Evening public ledger. (Philadelphia [Pa.]) 1914-1942, March 02, 1920, Night Extra Financial, Page 16, Image 16

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EVENING PUBLIC IiEDaER-PHirXtoELtHlA!, TUESDAY, IOlROH '2, 1820'
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PERTINENT example of the tremendous
power of Fiction to sway and direct the thought
and conduct of men and women is afforded
by Edward Everett . Hale's immortal story,
"The Man Without a Country"
Dn Hale's story kept alight the Lamp of
Patriotism when civil strife seemed destined
to divide the nation and, to that end, was
the greatest influence of its, time The
effect of it was even more vital than had been,
at an earlier period, Hawthorne's "Scarlet
Letter" which eradicated an inherent cruelty of Puritanistru
Only the force of Fiction could have achieved such results,
for Fiction is the sole form of Literary expression capable of
reaching the heart and convincing the intelligence.
A consciousness of this undeniable power of Fiction to
influence social and economic conditions, and to crystallize the
need of the time, defines THE RED BOOK MAGAZINE,
It reflects in Fiction the thoughts, the hopes and the achieve
ments of Americans in this hour of our national life.
The purpose and scope of
The Red Book Magazine
-which have won for it
the appellation
"The Magazine of a Remade World"
are clearly defined in the
March number by:
Rupert Hughes
In "What's the World Coming To7M
George Kibbe Turner
In "Held in Trust"
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Clarence Budington KeHand
In "A Daughter of Discontent'
Stewart Hdward White
In "The Killer"
Courtney Ryley Cooper
In "A Tap on the Wrist?
Harold Titus In "The Big Swede"
Peter Clark MacFarlane
In "Follow Your Lead" .
William Almon Wolff
In "The First Reel",
Walter Prichard Eaton
In "Good Old Jim'7
Bruce Barton
In "The Great God Must
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Lucian Cary
In "No Mother to Guide Her",
Beatrice Grimshaw
In "When the O-O Called"
Nalbro Bartley
In "Jolanda and the Fourth Dimension"
.
Will Payne
In "Lucky Mary"
THE RED BOOK MAGAZINE
More thanThree Quarters of a Million Copies Monthly
At all News Stands
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