ff.ilr 7W.','.J ft . a ) lyf ji '""T r '. V' ,V. I ' " . V1 wkswe? fTjT jr- Twt1cf t t . V" vv , I 4," ., stv 1. 1 .. w ji j t .,. we?. i' N . !. ". V" '"NT ' "kj" . i " c , V,V , ..A, ',7 V"V 4' V i' fl " 'v, ' " f, , N '? il V i.' evexixg rrBUO ledger Philadelphia, Wednesday,- june 29, 1921 038 Movie Magazine " yfiyytfyf" &$ r Jc t - - iii) """jBEBBSrrLttr'Hi - "i in tLLLLV : rlKfrk. ULiVJ - - L 'lt I i 1 k .' The LOVE STORY MOVIE STAR Read This First and Then You Can Follow the Story JfiELLA itOltELAXn, moit famous of movie start, henr th'it an unknoicn girl, Annette IViUn. has fallen in love trith l'oland "Welles, an idol of the screen. Reports cii that Welle is nnina 1 to put Mins "Wilkms into the movies ana, stand ipmuor for her career. Hiss Mareland, to save Annette the suffering that she herself has pone thtough because of her love of Wellei, demies to put her teholc ex perience doien on paper so that Annette can see ichat kind of man ' Wcllci really is. From daii to day. ns time permits, the sits iIoidi and lay bare her very soul for the benefit of the unknown girl. CIIAITHU IX IKOSn. tlinnkiiiK him. Up rop also nnd took mi- In the nrm. (iick ni a flash the tlmiisht came: "We'll .stop this licht hori' liefnio we stnrt. nnd i pavi htm a shnrp look. lie dropped mj nrm ns If it were red ho. "We'l." ho lnuched qimerly. "you're a rtrnnpr one! Hut we'll see, we'll fci whnt jolt enu do !" So I went to thr stnge door nt the slile. nno the dnrninn. seeing the slip, let me thrnnch. Immeilintelj 1 wns nmnns the ilrops, the tint hich-Mielf srener n bln-e of light on the stage before me, nnd the netor nt work. Behind one of the wine" a verv Im portant little man. ontlesq and sleeves rolled up. hat on the hnek of his head, clear Imtt in his mouth, stood looking about husilv. I went to him. He eod me from head to foot. " nd what do jnu want?" he said inPolentl . I gne him the slip of pnper. "nMier.il business. Kxperleneed?" "Xo." "Well, what in blaze ! Is this a kindergarten? Here, let me see!" lie went over to a 'ittle table in back of the stage and pieked up his script and looked through it. "Xo pait for next week. Let's .ee.!" He t lulled me ngnin "Well, vni'll have to go on in the Intel mission and cntertmn " He might, as well have told me that I would have to read Sanskrit. I smi'cd brnelv, taking the blow like a Foldier, but m heart dropped out of me. A dear little girl tame off the stage at that moment "Kittj '." he said ; "eomehere! Kittv. this Is Miss Xell.i Morelnnd! Want you two to sing. a song next week, in the Intermission. You Know; you in ballet, this one in bo 's clothes. Just fix it tip J ourselves " A wave of applause ramp from the front, and he was off Kitty, who stood a patlntie creatine in rugs, her hair down her back, her feet hare, came to me in all sweetness Dear little Kitn ' She had the face of a child, with large b'ue iv s and tremulous lips. Her voice, t"o. was the oico of a child s. "Hitter come in the dressing room. I haw tn change " I followed her. again dhided between laughter and tears. Tins was desperati . I had not looked forward to doing vaudeville work, to being virtually alone before a curtain, confronting an audience. And sing? I sing? I entertain-' And wear hoj V clothes? I sat down in the dressing room while Kitt suiftlj disrobed herself "Oh. I'm so tired"' she sal,) "lie. hearsed all morning' I"nwd nil after noon ' And another show tonight ' Have jou been at it long''" Mj oiee broke, my ews filled. "(ioodiifss:" I began. "(ioodnes,s. iYi V ' ;xltty l vo n,,w'f nto.I in inv life I ve never appeared before an nwniiiue V'l can't do tills to saw my life ! I'm rJnn, far iiwn.v. and glw it up I" Shi tuni"d. her r.ws large, her lips treinhling ' "Oh. jou poor dear!" she irled, and llung le units around my neck. Then she kissed me. "Is win- name renlh Xelln? It's a prettj name. Now, nnre you mind, Aellii iou stick to me. I'll enrrj vim through It' nothing at all. Von' let tne do the singing. .lust jou go 0n and 1 l.is i'd her wnrmh In return, and tried to thank her, btit she insisted that it was nothing at all. An glil would do as inui h for another, she assured me. We onl had time for a few words, as the iall" for Klttj mine a fi w minutes lntei nut she had managed, In the midst of her hurrbd die-sing to give me a pointer ns to while to Tool for a roiiiii. I nfoi tunntelj the hous" In wludi she, herself, was livjng was filled Hut sin. dad a list of addresses which she I ad been told were good. Mote Important still, from my point of view, the prices m nsonnble. I left her to go mi and, milking mv wny out of the theater, started to look for the plui ,. wli, li ns to he mv home at least as long n. I should bo connected with the Henry Irving The atre. In nn own lieait I doubted if that eonneition would be prolonged be ond the ii iniug Motidn night ! Hut in the intei nl 1 had to lind shelter some where. JIj expeilence in looking for rooms Was i tn it i d in nn own wntuio when I arrhed at A . And that had been a pt'rfectlj simple mutter A kind-hearted woman who had i widen all the waj from I'ittshuigh on the trollej with me had I ecomineudeil Mrs Merker's, and I had onlj to ask mj n to her liou.se. I appreciated, now, how lucky 1 had been on that occasion. As I nppioached the first house on my list, I saw that the "stoop" was crowded with joiing men who seemed to be amusing Ihemselws with making re--marks ulniiit passers-ln, parti ulnrlj the women As I came nearer, a. dreadful siieme fell upon the unmau lierlj group With onu accord, they faced about and honored me with a prolonged state. Nothing would have induced me t'i apply for lodging in that c-tabll h incut, piirtlcularH if these wire fair fcp'eelmeiis of what my fellow -lodgers blight he As 1 went along with nn head 1 tgh In the nlr. I cou'd heai their coar-i i marks on nn nin'iuiii e Some f them even whist'ed n nt tract nn u' iviitlon," I uonJercd f till the ad dressed Kfltv had given mo would prove to he of kucIi a chuructcr. U, MOVIE IT WAS n nervous lot of girls who snt down in the si-ud. of the tr.es at ' Hetzwood on Satiirdm and trlnl their, best to eat lunch while thej wet; wnit- WILL ROGERS TELLS WHAT ACTORS ARE DOING FOR WORLD Will 7?o7rri. Qnldiryn itar, irrotc the folloicing artuli for "The One and Only," the honk of oriamal manu scripts by frfnous ilvthors, ichirh tras given to the holder of the lucky twin her nt the benefit for the ctors' I'und in the Ihierly Hills Spcidirny recently. Hy WILIi KOOKHS AI.O iTs bn LONG with all the class and high- ow , cvTjthing must hae a com mon or jazz touch nowad.tjs. So in this masterpiece of fiction I am jazz. And that's onlj a start of what the actor Is doing todaj for humanlt.v. Having been for jears indirectly ns incinted with actors, I was given the subject. "Wlint the Actor K Doing for Humanity." Tirst, it is not genernllv known that I am an author. In fact, the discussion tinallj leached mj pulilisheis, nnd after looking owr their sales, they decided I was not. That onlv gives you n kinder rough idea of what the actor is doing for humanitj . Hut the best books are only read by their writers. "There are authors todaj cutting their mouths with mv knives' who will be forgotten when my silverwnte will be in our best plated houses. THAT'S only nn nctors are doln inkling of what in the cause of hijmnnttv Mv principal contribution to litirarv fame was a novel entitled 'TroliiM tion." When I penned that gem of free thought I nnturallv Imagined thnt we were to have prohibition. Hut as the idea seems to haw fallen through, mj volume was a total loss. It was a case of a man writing five yenrs ahead of the tims. And that's what the actor has done foi humanitj. c-if ..... if .1,,. nm.,i. -- ,.r. 'il"lll-'t 14 UIU 'CIII"i IIH1 nil 'IVI unfortunate enough to get ,n again an 1 decide to enforce prohibition, why then I will revlw my book nnd nap a har- lest Tl.nf one of the thlnin nctor nre doing todnv to uplift humanity bits, the I'.etzwood staff piled into nuto- It was during the gteat campaign to mobiles and awav we went across coun defeat prohibition that I became ac- I trv. up nnd down some of the woist nunintcd with so many eminent uuthois. lulls In this section. Among the more rcnloiis workers m the cause were Rupert Hughes, Gouverntur Morns, Mr. luioblock, I.eroj Scott. Ilex Heach. George Ado and Hull Mon tana. Also Miss I'linor fllju. who came nil the wav from 1'ngland to help deft at the cause and keep true love on l he alcoholic pedestal, where it had bcti for lo '. tin se tuanj That's what actors are doing for hu manity dally. AXOTIIEK reason I am on good terms w itli these Tj pew rltei Hounds i Ii that I have never ptaved in anv of I their lieturi s I was in one i " Hex Heath's. Hut since then he cists them himself. I wish 1 liml time ami spate to tell you half the actor Is doing. If ou inn show me nn class that ias done more for humanity, let s see ou do H. HOW UTTERLY A I.I. tho wav up on the 'sieenth story of a ckv scraper Douglas Macl.enn and his director, Willi im A. Selter, tlanei around a nairow cornice as though it wiie a ten-airo lot. hen V"u see it, jou grab the urn-" of jour eh iir and lean forward nnd f ei ! like shouting. "Iley, you; flop that'" Milt, of course, you don't have, to worn. It's the trlik of double expos urethe pictures of the street below made on one side of tio film first, with the other Mile masked and then the building and the actors made on the blank sole in the Kafi-tj of a htudio - t with tho lloor only a foot or two below them. 1 Pfwvs ffr. ? JSfL Kill rnS&mBwSKM$$$k mmwmmif. $?' m jzm mrmmmmmmtim tmKesmSM,M V-'tV Oil 4Mnm ml 4.-wMwiBKwt(a t , .nTi I svwPv' 5.M- sStm W v&f ktw. k,; x wvkJmR&&.&maK BEAUTY CONTEST GIRLS ing for the "sit In the studio to be made rendj for their test films. Their appetites weren t nearly up to tmrninl. '1 hej tried their bravest to Movie Contest Girls Find Out What 'Going on Location Means Long Ride Up Hill and Down Dale to Find Famous Tooner- ville Trolley. Just to Make a Fciv Feet of Film to Complete Pathe Atms Reel Feature TJfff.'V the fifteen "runncrv-up" in our Movie Tleauty Contest uent out In rr l!rt;irond lait Saturday, they irent tlnnuah one little expedience that gave them ii ilwkt idea of uhy it cost so much to ptoducc a modern motion picttnr. They irent "on location," They had all hcnid of Ai' woric trim, iif ot you have, but they, prob ably like you, had only n hazy idea of irlint it meant. BCT. tu HTZWOOn, like other moving-pic tract of ground containing the studios nnd the other necessary buildings. Here pietuies can bo made either In 'ide the studio or on "sets" built "on the lot Hut virtually cwry scenario nown dajs calls for scent" thnt caii'iot le found neat by nor manufactuied In the ttchniial staff, and this scorn rj has to he sought cut. no matter how far dis tant it miu he from heatlquni ters. And when the time comes to 'ipot the scenes with this scenic background, the whole company at least all concerned in those particular scenes must be transported to the spot and back again. That is known as going "on loca tion." 0 X SATI'UHAY one of the features f the day was the presence of the I I'athe News eaniern, with .Mrs illliim II Derr. the nnl womnn news nelj inmein "man " Mis Derr's pietuies will be seen here beginning net Mon- day. Por this feature, she wanted the girls shown coming Into the scene on the famous old trolley car. so as to giw action and color to the film. Now, it ro happened thnt the Too nerville Tiollej is kept in the carbarn a- me enu oi me umi'1 line niiutii nw i. I . 1 1 t , miles fne mighty long miles, too from Hetzwood. Hut nothing is too much trouble In malting a good movie, so we pileil the fifteen gills into our big sightseeing I T WAS n good two hours' work to go over there, get the car out, reheorse the scene, shoot it. nut the car back and retutn. 'pt itiklril it over the lire, nnd in the And the lesult wn.s just a bit of film usililng Hash his f.u e was singed, i n 1 that will show on the sen-en for nbout V'rg'nla Warwick, playing opposite a minute and a half. Adams, lost several of her brunett Now suppoe that had been a tegular tt.ssis Adams teturiied to work th company with tvery member of the nlt da., however, and in running our paitv drawing a big cheek for the dav's of a scene tripped over a guy rope sup work. Do on soi how much that one orting a pup tent, and fell on his head, minute anil a half of film would have Incidentally, John Brown, tho bear, cost? I ns a reputation. When Jack Denipsev Many companies go on location bun- was selling fruit in Albuquerque, . clreds ct mile from their studios nud M.. at cording to the tiear's ttainer. the have to stnv theie for weeks at a time, The whole st.ift v.ill go with them Hy the tiiin salaries and open-,es aic pnid, tne inst has amounted to a Mil- prising -111:1 et the pletuie-lovlng lioxmg n human v as 1 nsn r tlian wn-M-public lias become so Insistent on aceu- ' I tig the bear. RECKLESS THEY ARE 'M!wwwwwRW5gcaa3JgTfiaa ? ' gap M xMmm I HAVE LUNCH UNDER TREES AT BETZWOOD STUDIO WHILE WAITINGFOR appear at ease anil really hungry, butl we noticed that, when the call came m' git made up. there wns u lot of the food, that hadn t been touched. ' Return of Photographs in Movie Beauty Contest PHOTOnilAHIlS submitted to our Movie Heautv Contest may be obtained by their ow nets on nnd after Wednesdaj, July (1. and until Wednesday, .lulv 1.'l. fall nt the HVHXIXf; I'TT.LTC I.rnOHU offices, Sixth nnd Chest nut streets. Go to the SIXOXD n OOH. Hut do not ask for them before Wednesday, .lulj (. ns it will be Im possible for us to get them nil classi fied prior to that tlate. racy 'In every detail that all compa nies spend this sum rather than run the risk of liming their product create nn unfnwrnblc inipn.'ssion. Here S a Bear of a Movie Story JIMMIH ADAMS, stnr in the new Hducational-Aihims Comedies, nar rowly osipcl dentil i few tin s ago in the making of "A Good Scout," the hrst of tin' seiics. Adams w.is being ihasill In .lohn Hi own. the wrestling bear. Hrowu dearly loves to hug nny lotly who plajs with him. In such n l'ii'ful mood he ducked Adams under water and hold him there until he wns almost drowned. 'llus in .lr-trngcdy followed two inci dents which weie liss serious cmh In I'egfie. A few das before Adams, pla -mg the part of can.p cook In a Hov touts' camp, was being pictured cook- rip mullign'i stew, in n previous seem i fli-hltght powder hail oeen put in the I pepper nil. I n.iwaio o tnis Atll Ills annual was tnmllng with nn itinera! i mw A wre-tlw wn, nncded, and Dt mpsev took the j di for three week Rrnilung the Const, P mpsey decided IV THE MOVIES! vwTsxxiaazxrvpawwrjssimi'JiMM'; Our photographer Biinpped n group of , ., . . ... . . ,llcm "hilc ,l,,s ,cnM! waiting period was going on. ROARING LION MADE DIRECTOR WAKE UP QUICKLY Ity CONSTANCK PAIjMKR Hollywood, Calif. AXITA STKWART, I.ouis H. Mujer 4nr, Is working hnrd on "A Ques tion of Honor." Director Edwin Cutewe is hurrying it nlong so mnjbe lie can go I'ast to the fight. He's a stiange personullt.v bus about one eighth Indian blood in him, Chippcwn, I think. Tliej were shooting nn outdoor scene in nn nihor right near the lions' den it the Srlig 7,oo. Every one was stand ing ntound wniting for Miss Stewait to mike an appearance. Mi. Carewe was sti etched nut on u bench, sound nsleep. i A very close lion roared and he sat bolt 'upright, looking n little bewildered. " ' Pretty soon Miss Stewart did come 1 gineefully arinss the lawn, nccom i pained by one secretary and one maid. She seemed kind of tired nnd cross they'd been on location nil morning so "after watching n short scene I bent I a hastj retteat. Dberction is the better I pait of an interview. I MET .Tullnn Jnsephson out nt Gohlwjn jesterduy. He's the man who wiote the first Charlie Ray suc cesses, while they both were with Inco. I He's a darling. ! Wo sat around nnd gossiped, watch ing Tom Moore do a very difficult scene for "Prom the Giottnd Up." his new story hy Rupeit Hughes. Mr. Hughe has mastered completely the technique of the screen since his coming to the movies, in all his stories theie nre a great mnny scieon tricks nnd photo graphic novelties. Tlie one jesterday was a conversa tion between Mr. Moore and Helenc Chndwick. his lending lad, with their icmnrks flashing on the screen between them ns they talk. E. Mason Hopper is directing "From the Ground Pp." lie's n very nice man. What do jou think he'd rather talk about than (in.v tlmig else? Xot movies, not nit, not books but cook ing! As lie himself does it. He told me bow to muke biscuits without shortening diagrammed It, Il lustrated it, spoke it with gestures. And when I get my house I'm going to trj It. jou betcha And an iiwcndo salad" and lobster cocktail in n hol- lowid-out nrtichoke. Doesn't it make jour mouth water? Tliej tell mil be has a whole library of cookbooks, in every language Chinese, Persian, Prencli nnd knows a thousand ways to cook eggs. THEN pretty Boon we all went over to the Gohlwjn cafeteria Mr. .losephson, Mr. Hopper and everybody nice and drank verj soft things nnd tnld jokes nnd early mnvie-dny eperi 1 ntes. ( I defy jou to eavesdrop on more thm two movleltes nnd find them tnlk lug about anything else for any length of time.) Tom Moore is rather nice, with n wondeiful 1 idling bio'iie. When he acts they play "The YAcurin ot the (jicen , end all the accepted Irish classics. He ,, ,,,,, Very little direction, accustomed 1 as i1(, is to the camria. ,tust nuP tnore item about Miss Pick foul and Mr. I'ali banks and then I promise jou I won't ij auotlier word about the'ni for well, in.ijbe tluee tlajf-. In their bouse in llevirlj Hills they have built a brenkfabt 100111 ei-peciallv lo nt some very wonderful porcelain they bought when they were abroad. It's oeen on the wny ever Hinee then and they expect it within the next day or so. It's that lovely d'lft blue htuff, so rare. If vou ever como to Hollywood nnd don't go to the Come On Iun, you never can -'in you'c bteu around. It's a tinj place just n bungalow which lias been fixed up by two enterprising glrln, Hetty and Ilattle Hetty iifced 1 1 be in vaudeville with Mrs. Gene Hughes. l'ei-Konnlity is their first, last and middle name. Here jou may bco Mario Prevost, I.cnra Miion, Ilnel MacDonald nnd Vi enna Knowlton, the writers; Heulah Marie Di antl Frances Haimcr, more writerH. Oisson Fcrpison, Anne May, A nnn Q. MUin, lloseinary Tlu-by, deorge Hebnn, Mrs. Mnif-hall Nellaii. I.ila Lee, Teddy Sampson, Ciirmel M era nnd some moro writerfi. And me. Don't forget to go when joueoinc. It'H on Oow-er street. . And the food! Oh, Cymbellne! I know Homethlng I mustn't tell and hero it Ih: Vou know this plcturo of Kattj's "Should a Man Marry?" Ih klndn rough. Well. Fatty wns Miowlng little Ger trude Short Antrim Short's Bister ome tort of n htunt on the net the other dnv nnd In somo way she tumbled over and hit her noso w hard both her eyeH got black. Fvitlently they're the best of friends, because she took him home to her house f 1 lunch todaj , where Mamma- Short had prepared beautiful food. Mae Murray Forms Company The Tlflanv Productions, cnplta'ized at S10.000, was organii-d last week to sponsor Mae Mtir-uj as a stur In picture 1 productions The cllr tors arc Miss ' Muiray, her director husband, Hubert ,. I.eoiiuiil, (ieorge rerrj, l.eonaril A. Voting nnd Herbert Croncnwotli. Tho first picture js titled "Peacock Alley," at present in the making, Those In the picture, from left to right, are: Peggy Martin, I'dnn I'nuse, Alice Hyrom, Xntalle Shaver, Helen M. What Your Favorite Unnel Helnioie has been engaged for Marie Provost's initial production nt Unlverbnl City. Jackson firerorv's novel. "Man to Man," has been bought for Harry Carey. I his story will probably follow his first Jewel production, "Partners," by I.u cicn Hubbard. I'rlscllla Dean, her director, Stuart Paton, and the forty people who nccotn panied them to Oregon to film lumber camp scenes for "(Vinflict," have re turned to California after being away three weeks. Viola Dana has heen elected cpiccn of the Reno Round-up, n picturesque Western event to be staged July li, ,1. 1 nnd 15. Mildred Davis has signed a long-term Anita Stcivart Not to Leave Louis B. Mayer Management THE Xcw York office of Louis B. Mayer Productions has Issued n de nial of the story coming from Los Angeles to the effect thnt Anita Stew art's contract with Mr. Mayer expires on completion of her next picture, "The Question of Honor." The error in the story probably nrose item the fact that Miss Stewart had announced her Intention ot going East after "The Question of Honor" is finished. Hut her trip Enst is purely for vaca tional purposes, and nfter passing nbout three months in her summer home nt Hay Shore, L. I., she will return to I.os Angeles to continue the making of pictures for Mr. Mayer and the First Xational at the Mnjer studio. I'linTOI'I-VYS "fHHTD-PUu" COMPANY y rAMtsieA Allinmkri 1-',h Jtorrla . rnnsyunk Ave rtinamDra m ,, illly nt ... t:vH o.in & 0 BEBE DANIELS in "OllK.S AMI IIKAKHS" APHI IO S2D & THOMPSON 8T3. r siiv matim:i: daily H. B. WARNER In "WHEN tVK WEUE 21" ARPAniA CHESTNUT Eel 1GTII rir-ui-. ,0 v M ,n ,, ,-, x, M WANDA HAWI.F.Y In "THE IKIl'si: THAT JAZZ IH'ILT" ASTHR TOANKMN Ii OIUAHD AVE. riij 1 wi virixrn umi.y CHARLES RAY In "I'KAUirn, VAI.I.KY" B ALTI MORE AT &A?vr' VtlAII IIEIIUY In .l.VK I IIVDONS "The Mutiny of the Elsinore" RFMM c4Tn AND WOODLAND AVE UlINl"N MVTlNTi: DAILY ri.OIlKVrn VIIIOII ! Ul.Stnr Cast "BEAU REVEL" BLUEBIRD 13 road & Susq'iehanna Pnrt(niiniii in 1 1 MAE MURRAY In "THE GILDED I.II.Y" BROADWAY "fA nyoderPAM' MARYPICKFORD In "TIIUOIIOII THE. HACK DOOK" Broad St. Casino I,rod1A'Enrl tll.ADYX VlALTON A AI.U4TAII rKT In "DESPERATE YOUTH" PAPITOl 7" MAUKKT ST. rl t V-'I m A M to II 15 r t MARY PICKFORD in "TiiKorr.ii tiik HArit nnnn" POl ONFAI Gtn Moplowowl Aves. VA1AJ1II-1 o no, 7 nnfl () j, M All-Star f'st 'n 1 irk Scnnntt'ii C'omrily "MARRIED LIFE" DARBY THEATRE MADGE KENNEDY In "Till: (JIHL 1V1TII TIIK JAZZ Hi:AHT' FMPRFS AIAI'N BT' MANAYUNK dlYiriEvOO MATiNni: daily AI.I-STAH CAST In "STRAIGHT IS THE WAY" ITATIOainT IMT 20th A fjrr(i Av 1 nilMUVUn 1 MATtS'f-I! DAILY ROSCOE (Fatty) ARBUCKLE in "TIIK DOLLAIt-A-YKAIt MAN" FAMII Y TUATE-i;ill Mnrket fit. r-MVlll-iI 8 A M to MIHVinilT ILY '" s "Trv viauT STANLEY UIIKIrr Aiss, lnna q. neillson l uT'.LuvMT:N,.,I.1l'),r;A,v,Nsr' "WHAT WOMKN HII.L DO" l "THE LOST ROMANCE" AININA In JOin OI. MATI.VKi: DAILY l USTAU CAST In 1JAILY "THE GREAT REDEEMER" FRANKFORD 4715 $V$ EUGENE O'BRIEN In "IIUOADWAY AM) HOMI5" arnrr tooi market ut. -UOL ' 30 and 0 30 .0 11 All-Mr Clit 1" Mnr.r It. KlnMmrl'ii "a i VTSXUl Lill-t," TESTS Carr, Madeline Ferris, Martha Gufkie, Itltn Heist, Mnry Arnold, Marion Heist, Mndclnino Stnrhill, Loretta M. Ryan and 1'ntriela LMtzpntrick. Film Stars Arc Doing contract with Hal K. Ranch providing for her appearance as lending lady In more comedies with Ilnrold Lloyd. Then Miss Davis will be starred in five-reel dramatic productions. Iltigltlc Mack has been engaged by Webster Cullison. of Clever Comedies, for a role in "The Disappearance of Mary .lane, the third of the series of stories of "Philo Gubb, Correspondence -'""" --'-"---- Grace Darniond has signed a con tract whereby she is'to play the lead in a new John Stnhl production to be made at the Mayer Studio. Jack Cunningham, recently scennrio editor for Robeitson-Cole nnd n widely known screen writer, has been added to the scennrio staff nt Universal City by Lucicn Hubbard. Meighan and His Company Spent a Month at Sea AFTER a stay of a month in Boston , and Maine Coast towns, where ex terior scenes for "Cappy Rlcks," a screen version of Peter B. Kvnc's stories of the sen were taken, Tom Formnn, director, hns returned to the I.osky Long Island studio with Thomas Meighan. Agnes Ayres nnd other mem bers of the enst. While in Boston the company spent most of its time aboard schooners, ynchts nnd tugboats. The story of "Cappy Rlcks" la un usual In thnt It reverses the usual number of Interior nnd exterior scenes shown in the majority of motion pic tures. In Kyne's story exterior scenes predominate nnd the picturesque Boston Ilnrbor and rugged Maine coast gnvc Director Formnn nn opportunity to oh tnln striking sen scenes. rilOTOl'LAY The following theatres obtain their pictures through the STANLEY Company of America, which is a guarantee of early showing of the finest productions. Ask for the theatre in your locality obtaining pictures through the Stanley Company of America. P.RAMT 22 GIItAnD AVE. sjrN-'ll i MATINEE DAILY . BESSIE LOVE nnil Special Cimt In "IIONME MAY't GREAT NORTHERN Wim? MK. AND MRS. CUlTEIt Ilk IIAVJ:N III "TWIN BEDS" I . " MprntAt cotii & walnut bts. I "VirillMiu. Jrilt8., ... 30. i:iB, 7 0 MARY PICKFORD In "TIIKOUCill TIIK HACK DOOK' Lehigh Palace "e jermartown Ao. anil Lehigh Avenue i). w. aitiriiTirs "DREAM STREET" I IRPRTV BIIOAD .s COLUJHIIA AV. I111-11 I MATINKD DAILY VIOLA DANA In "TIIK l)ri-SIIOKK 1'IItATK" O VERBROOKC3D A ifvSSuE0"0 d. xv. aitirriTif's "DREAM STREET" PAI APR 1214 MAUKET OT-HEET rAL,V1-' 10 A. M. to 11:15 T. M. WALLACE REID In "TOO MUCH Sl'UKU" PRIMPP 1018 MARKET STH5JET 1 linLUDJ t 30 A M. to 11:15 I', it. JKAN I'AIOK nnd AI.L-bTAU CAST In "BLACK BEAUTY" RFP.FNT MAHKKT ST. Dolow 17TII 1X1-NJ,-,IN tl 15 A. M. to 11 1'. M. i. xv. aitirFiTii'8 "DREAM STREET" RIAI TO UKIIMANTOWN AVENUI3 ll-Li 1 KJ AT TI'LIMIIIOCKKN ST. hl'KCIAL CAST In IIUOII I OltH'S "THE GREAT DAY" RI IRY MAIIKKT ST. BELOW 7TII ivv-J-' 10 A V to 11 15 l. II, MAY ALLISON In "KXTKAVAUANCK" SAVDY 1BU SIAHKBT STHEET V?i T. . ,. NAM Tl) MIDNIOIIT Hrlrn Cliiululrk iwul ItutHrll hlimiHon In "GODLESS MEN'1 SHERWOOD ".lr&o MARION DA VIES ' in "in itiici) aitKAsrnr.s" STANTON.MAnKCT AhovB flTJi u 1 "llwPlin IB A M In 11 J5 I. M. MAY MacAVOY In "A I'lllVATi; SCANDAL" 333 MARKETaT1' lttS iJc-T-'nl i'tir. ln,r"'""l'ell:ei I'roilartlnii "STRAIGHT IS THE WAY" VICTORIA .Mki:t bt. m. oth PAULINE FREDERICK la "atLVAQK" ' CAN YOU DIRECT A MOVING PICTURE READ THIS FIRST' HERE'S a pretty little fancy Think r,t ..,.......! ..... ' your lutnd and a cameraman with m? viiui.Miivni. ucsiiie you. t on ire trvl,,. figure out with hlH.ni, where ni,!1i ami n," with VKE InTS.? viewing the manifold "..wV.' ..,"x.,ou,1j .!:"7.R.i"5,"ro"",L J!fc r m.h m,u" ",u,"" "r iigue nanus t(, fav). them into a component pint. An .H jv ,,iv w ill, i uU III (It) this rtM.I eonv nee the Rtnr thnt , . "' . n.n,l H your brains, your oyos and u,0 Lu In your hands. Just what wonl.i lP do next? Think it over. ,IJ 70 .. " "" "ow nine u ii m WAiiittl you nllot to each reel? Vor , ,.ou 'l tell your story in a liniltecl spa c ,f I course. ' " 0'5t mECIIXICAI. knowledge Is vital to uiuiuiiig u motion picture " nn. Rcglnnld Barker, dlieeim- fn- tLi.,"!' pictures ami one of the mnst not.vt,, figures In his field. "Rut the prlndiS 1 nunlitv necessnrv in dlreetln ii ..": W. I visualization, lott have got to be nMi to see a story before It has nnvthli. tangible nbout it. Tho dlfTrulty is Zt you have also to ninw ir ,0 in... things. You can write novel vrlthoat thinking about ihe subtleties or th61!rtt nnu siintic ot tiuv and night. You can 'J write a play without taking lato t " count tho action of .rain ns recordrd n 1 n lens. Hut In creating a picture m must remember thnt the finisiict n J net Is something that appeals mote I V ii v ii. v uu l,,e creationj of the other nrts. mO HEGIX with, you arc gira I l -- script with the storv neatly typer out in continuity form ; that Is, written rectornl Insight, you will he able to Hccnc ny scene, it you nave the d . l I'll Liiii- Lllt-'BI' 9Ui:illTl 111 vim r ni uu t n but this is nevor a simple thing. Kor n scene tuny bo played in so tiianv differ. cnt ways: nnd the ideas ns laid down 4 iniiy oe lnicrprcieti in various stylos. I Tho intelligence of the star is n r-.f ! help, of course; but the burden of the 'J iiiliii- iiuuuiuuii necessarily tails en too director. t A X INCIDENT comes to mind not ' connected with nny of mv own ! rroductibnH, but with thnt of "Fran Lloyd's 'The Grcnt Lover.' In on, cntiA Aft. T tntil l.n.l . . ..M......1..- .1. .,s.,l i,. i,,,mi mm in supervise Wl l .....!. ..r n 1...... 111...! e.. . ' I mmv ill 11 until- llllllliorilllll lllll 01 CJ. ' trns. The amount of woik detailed It , such n performance is iiicomp.irnUe. 1 1 had a similar expci ienco in inv produo.i i tion f 'Runty Pulls the Strings,' somo of the chuiih .scenes. A tni (nnd great nrmies of extins are i.iob) has no brains, and no head or tail. T take the unleavened mass and hake and stew it to the point where ljt u'sjiomlj to jour individual intelligence is not to bo nttemptcd by amateurs, I assure you." Madge Kennedy Going Abroad Mndge Kennedy and her hubsnd, Harold Bolster, nre stilling cm the Em- press of Indin on a tour to the north ' of Europe. They expect to visit Icet ' land, Norway and the land of the ra!d night sun. All told they will be gone ' tor seven weeks, I'HOTOPl.AYS f?&The NIXON-NIRDLINCERifn UJ THEATRES u BELMONT Cl'D AI10VC MARKCT 1 30 t. 3 (I 30 to 11 P. M. DOUGLAS FAIRBANKS In "TIIK NVT" CEDAR COTII & CEDAIt AVC2HJI 1 .111 d 3 nml ci in in 11 I'. EUGENE O'BRIEN In "11KOAD1VAY AM) IKIMB" COLISEUM, "i i. Tu THL'KA AOKI nml Sl'IX'IAL CAST In "BREATH OF GODS" IF IIinn rno.NT st s. oirard avk. JUlVltJU Jumbo June on Trankford '' OTIS SKINNER In "KISMliT" I n"Ani7P 41ST i LANCASTER AVI LHAU&K MATI.VEL DAILY I). W. GKIITITH'S "DREAM STREET" F (r ICT CSil & Locuat Doubl Bill LULU J 1 fnta 130.3 30 Km II 30 to II Harold Lloyd in "Now or Never" I'nullne I'rcdrrhk, ".MUlrcnn of felicnstoM I ,1 NIXON C2D AND "'S.tk.i GEORGES CARPENTIER In "TIIK UIIMIKIl .MAN" RIVOLI 62U AND 5fflnBsS EDITH STOREY nnd finccliil Cimt In "The llmcli ot PWwM STRAND KS& MARY PICKFORD In "TllltOlKill TIIK HACK DUOlt" AT OTHER THEATRES MEMBERS OF M.P.T.O.A. O . S.'.IO Cierniantonn ' Uermantown watinkb vilt "HOME TALENT" 1FFFF.RSON Oth & Dauphin . , MATIMI.i; Hi" In "TIIK (HLDKI) I."'Y" Paris' "idqk avi: ktPAVt?u r AKis. Mat 2 is, kp a f JROSCOE (Fatty) ARBUCW., In "TIIK DOIiLAK.A.YI'.llt MA ', SPRUCE W?V:S"S!i1 TOM MIA. In "A UIPI.V ItllMKO' ' ' . ti.vhrl WEST ALLEGHENY ; . CONSTANCE TALMADGW Swu! s COMPANY V J Of AMtHlCA "Oi 8EiRCIl u p' - ' Txlio coiiMuneil ont9rrow V , ,. i-r cs? .-. p-