'.J&WR
. V.
,1, i.:.V.
a""' ' i -
THti CRITIC TALKS
L TO MUSIC LOVERS
Weekly Comment on Things
i Musical in Discriminating
Philadelphia
M
ENTION' has been made In till
Column triors than once of the
Wi naoit 01 indiscriminate ana unuiscrimi"
BJ-. hating applause at our principal con-
E certs. This had a distinctly humorous
. exemplification at last Saturday ee
nine's concert of the Philadelphia Or
chestra, In spite of the fact that It con-
Sf cerncd a matter aB serious as the Illness
W. of Mr. StoVtouskl.
(SKf Before the concert betran Mr. Mattson
fcrS anneareil nn lint atnirn and announced
$ that the grip which had afflicted Mr.
'' Stokouskl for some weeks had reap
peared In more serious form and that It
. would be Impossible for him to conduct
I the concert and that Mr. Rich -would
fl(A tile, nlnna This Rfnrament WAS
' srreetptl wlllt n lot nf thn unthlnklnir an-
plauso against which the writer of this
column has so often protested.
Of course, no one Imagines for a mo-
,vment that tho applause was intended
ITIcli, who has had to step In uoeral
times nnd conduct a difficult concert
without a rehearsal. But It would have
seemed to be In far better taste If the
! M audience had analted the appearance of
til? Itfi Tttnli nn fha ilopa hafnrM nMVfrrtlna
l lilm the tribute which. Is undoubtedly his
due.
' "
ssr
the 8tfrlf"noV-not' "laVlth Imitation (hat
was there.
Many critics are continually flridtne;
Wagnerian melodies in the works of
contemporaneous composers. Because a
oung; composer has hit, mainly by
chnncevupon the same melodic cune or
harmonic progression as one of the older
ones', does not necessarily Indicate that
ho Is eei familiar with the works of
ine outer man. According to the late
Arrleo Bolto, the librettist hnd Intimate
menu or Verdi, that great Itallnn com-,
poser had a know ledge of tho Wagner
scores not equaled by any man In Ey
rope, and jet who could make the charge I
that Verdi ener used an) thing of Wagner
n his operas? Verdi doubtless learned'
the VVngnerlan principles from his study
of the German master, but he applied
them only as far as they were of serv-,
Ice In carrj lng- out his own Ideas.
MOXTKMEZZI has done Just what
Verdi did. He lmB nbsorbed the I
Vagnerlan spirit nnd as the spirit Is'
always mom tlmn ih i.ti... i n. n.t. i
nemenx mat struck so forcibly the re
viewer of this paper last Tuesday ee
n ng. There Is. however, this Important
difference: when Wagner broke success,
fullj' upon the musical horizon. Verdi
was a matured musician. Ho hnd com-1 .... . .. ..
usafni niur..' ULr-.rmJS",r."n,n.
flTl.tl l' " I III.... i,H ,,' 1 , ,, (:, ,,.,, 1 i, J., l' l I i I i I I l , 1 I ill,
IV
Bl
I A
A Or
gV to
UT a still more humorous Incident
was to come. Mr. Mattson Btllled
the vno of applause which his first
announcement had started by raising his
f.nn.1 r h .1 ,V.U ... ..... . ...... ilr,t.B
1 iu v,iu imrn iiutet'iieu lu any iu'imi
W that, owing- to tho Illness of Mr. St6-
k6wskl. It hnd been decided to postpone
? thn pvtrn rnnnitrla uphllitf.,1 fnr Tups-
it day afternoon nnd Wednesday evening
of this week and give them at a later
date, which would be made public In dun
', season. Unbelievable as It may sound,
jg hub, too, was recenen wun hppihubc,
'& for what reason it is Impossible to un
?X derstantl, unless it was a tribute to Mr.
SLMntton's powers as an orator. Then
,Mr. Rich appeared to conduct the open
S, lng number nnd, for the frat time, the
5 Hpplauso with which he was received
JS had-some reason
M It Is meaningless demonstrations of
It' approval like thec which to some de
jt gree at least nullify the effect of the
iC '"spontaneous outbreaks which follow the
jX close of a fine performance such as Mr.
Rachmaninoff gave last Saturday cVe-
i., nlng. They mrke the soloists nnd the
TnemhorB of thn orchestrna and this
does not npplv atonc'to tho Philadelphia
Orchestrn discredit or at least ques-
on the sincerity of their hearers.
Demonstrations In this country are
confined to those of approval: In for
eign countries the audiences reserve the
right to disapprove also, and It is no
) Infrequent thing to henr hisses In the
concert halls and opera houses on the
"Continent, while the "booing" of the
it London galleries Is one of the most
J feared things among British actors.
4i While this custom is not altogether
Vf pleasant, It at least has the redeeming
f, feature thnt the .applause, when it is
'granted, really means something. One
f'-;Of the most keen-minded of soloists now
Mbefore the public once sal a to tne w rlter,
who complimented him upon the favora-
Sble reception which he had received at
the close of his solo: "Yes. thev annlaud
with their hands but I would like to
Pffl,-know what they really think."
8ks
MfPHE music critics often charge that
.W--v J. 1'the Influence of such-and-such com-
gvPoser whs apparent upon the work of
S Mr. So-and-So." But why Bhould it not
pJbe? This Is usually the case only with
ai.ypung composers, because if the Influ-
ence of any composer lies too strongly
s? upon the works of another, the compo-
Vsitlonfl of the latter gradually (andj In
uj some cases suddenly) cease to appear
V War that mRftr. th influneA of
1 V . . .
'rjv Tlarrfvi and Alngr -wta nnnsrant In VI A
-4 rhAvAri Ktmealf fin In 4Via tntr1 Mitm
aphony. And one will go far before he
vrUl And a composer whose Intense in
t dlvlduallty expressftd Itself earlier than
tit A DAAltinifAn'n Tf let nHlif noditwll
j, .u ucciuuieuo, v i- v..j i.u.a
that a young composer who has not yet
! "found himself' afl every composer must,
. fe1l tw4 lh 1I miinlne 1 w AVcft nL
v though this imitation the writer believes
. Is mostly unconscious. The jouthful
f;- cpmposer has so absorbed the content
T dkjl Ljj MAVHHAfilllAtia itrh Inh WA SFVAfl till
Vi t41U0 UUiJlUDtlWflO vrii,t tin fhi cu.it jr
; admires that he writes unconsciously
haf I. V. 11. h. .WK...M.J I.. 4V..v. It t.a
T H tUO 1U1W111 CA1JICDDCU lt h.II. it te
?whas the genius to develop a style of his
Sown later, he becomes a great composer;
ijAit h.e has not, his work Is soon blotted
S" out and forgotten.
?Si Furthermore, It is only natural that
S this apparent imitation should be more
noticeable In works In the larKer forma
ithan In thoBe in the smaller ones, for It
I5&U In tho great works that the charac
teristics and the individuality of the
Sforemost composers find their freest x-
rr.preasion. unereiore n is incomprene,n
IrathiM thnt. n. vounr comnoser who writes
'f a sympnony in ine ciasaic bivio buou-q
J, not use the model of Beethoven or that
J; one -who composes an opera should not
''pattern after Wagner or Verdi, accord-
Klnr to the manner in wnicn ne is com
1 3 uoslnif.
1 . V t. ... ........ 41. a. .v.., L n . .Laiwh
. ifc B inuiuaa iiicoQ ii ,i(vv3 oiiunii
(.,)? ww ". m n- - ,- ... ...
f -?..... Mnfhj tufAM Via tMtn anfitlv Mlp fiv
U1QB9 1MIB WS.W.V M wi... hw.w.j vv.b
'"ni. evenv as Beethoven trod those of
I -5. Haydn and Mozart, and Verdi those of
HUlnl and 'Donizetti ana iiossini, ne
pre their own musical Identity because
ear even: to themselves.
ITlHERE Is onedanger In it, however.
X and that is that In too close a fol-
i rlowing; or tne great moaeis me jouim
composer may tan to ueveiop nis own
FMrsonallty. but If this personality Is
really worth while, It will, sooner or
Plater. Insist upon expression. If it does
.n- ". . . . i .,. . ,1..
i4npt, it JS not su-ons; .eiiouB" " mo
'world to have missed much.
A, It Is in this absolute rejection or tne
Woaat and all the good things which It
fShas brought forth that tho peril of the
rX'muslcal radlpais, now so much in evl-
j'5i. ...., if xrnats nt them hae sourht
UVllVJ, ,. --..-. . .--5
,tQ achieve at the age or twenty-nve
rthlrty what the greatest masters of
'$tone nave Dcen wiiuiik i( xvwuuo n
double that age, iney are BeeKing; a
walk and run. musically, at an age when
they should be creeping.
At It 1b all -very well to break Jhe rules,
tut the composer must know exactly
hat he 1b doiijg In this case, ana tney
ust be broken for a aennue purpose
d not for the mere sake or Deing'di--ent
." And. to be perfectly frank, few
''the extremely modern works which
have heard this jear (Scrlablne ex-
ispted) have shown a knowledge of the
ilea or composition nuiytjoiii in wiiij-
jit the reckless disregard of therti
hlch the compositions show.
LETTER, not for publication, but
M written by one of the most dls-
tSrimmatmg of .Philadelphia's musicians
ttfras receivea tnu wee, uy mo inuai c
rtwr nf the EVENINO PUOL10 LKDQEQ.
tepresslng surprise that the review of
Jii opera of last Tuesday evening,
"lAmore dl " ' anouia nave ug
tesied wagnerum. inn letter gave as
Bi'oplnlon of Its writer that ''there was
ir.t a. melody In the work- which could
SA traced even remotely to 'the great
Hlchara, wun mis tne reviewer agrees
. Jntlrely: It Is perfectly true that there
nomina, meiomc even rrrnoteiy re-
ifbljng Wagner, but Just the same, the
trL showed far more traces nf the
ut composer than any. other new
& of fc ?'ar. because Jt was
I
Musical Events of the
Coming Week in Phila.
VOS'DAV Ooncert for Divine
Science Society, St. Jnmes Hotel,
Thirteenth nnd Walnut streets, S
p. in.
TV USD A Y "lllgoletto," Metropol
itan Opera House, 8 p m. Phila
delphia Music Club muslcale, Al
dine Hotel. 3 p. m.
WEDNESDAY "Seven Lost WordV
by choir of Holy Trinity Church.
Hlttenhouse Square, S p. m.
THVK8DAY Concert. New Century
Club, 8:15 p m. Philadelphia Or
chestra, Welghtman Hall, 8:15
V m. Musical tea. Musical Art
Club, 1811 lUnstead street, 3:30
n m
Fill DAY Philadelphia Orchestra,
Academy of Music, 3 p. m. (No
soloist.) Philadelphia Music Club,
concert. Musical Art Club, 1pm
SATURDAY Jsscha Helfetz. violin
recital, Academy of Music, 3 p. m,
Philadelphia Orchestra, Academy
of Music, 8:15 p. m. (No soloist.)
rnjiv Vim ain tfl VT f,
Fuller nulldlns.
Th Inlnf .lt h Ti... n.t. .All..
an equal number which had even then fm nimlnl tonight t the Metropolian
been lnld aside. He had n tpclmlnnn nf rj?r.. 1f?.u'" ?". be one ef tlit srest'xt
composition and of tho operatic stage
posed about as many successful operas Ko? Fi-m"
-" " a ueotinea to write auring
his whole life, to say nothing of about
lire fine lnaln 'Sich of the rtll will
xprrar in srnupa or ons. both opera tlo sne
lyrlo. end the recitnl will rlose with the
famous duct from ' (llocond. "
. CU """'" ppportunltlfs of the Sion for those who!
which was fully as great as Wagner ever
acquired. Therefore, he brought a musl- 1
cal mind nnd fnln tn tl. ua n ..n
as Wagners own. to iudo-Q the ntw nrt ' ....i. r..i. ..i.u.i.. .. wnn.. a
principles. i Schmidt, rellltt, 'both member of tho Phll-
Montemezzl'n nu l rilifsiii ti ' a'i'iPi"a orchcotra, will mint at the nnit
.ii.ii j U . different. He hour ot mu,r tomorrow evcnlnir which open.
siuoied Wagner and Verdi ns men of I the rrmilnr Rumlay ovenlnc .ervlce nt St.
a past generation and he has absorbed ' E'.yi'fi'TC,
tinBni,unri..ii. i i-.i j., . . vvitn Hollo .MRltlnnn, tho omanlBt. thv win
llio spirit of both, doubtless, with Mozart. nl nn nndante of Mondlsiiohn ana "VWon"
tlio greatest operatic composers of all I b' nulilnsteln Tho offeitorlnm will be n
time. Prom Wagner he learned the music I orSnT1 0t M"r' '" ,l"n'
uiniiiu. an principles anu tne orchestra
tlon; from Verdi, the trndltlon of Ita
lian opera, for "L'Amore del Tre Re" Is
essentially Italian In spirit. The future
Is In Montemezzl's own hands, nnd It Is
bright with promise. If ho develops a
little more originality of thought there
Is no question that he will prove a
worthy successor to Verdi ns Italy's fore,
most operatic composer.
MUSIC EVENTS IN
HALL AND STUDIO
Th concerts of the rhllsdelnhla Orche Mra
on Friday nftpmuon nd Shturday etc.
!Jin.'.n"t.i.w!". b ''". 0,,,i entirely to the or
cheitm. that Is without a sololat. Th ym
nhony l that In C ahnrp minor of nrnnt
Hloch, the Rnlaa romponcr. whnno Jwlh
cjclo had ouch n notable performance hj
the Orchestrn. under tho composer's direc
tion, last season. It was written et the rsd
or twentv-one jenm Two other numbers
?.!? 1- the nrouram. Smetanna overture
T.9 .1iatt,rcd Irlde," and thn. richly col
orcd "Scheherazade" ajlta of Itlmsky-Kor-s
akow. .
Verdi's "niffoletto" will be thn lait per
formance hut one of the Metropolitan opera
feajon. Neit Tueiday nlitWa caat will In-trod-ice
OIUKerpe de I.uca as niitoletto. al
n him full opportunity for beautiful alna
In nnd tragic actlnir. The cast. ouUIde of
JIr- e J-ucVI" nearlva)l Spanish. Maria
riarrlento. 'will alnj-'ailda. Iizaro tho
puke, and de Sesmrola the villain. Spara
fuclle The ouna American contralto.
ophle ltra.lau, will bs Xiaddalens. with
Olullo Roal ai Mnnlerone Others In
H" S",', T.'i'.S Mn'". Minnie Eitener and
Marls Mattfeld and Meaira Ancrelo Hada,
Vlncenzo Reachlsllan and Mario Iurentl.
Mr. iloranzonl wlU conduct.
For Ml s.cond recital In this city next
Saturday afternoon. Jascha Helfetz. the
violinist, will plaj for his principal num.
P.nr 'he flrrit sonata of Salnt-Uaena and the
' Poeme" of Chaueion. Other numbers will ha
the aria Jor the a etrlnf of Itacri. a nondo
or Mozart, the serenade "Melancollnue" of
Tsehatkowsky, and smaller pieces by Tiehal
koweky nnd Tor-.ulln. The concert will
close with the "Soutenlr de Moscow" of
Vt'Ielnawskl.
Phlladelphlana are mjch Interested in the
forthcoming appenrance of their OrCiestra
12 fT To,ff nVi Tueaday erenlnr. at
the Metropolitan Opera House, with Rach
maninoff and Oeraldlne Farrar. The Orches
!H ".. ntrlbutlon to the proiram Include
it! ! 2afer! overture of Rlmskv-Korsakow.
the "Pathetlquo" aympony of TachalKowaljy
nnd the "Kspijna" rhspsody of Chabrler.
Miss i Jnrrar will elnic to ernupa of sornts.
the nrat by French and tho second bv Rua
slan compoiers. and Mr. Rachmaninoff will
play bis own C minor concerto.
The Philharmonic Society will give lis
second symphony concert Sunday eveplnr.
April 13. und!r direction of Walter Pfelrer
? n 8,1P clock- ' Shubert Theatre The
oersMntroductlon and seen from "Aucassln
nnn Nicoiettev-H. nn den Reemt: William
Tm'! overture. Rossini. Jir van den Iteemt
win direct h(s on composition, which Is
based upon a medial pastoral. The doori
of the theatro will bo opened at 7 80 p. m
The Philharmonic Society dealres to Increase
Its membership among- those music lot era
who wish to foster our local composers and
encourage tho artists of our city. Applica-
her sel-otlon oy rwinw'w", ""i .V ,
h.r She iU't sln the "Shadow Knnj. .
ninnrnh": th "Mnd Fj-me" from -i,ii-riromome"
from 'Rlioletto" or the,
TjiUm Mr. llirrnffuer, '
A concert for the Choral Sneloly of the
l"ni Sclenw- Aoctntlon will be held In
the ballroom7 nf the Hotel St. James Mon
day mcnlnr- nejrt Mi. CJcopre M. rerk.r.
nf.ml.f fr. .Tnlm tlunn. .Tr.. rontrallot
Adolphus II Ashton. haa-1arltnne: VVIIjlatn I
Ack-rmin. tenor, and Oleha Mnnasovllcn.
violinist, with Ms Helen P. Smith, accom
nnnlnt. nr the nrllsts who will be heard
Th Choral Socletv of tho Divine Science As
soclitlon which la under the direction nr
Mrs Dunn, nnd which numbers nlmnt ino
members. Is the latest musical oreanlzntion
formed In the city. j
Amellta Oalll-rurcl will he heard In re-1
cltal nt the Metropolitan Oners Hfii ijn
Fr dav eenin mbv ".''"", .""".ii
that Madnm. (Inlll-rurcl will be Influenced
In
In
from
rtn '
fl.ll QAn trttm
ff.iii.t a h. r-hl.'-n On.ra Comoany.
plis the obbllsatos for her florid songs
Dubois's setting of the "Seven Mat
Words" will be sun bv the choir of the
Church of the . Holy Trinity, under the
rfi,.niinn f n.lnh Kinder next w ednes-
day evening ot o'clock Tho eolol.t; will i
he; I.ucy Porter-Schorf. soprano Helen I
AekroNd-Clsre. contralto: John Owens tenor: .
Arthur Jackson bass. No tickets are re
quired. 1
An Interesting program has been arranged
by Mrs Lsura Anderon banning jndvtrj. I
Albert Fink Smith fpr the retrnlar meet-1
lng of the PhlladelnhU Music Clilh In be
t.-,.iwl. V.,..ii.,. Airii n nf n o'clock in'
t ha hall room of the Aldlno Hotel . The Pr- ,
tlclpanta will be Dorothea Thulien. uora
teunir Van Itoden. Minerva Rose and Louise
Jenkins
Camllle VV Zeckwcr. comnoser pianist,
asslst.d hy Marl- Zeckwer Holt soprano.
"I, 'l.il Am fliiTYi.V A. lift Will ClVe
program of original compositions at the ,
next Muslcnl Art Club te on Thursdaj.
April 10. at 8 86 p m. These teas nr;
Blven bimonthly at the club house. 1811
Ranatead street, under the auspicta ot the
women's executive committee.
rAlT. NKT IVF.r.K'
9w M A DY
IfPICKFORD
fi?v,HtC,'USIVBsAH, ftST SHOWING' OF HER'
NlpA ''' 7''"'r"li ''.lAljeStRODOCTIOIf'' ''.
I ( ,', B'ggl i.a.ar LLW W .ILW '
L
J April 14
angSSS
METROPOLITAN n
MFJR010MTAN Tues. APD 8
aTal at a
Out
One
nfiVKA
COVIPANY, N. Y.
K0.
Last Performance
Rigolelta;
Mmes. BarrlentM. nrnslnu, VIM, Iixaro. De
I.ura.Seenrola, ftol,lladn. fond. Vlorantonl.
Meat. 1108 chestnut St. VVnl. 44?4, Rare S7.
iffft'il-'Vi!' Final Performance
APRIL in
HEIFETZ
VIOLIN RECITAL.
ACADEMY SAT. A :l 101
April i
OF MUSIC at 3
TIrkrtN nt llpn'. Hid riirtnnt 8trt.
- i . .-. a i .......
CHESTNUT' BELOW TWELFTH STREET
THE BOYS WHO SYNCOPATED PARIS CRAZY!
U. S. JAZZ BAND
25 Formerly Enlisted Bluejackets 25
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tefc rmm Franef. Where Thev Flared foe
HARRY & ANNA SEYMOUR JAMES WATTS
nrceu- nits of Mirth nnd .leledy
I Conductor
Battle Pep
President Wilson
Asalt4 by Rex BUrey In Travenlr
FRANK FAY "Timely"
Th Broil Mnsleat fomeoV Mar. With It Ilrerer at the rin
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-iv aeiviiuuiiv uiiini tar Bni-uruay or tl011as-
FROM THE PLAY BY RIDA JOHNSON YOONG
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.SKSMIV. THE COMEDY THAT EVERYBODY LOVES
WINCHELL SMITH AND JOHN L. GOLDEN
Producers of "Llahtnln " and "3 Wise Fools"
Present
PO". MAT. tftaa r-A
WED. V50
BEST SCATS
TURN
TO THE
RIGHT
FORREST
llread and
THOMAS M. I.OYB
Iiuilntit llonsrer
LAST WEEK BUT ONE IV.o:i!n7ntkiB,
n
o
MATINEE TODAY NEXT
TONIGHT AT 8:15 WEEK
JOHN COOT Presents The Season's Sensational Success
FLO-FLO
And Her "Perfect 36" Chorus
OPINIONS OF THE PRESS
'.4 Rare Delight in Every Respect." Public Ledger.
"Clever Book, Good Music, Pretty Girls." N. American.
"Real Fun and Clever Dancing Win Approval of the Audi
ence." Inquirer.
"It is Frisky and Frolicsome, Speedy and Snappy." Eve
ning Public Ledger.
IO
Q
o
( prdftf)
IVICTOR3AE3
f-..MARKET STREET ABOVE NINTH
ICIOBIA OaOHgaTHA WALTER DESSAOrR, Plrsetst
ai.i.m;t nniiK 1.
rffir.ytvyTOtssBMgMraMaf-y " ' ' "
IHasaSaffi: 0k Q ' 'flrl gsV ' EVWttM !'jalgBk' ' flt gS I I
TPETTKREWS
Hi' "' ' ," m STaaT ' ' II
' " ! 'a Xr)U4Skt1p6L?3HOMAN, CHARAtTER TUDY, '
y Added Attraction "Everywhere With Pritma" II
1 COMING SOON TOM MIX II
I M. VOX rrexenta II
IN "HELL ROARIN' REFORM" I!
J A New Play First Showing . I
llMl.TZtwa i 1 1 f
RROAD
W llroait
anil l.orat
FRANK
TCinDLlMJEfl
aoslsess lIsasfitT
MATINEE TODAY NEXT
TONIGHT AT 8:15 WEEK
KLAW A ERLANOER and GtO. C. TyXCR Present
POSITIVELY LAST WEEK
LAURETTE
D
o
TAYLOR
IN
66
99
a
o
By J. HARTLEY MANNERS
MONDAY, APRIL 14TH
MR. LEO
SEATS THURSDAY
o
a
DITRICHSTEIN
IN
HIS GREATEST TRIUMPH
"THE MARQUIS de PRIOLA"
3Y "
l ' AVFDAN
Fon nnNCKiTS at tiiij
IOB
ronrii:sT. imoAD ami i!itnio. TiinTitni. ri'i.v to toed o Ni.vo.v-.vmDLt.NOEt:
ININOS-VIUPI.IM lll'IID'MIl l.-.'ll WM.M r HlflKKT.
.nr-Tfti
IOE30S
30EXOI
SOI
loexa
COLONIAL
MtPi.rnnnn r',
i:pmtitiv vrrm tmt.fa noon
'oile-n et Dnee. p--A Tien onia
rrt T"lir r, in "Mmlnln Pe"
Metier, ne-U Frf, Ooetors "f Hf,eo
nation Hrrtnei" g; tip'.t, n rnmdv
Cn " with 'nigii
".mii.la ft" ... Vm -i n"''"'
t,-t-. ,T ir ic..pn, "Th. fl.lft.r"
bTRAND
ilr.ll)IAMI)U VK. AT
A rv ivmi
Wm. S. Hart m;",
"Ti!K iiirv t.i"i.' i;tn"
tisst llnlf ot !'" f
EMe Fergujon ' "Tn ,:,',;?".'. U,K
vnrtt rrrrtJ's Tbr mnttr 1 1 rM
0-I AM) &AM9UM aia.
RIVOLI
aaV aal
Asrial Act mjpUMtii4M
Othsr Ketswertb; oeiiicoJjW
Fssturtl HHHH
"ssW
tlnniln' nnd Tuesdsv
Sesaue Hayakawa ln VN 5-
Weilneaiiar.nnit Thnesrtnv
" trliell ?f-l. "T.tfe's flr"tet rroMem"
rrl. Mnt KnM Ilenneit."Partper Three"
Added 'h.'lln. leh nt th Hhow"
LOCUal' ttu iu LULLsJ a-
Onlr 1 Ter Tent PARMOrNT-RT-lRrT
Theatre In All lhiladrln'hla
Wm S Hart "" "Tllk ''ii' uikl's
Ijist Three lhis
Elsie Ferguson " "T"K,y,P".'.Ag
BELMONT 3iU A"- Mxut.k.1 si.
Zena Keefe ' "T"rtc"l:S-0E
ednesdnr and Th'irxW
Mary Pickford ""Vo'J.Lm"'1
Frldnr nnd Katnrdar
f. V TtVtOI.V. In 'TUIHTIVn TIlBt"'
IVIXCIN a-il' '.-UIV H UKhT
"O U" Jazz Band "Rinnij:V
JANE rorRTHOrK CO.. "Our Family"
A Modern Mornlltr Rketih
jb rrsnstnn. "A Ilrlttsny Ilnmnnce"
Walton & Kentlni.Lnnir A Short nf Vaude.
imSL. irti 'nerel A r. llee Jnee In
''&.' Mii.li"-ri..nee mil Tli..ra.la
A Allegheny
MONDAY
Wett Allegheny
umfUTtNC. THRU" with
s K K. Lincoln
t-.. ." 'MfN" yernnnni 'win
UOTH and CEDAlt AVK.
sE.t MHMitv f- n r,Y
Eliie Ferguson "The Lie"-
w.il Kthel latnn. "Maggie Pen?er"
r.l!..irm mabkui usl. ou-i a com
Coliseum mono t ti:i)ai
DAT
Chas. Ray The Girl Dodger
A.l.le.l-tU'.T'' """..'"
t ' l''r" 'n '! "
FRANKFORD "U&T&Xt,
"PAID IN FULL" jj" R
K-U fif WLfi-"' n Or-.n l Uy.lt
l,,lu, Jumbo-Junc'n nn Frankford
JUmDO Front St. A Qlrard
Mon. Wallace Reid
in "thf. nrn"
177
Ave.
a II
Captain Eddie
j Rickenbacker W.
of the 94th Aero Pursuit Squadron
In His Own Story of Air Adventures
"The Arena of the Sky"
V.
4K tsVSj ft.Tal tgVj 3aa.l
' S"SBa Jpr f
wllh 'Hummed air motion pictures and
sipieoiuii.'on len while In action oer
1 he hatt'efleld' o Prance
ACADEMY OF MUSIC
Tuesday Evening, April 8th
Seats 1" 00 to bUc. on mle at Heppe's.
1119 Chestnut St.. and Automobile Club)
23 .S. -J3(l tit
Auspices. AUTOMOBlt.i: ULUB OV4
I'illl.AKl-.I.I'HIA
1A1
Itnnlri.t invrrirffiu'n
''''Y'on.Nlrrfllnirrr,' en.lcr.
1 n.
r.KMM
' .,LXT-Hv""'i ''"' 2' I
N(.S. T pSOeJSUr j
.KT MKI.K
HIIVT MOIIT"
A Plun.pilou. .lu.lral Come-
dlettn In LHijjnes
I.MMKT"H,(1I a-o.
In "K M'r.trel Jiilnon" j
WW. Fits ""
A -Mom I'nlon. orrnrliiK !
M.I'TIN'I'S IMUI
Anlrnl. Plaeons Rnhltitf
relln.. Q"d Citnlpr.
MITT A tTFR
S ronr Mn
I tiit I'l UiMle lll IIM
"Tne iin.irr fii.irre"
TROCADERO
umiK or ittuiNFn iirni.Ksot'K
'i-i ,ufll Mat. S:IS. Kt. Sits
BBBTVal-aaaansW "
Week eommenelac
AMI :
MV ftriKT.FI.
OlFKRH THF.
SOCIAL
FOLLIES
n ith
Mina Schall
lill" .HVt-RNOOV KVF.MVi.
"TIIK III.K-.MIMITK OIHI.S"
Dancing
IB20 Chestnut St,
Olllfe mm
nAKr.n m.ra
A. Teacher for Each PupU $C
S Lessons
Floor Rented Hat Kc for Small Affairs
Chestnut St (irKftA Chestnut Rel.
WllCSUlUl a. ii;hK , ,,,,, ,
Tonkhl nt HilS. 5lul. U'etl, nni Knt.
Last Mat. Today Last Tima Tonight
The Melting of MoIIv
Dumont'l Minstrels. Arch A OthtStr. iginniiinnv
uuroulu Ilargaln Mat. Today. 10. i'O. I5o f ,s HCLU: LOW F.
R(va) riewtpanera or The Voting Contest With OrlKlnni N, T Cast of Players and
Drug; Wr7lr.vhon nut l a' Chorus with a KKk ' na
WM.PEHN
Lnnrnater rt. het. 40th t 4lt
IHillv iimi o Frgs. T A 0
KXT MEFK ""
First Time nt Pomilap Prlres
JA-DA TRIO
Did You Tell
Your Wife All,
Before Marriage
?
BDTTEU SEE THE
CASINO
H IM'T linVK KTIT HT,
l,lllFS' MTINF.F. HMI.V
JOK lll'KTKI OFFKItS
THE ALL NEW
BURLESQUE
WONDER SHOW
WITH
ro p. iintpiiv
mid T"IPOK HEMOV
i.l.l.d hr
PHIUI";-""II'i FWlnt'H AUTHOR
- ('TOR JOS. iHTCIIKI.r.
tipeilill l.u ii t'OHt.a untl hef Three
Cracl.erjacks
. rorrwwllan. j Kongat.ra
tlKOBOK IIKI H HK1 t II.
LADV TSEN MEI
"THF. rillVriF VinilTlMluifi
'' I OKIMFK-III IISOViTHOI I
KIIViTWOI PI
IIFKII In
Tl7)HFN( K I
"WnFji OF MhN"
first W.et Phllwrt.lnhla Whowlna
"HIM. i'HANIH-H THIlHHIMTr
A.M.KV
Photoidata t,ln' through The riT.
llooklng t orporatlen
fiRPHEUM MAT TODAT, IIV, 2c.
pi.', .fofre"? AUas Jimniy Valentine
April J-j-MOTUER CAIIEY'S CHICKEa"
I atf mi 5 f !
LvJUlsiil
t'omlnr to Tonr Moris Theatre
"" nftrallm T
KNICKERBOCKER
MARKET AT 4nTH
BKE JT AM. FOR TEN CENTS
WILLIAM FARNUM
"FOR FREEDOM"
8I. DIG ACTS OK HFST VAtTDV:VlLLE
POPUUAR PRICES Al.tVATa 4
r.AYFTY pari8 nr kioiit, arthur
MAYEH-1WLUB DZAVK
Oi Bd.Vine
PHIIA'S FAMOUS BURLESK THEATER
UOTH PHONES ,
THE,
BLUEBIRDS
Urscs
K Flocjt, pj, Cm4t.
Muslo and PrstiyNaW.
itk'.;
Edgar- Bixlay!
Fannr Ran Wall. tHMSa
Mawra fton vsmil , VfjMlaK
win mi au cvftsp!
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