Evening public ledger. (Philadelphia [Pa.]) 1914-1942, July 02, 1921, NIGHT EXTRA, Page 12, Image 12

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EVENING PtJBLIO liEDGERPHILADELPHIA, SATURDAY, JUJjY 2, 1921
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Te D aily Movie Magazine
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take all
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bills, i
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be sur-
persons
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Famous Fihn Characters Will Be
Present on Movie Beauty Night
Tho Shipper and Terrible-Tempered Mr, Bang and the Power
ful Katrinka and the Rest of Tltcm Can Be Seen
in Person by Tooncrvillc Fans
T'S OOIKO to be a great night Tuesday for evertbod who has been in our
Movie Beauty Contest and for all the fans who have long been familiar on
the screen with the famous characters in the Tooncrvillc Trolley comedies.
For the people who have created these screen versions of the funny folk
made famous in the Fontaine Fox cartoons will occupy a box at tho Stanley
Theatre, and will share publio interest with tho fifteen girls from whom the
three winners of tho contest were chosen.
And these three winner will be introduced from tho stage.
T7ETERAN DAX MASON, the fen
V turcd player of the comedies, will
five you a chance to RCe If you can
recognize him as tho old skipper, whoc
oxplolta form the plot theme of most
of the Tooncrvillc fllmi.
nob Maxmllian, really one of the
sweetest-tempered men in the world
will nhoxv you how unlike the fiery Hang
ho is in his proper person. Betty
Bovee, the leading woman, and Jack
McLean, the handsome hero, will be
together in the Betzwood box. You'll
recognize these two at once, for they
are not very different "off stage" from
their screen reproductions.
Then there will be Wilna Hcrvcy.
who plays the Powerful Katrinka, and
Helen Gerould, whom you will never
in the world recognize as Cynthia
Snoop.
BESIDES these will be the men who
really make the comedies what they
are though you never see their faces
on the screen.
There will be Ira Lowry, the di
rector; Frank Seltzer, assistant di
rector; Ralph Spence, who writes the
titles that send you all Into peals of
laughter, and Jimmy Ferrick, who takes
Spcnce's titles and makes them fun-
JIMMY CALLAHAN
RECOVERS FROM
'AIRPLANE ACCIDENT
JIMMY CALLAHAX, who was
severely injured in a hydroairplane
accident at the Curtiss station at the In
let, near the Boardwalk, in Atlantic
City, Thursday afternoon, the 23d inbt..
was discharged from Dr. J. II. Wag
goner's private hospital Inst Tuesday,
as well as over except that the t-nds of
three of the fingers on his left hand
are missing. Mr. Cnllahan will resume
work in two weeks. '
Mr. Callahan was mukinc hi.i latt
hot on his fourth comedy, "King for
an Hour," when the accident happened
which nearly cost him his life. The
incident in the story which was bcins
photographed wos a scene where the
heroine and the hero, plajed hy Flor
ence Dixo'n and Mr. C'allahnn, nnd a
JLMMIE CAL.UVHAN
K9
- Xtner!
occasloupbr.racter, played by D. W. MacRey
their ordt ds. escape from a cannibal island on
of tho res nydroairplane.
" "...... 'To make this scene Ralnh D. Whit-
Vh in.ntr, -t Mr. Callahan's director, had the
the lnsplrioea'ch ,nIa otlt , (l tropit.ai t with
the future twenty men nnd women acting as na-
But - fives. Before an audience of several
. beings v hundred people gathered cm the hoard
k to then! walk tho escape was photogruphed by
Captain Charles W. Downs, Mr. Cal
lahan's camcrman.
LA.
N "AIR SHOT" was to follow and
buii XA. the plane returned to the beach tor
instnictloiiH. Ah tho pilot turned from
the Ahoro Mr. Callahan saw Mine friends
standing on the bnnrtlwalK and ciimucu
out of tho cockpit to the fuselage to
wave his hi-nd to them.
He had never worked on a plane but
once before where tho propeller ix back
of the cockpit and not attnebed to the
noB of the machine and wat, un
mindful of the danger of what was
ilnlnr. Mtha Dixon eratfned him to null
V him, bar k iust as he waved his arm. This
PMp. faytd bis life, or at least his arm, the
irropoller strikins tho ends of his fingers
GRADLf.on his loft hand,
to pin Just as the accident happened the
enemies of tane, swung from the shore, Mr. Colla
Uuited Statan did not realize that he nnd been
nnd untutourt. He thought he had received an
rfliilrallmn 'pctrlc shock, but u jjuslj of blood from
S,i.,.i. wV t nd w',lch covered the pilot and
Vluuais wr JJm DUon( who creamed to tho pilot
eminence I 3 turn bnck) nwoko him to what hod
complete d.'ctually happened. Miss Dixon grasped
they ami wejr Callahan's wrist to stop tho How
Tho blpai blood and tho piano turned back bo
Donney nitertlt hHd risen from the water.
Delaware , .w .
?
disgrace trJlTR.. CALLAHAN was taken to Dr.
1
t I XVJ
aggoner'a private hospital, where
(Sover ih8 ' ends of three fingers were ampu-
of a doL tatftd. while tho comedian wns fully con
is easeV scleus. He would not respond to an
who dt antlietic. and while the oivorntlon was
tho Un' oeine porformod entertained the sur-
r", eeon and nursca by funny comments on
iT?.i!..,r 'B pathttic situation.
ynltiu )htn tho (Iocto. tol(J jlim that the
imi, i .hnttered bones would have to no m-
accepter putatH he replied:
to a va; "Well, I wns going to
bp GttV Ut If I bud time."
polntnk Ifr. Wngi?oucr told .
vnf.i-l , Mnil tlmt hn 1h the 1
a manicure to-
hr. Wneniiiier told Mr. Callahan'f
m .l ;."i, . ai . ...i.. .!..
(!lcott iiT 'vcr operated on. and that at no
'r &Jto W the'jdlan' temperature rie
menus mat no ih mc hji-yivh iniwn
r,1Mrji
nler yet by the odd little cartoons he
draws down In the corner of each.
That's a gnlaxy of screen talent that
you i-eldom liavo an opportunity to see
togctner, nntl tncy aro coming simniy
as n tribute to tho fifteen pretty girls
who camo through as the "runners up"
In the beauty contest.
COURSE, we'll be there, too
Wbut
that. We're going simply to relieve
the tcrrlblo ennui that has overcome us
since the beauty contest stopped.
It was certainly great while it lasted
pictures of pretty girls coming in by
every mail. And the pretty girls bring
ing them in themselves and stopping
to chat for a minute, or an hour, or
sumpin.
The old office seems dead now. e
hnven't a thing to do but sit back with
our fret up on the desk nnd the old
pipe going full speed and a half ahead
and the smoke curling into visions of
all tho beautiful faces that we have
learned to consider such an essential
part of our existence.
But no more. We're going Tucs
day night just to see 'em all together
for the laRt time and say good-by.
Then we'll go on down to the dock
and keep going. The river doesn't care
who jumps into it.
The
LOVE STORY
MOVIE STAR
CHAPTER XII
I WAS shocked at the tone of dis
courtesy, almost of contempt. But at
the same moment Roland wheeled
around.
"I'm not made out of rubber!" he
snapped.
I can hnrdly describe how I fe't, how
endangered were all my ideals by these
few words; the sense of personal shame
and anger I felt ; the sense of tears.
But at the same time, Roland saw rac
approaching and stiffened even stlffer
than before. He wns put out, confused.
uncertain. I hardly -knew whether he
was going to back away or come toward
me.
Suddenly ho came to me, nnd the
blonde lady, turning, eaw him, saw me,
and rose. She looked from one to the
other nnd caught my eyes. I looked
back, my soul bured, I fear, and my
love for Roland shining in my eyes.
She made a movement forwnid, as if
to cocr Roland, and ho confronted me,
abashed.
"How did you get in?" he asked,
uoc even caning me by name.
"The girl told me to come."
"You shouldn't have. We're in the
middle of a scene. This isn't allowed.
Plente go. I'll write to you."
He said all this in an impersonal way.
as if lie were ordering' his dinner. The
blonde woman stood beside him. He
turned to her.
"This is Miss Moreland, Almn. Miss
Audrey."
I nodded. She nodded. I turned.
"I'm very sorry," 1 said, nnd then
walked slowly away, trying to keep
irom tailing.
I don't remember lenving tho build
ing. I don't recall having pnsed the
telephone girl with her impudently curi
ous stare. When I came to myself it
was to find mjself on a shabby, dingy
street, filled with cheap, smelly shops,
and througed with untidy, foreign-looking
woman with dirty children clinging
to their skirts. They, too. stared at
me curiously. I was as completely lost
as if I had been in some strange, for
eign land.
I turned helplessly to an old woman
wearing a wig which could never have
been intended to deceive any one still
having the gift of sight.
"Would you be good enough to tell
mo where I am?" I nsked. "I fear I am
lost. But sho only laughed stupidly
in reply.
I looked about me for some street sign
thnt would give me some clue to what
part of tho city I was in. I was
vaguely frightened, I scarcely knew
why. But, on reaching the corner of the
street where the lgn should have been,
I found nothing that could help me. To
my great joy I saw n policeman ap
proaching. I could liavo thrown my
arms about him ; never had I been so
glad to see the uniform before!
"Oh, please, officer! Can you tell me
how to get to tho ferry to ? I have
quite lost my way."
"I should say you had!" Ho smiled
down at mo in n paternal fashion from
his great height. "Why. if you went
one block further, you d be clear to
the river. And it's th? other river
ou'll be wanting. Now, look here,
voune lndv. the best thine you can do
is to walk down this nvenue for four
blocks. You can get a ear thero that
will take you clear ncross town, anil
you'll only be a short walk from jour
ferry then.
I thanked him warmly, but hesitated
a minute before mnklng my next re
quest. "Is thero anything else I can do for
you?" ho asked, noting my 'embarrass
ment.
"Are you going down thnt way?
Might might I walk down with jou?"
I stammered. "These people look so
queer, I'm afraid of them !"
"Sure you can," he laughed. "They
do look a bit queer until you're used
to them. But you'd be perfectly safe in
the daytime, anyway. They're mostly
Wons and Kikes." he assured mo.
T hadn't tho most remote Idea
what nationality "Wops" and "Kikes"
belonged. I was perfectly willing 'o
believe that they would do me no harm
but I availed myself of bis permis
sion to accompany him, nevertheless.
Once at tho desired corner, he waited
politely until mj car camo in sight. I
gave him my best smile, by way of
thanks. ,
Once on the car, I resolved to put
all thoughts, of Roland's treatment of
me out of my mind until I was safely
locked In my own room. know that no
effort of mimOwould Keep the tears
NATALIE GAVE
CONSTANCE, NORMA
Suppose :
brunette v
you
were a vivacious
all tho requisites
ith
needed to make you a film star of the
highest magnitude, and could have your
name in electric lights in front of the
country's leading thentrcs
And suppose that your career in the
movies would be sponsored by tho big
gest producer in the game
And that your yearly salary would
read like the national debt
Would ou to-s away your oppor
tunity to become the wife of a screen
star, who, before marrlngc, extracted
a promise thnt you would quit films
when betrothed?
Well, She Did
That's just whnt Mrs. Buster Keaton,
nee Nntnlie Talmadge, did when she
This Is How the Story Begins:
'MELLA MOHELAXD, most famous
' of screen stars, hears that a
young girl, Annette Wilhini, has
fallen in love with Iioland Welles, an
idol of the screen. Miss Moreland,
to save Annette, writes the story of
her oicn tragic love nffair with
Welles, intending to send it to
Annette so she may know the kind
of man he is.
She tells how, while a pianist in
a movie theatre is a western Penn
sylvania town, she met Welles when
he made a "personal appearance"
there, how he invited her to come to
IWio York and said he would place
her in the movies, how she came and
the chilly reception which he gave her
in the studio. Then, becoming inter
ested in her, he gets her a job in a
small town stock company for the
experience, promising to sec her
often,
Kitty, a member of the company,
proves her best friend and Sella
hunts lodqings to begin her stage
work. iVic gnri to the studio and
sees WcJfc teorA;in!7 on a "set."
Now Go On With the Story
hack onco I were to give myself up to
MittiHniT nf thiu dreadful scene in the
studio. Fortunately 1 had my part for
the coming play in my little handbag.
While 't was not very long, 1 had found
it "trieky" ns I glanced through it. J
was not naturally a "quick study." I
had constantly to fight against a ten
dency to put the author's idcus into
mj own words. Jiesmcs, i iinppen i
have a rather large nonbiliary of my
own always a stumbling-block to nu
actor when learning a neV part.
By an effort of will, I fastened my
attention on the task beforo me, and
liml th" satisfaction of f Celine thnt I
was "letter perfect" in my part by
the tl-nt I reached home. I blessed the
chance that hod made mo carry that
wretched nart with mo. Without it. I
would surely have broken down long
before I reached tho safo Bhclter of my
little room !
To ho continued Tuesday
Scenario Being; Written for Cohan
Waldemnr Young, who wrote tho bce
nnrio for "Experience," which was re
cently completed, hns started work on
tho script lor Thomas Mclghnn's next
picture, "A Prince Thero Was," Georgo
M. Cohan's tremendous stage success.
IT'S EASY TO
'X'a
to
."'
,
' ':.mixr:. r . . .v r
THIS is certainly ft refreshingly cool
looking hceno for a hot ilny in
summer. Makcx you wish you wcro
there to roll around In the wiow nml
feo tho ilellKhtful chills o down your
tpine.
Kilt it's probably iin lint in thlHfceue
as It is light here. Vox tlio "snow'' i
a mixture of xult nnd confetti,
This photograph fchowrt n fcet made for
Rex UcaclT- "Silver Horde" for Oold-
UP FORTUNE FOR LOVE
AND NATALIE TAUMADGE ON THEIR COUNT ItY ESTATE
i accepted tho solcmn-vlsngcd comedian's
proposal last spring. And after the
ceremony had been performed the
youngest of tSe Talmadge family of
screen stnrs announced her retirement
from pictures.
"Managing Buster's homo is enough
of a task," was Natalle'8 only com
ment when questioned by a Los Angeles
interviewer as to her future plans.
"I'm through with pictures."
The film career of Natallo Talmadgo
Keaton was meteoric. In n year she
had risen from obscurity to fnmc. Jo
seph M. Schenck. husband of the First
National star. Norma Talmadge, and
one of tho Nation's leading producers,
expressed n willingin-a to star her, nnd
was about to do so when Buster arrived
Find Stock Company Best
for Casting Photoplays
MORE than two .cars ago Goldwyn
engaged a number of well-known
actors and installed at the Culver City
studios a stock company known ns the
Goldwyn Repertory Co. The idea, in
its actual working out, is so successful
thnt tho arrangement is being contin
ued. Instead of hnving to hunt up tho
players for every part in a new produc
tion nmnng the actors then at liberty
in the film colony or importing plajers
from New York, if any were at the
moment available, nearly every role can
bo apportioned out among tho stock
players, just "as is tho case with a stage
stock company.
Occasionally a suitnblo player for a
certain part is not lound in the com
pany, but in nt least nine enses out of
ten the casting director can find the
player right at hand. This saves time,
annoyance nnd expense. Furthermore,
tho players become accustomed to acting
together; they learn each other's pecu
liarities and know how to act up to
them or to soften them down.
QJOME of the players in tho repertory
s-J company were unknown to the
screen world when they joined tho or
ganization : now they arc screen favor
ites. They liavo appeared in the casts
of tho biggest plnys that Goldwyn has
made, in tli light of comedies, and
many of them in Uie two-reel "Kit
gars "
The roster of tho icpertory company
nt present contains tho names of Heleno
Uhndwiek, Richard Dlx, Cullen Lamlis,
John Bowers. Sydney AInsworth, Molly
Malone, Irene Rich, Edythe Chapman,
James Nelll, Richard Tucker, Cordelia
Cnllahan. Nick Cogley, M. B.
("Lefty") Flynn. John Cossnr, Kate
Lester. Yirclnia Madison and the three
children who havo won famo in Tnrk
ington'a screen stories known as "The
Adventures and Emotions of Edgar
Pomeroy" Jo4inny Jones, Buddy Mes
senger and Luclllo Rlcksen.
"Pharaoh's Wife" German Film
Ernest Lubitch, who directed "De
ception," now showing in America, has
stalled work on his new picture, "Phu
rooh's Wife," tho first of the series of
productions to be released by tho com
pany bearing his nnme. ICmil .Tannings,
Hnrrv Licdtko and Dngny Hervaes ure
to appear in the lending roles.
HAVE SNOWDRIFTS EVEN IN SUMMER
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wyn fome timo ago. It was ono of the
first experiments in utiing several tonn
of Knit and confetti to Himulnto biiow
hccncH, and it proved ao successful that
the method hns becoino a standard one
whenever such n scene Is required for
only n few feet of Him not enough to
maku a trip north worth while,
Often it has been used, too. niter n
compnny hns returned from filming in
actual snow country audtho director
WOULD YOU?
on the scene. He upset Mr. Schcnck's
carefully laid plans. Ho married in
New York on Mnv ,11 and immediately
took his wife to Los Angeles, where he
planB to rcmimc his picture work. A
palatial homo in Beverly was his wed
ding present to his bride.
Would You Do It?
And while thousands of beautiful
girls, are striving for n chance to np
penr in the movies to win fame and for
tune Mrs. Natalie Talmndco Keaton.
who had every opportunity to become
equally as famous as ner sisters, iNormn
nnd Constance, put it all to one side
for tho man she loves.
How many girls with the same oppor
tunities would do likewise?
r
Return of PhotograpJis
in Movie Beauty Contest
PHOTOGRAPHS submitted to our
Movie Beauty Contest may be
obtained by their owners on nnd
nftor Wednesday, July 0, and until
Wednesday, July IS.
Call at tho EVENING PUBLIO
LEDGER offices, Sixth and Chest
nut streets. Go to tho SECOND
FLOOR.
But do not ask for them before
Wednesday, July 0, as it will be im
possible for us to get them all classi
fied prior to that date.
Those Terrible Movies
Break Up Author's Home
T EROY SCOTT has left his work at
jJ the Goldwyn West Coast studios,
and is now in New York under extradi
tion orders. Mr. Scott snys his wife
is responsible for his presence here be
cause during their stay in California,
he found tho studio so fascinating ho
all but deserted his home, for motion
pictures.
"It wns either lcn.ve town or estab
lish my residence on the studio grounds,
so my wife decided we'd better lenvc
for a while, anyway," said Mr. Scott,
who explained that while he started in
ns a writer of motion-picture stories,
he ended as man of nil work for Wallace
Worslcy, director of "The Night
Rose," his first original screen story.
"I told Worslcy M like to stick
around n bit while they mndo my
story," sa.ys Mr. Scott. He said he'd
keep mo busy if I did nnd I found
mjself being utilized ns property man,
assistant director, and even mnid for
Beatrice Joy held her powder puff and
other little whnt-you-niuy-enll-'cms
while she mude up. Even hud my hand
filmed one day, when Lou Chancy wns
nlwcnt and they needed a clnso-up of his
hand only. It's a great life but I've
temporarily weukened suffering from a
doso of too much enthusiasm 1
"Hut I'll bo back there before long
it's a place you can't keep away from,"
he added convincingly.
V,.. .-?-..
. , -i : ng
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VM,jAWAVW'lf'''VV -W-- Vrt!V- ttit.iA
wants to insert a few scenes in the pic
turn after viewing It.
The latest resort to tills method of
getting winter effects wus in tho Fn-mous-Lasky
production of "I'etcr lb
butson" nt tho Long Island studios.
A ton of salt and ten bushel baskets
of coiifetU were used to turn thu l'a
iiuicr garden from ltd uuinmcr gurb of
green Into the frosty whiteness of win
ter.
SSnPH
.' -x-yn;m:
Wznmsffl
wmssmm
ELINOR GLYN WILL
PRODUCE PICTURES
FOR HERSELF NOW
By CONSTANCE PALMER
, Hollywood, Cnllf.
MRS. ELINOR GLYN, whoso ori
ginal story, "The Great Moment,"
starring Glorln Swanson, hnn just
been finished by Famous Playcrs-
T.noVv. Is returning in n few wccKS to
England, where she will produce pic
tures. She feels thnt she has learned
enough in her stay here to make her
success nn an Independent producer as
sured. Sho will not only finance the
proposition, but supcrvlso the direction
of her pictures. So bo it.
. Conversation overhenrd In crowd
leaving n preview (first showing) of n
now production; First actor appearing
in plcturo to second actor appearing in
picture "Bill, you were great 1 How
was I?"
Lorna Moon, who for some time was
a writer for 0. B. do Millc, has been
transferred to tho general stnff of the
studio. Her first production will be
"Too Much Wife,," starring Mny .uac
Avoy, nnd will be Miss MncAvoy's next
effort after "A Virginia Courtship,"
which is now being directed by Frank
O'Connor, is finished.
VIANNA KNOWLTON, the girl
picked from the rnnks by William
dc Millc to be trnined by him ns a
writer, has mndc good nnd is plnced on
Mr. dc Mlllc's regular staff. Before her
inception into our group of artistic
struggiers she wrote some short stories,
I believe, nnd was a manager of pa
gennts. This combination seemed to fit
her peculiarly for her present work,
giving her not onTy training in the
juggling of words, but nn eye for
grouping of nrtlstic theatrical effect.
I told you Howard linoblocic's a nice
mnn. He gave William D. Taylor, the
Realart director who has gone to
Europe to recover his health nnd to in
vestigate, the key to his lovely apart
ment n Piccadilly, where Mr. Taylor
will live while he is in London. His
investigations will take him to Ger
many, where ho will see just what Is
the cause of the calamity howlers' song
nbout German films disrupting tho mar
ket. Since his army service Mr. Tay
lor has been one of the most active in
helping tho disabled war vcternns, so
white he Is abroad he will do some work
in tho interests of tho Hollywood Post
of the American Legion. Just why I
don't know, but the fact remains thnt
the Los Angeles Chnmber of Commerce
has enli3tcd his services while he Is
abroad, too. For a busy man, there
ain't no pursuit of health.
TO SHOW thnt Will Rogers has a
true and healthy sense of humor he
can tell a joke on himself. Recently ho
visited his old home In Oklahoma. He
was met nnd greeted heartily by one of
his friends: "Glad to sec you, Bill.
Where have you been all these years?"
Such is fame!
Here's jour chnnce, girls! Richnrd
Dlx. the star Goldwyn is so feverishly
exploiting just now, announces in fer
vid terms through his inspired press
agent that he wants to get married, nnd
even outlines his qualifications by Ray
ing he has played in three domestic
drammcrs, being tho husband or hus
bands of Lcatrlco Joy, May Collins
and HelcncChndwick, respectively. I
think a man that uses that sort of
publicity ought to bo lynched. To my
mind, it is extremely undignified nnd
very cheap. Having spoken my mind
rnthcr frtely, I feel much better.
moTori-AYS
MBnPUtr
COMPANY r
orAMMICA
AIL,L..., 12th. Morrlii Panyunk Aya.
Alnambra Mat. miiy at .-. kvb. n-.a & s
DOUGLAS MacLEAN
In "THK IIO.MK STIIKTCM"
ADrM 1 A MD THOMPSON 8TS.
ArULLU MAT1NKE DAILY
Claire Adams and King Baggott
lu "THK DWELLING l'LACIS OF L10HT"
ADPAHIA CHESTNUT Del. WTH
AKCAU1A 10 A. M. in 11:15 V. M.
WANDA HAWLfcY.
In "THK HOUSE THAT JAZZ HUILT"
A OTnD FRANKLIN A QIRAIID AVE.
Av 1 UK MATINEE DAILY
Monroe Rnllabury nnd Hpjrrlul 'nt In
THE BAKBAK1AW"
nAl TITVirDF G1BT & DALTIMOUE
BAL 1 lMUKL kvd n.3o bat.mat.
ROSCOE (Fatty) ARBUCKLE
In "IlHBWbTKirS MILLIONS"
DCMM 01TH AND WOODLAND AViu.
tit,lNrN MATINF.K DAILY
THOMAS MEIGHAN
In "THK KA8Y UOAD"
ni T ICDIDH nroad & Suaquehanna
DL.UC.DlrxL' rontlnumiB '.' until 11
DOUGLAS MacLEAN
In "THK IIOMKSTRKTCII"
Broad St. Casino "mat daily
THOMAS MEIGHAN
In "THK EASY KOAD"
BROADWAY "TV7l"vAn
ELLIOTT DF.XTFR nnd HPKOIAL TAUT In
"THE WITCHING HOUR"
nADITHI 722 MAIIKCT ST
Lnrl 1 UL ir a v tn 11 is p.
MARY PICKFORD
M.
In "THROUtlH THK HACK DOOR"
YT fMvlT AT Otn. Mplwood Avei,
VAJUJlNlAM- 2-.10. 7 nnd II P. M.
JACKIE COUUAN
la "PECK'S HAD HOY"
DARBY THEATRE
MAE MURRAY
In "THK OILDED LILY"
EMPRESS MA,MTN,V;Air
THOMAS MEIGHAN
In "THK EASY ROAD"
FAIRMOUNT tI'daISy
ALICE LAKE
In "UNCHARTED SEAS"
I? A AIll V THEATRE 1311 Mark.t 8t,
1 -VIVlll-i K A M TO MtDNIQHT
WILLIAM 5. HAKT
in "IlKTWUBN MEN"
ClfUI CT THEATRE Hclow Spruce
J in ui" tATlllt'! daily
NORMA TALMADGE
In "PANTHEA"
FRANKFORD iUa rAnuFBD
VERA GORDON
In "THE GREATEST LOVE"
GLOBE 001 sa
Tt. w. nniTfiTii'M
30 to II
"DREAM STREET"
APPEARS IN PERSON
RALPH GRAVES
Ralph ' Graves, tho "strong"
brother in D. W. Griffith's "Dream
Street," mado a pcrsonnl appearance
with Charllo Mack at tho opening of
a new thentro in Wilmington, Del.
Many Old Family Carriages
i Regenerated for Film Play
OIjU carriage shops (there are still
a few of them left) nnd museums
were ransacked for their oldest car
riages for the George Fltzmauricc pro
duction, "Peter Ibbctson," now under
production in tho Lasky Eastern Stu
dios.
For days property men haunted old
storerooms nnd finally succeeded in ob
taining nearly n dozen horse-drawn
vehicles of the types used in England
in the Vlctorlnn era. Broughams,
coaches and victorias were brought out,
cleaned, repainted, and in most in
stances, repaired, for they hod depre
ciated in the years they had lain idle
in dusty shops.
One brougham was the property of
the Vanderbllt family, of Is'ew York,
two generations ago. The carringe
doors Mill contain the family monogram
in gold. A conch, employed by Mr.
Fitzmnurice in the earlier episodes of
the picture, is of the type used through
out Europe nnd America in the first
years of the nineteenth century. It wns
from this typo of convcynncc that the
Western stage conch was evolved.
Tho conch used In "Peter Ibbctson"
wns found in Montclnlr, N. J., the
property of n family which hns owned
it since the days of Androw Jackson.
The coaches and smnrt carriages ap
peared effectively in tho picture in the
exterior scenes of Covcnt Garden, Lon
don. The Covcnt Garden sets were
built from photographs and paintings
which appeared in tho London Graphic
and the Sketch at the time of tho action
portrayed.
rilOTOI'I.AYH
The following theatres obtain their pictures
STANLEY Company of America, which is a guarantee of
early showing of the finest productions. Ask for the theatre I
in your locality obtaining pictures through tho Stanley
Company of America.
pDAMT 4022 dlHARD AVn.
VJi'All I MATINEK rA1LY
CLARA KIJV1BALL YOUNG
in "STIIAIOIIT FnOH PAIUS"
GREAT NORTHERN Wffi
BEBE DANIELS
In "THO WKEK8 WITH PAY"
IMPFRIAT 00TH WALNUT STS.
11V11 J-il!-li MnU. ".!:30; Kvkb.. 7 & P
MARY PICKFORD
In "TllllOUOH THK HACK DOOR"
Lehigh Palace-Zhvcnul
CONWAY TEARLE
In "SOCIETY 8NOI1S"
1 1RFRTV BROAD & COLUMI1IA AV.
11I3CI 1 I MATINHE DAILY
CONWAY TEARLE
In "THE ROAD TO AMBITION"
overbrook:0304?"0
Hen Turiln In Scnnrtt'a Nnuml t'oinoily
"HOME TALENT"
PAF APF 12U MARKET flTREET
I y-li-VL, jo a ,M to 11:18 P. M.
WALLACE REID
In "TOO MUCH hPEED"
PRlMpE'CC 1018 MARKET STREET
I linC3C) s 30 M to HilB r. M.
FRANK MAYO
In "THE FIOIITINO LOVER"
RFP.FNT MARKET HT Ilflow 17TH
IM-UUH1 n in A M. In 11 p, M.
D. W. nniFFITII'R
"DREAM STREET"
RIAT TO anRMANTOWN AVENUE
DOROTHY DALTON
In "THE IDOL OF THE NORTH'"
Rl IRY MARKET 8T. BELOW 7TII
l-JLil 10 r tn mis i- m.
JACK PICKFORD
In "THE MAN WHO HAD EVERYTHING"
QAVOV "It MARKET STREET
dorothVdaLton"0"7
In "THE IDOL OF THE NORTH"
SHERWOOD 51,h Unlmnr. Av
OULiIWVWUU fAT. 2 EVE. 0:30
DOUGLAS MacLEAN
In "THE HOMESTRETCH"
STANLEY.. .MAHKET AT 10TH
JinnULil 11l15 A M. to 11. 1.1 1 M
WILLIAM IIE MII.LK'R PIlODI'rTloN
"THE LOST ROMANCE"
STANTON,nJ.,An.KKT Mv iotii
MAY MacAVOY
In "A PRIVATE SCANDAL"
333 MARKETA, flViW
NORMA TALMADGE
In "THE PASSION FI.OVER"
VICTORIA Mffl?fv
PAULINE FREDERick!
tn "BAIVAGB" v
TRAINED WRITERS
HOPE OF FUTURE
SAYS PRODUCER
T.. KTAUCIf ITI XTtJtvr &..
l-ronucrr ui ft,, j"" """Won ( I,,
MOST of the prominent directors of ,'
today aro cither heading their own t
producing companies or tlicy nro work.
lug lor organizations wnicii give them
il.. . rt ttn ftrla 4 lift nnlnAllAu .1 3.'
me fa) u;. i' ' otittuuii oi uieif ;.
stories. j;
Tn nttlirt, nnnn ihn rltrnnfnw l.AM
directly responsible to the public for '
wnnc no presents on mo screen. Thu
to my mind, tho greatest problem of th
modern director is tho matter of givinr
tho publio what it wanta in tho way it
likes best.
Tho best director today is the man
who is most sensitive to the desires of
tho publio. The most unsuccessful di
rectors of today are the men who gn
Mindly nncau, placing their own ideals
foremost regardless of whether they nro
ten years ahead of or bdifnd tho public,
Realizing that his greatest problem Ii
to givo tho public what it wants, th
director is next confronted with th.
situation of how and where ho is to get A'l
luia inniLTiui.
THE wild rush for famous books anil
plays has at Inst halted due to the
fact that producers are beginning t6
rcnllzo how foolish il the tremeudoui
expenditure for sudi mntcrinl. I ra0st
cases such stories ns irtc purchased am
changed nnd revamped until not even
the tltlo remains. Tho epidemic among
producers to get fumous stories at any
cost lias boosted un tho Price for uefi
material to a point where it is no longer '
good business to miy tins material. Thii
is brought about by the fact that the
prico for stories of ttilrf nature takes so
much money from tho appropriation on
a plcturo that tho balanco is not suffi
cient to stage the story properly.
Producers aro seeing tho llitht it
Inst. If they will fltand pat, prices on h
tlita mntnrlnl vtl1 nnlnn rlmi'n fn n i.aU.
where their purchauo will bo within
reason.
PERSONALLY', I have always been
against the outlay of small fortunes
in ordtr to get popular story mutcrlil.
The time has como when tho most prom
inent authors of tho day are now writ
ing directly for the screen.
This movo is tho most sensible effort
to get the best motion-picture mate
rial that has ever been made since the
inception of the business. It is also the
cause for tho downfall of the eater
scramble for bigh-prlccd books and
plays.
The director who is not able himself
to creoto story after story for screen
presentation nnd very few ars mut
then look to tho recognized authors of
tho day for his story material. To a
certain degree ho can encourage new
geniuses among the public and in the
business and perhaps find nn occasional
gem, but for the backbono of his lit
erary supply he must look to the recog
nized writers.
HAVING tho fundamental materltl
from this source, the director must
Hien depend solely upon his own capa
bilities In presenting this matter to the
public in the most acceptable manner,
Ah a matter of courso ho must have
n capablo cast nnd technical staff. These
arc his brushes, tho story his colors
nnd the screen his canvas. Tho day is
nt hand when tho director receives the
chief criticism.
rilOTOPI,YH
throucrh tho
M0TIH'Ur,
L.M -i
Xnanuq,
10MPANY r
OTAMCmc
m
Tho NIXON-NIRDLINGER
1
THEATRES
RFF MONT 62D above market
Ul-Lmvll 1 l;30A!liO:80 to HP. Jl.
WILLIAM FARNUM
In "HIS OnKATEST SACIUFICK"
CFDAR C0TI1 CEDAR AVENUB
u.LSfi 1:30 & 0 and 0:45 to 11
JUSTINE JOHNSTONE
In "THE PLAYTHINO OF nROADWAV"
COLISEUM M"BSW8
ALL-STAR CAST In
"THE HIDDEN CODE"
JUMBO
FRONT ST. 4 OIRARD AV&
Jumlio June, on rranktord "W
ALL-STAU CAST In
"THE FURNACE"
1 F AnFR 1ST & LANCASTER AVfl.
LtrtUn,I MATINEE DAILY
WALLACE REID
In "THE LOVJJ SPECIAL"
I OH KT B2D & LOCUST Double Bill
l".V-tUO 1 Mali. 1:30. 8:30. Evgs. 0.30 to 11
Harold Lloyd In "Now or Never"
Pauline Frederick, "MUtrrsi of Slienstont"
NIXON
C2D AND MARKET STS.
2.15, 7 and 0
LARRY SEMON
In "TIIH FALL GUY"
RIni 1 BSD AND HANSOM STS.
rUVUll MATINEE DAILY
MARIE DORO
In ".MIDNIGHT GAMBOLS"
TR A Mn OERMANTOWN AVE.
31 rvAINU AT VENANOO STREET
MARY PICKFORD
In "THROUGH THE HACK DOOR"
AT OTHER THEATRES
MEMBERS OF M.P.T.O.A.
P,..v,.,,., B510 Germantonn Avfc
Uermantown m'atinke daily
GEORGES CARPENTIER
In "THE WONDER MAN" .
JEFFERSON
20lh It Dauphin StJ,
MATINEE iJAiu
UukriiLiry Tlifby nnd All-Stnr Cut I"
"GOOD WOMEN"
PARk' miHin ave. & dauphin st.
I -Irv Mut( 2 tlC. Kvga mn to
MILTON SILLS
In "THE FAITH HEALER"
SPRUCE "PWTUnDAT
GEORGES CARPENTIER
III "Til K WONDER .MAN"
WEST ALLEGHENY 8"W,ftKa&
WALLACE REID
in "XUB iOVB BPECliU."
S
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