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, . Ar S x : EVENING PlIBLIOEbGERLpHltiABELPHlAi FRIDAY, DUNE -3,- 1921
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TOD ATS HONOR ROLL IN MOVIE BEAUTY CONTEST
rpiIE Brtzwootl Film Co want to l423 5 Atytli Sircof 3saBPiiP
("tzwonil
'ire type for their series of "Tooner
v!l'e Trolley" comedies.
We have ngrced to find theti girli
through a contest. To enter simply
end jour photograph addressed to
"Movie llcauty Contest." Evening
Plht.ic Ledger, Sixth and Chest
nut streets.
The winner will b employed first
In minor parts at 5-10 a week. The
bc&t of the. threo will then be given
the leading part In the next film at
R100 n week. The other two. If they
show sufficient talent, will be further
trained with a view to filling the
leading part later.
The jury to decide the winners
consists of two famous artlf Leo
pold Sejffert. portrait painter. 1""0
Chestnut street, and Miss Harriet
Sartnin. principul. School of Design
for Women, and three noted photog
raphers William Shewell Ellis.
101:2 Chestnut street: Elms Gold
onsky, 170." Chestnut street, and
Theodore T. Marceau 1000 Chest
nut tttreet The contest will close
at noon. Saturday, June IS.
WHAT YOUR
FILM FAVORITES
ARE DOING
Will Rogers will complete the "pho
tography on Edward E. Kidder's old
comedy-drama, "A Poor Relation " this
week. Clarence Badger is directing it.
Johnnie Walker uud Edna Murphr.
who are being featured in William Fox
productions. hne sturted their second
picture at HolUnood It is being made
under the working title of "The Come
back," nnd the story Is by Jack Struin
wasser. Hayward Mack will play the
heavy role.
BucJ Jones has started work on n
new picture at the Fox Hollywood
studio. .Tack htrumwasser in renon
woman. ""
,. , .,. , , , . , I
HehMie CluMluicli hss ut retui ned
to work nt the (.oldwjn .Studios after
"" '""V1 '" """" "srarams to ini-'wuru about himself
doctor, too much realism in the hospital, ...
hcenes she was plajing in. was lespon- T,.r. ...ijht. . .i i
slblo. While playing the part of a nurse I Wh 1 "''' o fry something loote as
in Mary Roberts Riuehart's ongiiml ( "'to his past experience, but each
photoplay called "The Glorious Fool." i tune ho was utile to evade our qus
she became seriously ill nn'the set and tion3 until the press agent part of the
the picture was held up for thiee dnvs I asistnnt lircs tor rnmo to the fore and
Dr. llenry A Conway a house pins' ("spilled the beans" as it were, of his
cian of the California hospital, who is 'inter
acting as technical ndviser to the dl- Bob when he is not out on the rnnd
rector ami is on the set constnntlN ""' .i pii'din tlou or m.iking n lii-tnri
diagnosed the case as that of "mpn- in a studio, lues in Philadelphia with
thetlc sickness " h s wife at tl home of u iitei -In-law
ill"' Hlieta riedoialis. at T.;5 Wivt
Ma Marsh, one of the woild'N besr Allegheny nxenue Alihough he hav
known picture stars, is in New Ymk i'wd nil om'i- this .ouniry mil Eu-
on n short business trip, and will leae i il Uh i tlong lor Philadelphia as
at ine end ot th s week for Cn ifornin
MlSS Marsh left- her hiiRhnnil uml Imh
on the Coast when she came East.
Gotvns Worn Once
Never Appear Again
Do you know how motion picture
actresses manage tn nnnenr Im ,.,,r
ceous wnrdrolies of tuentv or tinn,
Parisian "creitinns," eajdi worth
large sum, with a totally different nut
IK ipr every picture.' Even motion p e
ture salaries do not warrant such
penso on the part of individuals. But
here is the secret, which l t,l,l i,v
Josephine Tj Percy, costume expert who
ha j charge of the wardrobes for Benja
min B. Hampton's plctutcs.
"In Well-organized nll-stnr tirnilnninv
companies hueli as Mr Hamnion'i, the
COKtumes nre purchased for them In a'
ciisuiiniiiK expert ,t the end or each I
pjeturp ttiefp c'othes nre put on itle at i
a considerable reduction from the ongi-
pal price, thnugli thev ate seldom li
need n f repair. The aetres wlio woi-i
tiii-m lias nrst oytlon on her wnidiobi i
in cujiuK mviq, nowever, Mie must
MKn R Pledge not in wrfp tile nini irnun
,lQ siBtkW BiatUre." '
...
,'. 'l . .
it" 's
PhzIa-deJihi. IBjiH
Terrible Tempered
to Teach Winners of Contest
sf
But there seem to be minors now the
if ! rn c; c i si ttv i other way. i-o goodness knows what is
iUa.nuhan Offers to Shoiv becrcts of Character irorcrlng to hnppon Oh dear, oh dear'!
'Rob'
to Three Girls Who Win
and Act at
, , , . , ., , a . , , ., . , .,
n simply icondeiful the nay people are offering to help thi gnls who win this I
Junr lleauty ( ontest.
Heal, 'leii'iine. honest-to -goodness people who hnte nan this oun w'ay up the
Inid pain to faiut. and ichosr help and uihice mil he simply nnaluable and
coulflii nr bought at nny puce.
It a I.oiiiy, the director genrml of the lietzwond Film Co.: Hetty Rover,
the leaning woman Frank Settler assistant dncctoi theuxe all lolunteeied
la take l,ie t'nee onls uml,, their ,r,gs and teaeh them to fly.
.In. oic comes a man uho has made a specialty of "chaiacter' itorlthat
masi aiutcuit ana piwetiss pait ot the actiess stork trt trade, which enables
hti to I'imp into almost aim pail ami he something moie than mirely simply pietty
and charming and easy to louk at.
BOB MAXMILIAN. whose intetpre
tation of the role of the Terrible
Icmperetl Mr. Bank, has gained him
nn enwable reputation in the film fir-1
moment jesterdny made this offer. Ver
f.itilitv hn bni'ome a requisite rf the
btudios ami easting directors through
rut the country nie on tho nlert for
iiiReiiues with "binins" who can pln
inure linn one role in a production if
the -reiHirio culls for it.
But gifting bnik to Bob's offer; lie
was brought into our office tht othei
day bj tin1 combination picss ngent
nssistuuc director at Rctzwood, who
wanted us to hear Iiis proposition.
Yerj frauklj. we were mm prised We
I ad M'cn the Terribl" Tempi-ied Hang
niMug and rriiitiiig thrnugh the Tooner
Aille Trollej seriex and weie eiy mueli
under th- inn region thut Bob would
nut lie was just the- nppoiute. We
j.'iuiu null h ut- cirirueiv ino'iest ani
i's guing nnd willing to talk reams
,, in( . wnl( , for tM(. bi1h ln
twih.-iiiig ti.eu ambitions, tut not n
'"s "inci town
Hob lirur miw the light of dav in At
lantic City, N. J . not so many jears
ago. and from eaily childhood sno.ved
de-ire to go on tho stage lie yielded
to the impulse at the ago of thlltcen, j
nnd coming to tins citj without his j
parent' 'onsent joined a burlesque .
ciiiiipain as an nil tiiomul man
To lnil bis immaturity he dor ned a
sun of long t-oiiseis, and, with an
(iMundnncp or nerx". whs nhie to gne
ill' impreHs'oii thnt ho was u sophist
,1',,'"l'd showman, but his career did not
i lut lo"-
T3ACK in short trousers with neither
--' funds no
r friends. hiB career as an
actor looked xery drearv until ho w i
finally retained by another couipuny a
n callbo .
Success soon beamed on liltn and he
wiin givn n rhnnev to plnv bits with
the 'how, leaving It when he though'
he was expertised enough to secure
a
lignlar position
fter ,ueni! --enseins w i t k
giimiitiuiis nnd tnneling i u-icni nu
eluetion 'i I 1 , u i h I n
Ar'uiekle in a number of nniedies
Me ilnnlH jieiicd 10 the mil n' '
nrst love uml leturn.'d lo lin unge in
In vnnrlei llln .1 I lit.l. 1.I h..n n1-..'
fnir rniitlnnnii.lv f- l,-a. i..,. rhii I
-" .WWWW.J V M,W .-1....D ....V.
Mr. Bang
Our Beauty Competition
Betzivood
ho was lnduei'd by Irn M. Iowry, of
tho Betzwood Co., to m cept 'he role of
the terrible tempered Mr. Bang.
?ORMA INTRODUCES "FISH GOWN"
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s AjjlW I
I NEWS, VIEWS, RUMOR
AND GOSSIP FROM
HOLLYWOODSTUDIOS
llj- CONSTAN'CE 1UL.MEK
rvn IIo"woml, Calif., May 24.
T Mbi norno one today whom n lot of
J- you know, I'm euro at leaBt the
tLen He's II. M. "Beanie" Walker,
old time newspaperman and nuthorlty
ion sports. Ho'a writing thoso funny
' titles for tfio Hal Roach comedies. H's
1-een doing It for Harold Lloyd ever,
since the latter wna "Lonesome Luk," i
rememutr:
( Ho gave me n lot of dope on how to
write funny titles, but nil the time his
face was sad and resigned and his voice
fairly dripping with tears. Why aro
funny mep not funnv?
"Now here's n title." h mid in
heart-breaking tones, "it took me hours
to build: 'The banker's daughter: tehe's
so innocent she thinks auction bridin is
something to walk on.' Here' on? that
mnie hard. 'Midnight the time when
the night watchman snores loudest."
This one hurt, too: 'Two A. M. the
hour when the nlley-cat clenrs his
throat mill leaches for high C ' "
He leaned his hend on his hand.
"Oh," ho groaned, tears In his eyes.
I "It n grent life."
"I 11 admit that maybe I've overdone
It but It was the impression I got. Se
riously, though, do you know how Hnr-
i old Lloyd Comedies nre tried out?"
I "Well," says I, brightly, "I'll tell
you."
I Thov are tried three separate times
In outlying but bonn fide theatres at
Pasadena, Ocean Park and Olcndnle,
before regular audiences. Notice that
tl ev do not invite their crowd of yes
men to tell them the picture's wonder-
i fill. If they got laughs they know they
aro good ones, because tho people who
nre laughing have paid their own
money Tonight Lloyd's newest com
edy "I Po" Is to be given its final
icvicw uctoro being shipped to ew
York.
WH.L IlOUEItS cmne sauntering up
i VV to nur luncheon table todny at
(JoldwMi, ropo in hand.
' Well " sez 'e, "I hear Englnnd's
coin' to lii k Ireland by the process of
elimination " (Or maybe it's the other
way mound. I'm tlint dumb;)
i Socio!) editor please note: He wore a
stoeppe hat and n rusty-green black
'frock boat, pinned together with a
i handsome safety pin.
They may call him "the Mark Twain
of the screen," but I'd call him. if
preyed, n darn shtowd man, making
the most of the good fortune success has
brought him. He writes most of ills
own subtitles nnd tho cutter stays right
on the set in order not to miss nny
1 thing when he cuts the film.
There nre rumors about that he i to
start his own company, taking with him
.
hr
lus director, Clarence Uadgcr, and most
the technical people now connected
ith him Vnitcd Aitists are said to
haie offered him a release.
Aln t it intuguin .'
r
' A FAR cornel of the restaurant
I J- sat Charles Kenion. playwright nnd
(ioldwn writer for some time. Oouvcr-
ndir Mori is, who needs no iutroduc-
,; nnd ciavton Hamilton, nuthor of
"Tlieorv of the Theatre" and one thing
and another That table gave me more
ot a thrill than one with foit mil-
llonnires!
Sidney Aiusworth. thnn whom there
' n,0,u' "heavier" -not in weight, but
"' ln. 'VheVnv 'ir'Thl. Poor ! IWn '
" . "l .'.' fJ ., -,'j ;,,,. .)la bv yA.
wUnl E. Kiddei to continue, was doing
,. Henu Britnimell in the slums, to the
tune of Clarence Hatlger s direction
Sylvia Breumer is also in the pictuie.
hut has not worked for several days,
hhe says thej must just like to hnve her
around. I don't blame 'em.
Here is beautiful Norma
Taltnadgc wearing the
first "Fish Dress" seen in
America. It is a remark
able creation designed by
Mine. Frances. It is made
of shaded blue and green
fish-scale sequins over
lapping, with sapphire
tulle at the sides. When
Miss Talmadge walks or
moves in any way the fish
scales undulate like the
waves of the sea. The
girdle is of jet and rhine
stones woven into the
rob.e. The tulle is striped
with lines of gold artjet
beads
FOR YOUR SCRAPBOOK OF STARS
iiiiBil - !.iKiHiiiiH
mrr. : &- - - mLVrmMm
I mw r Y.Vi--. jl IAtV. tHHH
fr SfSfiSSi1P?i
w . & 2"rs& w ??, ;-i ?W5B2si&z svrsrr. i--f
y j- .' - v . " ;'," r. :' I . ' -v; a
ixi!.nnrnsmz!ssi!sistsax
1H)lGIu.S
YOU CAN BEGIN AT THE TOP
DECLARES UOROTH Y FARNUM
By DOROTHY FARNUM
'yy? t'j the fifth article in a tcriei
hi )nr
nrnthu 'nrnlini on the penernl
fiihiecl of "How to B'n'fo n Srenaiio."
1fi'? Fa i mint, a former Ocrmantoirn
flirf, in now icenaiin irritrr for the
Whitman licniictt-Associatcil rust Xa
itonnl productions,
Headers nic invited to consult Miss
Farnum about the'ir difficulties in
writiiiq. Address her by mail onlj
m cair of the Daily Movie Magazine,
bicmnq I'linlw Ledger,
,lit Farnum icill anstcer through
these columns. She icill not answer by
mail, ana under no circumstances will
she read manuscripts, so please do not
jcii'f them to her. She will help in all
technical difficulties, but scill not ciiti-
cue scripts. ...
Jlcr answers to correspondents ei((
be published tomorrow.
MOST Instructors, in any trade, have
a very logical and sensible precept
for beginners. We hnvo all heard It,
until we are thoroughly bored with
it
"That is, "begin nt the bottom."
I have the couroge to give you an
other diicction, nnd jou are going to
have the courage) to take it. That is,
BEOIN AT THE TOP!
Take a mental airplane, and soar
to the peaks of the profession for just
long enough to look nroiind nnd see
whether or not tliej seem worth while.
You will not be nblo to sta there long.
You will have to descend immediately,
and stand nt the foot of tho peak and
male the climb.
But jou will at least have had the
ndvantage of knowing how it feels to be
on tho peak, and that momentary
glimpse will give jou the courago to
tiavel the long, hard roael, which is
necessary to get there again.
The second thing to be clone. Is to be
gin on the bottom, not the first!
Now for the mental airplane, and
the journey to the Top:
THIS is tho duj of the author. A
few yeurs ago, nobody cared much
about him, nnd now be is sought after,
talked about, interviewed, nnd in some
cases, even starred bj discerning pic
ture pioducers.
In the column of moving pirtuic then
tie advertisements, whiih is run each
eiiiv in the EVf.MNO Pi ni.io I.EDOER,
i thei is often to be found a veiy cheer
1 fill ..lim of the tunes '1 hat is. "The
Itlauk Comp.inv presents Hex BeachV
i .North mils .Maiii'e
I Let u irjoice nt that. c shall linve
ililifi. ue shall linve cloii wo au
thors! 'lim duj will come, and it is
not fur off, when producers will ho
w riling us, begging for our material.
Only the other dnj, one of the big
officials of the Flist National said to me,
"Tho time bus passed when wo pro-iiu-nrs
will nav wild times for mnga-
ziwi and play mnteilal. and then with
I much labor nnel expense, make it suit-
nblo for pictuie pioduction. In the
future, the. screen -writer will wiitu for
1 1 in kcreen. Original material will be al
most the only kind consideied , that is
the most biitisfuctorj uud economical
way." . ,
YOU, as a successful author, stand
ing on the peak, will be invited to
write stories for the leading stars of
the day. You will sell them nt first
for whatever price jou can get. You
would, if you couhl afford it, almost
im for a production.
i ProduceiH nre honest, all propaganda
Mo the contiury notwithstanding They
will pav jou, and piobably pay jou
will They want jou; iliej need jou;
thev must' hnvo jou: and they have
n finally written to OV, nt my re
quest, bending to me their personal let
ifis to bo published In the EvhMJta
Pini.ia Leiioeu for jou to read
From time to time 1 shall inn one
or two of the personal letters from
prodiiceis, until you huve bad stated
to jou, with more consideration than
is 'generally given an unknown out
s dcr tho producer's reeiulrements.
Consider Him" s Important business
communications, uddresseil to you per
sonullj. File tliem away as you would
file nnj specific renulreineuts of client
or customer.
'I hen when vou hnve known what
it i to have join ipaterial nNktid foi ,
when jou have nclunllj, thrnugh the
pages of the Kvr.MMi Pi w.io Lkikirr,
nit in conference with the? producers,
take your mental airplane, go back
r i 'MiBriiiHiiiiiii m-
SXm2Xt&tttos':,rr-.l
MACLEAN
i to tho bottom and start to climb up
, ward
You will have vour disannointments.
Success is difficult, but is not failure
MlJ.,lay"
moi e so?
,' .
ficiure8 at $au,uuu tacn
Kathcrino MncDnnnld is now woikiiu
on "Mnn's finnip." tlie firsf of n nu
i series of modnrtioiiH. Asslstint her
no Eddie Burns, Henrv A. Bnirows,
Dwight Crittenden nnd Wade Boteiei
MKs MncDonnld lecentlv completed the
. pieturizntion of "II
prior to which sho sti
er Social Value.'
iThan Fiction." These latter produc-
tions will probably be iclcased thin
I summer. Cnder her new enntraet tho
American Benutv receives S.'O.OOO per
jiiciuie. ivim hue nas eleven more to
make under this arrangement!
rnoToi'T.AVt
M0TOPlAYJ,
Wzzfat,
. COMPANy gr
DAMtBIC
Alhambran. ErS,.uSAru
"UNCLE'TOMVSTCABIN'
ALLEGHENYj;0, 'Ts
CLARA KIMBALL YOUNG
In "MJIAUUIT niOM rAltlS'
APOl I C 62D THOMPSON STS.
V-'l-t-iV-' MATINKK DAILY
LOUISE GLAUM
lei "I AM OUII.TY"
ADrAnu c.
CHESTNUT
Del
10TII
rirxsir jo A m tn,u is I
M
ETHEL CLAYTON
In "SHAM"
ASTOR
niANKLIN ft GIRAUD AVE,
. .-1 i'ATINr.i: DAILY
CLAKA KIMBALL YUUNU
In "bTKAIdllT niOM l'Altls"
B7lTiMOREAo,1;TT'l,ri:
MADGE KENNEDY i
In "TIIK (illtl. niTll THK JAZZ. 1IKAUT"
BENN 0Tn
AND WOODLAND AVE
MATING!! DILY
MONTH IH.irK inil I,1.-ktK C'AMT In
"THE KENTUCKIANS"
BLUEBIRD "'"I . K , r; i ,
"WHAT WOMEN WILL DO"
RRHAnWAY Broad & bnydar Ave
""Y' " " ' 2 fl 4B 4 n I M
'Roscoe (Fatty) Arbuckle
In "A I)OI,I.AH-A-YE.U.MVN"
Broad St. Casino nroa;AeT u
H. B. WARNER
In "MIIEN 'E WKRi: SI"
C A PTTYM 722 MAIIKET BT.
V-rtll 1 VL. io A M tn 11 15 P. M
AM.-s.TA1l CV In
"PROXIES"
COLONI AL 'Wr.1. A0,"
MB. AND MUX. rXUTnt DP 1IAAF.N in
"T'IN BEDS"
DARBY" THEATRE
KATHERINE MacDONALD
In "1'ASSIOVS I'I.AfiUOlM)"
CVIPRFSq JlAIN W MASAYUNK
lIT .-w mviim-.i: DVll.V i
DOUGLAS FAIRBANKS '
In "THE M'T"
FAIRMOUNT sr.1?'A;
WILFRED LYTELL
in "Tin: rxi. nm if
ITAlVin Y THEATIti: '111 Market Hi
rlVllL.I v M in MIDSiaiiT
CHARLES RAY
In "45 MIM'Th ITtOM llltlt I)VV AV '
56TH ST
TUEATHIJ Illnw Spruce I
CONSTANCE TALMADGE
in "(1(11111 iti.ri:iti:N( t."
'lMM I Illl, '
FRANKFORD 4;,s 1;,'0RD
MATT MOOI'i; niit-l UII1Y 1)K Il'.Mi'H In
"The Passionate Pilgrim"
GLOBE BMl MU,KiT "T
MADGE KENNEDY
2 m II
In "THE Olltl Mini Till, , u, Kkt'
LlK'Mm MATINHK DAILY
MATT MOORE
lu "SX&UUUX.1S IU13 wxx1!
PERSONALITY PLUS,
SAYS THIS DIRECTOR,
MAKES FILM STARS
By IU5NRY KINO
(Taallne Frederick's Director)
BE DIFFERENT I
Dress yourself, maintain yourself,
comport yourself in a manner which
ndds to your personality nnd ywi will
stand more chance of "breaking Into"
the movies, If you ore nn aspirant to
i screen fame.
This Is what I look for In applicants
for studio work who are referred to me.
I instinctively scrutinize the manner In
which an applicant Is dressed. Not that
I want to criticize- clothes, but I find
that the greatest expression of per
sonality the attribute most necessary
ta'nn actor Is in dress.
If the nppllcant has a different an
Iniliridtinl mode of wearing his or her
clothes, T nm nblo to tenlir.e possiblll
'tics of more evidences of his clf -expression.
If n girl, for instance, come
to me in a hopeless nrray of silks nnd
satins, worn unbecomingly and with too
closo adherence, trf the prevailing sljle.
I nm convinced that she has neither the
originality nor the personality to ex
press herself in n manner different from
every one else.
' Another may be wearing the simplest
garment, but If she wears it In a way
whereby sho can literally bo "picked out
of a crowd," 1 feel that she has a per
' sonality which we may bo nblo to de
' vclop into histrionic ability for screen
purposes.
I When I meet nn nppllcant I am much
Impressed if ho happens to show nny
i unusual mental vivacity. The films nre
not looking for "ordinary" pcopio nny
longer. The screen has outgrown its
swaddling clothes nnd now requires
i actors who can create a definite im
j pression.
i If I am talking to an nppllcant nnd
.find myself unusunlly interested in his
personality it is likely that I can find n
placo for him in one of my productions.
CONTRARY to some of my dlrccto-
v rlnl colleagues I nm not particu
larly nn ndmircr of beauty that Is.
beauty o the sKin -deep variety. A niche in their mind which Is all
girl can be far inorr beautiful than her , own.
pretty sister if she has mental vivacity
.... ... , ' A OKI'AT many person, can
tclenr-cut, wholesome face reflect O.r- f xtne """Jf listing Impression bt(
sonniity, wnue msteriess eyes witn a j '""" --"suu n.aw una
baby stare are only
'average.
ill mr r.fTio r'l,n T nm 'rnfloiftnv HlUSt UnderStniHl tile DSIcholeitl
applicants, I always ask one question
plicnn'ts, I niwnya ask one question : I clothes how to design them, boil
"Whftt would von do were vou So-nnd- i vKav mem.
' so?" refcrrinir. of course, to some non- And mostly what ttof to wfr.
I ulnr star. High-priced dramatic nrtists sudl
( T find very often that applicants have Pauline J redcrirk never ordnl
no Idea whatever what they would do Overdressing is the outward manilJ
Or else they think So-nndiw "just , tion of a gaudy soul.
wonderful." or thev may not like him , It In nil thnt wblrh tl.. ..:hl
nt all for reasons which they arc unable ' the casting nnd productional dtrtej
to express. ,, notice in their npplicatts, nnel ptttl
Douglas MocLean, whom I directed nlly. I bcllovo that rniment is the a
... .....j .... iiiiu .. .... .,.. o I uiiisiaiiiiing ienturo 01 inc DeginnlD
jwho had considerable difficulty gettingl sonnlitj. -i
i.rii,,-, la ,111 t-Aiiiiinii: in u tumiir limn i oinr mim i.itii,n,ii- nf..,k..
lIOTn,v s
The following theatres obtain their pictures through the
STANLEY Company of America, which is a guarantee of
early showing of the finest productions. Ask for the theatre
in your locality obtaining pictures through the Stanley
Company of America.
GREAT NORTHERN IV?V,n"i.E
I JUSTINE JOHNSTONE
- IMPERIAL 0OT" &
mrX, ZiifA," 7
utii a urvrii
In SKNNEIT'.S "A .S.MAI.I.-TOW.V 11)01."
I fK?crV Pairing Clerniantnn Av and
i-eiugn raiace i..,ibi, Avue
DOUGLAS FAIRBANKS
In "Till', NUT"
I FRFRTY DKOAD . COI-UMHIA AV.
i-ILJU.rI I MATINKi: DAILY
DOUGLAS FAIRBANKS
In "THK M'T"
r7r,rT-r-N-Niy- n-i.i ii .... rI ICUI I1v1 Slnrket het tStill
uvciDlUUN "' "7 un uwcuivi , 3 & ., Rnd ojot.1
DOROTHY DALTON
In "TUT, TKN OF IIIAMOM)"
PAI ACF 12U -MAItKET STOIXT
i -iirv-i 830A j, , u ,riJ, Jf
Roscoe (Fatty) Arbuckle
In "TIIK 1KAVKI.INU NALESUVN"
PRINCFSS ,018 MAUKI7T BTIIEET H IMRO FIIONT ST t. OIRARD 11
i ill-(VIZa30 H30A M to 11 1.1 ! M JU1DV-' .Tumbo June, on Frankfort
CLARA KIMRAI I vniiivr:
" ''
REGENT m?!,Va m ITn "
IIT1( 'AIIIKKINK rl.EKT In
"The Heart of Maryland"
RIALTO "KMANIW.V AVBNIB
'nL ' AT TL'Ll'EHOCkEN ST
PEARL WHITE
In "IlirVONII l'KICK"
RUBY MAKUT ST BKIJW 7TH
io a m to it is r
HOUSE PETERS
In "niK OHIUT KEDEEMEK"
SAVOY ,SU MAItiEn' MIIKET
VWI 8 A M TO MIDMC1IH
(II 4 V fill tvtn
"THE HEART OF A FOOL"
SHERWCOD VjJiT'Xx0
CONSTANCE TALMADGE'
in ":ooi nwraiENCES"
STANLEYTi'',FrAT th
JACKIE COOGAN
I" "I'lXK'H HAD HO"
STANTON, n!'?" ion ""i
10 ir, A M to 11 io ! m
ELSIE FERGUSON
in "Sacred and Profane Love"
ADDED .nnriIONA ShH
HALLROOM BOYS COMEDY
'Irtii. Heron." FmturlnB HID SMITH
333 MARKET, KTUr t'athe
i nuMAb MEIGHAN
In "THE EASY HOAD"
VICTORIA MATfi "TH
V.WW "KW'W? In '5 '' M
"NOT GUILTY"
WIVT PI7MM 41t ft i.Z.ZTi: I
CLARA KIMBALL YOUNG "'PARK n"5S ?
'" "HT,U r iimmi rxniv NORMA TALMADGE.
AT WEST CHESTER
DIAI Trt ii
I ". w flHEATFRT ;'..;"'.:.. OriAUC MATIN"!""!
ivirtuiu ,;:.". ""ium in "hih
1ULIL HOUR .Aw.Zs'K.iVTn I HARRY CARM
- - 'TEACiUrUL VAliEYMi l ..Tina FHKBStfrOW
Hunts for 'Tcrsojudijri
HENRY KINO j,
Director of Pauline Frederic dl
!! Ir, nn n,-tll .. u . "' '
., ....... ".Uu u 11S PM fi
valuo of personality to joubi'I
pirants for screen honoti
himself satisfactorily located !j ,
tion pictures.
MncLcan's smile alone Is.,..
which yon will never forget cnctjl
iiuvc kl-ch n. no is uanusome rt
and highly intelligent. He stirwl
tho movies ns nn obscure 6tock tcttl
the legitimate stage, nnd nftir wJ
tribulntions became a first-mapltj
It was largely because MacLtij9
nieu u vnr.v uenuuo imprcssloj 1
j-nonias u, nice mac mane nimaKnl
and his personality today is maiijja
u imiu in itiuuauiiu-t 01 nomea.
And it Ir simply because tiMnli.
not forget him ; because he linscinl
ll.n :.. .1...!. ...t..i .. i.!l ..tT.sfJ
. .. .. .. . . . r.--- , ...v ii UH LIIIH
.
smile. On the screen and ttitiJ
nioTopravs
HfJTIrPUYn
SM
. COMPAMV A
orAMiarc.
t
The NIXON-NlRDLlNGEHil
THEATRES . U
At7MI IC Cth St. and ArcihiaJi
r,u'ULl MATIN EKDAI1II
JEAN I'I(1K AND AI.IhTAU CASII
"BLACK BEAUTY"
BELMONT IVfTOVS
EILEEN PERCY
In "II1G-T0. II)E.9"
PPTiAR fiTH A CEDAU AVDl
I VX-LyZ-MA t 30 . 3 nnd SHl
MAX LINDER
In "8KVKN KnS OF BAD iWTl
GEORGE BEBAN ;
In
'INK MAN IN A MILLIOX
LEADER mTAfi1Sfta
LOUISE GLAUM
fn "I AM OUII.TV"
BESSIE LOVE
lu "THE MIDI.AMIEB9"
OP! lsT '-' AND LOCI ".T CTSHI
HOUSE 1T.TE1CS AMI J NE M1VA1I
"ISOBEL"
NIXONB!D AND"MAR.ft
1 hunshint; roviEnv
"THE HAYSEED"
vt RIVOLI 62D AND 'n
ANNA Q. NJLSSON '
In "MIIAT WOMEN WIU. W
STRAND OErjco$y
MAE MURRAY
In "THE OII.I1EI1 MIA"
1 AT OTHER THEATRE.
AURORA 2133 Ge.(,r
MAX LINDER
In "SEMCN YEARS OK DP I-tCI
CENTURY" ""VvVinSb :'
MARY MILES MINTER
In "AM. SOI LS Mli" .
Fay's Knickerbocker nJU i )"
TOM MIX
In " IIIDIS'Jl(nii'"-r
Germantown $$
DOUGLAS FAIRBANKS
In "THE NUT"
inrrirr'nevt iioth a
diupM..;
J" l.lJJn j
MATIN'EB "Al"
JACK HOLT
In "THE MANh"
in "HIE l'SSI(l.V f'iJI2iJff
onm tTin "iioth"and BVNfS,,
iwiti -- ..,..
th
JtL
i-i.rfl-J