Evening public ledger. (Philadelphia [Pa.]) 1914-1942, April 19, 1919, Night Extra, Page 12, Image 12

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EVENING PUBLIC j&EDfHBB PHILADELPHIA", SATURDAY, 'APRIL .19, '1919
VARIETY OF ENTERTAINMENT IN EASTER WEEK BILLS NEW SHOWS AND FRESH FILMS
ON SCREEN AND ON STAGE FOR THE COMIN G WEEK
GEORGE MIDDLETON
HAS STRING OF HITS
LOMBARDI DISPLAYS
LATIN TEMPERAMENT
W PLAYGOER'S
WEEKLY TALK
Rt.v.
m
T
Observations on Plays and
Author of "The Cave Girl" College-Trained
Rlay-,
wright
Impersonator Is American of
Spanish Descent. Not
an Italian
Photoplays of Interest
to Philadelphia
rr.
t"
fl
??'r
m
TT WOULD not require n George
A Henry Iewes, n WUHnm Hnzlitt or
n' T.cMi Hunt .those old boys who
were nble readily to picture in words
the spell that an nctor cost upon them
very long to n find a reason for the pop
ularity of William Hodge. Few, if
any, persons possess the critlcnl acumen
of n Lewes or a Hnzlitt or a Hunt, but
many go to see this nctor, enjoy what
he has to offer and thlnK no more
about it.
To seek out the reason for any nctor s
popularity is ordinarily quite as fiuitas
tic n proceeding as to go in search of
the roots of Jack's Beanstalk or the
skeletons that old Bluebeard hid in his
cupboard. We like an nctor or we do
not. But to give a reason for our liking
or disliking is as difficult as to pin n
medal on n man's shadow or to capture
an eel in a tub of oil.
The phenomenon of Hodge, however,
is worth looking into. Ordinarily, n
play which has not had n long run
in the metropolis, mid has not been
touted as something miraculous, can't
draw n corporal's guard in the "be
nighted provinces." And ct "a
Hodge play" is able, year after year,
to draw big houses without enjoying
"n single New York indorsement."
Many theatregoers, even of high-brow
type, take it for granted that they
want to see William Hodge in any
piny which he may write, or patch up,
for sheer diversion. It is nil very
curious. Hodge would be the last per
son to claim that his plays are "su
preme dramatic achievements" or any
thing exactly under that category.
The only actor. vltbin memory, who
approached the Hodge phenomenon, was
the late Sol Smith Ktissell. New York
would not have this brilinnt comedian,
but the "provinces" adored him, and
rightly so. There is something about
William Hodge, not that he exactly
reminds one of Sol Smith Russell, but
he somehow casts the same spell of
goodfcllowship and genial enjoyment.
Sol Smith Russell inspired a cheery
outlook on life, and this is th? pre
dominating influence of William Hodge.
It may be that that is the reason for
his popularity.
IN "The Marquis do Priola," Mr.
Ditrichstein hns added one of the
most striking and effective characteriza
tions to the-long list of successes alrcadv
to" his credit. He has added an out
standing figure to his piqunnt depletion
of the erotic pianist in "The Concert,"
Ills exquisite portraiture of the lionized
Tiaritonc in "The Great Lover;" his
tpmnernmontal characterization of the
ftV erratic painter in "The Temperamental
Journey; his versatile delinention ot
the protean gallant in "The Phantom
Rival;" and his delicious impersona
tion of the philandering monarch in
"The King."
MARIE
NORPSTRDM.
Keitri-s
as a picture puzzle. There is an ncl- ,
ditional reason which is not nlwnjs
taken iu account in explaining the popu- ,
larity of mjstery plays or melodramas,'
no matter how palpably improbable ,
their premises muy be and how
inartistic they may be in construction
or characterization. .ieiournnins
MI'ST hae u plot based on surprises
and sensations. Audiences relish n
plot ns a relief from amorphous revues,
plotless musical comedips nnd implausi
ble farces. Once its premises are ac
cepted, even if they tax credulity, melo
drama must move logically and be
lievablv to nn unexpected denouement.
via the route of suspense. It is rcujly .
a guessing game between the stage and
the audience.
ScvernI of the melodramatic successes
of the past few years arc vtill on the
road and are frequently revived in
stock. Mention might be made of one
of the most trustifying nnd artistic of
nil of them, "The 1.1th Chair," by ISaj -
nrd Veil or. which comes to tlie wal
nut next week ; the same autlior r .
"Within the Law." "On Trial." "The'
nine Pearl." "The Deep Purple.
lU)Ln Ttmmp Vnlnntino " nrni IIPOll
about ten sears ago, and revived with I
great success only a week or two ngo
bv the Ornheum stoak in Germantown. I
This type of melodrama, of course, is
distinctly superior to the old bloou-nnu-
thunder stuff, usually built noout borne
sensational mechanical effect, sucli as
a horse race, u train in motion, n
"nrneticnble sawmill and the line.
. . . i- ...--.. n r-nneA nf VfifirC '
Tunc went im vujusc u ""- - - t
aeo. iTooauiy one out ui u iiuum.
MADPAH
CRAVEN.
"THE 13 Ih. CHAIR,"
Walnutr-
EI'
Iw-
nf the nresent generation would look
The masterly performance ot "The intelligent if nsked vho Lincoln .T. Cur-
-. ni Amin oo tr tw iiwen uavis -writ:. jvu im.
Hf Hntitn .1a Ttwinln
i ,&UllU0 Ut A...U.U
t.k B.nnl.ita Knmadv rt Ilia fnrmpr
roles, but affords him the opportunity
to rise to heights of histrionic expres
sion that are true to essential tragedy
and authentic psychology.
Mr. Ditrichstein's art is now shown
to possess tlie power of variety in ad
dition to its already demonstrated dis
crimination and delicacy. His progress
along the highway of histrionism has
been marked by specific character
achievements. In technical brilliancy,
in delicious comedy, in humnn appeal
and lifelike depiction, this new portrai
ture is worthy of his finest accomplish --
ments.
"While the role portrayed by Mr.
Dltrjchstein is nn unlovely one, his ar
tistry in its delinention makes an intel
lectual appeal that is irresistible, and no
Jover of the stage can help but feel the
spell of his consummate skill. The play
was translated by Mr. Ditrichstein with
slight variation from the original, the!
'.-. ;;: niQ-Biv iBatxBiricarm' vsts'!. . imx?
& mmr- k-i jmmmm . ibiiivs v ia t ttosv.. J-i!x.,-Jj3v 'v , v
mtkKBmmM andean, m$SM
j.. iVivsr Ira an k v , rH( ..wu
mmmmm:Jmm ' 'm VHpCI billie "
Broad.-- ftUI t-W 1 'Wtr''VW MAY- 8
grace loll , i4m ' v.vV &&wwW&Rimm, JJ
, . 3TVII :" - - ." b-i-SS iiywawriu- M
o s Ana t?HH ! ' s . II
I ..7,. IBS ITS.' J
Uop.rTiWJM m - EDWAKL
T Lsrio JmH mim
V iHa l -Zmi ' 'j
- 'syy ,
h-ntr-s ilevoted to melodrama have dis
appeared from general knowledge the
"Nash," the Park nnd the Arch (shades
of Mrs. Drew and tne classic rrper
toirci). 0L1VLR MOHOSCO will stmt woik
ou a new theatre in New York soon,
and, nccording to present plans, it will
be ready for occupancy in the late fall.
He has also just completed negotiations
for the building of a theatre in Botton
nnd a new theatre in Lnicago. lie,
plans quick work on these houses, in
order to have them all completed before
the Christmas holidays. These new
theatres, together with tlie four tneaires
in Los Angeles nnd San Trancisco which
he controls, will give him a circuit and
allow increased production and booking
facilities.
Th Mnrnsco nlayhouse building
program reminds one of Oscar Ham-
Hodge, the Zoologist
Theatrical stars arc supposed to in
dulge in queer hobbles. William Hodge
was recently asked if he shared this
weakness. He invited the inquirer to
his country home. Arriving there, the
comedian remarked in his dry way:
"I've got one fad, and I'll give you
visible proof of it. It's frog taming."
He led the way to n smnll pool, where
water lilies grew. Squatting on one 61
the leaves was a l)uge bull frog.
"Here's one of my particular pals."
said Mr. Hodge, removing hii pipe long
enough to commune with the bull frog.
"This is Plato. I love these old fel
lows, with their wise airs nnd raucous
voices, nnd I only wish I knew what
they were saying to each other about
me."
George Mtddlcton, author of "The
Cnvc Girl," which comes to the Gnr
riclc, has n string of successful plays to
his credit. He Is the author, or co
author, of "Adam and Eve." 'Tolly
With n Past," which recently had a run
in Philadelphia; "Hit the, Trail HolH
day," "The House of n Thousand Can
dles," nnd "ThoCavnller."'
Mr. Mlddlcton is n graduate of Co
lumbia and embarked on his profes
sional career ns writer for the stage
shortly nftcr graduation. .Tulln Mar
lowe. Alia Nazimova nnd Margaret
Anglln were among the first promi
nent artists to select his plays as star
ring vehicles. In addition to his work
in the lighter field of the drama, this
talented craftsman of tho theatre is the
autlior of six volumes of published plays
of a psychological nature, which have
won him recognition throughout
Amcricu nnd Europe. In collegiate cir
cles these works hae been used as texts
for teaching dramatic construction.
A THEATRICAL REUNION
Lily Cahlll and Brandon Tynan In
Same Cast Again
Lily Cnhill and Brandon Tynan, who
nppear together with Leo Ditrichstein
in "The Marquis do Priola." arc far
from being strangers. Miss Cnhill,
nfter finisliing n season with Mr. Dit
richstein in "The Concert," went to
San Francisco where she created the
leading feminine role in Brnndon
Tynan's play "The Melody of Youth."
Two seasons Inter Miss Cnhill plajcil
w;lth Mr. Tjnnn during the run of
"Joseph and His Brethren.." Besides
being the nuthor of "The Melody of
Youth" Mr. Hjnan wrote "Robert
Emmet," nnd "The Passion Flowe,"
the latter being a vehicle used by
Nazimova in which Tynan appeared In
her support.
Leo Curnlllo plays the romantic Italian
man d,rc'hsmakcr in "Lombard!, Ltd.,"
the fun nnd fashion show which will
open Monday at the Ljric with such
realism that it Is generally supposed lie
is Italian by birth. As a matter of
fact, he is of Spanish descent. Mr.
Cnrrillo was born In San Francisco and
his nncestois were pioneers who bound
themselves up with the history of the
West.
In "The Bread Line." the comedy he
has in reserve, the. hero is nn Italian
sculptor, an artist of the romantic type,
like Lomhnrdl. Buthc is in no hurry to
part with the role of the fashionable
yet entertnlnipg designer of hobble skirts
nnd rainbow gowns.
Mr. Cnrrillo whose name, by the
way, Is pronounced Carrlljo, after the
Spanish fashion occupies n unique po
sition. His temperament shows his
strain of Lntin blood, nnd with this
qualification he combine? American en
thusiasm -and enterprise.
DATES TO "FLORADORA"
Phil Ryley, of "Little Simplicity,"
Long a Drawing Comedian
Philadelphians whose memory goes
hnck to "Floradorn," remember Phil
Ryley who pncd the part of the Pro
fessor. Mr. Ryley now is nt the Shubert
as the dancing waiter, in "Little Sim
plicity." He is a brother of Tom Ryley,
producer of "Florndora," "The Belle
of Mayfair," nnd "The Queen of the
Moulin Rogue." In thclatter production
Phil Ryley is a pedestrian and makex
it n point to walk twelve miles n day
so as to keep in trim or his dancing.
He likes to write sketches and is nn
autograph collector of note. At one
dinner nt the Lamba Chib he had 500
signatures attached to his menu cni;d
nnd many of them were of the most
noted people in the theatrical world.
PHILADELPHIA'S KoREMOST THEATRES
ONE WEEK
ONLY
BEGINNING
m Itroftd and
femftmn
THOMAS M. LOT!
BuiInttM Maiugtr
MONDAY NIGHT
THE SIG EASTER OFFERING !
MATINEES
WEDNESDAY
and SATURDAY
IS EXPLORER
FOR STAGE TALENT
MATTERS OF MOMENT
TO MOVIEDOM'S FANS
BERT MERRILL "PABLO!?.
BEPROOM G EAThVAdelpW
I
Guided Many Stars
Route of Success
Anita Stewart Drama Exposes
Supercrooks New Film
for Elsie Ferguson
An expose of the methods by which
criminal intelligence seeks, "frames"
and lands its prey among the social set,
ns well ns of the plans of ultra-crooks
for landing big game, is made in "A
Midnight Romance," the second of the
series of special feature-starring vehi-
nlfB (tw Anitn Rtownrf. in a tliftitm
iv -i u. atu.t. j,i. , v, ..- oiii'.i...
Weber '
THEPA BARA.
"WHEN MEN
PESIRH"
Victoria
LEAH BAIRt.
'ECHO of
tOUTH-'aV
Several Howes
,.,.,.,. i,o!o. .,.i.. s n, e t - merstein. who whs bciuui.i ....- next wcck at me aianiey. j.ois
,.!.!,, ,m t ii. v,-Vi,- l architect and contractor showing him , directed the production from the story
cislon, some ot the harsher and more "'' . . , i,: i,;u tnt Mnck J -,, - .1 mi r i i
i,.rf.in........(,i,..u .i. -blue prints and smoking Ins fat mack ny Marion Orth. The finale brings a
dent Italian nob cman, a muu without " ",itin with the existing two
.11 II 11 LUIll livnvw" " - .1 .1 i ... , a 1
mnllDnr0 nntl wlrrinnf linnnx ABnAninlU
J hid .ni;n ,.,in, .....i .!.. syndicates
u ...i. uu.ua ,. .w. uiii(U nil,, nuuns
how n just retribution overtakes him at
the end of his cynical pleasure-becking
career.
Lavednn has taken what L'urope held
most "sacred, its hereditary aristocracy
and autocracy and disclosed with brutal
frankness the rottenness of its social
.Structures and, with lancet keenness,
the ultimate result of this decadent con
dition. He implies newer ideas con
cerning women, awakening of democ
Assurance is made mat -ine mniinee iuoi is nn nisirionic
Mr Morosco is not engageu in anyiuuucrui c .. ., u, ,T
"trust-busting" enterprise, but is, perhaps five years. His popularity is
merelv anxious to increase outlets lor a meteor, uoome.i 10 u wnumK vnt irum
his productivity
Other big cities certainly have an
advantage over Philadelphia when it
comes to playhouse construction. In
approximately the lost decade there
have been only wo... l" "! ,nl for several, vears on the leeitimate
devoted to the several iorms ... -. . ,.
the dramatic skies, and his mash notes
are flaming flatteries that soon loso
their zest. And the end is the end".
There is no returning."
Allen J. Holuhar is authority for the
foregoing, and Holubar played "hero
racy, the sure and steady march of
progressiva political equality and re
legation to obscurity of the degeneracy
of thought and action propounded and
exercised by the parasites of a decadent
social system.
When this scathing 'exposition was
produced at the Comedie rrnncaise,
with tho great Le Iiargy plajing the
profligate Marnuis, Paris fairly gasped
.at the audacity of Lavedan In having
written this play; but when it was
hinted that n member of the Hohen
zollcru family was utilized as the pro
totype for the title chaructcr, the
French capital flocked for months to
the Illustrious playhouse to witness this
truly amazing presentation.
T1'?,,"' death of the popular
Philadelphia comedian, Sidney Drew,
has evoked reminiscences among players
bow appearing here nt the local thea-
gV "P" viunrua irin pernor, a time
fflm. "! veteran of the "palmy davs of the
35tr.5forna. appearing In "A Cure for
lintises
of dramatic entertainment nilowing
musical comedy in that cntegory.
These are the Shubert and the Adelphi.
Going back another decade we find two
additions, tho Forrest and the Lyric,
nnd in the decade before that the Gar
rick. Of course this reckoning does
not tnke into nccount Ilammcrstein's
house, which had n specialized use, nor
the many handsome theatres, large and
small, devoted to motion pictures nnd
n vnmlpville. such as Keith's, the
stage with Savage's companies. He
starred in "Twenty Thousand Leagues
Under the Sea." The subject arose
when Holubar was asked why he de
serted the stage and Jcading screen
roles for directorial work. Holubar's
production, "The'Heart of Humanity,"
will be shown at the Palace week of
April 2S.
Elsie Ferguson's latest Btarring ve
hicle is "Eyes of the Soul," n picturi-
zntiou of George Weston's "The Salt
From Jazz to Opera
12 vn Shirley, whose "Songs of the
Moment" is a headlincr. nt the Nixon
Grand next week, is probably the
youngest prima donna on the stage.
Miss Shirley, still in her teens, is a
finished vocalist. Miss Shirley's num
bers extend from rag and jazz to grand
opera. She will be assisted by Ross
Gorman's Versatile Musical Boys nnd
by Al Roth, jazz dancer. Her songs are
new nnd exclusive and her associate
performers artists In their lines. Al
Roth is one of the cleverest exponents
of jazz daneing in vaudeville.
Theatrical producers are complaining
about a shortness of talent for their
productions. Particularly is this so
among those who produce musical
comedies, yet Gus Kdwards billed at
Keith's each yenr gives to vaudeville a
sterling production. Edwards manages
to find young people of promise who
need only n guiding hand to start them
on the right road. Such artists as
Elsie Janis, Joan Sawyer, Ethel Kelly
and such musical comedy stars as
Lillian Lorraine, Lillian Bordman,
Daisy Leon and Lillian Walker, the
latter a popular motion picture star,
began their careers with Edwards.
This season Edwards is presenting
another elaborate offering, "A 1010
Welcome Home Song Revue." He has
written all the music and staged the
production. His company includes some
new discoveries.
Hodge Writing New Play
William Hodge, who. enjoys the
emoluments of an author as well as the
profits of his vocation as an nctor. is
now devoting his time to the writing of
a Aimcdy in which he will return next
season.
MASK ?! WIG CLUB
UNIVERSITY OF PENNSYLVANIA
31ST ANNUAL PRODUCTION
"THE REVUE OF REVUES"
MUSIC BY CHARLES GILPIN
Darlces and Ensembks Arranged by CHARLES S. MORGAN, JR.
REMINISCENCES OF FORMER SUCCESSES
MERGED WITH AN UP-TO-DATE SHOW
BIGGER AND BETTER THAN EVER!
12 SCENES SPECIALTIES SKETCHES NOVELTIES SURPRISES
SOME OF THE LEADING FEATURES:
"Uncle Sam's House," "An American Stew," "After the Country Goes Dry,"
"The Girl In the Clock Case," and "When I Do the Shimmy With You."
MONDAY, APRIL 28TH SEATS THURSDAY
CHARLES DILLINGHAM, Presents
AMERICA'S GREATEST ENTERTAINER
FRED STONE
IN THE MUSipAL EXTRAVAGANZA
"JACK O' LANTERN"
By Anne Caldwell and R. H. Purnslde Music by Ivan Caryll
D
o
D
o
n
o
Broad
ad VPUt
. rtLknr
NIRDUNOra
BssiaiM Units
MATINEE TODAY AT 2:20. TONIGHT AT 8:2Q.
A NOTABLE TRIUMPH !
MR. LEO
D
o
Stanley, etc. ScvernI tlieatrcs nave 0f tne Earth," published In the Snt
disappeared or been devoted to other ur(ay Evening Post. Eve Unscll put
uses, such ns the Chestnut, the (le story in picture form, Emiln Chnu
Kleienth Street Opera House, the Na- tard directed the production, and it will
tlonal, the Arch, the (iirard and llie
Park. Others, such as the Walnut,
and the Chestnut Street Opcrn House,
have become "popular price" houses.
So the new theatres have really been
replacements and not additions. So far
as what arc called "first cIobs houses"
he the special feature at the Arcudia
commencing April 28, Immediately
nfter the appearance of "The Salt of
the Earth" in the I'ost tne screen rights
were obtained by the Famous riayers
Lasky Corporation. Miss Ferguson read
the story nnd Inter called up the pro-
go, Philadelphia is about whero it stood duction department to ask if it would
at the dawn of the present century. he possible to obtain the plcturo rights
New iork hns doubled Its play nouses, for her.
In the same period
There is n rumor in the atmosphere
Miss Gateson Alms at "Legit"
Marjorie (iateson, who has scored a
hit in "Little Simplicity" at the Shu
bert with her creation of the cafe girl
of impulse nnd temperament, was last
teen in Philadelphia with "The Pink
Lady." Miss Gateson has aspirations.
for strictly dramatic work.
Stanley Anniversary
Tho week of April 28, the fifth an
niversary of the Stanley will bo cele
brated with Cecil B. DeMille's drama,
"For Better, For Worse," while n nevv
Prlzma, a new comedy and other films
will be included. Kathcrlne McGinley,
sojirano, has been engaged ns the vocal
ist for the week and 'that the Stanley
orchestra will render special numbers.
"We hnve already purchased It nnd
It Is yours," she was told.
fefjvt rwM. " "I. -.-i, "; " i"",: " " .' " r." r. " t
F&5VJ. ,,"";., '" oi me lamous that Mr. Morosco lins an opuc uireciem . .. ., Bhootinir davs nnT man
El,'-4Lmu"a?n "iZ " a,8t , o Philadelphia. But Apri rumors are cou,d tfl two-sIl.s,lootoi:g s!m.
- ! m nuiui niuui'v urew nhnnr nn tipkip hs viirii weuiuciii .. ... j.t
sieved a brilliant, success as Bob However, the city is to have nt least ."i"?',',"1.
res, Mr. Vernor. in that mcmnrnhli, : . ,..iit(nni
rformsnee, appeared in hix fnvorit a .n.ii fv,nvonHnn linii nn North
wre vi air jjucius u .trigger.
rELODUAMA which is not farcical
noias tne public Interest jet, und
1, to the average mind n ennahlv
4mT melodrama flfTnrrlu n ini..nit
" . . I . " ,,ij jvfRrtlnlltf nnnnnnrerl. '1 he Tirolectors . . ... ....
, .. .. - - - ueveiopeu lino ji mrw-suu man
mndo their success with combined bills ',,.,, t. 1 ...
.. .1 .l 1 1 1 innitlnD anil tliao -nl V ?
01 vauueviins uuj wuuw uw imvj
Utick to the primroe path of prosperity
familiar to their feet,
11-itIt a.
I a brilliant success as Bob However, the city is to have nt least e" and he Hved onger than 1 c fel
Mr. Vernor, in that memorable one additional theatre. The' site of the IP L5- Mf B!L.?.i. "if L
.. A. t.n.l FVnvn rlv li'Sd n fcn
Broad street is to be used for what Is h he wn3 Tcxn rnn
heralded in advance as the largest . Vn,u Mir. l,n fn tnm
theatre in Phllauelph a, with a seating , Jiag been ,n thrH1!llr mo.
capacity of more than 0000. Just,,, on.j,lctllre nuaiences by his daring
what it will "play" has not been ',',,,, nnil ...,,-tin fonts. i,
officially announced. lhe iirojectors ,,.,, In'tn a .-three-cun man." Tn
Ssantv evening. Basic love of the
jlfcBOwn makes a man want to watch
atratca mystery on tho state.
,whJ aro not so fond of mystery.
..however, to slilver at the sensa
M of the 'Unfolding plot. Women.
B,-'re fond tot the villain, not that
Sin ..in.t.. - i...i ,..-
rt mv vmaiup ivi iiuauaiius uiways,
I tiiat villains are unusual men,
i.'Slie yrr)(u pui is raiuer lame.
ftlltbe vogue ol mystery molo-
majrt e ?, iq ne element or
! -mtouw Biure. rfiucti im-
-mmmm.-
Star Role for Grace Valentine
Grace Valentine 'at the Lyric In
"Lombard! Ltd." Is looking forward to
n busy year. After her engagement in
Philadelphia she wjll leayc for Los
Angeles wher she will nppear as stsr
Jn ,Ue tryout 01 '-,Msanie nappuo."
EtariBr tKat time-Sin; MB' 8H web
In
present
ed week of April 28 at the Victoria,
Mix routs a band of outlaws by oper
ating tvo six-shooters and a rifle sim
ultaneously. Billie Rhodes, the sprightly star who
has created a piquant style of comedy
all her own, has a clever vehicle iu
"Hoop-La," which will' bo seen at the
Blvoll and Colonial next week. "Hoop
La." is n beautiful young girl who
nn all-'round star iu a one-ring clr
i'us.playiag county fairs,,- an4 -smill
CHESTNUT BELOW TWELFTH STREET
JOYOUS EASTER WEEK FESTIVAL!
Magnificent Floral Display in the Crystal Lobby
Stage Reappearance of the Popular American Composer and Singer
Mr- Gus Edwards
IN A 1919 WELCOME HOME SONG REVUE
Singing Hi Timely Composition; Supported by Hit Youthful Start.
VINCENT. O'DONNELL, ALICE FURNESS and (BEATRIX CURTIS
1HLI.Y HALLIGAN & DAMA skks
In "Homewhere In Jtrsej"
The niitlntulthed l'roteun Actor
OWEN McGIVENEY
In "Itlll Bikes." a Dickens Kplnode
MISS ROBBIE GORDONE
fhainftw Htuaiei end Fo
(iue Kdwarde Treaenta
GE0RG1E PRICE
In "A TJItl of Evfirtlilns"
STELLA TRACEY
& CARL M'BRIDE
K.VTltA AIUi;f AT1KACT1UNI
HOWARD'S
ANIMAL SPECTACLE
AND isxTB Aiiuiiu AWRAtrrioi""
MARIE NORDSTROM FELIX ADLER
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DITRICHSTEIN
NEXT WEEK LAST 8 TJMES
THE MOST REMARKABLE PLAY OF THE SEASON
"The Marquis de Priola"
By HENRI LAVEDAN
APRIL 28 LAST WEEK-OF THE ENGAGEMENT
.MR DITRICHSJEIN
BY SPECIAL REQUEST, WILL APPEAR IN A BRILLIANT
. COMEDY OF THE THEATRE
"THE MATINEE HERO"
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LIMITED ENGAGEMENT
BEGINNING
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EIGHTS AT 8.20
MATINEES
WED. & SAT. AT 2.20
PRESENT THEIR
NEWEST SUCCESS
MONDAY
COHAN and HARRIS Sis"
THE
CAVE
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A MODERNCOMEDY BY GEORGE MIDDLETON
CO'-AUTHOR OF "POLLY WITH A PAST" AND "ADAM AND EVE"
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LOLA FISHER
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ROBERT MeWADE KATHERINE QREY MARY NEWCOMB
FRANK W. THOMAS JOHN BEDOUIN 8UE VAN DUZER
RUS8 WHYTAL ELMER QRANDIN HOWARD H. QIBSON
NIXOS'S
tTIANTIC
APOLLO city
MONDAY
NIGHT
FIRST PRESENTATION OF
LA LA LUCILLE!
BY THE AUTHOR OF "THE VELVET LADY1'-.'
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ROAD AND OJlnRIOKTH
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