i I' i laaasss ii ii ii ii ssowiai s i i ii ii I m nMiriM nnr r iiTTf "''""' ' -
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EVENING PUBLIC LEDGER rHILADJfibl-'JllA, HATUJJJAlf STJdiMiiiiK: 'J., jlwjb t
..-.?' M'S'iw
r.. s ! vJ -
--J.V, -
'EODRAMATlC FARCE COMES TO THE BROAD-FIVE OmERPLAYBILZS rWIET'.'HQLP OVER
1oih JHteP
PLAYERS WHO WILL BE SEEN ON PHILADELPHIA STAGES NEXT'WEEK'
m
THEATRICAL INDICATOR
v FOR THE COMING WEEK
Melodramatic Farce at. Broad Will Be Only 'New Dramatic
Production Other Attractions
Summarized
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fcSJpOFt the 'second week
i, virtually at the o
In succession,
outset of the I
virtually
-H.W Abnn rM1.1rlnM,i will f.ot-n i ntv u
sk.7m '. --"""- "";'
$y,wmgie dramatic opening' next .uonuay
fin EdivaFtT Clark's melodramatic
& $;, ,"Xot With M Hone;.." at the
STf-inroad. The solitary new ofierlns dm'-
' Infc the pa.st week was Anne Craw-
Sw-f ford FleiJiicr'.i entertaining hut ordl-
$ a ria-' mystery play. "The Blue Vearl."
S The next few weolta do not at present
hold the promise of much srreatoi
variety ut 'the "losltlmate" notice. At
first glance it stems Incredible that)tlmM 1hrougll n,, ac, T ,et th(f Mtor:i
.although We have more theatres and
B Vastly greater and wealthier popu
lation than ever before. we have fewei
new productions from week to week
than In former yea's.
SEVEUAL reasons have con-plied
, to produce this anomalous situa
an. The huge addition to the c'.t 'n
jiopulatlon lias directly stimulated
Ihtie runs. Thus do we pav the p.'.c
br increased metvupolitankn. in de-
creased variety. The truth is that i.' j "restling with furniture and all the
lonf runs arc to be the u.dei- oi the j -transe conduct that dire. tor-, of past
day, Philadelphia needs still moie vers have lelled upon to Isrep uctois
theatres to provide the vaiietv that) busy. The police crifade of some time
Is manifestly lmiUSWlble Ino'if seven t tipfo Va "only "an'o'ptr-at'i phd-" of
dramatic theatres' If the tendency , stai diiection as inot mio.s ha
toward lengthy encuKoiifiits continue" i suffered it foi v iur
to; develop. Cntll a t.'ia.-on or two ,
fc0, the ti-aditional length of an , .;-p,XTiti:iIK s.mpliileji.on- -thai i
rtcement here was two vrecU-. with & y .
uch long runs as those of -llw Mi. . nt hte&w , ,,, ,imp,i,.ty. ,t Wll ,
from. Home." Expe.JoiKe ,d tl.p , mutUr of t m. fl-lfcnw11 N
, , - . .
y'" ""''" , a ., , "
iiieir uiversence nuiu me iu.v. -
this custom has been shattered by the
longer public jiatrorage of tntertain-1
im? offerings, and even moro tuiidd-1
nSAntqll, ll IW'h ..tltl!:l1 VV.11tiniH l'()ll-
ditlons as the present de.rth of good e vonscious in the mmil ot the per
attractions tor the greatly increased on '"" '" ""' hej- must
number of Xew York theatres and the , '"ceimtnly have a conscious appeal. 1
excessive cost of touring today. This h"' " unconscious of the actor
last item appeals to the theatrical ! tulkimr to the unconscious of the
managers with special force, since ! ""dlence. and I strive to fliminjte
more than ever before the men who i "very obstacle itha"
own the theatres also own the "shows"
and .consequently seize eaeily upon I rpHK theoi ie.- of All . Hopkins aie no:
long runs as a means of uodsins the basically novel, but thej ais ex
hlgh expenses of "the road." i pressed with freshness of interest, and
AL.TJIOLCUI "Tiie Blue I'eari" i
. obviously modeled after "The
Thirteenth Chair.'
it is not destined
ISfflSiiTtT.'SCS:
play, for another attraction is "-
nouncca xor inai nouse iur ociji'.uiui.
30,. Little neon De saia nere oy way
otlater comment on "The Blue Pearl,'
since U manes no preienuons uura
" thaji ephemeral entertainment. It Is
-islter than "The Thirteenth Chair"
n.tHat It is not so palpably a star ve
hicle; the contributory characters ure
drawn with more careful detail using
that term purely in a relative sense
and It has more humor. But it Is in
ferior to its model in that its dramatic
climaxes are weaker. - At no time,
however. Is the illusion so deftly cre
ated or adroitly maintained: the spec
tator Is never permitted t- forget its
theatrical character,
TTU'EX so forthr!
ment as a my
..l.l.r. llli,lnn g11n'
.wuf.u .....,.-.. -. ..
j'icht attitude is adopted and consis-
. .. ,...., n.i, .. ....Ki
""'o ...-. .-w 0. -
JSjthttt the managers have never de
veloped and applied any definite Ihe
,jry of stage presentation. Tint, at
$i any rate, is the opinion of Arthur
'Jh Hopkins, himself a producer, who has
already been well represented hero toy
. such plays as "xne roor uuic ivicn
'Girl',"' "On Trial," "Good Gracious An- i
nabelle," "The Successful Calamity." i
The formula Is simplicity Itself. Ctter
naturalness in the player and presen
tt$' Ration, will do more than anything
else to create the Illusion in the spec-
,,;..... rninrt Itellevex Ml- IConkiilM It
tatoi s r.mu, uelieves .vn. uopkius. ji
WJ? . , . . ., .,. .,l.l..
!".& must Oe tic UHCUIiaciuua Bt-ieaivuii,
if fu . . . .1
m the unconscious," both in the puv-
tne unconscious,' ootn in me piay
Wright's lines and in the acid's inter
sr i. ...1 mu. ,n t.. ..m.l
........ ,
plete unseltlhness. The
must be no
exploitation
the indi
rtdual at the expense of t
H'lav'.
.s ....,
WJL . ltl J..-V. VWU. fc.. w. ... v.
?)U V ''ATX- nlav is that it gradually be
r; - . . t
Pi VOfTtea an inmvmuauiy, max 11 uc
r ......... t-.a
comes a personality or wmen me uu- i
ierent actors are organs or members, ',
" -r iti,i ,,, ...,t iu ,
savs Mr. Hopkins, discussing nu'
tifff theory' in a monograph smartly but
: . . . .
VUite inaccurately cntitleil wow
tS vour Second Act?" (Goodman). "I do
not aee ten or twenty Individuals mov-
pijj 'i'pu about I see only one thing made of
,v. iam .rt. ttr.nlv niiTtii tltflt 1. movlntr.
t,A-. ' .. ... .
" . sa lone as it moves nroDeriy i um
lw'fbUlly unconscious of its parts. The,
w ' ' . , . . ,
irtfit moment I become conscious of a part
? ti and lose ttie movement of the whole
U-"'0;'"'. . . ..,1 i.i
Sl,-i.Xjknow that something is vvronB- It U
K ig' the' unfamiliar sound in th engine
'ic r"5? warns one that some part Is not'
i- functioning-properly. That Is the tlmu
v'.Vf'to'Stop the play and Investigate. It
;y Do a verj "J. 1"1K a. mule-
'siiA. t a Ji'me when all should be
"UU-a speech when there should be
" 'ltenco a ' pau&e when eomcthlng
"fhiuld be happening an unwarranted
jaJMynge of tempo, or any of a hun-
Mnlnpror major things mat re
ve. concentration from the whole.
. v .' 1
MfjpHB. stripping process should bt'
Gi""!W early. I eliminate all ges-
k thl U not' absolutelv needcd.v all
Lvi 3T ' . ' ,.-.... I-..- .! I.tr.
'ltlP9 ry HIHUVOUIIB alii ...W.....OW.
jjiT vSW1'?31" ot "ead!'' tUe flickering of
liana icerciueia. uie iupihus "'
rrummuiff,of,nnera,avMngIng ot
i j? fat ot ' brows, holding of
.91 musucnes, BU-oKtng
ailHon and on
.fi .-.'
bug, all of them betraying ono of two
thing an annoying luuk of repoiu.
or an attempt to attract attention to
himself and away from the play. Evcr.
movement on the stage should mean
something'. The spectator follows
every movement, and nu movement
has any tit-lit to his attention unless
It has some significance. 1 am op
posed to the old method of nun Uiiiy
out the 'business' in advance because
it the outset it conilnrs the move
ment and tends to a llsity that ham
pers free flow. The flist to or three
i roam about the seen", and invitrl.iiilv
:nc ouiness solxes itsplf. Hi- mmv
ment arrived at in this vv.iv Ian the
advantage pf li.iviru been noi:i 'n
action, anil there i ,e-se ititilly a fcl- i
ing ot life aliout it t'mt on.- .oanjio'
?et by marlilng dir".'t!on-' In ,i maiiu
hcript. Automatical!' jt1 t'j'..sene-,t
of movement K denied admission, all
.rosses. di'oppliu do" u sta.ic. cx-changhi,-
chairs. oln 'iiiR piano-'
' JL nOIfklll out
voikInjr out of thf method 6f nu
jnscious projection, it is the ellmiuu
' conscious projeition. it is tlir tdlmiiia
tion of all iiuui"'.-ential'.. becau-e the
jaiouse the coiiicioits mind ami hrcak
the spell which I ani trying to vvwtVf
jver the unconscious mind. All tiick-
.-ertainly their general annllcatiun lit
the theatre would vastly impiove the
plans of footiight piescntatlons.
GE0RGE NAS!TSMANY ROLES
Velenm Player Begun Varied Ca-
. reer lien
1C84
j lieorge Xash, who plaji the part of
I Po ice Commissioner Drake,, in "The
clUB Pearl" at the Adelplit. has had
-.vide experience. Although he has been
seen here frequently In recent years. It
is not generally Known that lie began lis
career In Philadelphia. JU i.iade hi
stage debut at the Walnut riueit Thta
're in a company supporting Dion Bu
olcault In "The Long Strike" in 13S4.
In companies with lloland Itetd, Tom
Keenc, Vr.Jeilck Warde and I.illlau u.
cott he gained experience that ipialilitd
him for the role ot Louis XIII ,n suppoit
of Vrank JIayo In The Tinea liiaids
nien." presented in Xew York. He ap
peared n.t as l-'aulke and In "The P.l-
I etig-genient n America he n'aved Mer-
eutio tn "llomeo and Juliet," Valrlas In
i i-rou iiuu' anu "Ariaonu.' Then he
ptayeu me part
MUSICAL COMEDY LOCALES
American Sentiment Has Shut-,
tcred Many Old Traditions
Whether the vtar or the evolution of
Ufopular taste Is primarily responsible,
it is certain that the "Americanization"
,l nlualca' comeuj nas progresseu oy
I(.jps and bounds wthln the last fen
of mualca' coined) has progressed by
trtl.uA..., TI.. ...... l. M . ......
wijtoic. kilo latj imtnu Urtlur Ul IsUC'.l
ni-ndtietlnii 4 n- "111, Rnv " -,,! "T a-na
,. , ,.- ,. '. , ' r, " n,r..
It to !..
- makes the musical coined with a mith-
! l.lnedom loctl-a'Ki incocnitoprirces
1 -vito marry viuuse maidens as anil
I quated aj the old-time blood-and-thun-
- Jcr melodrama.
1 or many years :t ns thought
necessary, in alt musical comedy pro-
1 "UCIIouh to nave me locale or tlie scene ,
1 In some fantastic place that never c.x-
1.-IUU, e.t"ll!l.- I . IfcilJ I.JUIOIUI iv. t u-
- i ?'V"' V,..f.;.iiJ0",s ....W1"
" iuiiin IjIiiull anu .jorriH Meat. i nt'u
- 1 ranie tue periou wncn all eo-nos wr
: lulfl sfinirtrhcro hi Pnnini Tn li!i Iciil
,- lcm;rIty -a, lliat ,,' t0 -,,, thc
localo of the scene m America would
have been considered .-Uieer foils. Then
- . .1,. ,i, .i, n....ii. v-
i A'ork. ,wa3 considered the Ideal piaco for ;
a musical corned v tn nave its scenes laid.
a However . vv e determined when we made
, our first muslcu". comedy production, to
throw tradition to the winds, and fclnce
then we have laid all our scenes in
America.
' -....! Ti...... X'-.. V.l" I .-
, imi nit." .c. ..,c.i
Last Monday evening' the Shubeifs ,
opened thflr lifteentli theatre Ir ew
York. It ba3 been named the Central ,
because of its location on I'orty-ieyent!
stieet and Broadwa, the new theati'.cul
center of Xew York.
a.l with tup. nrie-.tiul .Tptf.ifu.irt rni.i ,., ;. .,..,.1.. ..,., .. .1... i- Jt. .....,.. ,1. . .1 n
1,J&.'e"(-:"conV.i''it' He rinalned hev- .. Monday. The trip wa.- a hazard-' r ,..,,, , ,, JriI
---. ..-... " nreiii. 1CU..HS nun 10 ... undertaKtiig tlit vas ameiiorieu , . , '
I become leading man in "Hands Actons , ., eNtt.nt bv the "safe eunducf given te n''"'s' ber teeovery was almo.-i in-,
I-lit an entertain- ,"ir,i i-..t ' '. i Yr.. Vi' Ti" '.',', '", Oritl til ami 111s company oeiiitni nvi siamaueous, ami sue restitneii ner to.i
llit an enieiiaiii . i Iul 1-i-Ie-ncl and Mr. Paul in -.'lilmnile firat.ne t.nch-s. but It was an ad- :1. the vetv nevt i.erfoimance.
stery play I.U! - Iventme that .one of t.-e trroup has .'ana.llan B.l. the
rill V IT TUB I '" - -" w- .w-.v.v.v. r. "iffc Cn j ri v. l i u. .,.-...-- -...- -.... .1 , ,,.,v,, ., -.f ..,.!.. In 1 , .-, li u!i
nr I 'iil.fl, .. ..1. ...11. . t.. , ...,1, .ll.irr . 1ih,iI1IiuI l. 11. 1 Hit ..I1Q1JW. 'IlV-l. U
w. uui.iiiiiiiaiui nun arm o. evmum h '""l"i "" ."'.' ""; 1..,.,.,,. , ..ll,.,l l,l- .,r. l..nJ 1 the
litis MKinner in "i'rinco Otto." loined i n.-.i.lr.n the enllre party iu huujecteu '"'"". ' '"-.. -." ."V ." .:";.. ,,:
nvi . .. -.. . " - . -. . irtif ?i iii i i-jis i tin i iiiut u i . 1 1 1 : i i .iii ii i
"'""" v.oiuei in inn tour oi I'.nKianu to a DOinoaruineiii inai niii-numeu .. , , - .,..,,, .. v.,. v.,vi- to mmiv '
I. ml Alltr:i1la In "'rh. Illl.,l ..", I I , ...it,t., ,.. ,., 1!,,,!, M u V erilcr.l Went lo .M'W 1 Ol K lO htlKIJ .nnilll ( I T TT1I I
"Caught tatne. Italn" and In "The W-ftoii-1 u'VaiT Mid TMian CIlsli' L.-t uil'it I "'"ff i',1.u,I-lll;;"'f. 'SV1 "S. m." -'' " Thompa ate, With th. K-Hcr
aiJpeaifnce t aTlaAS' Mooaiiu 1 Poro'th" . ..- " WC Z" !&ZT& ' "V lW .H ... '"
several recent melodramatic- farcca and -,t .,11 affected. Moucw s,t f ' f,r .nTn hi the ir i lil 'h I. n I
n.ysterv plays. , ,u,on, naturc nl vvor- neve , ,., , ": ' Alon'i! lict for ihe pi'lvll. Jl' r ...'.MOST
POPULAR PERSONALITIES IN PHOTOPLAY PRODUCTIONS
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HOEvRT
BOS-WORTH
BELGIAN FOR FIRST
ORCHESTRA CONCERT
Carlo Lilen'j Vtcariiiicf
With ar Poems Will .Mark
Innovation
A loug-c-iabli-IU'd .ut'u ' !i
dtiplua "iiv'stia will be l-iol.-Mi I
appearance of an as-i'tinc .ii.i-i
opeiime pah of .oiK-eit.- . 'iph Hi
lllf
he
new
ea'on 'aiN on 'ctobu
IS and 19
Cai'o lafn ho will nniu. 'i,- c.-"'!'!,
I,, lv a' that time, is a Kelaun ai mi
rliu Iff Ttrlgiuni after Tli& 'ienvan in-
vuion In Hnglaiul ha B' . all' d ".In
-li Ile!i: li.liiKi.l' IJelgmni " Ills fertu
coininv .ip.L-rt";tn,'f i. ;jai.n l a a p. -'liwl.1
r-lebratloii. t. utufJV th .t l'l-- t;i -son
may he started In a speriu! inanii'-i
T.tten will ln'ite two v. .ir po tns In
Lini. i 'aiiun.ici'-. 'It. Uelgian poet
vvlnh l:av- been et h uui.-tt- b rin
Kdvard Vllgar. They are L, luaueau
Bdj,e ' and "r.e tlanllon" 'I'll, no, m-
HI b' lecitcd in Flench.
iJJiins the isti of the Pans i 'onset va
'olle n.'clustia o Vira'ilca nor- t.iai
flft cities will he visited. The concert
1 ne villi be given on .Ionda; veiling .
I'Jctober '! In 'hf Jlelropolilan iip"ii
ilotite, unt'er the ausp'ces of lio l-'wael- '
war relief committee ci tin. 1 nn'rgn'
Aid, and the Matinee 3d u-leal f'lu'j. 'h,
nt proceeds vs-i 1 1 be g.veii to tin- Anur
t ,-, War Itehef.
"
GISH GIRLS UNDER FIRE
J'ilm Mar- Knaclod fJolc
Uauiie ot (Jerman (rim
- &"..VTPrL. ---- -,.Li. k-,:i-H LYRIC
Lilian ti.sh. her s.-le;, Porothv ..ml "-' inesieilai role ..I aintai, me s a,e
her niotner were inembere of the part; ?hi. was mdlspo-ed The place wa
liiat 1. W lirittitli took lo I3umpe more micd upon ar. hour's notice bv eighteen
?',' rS .'ff.0'; .mm'ImZ -a.-old ."lu.a Ve-dera. who ha, the
ii Wnrlil." which will beam its tltlid
then
I tion from the artllleiy of the bovhe'-
I liilfflth himself was injured on
111
WILLIAM KLLIOTT
Mr. Klliolt. of the produriiig linn
of Elliott, ConutocL & Gesl, under
whose management the American
production of "The Mail) of the
Mountain" lias jiiet been launched
in Neu York Jt llie Casino. The
mammoth inii-iiul production i-
"
-
ow in it' -croiul vear at Dalv
Theatre in London
t, ,xt ii. ..-it i Minr. r j.t innllill.i- ""-"hiii -' -o.iji.i ntr ji inou
MJ 11CI
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V,A-lr. To-er S. " LE.AV E
it to jane" ope.ra house.
1 LK KRIEU
TRIUMPH FOR UNDERSTUDY
Minor Plaver in "Chu Cliin Cliou
lakes Plare of Star
What 1" the best tonic for an "indis-
oo-:ed ' star'.' Hav. a capahl uudersturh
take th star's plae for a single per-
' foi luaiioe. wmihl be the logical answer.
I' 'Cim i 'hin i'Iiow" at Hie Shubert
T!i air. 15 ,;..nsMlre'l rs a oase in 101111
I V Vw dii ago K.oience Heed, who
soml, pi 11 of tit,- fortune tcllci. ir
army, hui'timr with a battalion trom
TV. ...... I .. l'l. 1,.. K..41.,.. . It,. if.lL'
. i . i.,(.,., 1., ., ..r
in vidiiiivjii uuaiiiTrnn iii.in n
leiytiiiH In:: .several important role
and he cave her the part of the fni'luii
teller: niter she was srlve'i this rnle
' permiuicullj and then linked to hi p
liolnled unileiMiidy to riotence lbnl
1 Knr ulmost one .Mar .Miss erdera
unilurstiidled the rule of I-'lorr nee ll'cd
liefo.e hhe pot her chance to piav 11
ilurlnK the iBt eek, and scoreil at
iniiieillatc tucccs"
PLAY INSPIRED BY VERSE
lidwaril Clitrk found Dramatic
I heine in rntnotii' rueni
Ihseii .ltii'p remarked that
ciibiial
D-estnr.- it eioinee nbraye. might easily
stimulate the creative faculties r.f thei
playwriglit This theory or opinion Is
freshly eemplilhd by Kdward Clark, i
whose play "Not With Jly Monej, 'win ,
he s 1 at the Urond on Monday. Thi? I
riioml plH.vu right. vho haK three foo,
iplu productions to his credit within 11
ias lust I'outid-llln Insnlrut loo tor
11 il tuioilirr nlay In 11 three. stntizn
"put ni of patriotism." The icrws are
um 11 mulls, mill read:
' .liiii to'l.ij rhancud lo toi'i
tin 11 uiiii tie- erouild Kll-l
iiul 1 wondTed w hetn-e -lie rain1
What was once liU Nullun'i tidtil'
So 1 asked him 'Tell mo true.
Vre you Pole or Huiian Jew.
Bnllll. Irish, Herman, Pruwlan
I'rench. Italian. Seoteli or Ilurrlkii
llelglan. Spanish. Swlw. Moravian
Uuieh. Uretk or Scandinavian.'
Then he raie,l hiti head on hifili.
Vh lie .tve me hi? reply 1
'Wlu.1 7 wap Is naught to me
In th.a land of Liberty. '
in mi soul a Man to Man.
I am ast AMKHH'AN.' "
No details of the diamatic tieatment
of this tlieme by Mr. Clark have yet
been announced.
91 j bbB
I
Gt-aa-las" KacKay in.
V CV
r-vrsv t uuc
GAtlRICK
MISS WALKER FROM SOUTH
.Vvceiit of "Nancy Lee's" Star Is
a Natural Heritage
Charlotte Walker is peculiarly fltteU
bv birth and training for the lole of h
vJ . t .. ,.. ... .. n-..i. i... Ar
vJ . .. ... ,. r vi....... ,... r
'"", J-u' " W""; ", ' , .
nun iianie .ti me udiut:!.. tor Hue i
blood and hone of the Southland, ihe
was bcrn in Calveston. Tex., oring a
direct desi'. ndaiu of the Plckney family,
long distinguished in southern social
anil political affairs.
She received her schooling In hr na
tive town, and began hrr stage career
In ISH5 h playing small parts in I'.icii-
ard Jlniisfleld's compall. Hhe then
went abroad and made ber London de
but at the comedy Theatre, July L', 1830,
with Charlrs Uawtrey as Ilattle Van
Tassel .Smith In "Tim Mummy." Fol
lowing this Miss Walker left the stage
anil for four years the footlights knew
h!r not She lesumed professional ac
tivities the season of 1900-ul. dividing
that season between Marie Drssler's
company as .Mabel MornlngRlde in "M.sa
Print" and a-. Jane Caldwell In "Sag
Harbor."
Slnen that time, her career has been
Extremely active and varied. Her most
C"iilTirf"?SV"."?j:,'
Pine" and "A Plain Woman. ' j
" FILM PLAY IN VAUDEVILLE
italily of "Sea Wolf Siiovsti in
Uotli '-Silent'" and "Spoken"
Few film- nlay..iliav -proved sultaile
for vaudevTdeirOnf"of the exceptions,
however. is "ThC "Sea Wolf." Jack Lon
don's story, which was first dramatized
for --cceen and later arranged In con
densed form tor the vaudeville stage.
Th vaudeville Version t being me-
u.m.-,i l,v -Tienl, . TtiirJ n-ltl, lnliarf 1-lnu.
lo'th In the principal rnle of "Wolf
l.ui-reii." Mr. Bosworth appeared In the
Him version of the London "thriller' and
vas induced to arrange Ir in cue-act
form for the "two-a-day. Tn Its second
rlu over the circuit It is headlining the
Vlls and will bold that position at
'vellh's next week
Subject to Chang ;
MONDAY
William
In IXIddle
llli.ilorris . raaiiiiii -.
Marsurltc
in Out of a
IIP'I VIOVT
.-M mill Market ?tn
raulln Stark
in Daughter Ancele in
n i:pipi) ' 1
rrnrt K pii!(iuhannii Av
Kr.i'l lle'inett I
Ttie vtiTrl-me nine
I l'lt
dull itiI 1"
n. w. arimth'i!
The Ortat Love
rial" Av
roi.Et"l
MarLet heli,- anth ?t
Pauline F-rderlck 111
Fefor. -
(III OMM.
flirt f'l Vtan'eT.nd Vtv
i-'ii'lir:
vta'n St
' I D. VV.
I Tn lllrih
vtanaetink
i l4K5nrt M-n-t ?f
lara f'mbait'Teunjt In
The Claw
Marcurlt cl'Jtmi
In Intlde the T.hif
- Hnld. Peinett in
The Vamp
. Knlrt Hennett 'n
The Marrlase ntnr
j intl'vtark.t st
''""WIM, , . , ''
.nt'i St. unA Glrard Av.
vKKFOJn
", ,KfS!. -fl v.
1 ranim.n ." .
i-m st TIIKATRC '
v. lv Sprtiyo g.
: . ' -i.-
r.l:i: r ORTIir.RN ()
Gerard'f
M. 4 Tear"
Theda Tiara
in I'leopatrft
line 1 St. at Krl Ae
iw'iiniw.
t','1", ar,) Walnut Sta
nii-rRdoe fWariVa
4 Tear- in Oermanj'
IITrBRMIN
"I'tlt and Panplim Stu.
Mav Allison In
Sureeaful Adventure
H'MPO
Kront and Gltard At.
it.-.
'.'vthrn WiHlams We
fan't Have nversthlni-
Till I Come
Bacl: ,to Tou
I.KVIir.R (s) 1
41st and Lancaster Ave.
I.UIKRTV ()
Bread and Columbia Ave.
Carlyl- Blackwell in
Beloved Illftekmatler
vislo K.rfUHo- 'n
irea of the W'.lds
I nriipT
'2d and Loeust Sts,
VMHKKT ST. TIIEATRT.
.".33 liarlcec St.
(si
Inside
MOIICI.
4L'3 South St.
' i ''mmv VVeblrn t'i , A
Successful Adventure
MXOX
ted and Market Sta.
Washburn In TIP I
Come Back to Tou
Itdite Kennede In
Friend Husband
t'Jl4 Market St.
PARK
Hideo Ave. . Dauphin St.
I'HIMIKSH (
1018 MarUet St.
Byrna Brothers
In Rlzht Bells
Theda
A Tool
RrriKNT
market St. belotr
noatpn nisekle'i
Little Tat
. RIAI.10 . ....
I Utn. A vs. A Tulpshocken
Blllle Burke
in Pursuit of Tolly
RIVOLt ()
Bid and Sansom Sts.
Rear (s)
Market St. below 7th
Tho Bsndlt and the
Ffescher
Dorothy
Oreen
SAVOV
1211 Market St.
(a)
Charles Ttay In
Nino o'Ctock; Town
8TAM.KV
ilarket above tdlh
MHAMI
Gtl, Ave a Venanso
TIOliA . ..
Mary Plckford i-i
Johanna Ilnilsts
Hlsle Fsrausoi' in
Heart nt the Wild
fafttmova.? in
17th and venapto sis.
Toys
ACADEMY TO HAVE
A WEEK OF OPERA
Standard Vorks to Be Sung!
I
uesiiiiiinir uciouer i w nu i
n r' .
Creatore as JJreclor
Several .lingers who made theit debut
er durlnir th llammer.-tein reeime
' .
will be beard in the grand opera test!
val which will be given at the Academy
of Music during the veck of October 7.
All of the pcrformancest will be under
the persona! direction of Conductor Giu
seppe Creatoie. The operas which will
be sung are "Carmen. II Ti ova tore,"
"Cavallcria Ilusticara" u-id "Pasllaccl."
"ftlgoletto." "Martha," which will be
gicn in I3ngllsh, and "Aida." which will
be the opening bill.
The company numbers luu, with an
orchestra of forty. '
The list of principals includes Orvllle
Hairold, ihe American tenor; Iteglna
Vicarlno, the former Hammersteln col
oratura soprattQ : Bettina Freeman, an
American dramatic soprano, who has
- r been l.ard in this city: Sergio
Zanco, a dramatic tenor, heard with the
Boston Opera Company, as well as
Amadeo Bald!. Mario Carbon!, Greek
I'lvan. Jeanne Gordon, Lillian Gre.ham,
Alice Heslerl, Giorgio Pulltl, Btliel Har
rington, Salvatore Sclarelti, Francesco
Tamburello, Alfredo Valenti and Carlo
VIUaslRS. '
FUTURE ATT R ACTIOS 8
.SEPTEMBER tf
O.I RRIOK Henry Miller and Buth
Chatterton, In "A Mai-rlage of Con
venience"
FONRRS1 lomi uort s mueical comeay
"Glor'anna," with Eleanor Painter.
i SEPTEMBER SO
.UELPH1 "The Maquerader " with'
, .-,,. P,,.u Pnc.
1 " 31" rosi. ,..
BROAD "1 iger Kot.e; Willuid Macks,
melodrama of the Northwest.
PHOTOPLAY PRESENTATIONS FOR WEEK OF SEPTEMBER 16 TO SEPTEMBER 21, 1918
SEE ANNOUNCEMENT DAILY IN THE PUBLIC LEDGER AND EVENING PUBLIC LEDGER
TUESDAY.
S. Hart
Uavno
wnilRm S. ITart
In HldJie Oawne
TVIlllam S. Hart
in niddle Onwne
Trt TTH
Th'da Bara.
In thc Two Orphan
1 With the Kulser
riark l It.rjtinrUr Cark
Marruerlte Clail:
In Out of a Cltar Slcy
nar SUj 1 in Out of r Cleur Sky
PAU.lnc StarU
Daughter Ar.el9
Di-eilrv pil'on in
Do -
n. VV Griffith's
The Great t.ove
Pauline Vredirlcl: in
1'Vdora'
Mary riekford In Marr Plfkferd lnr
, flow koala You, Jean'.'low Could-Toti,' Jean?
Mary
n - iltlt.. I li. VV. G-lftlf-'n.
of n ytl'i" ! T' e Birth of ' Natlan
n vv
rTlie lltrtli
'V,etanise' Tali-na'dr' in
Pair. .of Sl". fitoclibws
Kdlfh
The
' vrnnrr- SriltAburr
' In That.ptll Baptists
!.J,s'i. Hpv1cwh in
The City of Dim Paces
Hold T.enneltMn
Tjie JIarrlat Rins
Oerard'i. '
IP Germain lly tTeiirvlii 0jrmil
" Theda Haru
In fleopatra
4mhe.rador Geral-d's f
Sty 4 years iivnermany
- Oladr. TJrnekell ln"
'. Bird of P.rey
William Desmond in
OldHartwell's Cub
Till I Cone '
Bac! to -Tou
Allte Hradv ill
The Death- Dar.te
illsle Kerauson In
Heart of the Wild
IMurauerite Cl-'vion In vror.ro; Salisbury In
1 V .! IL. V i I 'PUu Tl.l.11 TlJTltlaf
the Lines
That Devil Baptlste
c'arliiel Bl.icKneli.in
Heloved r.laclcnu'.Ier
Washburn In Till I
Corns Hack to You
I riara
Madre Kennedy In
Friend Husband
BjTns Brothers'
In Kttht Bells
Bara, In
There Was
Star Cast
Ho-iee of lllrtll
Boston Blackle's
Little Pal
Star Cast
House of Mirth
ThBahd(t"and the"
, Preacher
Carlyl
Beloved
Dalton tn
EVes
Jack 'Abbs' in
Mystlo Faces, i
Virftnle.
Queen
Anna Q. Nelllson In
In Judcment' Of
Msry Plckford in
Johanna. Knllits
Tllslo Fe-(tu'on ln
Heart of ths-Wjldv
Nhalmovs 'lnJ,
of Kajtr
ros.ot.aiii
Ills
,,.i
NTinr .ifTRAOTIOX , ,
Bno.lD "Not With My Money," a melodramatic farce by Edward Clark,
'author' of "Del;use Annie" and "Y6ure In Love." Prominent' In the cast
are Lucile W'atson and "William Morris. The play Is based on a magazine
story, "Face Value."
co.vr.vtr.vt? xnyrnxono s
1 A.DKLPUI "The Blue Pearl." a mystery
I play, by Anne Crawford Flcxner. With
George Xash. The plot .concerns the
recovery of a stolen pearl. The cast
Includes Grace Carlyle. Orlando Daly,
Julia Burns, Charles Mussett. Dorothy
Kfcwer, Charles Anffelo, Petce Benton
and 13. IT. Bender.
a.inni'CK "Xahcy Let." a drama of
modern life by Etigene "Walter, with
Charlotte Walker as star, begins Its
third and last -wee'.:. Charles D..
Mackay, Lillian Kemble, William A.
Mortimer, Chatles P.legel and nichard
Parrell are In the cast.
LYRIC "Business Before. Pleasuie." in
which Montague Glass and Jules
Kckert Goodman depict Potash and
Perhnutter as motion picture "mag
xots." Barney Bernard and Alexander
Carr head the east.
XHUBKRT "Chu Chili Chow.'' briental
fanlnry, by .Oscar Asche., with musical
numbers by l'rcdcric N'orton. The plot
is woven about the tale of "All Baba
and the Forty Thlevee," and the pre
sentation engages a company of 300.
OPERA RO UBS "Leave It to Jane,"
musical comedy, based on George
Ad"s "College Widow," Guy Bolton
and P. G. Wodshouse are librettist and
lvr:elst : the, score is by Jerome Kern.
Cast Includes Oecar Shaw, Ann Orr,
Georgia O'Rainey, Enrle Voxe and
juanila Fletcher.
1'KATURE FILM
pr,n?iisfj'"iiiri3 of the world," d.
W. Griffith's elaborate wartime film
returns for a third engagement in this
city. The presentation win d menncai
with that seen at- the Gavrlck.
YAVDEYILLE
KEITH'S Hobarf Bosworth returns in
"The Eea Wolf'T J. C. Mack, in
"Mother's Boy" ; Keller Mack and
Anna Karl, in songs and comedy;
Monsieur Adolphus and 'Ethel Gilmore,
in continental dances: BostocU's BJd
Ing School, comedy equestrian act;
Bob Hall, extemporaneous' singer; Joe
Parsons and Dave Irwin,' In surprlre
act; Hddle Buzabull and PeggJ
Parker, in skit; The... Three Bobs,
comedy jugglers.
GLOBE "Pardon'Me." musical comedy;
Maurice Samuels. In "A Day at Kills
Island" ; "Vloleis." musical tabloid ;
Jack Morley, comedian; Frankie Fay
and Jazz Boys; the Picola Mldgeta.
and the White Steppers,- dancers and
singers.
CROSS KEYS A. Seymour Brown, 'In
"Where There's a Will." musical com
edy; Ross and Cook, comedians; Da.
dula and DcXoIr: Ilanlon and Clifton,
acrobatn, first half of the week. Em
lnett Welch and Minstrel Boya. "Bun.
shine Jane," musical tabloid; Vay
land Smith, r.urene Kmmett, Platl-
noff, Barnes and Freeman. Boyarr
Troupe, last half of wti:.,
BROADWAY "The Bonfirfc of Old
rimpires," dramatic tabloid: Barnes
and Freeman, Hugene Kmmett, the
Musical T-unds, first half of week. A.
Sejmour Brown and company. 'Hamil
ton npd Barnes. Hddie and P.amsay,
last half of week.
WILLTAM rr.VA" Herman Becker, in
"Bon-Bons," musical tabloid; Walters
uikI Crol.er. Johnnie Jones and' Marlon
Greenlee, the Belle Sisters, first half
of wet):. ".Nature's Isooieman, musi
cal revue; Adrian, comedienne; Law
rence Brothers and Thelma, May
Gardner, last half of week.
WEDNESDAY
THURSDAY
Madffn Kennedy
in the Service Htar
fartj-le niacliwe'.l
In Beloved blackmailer
Marguerite Clark
in Out of a. Clear SI17
Olorla Rwanson
in Shlttlni SanSj
Gloria Swan3on
In Shlftlna Sands
- "iv P'ltnn tn
Green ne
-VM Mar.ih in
The Glorious Aelver.ture
Dorothy Dalton in
Green Kyes
Dorothy D.vlton in
Green' I?j-es
Knld Henn'lt In
The .Vtarnairo RIHE
Rnld Ttennott.ln
The Marrlare Ttlns
Plckford in
Mary Plckfo'rd In
How Could Tou, 'Jean'.' 1 Itow Could Tou. Jean?
n-ttiltii'ji !
Vfa Iaali In
of a Nation
Th Danxer Game
1
Carlyle T4Iaoll-elI In
Beloved Blackmailer
stun- In
Demon
Anna. Q. Nllsson
in In .TudrmentOf
Norma Talmadro
In the Safety Curtain
rrankl'-n Farnum In
Judrment
Donxlas Valrhanlcs in
Bound in Lferocco
Washburn in Till I
Come naek to Tou
Washburn in Till I
Com Back to Tou
r.lindnes
of Dlyorct ,
TVAnli Keenan In
- le.rfTroublo
Theria Tiara
in Cleopatra
Wm. )aUTn. Riders
of th Purple Bate
Tie
Still Alarm
The
SUU Alarm
R.ssue Hajakava in
The City of Dim Faces
Rlaekton's
The World for Sals
Knld Bennett in
The Vamp
Jtavmond M-Ke in
The llnhellever
Madam Pelrova. In
Tempered Steel
radam Petrova, in
Tempered Steel
Vrt-m.v Tilntadae In
The Safety Curtain
D. W. Griffith's
The Great Love
TOsIe Ferguson In
Heart of the Wilds
Anna. Q. Nell'son In
In Judgment Of
Wallace Tteld In
Ths Sourco
Normi Tnlm'dee In
Tho Safety Curtuin
Kimball Touni; In"
The Claw
Virsl-i Pi-arson hi
1 The Lair
Washburn In Till T
Come Back to Tou
Madso Kennedy in
Friend Husband
Elsie Ferauson
In tho Dancer Mark:
Srashburn iri Till T
ome Back to Tou
John Barryinora In
' On the Quiet
Elsie Ferkusiin
In ths Danter Marl:
Madae Kqineriv in
Tho berviie Star
Harry More" In
The Green God
Dorothy Dalton, ln
Viva La .Francs
Boston Blpeliio's
Ltttls Pal
D, W, Orlfnth's
ths Great Leva
Mas Marsh
In-Money Mad
Bla'clcwell In
Blackmailer
Carlyle Btarkvell In
Beloved Blackmailer
Pearson in
ot Heart
June Elvides In The
Power and ths 'Glory
Pauline Frederick in
Fedora ,
Constance Talmadfs.
Pair ot Sllji.atocklnrs
Mary Plckford 'in
Johanna Unllsts
Wallace Held in ,
. The Source '.
Mary Plckford In
Johanna Enlists
i;!a!e F-'uJi" Jr
Heart of ths WIW
Charles BayHn -I
Theda,' Bark ih
uan. iiimia ,49trn
QUl QI Budda
yt.XOX Billy Kinkadc, Scotch JuggUr;
Lewis and Xorton. songs and comedy ;
"Come Across," "comedy sketch.; Mul
len and Coogan ; 'our Valdares, com
edy cyclists. Film feature, ." 'Till I
Come Back to You."
COI.OXIAL Billy Bouncer's Circus:
' Hamilton and Barnes, comedv.aklt-.
Kddle' and Ramsay, In "Charlie's
v islt" ; V. Barrett Carmen, cortiedlau:
Whirling Brunettes. Film foature,
Mary Plckford, in "How Could You,
Jean?"
GRAXD Kaufman Brothers' minstrels.
Stan Stanley and company. James
O'Brien and Southern Girl.' Reikis.
Connelll and Ruby Crave- In "Sloan
down"; Charles Henry's Pets, trained
dags; phetoplay, sixth episode of "A
Fight for Millions."
I'HOTOPLAYS
Sl'AXliEY "Johanna Unllsts." with
- Mary Plckford as the star. A film of
wartlnps Interest. . Dougla3 McLean
Is leading man. and the. cast Includes
Monte Blue, Kmery Johnson, and' a
California regiment.
PALA CE "Friend Husband," with
Madge Kennedy, first half of the
wiek. "On the Quiet." with Jehn
Efarrymore, last half of the week.
ARCADIA "Out of a Clear Sky," with
Marguerite Clark, deals with th'
rescue of a Belgian countess bv an
American youth from a hateful "mar
riage. . Thomas Melghan, Edward .T.
Radcliffe and Robert Vivian are In
me cast.
VICTORIA Vht Prussian Cur,"' the'
latest film drama of German spy ma
chinations, remains for a second week,
EEOES'T "Bobston Blackle's Lltlle
Pal," with Bert Lytell and tthoa
Mitchell, first half of week. "Vive la
France," with Dorothy Dalton as, the
star, for the last half of, the' week. '
STRASD "Hearts of the Wild," with
Klale Ferguson, a romance of the
Northwest, first half of the week.
Wallace Reid. in "The Soure." ih
story of a man's regeneration, Iajt.."
jiatr oi vveeK.
LOCUST "Hearts of the Wild."" with
KlBie Ferguson, first half of iveek.
. "The Source." with Wallace Reid, last
half of week.
BURLESQUE
CASIXO Barney Gerard's "Girls D
Looks,"-headed by Hocy and Lee, th
former vaudeville comedians. Cast
includes Walter Pearson. Ross, Snovr,
Harry Kaye, Josephine Younge, Babe
Burnette, Evelyn Stevens and Bonnie
Bernlce.
TROCADERO Rube Bern.Uein'8 "Beau
ty Revue," the cast Is lreaded by Ed
dia Dale and also Includes Ada Lum,
Helen Glbspn. Henry1 Cut-tin, Harry
P,etereon, George Bartlett. '
GAYETY "Jolly GlrJ Burte'sauera." '
with At Martin anc Ben Dabson as
th featured comedians. The company' '
also includes Madeline Buckley, Kb
woed Banton.. "Tiny" Jancall Jani
Mae Clark ana Lottie Lee. '
UISBTRELS
DUilpXTSXtw burlesques of current
event3 and song and comedy features,
Company Includes George' Garvin.
John Heany. Charlie Gano. Beftnle
Franklin, Alf S. Gibson. Burlte and
Walsh, Joa Hamilton. Richard Lee,
Tom O'Brien. Frank Dumont
FRIDAY
SATURDAY
Madff Kennedy
In the Service Star
Madfe Kennedy
In tho Service Star.
Constanee Talma'di.
Palr -of Slllc StocUlnse
, Varzuerlie Clarl-
In Out of a Car Sky
Alma r.ub-ns
In tho Ohost Flower
' M"t-. :'an" ln.
Nehthbora
, B'llle. r.url.-ei In
Ju Pursuit te. Folly
Till T Come
Bacl; to Tou
Mai-v Plckford In' .
Hoy Could Toir, 'JsnT
c-.ntae Talniadse In
Pair of Silk Stockns.s
Herbert r.awMnson in
Smashing Throuah
v.far Marh in
the Glorious Adventure
Marguerite Clarl;
in Out of a Clear Shy
" Almn Itubens
in th'..Ohot Flower
Mae !klarsh In
Tte glorious Adentur
TUIllenurke hi
Tn Turslilt of Folly
Till I Come
Kaclc to Tou
Mary Ptckford" In
How Could Tou. Jean?
.letvel c.rni'i in
Taylnar tho Ploee
lane nnd 0"tjrl';e Lee
Dolns; Their Bit
p. W; Griffith's
ths Great Love" '
Constance Talmadss In
Talr of Blllc'Stocklnts
William S. Hart lti
Riddle aTrne
To -TTell ,
With the- Kaiser
Wm. Fa-nuwi." Ttlde'rs
of ths Purple Saee
To nell
With the Kaiser
Wa'lsea Reid In
The Firefly of France
TtaTnondk-MoKes In
Ths Vnbellsver-
Dm:las Fairbanks
In Bound in Mnroern .3'
aiorocro .j 1
f.lleBradv In ,
Tho Death Dan
Wlninm S. nart tn
Ttlddlo Gawne
Tk Hell' t
With the Kaiser,,.
Wei. Farnittp. Wders
of ths Purple Sars
'Te-Hetl
With the Kaiser
Mabel Vnr-nsnd'rltt
Ths Venus Mods
Pauline KtarV in, Ths
Man Who Woks 'Up
WPItem S. Hart. In
- -Wddls .Gawns
Boston BItMs's
' Little Pat ' -
TTallace RUd In, ,
The. Sourcs ... .
Deu;Iae Fairbanks In
Bound In Morocco
Carmen i,f "the '
Klondike, ' .
Washburn In-Till t
Come BacU-.to 'Ton
Johir Barrymnre in
. On tho Qulec '
William S.. Hart 1
ln Rlddls Gawns
'Q'irhi Hn'apjin In
The Secret Crd,e
Dorothy Dalte'a ln
Vivo La Frsnc
, i ni
Pauline Frederick
la 'Fedora.'
Frank Keenan tn
Jim Grlmssy's) Boy
Mabel' Kortrtand.In
Back . of- the Woods
Vlrtlnls, Tejrson.ln
Queen of Hearts.
Mar- PJelrford !n
Jdhat.rta, Enlists
AV"afe.n'Ii(.In
'PnHurcs
Olsdjii.'BrnoIivrell.l))
TU Scarlet Road,
Wllllam S. Tfart In
Riddle Cairo o
Dorothy DMton In
Green Eyes
Wallace Tteld In
Tho Source
D. "W. OrlfMh's
The Ofeat'Lov
clarmen of ths
Klondike
Washburn In' Till I
Corns 'BacK to Tou
-John Barryinora in
OH the Qalet
William S. Ttart
ln Ttlddlo Gawne
Klttr fSordon In
Merely Plners
Dorothy Datton In
Vivo La. Francs
Norma Talmadre
in ths Safety Curtain
i
Frank Keenan In
Jim Orlmecya Boy
.Theda Tiara. Irt"
Ths Clemenceau Cass
Till 'I Corns
'Baclc'to Tou
i j . ,
Mory Plckford in
Johanna 'Enlists
Wallace .Held
Tile Source
' Heda" Vol In ..
Ths ChaptlBR Wpnian.
n
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