Pili ppn An. n t nwr: T.ifyiYTV" TYTtlC: SHAW BILL Ai ln iiij :rr 'r' mmW F. -it v. WJ le '& tf &f w t- '' ., Tho glorified death of Joan of Are, "Joan, tho Woman," fir' '' Bii5T8Biifl !! -- jy -- rOv THCl Bfitr MMMMMMMMMM&&t&MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMmS A jl&flfcBSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSMVSSSSSSSSSsSssssssB SSSSSSSSVij-J 11 VS Dlftr -'"lZZIZZZ ;$$- MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMmW 'yAiV'& 'pppHP91HEiP IMMORTAL BERNHARDT UNDER FIRE AT FRONT How Sarah of the Divine Voice Posed for Patri otic Motion Picture, "Mothers of France," Coming Here IOUIS WERCANTON, director of tho war picture, "Mothers of France," of which tho French Government Is part owner and Sarah Bernhardt the star, and which will be. at the Metropolitan for four pcrform anoos next week, wbb a recent visitor to New York with a view to arranging for tho distribution of tho photoplay In tho United States and Canada. Beforo Mr. Mercanton departed ho said to a reporter: " 'Mothers of France Is epochal In a aramber of ways. In the first place, Mme. Bernhardt Is Its star. In the second, it was written by M. Joan Rlchepln, poet, dram atist and member of 'the French Academy. And finally. It waif photographed In the tranches by arrangement with and tho as sistance of tho Government, which retains ownership in the war scenes and thus be comes a partner in the picture, unifying tho Intensely national spirit which 'Is at tho bottom of this undertaking. "This play will be a part of the official record of the present European war, and will be preserved through tho generations. Tho authorities In France, civil and mili tary, are deeply Interested In It, for It car ries to the world a genuine representation of Franco as It Is not merely Paris, with Which most persons are familiar, but that JWovlnclat France of which the outside world knows Uttlo or nothing. "M. Rlchepln, as doubtless you are not wi ' TITOnn TOTTTi VfkTTO VATMTTV ii '-"-,- '-, V--4M. T.TH.-..1. . iSur . 1J.V1U IUUH VAW11I UiVVl Such Is Charlotte Greenwood's Advice to Plain Girls Who Would Be Stars It took Charlotte Greenwood six years to learn that she was funny. It took an other year to reconcile herself to the Idea. To seo her In "So Long Letty," at the Lyrlo next Monday evening, any one would think she had been funny since sho left the cradle. Nothing could be further from tho truth. She had no more Idea that she oulcj make peoplo laugh than has William Jennings Bryan. But she found It out. There was one great obstacle which Miss Greenwood had to surmount beforo sho at tained her present personality. She had to eliminate her vanity. Experience did It experience gained on many a stage and be fore nil kinds of audiences. "Tho reason no few women are funny Is because they absolutely refuse to bo or look ridiculous," says Miss Greenwood. "For six long years I dodged tne -aaue, refused '.o regard It as an Issue, and kidded myself into the belief' that I was going to be a Teat dramatic, star or play prima donna llko Frltzl Scheff and all tho other celebri ties. "But nature has to bo served, and nature never Intended this fair Charlotto for any thing but comedy. A lot of my friends tried to talk me out of-my foreordained career, and now they are tho very ones who say, 1 told you so. She should have gone in for omedy from the start I' "Six long years of my fair young life Were spent in the chorus, and I was .no pony either. Every attempt I made to break into the cast met with rebuff, until pne day tho last straw was busted across my shoulder blades. A friend, a beautiful girl friend, asked me to go Into vaudeville with her. She wanted me as a foil to her .beauty. That was ,th limit. WOMAN TAKES FLING AT MAN-MADE LAWS "John Doe'J Film, Lois Weber's Attack on Capital Punishment, to Bo . Seen Hero "The People Versus John Doe," a drama :.';f -,ef circumstantial evidence and a preach .viV 'went against continuing tho system of capl- j-'filr'tal punishment, will be presented for the El VI. nrsi lime in in in cny ui ina viciorm r-ii p .if weelc It was written by Lois Weber, W h been' called, with some justice, f$-f'i ' JTreatest, woman director," -and It is yC Srt time in this city at tho victoria Easter wno "the pro- mi- duced, under her direction with a company .;t of players of Universal. The story tells j.itt a larmnana, jonn, wno iuiib inio me hands of detectives seeking some . one to - V. convict of the murder of a well-to-do farm- " .tam A-..4 tfa alati .Tnhn T)M let InnnAnf T-Va .. ... ...-, ........ ww . .....WVVt.b, ' '' hut circumstances to some extent are -aganat him. Detectives, evidently feeling XEW( ,mey muai bo uuviuii, iirucura ma con- Mons or Jonn voe ana nis nair-witted ther-ln-law. Just 'before the execution I John Doe friends of (he persons who be- the man is innocent nnally are sue- Hi., ' The execution -Is stayed and the 1 iMlDrlt confesses. (Uw Weber Is' also responsible for "Ilypo- l, . .wneroiAo my niiarenr "Bcan 1 an4 other photoplay productions which wott.pmise.' 'Afl propaganda for the of caplUf punishment the picture aly polemical material ana was at Harriefcu'rg when; the dim was . Hearing f ere tfce senate and a away , wnn ; eucn ipuntoh itta JOar U torn on. a oom- , nereia; not more permKUd .ahaVVa THE as produced by Cecil Uo Mille, with Gernldino Farrar as the martyred maid. is the Chestnut Street Opera House's forthcoming attraction. aware, Is the Mayor of the llttlo town In which ho resides. Ho knows and loves tho ntmosphero of the local llfo. and through this condition ho has been nblo to Impart to tho opening sconeH of his play tho preclso effect of tho war declaration upon tho peo ple who are tho backbone of France, and to Interpret tho lofty, tho holy patriotism with which they entered upon a task calling for tho last ounce of self-sacrifice, grief and suffering on their part. "Briefly, tho story of 'Mothers of France1 Is woven nbout a woman, tho wlfo of n provincial squlro, whoso husband nnd Fon aro in tho fighting line, and who, for hei patriotic part in tho great struggle, volun teers for scrvico In the Bed Cross, becom ing a matron in tho hospital nt lthelms at tho front. Tho conflict deprives her 01 husband and son. Both expire from their wounds whllo she, having been informed of their injuries, is frantically searching for 'them In tho trenches. "Tho l love Btory concerns tho daughter of a neighbor, who engages herself to a suitor on the eve of his departuro for the battlefield, only to find that sho Is reall In lovo with another. The' man to whom she Is betrothed 'is blinded by a fragment of shell, realizes the hopelessness of tho futuro and offers to set his flanceo free, but she places duty nbovo heart anguish and refuses her liberty. Ho Is very happy over this act of loyalty, but by accident learns of her real feelings nnd Insists, not only upon being released, but bringing tho lovert. together. "It Is a story of self-sacrifice and nobil ity of character against the grim back ground of war an exalted poem of the screen." Throughout tho making of the picture Madame Bernhardt was'nccompanled by Mr. Mercanton, with whom tho Idea originated and who actively superintended each step of its progress. Describing his experiences, ho continued: "After securing tho consent of Madame Bernhardt, whom I had known very well for a number of years, It was easy to enlla the interest of M. Rlchepln, who most as suredly would not have entertained the thought of writing a moving-picture drama for any other artist or upon a topic less closely knit with his great love of Franc. WHY ELSIE FERGUSON WON'T DISCUSS GARB Star of "Shirley Kayo" Designs Her Own Gowns in Individual Fashion ' Ono of tho things that Elsie Ferguson' who appears In the now comedy, "Shirley Kayo," at the Broad next Monday, declines to discuss is her wardrobe Now It is very generally acknowledged that Miss -Fergu. boh Is one of the best-dressed women on the stage, and It Is no secret that she de. signs all her own costumes. Many women would doubtless like to know her Ideas in the matter of fashion. But Miss Ferguson politely evades all questions on tho subject. Sho says: "It Is true that I design my own stage gowns; and I do so for the sim ple reason that. In my opinion, the gown is a Very Important part of the character!, zatlon. J work out my gowns with the 'same care that I work out tho details of a role, so that the impersonation may bo In perfect harmony Should I describe my costumes and explain the why and whero foro of them, I would destroy the very effect they are Intended to produce; and. moreover, I would presently find myseli considered a modlsti, when I wish to be known only as nnactrpss. I have a greax fondness for clothi,)tiut I do not wish to be smothered by tmmlv Incidentally, In .."Shjrloy Kae," Miss Fer guson, appearing as a'soclety leader, wears some of the most stunning gowns of her career, says the press agent. THIS IMPORTANT DOG HAS AN UNDERSTUDY Michael, in ''Peg 0' My Heart," tho Proud Possessor of a Pupil Sometimes a dog Is Important for rea sons other than' his fighting ability or his habit of carrying off blue ribbons. Often ho Is Important because he has an extrn amount of gray matter In his head and then he Is worth almost his weight In gold. Take Michael, for instance, one of the dogs in "Peg oMSIy Heart." He Is so im portant that he must have an understudy, being probably the only canine "actor" in the world reaching this zenith' of histrionic endeavor. .Michael is an "Wrnery-looklng" little thjng, but he Is well bred and trained In the play there is also a. little white dor, the pet of society and supposedly the "class" of dogdom, while MlchaeJ.Ja the "scum" of the canine world. The' two are pitted against each other in a show of class dl 'tiactlon, which is where Michael baa to uie We braina. 1 1 j vreeTity mm' i uw btouq b ; ana in, it , wiii.tnav,! part SOUL OF FRANCE, ANCIENT AND MODERN, "It then becamo necessary to gain the consent and co-oporntlou of the Govern ment, and tho difficulties wcro minimized by the distinguished charncter of our au thor and star, as well an tho ultlmato pur poso of this plcturo drnma. Our company already had a motlon-plcturo news service at tho front which was of material value to tho Government's own photographic rec. ords of tho war, so tho matter was arranged with far loss trouble than might have been expected. "In fact, from tho moment our plans wero fully communicated to tho authorities wo had their cordial nsslstanco In every posslblo direction. Mmo. Bernhardt spent six days at Clmllons, about fifteen miles from the German linos, and from this base was takon to tho forward lines of trenchos every day In a military automobile under tho protection of two officers of tho head quarters staff. "Upon two of these excursions sho was actually under fire, and onco sho was treated to tho spcctaclo of a, German plane being shot down from tho sky. This was so near that sho could distinctly hear the projectiles from tno machlno gun pelting ngalnst the foreign plane. "Wo went on to lthelms, directly In tho fighting zone, whoro extremely effectlvo and dramatic episodes of 'Mothers of Franco' occur. Ono of theso scenes shows tho dls (ractcd wlfo and mother beforo tho still beautiful though sadly lacerated Cathedral, a,t the base of the stntuo of Joan of Arc, her patron t-alut nnd tho patron saint of France, offering a prayer for her country and her loved ones. "Wo found that tho Cathedral was In a great roped lnclosuro which nobody was permitted to penetrate excepting under cir cumstances of cxtrcmo urgency. We were allowed to stay for only fifteen minutes, tho explanation being that every tlmo a group or an Individual remalnod In or near tho Cathedral for a considerable period tho Gorman artillery, onlv two miles away, dropped a few moro shells Into tho Imme diate neighborhood. "How they get their Information 1b a mystery, but It Is supposed that they aro In telephonic communication with a spy foW!,oh,'iceptlc, Fannie Ward; mmmmmmmmmmmmmmmlmmmmmmmmmWmmmmmmmmmmmmmm ,' wWf' M&zt-'k vrv SPBk.MMMMMMMMMtiMMMMMMMMMMMMMMM y . MMMWii'3!vjML- V vS.. &W!JmMMMMmL1, y' JsKT l ' ?liaiaBs!j'iM $'$6$!l?J& MMMMMMMMMMh B 'kL MMExt'k MMMMMMMMMMMmtMl i V.JkOS ti ""Jp . J&S 'K ? V "" ' B iiiiiiiiiiiiHliiiiiiiiiiK k. MWr "" 1 MMMMMMMMMMMMMMMMWf','-''w'i'''i''-. ijMMMMMMMMMMMr&MMMMMMMMMMMhTLW:- ifktJs JKW fVi x ? ft i W'-, X MMMMW$-MMMMMMMm9 iPt ' W' ''''''''-'lllllHHlllllfiL9llilllH.li -' , '"'v-'' V l" 'VMaMW?MMMMBMMaMT!Mwfv'y--- . lf - '' "' V'. ,;' 'fc7 JmmT 1MMmW&MMM?MMw'&, iiK tsiliiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiiiW tAo? ' "" cv Vx$V- a V ''''wMaKHM' MMW'':iEMMMMMM h.iWMMMM&MjMMMWfMMMWfSfNMMMMMMMV MMMMMMwHS i v v 'StMMMMMMsKMW tiMMMM&MMMMPfFFMMMMMMMMmyA MrMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMBSft MMMMMM cfisfv I i''-1 i'h'''MMm'Mm'Sam MlMMtLJwMMMMMMMMMMtMMmKk MMtitif'f ??c'u'-ft wMMMtMMttlSEEMLdMMMMW. MMMMMMMMMMMMMMlMMLMW33fc''J I "'!?' ';"' i Af 'i MMtMMUir!MWMMMMWMMMmMMMMMMM vBSiS MijHMBiMMMMMr4Mt&rHl "-3gS222sip 1. QePI i M4s1amflBSHeLiiiiiiiiifl0HiiiiiiiiH saBida aiE91iiiiMH Do Mille, megaphone in hand, in spects tho water in the moat. Scraps From Untruthful Interviews By DICK WILLIS OPERA for me. Appearing in pictures does not pay. Gcral dir.c Famar. I think I will ro back to vaude ville. Cecil De Mille. , I have accepted an engagement with the Keystono Company. Clco Madison. A Ritl should limit herself to two hats a year. Ruth Roland. I am not good looking. My ad mirers tell me so. Crane Wilbur. Me for a steady position. Mon roe Salisbury. I hato close-ups. Pearl White. I prefer simple, childish parts. Madame Petrova. Do not drag me into the lime-light of publicity, please. Edna Good rich. Yes, I am to play Adonis. Ben Turpin. I do not wish to be called a movie star. Extra lady. hidden In ono of tho battered buildings near by. Whllo wo continued at tho Catho dral ono of tho French planes sailed con stantly overhead to warn us of any signs of approaching danger. 'The condition of Rhelms Is Indicated by tho fact that only two cabs nro oper ating In tho city streets. Ono of these Is owned nnd driven by a formerly well-to-do woman, who refuses to abandon her home, shell flro or no shell Are. "Mme. Bornhardt's perfect poise nnd calm during nil tho time In tho trenches was WHO SAYS THE STARS ARE Blanche Sweet and Mae Murray, Lasky lumlnarlei, at .the ftudio. Behind CRYSTALLIZED IN CELLULOID t ? &$ uW- -tA I 5 'X?) -- v - . MMMWS&tkMA 4 , 'II' . irf IP - f&KWYapi?''M Bernhardt encourages a blinded poilu in "Mothers of France," at tho Metropolitanfour times next week. She of the divine voice had some exciting experiences in making the picture. to mo an amazing exhibition of fortitude In n lady of her yeara, after a llfctimo of luxury, pleasant surroundings and, at least, tho abnenco of physical peril. "When I left Paris tho completed 'Moth ers of Franco' wan nbout to bo shown for tho first time, as a great national event, In tho Trocadero, which seats 7000 persons. Tho President of tho republic and the heads of tho civil and military departments were to bo present, nnd tho receipts were des tined for the French wounded fund. A similar representation Is shortly to bo given In London In tho presenco of King George nnd tho Government chiefs." Tho American Ambulanco Field Service will benefit from tho four representations next week of the plcturo, loaned to John II. McFndden, Jr., for theso exhibitions by World Pictures. Brady-made. Tho pioceeds I will go toward the 135,000 which Mr. Mc- Fnddcn Is raising for additional ambulances and their support In France Interest In tho series of exhibitions has been Indicated by tho fact that before any formal announcement was mado two prom inent Philadelphia ladles, Mrs Alexander Vnn Renssolaor and Mrs. Ernest Law, or dered boxes for their own use for Thurs day evening, April 12, when tho fir3t show ing Is to tako place. For tho Philadelphia engagement the samo elaborate musical setting that was used In New York will bo Interpreted by a largo orchestra, and it is posslblo that a well-known soprano of tho btago will sing "Tho Marsellalso" In French as a part of tho prologue. It Is llkoly also that the first Bhowlng will be preceded by a brief address by ono of Philadelphia's most prominent citizens, It is said that thoAmorlcan Ambulanco Field Servlco nt present Is costing a very largo monthly outlay to maintain, nnd that Mr. McFuddcn expects tho $135,000 he is earnestly striving sto ralso will supply the noccs.sary new equipment and keep tho service going for about it year Among the well-known Phlladolphlans In terested In tho success of Mr. McKndden's undertaking aro Mrs. Georgo Wharton Pep per, Mrs. Cornelius Stevenson, Miss Caroline Slnklcr and others. DISTANT? tbm 'T ' -: fV ! IV d&fc 'i .s,l I - , --V, jv "THE WANDERER" Pictorial Beauty of Vivid Order Makes "Experfl ence s successor a Cinema MOHP.IS GEST "and co-workers," aH the sociology-drama people would say, havo thrown down tho gauntlet to the movies. For somo years now tho films have been flickering along, saying silently In their unreeling, "Wo can do things the stage can't; we have tho most beautiful bconery. tho grandest vistas, tho longest visual scope, tho bravest, most primitive emotions In the world." Jn effect, Mr. Gest replies, "Assuming that you nro -worth your own vnluation, I will beat you nt your own game." And his answer has taken tho form of a big production of Maurice V. Sam uels's "biblical play " "Tho Wanderer." It la on lew nt the Manhattan Opera House, In Xow York, and may reach Philadelphia next season, Hero at last we have something that actually docs challenge comparison with an Ince, a Bri-non, with a "Cablrla" or any other cinema spcctaclo that Is bold and brutal, slmplo and rensuous. But wo have, moreover, a surprising advance In art, both as to tho word that Is written and the ' scenery that is painted. "Experience," with Its hugo money success, made us fear that a whole hand of "Experiences" would be Bhuff.c'l and dealt yearly in tho theatrical poker game. In a way, "Tho Wanderer" docs not allay that fear. However, In two ways tho plcco Is a noteworthy advance on "the most wonder ful play In America " Ono is that the author has abstained from the hideous prnctlce of making his characters gen eral terms, such as lust, pride, gluttony, travel and the like. He gives them names, and ono feels on that11 account that one Is watching tho actions of definite persons, not assisting at tho spurious renaissance of tho old morality play. Tho other Is that the llternry quality of tho composi tion, while highly spiced with "thecs" and "thous" and purple patches that have faded The Stanley Booking Corporation JHE following theatres obtain tholr worporaiion.iwiucn is a guar.wueo oi eariy snowing or the Hnest productions. All pictures reviewed beforo exhibition. Ask for the theatre In your locality obtaining pictures through the STANLEY BOOKING COBPORATION. AI MAIinnA 12th. Morris & Passyunk Av, ALnAlVlDIXrA Mat. Daily 2: Eves. 0:45-0 Paramount Pictures. WALLACE ItEID and MYRTLE STEDMAN THE PRISON WITHOUT WALLS" APOLLO D AND THOMPSON MATlNEr. DAILY CONSTANCE TALMADGE in "BETSY'S BURGLAR" ARCADIA CHESTNUT BELOW tTH House Peters 6c Myrtle Stedman in "AS MEN LOVE" BELMONT BID AND MARKET PEGGY HYLAND in INTRIOUE m t Trrnion broad and DL.UCDirS.L' SUSQUEHANNA AVE. SESSUE HAYAKAWA in "EACH TO HIS KIND" FAIRMOUNT $? avenue Wallace Reid & Anita King in "THE GOLDEN FETTER" 56THST. ?!' MAT. DAILY Bel. Spruce. Eie. 7 to 11. MAE MURRAY in "ON RECORD" GREAT NORTHERN ABe WILLIAM S. HART in "THE SQUARE DEAL MAN" IMPFRIA1 COTH and WALNUT STS. CARLYLE BLACKWELL in "THE SOCIAL LEPER" JEFFERSON 29TH8KJETDSAUPHIN WILLIAM FARNUM in "THE PRICE OF SILENCE" ' I FAnFR FOnTY-PIRST AND l-E-ALEr LANCASTER AVENUE MAE MURRAY in - "ON RECORD' LIBFRTY BROAD AND ' 1 1 D E, I 1 I , COLUMBIA ALMA HANLON in "PRIDE AND THE DEVIL" ' HiKni.nmiia!wai;ui!U!!i;ii: ailillMBlDllllllll tVEST PniLADKLPHLl TFDAR 'l0TH AND -CEDAn ave. lUfil PARAMOUNT TIIBATRf Franklin Farnum 4? Agnes Vemon in "The Man Who Took a Chance'' COLISEUM MARKET BELOW UUTII Frankie Mann in "The Sex Lure" lil nw TfAfn& S.. "THE PURPLE MASK." No. EUREKA ANaARKBT BTREBTB ' MM i. mi BEATS f",f jmfimi M 1 1 1 r w mB ITA ft 'Vilhlll'wi f 1 'tis."' '' MOVIES AT THEIR GAMI rsoteworaiy uen to Spectacles a bit, Is neither devoid of rhythm nor of'J tiuu vi iuugn rumunce. To get nway from the individual merlti the drama, and return to Its one larci'iiJ Illuminating quality. It must be repeittijl nciu io u Hijvtiuuiu mill iukcs ine TnonN norm and (Us It to tha plnyhouse. FuriheJ more, It adds that last touch of buttil (v hlch should be first In the motion pl lures, nnu win somo day, one hopeiU coior. oi oniy navo Messrs. Gest, CM stock nnd Elliott commissioned decorito who can schemo and fashion rural runww for browsing sheep (please note the nnd Ironic challenge to tho picture ducers In that), palaces, and great 1 drops and wells and pools. They have to It that gorgeous pigment lends Its IniU ous charm to tho whole. The finely propi lioneu nouso or J ether's father In the I act, with Its stucco surface bathed In I yellow sunshine, and heightened In effect ness by natural shadows. Is onlv mate! In appeal to tho eye by the sumntuoi adornment of the second, where glowll corrmors are set against n sky of moa pictorial mue, and an innnlty of del Ruggesis iur. ue:asco. in fact, It Ii I that he did have a hand, or at least a fin in tho pie. But whether It bo n dull-brown cano that one' picks out. for individual admlr tlon or a red cliff, tho admission must ! mado that 'The Wanderer" has dletla scenic merit Merit there is. too. in the 1 terpretation. On paper the cast looks lit an all-star revival such as William wrady used to put on each spring till 1 lau went out. This Is not tho placo to co Into details of the stage business, some of I extremely clever and costly. It must added, however, that tho Incidental mu Is ingenious, even if no cello ever made equal tho heavenly and hoarse, accents i Nanco O'Xell. B. D.'tl '4 pictures through the STANLEY Booking LOCUST 02DJDOCUST . "ill Douglas Fairbanks In DOUBLE Vfl TROUBL MARKET ST. Theatre ", t. "ILFIIKD LUCAS In "LOVE SUBLIM1 Lvery Wed "The. Purple Mask." Ford-Col Lvery trl.7-"Oreat Secret," Bushman-Bi: OVF.RRR nnV "3D & HAVERTOB .-.wvi-k llovr-Joni-a l'n On LIONEL BARRYMORE in "THE END OF THE TOUR" PA! APF 1214UIARKET STREET fj -w 1 10c 20c O PAULINR FRFnPRirkT ; M "SAP II O " PARK nioan ave. & pAurm.v sr. A rj"vrrv Mttt 2,,s Evg( 6,4y.,iJ 1V1AKY r-ICKKORD in Yl . fWH UlliLU III CI I OIIIL.". JI PRINCESS 10" "SCT DOROTIIY- DALTON In "BACK OF THE I KVITV TllHrV"TT7TT' flnnitn ntKAnnXtl tnrlnir Francis nnahman Bn t.....iu n RFOFNT 1C34 MAHKET STREET J 1X1VJII1 1 UVUAN VOICE OROii ROBERT B.MANTELL in TANOLED LIVES P T A I.TO QERMANTOWN AVE. ,'i ix i-i i i V-. AT TULPEnocKEN I GEORGE WALSH in MELTINO "MILLIONS" RURY MARKET STREET 71 UUU ' BELOW 7TH STRBBj iviMDtL. lAUIAhc-KKOin "THE BARRICADE" SAVOY 12U-MARKET l3nVU1 t STREET VIOLA DANA in 1THB MORTAL SIN" ' STANI FY MARKET ABOVE lOTH'fj o-rtixu.c.i U.,B A M to iijis r.m ' . i iu u n a n is j tz a ; vi "THE BOTTLE IMP" STRANin OERMANTOWN AVENUE Jj U 1 l.finLS AT VENANQO STBrt . AJNUASTLWART n fl I "TUB OIRL PH1LIPPA" VIPTOR 1 A MARKET ST. 41 t .. w.- ABOVE NOT Lois Weber & Phillips SmalleW "IDLE WTVKS" ! NORTH PHILADELPHIA FRANKFORD 4IU TOANKffla Wallace Reid and Anita King i The Golden Patter" RIDGE AVENUE im B,DQB Peggy Hyjand 6: Marc McDe m uunmc, TIOGA 'iTNDvW WILLIAMiS. HART. V m ooaynanwry at M&m?2 :.Vtl H' ' 'ii-