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14
EVENING PUBLIC LEDGEK PHILADELPHIA, WEDNESDAY, APRIL 20, 1021-
IT TAKES NERVE AND A COOL HEAD TO ACT ON A MOVING TRAIN
FASHION FROM FILMDOM
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VIOLA Df.f
STARTED LiTE:
SHE HAS Fll E
i S'' of Thi. Star Has Sue
reeded in firing I'rettv
llu.sy Life. Both on Slope
and Sereen
T'orhnp nut nf nnoiiiT.itmn fr tnr
frrlin; i.I lifr parent. Viola Pan.i. tl'f
in int v Metro stnr, wiiitci until -lie wn.
iiintf s -own up brfori jnln; on thf
i-tKP. Ilcr lirt publir apiKnr.ime
vIif ma'Ie lirr ili'bnt n a ilnmrr liil .
lint Oiinio, tlifrot'nre. until Jilts U.ma
vns fti lis fip .oar niil.
Dcpiti' tliis Into -tart in her art. Viola ,
in pIb.tiI In itn nniiiKins number or
i
"arts. With Tlioni.i. .Jefferson (or t'lr""
ears h apprnrr.l in Ib"-cn'" "Wlien
We Dcail Awaken" nml a Little Iln
dni'k In Kit Van Winkle.-' I Minris
tins tinv Mr. JcfTcrwm. e"in: tin .i
i ablllt of tli- little in tre-. tool; an
Imruenr Inti-ri'-t in (Oaeliiiij lier nml
Slvins lier llie benflit of lii- int'lllsent
critii im nml nihil". Mi liana I'll
lilied llie prnnie Mr. Jeflerxm a in
l.er nlien -lie minli" In'r bttf hit in the
I'llax'o production in York. "Toe
I'oor Utile Itii-li .irl."
"Moll" the Itruiniucr I!o " a her
lirt pietun an I'Mtsoii iiroilm tion
nml it gnini'il for Iht a lotiz-terni eoti
uaet with 1 lint inmern. iluriti: hlc-li
ilo' ijiininiitlve -tar i'nreil in 'Tile
slni Studeut. ' "'llie Id. ml Tiddler. "
"'I lie Stono Ileail." 'Tie Innoi-eiue
'i'Kuih" and an Tliehn.i in "'I lie Tor
f.nt in the Attio."
It in u s a1" well be ieealed now n
ni any time that Viola Iurn wa born
i UrovLbti. lie lia two iter". both
on the srrei-n Slurle" Muinti and Kdn.t
I'lijgr.uh.
Uefor' bein; iari-i .u Itvo tie-
i.il production- Mi- U.m.i nppeared in
THE "HUMAN" SPECTACLE NOW
REPLACES HUGE PRODUCTIONS
I'eopV 'i n.e i i . - a1 on, r aii jw ir
that -oineth ng .- happi Ding tl,1
movies, b it neii people don t Know
Mist what , lihnsc is t.ikitig place ou 'he
scieen I!( Ilea, 1 . Itupert Hugh'.'-and
tJcrtrudc Atherlon nave re entli ex
prcsed tloir opin on- on the -ub'ler
deelopnient- of r'ie . reen and all thrc
hae come to the ioiieIu,mn that th'
liuman speetne;, i, ln-ginnine to take
the place of the -liuv -pei ta' "
The opinion- of M I .i- h Mr.
llughey and Mr-. Ath'-toi' n- of par
ticular intere-t beciu-e ,ill of tneni nne
ontributed original -'ori"s to the reeu
nnd i.irtii inuti d n mi, pi 'urinations
of their theme- .,' i.ie (foldw ' n si idio
"All tb" art- lne nlwais had and
h1wuvb will have as tin ala -liould
liac, an intere-t in huge con.ies,
jrcat sculptural groups cathedral- and
palacm. -jinphomes. grand opera-, cos
tume nm "I, pageant- nnd other forms
of grandiur." write- Kuport Hughe-.
"So tbere .ll lilwu"- be a place for
moving ptcfires of "a-l tim nani, al or
-pecta, nlnr tuiture ,r.,l the general-
Inn required in s P'li work- often re
ieal- .i wnnd'rfwl uitellecinal and tuio
lional -trategj .
"I'm cw ti in tl ' biggest -pei tn
the moments of greim-t appeal line
ii"i,il bwii ro-ii.'il bit.- of ;r.ipn. h l
iiiuu .,rai, ii touch of oharacfr ,.
of -iiiipHtb. or of Mtid reulitj'
' It wm- in noting how tloke I.m
iiiiiiiieni- iiiuglil llie heart of the s, j,,
l,e hwiiv fliilii the rioloii- mob- .I'l
the luiobling auloiiiobile. tluit I i.-iiih to
IHice in b ii mo ,, ii.it, ire a- tin trui .n-i
unfailing ui of -irength in tin m .
tion picture a- in ever'- other art
"The author who love- to ,i-. .
humiinitv to huiniinitv will Itud m ' l,
cnmeni a iiiurvilous jn-truincnt of ex
pre ion
"As I'liina- needed only three board
mil H pa-Mon' to make it plnv . o f,o a
plioiopia.v one needn mil a camera and
a pa no, The pectuciilur element is
lllltir, --arv The o'nsli of chara, ter i
iimre tliriltie.- t tin ll"' .lash of com
I idence 01 iiieo,r,iiiialic villainv: -oiil-w
neks ar inoi' ciciting than -hip-wrecks
and the riieo of ambitions than
of chariot. '
' Mr lliigliiw has in several pn ture.
tiolablv in 'Ibingerous f'urvc Abend, '
oiitributi i -iginli, iin ideas and cren
i ion- to I ,, , 'recti, and III- li'lief
thin llie - iu If in the lilin- I- pa-siug
n favor ol real iiiiinnii Inlere-t' -tor'e.
i- iiiinlher indication of hi- under -tilii'l-mu
oi tor iinili'eni, of the new me
dlnm -a.v- Ii' lb .u h
'Lot me -iib-l.iniiaie In arguments
-n I' it a f fuels win, h have mnie to
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'55
I
101. I)N
a ri ,p, oi Metro p'osruin picture :
"Tlie I'louer of No Man Land'." "Tbe
Llslit of IIup;i.ue "Tlie (iates of
Kden." "Tlnrail- of K.iti ' "The Mor
tal Sin." "(!od' Lii", and .Miin'-."
"I.dv Uaiu.'i'ii-. ' "Aladdiu'- Ctthei
Lamp." "Uliie .lean-." "The (iirl
Wit limit ii soul. lii.- WindiiiR
Tr.nl. ' 'A We.-n "i- of Irenm."
"Itnnk',i AlK-.id." "Iddi'is of the
Niclit," "iii" t in . s l.'wii'l 'Ipjior-
tuiuij. ' "I'lowir oi in.. Itii.. l'he
mid t ure." "ii!an Junior. ' "The
l'iii!-uin Tisrrv." "1'iiUr . idem e,"
"oine l.rlde ' and "Tin Microbe "
Tlie tlrt of the Metro -pci inl it,
winch Mi-- I.mn
iiet Married." a
tarred was "liea-c
reen 1o,-lon ..f the
liijbly
-UllTJ-f
tt.n.,.i,..,. f..- kr
lames t'ulhn am Lewi- Albn Hrowne,
pre-i uted on tlo -ta'' l Ul'ner Mo-lo-co.
Jhen follownl "The Willow
ire " Iinnfcroii- to Men." "The
limru- Hirl - llotuan . ' "lllacknuill"
and 't nidi ri l'n'- T in
ii irtent on la t- v. , i, n reveal uston-i-.iiigH
tlie n.i-te which g,,o on in r li
motion pi, ture- f'.ict iiiiiiibcroliede.il-
it'i a producer who recent It repro
di.ied for a picture a fauiou- Kniopean
gambling re-ort at a , o-t of SIJimi.immi.
I'h" entire loinp.inv could lmve been
.Trail-ported to the actual resorr an, I
' I, turned to Americi at 1I put- , i-ni of
the motiej which wn- -pint."
' liertrude Athertmi i- nnothet- author
'convinced that the -poeta, e ,,f Iniinnn
run , tion- i- triumphing in In. movie
over the -pis tai'Ie ,. eneri . NIr-.
Atlierton snv :
"I think tl,, n - ti., do'ibi tlie nme
hn pa-sed v. hen tl" , ill, lie ,nn be
drawn into too moving-picture bouse
either bv n -tar about waoni -otne .-ilK--torv
ia- been built ,,r bv u -conic mug
mtiieiice iinsiipportid More aul more
we nre di'inanding mi inti re-ting -lorv.
ine that will ah-orb u- - derjilv , while
w" -it in Hi" ijaik on a hard sent, a- n
novel our a ii hot row for nothing from
tn, pu'di. lil.rarv am! rejd in a comfort-
alii"
mil
HOW THEY GET
L
I lir.v b.tve to resort to .ill sun- of expedients tn get the bind of effects Ihc uiuit in the ntotlcs. Here the illrrtlnr
vMiitrd lr ilioti the beiii anil hrroln, -penliiig orr the w.ilrr in a boat, nn'tr scn such scrnrs, I0er Monder
viherr the c.iiner.i in.ni was when thr vttrc lalien? Tills photograph hous ou. II Isn't a ery comforlahlr
pen It. rsprrlallt wllb a "following" sea but then dlrerlorn never romlder the romfiirl of the crnnh tinner vtlirn
.1 picture Is to be made
uii'c seen tlinse thrlllltiR flclils on top of a mnUiiR u alii, Mabc ynu'te tliousht they were "faUed" In the
sttnllo. Hut the aren't. In lite old clays, fnhlitf: moiiIiI liatc htrii cooil enough, but nowadajs both actors anil
directors would seorn such an expedient, and the rlshls are actually stated on top of trains that actually .speed
thrnticli llir rniintrj. and a misstep uould result disastrously for thr one who made it. The pictures show
Ittitli Iloland and her associates in an episode from "The Axenulnn Arrow," and also show how the director and
cameramen arc taken earr of during the filming of the scene
OH, YES, IT'S AN EASY LIFE
FOR MOVIE HERO AND SHERO
All ) ou Have to Do Is Get Up Before Dawn. Have a Strenuous
Fight ltop a Speeding Train and Jump From It Into
the River That's All
N, .,.. i i . . I
t'". i,ei, tho storj of how easy
our movie kings and queens hn el
i' while fiigage, in maklns attractive
and liM'lj movies o tlint jou and ever -bo,l.
el-,, can sit in the theatre In ab
so'iite comfort and onfoy the whole luisi.
to ilh the thrills. su-pene. tur-
pri-in anil all (lie ret of it
It ii the
i tlie storj of what Utith I! and
s? ,i" sNS&jsr
for one epi-o, f I'athe-H serial. "The
Avenging Arrow
!,.! ., ,n,.,ln ...1.1,
Anniigeinent-
r.ne of the lilg railroads for the ue of a
jtietib of about ten miles of track to
singe tins -unit. The train and track
I could be ii-i'd for only one hour itn -inediatelv
after davbrcak. so before the
night IihiI vet faded tli" conipaii ar-
' rivrd and -hifte.J into dllTereiii positions
i on the ground, following rapid-tire instruction-
from the nervoim director ns
' " J""' """' ""', "pr, t0 l0 und not
M" "" fl" '"P r tlie box car.
All tin- tune the
.",n .'?"" -w?"
mop u ,'i, ,-ar m-ieiuiiir in- i-iimeia in
pofitlon. The actors hero, villain and
heroine were ordered to their places,
the lli tor loniinanded "action!" and
the dashed on ,i run along the full
bnglli of the train, which was incroas-
ins in -,ei, i
Then, when Until anif the two men
rr.iclinl the end of the train all three
turned toward the camera several cars
dl-tant ami began the real chn-e I hat
w.i- to be photographed.
Wm ii thov got to the point des
ignate,! I,, tlie director for the fu-s,
vou -, e ju the picture, the thrill part
of tlie job wa- on.
Tin 1 1' wii- ,, general i-otifflo, with nil
tl.ne taking prt. and jn-t as the v.11-
Ian, -eeiin ,1 about to I- overpowered
tl.o hen. -lipped ami fell to the edge of
ibe iMovnig i nr. going at thi- time not
Ic than thlrtv mile- an hour. '
iiieri upon, tip, villain, strugglingi
iigaiiit lliitli's attack on him, leaped
to tlie pro-trale hero and clumped Ills,
foot right on the hero's peek nnd ac-
lii.illv li-lil it there sonic little time,,
-' n- to g,t full photographic effect.
an 'ou imagine vour-elf l.vlng help-
Ii on the edge nf a slipper and slial;
linnl.t cir vtlth a powerful man's foot
iiiimmd on vour nick when the least
bit of nn ins idem would mean hurling
loo to the ground below, perhaps to
t i a Hi '
rim i
wii- where Ituth had to keep
..... .
hei- i,ore nml net for ilenr Ifo. tlOll.ns Hot f. tiled fioill ttle M'loei) 11 llliv
director tic while frantlcillv shouting mean- Sic i- to llie oast which 1- now
tin order for each turn In the actio, i. ' lilmii.g tlie IJupirt Huslies novel. "The
.-Ii -ail- into Mr Villain in real lien-'Old Ne-i.' in California. Vou can -id-,
-i tii-giMidnc fashion right on the tlrrss her . are of lioldwyns, 100 l'ifth
lunik of the tram and so streiiuousl .noniit . V .- Yuri..
THOSE BOAT SCENES
. . . I I'P'm-O'-n l"l ill! nonc-l lllllll. IOC Mi'Ul
that the hero wn- just enough reliced I after screen talent has the difficult job
to regain his foothold and rise to thcinf ,-iftlng millions of ambitious folk in
Bin s iicieiii-p. an effort to liud one good prospeet, for
1 1 i,v-i s,11"',, Units! The? fought. ' the clnenia laniera in a more exuetine
titid tlie bad man lo shield blini-elf from' niiitraptlon than the ordinary ptio
the iitislmiulit of the hero gra-ped Miss1 tf grapherV i-nniera and does not per
Holand mid held her between him and , mlt of the retouching that !.- possible
in- miw'i--iir. . ion inei-ie kiiiii tore
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,i. '....i .n .,... ' .' V , . "
: s - ,
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'Min ui - i ii i uitm' ii i iiiiiiii tii iii'inii
'" M.,nKP """''I ''"'. 1",l'0' t'"1 I'0''0
caught tin. ituth gave one -cream nnd
jumped clean and clear into the river.
She's a great -whinner and a little
dive like that onl.v meant part of n
ii.ornlng's woil,. -o when .-lie emerged
from tlie water all bauds wore running
to the bank to gieet her. and the greatly
satisfied director ordered all to take nil
hour's re-t -o a to prepare, for more
Mich senes.
Oh, cs: it'- an im, life.
N'n wonder nil the voiiuir irlrl.s wiint
to be movie he, nine-
Answers to Questions
From Movie Fans
X. V. . - Mar Alden, who iri being
seen here In "The Witching Hour." is
now nt the lioldw.vn California studios,
where she is plaving the load in Ituport
Hughes' "The (lid Nest," We under
stand her plan- for the future are rather
uncertain. She i, talking of talcing a
vacation ami -pending it in foreign
travel.
(fi:ilTIH III! -We'll break the news
tn mhi L'entlv Coiiwtiv Tenrlo i- iniir-
,.'od. His wife was Aiielc Itowiand. tlie
musical comclv -tat.
"
ASKL.M i'lin Meighati i- no' in
California He is making -ome of the
scenes for "The fourjUC't of Canaan"
(,t North llcaili, L. I.
I. I'. X lb .nrice .Inv i-completing
n iiiciun ,.,11,, I " I lie Night Ko-e. ami
on it- ii.ni'iletioii will play opr-te I.rn
Chanoy in a new (ioiiMTiicur Morris
-lor mllcd I'titalivcly "Tito Ace ol
Hearts."
MALUM. The bobned-hiiind MolK
,! - .l. ...1...I...
' .'linom . mini ,,i so ;;t.-iiii.i uh
IN THE MOVIES
IffiBSMSlI
Motion Picture Scouts , ,
I on Lookout for Stars j
Like the bnsebnll eottt vho lsits
tlie smaller leagues mid teeks promis
ing talent for the nines of the big
leagues, the undiscovered male and fe
male KTcen talent Is being hunted daily
b.i ivouts.
I'lillke the hopeless search of
ii: .. r.. .... i....' ,i. .......
with photographs
from the ordinary
camera.
i"or three cais n national fame
ami fortune committee lias been in ex
istence and htiH selected -croon material
from all sections of the United States.
.iituiMA r.Miii-:
never receiving lesn thdii oO.IMIO photo
graphs in each of the .vears.
Thl.s natloiial fame 11ml fortune com
mittee Includes Mar.v I'iekford. Mine.
Olga l'etrova, Howard Chandler
Christ, Thomas luce. Maurice Tour
netir, .iosse Lask) , Carl Laemmlo,
Havid Ilelasco, Blanelie Hates, Ruth
Unbind, .lules Brulatour and Samuel
Lumicre. .
Kverj- winning selection of the fame
and fortune committee ha won a prom
inent place in motion pictures, com-!
meiieiiig with little Virginia I'.iire, who
was immediate! taken li.v the I'nlvcr-'
sal l'TIni Co.. fcaliiieil in a number of I
pictures ami has now been tuken by the
I'lithe Company.
Atietha (Ictwell, another selection. Is
now being starred by a eompunv nml
' Is being directed b Charles Miller, the
president of the Motion I'lclure Hireo-i
tors' Asstivjiitlnn ; lltaml.e .Mctinrrlt.v,
I. ailed as Mary I'ickford's successor,
now stars in Blanche M, linrill.v Pro
dutlloiiK. Allen lla, a beautiful lit-
tie blonde from Sun Antonio. Tex., 1
is now being featured b the llert Lubln
Co., Mar.v Astoria is playing parts
with I'atniius 1'la vers-I.ask.v ; Margaret
rous,t lias ju-t iiiii-m-u as tne ,mer-
lean iirl, feutured in n picture for tlie
American Legion b.v Storey I'btures.
1 Movies Reward Scholarship
The authorities of I'llhlic Sehuol S7
iii New York city have a modern method
for the reward of good solinlajship. One
hundred and sixtv apt pupils wore
treated for tlie llr.-t time last week at
the theatre where Charles Buy va--hown
in "The Old Swiminin' Hole."
iho teacherH drsdarc that there Is no
more certain wa.v of Increasing interest
in stud than the offer of a movie aft
ernoon. And what's more, tho luoky
oiiim are allowed to vote their prefer
ence. The choice was nwrwlrliniiigl)
fur Charles Kn , but the authorities
were utinlile to conceal the fact that
there wore several furtivi ballots for
iiicd.i Bui a
i i
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"DREAM STREET'
The Story of the Griffith
i Photoplay Made From
I Burke's "Limchouse
Night Adventures"
CHACTKK IH
Spike in that holiiewafd Journey from
bc htage door seemed to sense a hid
'en admiration for htm In Uypsy. Hut
It was different from other girls.
Hplkc was impetuous and flushed with
the vigor and youth of his handsome
body and he deliberately walked into
(ypsy'n room. Tills was violently re
seilted by her, but she did not fear him,
for she knew she had power over him
that he could nut fathom nor could he
understand,
Billy, with. his pure, sweet love, had
become very jealous of the many ad
mirers of Gypsy. He had given Uypsy
an oath, upon receiving from her lips the
words that she had been bothered by
many men, but one was "Oh! so ten J
blc," that he would kill any person that
troubled iter.
Billy was passing n ilowcr cart and
he bought some flowers for Uypsy. They
were white roses. He went to her door
to knock, but hesitated. He was" too
timid to enter should the word "Come
in" pass through. He placed them on
the door knob nnd retired, onl.v to think
at the foot of the stairs that he should
leave a note. It was simple and read :
"The center rose is so white and pure.
That's you."
Spike's entrance into Gipsy's room,
though resent.-d, wn.s not without its
determined purpose. He had tried ti)
kiss her at the foot of the stairs in
bidding her good-night. The snappy
reprimand of Gypsy was the spur to
goad his vanity.
Hilly Learns the Trntli
And so, with "I have come to get that
good kiss and make you like it," Spike
proceeded to make himself at home. He
sat down and drew another chair along
side of Ails. He pointed to it and toid
her to come and sit down.
Of course. Gypsy did not do anything
of the kind. She jibed him with witti
cisms and even taunted him into a fury
that caused him to follow her about the
room.
She almost upset his detertnination
when she told him his feet were not
mates. But fury hath no rein when
once loosed. Spike was set. He raged
like a bull and finally fear showed upon
the fnee of Gypsy.
It was at the peak of this struggle,
she for her very soub and virtue anil he
for the kiss, that Billy was about to
place the note in the roses.
He heard the struggle, her cry for
help and he burst into the room. The
sight chilled and stilled him with fright.
So it was his own brother! The one
man of all for whom lie would die was
the offender! His Spike!
The spell was broken when his eyes
gazed upon Uypsy, who, w ith a burning
lire of liate in her eyes, rushed out of
the room. Billy turned, drew a gun,
pointed it at his brother nnd hcrcnmed :
"I swore to God I'd croak the guy that
bothered her."
.lust In the beijht of bis passion for
murder, the words of the l'salmlst came
iSTto bis brain and Bill relented, llie
gun fell limp tit bis side and the tragic
moment was over.
With the return of 0psv to the room
nn indignant rage seized Spjke and he
plunged madly from the luiu-e. Billy
riioTnri.ws
I DIRECTION STANLEY
L COMPANY OF AMERICA
Allmmkra '"'. Miirrls L Psunl. Ave
miiamura MHt- n , ., K 0 ,3 L 0
CHARLES RAY
In "I'KAfKITI. V.U.I.KV"
AF I FnHFNY I'ranUforJ H AllfghciiJ-
CLARA KIMBALL YOUNG
In "lll'KII"
BROADWAY $nStfmr$-
MTT MOtlKi; In
The Passionate Pilgrim"
JLJWltU ".so. 7 slid D V M
lATT .MOOKK In
" The Passionate Pilgrim"
DARBY THEATRE
WILL ROGERS
In "IIONKhT lll'Ttll"
FMPRFSS MA,N ST- MANAVt'NK
x-,tviric-jj srATiNKfi daily
.. MATT MMlli: In
"The Passionate Pilgrim"
FAMM Y THlIATnii 1311 jnTrurfat.
"SOCIETY SOULS"
GREAT NORTHERN I,r.V IW'W
CLARA KIMBALL YOUNG
In "lll'bll"
IMPFRIAI r'nTI1 4 WALM'T hTS.
tN.l OI.4IUI' I. .,
"POLLY WITH A PAST'
itj
-
II.ATRK
333 MARKETa'ri'Vif
A I. Aim; in
"POLLY WITH A PAST"
PRINIPFS """ XAHKLT sfhHBT
J IMIVriOJ H30A St to 11:13 I". M
OLIVE THOMAS
in jvbx f.r nnnv'ti hh kiiihht"
R I Al TO 1ERM-NT0WKA ,;si" jj
imau. I J at Ti'i.i'KtinfKt;;,- st
WILLIAM RUSSELL
in "ItAlU: HMTKI.KS"
RI IRY iiAnicirr hT n 1:1.0 wTtTi
,AUO 10 A. If in 11.13 1'. M.
,m.i,v tin snv
"A SPLENDID HAZARD"
SAVOY mV$K&;r
KATHERINE MacDONALD
In "I lltTIN"
AT WEST CHESTER
RIALTO J'TINR JIIHNhTONK In
ir.1 t- 1 i-t hi "Jj-V K"'nn"
DLE HOUR.'s,"Tin rhr ,
"Loir, Honor aod Obtt"
17V ... .. 1 . .
Daily Photoplay Guide I
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Here is a striding afternoon bridal costume that Mill uuihc man a,i
expectant .voting woman gasp with envy. It Is worn by .Margarrt
Ijoinis. unci was designed especially by Kthrl Cbaflln for one of llie
I'aramount photoplays in which Miss ioomls Is appearing
picked up his (lowers from the floor,
started to present them to G.vpsy, hesi
tated, Inid them upon tlie head of the
couch nnd. with bent head nnd weeping
heart, left.
Herein did tlie good in them triumph.
Stlil there were evil tla.vs ahead.
Spike leturncd to their itinrters. I In
was wrought up to n pilch of wrath
never before experienced. In his bwift,
cruel thoughts of evil deed- towurd his
brother. Bill entered, crestfallen.
Spiko grabbed him with all the brav
ado of old. lie shook him violently, lie
roared at him anathemas akin to the
cur-es of old.
Billy was penitent. The shock of
seeing Ills brother do Mich things to
Gyp-y got liis mind nnd body beyond
him. he told Spike.
With the tiuo penitence from the
dying advice given thorn b their pov
ert -stricken mother, the hoys decided
to make an admission of guilt to each
other and embraced with a love so
l-IIOTOI-I.AVS
33laSSSKCi5SWi35j
aaBKaaBgaaqawBUiaBuwHE
O
Tl.s NIXON-NIRDLINCERiVV
TIIEATRES U
AVFNI IP -Dth "' ""' -Ml'Sheny Ac.
- v j-isiwi-. sixtim.i: hat
ci' 11. 111-: viit. 1.1;
"MIDSUMMER MADNESS"
BELMONT 'wu"Tdovi: ""
GEORGE WALSH
In "ll.N.)IITr. Al.l.KJS"
CEDAR t,0T" ' cl:UAU' AVU.NUC
( i' 11. tit', viii.i.r.'j,
"FORBIDDEN FRUIT"
rOM;i7TIM MAttKi.T iiHTvv i:i:n
RALPH INCE'S '
"oit r tiii; sMiit.v 1
IllMRD 'HUNT ST 4- Ulll.MID AVE.
JVU,1UVJ jrK, ., nun nn KiMnltfnrd "L"
BESSIE BARRISCALE
In "l.lflV.s Tl.sT"
I FADFR llST ,AN', hTi:tf.rvE.
lL,-l-'I-I Vtiitln.-i Diilly
MARY PICKFORD
in "iitr. i.iim; i.ii.iit"
I OTI IT :,-D ANl t-oi't ht .srmitn'.s
LVJVUdl mh1- ,1o. 3 ail l-VBii ll.au tu 11
GEORGE- ARLISS
in "Tin: nt;i ii,"
NIXON Ml AND ""'"n B. n
FRANK MAYO ,d "
In "Tlfil'.K TRVK"
RIVOLI v" 'rPHT,?MI(v!"lEFFERSON 1""" i---j"
ETHEL CLAYTON ! JLT. .KVt. A?i?ZtiW
In "Tin; I'ttici; or i'tissi'ssni"
1 - -.:: ':!.
STRAND vJCltMANTOWN AVK. -
uinriML t KN.Niiosr.
MTT MOOIIi: Ii.
"The Passionate Pilgrim"
ATTRACTIONS AT TWP
NEICHBORI IQOD THEATRES
APOLLO ,,. a-;
DOROTHY GISH
In "TIAIM, I'AT"
ASTOInU
v- 1 1J orvllNINCK
In "KIsiv;t ' I
AURORA -M'-' l!r"l"'nn Ave.
"THE PENALTY"
BENN fl,T,r '""woorTiTANir.uiT.
"THE PERFECT CRIME"
BLUEBIRD J'rf K"nu.h"nnr
"FORBIDDEN FRUIT"
pure and true that none could ipic-tlon
tho purpose In their souls.
Since the course of true low nCrr
did run smooth nnd since tlie knight er
rant, with sorrow in Ills bean for liij
misdeeds, ever returns for forgiiencv,
so Spike came to Gj p-y a few nigliM
later. He hnd seen the light but did
not really know how.
Uypsy loved hint and knew vvhv. b'lf
she knew be must bo tried that lie
might the better love that ptue lie
dearly covets. He sang to In r until
the silent night lovcrberatod llie lute
like tones of his golden voice Anil
Gypsy wns quickened h.v tie 11, She
haw his soul was moved. And as ho
(-at dejected on tlie bench oui-nle her
homo, she rushed over and ki--,, hint
to the utter dejection of Ibllt who
saw this burst of love from lnp-v
Billy returned home crushed hut !
lleving Spike was right 111 Ii - iur
pose and Ojps in her tiuu. ,
(TO BKCONTI.MI'Dl
l'll(IT01'lS
VIMVIAlN AllllVi; M I l.i.UENT
. JOHKI'll '. t.lrill.'s
"PARTNERS OF THE TIDE"
CENTURY ,:r,01A;.N,l.Vt
NAZIMOVA
III "IIII.I.10NV
Fay's Knickerbocker Mr" tf
1 WM. FARNUM
In "Ills (iltKsTKs.T ,SAI 1(11 It I
j FAIRMOUNT rfj V.'i.S
GEORGE FITZMAURICE'S
I'Atl.Ml TIII. I'll'l.ll"
'iATW T THI.ATrtl t. i 'inici
JU 1 I 1 J 1 . VIVTIM l vttf
KATHERINE MacDONALD
In "I'AS.SION'S I'LAlf-illtUM)"
FRANKFORD "Ift Vin.V.' bto""
ji'i.ia nwaim: i.oitntis in
"HELIOTROPE"
Germantown "VmiV v.uui''
WANDA HAWLEY
in "imt iii:i.ou;i mi i is '
IMPERIAL iM -"'rTr, itir
MIl.TOS Sll.l.s III
"THE MARRIAGE GAMBLE"
Yyiuuiwvi rAVLnotimi
j in "nn; m.n thai v
I IRrrRTA'' ""sn i'
L,lDU.I I 1 ,
'III, .l.-V 111,11 .!- Ill"'
HI I ui 'V AV.
Ji'i.M m r (.iimiiiin in
"HELIOTROPE"
vz sni Til -r " mtr
;i iVLfeUNKLYNM FARNUM
,n "," N"Klt or "" '""0""
! OVERBROOK "? gnw""
GORDON
ln"llr;i.lllTltill'r
i-awk iiiuui " - ",,:, it
1 DM I'JII.V
ntiMncDC fcrFFPF.RS"
.-v Mill. V l.-V fv '-'"
with IOI.r.T .MI.IiMl.ltl''
SPRUCE 'VRWudjit
SESSUE HAYAKAWA
"Till; I'lllM'-IIOIlN '
(IIAI'I.IN "ON'li V M
wm. penn vruvr,;-
Al
HOB ART BUiWUiwn
in jua o'.i. i"
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