.I.F.'S PHOnrCTION "THE LOST ROMANCE" DARBY THEATRE MILDRED HARRIS CHAPLIN In "l'OI.I.Y OF THE BTOKM COUNTKY" EMPRESS "MAi MANAYL'NIE MATINEE DAILY rariuuoiint nunrr-Hwrlni Produrtlon it nunrr-Hwrlni pre DECEPTION" FAMII Y THEATRE 1811 Market St. I -V1V1JI, I 8 A M TO MIDNiailT CARMEL MEYERS In "THE KI8B" SftTH 9T THEATRE U.low Spfuj; JUin Ol. MATINEE DAILT ALI,STAR CART In ""' "EAST LYNNE" FRANKFORLV"15 !;vS5?n6 it AI.T-RTAR CART In " "A PERFECT TIME" P.l HRF 6001 MARKET HT. WILL ROGERS G30t" n "THE OrJILE OF WOMTtltf'i CM ANT 2J OIRARD AVHT . me feiojBL m . i ut vv "i t wKr. tui fNMIHti Wit i Minn v,jailltAVi MiWitf'SniUMMSM! iiiiiiiiHt -qBBBBMmfHl$V.- iarr f ' iT i i i ii mUlllllW "rkB - ,. t '. . This Is How the Story Begins: MELLA UORBLAXP, most famous ' of screen stars, hears that a young girl, Annette Wilkins, has fallen in love with Roland Welles, an idnl nt Ihr trreen. Miss Morelanf. to save Annette, writes the story of her otcn tragic love affair with Welles, intending to send it to Annette so she may know the kind of man he is. She tells hoto, while a pianist in a movie theatre in a Western Penn sylvania town, she met Welles when he made a "personal appearance" there, how he incited her to come to A'eto 3'orfc and said he' would place her in the movies, how she came and the chilly reception which he tffli'e her in the studio. Then, becoming interested in her, he acts her n job in a small town stock company for the experience, promising to see her often. The manager Insults her and she leaves, finally getting into- pictures in New York. Here she works with Welles. lie makes love to her, pro poses and she is deliriously happy until another woman reveals Welles' perfidy. Then she quits him and the company. Here the Story Continues "I'll do n.s yoi nay," he said and there was n positive ring in his voice : it was o longer cracked with fright and embarrassment "not because I belicvo for n moment whnt you say about not being worthy of me. There Isn't any ono clso in the world that I would let say such n thing. If n man wcro to say It, I'd punch his head!" (And he looked ns if ho would welcome tho opportunity!' "I don't even like to hear you say it. But I'm going to do it bccmtfc I sec now what a fool I have been to ever drenm that you could even think of a fellow like mc. I must have been loony to think puch n thing! You. who must lime thousands of people in lovo with you ! You, so beautiful nnd fnmous, with the whole world nt your feet! You, who hnve only to chooso!" (Ah, Hnmcs of Rochester, Humes of Rochester, whnt would jou hae said if you had known that the one being in the wot Id to whom the wretched woman before you hnd given her loe. had tos'-cd the gift aside, so little did ho value it! "I sine wns plumb crazy, cracked, to think of such n thing 1 Whj, I'm nothing nnd n nobody! I enn only beg you to forget nil nboiit me. "But besides remembering your wonderful kindness nnd patience for If you'd shown me the door, it would have been no moro Ihnn I deserved for my presumption there is one thing I can still do. Every time one of the pkturcs you are in comes to Rochester, I can go and we it. And I can .sit thero and look nnd look nt you. like nil the lest do. but feel proud to re member thnt I once netunlly talked with the most beautiful and oveliet nnd sweotevt woman in God's world, the only woman I shnll ever love!" His voice wns eloquent with sincerity nnd earnestness. Nelln never doubted that he believed every word that ho said. The leais were in her own eyes now, nnd she wns not nshnmed to have Hnmcs of Rochester pec them, rithcr. With n sudden impulse the stepped close to him and kissed him on the fore head. "You're a dear boy! Now, go! Good-by!" Ho gnvc her n In't wonderful look a look In which gratitude and despair were mingled. Then he went. Nelln henid th door close behind him. Then she laughed nnd wept nt the same time. Fnmo' Such is fame! Then one bo comes honey, and the bec.s .no drnwn nnd also the flies! And one came, grenter thnn all the rert. But I will not write moro of it tonight. I hnve been smiling. I do not want to sigh. I am going to May happy tonight ! August 12th. I wro'e: "One came, renter th.ui nil the rest." Grenter nh, yes, and baser. He mine Roland cmiie. And I wns still longing for him to come. And I was still waiting to hear those well-known footsteps. Still watching for a sight of that well, built form, and that handsome face. He, the nlilltiilitiji ln ii aTkIa t.,m I-I...1. 1 l " lunuim., uiv nuuic, uiu moi ; no lll.lt rnoTonws The following theatres obtain their pictures through the STANLEY Company of America, which is a guarantee of early showing of the finest productions. Ask for the theatre in your locality obtaining pictures through the Stanley Company of America. J GREAT NORTHERN ns"? : , Tn BPIX.1AL OAST In "THE GREAT LOVER' IMPERIAI ,0T" A WALNUI STS. 10 1. XEOKI nnd UIO CAST In "GYPSY BLOOD" Lehigh Palace Ctrman,,ShM;( 9"l JAMES M. nAUniK'S """ "SENTIMENTAL TOMMY" O VERBROOK 03D ,Ayr$ulBnD' THOMAS MEIGHAN JnTlIi: (ITY OF SIl.KXT MEN" PALACE "U "'M'KET dTIIKLT-" ,0 A- ' '113 P. M. "THE JOURNEY'S END" PRINCESS mwrnT WSJIOI-OUTAN PRODUCTION ' ' "PROXIES" REGENT MAnT ST Below 17TH ' 0.45 A M. to 11 P. M. MAY ALLISON In "THE I,BT CAHli" RIALTO QKRWAVrOWN AVENUE .n.o .. AT Tl'LHIVinr-KKN IT IOIH UKnrJl'S PRODICTION "TOO WISE WIVES" RUBY 1LUIKET T. DELOW 7TH SIDNEYlCHAPLiN,6 ft " W "IirNO. QUEEN AVn inntrm. SAVOY MARKET STllEET "COINCIDENCE" ,hh Hnnn min lr-k.. . & lUlllmnre Av. ft C,n m .ba " ""-'-' MAT. 5 V.Vtn MAY ALLISON llL "KVULiVAOANCK" STAiiy "'..YitfiW M. t riwiviAa IVltlUHAN In '"" yilMH'KST OF CAVA A V.. 333W RKET"aMLE.Tn IVW A-iwntL. UAKKYMORE In -tug UHKAT ADVHVTnRE" ,.' fX- J. '! K ..' .A iwr.'.-W ; WM i S '? a i I 'i LOUISE GLAUM Sho is resting nfter her strenaom I ovuauu ui jjn.mii; loaning BM J. Parker Reed's direction T linrl frlAftfifttl In flu. 1.t.. J . Ilinnronr lnrA?M l And my heart was still his. I fa, Hint he was n tcairtp, that ho wasiS. icriy unwertny. uut what of tkiit and if be came back to me I J. not sny "No." I knew that I cotlJ not. The wholo tide of my btitrM townrd him. I was sitting in'a corner ol'lli Studio, in one of the sets, waltinr fa " -inero wns a windoiv iaflnl cii. u muih -M-ai, nnu next to It i bookcase. I wns sitting on the wiade. stat, tning to read. But now uj then I looked, up sadly at thei ezastr i-lMin-a ui uiu chiiuiu. io worn vu uving uone nt, uie time. It wns during one of thoso Itillrb. the early afternoon when no one is about nnd even the enrpenters arc silentAtJ then, suddenly, in tho silence, thi came foot&tcps, familiar footsteps, hi iiij iiiuii. vwu3in.-ii.-u io me wuo u coining; r i.,.i- t...! i .ij wiiuit: ui'iiig caugtu nre. Sj arms stiffened. My fists clenched. I glory seemed approaching, rushing ota me, drowning me. It was as it bad al wnjs been, ucr since I had lint km him 1 It wns my drenm come true! wns the snmo thrill ns came to me test ufternoon iu autumn when we Xisrf beside the still pool, under the rmt tree, with the leaves fnllinznll nhnnun Ho came nearer and nearer. Thtahe was standing over me, just ns he tad so often done iu-my dienms. Tho ureams where he stood out mc, and! iuu. ami ins iinn si Doumi me, ana I stroked his check, nnd wo'klsed. ' "Well, Nella," he saul softly in that well -remembered olcc. The air was filled with golden potato. The world seemed to be rising in jtaa under my feet. My heart was bcatJaj mndly. Then I gae him a glancing tiifl of a look, which took in nothinr but a burst of goldncss. "Well. Nella," he repeated, and li voice was civet. les, l murmured, trjing to eon trol myself, trjing ninly to bant m to that self that was heme sneDtont on a great nnd glorious wave. Isn t it ubout time that ne milt up our little nimrrcIV" he nsked. Without waiting for an answer, bl went over to n small tnblc that stool near nnd laid his hat and stick on it. In another moment, he wns nittinr ( side mc. I could hardly brenthe. I wai IW that be could hear the beating of la; heart. "Why did you come here?" I iM in a breathy tone. To lie Continued Tomorrow PHOTOPLAYS pMoropUTr tyGmfah (DMPANT r A .orAMcuic Ifit ho NIXON-NlltDLINGERi o THEATRES RFF MONT wd b- Mkt -DouM'SU OIliVHJlN 1 l .(to A a (I 30 in It P. I FRA.NK MAYO nnd SPECIAL CAST I "THE BLAZING TRAIL" fFHAR coTir t cedar avekvi -CLMIA. , 30 & 3. ,30 to 11 P,H PRISCILLA DEAN In "RKPtTATION" COLISEUM WisW SESSUE HAYAKAWA- In "IILACK ROSES" IllMRH FRONT 3T, & OIRAI10 JU1V1BU Jumb0 Juno, on rrankford 'V ALICE JOYCE nnd ALL-STAR C,JT A. "HER LORD AND MASTER" LEADER "ST &$gS'S&$ Jamti Klrkwond nnd Ann Forrtit 1 "A WISE FOOL" I DPI QT 13D LOCUST STREO'a L.UUU01 Mtt, ,.jo nan i. flSJ'tH MIMUm Dmmond and Siwetol CmI "THE PARISH PRIEST . . iini STRAND ocAH$s;K$nn WILLIAM DcMILLI'H rnonlCTIOJ "THE LOST ROMANCE" AT OTHER THEATRES MEMBERS OF M.P.T.OA ermantown jrATiNEn dailt HAZEL DAWN Bitd E. K. I.INCOM "DEVOTION" JEFFERSON "WA? MAY ALLISON In "KXTRAVAOANCK" pARKR,Da?(AVE.DAunn TOLA NF.ORI nnd IIHI r.Afit 'li "GYPSY BLOOD" VIS WEST ALLEGHENY wti$$t J CONSTANCETAjLirdGE ta "DANOEKOCS 8C8INES' VICTORIA "?F ,;, ot'h EUG&JtOBRi0EN18 ' jjd8 ait. Aioort is tat answer y L.tJ'8TAS CAST ! WJI. DW , yfnt Every Wornwn Ki lS' I?" k h a -nvnuya ArAUX" I .""Ml. J jJ-Vj