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EVENING PUBLIC LEDGER PHILADELPHIA, TUESDAY, APRIL 2G, 1921
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THE DAILY MOVIE MAGAZINE
Romance in Screen Kiss? Not a Bit
Fans Like Norma and Wally Best of All
FOR YOUR SCRAP BOOK OF STARS2
MUST BE GREAT TO BE A MOVIE ACTOR OR ACTRESS AND TAKE LONG OCEAN TRIPS
MERE BEAVTY
NO LONGER WILL
WIN SUCCESS
SKp
I
Mini) ;i movie fun hut oat In n djilcened home unci watched with em hlh II I in ftmirltcs have leaned oxer I lie rills of sumptuous ocean linen, making loe vtlillc llio v:m moon Ia -l over
lh still water. The deck anil everything wem so in UIiir so redolent of tlic flnr sweep of Hie free, salt nlr Hint It's no wonder the stny-at-homes become cntlous. Itut these pictures may
senc to alleviate some of that discontent In the future. They show nil "oeenn njatr" taken h.v Itnlpli Inrc nnd tiladys Cohurn In one of their pictures for Selnleli. One picture shown
them leaning oer the rail and Razing out to "sea." The other shows the kind of sea over which they.Raied. They sure do those things clcterly In tho movies
THINK YOU'D LIKE
TO KISS MOVIE STAR?
THEN READ THIS
rpUKTTV 1.0ft for you. old man!"
h friend recently exclaimed lo
George B. Soltz, who produces serials.
"Pretty soft for you ! Here I'm off for
China on an engineering job. and you
etay in the f. a. A. revulng lovel
jnaldeuH from villains and their hench
men and then kiss the breath out of
them.'
Seitr. laughed loud anil long.
"Well, I never"' no ejaculated. "I
could understand u struggling joting
player envying m m success in pic
tures, but I'll bo darned if it ever
struck me that unybocl'd envy me
iinslng these girls in the movies.
"I'll tell you what I'll do. I'll take
jou out to the studio this afternoon and
you can see for yourFolf just what u
lucky dog I nm. We're just linishlng I
the last episode of "The Sky Hanger,' I
and I'm booked to kiss little June ("a-
price." ;
They reached tinT studio at the same
time June Caprice did. (loorge Selt?
Introduced her and his friend was
mitten right off the reel.
"Gee! She's a little peach!" he told i
Seitz. in on aside.
"She U thiit : George agreed. "You
wouldn't mind kissing her now, would '
you?"
"Just try me!" friend John exploded. '
"I'm sorry, hut I can't men do it
myself right now. The only kissing '
that's done in this studio comes un- I
dcr the head of work."
"Pity the poor laboring man'" re-'
marked his friend sarcastically.
A Different June Caprirc
George excused himself for u mo
ment, and while his friend was waiting
for him he was apnroached by n small
person, wearing a hftnd.vome frock, but
looking, as the gentleman later express
ed it. "us though she'd been buried
and dug up again." It was not until
ahe spoke that he recognised her.
"Good Lord." he exclaimed, "are
you Miss Caprice'"
Why ye yes,' die stammered,
taken aback ' "What's the matter''
Don't I look all right'-"
Then it suddenly dawned on the
dainty June Caprice it wus her make
up! She surrendered U an irresist
ible desire to laugh
"There!" she said, as she sobered
in the midst of mirth. You've mado
me laugh and I've cracked mj face."
She clapped her hands for her maid.
Then the inltinte saw whnt he never had
expected tu "co in a -nno world a la
dy" packed face cemented with a
stick of hcaw .icllov. grease paint..
"Was .Mighty Sticky
"Now don't make rnc laugh again.
June warned.
As ther came on the director called
for "lights." ..,,'
"Mr. SeiU Mi"--1 'nprne. Hilly i
Sullivan. assistant director, hegan
loudly. "This is the betrothal embrace. I
Tile girl is shy and frightened. The j
man masterful ll"'l tender. All right, i
Mr. Seitz. now spenk the lines 'Is i
It no-islblc tliat ou loo me"'' "
And tho livid Gonrg" II Seitz took
the ghastly June Caprice in his arms
and spoke" the fatal words.
When thnt business was done two or
three times for retakes, thej clinched
for the kiss, which the onlooker knew
-would be a fearful and wonderful blend I
of pink, .lellow and green paint i
''Time!" the director shouted TV '
kissers separated "Lights out!" Sulli- I
s,an shouted again Selt enme forward, j
blinking, to tlnd Ins friend
"Thank Heavens, that's over with !" j
he said, feelingly. ,
Yes." ngreed Miss Caprice ' Wasn't'
it sticky today r" !
"Well, whnt did ou think of it old '
man?" Mr. Seitz nsked. as he slapped '
bis friend on the shoulder '
"I think I'll stick to engineering.
If you don't mind " he answered.
pol'ogt'tlcall
A Glossary of tho Photoplay
in Parlanco of tho Screen
1. Director 2. Interiors
U. Atmosphere I. Tinting
1 The director of u photoplay is
much the same as a construction engi-'
neer. Prom the script he directs thel
iiction of the story, huililing one situa
tion upon another until the entire story'
big been Intelligently told
2. Interiors arc the scenes made in '
the studio in enntormit) with descrip
tive phases of the script.
3. Atmosphere In a photoplay coin
prises the effects created with a view
tn adding realism to the scene "Props"
often piny the principal part in creating
atmosphere.
4. Film usually is tinted for the pur
jwse of denoting time Scenes, usually
are taken in the' light and thn.se intended
for ulght scenes are tinted jrrren. or n
cark blue Fireside scenes, iliiivn, dusk,
lamplight, ami moonlight uru uffveted
with tints.
FATTY ARBUCKLE POSES AS STRONG MAN
There w.is a happ minion out In
l-ake and Ylnla Dana used to pla.
became an Independent star. Sot
crtchrated bj should? how strong
WHAT YOUR
FAVORITE FILM
STARS ARE DOING
Nailmova. and the Metro Co li.-no
dissolved their contract ti mutual con
sent, according to reports from New
York The star has just completed the
filming of "Camillc" and had one mor.
picture to make for Metro before the ex
piration of tho contract Tli arrange
ment Is understood to be ntirr-U ami
cable. Nnzlmovn has not deliiutelj de
cided on her plans for the future She
mil) become a producing unit of the
T'nited Artists i "Hig 10111 "i mid there
is h possibilltj she will riturn to the
legitimate stage A M. AVnoils has mmli
her a proposition to star in Hubert Me
I.mighlln's drouiy ' Kircs of Spring."
llrnrj Care) and his entire 'oinpnn .
directed b) Jack 1'ord, liae left t'.ili-
fornia for I ruckee. near lleno. Nei
. ,,, 11. ,1
where they will remain about n 'U',"'C
to produce some snow scenes for tin-
Western star's current feature Cru,.
mas Lie at Pilot Ilutte
William K. Ijjwrenre. 11 no 100 nth
appeared os Wanda Haw lei s lending
man in "Snobs," Is pla)ing the princi
pal male role opposite Carmel ers
in her latest feature. "The Scarlet
Shawl." now being directed bi .luck
Conway. This is a stem of California
in tho dav of the Dons and is from the
pen of Johnston Met ull
"The Mark cf .orm
author of
Josephine Hill, the tu-onating little
U.,lln In.lvnll. ul. U-.. r..r.m.rl. fn
,,-,,.. , . t .
ending la.lyette who was formorl) tn
tired in a number of estern drnmas.
ins returned to the l niversiil studios
ir,,..,,,,, ........... ..m.. .... ,
tl
tin
for a series of six Canadian stories, to
be directed by Kdwnrd Kull, and utilii'
Ing tho compaii) which is supporting
Kileen Sedgwick in the- serial, "The
Terror Trail." Work cm the '-implored
drama has been discontinued while Miss
Sedgwick Is recoioring from an opera
tion just performed.
played in. The other two, neither of
which nun j-i. ui-i-h i c-ii-nn-ii un- im
1.1.1. l.n.. n lrn . l,.,l..l II . If i.
umbos corned) drama Dan
nerouu Curve Ahead." and "Look He
lore Vou Icu," by Thompson Ilu
IM.-liMttl l)iv linu inkl been Hsmiitiw.iI
' , , Ti i 1 i ..'in im i ureau ami uiuee ' mors anil pub s bers reserve these
,the lea(lnK mae rnlo it. llio (.loroiis , . fr ,H ,,, ,10 o( rlKl.ts ami wo'.bl Is. very unlilcely to sell
I loo. Man- Uobeits II tie hurt s hr.t .eko Tanner. Ins ,m. about thowen- them except to a reputable compan vt ha
,orlBinal screen s'.orj, wliMi , is rea.ly ,in, ,,f S-,.w Vors and Chicnuo ami ! could pa a hlifh price for them Ve
to ko Into production. This makes Cieiiiitl '.eke considered 1'lhV re- I ttnow of no such motion-picture- stuillo
tlie tliln Pirturo ?ir. l'ix win nave i,,JrkM for o lorn- nine Tien In. HIL.,1 m. ...m ,,,.. ,tlr,
' " ,lK?&y&i$&!fe2KKM sL ,dcctfl
Wfszl9kim I"v,& . ' vi$33Rf H " Jta 'few' 4ft -&'
California rrecntlj Smiic jcirs an. Putt' Arbuchlo. Iluster liruton, Alice
In slap stick ininedios together. Then they wandered an.irt and each one
long ago the managed to get together to talk oer old times, and Patt
lie has become Itiisler Is standing on his shoulders. Mire Is In his right
hand and tola in his left
cliauan
plefd
wlmll vwis miK lec'-iitly (Oiu
Pur Marmnin luis lieen siiidjing
sculpture under S.iluitorc Hilotii to in-1-11
re .1 gn.itcr realism m bis present film
portrnjiil Mariuont is now creating
the I ailing iwale role in Whitman Hon
nett's nilapiiitioii of "The I'riic " in be
called ",nin Is I!i ruhing "
nna tj. Nilsson I, us been woiking
1pp1c.no .lohn ILif-v more under Mar
shall Neilan's direction, tiliiimg addi
lional -i ones on "The Lotus Kilters."
Will lingers has completed Ins com
eih , "Doubling for ltomcu," an orig
inal scenario b Klmer L. Hue His
next rhiile will ui "A Poor Uelution,"
from Kdward I! Ho-e's famous old
cuiiiod). It will go into production
within a short tune llernard McCon
ville, who wrote the iiiutinultc for "A
Coiinoi to ut Yankee m King Artliur's
Court." made the s( reen adaptation.
Paulino Loams Gambling
If am one lomphnns that the gam
bling scene in "lloads of Dcstin)" Isn't
ahsolutoh , orreot in ever detail, he
"M 1 tin- iii uiiiiiii- orciii ioiiii iirooi
tht he 1- right
i- ti... m ... 1 1 . if 1 . 1
j Zul .''ttffiS
Pauline I'r rick In the art of spin-
will htne to adxanee prettj good proof
mug the roulette wheel: lie lonched all
the participants- nt least those who
needed com him; in the best iniiillitie
hall manners: lie oo operated with the
director, Frank Llonl. on the settings.
"Tho Cherokee Kid." us he is known
to gamblers all over the country, Is
realh Scott Turner, son of (ieneral F.
(! Turner, an old southern nnilnr anil
i editorial writer, and himself former
owner of the Memphis Scimitar. He
bus operated gambling house, in Alnsku.
''", A'!i,,.'n'.! '."l,!",'.,,.,i N' ! -
'' -' ''1 1I" rees Cllirillg
10 i.i-,ioi un- 11 nil i r nil e c reeK (lllrinic
he gold rush da i. when gambling was
i ,lt lth ,., ,,, ,,,. J ' " ' ' "A',,s
. , ,,, i. sj.i
A Hint for the Actor
Hiihert 1'llls. who plai-h u Icndin- M'WAHD MiOAHKY Mae Munav
role in "Ladles Mu-i Live," one wnsiuns 'ho star in "On With the Dunce''
n member of i -lock compan) that
toured Kentuo.k) nnd Tcniiessee One, I. .1 II - It would be pr.ictir.illy
Siinclni Fllis went iii in the mountains impossible for ou to get permission to
mho nii"-u in a nig cniiiii ior corn-
,s corncob pipe rofleetlvoh
(ICC. . I II lit
nirniiKiT lie 'aid, ii I Knew as
much as ou anil was a little wiungcr
, I t Xo oiucwhuu' s und sturt tt Uttfel
groeciw . I
Answers lo Questions
From Movie Fans
K. P. I. -We do not enre (o recom
mend nnj pnrticuliir school for motion
Iiicturo noting. Prlscllln Dean sas
she has noer (nrd of anv girl achiev
ing stardom via the "How to be
'movie' -tiir 10 ten lessons" route.
' -s H Kile en Sedgwick is one
01 the few women starring in serials.
She renntli finished the "Diamonil
IJueen" and will soon be seen in an
other 1 hnpti-nd thriller tentatively
culled "Tlie Tenor Trnil."
' Y I Hup advice lo ion is
similar to Punch' s ndvice to' those
nlsiut to Ket married: "Don't." Mo
tion picture acting is not the life of
ease ami luxury It's cracked up to lie,
Tho pre -life time is tho worst you
could haie selected as most of 'the
producing . oncerns arc retrenching and
hnve cut their stoo, companies clown tn
n minimum , case in point is I nl
tcrsnl: cue month ago thoi hnl
twent) six iiiinpaiiies working now
but nineteen in c nt work i
I II Carmel Myers h.is np
liearcsl on the, legitimate staae as tho
star in .1 musical comedy. "The Magic
MeloiM '
A .1 II Frank Ma.ins mtiiioss is
Fniiersal City, Calif. Ho will bo
glad to hear wni liked him in The'
Hod Lb no " His next is "The Hla.iig
" rail
HELLN DCNS-No. Allen Cc.nir.in.
is not the futlier of little Jackie "The
KI'I s parents are Jack f'nocan Jr .
. ' . --" . "-mh i
' i''1'1 " '""'I"vIHp performer who w
i know n ns "Daint) Lillian" before h
I marrnR1. 'r)u., nre nt present stujli
and a uiudeville performer who wus.
icr
iug
at the Hotel I'lltinore, New York
and
I you 'Jii address them there
scennriciize tno siory ni mention. An
N.NA HOWAIII) -The ncareHt mo-
tioii-plcture studio to Frankforil Is the
UeUwood I'l'm Co.. ut lictxwood. on
tlio rcnnlrnnlVi Hullroud. -
NORMA TALMADGE
AND WALLACE REID
MOSTPOPULARSTARS
EVIDKNCK on thn rapldlv chnnglng
and constantly siilftitig sands of
motion-picture evolution is contained
in the recent announcement that the
popularity contest icccntly conducted
In the ."OOO Hientrcs which make up
Associated First National Pictures
wns won by Norma Talmadge nnd
Wallace Hcid.
Particularly interesting is the out
come in the woman's division. With
over ."0.000 votes cast in over lift)
of the biggest cities, the results gave
Norma Tnliiiadge 11 comfortable lead
of 10,000 oox her sister, Constance,
who linhhed second.
M.iry Pickford was 11 close third,
with Anita Stoivnrt and Katherinc
MncDcmnld rounding out the first five.
A Miort time ago motion-picture
producers believed that the public
would not accept the mature woniiin as
In slur. Mary Pickford had established
tho ideal, nnd because of her populnr-
1 ity it wns fancied that the liuhlic
w anted only the little golden loolcs with
the knock knees nnd pigeon toes.
The comment of Herbert Howe, a
prominent motion-picture writer, on
this subject is. interesting. Says
Howe :
"Hecent events seem to point to n
change In tjpo or. rather, 11 lifting of
restriction as to ideals. Norma Tnl
niadgo lias gained steadily in favor.
Pola Negri, the lush dark Latin, was
received with ovation in 'Pusidon.'
Kntheriiio MncDotinld. of a statuosipio
dignit), luis proved a winner. Con
stane Talninilge has rushed tn tho front
faster than any other motion-picture
star, except Charles Chaplin nnd
Douglas Fairbanks. She has pro
gressed because she lias had good
stories and because she looks to bo a
lovable lass, owning a heap of common
seno."
The recent contest proved the truth
of Mr. Howe's remarks, nnd Con
stnne Talmadge's remarkable showing
no doubt astounded a great many peo
ple connected with the picture indus
'n who wore not surprised that her
sister. Norma,' finished with such great
strength.
Wallace Held nnd Charles Ha. hart
11 hard battle all tho way, the tinal re
sult liiing in doubt till the closing day
of the contest. Wully tl mill v nosed
out the popular portraycr of coun
try hoi roles by '-','ISS Mites, with u
total or "..V.IIO.
Thomas Meighnti wns third, closely
followed by I'ugeno O'Hrloii. Th'e
former popularity king. Douglas Fair
banks, finished fifth.
Wants Stories for Screen
C I. Homier, assistant to Linden
Hubbard, scenario editor at l'niveral
("it, has addressed a communication
to the loading universities of America,
offering N,"0 to an) student who will
suggest u book or magazine stor.i nvnil
nble for picture purposes. While the
tenders at I'nlversal Clt) coer almost
the entire Held of modern publications,
Mender believes that mini) stories ap
pear in local or obscure magazines and
newspapers that might furnish excel
lent material for the screen.
Enid Bennett Retires
HMD BICNNKTT
Oul) a short time iiro we an
noiinircl that Knld llennrtt had
returned to the screen and was
worltliiK on a new picture, "Keep,
lug I'p With l.lile." Now un
bac lo announce that she has
Middeiily dfclded to retire. The
storli is to blame. .Miss llennrtt in
private Ufa is Mrs. I'reil Nlblo.
She maimsrd to finish "Keeping
I p Vlh Uulr," hut is nialilnjj
no plans for screen worh fur the
future. .She sa)s shojs too busy
Willi other things
1 Htttf z-H-' tmZ'lM
i H LJ '
RAYMOND HITCHCOCK, who net?,
)h credited with the remark that he
would rather he with a well-formed
woman than n well-informed woman,
nnd thnt there in something in Ms view
point would only he denied by gentle
ment interested In mnklng the country
sigh ns well ns dry on Sunday.
Monutv has long been nt a premium
in this little old world, nnd women who
are good to look nt are usually looked
nt. Itut, says nu authority, conditions
are changing nnd now henceforth the
screen demnnds Intelligence even more
than solitary loveliness.
Clifford Ilohertson, who is casting di
rector of the Goldwyn studios In Cnli
fornin, is responsible for the earth
shnttering theory that Intelligence Is he
dinning to he recognized ns n valuable
quality in women.
"I don't menn, of coutse," he nd
mits, "that benuty Is going to he a
drawback to the screen nctress. It
never will be. Hut simple benuty, well,
it Isnt enough any more.
"Ynn see, the screen registers
evrrythlnr. nnd audiences Iinve be
come sophisticated, and these two
facts arc responsible for the change.
"In the old days little blonde things
ith heavenly eyes nnd their brain in
pTxtiinl slate of repose found It
fnlrly easy to subcliM the great Amer
ican public with their charms on the
silver sheet. Hut the public 1ms be
come wise.
"Meatity that is wooden fared isn't
enough nny more. The screen de
velops and the qunllty of playing has
to develop with It.
"Thnt Is why intelligence in plnyers
both women and men is gradually
becoming the most important part of
an actor's or actress' professional ns
sets. The ability to portray emotions
Is overlapping the ability to look like nn
insipid angel.
"All this Is a reflex of the movement
by which the story hns grndunlly become
the main clement In n photoplay. In
days when the story mount little nnd
the benuty of the stnr meant nil, the
star didn't have to know how to act.
It wasn't necessary: she or he had
merely to look swrct or handsome nnd
nil wns well,
"All no longer is well. When you get
n storv with the quality of '"Knrth
bound." bv Masil King, or "The Pen
alty," by Gotivcrneur Morris, you need
more thnn facial beauty or beauty of
form. You need Intelligence, which re
sults in beauty of expression.
Intelligence Wins
"We nre fortunate, indeed, when
we find n feminine plnyer who combines
both benuty and intelligence. ' With
the men, it is different ; good looks
nren't ns much in demand. Will Hog
ers ndmtts that his facial defects nre
cipmlcd by few nnd excelled by none,
nnd yet the ruggeilness of his playing,
and the naturalistic trend of his ex
pressions, makes him one of the fnvorlto
stars of the country. Good looks still
count n good deal,, but intelligence wins
the day. That's the nnswer every
Itnhertson pointed out. ns another
development of the new movements In
the movies, the presence nt Culver City
of five distinguished American authors
Gertrude Atherton,- Mary Roberts
Itlnehart, Hupert Hughes, Gouvorncur
Morris, nnd Leroy Scott.
1 torn all of this it mny be gleaned
that intelligence hns nt length been en
listed on the side of the mnics, both in
writing, as nttested by the efforts of
tho eminent authors, nnd in plnjing, ns
nttested by Mr. Hobertson.
The motion picture has now entered n
jihnse where it is going to prove Itself
one thing or nnother.
Heretofore too many authors and
ncton. of rrnl ability" stood aside and
scoffed. They are now almost uni
versally converted to tho .screen and
the real test of the new medium be
gins. It must show, to endure, thnt it is
worth renl effort nnd honest tnlent.
riioTiiri.AYN
... iii mxmm&izmizismHxx
L Daily Photoplay Guide (
gM&&3&''IIIc.!tt "
i . '
DIRECTION STANLEY
COMPANY OF AMERICA
Alr.-iml-.rn Uth- Morrl t
I'HBsyunU Ae.
i:tfs,, 11.43 i. 0
MONTH lll.l'l". In
"THE KENTUCKIANS
AI I FHHFNY ''rnnkfcirii fc Allc-ehfny
nLUCuncix i t.. iu -j is, 1:15, ut s
NAZIMOVA
In "HII.I.IONS"
IN A ci.uti: In
"POLLY WITH A PAST"
COLONIAL
Utn
& MaplQwood Aes
J SO 7 hnd W P. II.
MONTI-: III. ti: In
'THE KENTUCKIANS"
DARBY THEATRE
CHARLES RAY
in "411 MIM'TKH FIIIIM IIKCIADWAV
EMPRESS
MAIN RT, MANAYl'NK
matim:i: uaii.v
Jl'MA
A S)ll,M7ll 1IIH1MI in
HELIOTROPE"
PA MM Y TIIKATnK 1311 MarLrt St.
r-lYlll-.I S A. M to Mlilnli-hl
H. B. WARNER
In "WIIKN Wl! HKHK SI"
GREATNOiHERN"1,rrV SVilt:
GEORGE ARLISS
In "THK IIKVII."
IMPERIAL
IIOTH t WAI.NL'T HTS.
Mats '.".lo. i:ica. 7 Jb n
ll.inil, lis,ii'is
"EARTHBOUND"
333 MARKETTyt?:,Tn .yV'JJ!
OTIS SKINNER
In "KISMKT"
DDIMr'PQQ i'"H maiiki:t hitiKUT
I IirNvn)." R So A M In II 15 P.J M
LOUISE HUFF
In "llAMIKIim-H I'AKAIIIHK"
ni AI TO OlillMANTOlVV AVK.VfR
KIAU. 1 J AT Tl'l I'l-li'iOKK.N hT.
BILLIE BURKE
In KIHTATION F i:ij.aiiktii"
Dl iriV MAIIKIVr HT IICIW 7TII
KUDI io a t tn it rap. m.
WANDA HAWLEY
in "HI'll riltST KI.OI'KMIJ.ST"
QAVOY "'"' MArtKl.T kthkkt"
"JrtVUl HA M TO MIDNIOI1T
SHI. MB" ' nTK.II lh IIWI'.N In
"TWIN BEDS"
AT WEST CHESTER "
RIALTO AI.V. Itl'IIKNK III
UlttLclW AVIN(I THK I'll'Vii"
mi v t-im n mm. favkhk aVi i.
1WP1J ,ww'- "The bin Thjl Win III." J
-icccccccccccccV V'f-i" ' K ii&mA' ,'t-' VVIIHHOkjfllllK ffl
tB&KKKmeg&x:!:'' - XP ' JH-VJ
safcr,mWl. 'BwiS!'s :, ' " 1 ' 'f"v''l
ikP1lBKK&Wi.'," -- '1.1H
JACK
Few people who are awnre of tho prog
rcs.s which the move his made in the-last
decade doubt Its ultimate triumph.
Itut we do hone that henuty doesn't
lose out altogether. After all, it is as
legitimate u talent, perhaps, as uny
other.
English Accent Fooled 'Em
T7"l.'GLISn humor bobs up unex
pectedly. What their pronunciation of per
fectly simple words does to the Ameri
can language is terrible. And if'they
get nny satisfaction of calling tlio
first letter-4 the alphabet "eye," ' oy
are welcome to the misunderstandings
they get into.
For the (liming of "The Princess of
Now York" in Paramount's London
studio u Iamb was needed. One of our
Mritish friends nt the studio gave it live
stock dealer u ring on tho telephone,
and in cockney accents asked them to
send over a "lime."
After some little deloy the order was
filled, and Miss Mary Glynno, playing
the title role in the production at the
London studio, wns startled to tlnd thnt
Mary hadn't received a little lamb, but
n lion.
Servos 'em right, tho way they mis
treat the king's English '.
I'MOTOrl.VVH
I'll
The NIXON-NIRDLINGERd
THEATRES
AVPNI IP "Slh st in'1 Allegheny Avi
rtVLnun matinhi: daily
ILI.I.l rstiAi.-si, im.icimi in
"HELIOTROPE"
BELMONT "D AU0V1: iiAitKin-
I.CIV rilAM'A iii
"THE PENALTY"
CEDAR ot,TH ci:dau avumjc
'Tk d : d:i : it
'The
i assiuiiaic i iignin
COLISEUM
majikkt iiktvi:i:n
r.flTlf A Mil I'JlTIf
CMAKLbS CHAPLIN
III "Till: KID"
IIIMRO '"'tONT ST- & UIHA"ltI'AVKr
juiiiuu Jumlx. .luncilon on Frnnltford "W
hTAU I'AhT In
"WHEN DAWN CAME"
LEADER
u.sr
4 l.Nl.'AHli;U avi:.
MMllrio ILillv
FATTY ARBUCKLE
in iiitr.WHTr.ifi Mil. i. loss
LOCUST
mii and t.cic t tcr HTitr.r.r
VIOLA DANA
'(INDI'.lll'.I.I.A's TWIN"
In
NIXON
.V.'D AND MAUKKT feTS
..-. i i. n.c n
i:i.mim i ciwr. i '
"SOME ONE IN THE HOUSE"
RJVni F "'-' 1-?,' HANHOM sTsT
IMYV-ZL.! MATINi:t: DAILY
.,.. . ST-1'' 'VST I"
"The Palnce of Darkened Windows"
STRAND OEItMANTOWN Ava
J 1 lrnu AT VKNANUOST.
miivti: iii.i i: I.. a''
"THE KENTUCKIANS"
ATTRACTIONS AT THE
NEIGHBORHOOD THEATRES
APOLLO
ri'u s.
IIIO.UI'MJN faTS
MITIVI'I , . ., v
CONSTANCE TALMADGE
In "HIK I'Klltr.t'T WOMAN"
ASTOR
I'llANKI.IN I (IIHAHD A II.
f ATI Vfc-I' I. ft I v
CHARLES CHAPLIN
In "Till. KID"
AURORA ',3! '"montown Ai,
CHARLES RAY
in "i-mcKrii, xi.i.kv"
BENN "''TO'"
. M't'll. III'. Mll.l l"M
"FORBIDDEN FRUIT" "
BLUEBIRD
llrtail C hu,iij,.iann
r'i iMiiiinnii tt
PW
UJ
GLADYS B1VOCKWELL
In "1IU5 aAOK IU"-N"
HOLT
FUNNY THINGS DO
KEEP HAPPENING
IN MOVIE STUDIOS
In filming "To Please One Woman"
I.ols Weber engaged u boy nbout four
teen to play a role. When all were
ready tn take the scene in which he
ns to piny ti part the boy was not to
he found. .Finally, In he came, quite
out of breath.
"You're late." said W. H. Carr,
studio manager. "What was the
trouble?"
"I guess I overwnshed mvsclf," re.
plied tho boy.
.J'01?.'". r'onn' Tucker, producer of
The .Miracle Man," delights to pirlt
tho typos for his photoplays. T ri film
Ing "Lndies Must Live," his tnot
recent pluy, he hud occasion to find a
vagrnnt.
In Pershing Square, Los Angeles, mi
n park bench, ho found in individual
who answered every requirement
"Out on strike?" Inquired Mr
Tucker, by way of beginning tho con
versation. "I sure nm," replied Hairy llurrr
"Fart I'm one of tho pioneer striker
Wont out twenty-two years ago mul
nin't ever give in yet."
l'HQTori, vn
PAR MAM acnstANTowN ave.
W4-I1V1-1'N AIIOVK ALLUUHEM
ruiitr.vci.: vinnit in
"LYING LIPS"
CENTI IRY ,-r'9 M" ""' K"1 "
NORMA TALMADGE
In "I'A.VTIIIJA"
Fays Knickerbocker
KI.OJli:.STK VIDIIIt In
"LYING LIPS"
FAIRMOUNT -,llh 0ra"'
CLARA KIMBALL YOUNG
In Hf.SII"
56TH ST Tltl'AinK Ililnw Rprun
sj i i ij i MA-i'ivri tuti.f
CONSTANCE TALMADGE
in "Tin; i'i:uri:cr mim"
FRANKFORD ,7,s jSmD
WALLACE REID
in "rilK CIIAItVt M'llOOl '
CifrmnntrtArt- EBIu Ocirnnntown Ati.
vjcrnianiown matin. dau.t
ILCIIIKMI'. Mlllllt n,
"LYING LIPS"
IMPFRFAI :'' '""i Poi'1"1" fi
UVII IIl-L, ,n ArATIMJK u
1M1M
l.l,A I'AV.M.irill
"MAD LOVE"
FEFFRRSniM Wli IMurhtr. Sit.
VIOLA DANA
In "t'lNlMJKKI.LA'h THIN"
I IRFRTV iinoAD coi.r.MniA av
Uluu l Mstlnee Dally
"PAYINGTHE PIPER"
MnnPI 4'-'" HOl'TII KT OrrfiMlrt.
4Tiv-'i-'i,i, Conl mucins from I to 11
,, T. IIIIV IMHMIs In ...
"SO LONG LETTY"
OVERBROOK "oiiMVKUFOHu
ri'.c ii. in: mili.is .,
"FORBIDDEN FRUIT"
PARkT ituiau avij. i uauphiN 31
i -irv .llt L. )r, i-. a 4 io it
WILLIAM FAVERSHAM
In "Till; SIN THAT MAS IIH"
SPRIIPI7 l'"1" ANI' ff,',lic?.,i
Ol lULt. MATINKI. BVTI HI",,
Locklcar in "The Skywayman
rllAI'I.IN In "A Mt.llT IN 'I III! Ml'1"
CLARA KIMBALL YOUNG
iu "iiuBii"
i