4 ,-.- nV J
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14
evening pubeio ledger Philadelphia; friday, may 13, 1021
Zie Daily Movie Magazine
Even the Gas in the Motor Has Its Movies Taken Nowadays
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IM 1SIBLE ARMY
MUST WORK BEHIND
BIG PRODUCTIONS
TT HAS becu estimated thnt in n
- modern armv it requires ten m. n
Whfnd phi'Ii actual tishtins man to Jc ip
the machinery of w.-ir oppratinc
ofBricnth .
The invisible nrmt required 'n th
production nt a mot Inn picture U pro
portionatclt about ton times 113 l.irgc ,
nerordiiiR to Hot-tram Itr.ickcn. who
directed "The Musk." t itli nn all-tar
r.it. headed bj Jack ITolt anil Htdila
Nova. Mr. Uraokcu j-occ M-unc m
intercstinc sidelight!! on tins ubjit in
a recent iutertiew. TIo stud:
"Although a dozon actors ina.v ap
pear in a motion picture, with .1 di
rector, two cameramen and tun as
hl'tant directors, in a'tnul charge of the
production, .-qnio ,"0O people cmplojed
by the film comp.inv will bate had a
hand in the ninkms of the production.
This tta the mse in tho production ,,f
The Mask."
"Him docs this inttsible film arinj
operate?
"Will, when a scenario i ree cited at
a studio, it m , Hrat to tl,f wenarm
editor, who turn- it over to a Muff e.f
readers for a terdict. If it is aficpt-d
then a 'M-enario doctor' tul.es it in huml
and, with one of his assistants, whips
it into shape for jfreetnos.
"Then one of a otiitl of (njuinmt.t
writers arrange., the tor, m proper
frcqucnic for Hlinins. mid -tciiH'ruphi rs
make a doon opics of tin f mt iriun
for tin- tin-inn, departments wlm pai
tleipate iu tho pioduction
"rriipicntly a diieiinr n,i- i In til in
nrtniu-liu Ui lontimtitr ,iin tic -il-tiTlrs.
In the uisr ot -Tin Mnk.'
which i a -torj b Arilnir IfornMnu,
the continuit wu prcpi'id n ,Ia k
l.axor ami m i If.
urm:s
' story.
the dirof'ni rue iv.'s the
ho (usages tho lusting d
jurltncnt to assomble a n-
"The technical adii-ir iitid it --nff of
nssistunt-j bigni tl.e re-fiirih work in
order that tin i ui ,nn , archil" otuto.
i-c-eni r and ii'tnosphon of the picture
ishnll ie correi t m mn detail. The
head of the to. lini-al ilepartnjeti' calks
in his iirchito. ts artisans, interior
ilecorators. rarpi n-ors. ot.- and they
arrange for the construction of all tin
inteiior set?, while the location depart
ment looks after tu securing of .sites
for exterior semes This mn include ti
street i.ijrner m Hollywood or a nuw
clad mountain peak in Cn'onid"
' '1 he propirtv deptirttneiu is gnin
IMAGINE H
A
W1ITN the oiiglliul Kent Uc lit liliHlli
tuin feud was Htaricd in old cioiia
by the Itomco anil Juliet fninilic-. ttlmsi
ctngi' muni were AlonlO'.'ue and ('111111
let tin Italian cilt probablt dnlu'i
look tinli h like tin ,i-i-ne 111 tin- in tun
Hut when .toil see 11 hat tin uiotie
ciiincrn innkes of it jmj II liiingiiie juiir
ell right on tun ancieiii. ivuu kvouuu
pensive uentlcmnn In doubwtlTliot Is built to support tho uldc 6t tbe'H.
until tho
&S AON' 7'EICZ ACTUAL WORKING OF MACHINES
l'A RT-,
1. ' M Ns'MlB7
d ..gifVgaiME"'-" " ' ' ' ' 1 1 VV '
VHUWMIIIIMIM - - t " .1 . I V( f I
I ff"'5PW H
"" , --- '" -, , i,r,,,m,,r....i---ilJlrrMBfrW-' T
'' 11 TliTMiTMlriniTTf'IWl , JL
n list of furniture, pmportics, d,, ,-o-UUired
for the pic tun. and tin- will
usually fovci n half doen -loel ti pc
written pages. And the propcit men
mnj be depended to haic everything on
hajicl, from .1 ncwsp.ipoi- to a locciincitic
"A purdiasing department is main
tained for the purpose. f Inning what
material i- roiiuircd in a production- a
transportation department looks after
the fleet of truck- and automobile to
tiansport the phiMrs and piupc-iius
frnni stuclio to lofimoii
'The clcetrical dopartinont nttciicN to
the lighting of the s.t winch rccitiucs
from ten to tlurt in- u while tin pic
ture is being -shot." and it n uielloss n--soruixnl
of eli'cttii il ciUipment stic-h
a Klpgs. ciuetna t wii-. itns. tloods,
sputs banks, icverln ! . Cocijcer-llow
itts, searchlights unci n dozen other mi
rictios of specially dc-unocl illuminating
cc ntrnancos.
u as n
1" ('H dm - quota of film i
it is taken to tin
laboratoty. where an army of nt' n nn
1 tuplioicfl'lo do clop ""' J" 'i" ,llP '""'
thotistinds of foot of celluloid.
When tin piituio is coinplftoil tin
film is -out 1.. the ulitoiial ! paitiuont.
where iinoilni nginiciit of wnrkers.
known as iiifiis. 'dit ii'hI I'-n-iaiige
the sequoni's -o ording to contlnult.
whlll II sttltT of title Wllteis llll.l lll-tists
look aftir no i rispi elite i mN of the
1 oiuplction "f tin tilui.
Aside frf.in thee piincipal pime-so,
nniuiil. the noirse .if lloteloplllOIlt of II
-tfirj frfiin an oh a to a niii-ln I piodui
tioii engjigi s tie s,.tiii. (if many otln r
workers, witionii rhe b'ast of whom a
idlulodllltuj olid not be II success, "
Some Thief
Matolil I IomI nmiideil a loincr of
the big s'agi lu-t as two kiIoimI "ex
tras" viie disi ijssing the sttnlio ball
game ot tie ninln pn t ion
r Minpiio man -uah am a lub
ber. -a 'I to
'U' nil u .1 nuHil stniethiii . wn
the aiisw-.
" .i S'i would steil tin Indian
ocean if In tlifiiight m irmld get 11 n
with it wi"ont lirm' tomahawked."
ILL ROGERS IN DOUBLET
hiii , 1 (lining fioiii 1 be
lli ill 1 liotlgh lio 11 1 ln-i
ton II 11 w all' w nli .1 stint
I'ni' inn II m i' it 1- ill Ito:
1 If
1 0 piui ing iti. 11 " '
nu ihi in 1 gn 1 hi mt' 1 -1 nig in
IiuhI in jitii. .Lini
eel lillilll
nieitlceiolii ih, iiutlclllir Hhol will not
uli. in t in. ....i(T..i,iii... nn.r itii nrchiiiit .
"-" n '! ' -'-:--
llllll Ini-c , iiillllllg floill the III li I
Kits llllll enough lill II (lose li .I .I
then ton II aw like w nli a -lint
Is llllll .Mill
SOCIETY GU ES ANOTHER BEAUTY TO SCREEN
DIAN1 DEER
QUITS SOCIETY FOR
A FILM 'CAREER
StiCIl'TY, whii h has been giving a
fair iiiota of its beauties t the
n 111 recent months, will add an
other contribution when rathe intro
duces Diana Itcer. nineteen-year-old
beaut. . in the new Charles Hutchison
scual. "Hurricane Hutch" Work on
this serial was innuguintrd on May J.
when some shot-t win taken nt Ausable
L'lmsm, N' .
I Malta Ilier comes of inn of the most
pioiiiini nt families in New ork When
she niaele her debut into soeietv among
the prominent guests attending the
rorci.ioiit woie Haskell t'othu, 'he
1 cell hraicf aitist. l'ounles .1, l
fa-t
Mrs
Mem
Mis
;i 1 1 J
Inc. Wind Tra tor Judge ami
II. .In inn. Anionic ce I'ata-
Paris; ling.idier (icii"inl ami
r
W W. Alterhu-. of this citj.
Ii- Sallj ilatui's J'aruhaui,
si ejlpii e -w
I.o.s ,,f n trii (,, lliiinpe, which her
pan nis will isil in .Juno, was the
pi n iln paid by the I'.ithe "find" for
appearing in motion pic lines. Yet .she
ha- -. ' In-r hopes upon n sci ren career,
mid in r marked hiniit. mid talent ,dis
pliitnl mi i he amateur dramatic Mage
w a 1 1 ii li r the piiilietii.ii that she will
llllM II big Mllll I of MIC(CSS,
Little liiDi c than a car ago Miss
I . 'i graduated fimii the Mount St,
in .nt Ac aile mj , whire she was an
liotmr piaiiolortc )uipil. Last jen she
tool, a coire- nt St. Cecilia's Ac udemj .
in I'on.i mid wits -tiiil to be one of the
i t promising niu-ieiiiiib who had tome
from the I mtcd States.
AD HOSE!
111. 1 e hi i mil iiiiiI that i-uh 1- used for
'e.r.g -hot al the fiini'ii.s lotc-babon.t
where Itomeo climbs up to kiss his girl
night, licit me her duel mid-her
brothers nnd uncles and iniiiis and till
tin 'i gang
I bet in Itccgcis 1 a 11,1111 in this
i 1 1 1 1 in wliii b In as. a cow hot wakes
- " " ' .' . .
ili lo the fin t that he Has o uoo lis
Itiiinn.i illd nnd iiicliiics liiuisf-lf iliilinf
L ... tl
'.'I. . !1 I LJ .J. J I'lT-'-C C'Mj f C'.'',"CJ".,,''JTII
S
1IIK.SH pictures are three selcited
from a film called "The Porcelain
Lamp " which is a brand-new idea in
educational movie. Clothed about a
lomance. it teaches the development of
transportation and shows ecry me
chanical detail of the modern auto in
action ecn to picturing the course of
the wind about a vacuum windshield,
us illustrated on the upper left, the op
eration of film?, pistonn, cranks, trans
missions and the cas flowing throughout
its cour-e from the tank to the puff of
tapor at the exhaust.
I
DIANA DLKK
PETER PAN" WILL
BE NEXT BARRIE
STORY ON SCREEN
Tin:
t ice
(list thing Jesse L. Laskt. first
president of the famous I'lay-
eis-I.nskt Coiponition. did on hlxre
lurti to Vi w Yoik froni Los Angeles
"ns lo annotii that John S. Itoberl-
Kin. who directed ir Jnmijs M. liar-lie-
"Sentimental Tnmint." and Jo
sophme Loteit. who aelapled the book
foi ttii -eice a, will sin at once for
London, white thej will (oufer with Sir
Jaiins atin Adolpli iikor on the filming
nt ISai-ric's greatest pluj , "I'eter Pan."
"Sii .laiiie.s alieaelj has seen 'Senti
tnciital Toinnij.' " -aid Mr. Laskj, "a
print of the picture bating been taken
to London bj Mr. Zukor. and lie was
so gieutly pleased with the ndnplutioii
of lie s,,j tn the screen that he re
!iietod that 'IVttr Tun' be intrusted
to Mr, Itoboit-ein and Miss I.otett. Wu
hate not jet decided whether to produce
t n tiictuie- iu I.omlnn cir in our i.'hi.
Island studio or in I lolly
will be wen Led out ill tlie (onfereiue
with Mi. Zuknr and Sir James. Uut,
in ant etiiit. th" x-inntlo will be wiil
tm in London m (ollaboration with Sir
James
Hobart Hosicorth ill
lie His Own Producer
H.WIN'li earned
screen us an u
his spins on ihi
tor. 1 lobart I'.os
wur i, has dec 1
as a ritnelin er
to enicr the i.inls
Tin
llob.nl r.osvtentli
I'rodui lions. I111 .
eiigainnti'in mull 1
i, the IIUUU' of llie
tt hit h .Mr. Ilosworlh
u ill
tiv tee nunc ns tcr-aiini.t . "i
. .It. . V ...
unit will he produce llu set feature
n tear lie bus iiiub'i lal.cn m 1 111 tu-li
1 ne Associated Producers, lull In will
in t In tin 111 as well
llu new (Oiiipnut 1-nil oigiiiiieel ami
i-e.ielt for business, with S.iinucl llet
man. of San l'mui'lsco. as president:
Union Johnson, t Ice president, atnl .Ma
, Jtnf . luiinagci All the fentmes will
Ii- niaele in Californiii at the luce
studios, 11 sou of fanill.t arrinigeincnl
hee-aeie Thomas II. lnci is liKCii le 111,
Aspieclated Proeliuer.
Tin- first pic line, to be ctillnl "The
Se.i l.ion." is alrendt under wa.t Sup
porting Mr. Itosworth arc H sle 1ite.
ttho plii.ts the leading fcuiiniiic role.
Kiiiori Jnliusou, Jack Curtis and Itii'h
aril .Mmris
Some of the scenes will fcatuie whale
fishing in tin Aicllc s'terul lliousiiiul
feet of harpooniiig and cutting 1111
iti. ales wcie obtained lit Mr Itosworth
when he went n AlakK.i a shorl time
ago, this will lie iiilileil lo tile picture -
I . . .
tiliicll Ih In lie n llplcni llnsttiutli tc
I IiIlOc. with all the .lack Loudon outdoor
atmosphere;,
tt.v viH
4 ,W. ! I
MOVIES TEACH
IVONDERSOFSCIENCE
AND MECHANICS
THIl.li the mono It Ih
teacher nf Ihr ne7rj.'
the pienteit
Will Ihr
irltuhitl strip .mire the hitheilo hi-
suriiwiintiilile itiffivtiltu of nindi'm;
mrrli antes mid history and pengraphii
and the tcicncei fascinatiu'u and
raily understand to the yeneral
puhUel
There M A film in fiit city tndmi
to he shoicn Sunday night by iu
viliition only that nouif.it the irny In
a wonderful educational step. For xt
nuilis of a machine n living thing,
tchosc every action ti rfror-V ircn.
icor each motion is followed in nil
its detail.
The film it tailed "The I'arec'am
Lamp." hut that is only became i
has been iroreii about " ronnnie
iiifiicicnt to give it the appealing
touch of human intcic.il nrccnary lo
riret the attention of the average
audience.
It is, in venlity, n complete rloiu
nf the evolution of transportation,
from the old ehnriats to the modern
locomotive, automobile and niroplai,r
I inf. focusing partuutarly on the
gasoline engine, il lercah ei cry single
trailing part in operation so thai n
hoy or yiil inn see it irorA, and, hrsi
of all, sec 117 1 il r-oi-Ai in jnsl Ihr
tray it does.
Ilir if shoits the tchale couisc of'
the gasoline from the tanl, through
the pipes to the (arhurclnr, being
sprayed and vaporised, mited tetth
air, suel.cd into the cylinder, rr
plnded and crpcllcd through Ihr
exhaust, rith the operation of rt-rr;
com, mlrr, piston and mot able pait
iu each step.
fTMIIS is accomplished tlnough the use
- of n new contribution to motion-pif
ture "engineering." o, tn speak the
"animated meelinnigrnph." a det'elnp.
incut of the producers of the piduic
I?t- ineai of this detiee it is now pos
cible to leproduce with iiVeurnc.t and
reality ant thing ftom nu animated dia
gram to intei mil reactions of the must
intricate nature.
In one phase of "The I'mc-eluin
Lamp," for examp'e. it was neees-ni
to ic-crciite all of (he old travel ,det ices
which ingenious minds of earlier dajs
conceived, and wlil-h long since had
passed out of eicisteni-e.
The experts of the studio leprnduced
them in ineclianigrRph form, ns lint
models mnde to scale and placed iu
hand-painted landscapes icalisticull.t
fashioned.
One of these, shown in the photo
graphs heie, is the alinnst forgotten
-(Pf-'l-l Tlllll l .mnli In flu. mm ! n
nli-iiii.,. if iu Lnn i r.iti ......ii ..-in.
I'M lull ... J .-.V.I ..I II. I ,fl-..,.,. III!"
old Dobbin tr.ting ins best to Impart "''".""!""',"'
power to the wheels U riintilng on the
treadmill inside the vehicle tn the lie
compuniment of nn net nxionnl uige from
the whip ninii at the rear, while Ihu
man In (lie high lint directs the desti
nies of tile contcjancc down the water
.color road hj menus of the steeling
apparatus in front.
In tlie film the trend mill wagon"
appears on the screen for nnlj thirty
seconds, jet dajs were reipiiied to com
pute the worl; and more than HMi In
tl t v Itl il ii t photogiaphs bj whnt is cnlle'd
"stoii motion" were nciessarj to perfei t
the illusion.
laich variation In motemeut of each
element in the picture tirsl lioel tec he
s.t iichroiii.ed, atnl toe coi-responding ie
actions iudit iduall.t photographed.
I poll example, the turious iilti'i'iitions
in the trend-mill and the wheels of
the wagon hud to he recorded simiil
aneniislt just as one would respond
to the other In lealitt, together Willi
the c oi responding movement of the
lioise running on (lie tread and the
change of attitude of the occupants of
the cunt ejmicc which occurred at the
same time.
Thus, the horse's foot is raised in
hair's breadth, the position of the men1
changed al.ueest imperceptibly, the wheels
of the wiigein tin lied the merest fine-
tion. tin tread moved a tritle. cadi in:
set tvilh loriispeiudliig nccuracj and
etcrj detail ii.ntched with minute ...re
before the exposine Is made. ,
Then tin opei.itnr must go through
tlie entile' operation of ndiiiMliig H-e
turious elemeius in the inei'lianlgri.pli
again todunplelc the next minute tariu
tion which tlie animation reunites
To mote tin- "tread mill wagon"
across a sp.iK- nf perhaps two feet
which, when enlarged to the lull focus1
of the si recti appears to be nian.t mils
reeiiircs the most tedious and accurate
labor ami i archil attention tn eii-i-j de
tail. As all iiieet-ciiieuts must be lui
paitcel In lianil, each diauge milst be
complutcd before the inecliiiiiigrnph is
rendv to be cApui-cd to the ciiiiieru for
each Inilltldiinl Mint " This Is the
proi pms known as "stop -motion" pho
tography. The object photographed lies tint on
a table, with the caiuera mounted abnte,
while light is emu nitrated on the object
from both sides Itccuiise of the small
sie of tlie incchanigrnpli and the proi
linit t of tin camera, the delleac.t with
ii in .....if. i , . , , , . - , , - .
i .i , iwhic h tin work of coiihtructing the inod-f-ttood
thnt
Hack to Childhood
IIKTI'V fd.MI'SON
lie 11 t'oininoti lias had the inr.islrii
mid wo! had to be tcmporarih
hultiil at the l.nsk.v studio on tlie
luodiu lion ccf "At the llnel ot (lii
Wiil Id. which is to be her flint
1 'ii i ii ii ir 1 1 ii t Man In;; liictuic Mbs
I'liniiiMin n fiioniii ttlll be h-iii to
ham thnt hIc Is In no duuger and
piobibl will bo entirely reuovcrcd
tiithln a few days.
1 1
FOR YOUR SCRAP
JSE&iWf '$&2j&. - q$$&L4. v sNtHi
KTIIKIj CLAYTON
els must be accomplished to give the
iinpicssion ofroalitj when enlarged on
tlie -neon urn be appreciated.
.
r
l.sh
Hi: case of the tacutim wind-
. i i , I I
shield, mediaiilgi-iiph of which ills,
is shown lu'ii'ttith. the ariows tire ucil ' .. . t,..-
to describe the citculatniti oT air cur- ""u'ol1l '" """ ,. .
rents produced lit its peculiar e oiistim-1 . A"l ttlien one iealies Innt inuch
lion. On the s,te n on I of -rrott s , time is leipiired to make nil of the
appears to bo w hilling mil of the car , hnngos in the position of the tnrioiis
while the other set. icpiosciiting the P-'Hjs of the iiiechuiilgiaph lo create the
outside ciirienis, , notes m a different . tnriations in ae-tiou between each ct
diiectlnn postire some couccplioii of the tltiie ie-
This is nce-oinplisheel bj biting a piece ulnd to complete n scene of this kind
of tratispinciil maleiiiil. such as ( ellu- i is obtained, '
lold or glass, on which the arrows are Iu "The l'orcelain Lamp" then are
li.iiiileil just
as one sees them m the1
illustration, otcr the
I ttasb-iliawliig of the windshield.
The tr.iiispnrenl sheet is then niotcd
a mere 1'iiiet ion of an inch anil a phuto
graph is lakeii a single exposure. It
1- then mm oil back into its original po
sition mid another epouie made.
It.t muting it backward and forward
and lilioloi-runliliiL' each ehlince in iio-i-
Hon. tlie allows apn-ar to hi rushing
(lownwaid with mi redibli- speed mill
show just how the nir uirieiits inote
when the cur is in opeiatiou
I'lirui Inir thill the ciiieinn records four
teen imlitiilual nholoL'i-aiihs to the foot
of him iiinl that it roipiircs onlj onej
l'.IOTOl-l. tS
STANLEY
earlv showing
All 1-.. '.Hi tli.rr
is t Piis.tunl. Ate
f iiiminuici m
HhII- m g lvi 11151'
I Mlltr.NC II limit In
"LYING LIPS"
"
Al I Pf.HFNY.. ' rV'k.',""! .. "V-10 u
t xMVMi.V'xHTUtNnV'.I.UtlN in"
" "TWlKl RFHS"
. Tiiiiipon sfH
APOLLO tiVisi"'uii.V
PMAm'Fsl RAY
.m ,mi tViVrt'.
j" ' ' uJiIM .'1
, AnrArMA cun.ii.NLV Hei "jVH
ARCADIA -ifST. !?
i' .ti
mis ui.iti.ii ..
"TOO WISE WIVES"
ASTOR ' " Vu n s i i'.m.V
AtU
GEORGE ARLISS
In " 'Mil, IIKtll."
CONSTANCE TALMADGE I
in "Minn ui'.i-i:nr.MT.s" '
BENN
rtril ASU ttOODl.ANI
MA rlSKi:
M,I,STK CAST In
"HERITAGE"
l AVK
UAll.i
bluebird rr,1,,,.:
& Hn.lfr Ate
nun J until II
nil M'.t.ii! in
"PASSION"
BROADWAY "'TSV T
1 ins ttruni'si
"WHAT'S WORTH WHILE"
BoTst. cino ""oR.rui.Tx:
CHARLES RAY
In "lll( r.ri I. W.I.I.V
CAPITOL
.'.' MAItKUT ST
in A t in 11 ii I
NORMA TALMADGE
, "Tin: (.iiiisTsi or r.sTi;itiiw
COLONIAL "
A MaplewoiKl Am.
ti 7 'l It P M
WALLACE REID
in "inr ini: .ii. iti
DARBY THEATRE
rim mis in
"HANDS OF"
EMF
'MPRFSq mm -r Mts.ttisK
M CHARLES' RAY ""
in -is mini ti'.s. ntnti nun tint t"
en i. him ii." i mm iiiiiitiitt tt
FAIRMOUNT
.III. tt (i rn
tt risi.i.
,1 AM
Iltll.t MONTE BLUE
'Till". M'ATKKU.Ny'
FAMILY
nu tTiu. t
....Mur-io, b7
"'elKlit
EDITH ROBERTS
nu; i siisotts iri.'
56TM ST.
PAULINE FREDERICK
in " si.wk or win
FRANKFORD ,7n ?.t-"n"
MONTE BLUE '
In "1111. M.STKKItSiV
.GREAT NORTHERN ".'"?
BEBE DANIELf
I SI B
I.n.-
. U I1
M
la "UUCK8 ANtl IHIAl(Ijb"
T 4- M Tenci Pk
s company r J
WworAMtfieA.fy
BOOK OF STARS
second for n foot of him to pass the
I a perl lire of the projection lnnclilue. it
'can be seen that to pioduco an illusion
ilit means of an. "animated hiciluini-
graph" which would remain on (lie
.,", I I til Itll lll-L 1'IIV lllltltM tl if u ill .-
I. ... ,,... ., ,.L, f .st.. I1!. i(..i ..,.,.
scenes which roeiuircel miiiij wceus of
I constant applie atioii and entailed the
taking of as miiiiv ns .'000 itulit iiliinl
pietuii-s. One sliji would hate liieuul
the re-tnking of all of thnt portion of
the iiii'i-liiiii tL-i null scene which went be-
f fore.
Carol Dempster just nt the nine
i wnen
, dm eel
Dieain Street was being intro -
lien--wax making all v in range -
nients lo so to l.tiiope. She slipped'
nttnj so ciiletly with .Mr. mm .tirs.
Allien (Jie that few people knew she1
, bail left this (otintrt. She
is now in
Loiulon witli the t!rejs.
l'IIOTIIIl.s.
The followiner theatres obtain their nictures through the
Company ot America, which is
ol the hnest productions Ask
in your locality obtaining pictures through
Company of America.
i tltIDITDI A I TI I t tt
A I SIT STS
" ijiMnij nis -in lie. 7 4H
WILLIAM FARNUM
In "IMS (Ilir.AI r..sT s((ri
;,5
IMPERIAL -,,"J!,NK,."jAiV
ANITA STEWART
in "Tin: M.i.i.ntt tm'iiiids"
I islsinrl-t Mrsl's-rt
.if-riii in i
1 1 1 h n I
At! etu
s.lllII ..Isls.s, l.lill'll
ZENA KEEFE
I . lili-
in "ithn i imr
LIBERTY
IIUOMl 4 I HI I tllllA
ft 'I ISI i: lill,Y
At
MAY ALLISON
AltK' l., tir.S M.IM."
in
MODEL
ILTi S(U XII SI- fir II
i e .niiiiiiii fruin I in
TOM MIX
Tin; i:nti in. tins'
sin
II
in
OVERBROOK
'IN- '" iVr,. ""
mil t tt u in 'lit r
ii. ii. tt t in i i, in
"A SPLENDID HAZARD"
PALACE
1JII tltUKl.T si nil, 1:1
111 A M 111 II 1
LOUISE GLAUM .
in "i ti 1.1 ii.it"
PRINCESS
IOIS fl tllM T SIIITJUT
K -in 1 1 . 1 1 1 -. 11 i
GLADYS WALTON
in "i.i. inn 1 i;i 1 !
REGENT
MAItM.i ! Ueinw 171 II
It 4. V t t.. 1 I l M
JALli 1'IUK.frUKD
Tin: has ttiiu ii tn i.xi.uviiiisi."
in
RIALTO
(li:ilM WTOH S AVUNLT,
t I TIM I'l'llcii l.-l.v u p
.IAMKS tllltril I l iltoolis
"NOMADS OF THE NORTH"
RUBY
mauki:t st in i.(u t rii
111 V M ( I I. l
ALICE BRADY
"nit or tiii: iniiu."
SAVOY - .MVIIKTT ST
3rtVU 1 m t tt ice MMiSI
TOM MOORE
in "iirrit i.n r.no"
SHFRwnnn "' lum,,,,,,-,
IJ Mill id A i
i WANDA HAWLEY
t I . ct nn
In "HKIi IIIlfiT Kl.dl'l.tll'.sr
STANLFY M.w" ''T Ar 1!,T"
' "VgjyV
DOD MamPton of Placer"
o IAIN ION M "'' aiiuw. innt
BERT LYTELL
in "nu; misi,i.iii.s( i,U(r.
333 MARKET..W-.r !i$
' UaillAll r r.it.. ' '
WILLIAM FARNUM
in 'jii. r.)u:Ti;i h. huh t,"
VICTORIA
MAIIKKf Sr Rh OTlt
.1 If It inviwivm
i' A 11 'IU II 1 M
"THE STAR ROVER"
WM. PENN ,t,;,M;r".flVf.,:.-u"
ELAINE HAMMERSTEIN"""
In "11. rsi in, m;i;m-(S"
AT WEST CHESTER
l R ALTO ,,1!LnI17i!;..;Vil,l'r"'K '" ,
I IDLE HOUR xl niANK'MAvA
i . vw.'v "The Mntfiilftrtnt Hrule"!
WHAT YOUR
FAVORITE FILM
STARS ARE DOING
Shirley Mason has been eebcled nn
one of the pint cis leeninmetided nn
wliolcMinio enterleiners iu the list of
nppioMd plnjcif. issued bj the Melho.
ul't Iliel-cf.ptil Cliurtli. Only nbmit
twelte nn seleeteel lit the boanl pasjini
incli j car on this subicd.
Hcll.t Itljtlie, who is ti-iting New
irl after innkiiit; "Queen of Shcba,"
is hating ' tin time of her lift " He.
Iwecn ginnllnv inlervlews in the morn
ing, t-celug (Irc-sinakers in the after
noon mid tisiting tin plnjliou-cs at
niglit, she finds her lime prettj well
ntctipitil. She will rcmaiii Last about
ton dajs longer, then ii-turn o Ln
Vngeles.
.Mis, l.jdig Ilojt, wiin has ilMettM
sneielv for the Tnlmndce Studios, hkef
motion pietiiict, hut she wiiltes that
direcleiM weren't so anxious o hogu
work at half past S o'chxii in the
inoiiiiiig. NuerllielcMi nil during lni
In-t week of worl. Mrs. Ilojt was i
..lake up on the t t ns soon ns nut one
in the cist of "The Wonderful Thing '
Herbert Micron is pleased not only
with Mis, Hott's pinmpllioss. but witu
the quality of her woik. mid sa8 tint
lie ttoul.l keep her ill the cast oon if
her name were .lane Jones. Not to lie
outdone bj Mrs. Hojt. ttlioc portrait
was painted lit John Singer Sargent,
Normn Tnlnindge is. posing for I.
Ctunplicll I'hlllips. another diitinguislied
portunt paintct.
Authors Make Fortunes
From Successful Films
AIILLIAM
' vilKTll ll
A. 1ULMY is uow eon
Til he iiidti t strike sunt n
shrewd bargain wlien he old the film
rights o'f "Wnj Down Knst" for SIT."
000 cash. Ilrady has now tilted the
price for photographing "The Man Who
Came Hack" to SoOO.OOO. for the re
tit ol of "The llirtli of n Notion" at
tlie Capitol this week brings up the
subject of rojalty on picture rights
against an outright sale,
Kev. Thomas Dixon, author of "Th
Clansman." on tthieli "The llirtli" wat
based, iceeites t-i per rent of the gros
tnklngs of the Crlffith feuture and hni
itlreadj taken down considerably over
$ 1.000.000.
Charles T. Dnzey leased the film
rights of "In Old Kentiiek.t" to Loun
11. Mater for SIIO.OOO casji, represeot
lug his loynltv on the first SUOO.000
taken iu by the pictures, after wliicli
Mie receltes !I0 per cent of the gross.
The feature hits already drown over
SMIO.000. t
Illasco Ibanez, autlioixof "The 1'our
Horsemen of the Apocaljpsc, refused
' all sorts of vust sums for nn outright
1 disposal of the film rlghtH to his novel
nreferring to accept a nominal sum
from Metro ns mi advance on 1(1 per
cent of tho gross takings. There in
small likelihood of the pieturizotlon
grossing less than S3.000.0n0.
IIIOTOI't.1H
a guarantee of
'pMOTo-putr1
lor the theatre i
the Stanley
COMPANY y .
t?
The NIXON-NIRDLINGER
O
TI IEATRES
' AVENUE '""' Ml "'"' All;'t,,!n'
MONTE BLUE''1' "
in -nn: kk.sticmx.sm
At.
MI.V
BELMONT "'-'" Allow: s,A,"i-
DOUGLAS MacLEAN
In "( IIK'KK.S.s"
I CEDAR l,orH fc c'utJAI' -t'"SUB
tl tl TKIX In
"PAYING THE PIPER"
CD ISFI IM -ti-tiiKtrr nt:vtiJuT
' :s-rtHJv' -"in st kiiik
GEORGE ARLISS
in "nu: m:ii.
JUMBO
itej.s r sr & (intAiio .ttB
lllinlin liiiir. mi l-rii nt. fin I I
S Si A l, MI.I.NSIIS, Cm
"WHAT WOMEN WILL DO"
LEADER
llsT
cs. 1 t.sc tsTr.n .tva
tll'IIM'l. llllfT
.,'',4 ttl.lir.K In
"WHAT'S WORTH WHILE"
LOCUST e.
AND UJCl .T bl unPTS
l 'tn rt Mil riti. n in m il
BtBt. DANIELS
III "UK hS AMI IlltAKr.s"
NIXON 6-IJ AM MtitKr.T .Ti
nd
"HOLY SMOKE"
RlVni I 5JD A:Nf HANSOM &T8
!.. .. MVn.Shl HtlLT
"THE BRANDING IRON"
I STRAND ii'it.MA.sToN am:
1 WALLY REID
I In "Till', 1.0VK HriMIAI"
AT OTHER THEATRES
Al IROR A 2la'-' HWIMANTOW.S AVB
rtUIUIrt MTINKI. DAIlt
"LOVE'H'&'Rd'-OBEY"
CARMAN ut.it.tiASTijtt s af
PRISCILLA DEAN
- '" "'"Thiii:THi:i.tt"
hi-ii. kisii-n
FARTHnnilPUn"
M.
EARTHBOUND
Fay's Knickerbocker ."..oT
PEARL WHITE
In "lir.tOMl I'llICK"
Germantown "'iiv'-''dTi.t'
BEBE DANIELS
in ".siu: mi i.d.vt iii:m n"
JEFFERSOI?fiU.p;,i??;
JUSTINE JOHNSON
in '"ihk i'1-A nusti or into tint "
PARIv nintii: ttn dii'iiis r.
visrs m i jit i, n 4-, in u
MADGE KENNEDY
in" niK niiti, with nu: j.y.y. iiKinr'
siPRUPP flOTII ANO SI'ItUtK
H1ITM nillllVKTM I"
"THE FIRE CAT"
'f
;
i .
I