ST WEEK: '"CEPTION SHOALS," ADELPHI; "20,000 LEAGUES UNtER THE SEA," AT FORKS LLLLLLLHEIFiT.V. Hl AT HOME IN ALL THE ELEMENTS J- j.!' Hlirri' iPlhilBP i i ' i "' i fi'Wff T' "Win iX'imi i OLIVER M0R0SC0, MAN WHO CAN DO TOST EVERYTHING "I'D LIKE IT DONE THIS WAY" Cnlifornia Producer Is Acrobat, Skilled Manager and Various Other Things A STRIKE-BREAKER Hk ra vviHri wirs-v. cwijiii .t?i?i u .kl... t f-.-j '-a t wi r1: ".i. i. : 3-" iairt t n. ' j. '.w'jr:,7-. .. -wajia,:'"rwwMm tea iKaifeSByi'aL? v- J pwMn,..&rwu5ai4;iTsss fe . -- - ..ii imiwMtwKui..t,WM .. .v.uw.v .. .y.wAh j, ,&. xlJT .A JUiSW )iMsqatJtWw. ' Allan Holubar, who plays Captain Nemo in "Twenty Thousand Leagues Under photodrama, at tho Forrest next Monday, fears no dizzy nltitude. Jlore we see take a "long-shot" In California with as much calm as ho displays beneath the Jules Verne romance. SEA GIVES UP ITS STRANGE SIGHTS BEFORE THE CAMERAS PIERCING EY'E Battle With Oceanic Monsters and Other Remarkable Feats That Were Accomplished in -Filming Jules Verne's Story by Williamson Brothers Slashing at a gigantic octopus with an sue, severing a slimy tentaclo at every stroke, Captain Nemo s'.ow the monster and saved a pearl dler, who had been seized by the giant devilfish at the bottom of the troplo ocean. Through a submerged window In tho bub marine Nautilus a terrified group ot spec tators breathlessly observed the llfo-and-death combat. They watched Captain Nemo release the unconscious victim from the maimed and quivering, tentacles of the octopus and rise with him to tho surface. Then he descended to tho depths and re traced his steps to tho submarine, lie entered the sea door In his craft, removed his under-sea suit of nrmor anJ rejoined his affrighted guests In the observation cabin, none tho worse for his adventure. What Is all this about, you ask? It Is one of the many thrilling under-the-ocean scenes In the Universal's production of Jules Verne's "20,000 Leagues Under the Sea," at the Forrest next week. Little mention of this startling project was made during the nearly two years that a motion-picture studio was being operated on the bottom of the sea. No one heard of the new half-mllllon-dollar production nor of the many hair-breadth and halr ralslng escapes of tho actors who played their parts among the man-eating sharks. For the first time In history a drama with the floor ot the ocean as the stage has been photographed. A submarine descends to mysterious depths and human being emerge, exaptly as ' Jules Verne wrote. You follow tho actors JUVENILE OF "JOAN" NO LONGER SINGLE Wallace Reid Sends All His 'JMash Notes" to His Wife, Dorothy Davenport It Is' too bad to shatter love's young dream, but the truth must bo told Wal lace nM l mirrin. For years, says tho press agent, he has been "the Idol of the screen" and ho is "Just ns fasci nating" today In "Joan the Womnn," as ho was In the gulso of a black smith in "Tho Birth of a Nation" or In any other picture with which his fame Is associated. So It seems a little absurd for so many admiring "young things" to send him endearing letters from almost every town ami uaiiilct in tho U, S. A., and this Is especially fo, because It Is his his practise to turn over his dally mail, neatly tied with white string, to his wife, Dorothy Daven port, If Dorothy were not a motion picture actress she would probably be Jealous, but she understands susceptible womankind and she doesn't in the least mind the tender mis sives that arrive at Hollywood, Cal , for "Wally." The Held home Is an attractive place. It stands on Selma nvenuo In Hollywood, a suburb ot Los Angeles. Thero Is a pretty lawn and a garden and the Relds are never so happy aa when they are trimming their roso bushes or planting onions. .Sunday mornings are usually devoted to looking after the pets. That is when the Itelds wash their dog. But It Is not really a dif ficult Job, for the dog is such a mild fellow BsBsBssBsBsflawHH BsLaBsKk. isss2?r UNRULY ACTORS, BEWARE! Wm v K2sfl l Kz M&i3mEm$& L" Lie,) Ki hLsHf TlP HBHEoK esj sHssHssHssHSH aassaaassF 5to HmJSJot i HK aSsSsSsVV'. ThbE1MhV aaTaraaTsar QPaTcaTaaaBBBsfe. aTaaTaaTaaTaaTsB HIHBp, ' 'UW i ' rmLUHhiw .BHHIIIIIIH HUtt' 'V B L aaaaMLw .j. . ' -" '- KB H 9n.' In their perilous adventures. You Fee them on a hunting trip through subaqueous for ests, where they battle with charging sharks Unnamed monsters dart by at every step They explore sleeping coral reefs, where myriads of fish play among the rlbii of sunken ships, wrecked n half costury ago Jules Verne's hero, Captain Nemo, the chief actor In theso events, requires no life lines nor air pipes to connect him with the upper world, Carrying his own supply of oxygen In a condensed nlr tank he strides tho deep, free as King Neptuno himself. Tho submarine drama tells the story of this man of mystery, whose wealth would pay off a national debt Millions of per sons from fifty years ago to the present day have been thrilled by reading the narrative of his life Ho as the wizard of the sea. His lnentlons mado him master of tho un conquered ocean. How It was possible to produco this drama under tho sea Is a story to fill pages. All the submarine pictures were directed by tho Williamson Brothers, whose Inven tions have made ocean photography a sur prising and wonderful creation. It was tholr dream to demonstrate tho plausibility of Jules Vcrne'a prophetic story, and It was tho ambition of President Lacmmle, of tho Universal, to execute this almost unbe lievable undertaking. That which the French author predicted fifty years ago has only recently come true. Submarines have now terrorized the sea exactly as he foretold, and all tho thrilling details are pictured to tho minute in the that ho never even shakes himself until his ablutions are completed. There Is also a family of cats on tho place. A characteristic of Wallace Held is his punctuality Absolute dependence may be placed upon him at the studio and he Is always there promptly at 8.33 In the morn ing. That means his leaving his home at 8.31. Fortunately ho has a fast machine Onco upon a time Hal Held, Wallace's father, was a famous melodtama star. Wal lace took naturally to the stage, but before ho left his home In St. Louis, following a course of study at the New Jersey Military Academy, he wasn't quite nure Just what occupation to follow. But thero was an op portunity for him to work on a ranch nnd he lost no time In going West. Later he ran a hotel and ho also occupied himself for a. while on tho Government survey of the Shoshone Dam. PHILOPATRIANS WILL GIVE PLAY IN JUNE Philadelphia theatre-goers will be glad to learn that. In splto of tho war, tho Phllo patrlan Tlayers will present their twenty fifth annual play in June. Tho work of these nmateurs is always welcome, coming as It does after tho close of tho professional season, though It Is hardly fair to call them amateurs, either,, as their main right to that title lies In the fact that they receive no salaries As far as ability goes, tho Phllopatrlan cast always compares with professional talent. James J. Skelly, tho Phllopatrlan actor manager, announces that this year's vehicle has not been selected, but thut a number of recent Broadway hits aro viler consider ation nnd that u choice will ) i made In the near future. Mr. Skelly nee' no Introduc tion to Phlladelphlans cither as a manager or as actor. As usual, the entire proceeds of the play, which will have a seven nights' run in June at tho Broad Street Theatre, will go to the House of tho Good Shepherd, Germantown. tM-athUttctriw -in-tMa.Mfklon, as 7Hjr. LjTifc,.'. yw iiijwiiMMMii Mf , H .'jsafcaa SwEsa! WIVMIVi t iAW, V - -A... -A" j-, r- ii-iTil QiiJ the Sea," Universal's suboceanic him telling a cameraman how to the waves in the picturization of Universal's picture filmed at the bottom of the ocean In addition to the scenic beauties of tho production there Is a btory unfolded, which has tho daring of chivalrous men, the ro mance of love and tho excitement of tho battlo fields. In making the picture Uni versal used careful Judgment In selecting the players. It was necessary, In many instances, to engage those who had homo aquatic prowess and no limit of fearless ness, for taking scenes on tho bottom of tho ocean required nerve and skill Tho cast Is headed by Allan Holubar, In the rolo of Captain Nemo, tho wlzaid of tho Bea, with Jane Gall playing tho character of a child of nature. Dan Hanlon Is seen In the role of Professor Aronnax, a distinguished French scientist; Hdna Pendleton, as his daughter; Curtis Benton, as Ned Land, prlnco of harpooners ; Matt Moore, as Lieu tenant Bond, United States army; Howard Crompton, Wallace Clark, Martin Murphy and Leviticus Jones, as members of Lieu tenant Bond's party; William Welch, as Charles Denver, an English adventurer; Allan Holubar, as Prince Daaker, an Kast Indian prince; Jane Gall, as Princess Daa ker, his wife, and Lois Alexander, his daughter, a child of eight. There aro also officers, sailors, soldiers. Cast Indian na tives, divers, shark hunters, villagers, mule teers and a cast of more than 2000 persons, A distinguished audience will attend the performance on Monday night. Mayor Smith, heads of the city departments, municipal and national officers haing signified their intention of being present. IBSEN, NAZIMOVA AND HENRY MILLER Tho Triple Combination That Popu larized Actress With U. S. Audiences Alia Nazlmova came to this country as tho leading woman of a Russian company and her striking personality riveted the at tention even of critics Vho could not understand tho language she spoke. One of the number who vis ited tho little the tro In which he nppcared was Henry Miller, ac tor, producer nnd manager. His as tuteness visual ized a remarkable future for the Rusblan players on tho Hngulsh-speaklng stage. Ho sought an In terview with her, found her In a receptive mood and. soon arranged to hae her taught the language of her adopted country. Sho spent the next summer at the country placo of u magazine editor and rapidly acquired n working knowledge oT l.'ngllsh. 'During tho following season Henry Miller presented her In a repertory of Ibsen plays given at a series of special matlneo performances at tho old Princess Theatre In Now York. It was Miller's theory that his so-called "discovery" would become a fad In New Tork If he could stimulate gossip nbout her over aftotnoon teacups. He worked out his plans with that consummation in view and his belief was vindicated. It soon became "the thing" to see Nazlmova In a matinee performance of Ibsen. Her Hedda In "Hedda Gabler" and Nora in "A Doll's House" became the talk of tho town and were discussed in great detail by fair young critics, who raved about symbolism, uni versality and dramatic influence with a fluency that drove less erudite patrons of "at 'homes" to the verge of frenzy. The producer's motives may have been mercenary and It Is certain he traded on the foibles of the idle classes, but the fact remains that Nazlmova's Impersonations at the Princess did more to popularize a very great playwright In this country than did Richard Mansfield's ambitious production of ".Peer Gynt" or the brilliant acting of "Ros merBholm" by Mrs. Fiske, George Arllss, Bruce McRae, Fuller, Melllsh and Albert Brunlng. It Is safe to say that Nazlmova has puz zled American reviewers more than atjy other player on the stage. Her Interpre tation of Ibsen lacks the Intellectual quali ties of a reading by Mrs, Flake and fre quently exaggerates certain picturesque de tails at the expense of possible Illuminating exposition ot puzzling dialogue. Her stage methods tend to the bizarre and seemingly are designed for the esoteric few. i:ither through preference or In deference to the judgment of her managers; she has hereto fore selected neurotic ' types for her most ambitious stage' portraits. This policy, of course, Is In keeplnr with the fad scheme that first made her a celebrity, but there are critics who contend that a grave in justice has been done. They argue that the art' of the aotraea has. been seriously handl- jayi'M 'Mparaour , attyutfcj avoJ4- 1 1 1 aa HHIaH aaaaaflaaaaawaf About tho lobbies, tho green rooms nnd the box offices of tho pln houses of New York one hears nlluslons to "tho man who can do everything." Inquiry brings forth a prompt answer, "Why, Ollxcr Morocco, of courso." It Is because he Is "tho handiest man about a thoatrc In America" that Mr Morosco In termed tho man who can do everything. Ho begnn his career ns nn acrobat with the will-known family of tho Fnmo name When ho ceased being nn acrobat ho becamo treasurer nnd press agent of his father's big theatre of melo drama, the Grand, In San Francisco. Ho wore a very black suit which matched tho (.loom of the big theatre In Its empty mo ments, nnd his expression was serious. With I years of responsibility has eomo a lighter nature At that time ho was wont to climb ' on the paint frame and help tho scenic i nrtlst paint scenery. His nuthful energy wns also lint to tho aid of the property man When ho hnd been graduated by clr. ' cumMnnrcs from tho position of n bnlarlcil ' man to tho proprietorship of a theatre. Ills Janitors went on a strike. Mr. Morosco ! removed his coat and cleaned the theatre, ' nnd cleaned It well. The lanltors. hiilnir . Kbeen mollified, i Hurried to work. Mr. i Morosco was by no means allowed to tit back nnd rest. The blllpostcr.s struck Hiring a hinall boy to help him, tho young man who wouldn't bo licked jumped on tho blllpostlnr wagon and for two weeks posted his own bills. Ho got 'em on straight, too, and In good places But In the midst of his. tribulations ho did not forget how to play the plnno. Ho ImpioNlses -nnd has written successful sal able songs. He dances fo well that when ho directs a chorus It does not turn up Its collective noses at him nnd Fny rude things behind Its hands. For ho knows stago dances nnd can do them, nnd show others the steps. Ho Is a playwright, haWng writ ten original plays and collaborated on many others. "G!o me tho Idea, that Is nil I ask; I can do the lest," ho says as easily as he says, "May I escort you to your car?" Ho is in most productions his own stage di rector. Ho has written scenarios for his motion-picture company nnd directed five reel features for them in Cnlifornia. He Is co-author of "So Long Letty." the successful musical farce now at the Lyric, as well as "Canary Cottage," another musical play which ho used to open his New York thea tre. Resides these musical plays he has produced this season "Up Stairs nnd Down," "Mllo-a-Mlnute Kendall," "The Hrat" and "Tho Fugitive." Tho latter two nre at present among tho successes In tho metropolis. Ho Is now preparing to return to Los Angeles, where he will make fivo new productions during the summer. The first one w 111 bo a musical version of "Sadie Love." to bo called "What Next," In which he will star Blanche Ring and her husband, Charles Wlnnlnger. It was during the preparation of "Canary Cottage" for Now York that Mr. Morosco demonstrated that the title given him was right. It was during a rehearsal that his assistants confessed that their pride In their own resourcefulness had taken flight. A bit ashamed they wcro because tho ob stacle, or rather the obstacles, beforo which they capitulated were small They were In fact midgets. Tho Krgottl midgets, two tiny men acrobats, wcro engaged for "Canary Cottage," but when they reported for rehearsal nobody knew what to do with them, for they know no Hngllsh word. Mr. Morosco looked, smiled, thought and, as Is his habit, acted. He beckoned to the pair of llttlo men nnd hurrying from tho stago signaled a taxi. As ho expected, the wee men were nt his heels. Tho universal language of pantomime had Informed them thnt he was tho man In authority. Ho opened the cab door, smiled and tho midgets Jumped In. "To the city Athletic Club," he ordered. Arrived there, ho again preceded the human mites, who willingly followed him into tho gym. They watched him approvingly whllo ho slipped Into tights, then he faltered. Had ho forgotten the nrt? Ho had feared that his legs had lost their cunning. But nt the sight of tho midgets nil of his forgotten Fklll returned. Ho quite forgot his mission while ho turned forward and backward romersaults, strolled on one hand nnd waved defiance with one foot nt the sky; ho won tho undying esteem of tho midgets. Finally, he showed them exactly what he wanted them to do. EVENING WEEK OF MAY 7 to MAY 12 MONDAY ALHAMBRA Theodore Roberta. In Tho Cost of Hatred APOLLO Oltra rptroa. In Tho Waiting Soul ARCADIA Tho airl at Pallia, Last Ifibel Taliaferro, In A M.igualone of the Hills BELMONT BLUEBIRD Vivian Martin, In The tiplrlt of Romance CEDAR Tho Social Leper Tho. Uroat Hscret. No. COLISEUM Dorothy rhllllps. In Hell Morean's Ulrl FAIRMOUNT Mae Murray, On ltecora 56TH STREET Scsiiua Hnjakawa. In Tho IlotU Imp FRANKFORD Tho Fortunes of Fin The Secret .Kingdom GREAT NORTH. Tho Derelict Past One ut Kooney's IMPERIAL Norma Talmadce, In The Uw ot Compensation JEFFERSON Mary IMckford. Toor Utile Well LEADER The Trlson Without Walls The Uutcher'a Uoy LIBERTY Earle Williams. The Hawk Sarah Ilernhardt, In The Mothers of France LOCUST MARKET ST. OVERBROOK Violet Mesereau. In' Little Miss Nobody Theda llara. Her Oreatest PALACE Sleeplnr Fires The Marionettes Marie Doro. In Castles for Two PARK PRINCESS. REGENT Dorothy Dalton. The bark William Farnum. In American Methods RIALTO The Poor Little Friends at Han RIDGE, AVE. Clsra Kimball Younar, In The Price She Paid RUBY William Farnum. In American Methods SAVOY Lois Weber, tn Idle Wives STANLEY Mary Flckford. lrt Romance of the Redwoods STRAND Murl.l pstrlche. In Moral Courses TIOCM " .$ v .The f. .JF.v, saalaBssssssssssssW IbsBH " jrfflb. aaaaaaaakaaw I aaaHt I V' v .' Tf 4 ' j IsssssssssssssHat -4iBsslsBsssssssssW -dssssssssssssmw tssssssssst ., "V 'MalaaaaElataaCasssssssssssW ssssssssssiiak. 4JssssssK --Wyw 4 BaaaaaOaflsassssH,'(!''f'M','''T' " T"W rA-T W Mir"-T T T Vessssssssv JU W vfJBHV 'Haaaam': .V-v" - -V w VVT J R W '-; ' Jfl3B.Si''"? HHHHM NaBWP'Ifl 'Maaaaaak ' aB Bl ' I ' C ? ? SHH ' ' iaaaaBBKaTT MKKmlM&mtKSrlU i f -'' wl-....fc....-...-J.----......... , v .-, ,r..llf .A.x?....11 , ""-rr-7tP!22230B ' Says Cecil B. Do Mille, director of "Joan, the- Woman," nt the Chestnut Street Opera House, in telling Mary 1'ickford and Elliott Dexter how to put across a scene in "A Romance of tho Redwoods." Tho Stanley will displny this Artcraft film next week, with the wife of Owen Mooro nnd the husband of Mario Doro in leading roles. GARDEN TO ERECT "CINEMA MARY" FOR FRENCH FANS Opera Singer Plans Great Photo play House in Capital of Country Mary Garden, opera singer, who Is soon to mako her photographic debut as a star In Goldwyn Pictures' presentation ot "Thais," has taken tho first step toward be coming a movlo magnato In France. Miss Garden tool: title to a valuable site in Paris and has begun work with her nrchltccts In tho designing of a 4000-seat motion picture theatro In which will be exhibited film productions avallablo from nil of tho producing nations. This thentro Is to bo named "The Cinema Mary," which will forever Identify It In tho minds of the Parisian populace. Miss Gar den Is a favorite of the French people and she alms to mako her screen theatro one of tho most distinctive places of amusement In France. Writing from Paris, sho expresses the, hope that she will bo able to open "The Cinema Mary" with tho Initial presentation In Europo of her own Goldwyn production of "Thais" because, as sho points out: "It Is tho work of France's master, novel ist, Anatolo Franco; was done Into opera by Mnssenct, a musical genius whose voguo has become world-wide, and because It gave ogue to tho modern French opera of tho world's muslcnl capitals." Modesty kept her from stating that It was Mary Garden who created tho title role of "Thais" both In Franco and In America, and that her creation of tho character gavo French opera Its greatest stimulus In the Western World. On one previous occasion Paris possessed a cinema house bearing the name of a favo rite star "The Cinema Max," a theatre owned by Mr. Llnder, tho comedian. With tho outbreak of tho war this was closed and has never been reopened. Tho slto purchased for "The Cinema Mary" Is located at one of the roost fre quented points In Paris In a neighbor hood whero fjif-hlon and the masses con verge nnd this popular location promises her the greatest permanent audience ever attained by a Parisian theatre. "I could not think of building and own ing an intimate llttlo houso"that would play to eight or ten thousand persons a week, I cannot conceive of the motion pic LEDGER PHOTOPLAY CALENDAR EVERY SATURDAY, SUBJECT TO CHANGE TUESDAY WEDNESDAY Theodore Roberts. In 'the Cost of Hatred Theodore The Cost Fannie Ward. In Winning- of Sally Temple Sweetheart of tho Doomed The OSeat Secret Hpma dtaode The Qlrl at Home rutria, Last Episode The Qlrl at Homo Patrla, I,ast Episode Mabel Taliaferro. In A MaKdalene ot the liills Alice Brady. In Darkest Russia Harold Lockwood. In 'i'hu Hidden Children RocllRo Where Mario Doro. In Castles for Two Daughter of MacQregor Railroad .Raiders, No. B The Qlrl In the Checkered Coat The Greater Woman Mrs. V. Cmtlo, In Patrla In Clara Kimball Younc, In 'lno Price She Paid aypsy Hart, In The Flower ot Doom Sessue Hayakawa. In Tne Uolllo Imp The Poor Mrs. V. The Fortunes ot Fin Uhe Secret Kingdom Myrtle Happiness . The Derelict Past One at llooney's The Tides Patra. Norma Talmadge, In The Law ot Compensation The Captain ot the Gray Horse Troop In Pearl White, In May Ulossom Stuart The Qlrl The Prison Without Walls The butcher's Uoy Marie Castles Dorothy dish. In Her omual Fathers Robert Warwick, In The Argyle Case Sarah Bernhardt, In Tho Mothers of Franc Forset-Mo-Not The lyncher's Boy Viola Dana, In God's-Law and Man's ".vobr' Harron. In Old-Fsshloned Young Man In Love Mary Lawson's Secret .Patrla, No, 4 Gladys Her Sleeping Fires The Marionettes Sleeping Fires The Marionettes Ann Murdock, Envy The Qlrl In the Checkered Coat In The Waiting Soul Great Secret Sessue The lload William Farnum, In American Methods Viola Dana. In God's Law and Man's Itlch Qlrl Hoaario Theodore Roberts, In The American Consul Oeorge High The Derelict As Man Government War Pictures Is Marriage , The Captain of the I (iray Horse Troop Qeorge The Violet Meraereau. tn House Peters, In A Men Love Mine Miss Nobody Mary Plckford, In Romance of,-the Redwoods Mary Romance . Muriel Ostrich. In Moral Courage Maffiac .: ture as a selected amusement. I want to play to five million persons a year In my theatro and this accounts for tho large seating capacity. I feel euro that Paris will welcome the addition of this theatro to Its already abundant amusement re sources," tho writes. PHILADELPHIA GIRL IS NOW ON HER OWN Phlladelphlans who havo watched tho career of the Mlllershlp Sisters will be Inter ested In tho debut of Florrle Mlllershlp In a single offering In vaudeville. "Little Miss Dainty," as this llttlo Quaker ess has come to be known on, tho stage will mako her first appearance In vaudeville as n "single" nt Keith's next week. It was only a few years ago that the Mlllershlp Sis ters wero playing about this city at small entertain ments, offering songs and dances as their specialty. Later they entered tho professional ranks and wero not long In making a name for them selves. They formed a partnership with Harry Fox, tho comedian, and tho trio quickly forged to tho front as one of the most successful acts of the kind on tho stage. An engagement with a big Broad way rcvuo followed, and was only termi nated when one of the girls married a Chi cago hotel man. Cohan and the Critics HE. DOUNCE, who tells the readers' of the Syracuse Herald what they ought to know about plays and players, sends under' heavy seal the following irreverence and confession to Alexander Wool cott, who does the same to the read ers of tho New York Times: "Dramatic critics in this country are divided into two classes, those who know Georgo M. Cohan is tho greatest American dramatist and those who know he isn't, but say he is. Which kind are you? I am both." THURSDAY ?RIDAY SATURDAY :' . Ti2IriSne B.wie,"' ln . JJ15U":hB Sweet. In Blanche Sweet. In . ', The Tides of Harnegat The Tides of Barnegat The Tides of Uarneftt ' . -K R5i5ifItWaVni?lc' ln Ma9 Murray. In Dorothy Qlsh. In 'i The Argyle Caso On Record Her Official Fathers V- n-t,Tin!Snawi a Th0 Snarl The Snarl , : Tho Larger Birds The Larger Birds The Larger Birds vw?.''ai?y' !n Douglas Fairbanks. In Douglas Fairbanks, la Darkest Russia The Habit ot Happiness The Habit of Happiness t TiTU'oJ.PiiEf 'r Li- ' .Theda Barn. In Wallace Reld. In, ., Her Greatest Lovo Her Oreattst Loe The Prison Without Wats' ThThnnSM.at!'vXumv!J Jllanch,0..Sweet' hi Loulso Lovely, in The Double Cross. No. B Thoao Without Bin The Olft Girl J ' rSmw.hrSfer iVl r D.?rk.,t Russia , Darkest Russia ' fho Web ut Life Double Cross Mstery The Butcher's Boy J AJrh sJKSv ln a J.,.aHl Taliaferro. In Blanche Sweet, la , Tho becret A Magdalene of tha Hills Those Without Bla .' The Poor Little Rich Olrl As Men I-ovo As Men Loe fl Mrs. V. Castle. In Patrla Locked Out Locked Out i .. MJT"e Stedman. In Blanche Sweet ln Ttlanrhn Sweet In ' ' Happfness ot Three Women ThoSe Without 8lS ThoSe Without BlS J, .'rne.7'''5" ot Barnegat The Cost of Hatred The Cost of Hatred Mrs. V. Castle. In Patrla Her Circus' Knight Her Circus Knight h Gladys Brockwell, ln Her Oreatest. Love Her Greatest Lev ' Her Temptation Maggie's First False Step Maggie's First FUs tg rra" The ciSkra' ln Robert Warwick. In The Waiting Soul J The Clock ( The Family Honor Secret Kingdom. Last t A'sYl'.'. or'Tw,o B"TUh. SSffiftlS ' S"ThS M'lm'p "J, Sweet'rVo0,'?-doomed Thwert".'. gh ftgSef ' J Th.FB'uVcBoy ' nnlmW MuMd" jj RWawn iCTiVe.1" ' "JSBSBtfJ, Cnecge'rredlnCoa? IrtAJT'&." Tn.ca? "j BuffiSSaSft, Stanr'ure. ' ' BuSSSrSSl Valc,kaBg8,ratt- ln Kf'hlyn Williams. In Beatrlc Mlch.lena, I?! 222 ut of thB Wreck .The Woman Who Darsl M"J"T'henD?brU- '" W'',hR".',ry' ' .IgSS Ortg-.jhj q.dyj0LwD'an'd- Man's T&"V!&!SP&9. , rSSS!S-& "yt?dd.nren'n Mrs. Ca'.V,.. Yatrl. rh.r lch Mrsv'lCrepatrta Clvlll.atton, ClvHlsathm x.jsssfrsna. TR.?a-c& sssvhau ' 1 TSSS&Wb Th.NLrCmo'mn.'a"t,on A ffijfifflOT. H.J rUSc? oPI.dPood. RonffgcT c?'?tVdlBood. RomcT ff?Mf. J3Pg.,3aV' .'urttft., ?"gterRna1d-BI0fa. Roberts. In ot Hatred Fellows. In Loe Leads Little Rich Qlrl Castle. In Patrla Stedman, In of Three Women of Barnegat No. IS 7 Holmes. In Derelict Doro, In for Two Brockwell. In Temptation Hayakawa, In Bottle Imp Walsh, la Finance Made Her Sacred Series Beban, In Bond Between Plckford. In. of lnRedtoda Ostrich. In vourase? . ' PERTINENT HINTS FOR THE CAMERA AND ITS PLAYERS How Photoplay Actresses Can Improve Their Work and , Make It Vital By BESSIE BARRISCALE At tho Arcadia Next Week It Is no wonder that there has ten considerable discussion of late as to whether beauty and brains can be combted In sufficient quantities to be profltablt In tho film business. I will not discuss aeton, but I feel qualified to talk about tin women of tho screen because I am one raj. self, nnd I know our weaknesses. We Jo 'not thjnk enough nor Btudy enough. Mitrj actresses who have beauty and ability tn doomed to failure for this one reason. ThU Is what I always tell girls who wrlti to ask how they may become motlon-Dlcton actresses. You cannot imagine how-reiny such letters thero are. I tell them It no trouble to become an' actress; the tjmt uimcuiiy is Deing wormy or your JOB. Of course, It Is the glitter and the "(an. cled romunco of the profession that attract the girls. They think it would bo "perfectly wonderful" to bo made lovo to by hanJ-y somo leaning men ana wear pretty clothei and pose In front of a camera. But. ul to ,say, that Is where they stop thlnkli They know nbthlne of thn hitter dlun. polntments, the unceasing grind of hint' worK and the mnny other unpleaitnt features of studio llfo. How many times.. navo 1 watched a beautiful , and perhir talented beginner go through her sratll parts, utterly oblivious of the opportuni ties to study and improve her work. Till class Is in the majority, and Its representa tives are apt to be self-satisfied, sure that they cannot make mistakes and greatly of-,'i rended when they fall. A But the beginners are not the only ones In this class. Thero are plenty of present day stars whq sparkle brightly for a tiro and then fade. It Is no fault of the ew- ducer nor tho public; tho reason theyirW, una within themselves. Plenty of girls fet their chance, but a llttlo success snolls then.. They do not try to Improve. They thlat)" that tho industry centers in their Important selves, and the first thing they know aa 111 wind blows down tholr house of cards asi they blame everybody but themselves. TherS simply were not big enough for tneir jo mm.iiv.