" -sv VYI ij ( ti L "y 'l'i "i vv J. " JT - Vft, ff,, M , ' h ' i 'G j- 'i I s P 'J- BLO EVENING PUBLtg . iLEDGER-HIEAEEPHIA; SATURDAY MARCH '6, 1920 T - m B. v V' 5, .' t u B i ft I FARCE AND REVUE NEXT WEEK'S STAGE NOVELTIES THE PLAYGOER'S WEEKLY TALK FOOTLIGHT FOLK, HERE OR COMING ED WYNN HIS OWN PLOT Observations on Plays and Photoplays of Interest to Philadclphians TIIH Dnygocr lenrna tliat George M. Coli nn lias nintlc up Ills mind to re write the llrst net of "The Irresistible Ocnlus." ntiil now in plain vernacular thcro isn't nnj thing that will prevent it from breezing into popularity. It will lo interesting to l'lillnilcliililans vbo don't lmow the nilraclo nintiuer in which George M. turim out successes to I Mult tho Uroiul the middle ot next week nml note the chances effected. Thus far Mr Cohan hns merely spent his time in rcmoing dcudwood, no-called, from tho piece and tightening tho action. In lilnya liicli he snhagc Mr. Cohan ml litres closely lo the Iniplrntlon nnd sub stance of the plajwrlghts, Iiii partiel pation being confined to utillrliig his nlunble tense ot the theatro nnd his wiilu nnd marled singe rtpcrlenee. The lilny, hi retouched by Mr. Cohan, will lose nothing of the basic idea or the rleerly entertaining development of the ro-nuthor. .lohn T. Mclutjro and I'rnncls Hill. A full realization ot what Mr. Cohan luw rcall.v done by making a star "overnight" of Georges Itcnucnt is gradually being reached. And it may be stntcd that the theatrical world in general was startled with tho announce ment since little or nothing nt all was known about llcnnxcnt, suc for his connictlon with Mr. Kiske's com tmnj. In "Mis' Nelly of N'Orleans" Itennvcnt gained fuxornblc attention, but n for holding stardom magnitude well, It wasn't ecn thought of. Iteuavcnt promUes to be unusually popular with tho jouth of the theatre. This further convinces the? outsider that George M. was inspired to mnko his move in starring Itcnavcnt becauso bo found him out to be (usiug Cohan's typical expression) "A regular fellow." 'l'wcuty-sis cars old himself, Ilcna xent is bound to grow up with tho jouthful gencrntiou ot contemporary theatregoers. HE'S n blond with the frankest eyes that are either tiry merry or very, very serious. He's .lames Drenforth, the liaudsomc young hero of "Take It From .Me." And he has his own ideas on publicity. lie scorns tho time honored ballyhoo. , "It's all so palpably untrue," he told the I'la.igocr "If ou have any thing good to offer folks, what's the beuse of plastering It ocr with bluff? Fr drolly IIIED IIKIDElt, who so nlass tho clerk in "Listen Lester," divulges some interesting rules of con duct for stage-struck youths nnd also those who have struck the stage: "Don't take chances changing the author's fines ad lib. unless you're bure you'xu got a funniqr one to pull. , "Don't take too many chances with an audience that likes jou. Give them your best all the time. Audiences are people. "Don't think you've got a monopoly on jour part. There are n couple of million other actors could play it as well as you do don't let them prove it." ANDHUSoN. producer of 'Frivolities of Y.V2U." the revtie which is scampering about the Chest nut Street Opera lluu-c. K eucouragiug the emigration of cnlii-f families to the musical stage. In the preliminary re hearsals of his cxtraugaur.a no less than live sets of sisters were striving to Uphold the honor of the family nnd il '''lumiuate "Frivolities" at one and the Mime time. There now remain but four nairs. the Sisters Kouns, brie so prnnos, whose singing is the melodic feature; the liarr twins, whose dis tinctive dancing is one of the highlights ; a pair of Voltaires. who contribute considerably to the luminosity of the front line, and Josie Mcltao and Alice Winter, sisters who choose to operate uudcr dissimilar captions T'idHH IS:A'Mv ;' raiL y.drJBm BSHiMK ydW WYNN and TRIIE JENNERY "THE ED HBHfSSQfiiSI -" --? " r5PNVYNN CARNIVAL" GrrtcU,I HA7EL PAVvN "UP IN llH NBKMi, J&kV H MABELS RU0M"Adolp1u pH 'ZHHWIh- H I ClilSiR0B1NSEN- FLORENCE PARLEY GEOFME HARRIE IRRESISTIBLE '&W&mW '7 PAYS LEAVE" "-STARjniGAlTTER GORPON, SPEILMEYER. GENIUS" X" - Walnut-"- R?opk?s " Glob VWn. Pcnn Droad GM. "Fi His "Carnival" Comlna to Garrlok Has Novel Features From days of old playwrights hnyc sought unceasingly, but all iu vain, to dcvclon their nlots nnd exploit their characters upon the stage In n manner so original ns to effectually dispose of tne ironclad rules and cut-ana-anca methods. Thlu rlek Is accomplished in the Ed. Wvnn Carnival, coming to tlie Garrlck headed by YA. himself. Ills solution is for the playwright to carry his plot with him. appear in person upon the Btngo nnd build his characters as lie goes along. Tho book and songs were written by Wynn. The revue is in a prologue nnd twrlve HOenea. Tlipre is more than a Bcore of musical numbers, some of classic form, others are jazzy and melodle. Tim aepnle Investiture In cludes one of thn desert, with the Knlilni In 4tin linrltcroilnd. ill which takes nlncn tlm wonderful dance of Trlxlc .Tcnncry, premiere danscuse, one of the Itoman nrena, a setting of historic correctness; "Tlie GladlatorH' March," warlike maneuvers, will be executed in this. TEN KISSES PER NIGHT Osculatorv Record of Hazel Dawn and Dudley Hawley Dudlcv Hawley. who plays the hus band in "Up in Mabel's Koom." at the Adclphl Theatre is much envied. Those who have scfii the play will readily un derstand why Mr. Hawley is to be en ied, for it falls to that young actors fortunate lot to kiss beautiful Hard Dawn no less than ten times nt ever performance. And he actually draws a large sal ary for enjojlng this imieh to-be-desired oscululory process, 11 the simple process of arithmetic, the ten kisses a performance amount to eighty Kisses a week, to .120 kisses n month not count ing extra performances; and to some thine ltkn 1" Rnn lilusex ilnriiiir the sea son. Mr. Hawley says: "This is the nlcasantcst eugagemrnt I hnvo ever played." Norma Talmadge In Triple Role Norma Talmadge fans can be pre pared for u wirprlsc wheu they see their screen favorite In "She Loves and Lies," to be presented nt the Stan ley week of March It". No one ever suspected she was an impersonator, but she is and proves it by handling three characterizations ranging from a youDg girl to an old woman of llfty-two. Egypt from Moses to Allenby Trro Illustrate!! I-lurn Sunday ftrnpoii nt a.30. ut THE UNIVHRHITV MI'MUl'M by Dr. O. II. Qordon. recently returns! from un Important nilnilon to tlie Noht hunt. rreo Illuntrated lectures y DIt!iiRulh-J men every Sunday afternoon nt the unlvcr Hllv Miinenm during March hhiI April Thomas Eye-Wltness With Allenby rield Marshal Lord Allenby is n sol dier who accomplished lu less than one year what the Crusnders could not achieve in centuries. He gave every aid to Lowell Thomas, the American war correspondent nnd photographer. Thom as will give his illustrated lecture next week nt tho Metropolitan Opera House. "The Last of the Crusiders" is a remarkable ".cries of pictures, covering the entire operations of Allcnby's forces throughout the lVilestine cninmiign. It shows' vividly and dramatical!) the tremendous nature of tljc task under taken, the difficulties overcome, and the, custom of the people. Thomas tells I what ho saw as an eye-witness. Comedian Instead of Cop C'lmiles AV. 1'utler, internationally known us a comedian, who returns to Philadelphia in "The Guest of Honor," began his stage career in England some thirty 5 ears ago when he joined a minstrel troupe. His life's ambition had been to become a mounted police man, but the authorities rejected him on account of his stature. U. 8. Setting to "7 Days' Leave" "Seven Days' Leave" has been given an American setting, but still retains all the melodramatic elements which made it successful abroad. The American version departs from the English by the substitution of u young Irish -American who attains the lank of n major in the llrltish army, and the see no showing n Yankee cruiser destroying nn enemy submarine; also the appearance of American soldiers nt the dedication of a shrine in nn Kngllsh churchyard, and their departure for France. ACADEMY WKI.. MAltCH 10. AT 8:15 Violin Recital by RUDOLPn THk.. Henne'ii. 1110 rhet.. S2. St.ao. SI. Wr POLK 4 DANCING LESSONS A Teacher for Each Pupil $5 Individual Instruction Hxcl nlvo Method Mirrored Studio lMO Chestnut omen .ion i.ooufltuio: CORTISSOZ SCHOOL MISS ACINUS MSITMIIIt will Icrturo en "Thn floppol of Amusement" GOLD IIOOM. ADIIMMIIA HOTCr, bundny Kvc, March 7th. s:30 I' M II CO TN X "S THH couise of the aetion of 'Seven Hiivs' Ix-avc." now Inning. h run at the Walnut, u number of sol- , liters and sailors uppeur. and because. of its patriotic charm ter it has been the policj of the government to permit, icguhtrs to participate in the perform ance throughout the countrj. During1 it "Seven Pu.vi' Leave" engagement here n detuil from League Island np- I pearcd at ever performance, and. uctdles to sav thej were cheered at overj appearaui e. ' WILLIAM HODGE, whose 'Guest of Honor" has not vet been seen in New York, doubts the value of a long Ilroudw.iv engagement as an in dicntion of a play's strength outside of the metropolis "A pc'uliar phase of conditions on the Atueiican btnge today." said Mr. Hodge the other night, "is thnt the four big cities of the countrj have each their individual tn-te with l expect to plays- . More and more as I study the recoids of inns of successful i,u!. in New York. Philadelphia. Chicago and Itoton I am convinced that tlie so called 'Hroadway juu' means nothing whatsoever to the other big itics THE JANE P. C. MILLER CONSERVATORY lO.'S l 1 1 ! " I K I I I- 1 V,n IT 0ANCING Private Lessons Daily Modern, Lsthetic and Fancy Dancing Physical Culture h iiii i r. i i HOCKEY Tonight at 8:15 Princeton vs. Harvard OtlM.lt M. ShVTINO 9 V. M. Phila. Auditorium & Ice Palace i-.rn MMIM T MTU Acutwn or misk Monday Evening, March 15, itr.n its i m.m.i.mi.m' 01 ' Sir Oliver Lodge f r U 0 I no Itoro The Continuity of Existence TtcUl (J i ) I" HI" ' I smut M HIhii n teiueiil nfl'i' iJ..Ll jt JI1L'!lA !i f Ilellrvue-MrulforJ. Hnl , Mar. Ill, H:M I'.M. . Captain Siegfried Sassoon ; i:iiElilidV fiiimiUN mmiiik kulillrr-nnrt "ill aerate hiiiI rr.itl frttm liU iHtfnii, Vrmrrxl for IWIIM' IIKI.H.I lllrrr.l h.v II ritlll.lt I' I , IKIOV I It Thl.rls lliiMir'x. HID ( hl'-tnut St., kl..-,n TNniu-ii i ii:mon MiT"n;n "" IMIIIKIIM'OOS II C.I. lOMtllll' T H- EARL BARNES "What Labor Wants" 'III KIT DUMONT'S1 s- I'llll Mn.l'HI's li:VIIIMi TIIKTKIN I M1KII IUKKCTIOV OP T.KII A .1. .1 MHTIKKT ADELPH1 Mfttlnee Thurs. & Sat, Evenings at 8.15 " 2.1S Starting Monday Evening A. H. WOODS Present. The Play That Made the World Forget Its T.oublei A Frivoloui Farce of Feminine Foible. UP IN MABELS ROOM By Wilton Colliton and Otto Harbach With th Ineomparmblt Star Farcturi HAZEL DAWN JOHN ARTHUR WALTER JONES i EM D MAR KEV A Supporting Company of Equal Merf. SHUBERT Matinee Todav rop mt i i, sniio si i $i no AMERICA'S GAYEST MUSICAL SHOW It's Like a Radiant Sunburst of Precious Jewels, With Every Stone Shinning Brilliantly .Iiii' untl 1. nl f Til l l ili Hrb'cs I.- i2?- I . .'! A LI IT iSWCVLD AAHI 9AY90 lPiwir v J or IS OOJ9- N&9? f iBKHIHlLHIHDnKlSBmLVCSlBLLLEA' cnE :VITCWIN BEAUTI&9 tpyrbrrv 13QOAOMY CHESTNUT STREET OPEUA HOUSE NEXT WEEK LAST TWO WEEKS .MATINEE TODAY .MAMplf Behold a Vision That Would Create Panic in the Garden of the Gods BEST mm CHOBUS IN TOWN IT'S A RIOT Creates More Cheers, Enttiuila$tic Applauim and Uproarious Laughter Than Ha Ever Before Been Heard Within the Four Walls of a Phila. Theatre. i'.VLE .."J? SAIlA KOUNS, HENRY 1JJm:.,nAnU. 'nv,KS. EDWARD GAL !vHl!!vU n.,ul JOSEPH KOIXUV, FRANK iniliS JUKI 111 LJ. llAltlSTKI.!.. ami ;m "KHIVfH. riinturu m.i r.n vu,uu V UV Othrrs, ;ind "FU1V0I. tr -"i hi lit i"i , 'irijjrsiftiH'i.iiv inn wi; hi n,n xyo Lj WI -I, ( s 'I'WMTjjT't l, uyllti! imuN ' iimj.m' aj.Tu ssmssWmaSsWmmmsm l00 " BSggW H -i,,s TUG) "i 1 ,iii! i.fc -s abMar'., 7 H in, PHILADELPHIA'S FOREMOST THEATRES -h MATINKK TOD.W' AT SilJ TOMOIIT AT Bil.l FORREST wIS 2d Week of Gaiety i;aim, nt mm UrlTI.M.IH HKII. SAT. Mt Bread and Hamora THOMAS II. I.0TKI BmineH mtiiir TheMBinis OF PERFECT MUSICAL COMEDY as r.Miinnir.D iv ,ion.v tortrs viiiiH ... - . ....... . nt tTt1U r 91 mm Hi mm BW JHHBefNip A HIRt j Hoi'U mid J.jrlm In Hiirrj 1.. Ci.rl nnl leo. Mnnlo by llnrohl Orlob Stotlilnnl ADA MAE WEEKS AND .101: H. HIIOIVV, I'.MMA Atil.lt, OUACE I'AUK nt rjir.n iiKiiir.R, miTii MAni'.R, ai.an i:invAmM. o'M'.ii., kaiii. iiuii.r.v. iu:m: iinmv. tiitAc-K - ilir, 1 IJUIV l,linnini.ii.ij AND THE CONGRESS OF BROADWAY BEAUTIES HA i: UKKN r.&fl.l ON AMI OTI'.ll IJV rilll.AIII'.l.rillA AS MUSICAL COMEDY AT ITS BEST RROAD anil Icujt FRANK KinDLINOEn Duilirtis Mnnr NEXT WEEK Hurry To Geo. jft. Cohan's Millliicc TimIiij ill Si'-1 Tonlslil nl 8:1.1 HITS T 811.1 l.Mtl.t & MT, ,T SII3 HIT! ssssWtiJ' 'M WWWm r4K" LAST WEEK Sffl SMASHING THE NEW STAR GEORGES RENAVENT IN 'Jim 1!W M.AY Ol" A THOUSAND LAUGHS THE IRRESISTIBLE GENIUS IIV jrilV T. McIMYIU: AND jatANCIS 1III.I, PHILADELPHIA CRITICS ALL SHOUT SUCCESS! BEGINNING MONDAY, MARCH 15 O'NEILL'S NEW PLAY hKATS l't:M) TIIUIIMIM llin .sr.AbON'h MOST l.MI'0RTNT I'llKMIIJIi: EUGENE "CHRIS" Ut the Author uf "lie.; unci tlir lliirloii." Now IliiniililK nt tlir Criterion Thrurtr lurk, nml tlir Mot Tiilkrd-iit l'lu Currrnt In tlir Metropolis. Mllli Emmett Corrigan Lynn Fontanne Arthur Ashley Dlriitlon uf (irurei. (. I.lcr. (umil hj I'rrilcrkk Munlioiir. New CARRICK VI Chritnnt . .lumper BAM'I NIXON- NIRDLINOCR Butlneai JIantr i.imiti i i.no(.i:mi,nt lll.dl.NMMI MONDAY EV'G Stageland's Best Musical Revue "Be matim:i:s hkii, 4 saturday (1st Kd H ion i HO0h Btlll POnRH b Bil, 'lour L'lider the Direction of II A FRISKY, FRIVOLOUS, JAZZY AND JOYOUS FESTIVAL OF GAIETY MELODIC MUSIC, GORGEOUS SCENERY EXQUISITE COSTUMES and Wnn O Whitney ED., WYNN himself with a Glittering, Scintillating Pageant ot Merry Revelers AND A WYNN-ING CHORUS OF YOUTHFUL FEMININE L.OVEI INF;; ORCHESTRA UNDER THE DIRECTION OF ANTONIO BAFUNNO? JaTT. W " '. A -111 TROCADERO IQTII AVI) Altf'U. HAT. llll.1 lliln Aft lUlil KienliiK Tin: inn iti.xiiAV WrrU Com. Murili 8, Girls, Girls, Girls With GEO. A. CLARK The Hum I.iltiiler of ltiirlrque, und lilr cant, f fmorlttn, Imlucllns the Big Girlie Chorus Jul w -. KPNCKnTrtU ,Uiiif. i o' V7i i ."S U lX!.T!.'jy LS i i gn.ununm.BHi) wm& y)b!J s.Ty-'ry AM.LK UUUI.NMNU MONDAY MAI' GREAT STAR & GARTER SHOW WITH FUNNY RAY REED XD X UK. IWAl IX (llllltl ADELPHILasty.Vi: .si:XhO'M MU.SIC.XI, Mill SOMEBODY'S SWEETHEART Mini A 100S CXM lUIVriCKLIV Tt M UXL'dlt-IDIV I.I.M.i ""'I Hie lliMt Hlntlnc ClinniH In lonn Garrick L81 Mal- & Evg. A RIOT OF FUN! JL rV'V f W smmt DUNBAR It. II IKMH'i THEATRE mo xii vr OMIIXIID iiiikiiion u;i ... xi.xr. iixii.x, arii) ,x,. 1(, ,,, i:xi.i , 8i:io-sa., to m.oii i,.ii"x,'s,lll0 ii'tit iu rnbiiv i) ,,( 0I ONE MORE WEEK Ihr 1 l l I'll imam I) fl l ;.v IN OLD KENTUCKY J. Frtd ?imi!iernnn Theatre K.W.TtjUf UJ.1. lit'' I (.oriiiunloini I. Chcllcn EVENING PRICES, 23c, 33c, 50c fi 75c llliiti TuoaduT Tliiirmliir. Maiunlj) jii hi Hrnln 25c & 35c I III) XX' LinTMnt. nml Mljt "i.iru.i: ri:iix- o'jhiiibi" f llrKlnnliii; Mumliiy l.vnilnj;, M.iu'i I i MR. FRANK FIELDER PreienHf MAE DESMOND ixmi iii:n l'l.xx'nnt) In I arglcal Coniedv by UdgorSclw)" C "JL limn !! i I - ttA Ms if cKixt w llt.. I. I ,,.. ,1. tn-l..... u I urrljlt ...... ,.. ,,, ,.,.. ,,,i.ii,r. v 1,1 Tnrr r r 1111111111111 Trrrrm ' X'f- Jr r1 rhvlr-rli'v, ' wiiVii '"""" "C"IK,',' lt t lirTtnia puiwwiiLniiA' Topijht 8:15 Tl i: i:11.. i!A. D, XT) OPI.IIA 110U 7..... .V. ' jy m METROPOLITAN MADAMA BUTTERFIi iYM .1... 0 -. .rwwm'M 1, U'v v r '!' tMWJt.ltV-t-', w if&u , l'i"""i yn,-rt,h tfW&i f.