"W .f-'Ttfvfl M-v xr ,-, . iiaBtwsaettMia) .-KWataeewce' raGWrtttfmwfi ""fW1 SfflOSLl H" u w EVENIHd .PUBLIC LEDGER PHILADELPHIA, TUESDAY, NOVEMBER .11, 1910 It)' THREE PLAYS OPEN AT THEATRES TO PLEASE PHILADELPHIA AUDIENCES I sophisticated bonrdlng-houso keeper; rloH in. ureen, n rnptain ot Imlus : Hittli Unrluml. Irein- Arkerinnti. At Dayton, Gordon Hnmllton, J. Company Leans Dlo Storo The four-story building at tho south east corner ot Klfty-sccond and Market GHOSTS OF MANY PLAYS More Than the Title Haunted In The Haunted Violin" Morn than tho title is haunted in "The Haunted Violin.'- ('nine Wilbur' tirninn, in wlilclt the iilnjwrlRlit assumed tle innin role lnil night. The ghosts of ninny other ntayn walked (lie stage n( tho Uarrlck it the local premiere of tills jilay. so usual in most of its situations niid' theatrleiil expedients ns to make mi uncannily unusuiil totality of effeet. In Ftrticturr II tnki-s the fntitiis.N -form or dream -drama recent ly so favored In Mleh plnys lis "The Kyes of Youth, Uie Phantom Lover" and "Itnuds of Des tlnv." niid like them in manner it is episodic. In matter it utilizes the sub stance of such plays as "The Concert nml "The tlreat l!Mer," in that its ma- - stage Itself. In the adaptations ot for- the famoui novel: but the nmllencc elgn plnjs dealing with artists, ot which seemed to enjoy every minute of it. Mr. Dltriehsteln Is so fond, that actor- Vlcnty of funmakcrs have been pro plavwrlght either drninatl7.es them or'vltleil to euliven the proceedings and satirizes them. Sometimes Mr. Wll- ' vary tins musical numbers. The piece terlnl is the drllstlo temiierament en vironed by various corroding or oner rating influences. It might, also be called ti composite nf Ditrielistcmlan motives. The chief character Is a violinist, vliosu nmbltion Is leading him to cast aside the girl who truly loves him and who has aided iu the early development of his career. Possession of a violin baunted by the genius, and the pecca (liloes of a great virtuoo lead him into a career In which women and music. nnd mainly women, rule his tempera mental disposition. His philandering with various t.vpes of womanhood is Vortrnycd in several passages, some times very amusingly and at others very theatrically. The epilogue shows that it is all a phantasmagoria. This is the surprise or the punch Of the piece. Tlinneh rmssililr It pxiilnins some of the tlieatiicallsm of tlie play, It is nnij fair to say that adoption of such an ex- ' ludlcnl, if it is to be thoroughly effee- ; five, requires the establishment ' of the premises. Otherwise it is unfair to the audience groping after the signlfi- i cauces of the passing action In the plot- I development. ! It is hard to decide, whether this play, ' of the stage stngy, is so thentrical be- t cause it was written by an actor or be cause the pivotal figure is per !'e a jioseur of artistic affectations. At any ; rate, Mr. Wilbur takes the audience behind the scenes of the artistic tem perament, lie exposes the virtuoso wor fchip of emotional femininity wnlch packs concerts even unto the capacity of the' Inn-. Intnnllnnnllv or not. Is verv close to burlesquing his hand-picked artistic temperament. He allows himself con siderable license in his dialogue, but not much originality iu the (situations which govern climaxes In tlie action. Twice he resorted to u love scene Interrupted by an eavesdropper. On tlie whole, the play brought considerable iiiuuseinent to the audience. Mr. Wilbur's own Impersonation was graphic. Of his long list of colleagues the most natural acting wns contributed to character bits by Klwood itostwick. .lames Hillings, llelene l,aeknye and llcruard Itelnhold. nnd, as the play moved on, by I'nullnc Armltage, who Un priced greatlj. It was very beauti fully staged. v murks u change from those usually put out as extravaganzas, in recognition of the fact that present audiences seem to wnnt u lot to laugh at instead 01 Hav ing merely to giize at striking spectacles and to listen to lilting tunes, though "Monto Crlsto. Jr.," has both, In addi tion to its comedy. Scenery plnys an liiinnrlnnl nnrt ill this nrodllctlou, for there nre many changes of It and some arc cleverly designed. As for the cos tumes, they nre plentiful and gorgeous in color scheming. VniidoUllo's loss has been this show's culn. for the roster of names looks like n booking list of ft prominent variety 1'eter r . Dunne, creator of "Air. peated their vaudeville success. Kitty . farces seen here In many moons have in !." made in the carters of several f 1mm and others. and Knnny Watson are pleasing to hear; had the speed of this offering l'rom nf the other cliarnelers. To n Squires enacts the title role as the rise ot the curtain on the tlrst net Marry S. Sheldon, the author, has . well as slugs the "nnmc" song; 1,ew the comedy inelodnnun. or farce, mntrlved it more or less Ingenious. In-I MMHMM Melton C'lodagh, Kdwiti J'ellx Jlurn-! streets has been leased by tho Scliulte ( Igar Stores Co Ilearn was n capital "rube": Mart rullcr Ooldcn, James Orny and Knth erlne Galloway hnd liuportant roles. Adelaide and Hughes executed some wonderful dancing anil led a large corps ot dancers in several numbers. .... ... I, ,,i. .' .,,,,. .iwnwi.u tn enll II. wntlnn till fashioninz this coined). moves with eipress-train rnpldiO. The entire notion of the piece takes Situation crowds situation n fnt that1 place within the period of sixteen the audience has scared) time to com-, hours. There are three acts and only prehend one before another i presented, two scenes, the latter appropriately And' what puzzling situations they are In addition to Mr. Lloyd mention for the time being, and how plausible, staged. . nrnv AT 1MM MUTI sometimes, they seem after the author must be mnile of tin- wort; or leggy SPEEDY COMEDY AT WALNUT! ,,,,,1 10 nctiirs make them clear. Weltohmd. as Klein Klrkwood. She I ,ive seen leading men in a great twin aided materially iu the success of the .... .. . u.j.... m plays nnd musical entertainments, lint phij. 'I'lien there nre Dorothy Allen. -u Happens iu vciyuuujr '-"-"' I ,, ,..,nnot r(.,.. offhand, when an ho makes much of a comedy role .1 Big Audience at Old Playhouse l'ncked ns full ns n Christmas lio-c with mystery, comedy, romance nnd business intrigue, and with all tho attending suspense, laugiurr, tnrin actor has been "called upon to sin so II. inker Wright. In n good character much, do so much nml be so much in i'nl : lieitrnile l.e liramlt. as it IllM'Ilt Donlev." should relolce in the knowledge -:-. .- . .. m 1 iiii L this entertainment lioasts tlirec oi i....i,.i .,,,,, r,i ,, nncnenmeiit ni ine that name, nil of them good. AVflllnm ' Vnlniit. Inst night nnd sent a big and l. onion nooiry. nom ninueii, , mi,lipni:e home well pleased with the scored n complete hit with their nero- nearly three hours spent In the his- bane nonsense, while .1. ! rnucis uooiey, . torir- old playhouse. 'Monte Crlsto, Jr.," at Shubert,.a' with his partner, t'orinne Sales, re- ycw comedies or even the liveliest evidence as Is the lot of Hollo I.lo.wl in this piece. And be It Mild, he aeoults himself cry eredltnbb. The nnd melodrnmatic 'situations such a , title mnj be applied to any number of theatrical package might lie expected . iiiihbm nm niniinin "i ""'". " to contain, "Jt Happens to i.very DUMAS IN EXTRAVAGANZA Frolic, Not Melodrama " "MoTite Crlsto, Jr.." was the sum- I flfB llliBlllB lllllffiHIB !!: mer show nt the Winter Garden, nnd H Tt, T II came to this city last evening at i ft HC lOl'C th'e Sliubert Theatre, where the fatigued " financier found It wholly diverting. Mke K "Robinson Crusoe, Jr.," and "Slubad." ej this entertninment is based upon the dream of onO.of its players, and thus much latitude is given to the coworkers a; In its construction. j There is some doubt ns to whether jj Alexander Damns or James O'Neill , a- would recognize this .Inzzical version of H PROMPT instance, the opiiortunity that comes tn Donald Jtrnwn, pla.inl b.i .Mr l.lnyil, to make his fortune and win the girl of his choice and to several of the "mis- t . " TYPE" WKlIliKS nit Aiiillnr 5lfhln nntt ma Sold Aent for CORONA TrnptrltT LIBERTY TYPEWRITER CO. H029 Chestnutm pnnMlNPNT uriKir nininrD qrpriPitr: II I I LOVEKIN HEATER $ I B Tvptitv-nu nw tls.ooa to t85,00i)hotn In Vft Phll- a fl ll rlitihla'R niif-ttt rBldntlal pectlon urn being rnulpped with a ill. I m Iivettln Automatic Uas Wutrr Jlcatern V( M ml B Tho Jovekln" is difffffnt from any other water heater I JJm' J W lf rami nan consumption (a really eurcrlslni. 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