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JiV Tffi M7SJC WORLD FILM STARS FEATURED
THE CRITIC TALKS
TO MUSIC LOVERS,
Wcchly Comment on Things
Musical in Discriminating
Philadelphia
WALLACE GEID and WANDA HAWLEY
'DOUBLE "SPEED" -Stanley-
rpiIG modern composer lu u now
btrangc and little tried medium was
introduced to ua on Thursday evening
by Percy Grainger when ho played the
UlllU-UiUUClU MUliU Duuam uy JJf HI i
Scott. Iu the dajs of the cluislcs the
young composer was Eupposed to show I
his proficiency In handling souutu form
by the composition of many piano sona
tas before trying the larger forms, but
nowudajs our composers leap full
fledged from their musical swaddling
clothes into the composition of operas,
symphonies, ujmphouic poems and other
musical works of the largest dimensions.
This is u somewhat mixed metuphor, but
it convejs the idea.
One reason for this is the gradual
elimination of absoluto music by the
greatest composers since Ueethovcn.
From the time when Schumann began
to write pretty much everything for the
piano to a title, thib system has come
mori' and more into loguc. Uut it
should not bo forgotten that iu this re
spect Schumaun wrote upon a plan radi
cally ditTerent from that of the modern
compwurs, to say nothing of the fact
that bis musical ideas were iu many re
spects radically different also.
Another reason was the widespread
promulgation of the idea, for which
Astt and Wagner were chiefly respon
sible, that ihe sonata form and the cu
tiro symphonic field hud been so ex
hausted by Beethorcu that nothing more
could be done along these lines. It is
true that little iu the way of piano
souatus has been composed since the time
ut tbo great Bonn master which appears
(o be permanent music, with the possi
ble exception of one sonata by Liszt und
the two by Chopin.
rpHIS is true in a. much more limited
May in the symphony. Despite the
assertion of Wagner that nothing more
of merit could be composed after Bee
thoven's Ninth, a number of grcut and
purely symphonic works have beeu writ
(en bince that time, unci they bid fair to
survive for many vurs jet to come.
Among these may be mentioned the Un
finished and the C major of Schubert:
at least two, the Tirst and Fourth, of
Schumann ; all four of those of Brahms,
the Fourth, Fifth and Sixth of Tschai
kovvsky, the one by Caesar Franck, tho
II minor (New AV'orld) of Dvorak and
some others.
The decadence of the piano sonata as
a means of expression by the modern
composers has doubtless been due to
some extent to the general shortening of
recital programs and the substitution of a
greater number of smaller compositions
for a few of the larger oues. Beethoven,
it is true, hus furnished a lot of the
Iutter type and, after all, little.has been
said iu the form of piano sonatas since
he wrote the Hammer-Clavier and the
gigantic ones in A flat and C minor, the
Principal piano works in that amazing
list of compositions after he had passed
the opus 100 mark.
rpHERErORE, by reason of its rarity
if for no other, the performance of
the piano sonata of Mr. Scott by Percy
llrnimrpp fnrmerl nno nf thp most inter-
.'Ming points in the current beason. The &. "!. y'J8 .f0tb emaa0Thl0rt1
vvuriv is very mrge ui us uuuiucs uuu
really consists of beven movements, as
nil of the regulation four movements
i connected by an interlude, which is
nothing more or less than u development
of material which has previously ap
peared at some time or other iu, the
sonatu. I
If this work of Mr. Scott be takd as
a type, however, one of the chief leisons
that its performance brought kouR" most
strongly is that the modern composer of
the t'jril Scott brand, who runs to dis
sonant harmonies and extremes if not
absurdities of rhythms, has not a con
genial medium in the classic sonata
form. As was noted in these columus
'hi1 clay after the concert, the piano
ouutu does not go to the lengths of the
v loliu sonata of the same composer in
these respects, but ecu at thut it is
pretty radical. The themes of the mod
ern composers are not buch us lend
themselves to development along the
liuea of the classic sonata fofffltT and
thematic development is the very breath
of life of the sonata.
. FEATURED IN NEXT WEEK'S FILMS
B' yr1 lSw r i m
HHST &?' BWUK AMdcCONALP HOLMES.
K aKo BXB'mV hW- THUNDERBOLT 'NOTHING 5J3
B" " ,BlHHeiiHHIiJHiBrodd'U5it but the 2fN
HKHHHHHH 'bund Wt&&J mtfy '
HHmMHIHflHHIflL husbands' -ur4 rTWIBfewi 555
, ' i ' "Z&BBBRS$&im YoHH NELL SHIPMAN. ! M
f "?HmMM YWsH'M "BACK TO COD'S Z
);-OTr -yiHm SHUf' ' PINTO"
W'$M&$ GABRILOWITSCH RECITAL
pillMiii
Have You Tried
Peanut Lunch
Made of a wonderful combination of Klein's
Sweet Milk Chocolate and fresh roasted Peanuts!
Klein's f!
Bar? !
muck, De Lucu und Scotti among the
musiciuns, and Mr. and Mrs. Frederic
Penficld (formerly Miss Weightmun, of
Philadelphia), Mrs. Dc Kotcn, Mrs.
Kreisler, General Porter and others.
Minnie llauk did much for American
artists in the days when they were com
paratively unknown und when Europe
thought it impossible that an artist of
high rank could come from our country.
She wus one of the first to prove to the
contrury, und her whole artistic life was
devoted to the service of American
music. The timo bus now come when
the debt may fairly be repaid, und no
one can justly suy that it is not due.
Any one wishing to contribute to this
worthy cuuse should make checks pay
able to Wuldron 1. Belknap, treasurer
Minnie Huuk Fund, und send to Albert
Morris Bagby, vice president, Waldorf
Astoria, New York city.
COMING MUSICAL EVENTS
Tb New York Symphohy Orchestra under
Its distinguished leader, Mr. Walter Dani
rosch, win ijlva thlH seabou'o final concert
at tho Academy of Music on Thursday eve
ning, when Mltclia Levltzkl will be tho eololpt.
The concert will open ,lth Tpcbalk-wsky's
' Pathetlquu" ffymphony and the second num
ber on the program will bo a noclty, a
"Habanera" by Louis Aubert. Mr Ln
vltzkt will jppoir in tbo Schumann A minor
Pluuo Concerto.
Keturnlnsrfrom Its fourth tour thl3 sea
son the Philadelphia Orchestra will resume
Its concerts at the Academy of Music nest
Friday and Saturday. Tho feature of these
concerts will be tbo Jrlnt appearance as
Eololsta of Thaddeui Klch, tho concert
master, und Anton Torcllo. leader of tha
doublo bass cectlon. Tho will play a con
certo for lola d'amour. double bass and
orchestra by Lorenzltl. Two rrchestral num
beru will complete the proBrjm, the "Oberon"
oerturo of Weber and Dvorak'u "Now
World" Symphony. ,
Tho thirteenth free Sunday afteiiwm con
cert will bo Rlen at tho University Mu
seum, Thirty-third and fcpruco street, 10
morrow, at 4 o'clock Tho soloists will
bo Ilomeo Cclla, cellist, and Cnarlotto T.
Loeben, tho youns eopranu. who recently
ans tho tltlo rolo In "Martha" with tfcu
Philadelphia. Operatic Society.
John McCormack, who will sail for th5
Antipodes to begin a tour, will gUe a con
cert at the Metropolitan Opera llouso on
Trlday exiling, March 3.
Tho Manufactureru' Club will bIvo the
eo-
d. m. Th artists are
Eatello ltueh'B, uoprano; Jtoratlo Connell,
barltoni1. Clemente Barono, flutist, and Ullla
Clark JIammanu, accompanist.
On Sunday afternoon last j. reception was
given at the Art Alliance to George II. Hon.
zon In commemoration of a continuous ac
tivity of nfty veara of service In musical
Philadelphia. The commlttep in charge of
tho reception comprlsd Mls Marthii C
"arrv. Mlsa Anne MeDonough. Mrs Oraco
Plrer, Mrs. John It. S. Holtotl. Mlts Mabel
N. btewart. Mrs Helen P Innes, Noah H.
bwaync, David S. Crozler und Philip II
Gocpp.
Sammy Kramar. thp seven-year-old prod
igy, will qio a recital at tho Academy of
Muflc Friday evening. February -7. He will
play among otlur things, Sonata In O minor,
by Tartln: an Air Varlo, by Do Uerlot. and
poem'j bj Hubay.
-T Helffenbteln Masnn, basso profundn,
will b thf soloist on Sunday. I-Vbruary --.
with Leman's bymphony Orchestra to upcti
the Sunday night concerts given wi Steei
Pier, Atlantic City, N. J.
, The Mendelssohn Club will offer a furthe
i Prize of $100 for 1h best acappella chorus
I submitted. N. Lindsay Norden, the con
ductor of th club. Is rehrarstnt; "O Death
I Thou Art the Tramull Night," by Corne-
ll.i ..n.l n . ... . ..I.... I ..-, a
AIT. hcott is evidently an admirer of . humming accompaniment) of Rlmi-ky-Korsa-Debussy,
to put it mildly, and Mr. !ton"8 ','S.ns ot I""'"-'.' Bth of these num.
Grainger made the tactical error of fnl- h" wlu " BunB at tn9 sprl" ""
lowing the sonata with three of Do-
bdt-sy's most atmospheric and popular i ' Tllltt Ituffo win mak his appenrance In
nlo,.ci four vfiru !,',. o tlu,i,..l,, '-oncert at tht. Metropolitan Opfra Ilnuso nil
pieces. lev, years dt,o we tliouglit Wednesday rvmliur. rebru!ry M. The pro
Ipbussy had gone pretty fur in the line gram contains such numbers as prologuo
of .lNMH.ai.ee.. but after the Scott so- j $suZa1fi&: dre..nga"0sont-"VfrLm
natu his woiks soundnd like IIudu after "Hamlet." A. Thomas, and Patrle." PaU
Ornstcin or ProkohelT. i iiuhe. '
After five years of triumphs In the capi
tals of nuropo. arrangements havo been
completed for tho only American tour of
TT IS to be regretted that the fine old
lonn 01 me piano tonata uus vir- Michel Foklnc. creator of tho Iiusslan bal
tuully been placed in the "discard, but let nnd Vera l'oklna, prima ballerina of
us lontr us thr trpml nf mnilorn mtmlrnl ,he I'usslau ballet, who will appear at the
us ions, us inc trenu OI modern musical i M9truPoiitan Opera House Philadelphia, on
thought continues aloug the lines which .Monday eveniug, March i'S
it has during the last few yearn, ivith u
continual und increasing tfudency to I The Leefton-IIille Conservatory will give
break UWUi from compositions in btrlet i a concert at vvitntrsuoon Hall on Tiiursoay
fnrm thpro i littln hniin nf -md oven ' evening. Mar,-h I. for the benefit of the
orm, tuere is little nope ot and even osteopathic Hospital of Philadelphia. The
ll-f MM' III II I 1 I'MIIII III" III I'l'VI' II. I 111) '
thoughts of the modern composer uro
tlxi hetic to lit iuto the old classic so
tiuta. In this respect, however, the com
poor fir the piano i only fullovWug tho
liuis adopted by his brothers who write
in the lurgcr forms. The symphony has
now all but given way entirely to the
symphonic poem, uhva.vs written to u
program; the shorter piuuo pieces have
ii mune each, if not something more ex
'uded in the way of a title, nud the con
irto f"r violin, piano or violoncello has
virtually departed. The concerto for
piano by Bachmaninott, plujed here
within tho limits of the present season
bj Mr. Cortot und b Mr. llachniuniuoff
himself, was constantly referred to us
"n'-w," but it was nine ear old this
jmr limes and manners change and
performers will be Dorothea Neebe. Evelyn
Tyson. Vlvlenne Coidero, vlotln, and Julian
Van Hulsteyn. viola.
m;
f...A "i,u..vf t Tl
"VaSil
ETHEL CLAYTON.'IOUNG Mra.
WlNTHKOP"Arcddta and "13Ut.
COMMANDMENT" W. Allecjhetie
Cedac Coliseum
MANTELL AS MACBETH
Melodramatic Power and Rhetorical
Effect In Impersonation
Energy and rhetoric were more in
evidence than profound cburacterizatiou
and poetic imagination last night at the
Broutl where Kobcrt Mautell and bU
leading woman, Gcnevlcvo Hamper,
bodied forth the murdering Thano of
Cawdor and his murderous-minded lady
in Shukcspcare's titanic tragedy of
"Macbeth,' the propulsive lorco of
which is "vaulting ambition thut over
leaps itself."
Kings of Scotia in legendary times
were doubtless not very subtle in their
nsychology and Mr. Mantcll fashions
his iu melodramatic wise, robustly and
romantically. His impersonation ex
presses graphically rather than illusive
ly the over-aspiring warrior who be
comes "u most unhappy king." yet
brings out fairly enough the Thane's
essential vacillation and weakness of
character, despite his evil aspiration
and fierce valor. It ulways has need
of the goad of the pressingly ambitious
woman set ou "sole sovereign sway and
masterdom," whom Shakespeare creates
us Macheth's consort. Miss Hamper's
conception had a modicum of stirfueG
sweep and intensity though little of due
essential ferocity. It lacked tho
dramatic surge of emotion that under
lies and should control the role. Yet
she was able to contrive effects to show
feminine capacity of the woman to
stimulate the man and to devise excuses
for ill designs. Her Lady Macbeth
failed in authentic tragic aptitude be
cause it was uot plastic but pictorial
and posed. The principals received
good support but tho production was
more routine eieellently routined
than persuasive.
MANTELL'S FINAL WEEK
New Staging of "Caesar" and Lei
ber's Hamlet
"Julius Caesar," iu a spectacular
scenic production, will bn the feature
of the final wek of Mr. Mantell's cu
eacement at the Broad. The .production.
which takes the place of one destroved
Pianist Offers Exclusively Chopin
Program at the Academy I
Anuudicnco that almost taxed the
capacity of the Academy of Music yes
terduy afternoon heard un exposition
of phepiu as be is exemplified in the i
uiterptetative values ofOssip Gubri
lowitsch. Mr. Gubrilowitsch's program i
from tho E minor nocturne with which
lie opened it to the concluding Hondo,
was exclusively devoted to'Chopin bar
ring one encore, Tschaikowsky's
"Autumn." Chopin is tho pianists'
composer und the idol of tho musically
supercstbetic, and the audience, bo
much of it as was made up of piunists
and Chopin devotees, was profoundly
appreciative, while the remaiudcr of
it was attentive in its interest.
But the program in matter was too
much of u piece and in manner too
much of u mood. Mr. Gabrilowitsch
elected to sentimentalize tbo music to
its limit. The average music lover
carried away from the bearing a feel
ing that moro vigor nnd more vivacity
were to have been desired to make the
concert of fullest and finest effect.
Mr. Gabrilowitsch played very beau
fully, but failed in fitting contrasts,
The sweetness und the moodiness of the
composer were always emphasized. And
the effect iu the mass was undenlablv
cloying, although in minute detail there
could bo no cavil ut tho pianist's urt.
The B minor Sonata wos played with
fine feeling and in a measure gave the
tonal relief that many in the uudience
longed for.
Comparison between tho Preludes a?
played by Mr. Gabrilowitsch and by
Mr. Cortot a few weeks ago was inter
esting. Mr. Cortot set them forth ns
graphic and vivid pictures in tone, rich
in color. Mr, Gabrilowitsch useil a
different medium from tho brush ; he
mude them delicately traced etching!
Iu precision and technical draftsman
ship his versions could hardly be im
proved, uut tncy lacueu in hue und
shading.
"DERE MABLE" STAGED v
Louis Bennlson Will Have Holl of
Bill
The long-awaited (at least by the
multitude who read "Dere Mable").
musical version of "Dere Mable" will
unfold itself next week at the Garrick.
This piece hus been tried out iu the
provinces for u fortnight. The adapta
tion from the book wnb made by the
author, Edward Streeter, in collabora
tion, with John Hodges, and the result
has beeu that the quulut atmosphere
and unique characterization of the let
ters have been retained in this stage
virsion. Mr. Streeter having himself
bteu in the army und knowing, there
fore, that the public desires to get away
from the war stuff ns much us possible,
bus eschewed war flavor and begun his
itory with Bill's return home. There
K u plot in the pieceund it is some
times quite visible in front of tho scen
ery, meaning that there is u well-defined
love interest, und there are, also.
u few touches of pathos in the scenes
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Lots of Milk, Smooth as Silk
Eat One Every Bay
bv lire, is, modeled after n famous stag
ing of Sbukefpearc's Itoman play at the with Bill und Harold, his dog and pal.
Theatre Anloiue. rans. 'I MS was copied i-ouis t.eunison, Know;n on tne legiti
in the larger effeets, but was rrwdjUcd , mate stage and in the movies, will be
In detail. The grouping of the mob und seen us Bill,
the lighting of the forum scene are said
to be particularly effective. Another
fealure of the week will be the appear
ance Wednesday afternoon of Fritz
Leiber, the tragedian's young leading
man, as Hamlet. Mr. Ldber first played
Hamlet at a special matinee in New
York last w inter.
Lowell Thomas's Picture-Lecture
Lowell Thomas, who is to appear ut
the Metropolitan Opera House the week
of March 8, will describe by lecture and
picture the campaign in Palestine, which
took the Holy Land from Moslem eou
trol. He took part in the Palestine
,T"e, ?iai?.usirit,t. Soc'e,w of Vii'l?" . '" Arabian campaigns, at, uu American
will hold Its next meet ng on Wednesday I , ....,'. ", . r,,,,,,,...
Pebrujry L'5 In tho Musical Art Cluu. Th" I ""' -"i"iutui.,
and wus fortunate
in b'ing able to obtain an inside story
uud exclusive pictures for the "Last
of the Great Cru'-udcrs." He was per
sonally uttucbed to Field Marshal Lord
Allenby und was personally associated
with Colonel TiHttrpnee. it most roirmntio
muBlc department of tho University nrten- f11:ur(i nf the war who earned the title
slonfroclwy on Thursday evening March 1 , W Vy', Y? ? Aa' ' V.1"-
i inp uerraiiuoffn uraiicn ui ine ouv.i-i;
proBram will contain a trio by Charlton
Murpby: 6ontf3 ay Nicola, Monwiil ana iieien
Uader, and ufd.no pIcph by Affiles Cluni.
Qulnlan and Camilla i S2cckwcr.
Th musical clubs of tho UntvereUy or
Pennsylvania will elvn a concert for
of the "Uncrowned Kins ot Arabiu.
At thn reeiiUr evening srvli if t.
I'aiil a bpltfropat Church of Ofrbrook to
rrinrrow venintr, John V. Molloy, Jr , )u
linlst. .Lnd Doroths Jolmstojie LalT
haryiet will asaltt In tho half hour of .numi
which opens tho aervtre They ill pUv
rift a Htiene of Vleuxtemps for lol'n.
harp and organ, after which Mrs Baler
inublc chanxes with tbrru. beruue iu wtu v"Y, a UJTV Bolo a Itomn b,v Medio
the Iitbt unulysi, music is 0Uly an ,.m, ?cPoiiVionry ofr
Liuoui irui:i:iiuu ui viiu time:. IU VVnil'U
the composer lives; but the pity of it ia
that th cm: line old forms are almost gone
uud the modern composer hus given us
nothing to put iu their plucet..
rplin professional artlvt, whatever may
- uv wio iijeuiuiii iu vviiicil lie works, I
li cndited with hitvins u Und heart, '
and this, is borne out by the part which
.Miss (icraldiue Farrar is tukiiu: in the
Mlnuie Huub fund. This fund is now
beiiic raised with tho worthy nhject of i
helping Minnie Huuk, a well-known
American singer ot sotno years ugo.
Miw Furrur is trying to uwal.en tjiu-
puthy for tho pitiublo plight of this once
grcut urtlbt, u woman who iu her day ,
was lurgely Iuttrunjcutul iu laying the
foundation, by educating the American '
miblie for the success thut later wa.s
thus made possible to Miss Karrar her- ,
velf und tho many others of our great i
American vocalists. At seventy, par
tially blind und destitute, .Minnie Hunk
deserves well of tho Amerlcuu imiMc- I
loving public. '
M.lt.0 Furrar has gathered around her
Ntt able body of the best -known musical
people of Now York, including I
Amutu. Uodansky. Ounisc, Otittl Cu-
tUa, Witller LWrooch, JoLu McCvr
ulU b a trio for th samu Instruments.
thu Jlelody iu l.-Uit or TBcnaiKtwsK-.
At tho Jlonday mooting of th New Tfn
tnrv fMub there will bu 4 talk hsr Mra
Trunlt Hurpee nn "I'amous 'lngers Who
Huvn Visited Philadelphia " Tho talk will
ho illustrated, by tho favorite songs of theso
! singers, given hy rrvl Khcrmau Perot
I Mrs I'uller will iicrouipiin.v.
Tho third veok In the sprigs of friso noon
time organ rcitala arranged b the inuslf
deunrtmrnt of tho '"ommunlty Servlro of
TMilladclphta will tako plane in tho l.utherun
rhurcii of the Jlolv Communion, f'hestnut
street below Tw enty-sweond from 1215 to
IS 511 Monday to l'riday Inclusive. William
I.kUu. Nassau und Hurry A. tjylico, organ-
ist-
v muslcalo will tako nlaco on Vriday
llVbruary U7, lit s . In , In tin ruticert hall
nf ('alvurv .Methodist Kplsropul Church,
rurii-tlghth street, and Ilaltlmoru avenue,
undir lli'i dlrettlon of tlio oung men's clasu
ur the ihurch. 'Hi artlttg nre the Kloren
tlno Instrumental Quart"!. Charles U, I.ar
uiiiy burtlone. und Mlsa Katberinu Noll,
LOiilrulto.
Tho directors of the, Philadelphia Con
servatory of Music announce a concert hy
pupils of tho primary and Intermediate d
"iriinenH on Saturday afternoons. February
.'. nnd March U, at i.30 o'clock. In Trcster
Hall.
The monthly neighborhood concert nf the
Settlement Music rchool will bo tnld on
"Twin Beds" Here Another Week
"Twin Ucdt," Margaret Mujo'h joy
ful luugh-pluy will enter upon its second
and lus.t week at the Wulnut Monduy
uight.
"Twin Bedfi" beems to huve lost none
of its btnart fun since it appeared here
before. It ib compuct, amusing, colorful
and romping with mischief us it was
when lubt been here,
hois 1 to ton us usual heads the
comedy contingent, playing the rolo of
the young wife, u part that gives her
an ofportunity to display her varied
talents us a comedienne.
Nazlmova Film for Stanley
Xaziinovu will ho featured at the
Stanley beginning March 1, in her lnt
est production, "Stronger Than
Death," This is a bcreen adaptation of
the novel by I. A. R. Wylie. It re
counts tho adventures of u dancer and
tho wan bhe udores tlitl hermit of
Guya. lie is u phytdciuu who devotes
his time and energy iu lighting epldcm.
ics uinoug the uutives. Tho action is
replete with thrills that grow out of au
abortive mutiny und massacre of the,
English planned by fanatical Hindus.
T
Galley Scene In "Ben Hur"
The bcene in "Ucn Uur" represent"
ing between decks of a great Roman
callev is the first that has been nut
OClll-UIIIII .MUSI.-- ,-" IIUVI Kill UO I1CIU Oil I " - , , T. .
Sunday, rrhruarv L" nt n'einrtr ti. accurately unou the stuze. it is one
program will be, given bv the Philadelphia of thu most intcrestluz events of the
&" trno;" -ifcJJc"!? W.K4: rerformaTc to etudentof history. ''
hU
Local Song Writer Composes Hits j
Louis Mcxbcher the locul bong writer, I
has placed a bong with the largest pub-1
libhiug house of popular mubie in the
country, Nine jcars ago, ut the outtct
of his career,lhc lirm told him to get a I
rtputatiou. He uchieved it lust summer i
by writing his first real hit, "There
Are Just Twc Blue Eyes in Dixie." He
followed his first buccess with tix other
fongs to be published soon. They are:
"I Can't Take Xou Out of Mj
Heart," "Wheu I Marry Mary Down
in Maryland," "Arabola," "I'ckln,'
and "Ou the Old Clothes Line ' in
collaboration with Kendis and lirock
man, writers of "I'm Forever lllowing
Rubbles," "Golden Gate" and "Step
ping Stones," His latest sung is un
Orientol fox trot culled "Hound in
Morocco." Mr. Heracher is now com
pleting two new songs which prohablj
will he named "The Idol's 11 ea ' unil
"Rose ot a Summer Night."
Just "Ann" Unadorned
Ann 'Warriuglon, who is u member of
William Hodge's company In "The
Guest of Honor" to bo seeu ut tbo
Lyric Theutre, claims the distinction of
being the first uctress to use the name
Ann without the iiuul "e" or "a."
Since adopting it for a stage name
she's a native of Hillsboro, Wis., and
ber real name isn't anything like Ann
Wurrington hosts of Annb huu ap
peared iu theatre programs.
From Ledgers to Legerity
Walter Gallagher, who does a special
ty dancn in "Dcrc. Muble," was u
bookkeeper In the Klaw &; Hrlangcr
office up to three months ago, During
his spure moments at night he danced
at bcveral Broadway cabarets His sue
cess drifted back to the homo officu,
which explains bis being engaged by
Mr, Klaw to show thoso who don't f re
fluent cabarets what he cun do.
Hopes to Play Kate, the Shrew
Miss Juno Hoiistop. leading lady with
Willium Hodge In "Tho Guest of IIou
or," is u Shakespearean student and
homo day hopes to have the opportunity
of playing Kato, the Shrew, in "The
Taming of the Shrew.' '
Sothern and Marlowe
Until E. H. Sotbcrn und .lulla Mar
lowe joined forces and uppearcd as eo
btars in Chicago in 1004, Mr. Sothern
had never seen Miss Marlowe act. They
will appear here together later la the
.season. v
SSIS&
Philadelphia has welcomed this new and inexpensive
, confection with open mouths. y
It is delicious; it is a wholesome food a typical KLEIN A
product, and none can be better.
Just the right amount of peanuts filled to overflowing, in
each bar of Klein's famous Sweet Milk Chocolate.
Klein's Cream Nut Almond Bar
a Great Popular Favorite!
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Why Way"
Thousands sold every day in Philadelphia because
Klein's Cream Nut Almond Bars are conceded to be
the best anywhere to be found.
Don't forgetinsist upon Klein's Cream Nut Al
mond Bars or Klein's Peanut Lunch Bars.
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