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,EArESTlNG' PUBLIC . LEPERr-PHILADELPHIA, .MONDAY, JUNE 20, X92l )
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ilOKE DOG SCHOOL
TRAINING "ACTORS"
AT MAGNOLIA, N. J.
H
OW'n you like to lonil n iIor'k life'
say they do.
Hut tliis Is not nbotit 'iiiiinnii nor nt
dinnry tloc, but nboiit ilns win nf-
dcntined to bo Mtnr on the movie ereen
I)op nrc viiy imiiortant in ihe por
trayal of life in tin photoplay Uei nose
they always got the ymiitliy of an
niulieneo. tin1 (lirortur ha m.idr an up
portnnt plnee for them in screen wrk
Wi-nml the we roin for eveiyividv
like to see animals art iu tinmen ti
know oxnetl.i what tlmy wiue di-ing
But did you ver "top to think !
mueh tioubli it takes to in u tt
pets- for just a few minutes' work li'
Joro till I'llHH'l'.l lells?
Some one onre Mild that u mi uii
not without honor sine Ih 'n- nun
country. Well. that, in a win S'- f r
tbiH part of tin" I'ountry Ikviims, ,'
In little old Magnolia. . .! ti n
many of our movie dogs .in' taught 1
dogs lire niil thought so much ot n o, ,..
here neentise i' mm' vo nuini of toon
hut out in alitoriiia. .vlieri. iih- i
licitv nii'ii of tin1 ritu' ravi- about
III A
great I'vety thing in. ihc.i Inn
H Sell'
to tliP Last lor I heir
best-1 rniiid n
nine .I'-tm-f .
1) V. liriffith started t ho nnmuii
furor" in tin' inoiic". That iiiis
time ns' n I'li'ii body's doing
nnl iIip p'Milt is n lug d'Mimnd fot
M-liooli"! animaK and birds,
Tlt.MNINtt dogs for nioih' a.iv ,s
just tho fame ns it would ! fo'
th'ir iispfulni'-s in "Vprnlay uorUabi
thp honi" or ivhi'M'ii'r tin1 hiiiiii.ii- nr
UKrd. t'mistiintin Kran.. vim m.i- si m
by thp ItiiVprnniPiit to liiki' i-iia',c" ot
the training of polin- dog.s in l-'raii'
during thu war. has givi-n inu h il" .a
and finip to tin- studi of t ( - uu-niul
elevation of dogdoin
AVlini thp movip diifctors mrr mak
ing tliidr luir picturps anil H.niiod t.
bo rrnlh rorrwt in ihuaiN. :i iiuinhir
of policn dogs; witi roi'iiii-'il lor '!'
work. Whoip to got tln n-nllj -trur '
typp nf dog was n puz.li' for inr ,iro.
erty man
, Then tin1 iipiis puluii's slif,il r li'
training of thi Kran. dogs mid Mi.l
Franz was si-tit for i
Could he supply the dogs? Hi' limiIiI
and did. ' i
And s-onic of his dog.s -pi-iii o into!- I
ligent that it would probnbl.i be evtn i
lnorp interesting to get a pprotvil in-
tcndpiv with them than with their I
trainer.
We ean iiiiiieiui' si'iuling n reporter
to talk t one of the pupils in thi? ea
ninp iii'iip iii'ting w.lion. And tin' pn
pi' would modpstly whi.sk his tiiil .ind ;
iPrribe things soineiung in this nmn-
ner :
"17H.T do M- do with
V Well, our day is about
ourselves?
'ike that of
a child, our tooil is similar , rise
eurly and have n light bviaura-t of inlk
and stab bread. The milk is fresu and
comes from two rows v. hirh Mr. Con
Mantin keeps on our place lor luiiih
up have oatmeal, rise or tnaciiioiii. A'
night up havi' -neat, and twice a hi el; i
diet of Minion.
"After our Ireakia.st up hi named
for half an hour' on om iiind of work
and then in th' afternoon up are giiPii
'attack' work to do if wo are to be
poll" e dogs Some of us li.in- lurther
training in doing special thing-, and all
of iih carry our fixid pails i the gate
for our meals
"Here's a .ei ret and I hope n i oil"
finds out I told it. If jou wim1 to have
dog piotoet vou, teac, . ohed'ei,.-,
HATS ARE PROBLEM FOR STAR'
bn' tuner whip it. Ni'vi'i
I
nay !
"fine of tiie most important things ii
remeiiibpr about us is that we do no
fully understand tiie words .mi u . U
do, though, kin w tiie ihangi hi the ton
Cf the voice, and w In n obedience i -
wanted, the soft voh t always trail.- o ir
attention, for the angry person i ul
wavs making a noi-i
"It usui.lly uikns i -months
to he t lamed
while for ni lacking wo'k
to school for ihri unillr
ivc are wanted mound ih
.llio ,1 till ee
tioti'i iiog-.
iv h.lV'P I" g'i
'o.iger. Wl ti
lio l-e it on' v
takes a shod time to tram u.-.
"r'nr moving picture vvoik. I tourst,
Che time depends on km Im.v nun h w
Will be expected to do And lliul lend
me lo one oilier si'i ret
"When you see u on the -i ii'i n v.e:
believe we are lenUv in ling m.l lie
story intellijjenth . Itm " kirm noti.
ing about the story We h.ive he. u
taught to do cci'tuiii ihiiigs ni eertnin
commands, and those things have to be
useil as the director can best use them
for his piirKisc."
8heldon Lewis
in
Griffith Movie
Shl'ldoll l.i'VVl-, will
Dcnring in v.iuih v ille
i has l),.,.,, ap
VMlll Ills wife.
Virginia
I'earson. has signed a ion-
triwt with I) W . liritlith to plav Hie
t part of .lacijiii" in "The Two Hr
phuui." This ends a search of si
necks which the .Jnllith staff has been
making fin a suitable pln.ver for the
rule I'l'ihiiiis iieter In fore have so
liany ieioiis been Irieil mil" lor n
ini.i tin. ..;,. lieiiiL' iiver sixtv nt i lit-
end of the I hud week To enable him
tin accent the contract, it was neccs
enrr for Lewis to cancel Ins booking!
over the vaudeville circuit. I
JUDGES MEET TO CHOOSE MOVIE BEAUTY CONTEST WINNERS
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TI1K li.i; tjisv ,f piekmg the winners
of fne Mo'p Iti'n ity ( i n i'H from
the ."IHHI :i nil mo re photigrapi.s sent
.li to 'his page ' WO!' It! I' Mil'
Here ii - tlii fi'i' udisi" rl "me
ot the prtui'p. Iiofore I Loin T.iei lime
CHOOSIiSC OF HATS
ONE OF PROBLEMS
OF MOJ IE STARS
Cl
IliOSIN't a hat for wear in a
motion-pii tnre N not so easy as it
ma? seem to one iiuiniiiiiiar with the
demands of n camera. One may imagine
;an actress, leisurely strolling into one
of the etclusive shops, seating herself
before one of the tunny-mirrored dress
ing tables and asking for the most chic,
the Trenchiest and. of course, the most
I expensive hats m the place.
i If she did do this, madame would
! undoubted!!- "bring forth hats of the
weeping-willow order that droop down.
I completely lonceifling one eye and
I giving the face a picturosipie appear
' ancp.
No mailer how becoming lhee
vi.npeatii might be to the femininity ot
j the actress, the director would never
.consent to her wearing them ill a pic
ture
They would cnt the face into shadow,
and the public would never enioi a pic
ture where the pjp and dimples of
their favorite actress did not shine
forth.
So she needs must content herieif
with two ty pes of lints, the turban and
the hat whose brim rolls up. There w i
nlwajs a great variety of these hnt- to I
Mnrir hats
mustn't throw
the. face into
xhadoic. Here
.? n)i r of
brilliant green
nnfora wool
that Miss Aliens
has found
mnnt successful
N
.loO-
t ,re
vogu
from Perhaps the motion -pie-actress
is responsible for their
the lust ii'iir
Agnes Avres. Thomas Meighan's
leading woman in ins latest production,
"flippy Ricks " iiiis -olvi'il the prob-
i in in
picture
her svici'tion ot lints tor tuis
lo the director's as well as hei
own satisiin'tiiiu these liais are n
thi pievaiiing style.
ml IK
1 h
1HKIIK
ue mail" of blue sal in.
hose
tir in turns up in front and
iiistiipcai in baek. Hie satin is lam l
mi the hnta in loose bov plaits and on
tin ifuvii in folds. A how. I he null
ll'iiiiiliilig mi the bill. I- nf the oanie
inaieii.il It is nn ih right side with
loops extending over the edge
Another hat a turban, vvhiih 't- worn
With II blue seme rout dies- IS Hindi
ni soti dove grav tnlVeia hand em
liu.iile'cil in silk of the same .shade. A
Itu-iiiu effect is given bv the high ar
rangement of the niatciial in front
When Mi A .ires, wears hei .sport
suit of tan lioiiii'sp.in material she wears
a hat of brilliant green angora wool.
This close-lining hat turn- up all
around. Two pheasant ipiilU, their
points crossing in front, sweep hack and
over the brim.
There is nothing leisiirelv about the
shopping ivn.vs of a motion-picture ac
tre I'luthes ami hats must he bought
al mid hours, between the taking of
pil'lllll's
often ii luii iijiiI is becoming nnd
that iiii-inis t lii leipiireiiienis of Hie
direcior will not photograph well and
, another tl.vmg 1 1-1 1 in tiie sholis i
I'sMirv ! iouisi it all takes
nee-
more
tune
e ... I.. .1 1.. nt Miss I rrm
1 li- 111 iii.',i-i- in ..... .... .t..- ., ., , , .
n is impossible n kl'cp
vnnr err- or
mind away from tne
Murine lints that
iusn.t on covering rot:
r dimple).
alreail.v made surpris'ng progrpft and
we will begin announcing the winners
t "morrow Vrom af to right in the
photograph nre
Leopold iseyffert. artlot. 17.10 Chest
nut ctreet.
LOVE STORY of a MOVIE STAR
Con
You
Guess
?
Who
IT rote
It?
Copimaht bu r.iu-ard 7. Clod
CHAITEK I
April IS.
My secret !
How cau I tell it'; How can 1 bear to
confess it?
I have sat bore it must be hours,
now hern in my dressing room, beside
the vacant studio. Long since the urc
llghts ceased their sputtering, the di
lcetor and actors went home. But I
i mild not ?o home. I cune and tiling
off my (Uppers and slipped into mi
Japanese kimono, thp one that II
gave me. and bt down my long hair:
mil though Intel. I have loved to sit
thus, and dream and play a part, to-
l night it is not playing: tonight it is
I torture. I I'Hiinot go until' I iiiake a
I beginning If I don't start writing I
will ruin this week's work; for the pns(
is rising upon inc. ,im struggling with
me. and breaking m. heart
But. no; I cannot tell. After all. mi
secret is mine.
April 2.-.
That was a week ago It is a -prii g
night now: mist, silemv. and late, so
late! It was a spring night then, live
years ago: but where is the girl I then
was? I loM; in the miiro- at that face,
with the lines round the mouth, and the
teeing eyes; 1 look in the minor ar the
face that millions of people ce everv
night all oxer the world, nnd 1 wonder:
is it I?
What ni'illipl' ree picture have I
played in. as dramatic, iw intense. a
amazing 'is the five years that lifted
ire from oh-curity. from ignorant, crude
girlhood, into the glare and fume of thp
world?
And tin secret of ir. all? Hip seci-p-that
makes me feel and think and write
nkethirti. when I am s, much younger .'
'It is like a demon and a child in my
1 In art : it II i- m n't I shield and
' Mirse it No. not yet! not yet I I
. sinnot tell it'. Perhaps win n I am ten
, rears oiler: wnen 1 am more "set
tled"' Vei if thnt ','irl goes ahead
' with him' I will not think- of it .
April '.'7.
To Annette Wilkin-:
I You vi ill see from the above what a
I struggle I have had ti bring me to the
i dear thinking and decisive action or
this moment. But I scp the real reason
1 now It was my jealousy of you.
lines thnt iimaze ,you? Thnt. I
world famous, should be jealous of n lit
tie unknown girl who want to m t in
I Hip ni'ivi. s? Ah. it I " Jour naming
to ad thai makes, me jealous
It
woman ngaini wonuiu ".-i ,i .
Hut vnti cannot be more amazed at
thin than 1 tun myself. That I should
be jealous of 'him now, when I thought
he whs out of my life: when I thought
lie was as one dead to me now: now.
when this great, new happiness is
dawning for me, the happiness that is
being shuttered hi my past ! How deep
vim his grasp upon my spirit, that
now again 1 can think of no one else:
So now vou kimw I'd hap- .vou will
.i.. ..ii... i ....i ... ...i
i.i-neeeil to ll'iir nils ,1 1 1 wo I lev i - in
it I beL' of .Km In lead
it. 1 have
conniicred my jealnu-j
And wh.v should
I be iealousV
I know what he is like
and you don't.
Or. perhaps, vou will think it is spite
but it is not. f'ln you remember meet- i
Ing me down in Wash.ngton. when our1
compaiiv went then- lo get the Capitol
as a background'' II . the director. ;
introduced vou to me I thought vou1
very sweet, icrv .voting, but inordl- :
nat'ely ambitious I almost seemed to
see uiyseii in nun a 'ni'.'-n ,'"u- b"
Surely you are no more than sixteen.
II -1-1- knows him. of oouric l'irst
II - asked mo whether I did not think
then was a place for .mil up In our
studio, lie said j mi wanted to act in the
movies. Then, linall.v. he told me vou
were in love with him and that Iip had
inlsei o uiarrv vou ami iiihuc you
fmiiuil" if ii would woil. 111 thesuiiii
prim
in.llii thnt. he do s. Anil II
wanted to snve you Inun him hv taking
vou on up here
I iiiuliln't work nii.v furl her that daj .
li mission was not ih'iul. Inn sleeping
I II W'OKI' . II
lieenille nii.e iikuiii. . .iiiu
I I el (I'll HUH 11 1
let nu yo ahead
Liiiwiiv 11 would In not hint short
uriminnl. I tried to forset myself anil
W'lllam Shewell Bills, photographer
101 Chestnut street.
II. .1 Stokum. representing Mur
reau. photographer. Kill!) Chestni.t
stieet
Road in Arf Is Through
Heartache and Sorrow
T1 T II is .is I said at the start;
-D there Is no film I have ever
acted In so dramatic, so strange, so
unbelievable, ns my own life,
"To come in a mere few years
from obscurity and crude girlhood
Into the glare and fame of the world!
"The road up In art IS THROUGH
IIKAKTACHE AND SORROW.
THE WAY Tt) ITS PARADISE
IS THROUGH INEERNO AM)
PURGATORY.
" Viid ofjen It Is our enemies who
prove In the end to he our best
friends; and the things that torture
us and shatter us those that make
us in the end." From "The Line
Story' "f a Movie Star."
I to think ot you ns if you weie un
younger sister or my child. I tried to,
, see myself in you. I told myself that
1 I must warn you before you tool; this
step.
Of course, we would not take you on
up here, for that would tneiin his !
cumiug up to see you. and so bring him I
into my life again. But to let you go j
ahead with him, would probably mean1
the Inst of you! A.s it has of others!
Besides, what conception can you
huve of what it means to woik in the.
movies? Of what goes on behind the
beautiful, romantic screens In the
theatres, of what goes into the making
of a picl ure. of what, goes into the
making of a moving-picture star?
Luckily, you will be away In Chicago
tiie net few months. This gives mi'
breathing tiinp; thin gives me time to
set all down, and to determine wheihei '
you shall ever see this-, or not.
' 1 iiiiii! now for a moment to a-k
' your forgiveness if you should owr
see this fur suddenly coming into yourj
life. I. n stranger, with sinh intimate
. reveiilings. But I see now that I must t
I trv to do it And 1 see now timi yui
must be willing to face the train. I'
w ill he hard for you. '
THE LATEST ORD
HKI
is the ler.v latest t It tits in
inovlne pii'ture iniiieriis. nnd it is
n hit of ineeliiiniHin that seem,, iilmoit
to linve its own liltelllueiu'e ill .limns.
it hns hern (cv'lnieil In and limit
esieeiaH.i for Alvin 11.11K0II. iiireiior.
of phntoKraph.v in the Iuk l.nsk., plum
nt Ilnll.iwond, Calif. The piituie shows
Air. W.ukoff standing heside hs pet.
A moving -pint ure miiiera has 10 do
in nny tlnni!n. It inusl "pain'' to side-
ways or tilt up unit down, or pain and
of. tilt at tin.' same tune, mere man ue
' provtslon for "manklnB part nf the
fcMwaiiiitwiiitwiniiiawiiiwiwfJnitewi '
Miss Harriet S'artaln. principal,
School of Design for Women Broad and
Master streets.
Klins (Joldensky. photographer. 170."i
CuesUiiit street.
Do
You
Know
?
The
Actors
In It?
' But better to be disillusioned now
, than Inter. Better, if you persist in
going ahead, to go with your eyes
I open !
I would have sought you out and
talked with you, and gotten to know
you--but T can never speak my secret
to nny one. This is easier, to un
I burden my heart on paper; here, alotie,
at dead of night. y
j So, 1 will tell you as much ns I can.
Will jou try to understand me? Will
I you believe my motive is pure ami true?
, Will you trust mi: that I .am telling the
truth? I beg you. 1 beseecn you to
i do so. '
TO BE CONTINUED TOMORROW
Tool: a Uise Author
to -Know His Film Child
THE author todify occupies a posi
tion of considerable importance in
motion-picture circles in comparison,
that Is. with his position of a few years
ago. fi'mverneiir Morris reached this
conclusion nfler watching a showing at
the (Joldwyti studios of "Ace of
Hpnrts," one of hi- new photoplays. I
written directlv for the screen, winch,
inpidentally. was filmed nlinnsl exactly
as written. To illustrate the changed i
conditions, Mr. Morris related his ex- .
perlence in selling for the first time the
screen rights to one of his stories.
i was nun, niiei- si-ning u. s,n
he. "to think no more about it. and that
1 would he surprised at t! picture It1
would make.
I was: i
"The night of its preview 1 arrived I
late, so thnt I liil-U'd M'ring the title I
and cast of the piiture that was being
shown. I wondered if I lind missed
mine or If it would be run lutpr.
"At the end of iln picture I stepped'
to thi! box-ollice and iiuiuired : 'When
will Mr. Morris' Mini he shown'''
" 'Vi just finished running it." was
the aiLswer !"
IN MOVIE CAMERAS
pU'tllle nnd l-i'U illillllK tin
lllui hni
to
Hie s.1111 1 iiiu point hi iiiiim. me ot ler (
Hide and take the opposite pa,-,. ,f the!
view; it iiiiiNt h- alile .,, "irN" down '
into aiiv simp, nml up,,,, tl ,,,.,; ,;r
the s.ene. and do a lot of olhr'r .,.!,.
nil 11! UiiiiKs that Ihe imii fan nevei '
heard of.
he siaitiui; 11111111 10 ma
Un
ther 1
W'.M'lvoff'.s new in:i' luii"' dues nn.v or
all of these tilings snijrl) or in iiini-
I . tut I ton lltld Willi the mere pressure of
II hulloii or pulling of a lever
The designliiK nnd iiiiiiiufni'tuie of
thin one iiiHtrument rout 518,000.
ANNOUNCEMENT OF MOVIE BEAUTY CONTEST WINNERS
. -. ' i
'THE judges in the Movie Beauty Contest have niade some of their selection'
1 Their task is to choose from the several thousand photographs sent in fiJ
girls who, as photographed, seem to be the most promising material for acred
careers
Obviously, this is no simple matter. It is not merely a question of bcauhi
of the pictures before them, but of their expert imoivieage of what the subject
must herself be as indicated in the print, and, further, of how they think she will
appear when translated to the moving-picture screen.
1 Fifteen girls will be chosen this week and their names will be announced
and their photographs published each day, beginning tomorrow, until and inchtd:
ing Saturday. ,As they are chosen they ivill be notified of their good luck and
will receive 'instmctions about the day to be spent at Betzwtod, where the test
strips of movie film tvill be made.
From these fifteen three will be selected, tile final choice being based upon
personality, intelligence, adaptability and success in transferring these qualitUi
to the screen.
All photographs received in this contest will be held in this office until
after the announcement of the final three winners, which we hope to be ableU
make on Wednesday, June 29, or Thursday, June 30. Unsuccessful contestant!
may receive their pictures after that by calling at this office vr by sending suffir
cient stamps to cover postage.
WHAT YOUR
FILM FAVORITES
ARE DOING
Guy Bates Post l In California,
where lie will make "Omar the Tent
mnkcr" for the movies.
.Miriam Cooper, who played the
leading feminine roles in "'The Oath"
and "Serenade," is to be the heroine
in the next R A. Walsh production,
called "Kindred of the Dust." A num
ber of the scenes are to be taken in the
Northwest and a cast of unusual merit
is to be selected to support Miss
Cooper.
Seena Owen's four -year-old daughter
went to see her mother in "The Woman
God Changed." the Cosmopolitan pro
duction, in which Miss Owen nnd K
K. Lincoln take the lending parts:. SIip
enjoyed peeing her mother in the pic-
i ture. except in the scenes in which Jiiss
Owen is shipwrecked and floats to shore.
The child began to cry nnd hurried
home to learn
good health.
if Miss Owpii was in
Katherlne MncDonald's picture is to
be titled "Sticks and
Stones." The
working title hrts been
'Man's Game."
l'lip story is an original, especially
written for the American Beauty and
is now nenring completion under the
direction of .1. A. Barry, former right
hand man of D. W. Griffith and the
director of the lovely Katherlne in four
of her past screen successes.
Bort Iytcll hns been declared winner
in two popularity contests for screen
stars, one held in Los Angeles and the
other in Tnkio, Japan. In the Japanese
contest Charles Ray was bceond. Bert
Lylell is at present engaged at Metro
studios in Hollywood on the last part
of the production of "A Trip to Para
dise," an adaptation of Franz Molnar's
play, "Liliom."
riiOTiiri.Avs
AlnamuraMnt Daily t -. Kvg.. n.tj s
'THE HEART OF A FOOL"
ADAt l'r D2D & THOMPSON ST3.
I Ar'sJLL'sJ MAT1NBB DAILY
I a ra I t ..!. Unlt'u
hi nixi i TftiiH mm i
I A SMALL TOWN 1DUL.
!M"n i iirptn in .iiiii-n r "'.r
- -
ARCADIA ,c"PV?u.i ,V8 k i'NS1.
- - i" " -' '- -
flffirrv llrlfurfl's I'roilurtloll
"THE WISE FOOL"
ASTOR AVg'gA"'
Ufll MAM FARNIIM
In "MIS (.Itr.ATI'.ST hAI'llllli I."
RATTlMnRF"" SZ"iMonE
BAL1 ,SiytWif..nAVAT MAT -
DLDL Ut1l-MllJ I
in "lit ( US AMI ItltAKKS
NiT Avi
l,Ci.v.
T-il-KtM 04TH AM) WOODL.A
C4TH
' HCNN MJTINKK OA1
. tii-i.!... f'ni.1 lii f.nrp .llrlfnn
"THE FAITH HEALER"
rs.i T TT-rirr HroaJ ft.
ttLUCDlIM-' nontlnuou
Sni In
l-nrrliri VIHnr nml luls utonr III
"BEAU REVEL"
BROADWAY """iftV.
AI.I-STVK CAST In
"STRAIGHT IS THE WAY"
Ilroa'l bel.KrlnAT.
tsroaa oi. v-u)iiiu "tvr dailt
LON CHANEY
Hi "TUB l'KXAI.TV
PAPlTfll 722 MAnKCT RT.
LA" 1 1 s-'Lj 10 A XT. tn U 15 V. M.
ii. v. (inirriTifs
"DREAM STREET"
COLUINIAL. -j 30. 7 anil II P M.
Sir Jumrk M. Iturrlf's
"What Every Woman Knows"
darby"theatre
ii. m, nmrriTii'K
"DREAM STREET"
rMPRF AN ST' MANAYU.NK
.'WHAT'S WORTH WHILE"
r-i a lryllI IMT 2fith t (Jlrarrt A
rMlIMVlWsJII l MATINECDAJLT
MILTON SILLS
famIly55
In "I III- I All II lll.ll.r.K"
PEARL WHITE
In "HinOND I'ltlCK"
-- -
HATH ST """"l&p'lW.? ?,l'Fi
)0 l ?rQc,p RARRiqr Al F T
BESblt. BAKKUjCALE
In 'THI;: JlliKAKINti I'lMNT"
n ANJIFORD 47IB I-'IANKKOItD
I ' KAlNIVl J -'.i avenue
llf II. llllll I I I ll-FS
"UKE.AIVI 3 1 Ktt. 1 "
i""t ADC B9U1 MAHKRT BT.
U am.,,. Hv,,,,,.. ,2S, .'fli, ? '
"THE BROKEN DOLL"
"PHOTO-PUYJ.
I yQianiai, )
V COMPANY r
WILL BE COMMENCED ON THIS PAGE TOMORROW
NEILAN FEATURES COLLEEN MOORE
f'&)& jwi!!S"
ha;
nn adaptation of the Albert Pnysoi keep Miss Daw to her contrnct r!jli1
i ermine siory, wun .inun nnrryniorc in i ii'tuiucie pans
the starring role, .Marshall ;ellan lias
I returned to Los Angeles to start work
on his pictures for Associated Pir'sl
National release.
The first of these productions, it in
said, will take six months to complete
nnd will' feature Colleen Moore. Tn
the second photoplay one of the forp
most stars will appear, according to
the producer's announcement.
Another item of interest In the Neilan
announcement is the fact that Mnrjorie
Daw, who has been with N'cilnn for
the last two years, has been released
from the organization by mutual ar
rangement. In this connection Mr. Neilan said:
"Due to the fnct that I am only going
to do two big stories this coming year.
l'HOTOl'LAVS
The following theatres obtain their pictures through the
STANLEY Company of America, which is a guarantee of
early showing of the finest productions. Ask for the theatre
in your locality obtaining pictures through the Stanley
Company of America.
P.RAMT 022 GIHAHD AVE.
VjiAAiN 1 ITATINKB DAIL1
WILLIAM S. HART
In ")'MAI,U:V OK TUB MOI'NTKW" i
GREAT NORTHERN n??d48ijaJ..BSl: i
VIAIISII AI.I, NKII.AS'S '
"DINTY"
i n ' n r- r-Ti a t nnm . a," vin'ot, PPrvAn
! "VirCRlAL mV,2 an" Kv. . I HtSIS.
i nr'i-eir sManriMi II IET
BETTY COMPTON
In "I'lUKOXKHH III" UIVK'
iLehIS..iSla.c5 ..J'rt' COLISEUM
Qermantown At, and i
tlUiVlA3 IVmHjHAIN a
In "TUB KASV HOAII"
, LIBERTY ,maTt1Suu!;ilArAV' ru,7
1 BEBE DANIELS , JUMBO
"I IVO UKKKS WITH TAV
OVERBROOK03D&,A'HD
' AI.USTAIl PAST tn
UNCLE TOM'S CABIN"
Tl"" "tM'r IM'H'IHI I'rnitlirtloil
"DECEPTION"
PRIMPPC;? 10'8 MAItKET STHEBT
DOUGLAS FAIRBANKS
in "Tin: nit"
RFCFNT MARKET STIlelow 17TH
lM-sjr,,n 1 11 4.-. A. M to It p. M.
ALICE LAKE
In '( M IIAItTKl) SI'-XS"
RIA1 TO OBUMANTOWN AVKNQB
s. .w. y. AT Ti'I.PnilOCKEN BT.
MAE MURRAY
in "Tin: r.ii.ii:i i.ii.v
RlJRY MAHKBT ST. IIBIXIW 7TII
ivuu 1 , A M t ,, ,5
., AMSTAU (AST
"Some One in the House"
It.
SAVOY J-u iJAFlKBT ST.
II I. .ST l It I 1ST l
"THE BRANDING IRON"
SHERWOOD BVlATli',Pv?.rJAl
-THE GREAT DAY"
! i STANLEY MAKKET AT 10T1I
U7A, ,"Vr k&ti4 ''
iTniiunuc IblLS
In "TOO Ml (II Nl'l.i:n"
1 STANIS Jiwlf JW-u'ra" ! Ges? SiSS
CHARLES RAY
um!iyi'.jw'iiiiiiN' hoi,
I ooo a n inn- c-rt. -,.-, V-77V
333 MARKET,,H;nfcT 7 ATIl
..-ru'r 'i'iV.l".."''' "' '
"THE WITCHING HOUR"
1 ----j--- ----- lVi! .
VICTORIA ViA,KmT..HT, ,u-b'nU.1,1
i nnnnTu v r I't'Aii l M'
1VllUllll LfMI, 111m
in ".nn. iiiiii. or jniijNOKi ii"
AT WEST CHESTER
RIALTO
,.V,,,:yK!il..,.,.,,','I'0'
idle hour ;..onsij);?Syr-
COLLKEN MOORE
V.
WING completed picturization in .one with Colleen Moore anil tiie ctlitl
ew York of "The I-otus Eater." V'Vi,..:. . ..., Z r'"miVi
... .. -.-CM. Jt. VH1IIIII Mil 11- Mfl'Il uniflir IM
"There has been miiIi a rlemtinA far
the popular young lady that inasmiifV
ns we regret losing -her. still It vtm i
pleasure to sign her relejsp nllnwlnghtr
n free hand to accept (be man; bi
offers made her."
Omaha Girl in Metro Plctun
Mayme Krasne. voied Omaha's most
popular business woman, has made bn.
debut in motion pictures. As a result,
of winning the contest in Omaha attt
was awarded a free trip to Metro'!
studios in Hollywood. Calif., wlt.i
Rex Ingrain, directing his new predic
tion, "The Conuuering Power," a Juat,
MnthiH adaptation from Ilalzac, can.
her n tunall role in a French strut
scene.
I'HOTOI'I.AVS
HOtDPutr
CONUNr " 1
OrAMtBICA,
fTfcThe NIXON-NIRDLlNGERfi
VJ THEATRES Ul
BELMONT
52D A HOIK MAItKR'!
1..10 f. 3 il.SO DllF.H-l
ii. iv. ditirrii ii's
"DREAM STREET"
COTH A CEDAR AVEflHI
1 -HO nn.l .1 n-flO tn 11
JUSTINE JOHNSTONE
III.ACKIIIItlls '
Mnrliet bt. 30th !'
nn . .. ........ n tr .
l-STAIt ( AST In Vll
I ..111 &.- .1 II ill 10 11 1.A.V
HUM tV-. Willi.. Wi mril 5.1
wnci ujwi laiiic
rituNi' s' iiminn atIm
.luniho .Iiiik un l'rnkfori vU'iM
OWEN MOORE
"Tin: iii(iu: is nn: (,sk'I
I L. All .'n 1IST A I.AXCASTCK Allll
TstVT' MATINKB PAW ,'
UUUijLAi lYlacLCAll
in "thi: iioiii: stkctiti"
I OH RT 32D AND I.01 13T SIREITl.
LUIvUJl ynl. 1.30 3 30 Ev. D.SOttllJ
.. Jlili-MAII I AM In IHliA" ., '
"IF WOMEN ONLY KNEW";
NIXON 6-D AND iU. ?M
DOLORES CASSINELLI'5 rf
"nn: iiiiiiii.n 1. nun"
RIVQLI
BID
AND RANSOM ST1 ,
MATINBB PAI"
rT?roir? nmAM
vjcvyrvuc uuumi t"i
In "(INK ,11.1 N IN .1III.I.KIN"
STRAND
ni'niiivTnn'V AVB.
.'.I. irl-V . Vl-A QTRCrf fl
I.OIS WII.SIIN nml (OMI1II N.UIM-Jd
mm .'r. .....-..- n
wnai every woman inu jj
I 1mnrn a . . -. ..- ttlfUI
WLbl ALLLliHLNY "ummi,,.. wt
WILLIAM S. HART
n "(I'mai.i.iiv or thi: .moi'med'
AT OTHER THEATRES
MEMBERS OF M.P.T.O.A.
.. ..ii
'AURORA - wWWBm
' II, Tiirj'ln AVorlil's iiiiiUniiirt 'Jlf iP.1
"A SMALL lUWn
HORART BOSWOK1M .
In "HIS OWN ''-""' -l
iri7i7i?rJerM wta f. .P.'-fH?., ,f
JIXTT Mlllllti: mill ''"llr.IiiAY'''S
"STRAIGHT IS THE WAY ,
".T..T7w. ,i Thai. I'd IK .I''.'
DOROTHY PHILL PS
"MAN H-OMA.V-M'tKKlWU
SPRUCE m,Qsjs&m
PEAKL wnui;
1 In "llliVOMI l'KltB
1
4i
s- , A jv(iiJs,i -.'-'